NEWS 6.6.2026
Aktuelle Reviews :
MERLIN – „ IM REICH DES ZAUBERERS“
Noch mehr aktuelle Infos rund um den Globus findet ihr unter : https://www.facebook.com/mario.klein.961/ https://www.facebook.com/Undergroundfanzine/
Vancouver (BC) - Canadian Thrashers W.M.D. (WHEN MINDS DEVELOP) have released AGAINST ALL WARNINGS, the band's second full-length album on vinyl, CD, and digital formats.
FFO: Classic Thrash, Megadeth, Slayer, Nuclear Assault, Sepultura, Exodus, Kreator, Testament
Stream/Purchase Against All Warnings:
https://wmdofficial.bandcamp.com/album/against-all-warnings
https://distrokid.com/hyperfollow/wmd5/against-all-warnings
Thematically, Against All Warnings concerns the constant human need for more, where nothing ever feels good enough, and people ignore every warning sign until everything starts to collapse. The album is also a reflection of W.M.D.'s experience during the last few years: refusing to quit, getting angry at what the world really is, and trying to find their place in the middle of all of it. Every song comes from a different perspective on the chaos and pressure people are living through every day.
"The songs were built in the jam room first, so what you’re hearing is the exact pace, feel, and weight of what we created, while feeding off each other’s energy in the room. We wanted it to feel alive, raw, and honest. We’re proud of this record and stoked to finally share it with you." - W.M.D.
In other W.M.D. news, the band has hit the road with countrymates Iron Kingdom for the True North Strong and Heavy Canadian Tour 2026. Tour launches tonight at The Rickshaw in Vancouver for the album release show! Scroll down for tour dates.
Track Listing:
1. Eyes Of A Killer
2. Against All Warnings
3. Kleptomania
4. The Black Expanse
5. March Of Death
6. The Thin Red Line
7. Post Human Predator
8. Already Dead
9. Painful Vengeance
Album Credits:
Produced by Skyler Mills.
Co-Produced by W.M.D.
Mixed & Mastered by Adair Daufembach.
Pre-Production by Ryan Idris & Skyler Mills.
Drums recorded by Dan Yakimow at Monarch Studios, Vancouver, BC.
Assisted by Aaron Klassen.
Guitars & Bass recorded by Skyler Mills & Adair Daufembach.
Vocals recorded by Adair Daufembach @ Daufembach Studios, Los Angeles. CA & Colin Ryley @ Singularity Sound Studios, Vancouver, BC.
Sound Design by Skyler Mills.
Guest Guitar Solos:
"Post Human Predator," "The Thin Red Line, and "Painful Vengeance" perofmed by Casey Trask.
"Against All Warnings" performed by Kai Sakaguchi.
Artwork by Alex Malakmadze.
W.M.D logo by The Pit Forge.
All songs written and performed by W.M.D.
Independently released by W.M.D.
In other W.M.D. news, the band has hit the road with countrymates Iron Kingdom for the True North Strong and Heavy Canadian Tour 2026.
W.M.D. Line-Up:
Skyler Mills - Vocals/Guitars
Jon Power - Bass
Ryan Idris - Drums
Bio:
W.M.D. (When Minds Develop) are a thrash metal trio originating from Calgary, AB. Recently migrated to Vancouver BC, re-establishing themselves with a new line-up featuring local shredders Jon Power on bass (Mvlgrave/ Heteromorphic Zoo / Over the Coals/Aggression), Ryan Idris on drums (Aggression/ Heathen/ Expain) and original member Skyler Mills on guitar/vocals leading the charge.
www.wmdofficial.com
https://www.facebook.com/WMDofficial/
Your patience will be rewarded. Chile’s RIPPER
returns with their first full-length since 2016’s Experiment of Existence.
The last decade has seen RIPPER refine their attack into a lethal blend of old-school death metal and thrash-or-be-thrashed aggression. The band has undeniably earned a reputation as one of South America's premiere extreme metal exports.
Witness the band's triumphant return with the first single off TOWARDS REBIRTH, "THE SOURCE EXTERMINATOR."
Stream the track at https://www.youtube.com/watch?v=J_QqGRoVQ2Q
Towards Rebirth contains the band’s most violent work to date. Razor sharp guitar work, intense drumming and well-crafted songs are still there…only more concise, more vicious.
Dark Descent Records will release Towards Rebirth on July 24 on CD, vinyl and digital formats.
Pre-order Towards Rebirth at:
www.darkdescentrecords.com/shop
www.ddmsuo.eu
www.darkdescentrecords.bandcamp.com
Track list:
1. The Secular Awakening
2. World of Darkness
3. Towards Rebirth
4. Final Hologram
5. Into The Coldness of Land of Dead
6. The Source Exterminator
7. Messages From The Other Side
8. The Secret Dawn
9. The End of Universe
10. Procession to the Eternal Rest
This album is highly recommended for devotees of early Sepultura, Kreator, Pestilence and Sadus.
Towards Rebirth was recorded, mixed and mastered by Pablo Clares at DM6 Studio. Artwork by Paolo Girardi.
RIPPER is:
Patricio Spalinger - Vocals/Lead and Rhythm Guitars
Javier Buzeta - Drums
Tomas Barriga - Bass
Nicolas Young - Lead and Rhythm Guitars
www.darkdescentrecords.com
https://www.facebook.com/ripperchileoficial/
Label: Apocalyptic Witchcraft
Release date: September 4th 2026
Genre: Atmospheric Blackened Tribal Metal
For fans of: Heilung | Negură Bunget | Behexen | Dordeduh | Gaahl’s Wyrd
In a time before history, in an age before memory, they walked the vastness of the earth, an earth untainted by the plague bearing, rapacious hand of ill-named civilisation. An earth where the clinical, dissecting sterility of science had yet to drain the essence of nature, the power of magick from the world. A time before light was an instantly available commodity, disrupting the rhythms of existence, a time when shadows were deeper and concealed dreams, nightmares, friends and enemies. A time when there was no certainty of the dawn arriving after the long hours of night, but when every moment thrummed with the vibrant, vital wonder of existing. They walked in the shadow of giants, the true kings of all existence who knew no fear from man’s busy, wicked minds. They lived on the brink of death, more alive than we can ever be, when humanity was part of life’s miraculous, intricate weave, not a devil apart, setting fire to Eden…
The UK’s Wyrdstæf invoke the spirit of the Palaeolithic and Mesolithic ages, where our distant ancestors roamed a world of ice and natural wonder, hunter-gatherers amongst the incredible megafauna. An existence of brutal harshness in an untarnished but unforgiving world. Through a hypnotic and transportative elixir of layered throat singing, distorted guitars, field recordings and ritualistic chants they seek to reach back into the distant past, not in an act of mimicry, but in an attempt to connect with the essence of a time that exists in the deepest waters of cultural memory and the collective unconscious. Having appeared on national television, performing Egil’s Saga, an Icelandic family saga about the life of 10th century warrior-poet and farmer, Egil Skallagrimsson, on the Channel 4 programme Britain’s Most Historic Towns, the band self-released their debut EP, Great Migrations, in 2021 – a meditation upon ancestral movement and extinction. Now, having signed to Apocalyptic Witchcraft in the Autumn of 2025, Wyrdstæf are ready to unveil their first full length album, the incredible journey that is Primordial Bloodlines!
With its elemental rhythms and tribal chants, an encroaching thunder, ‘White Spring’ draws the listener into Wyrdstæf’s prehistoric vision, forming a gateway into this distant reality which exists in the liminal space between dream and memory. Then ‘Great Migrations’ surrounds us in all its majesty – the cavernous vocals and furious onslaught of sound bringing to life something beyond ancient, something harsh and extreme that can never be forgotten. There’s a sense of shamanistic power entwining with the blackened metal tumult as it carries us through the haunted lands of ‘Hyperborean’ into the wild, visceral celebration of sheer survival that is ‘Parhelion’ – infused with a primitive vigour that strikes fear into the tamed, muzzled soul, in its soft, comfortable chains. Circling the fires that keep the terrors of night at bay in these epic tracks, the brittle modern attention span is cast aside as we reach deep for the innate understanding that lies within. This monumental journey ends in the bower of ‘Primordial Bloodlines’, a song of reflection, beauty and melancholy. A hymn for precious things lost and the pathways that lead back through the mists of countless centuries. Wyrdstæf have crafted something special and filled it with the spirit of an age that could be the saving of us all.
In the words of the band themselves, “Wyrdstæf has always been about tapping into something ancient and primal; a memory of a world that once was. For us, this is a way of reflecting on and channelling the primordial origins of humanity.” Join them – and remember things you have always known. Primordial Bloodlines will be released by Apocalyptic Witchcraft on September 4th, on limited edition splatter vinyl, digipak CD, cassette and digital formats.
Line-up:
Urzhan – Vocals
Shaman – Guitars
Baksu – Bass
Malang – Drums
Revenant - Guitars, Electronic
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/Wyrdstaef
SINSID – „ALL THAT REMAINS“
Label: Pitch Black Records
Release date: July 10th 2026
Genre: Heavy Metal
For fans of: Judas Priest | Blind Guardian | Accept | Helstar | Syron Vanes
Born on the windswept western coast of Norway, the brainchild of vocalist Terje Singh Sidhu, Sinsid are the living embodiment of raw, powerful heavy metal. Infusing everything they do with their genuine, burning passion for metal music, the band have been honing their craft and sharpening their weapons of war for fourteen years, delivering magnificent live performances that live long in the memory and a triumvirate of albums, each one more impactful and uplifting than the last. The most recent full album release from Sinsid was 2022s In Victory, a collection of songs that received extensive critical acclaim from across the metal world; in Europe Soundmagnet declared the album an ‘epic work’ that ‘consistently distinguishes itself from the majority of old-school heavy metal’, while over in Australia Metal Roos hailed ‘a fiery romp of very heavy traditional metal’. Sinsid followed up the success of In Victory with two magnificent singles in 2024, both of which have paved the way for their latest triumph – their fourth album of indefatigable, undefeatable metal. Proud and defiant, All That Remains is set to raise the Sinsid banner high once again!
Opening with its title track, All That Remains shows immediately that Sinsid are operating at the peak of their powers – harder, heavier and more accomplished than ever before. Sharp, melodic riffs and emotion-laden vocals combine to deliver a song that instantly claims a place amongst the band’s finest recorded works. And incredibly Sinsid not only maintain those standards as the album unfolds, they seem to casually turn the dial, ramping up the power and the quality even higher! ‘Sarcophagus’ is fast and furious with a dark and sinister touch, an adrenaline-packed headbanger of a track, while the crunching guitars, galloping rhythms and anthemic chorus of ‘Running’ mark it out as a timeless classic. ‘Lawless Hunter’ is atmospheric and infectious, ‘Breaking All The Rules’ utterly irresistible and ‘Somewhere In The Dark’ could have stepped straight out of metal’s golden age. By the time you reach the ominous feast of steel that is the concluding ‘Lords Of The Northern Land’ the sheer stature and might of All That Remains has been carved in stone forever.
Mixed and mastered at Green Engine Recording with the respected Tom Poole-Kerr, who has worked with the likes of Evig Natt as well as on Sinsid’s own In Victory, All That Remains captures the essential essence of Sinsid. Every element of the band’s sound has its place in the spotlight, from the thundering rhythm section to the gritty riffs, the electrifying lead work to the distinctive, domineering vocals. Sinsid have never sounded better than they do on All That Remains and they have never delivered such a consistently fantastic selection of raw, honest and finely crafted metal anthems. Pitch Black Records, Sinsid’s stalwart supporters since their early days, will release All That Remains on July 10th, on LP, CD – complete with two exclusive bonus tracks - and digital formats, completed by the artwork of Andy Pilkington of Very Metal Art (Flotsam & Jetsam, KK’s Priest, Tygers Of Pan Tang and many more metal luminaries).
With Sinsid summoning up albums like this, heavy metal will never die!
Line up:
Terje Singh Sidhu – Vocals
Erik Westerlund – Guitar
Grzegorz Urbanski – Bass
Trygve Andre Tvedt – Drums
Jostein Marø– Lead Guitar
*Backing vocals performed by Even Håvold, Robin Wick, Ivar Birkeland, Erik Westerlund
*Additional guitars on ‘Sarcophagus’ and ‘Time Is Ticking’ performed by Even Håvold and Sten Roger Knutsen.
https://www.pitchblackrecords.com
https://www.facebook.com/stonecastmetal/
Here's the lyric video for the title track, "The Wizard Of Doom", directed by Gianfranco Logiudice (aka Noxifer): https://youtu.be/D3TzGVFNsI4
The new release, which will be out on June 12th via Club Inferno Entertainment, represents a return to the band's musical roots, thanks to the dark atmospheres, slow rhythms, and epic sounds so beloved by bands like Candlemass, Pentagram, Solstice, Solitude Aeturnus, and Trouble.
https://www.facebook.com/SorrowSphere
HELL-BORN (Poland) reveal first single IN SCARLET AND DEATH
: https://www.youtube.com/watch?v=b6dlLZw_qbc
Hell-Born official presents a lyric video for "In Scarlet And Death", the first single from their upcoming album "VII". The new album will be the band's most comprehensive, ominous, and apocalyptic effort to date. It will feature seven tracks of old-school death/black metal, infused with the band's signature melodies. Recording, mixing and mastering took place at Crème de la Crème Studio in Tczew.
The album is scheduled for release on October 9, 2026 via Deformeathing Production.
Before that the band will play in France @ Mennecy Metal Fest, a first gig in France in more than 20 years !
Back catalogue is also planned to be rereleased on Deformeathing Productions - stay connected :)
Little biography :
Hell-Born is a prominent Polish extreme metal band that blends black, death, and thrash metal. Formed in Sopot, Poland, in late 1995, the group was established by Adam Muraszko (known as Baal Ravenlock) and Leszek "Les" Dzięgielewski, both still members of the legendary metal band Behemoth. Their music heavily centers around themes of Satanism, hell, armageddon, and anti-Christianity.
https://www.facebook.com/Deformeathing
https://www.facebook.com/officialHellborn
Label: Apocalyptic Witchcraft
Release date: July 3rd 2026
Genre: Atmospheric Blackened Doom Metal
For fans of: Primordial | My Dying Bride | Negura Bunget | Cnoc An Tursa
Hailing from Ireland’s County Cork, Soothsayer have been weaving their visceral tapestries of sound and story, magick and melancholy since 2013. Their output has been considered and unhurried – just a handful of releases over the years, including a solitary full-length album in the form of 2021s Echoes Of The Earth – but each offering to bear the Soothsayer name matters; it carries weight, significance and a sense of purpose. Now, having recently announced their affiliation with the highly respected Apocalyptic Records label, Soothsayer are set to unveil their next portentous creation – their second full length album. Blending primal instinct, raw emotion and accomplished art, Soothsayer have once again delivered songs of import and substance, sounding like a band with lifetimes of releases and shared experiences behind them. Shaped by history, identity and tradition, infused with passion and tempered by grief and rage – it is time for The Unbinding.
In a thunder of drums and an attack of shocking, blistering intensity, ‘Eroding The Sky’ snatches the hesitant listener from the threshold and carries them into an all-encompassing maelstrom of sound. That initial charge collapses into a mire of mists and dark majesty, immense vocals exclaiming above the haze of mystery while bewitching threads of melody unwind through the shadowed gloom. Before this first song has passed you have been transported completely into a world of Soothsayer’s imagining. A passage of haunted invocation delivers you, seamlessly, into the waiting arms of ‘Sooner Acceptance’, it’s plaintive acoustic guitar and tortured vocals quickly consumed by vast chords and colossal drums. ‘Sooner Acceptance’ never allows you to settle, shifting from towering doom to blackened venom; it stretches out, recoils, attacks - possessing a malignant life it offers no safe harbour within its cruel kingdom. Each song that makes up The Unbinding is an elemental, storm-tossed challenge – part of the overall journey, but also long, hard, transformative roads in their own right. ‘Endless Shesha’, each note burdened with the weight of the world suggests secrets within its serpentine coils, tempting you into obsessive repeated listening, while the emotional intensity of ‘The Vine’ is fierce, draining and exhilarating. The versatility of vocal expression here is remarkable, with Liam Hughes playing narrator, sorcerer, hermit, priest, combining storytelling with the outpouring of overwhelming emotion. The winds between worlds carry us finally to the concluding ‘A Vague Shimmer’; loss, ritual, imposing presence haunting its repeating guitar motifs. More than any other, this song echoes with the essence of Soothsayer’s island home, inescapable bindings reaching back to the past. The Celtic guitar at the song’s heart, the drums touched by the ghosts of ancient heritage and an indefinable sense of passing combine to make this a most fitting ending to a quite incredible album.
Brought to life with sound engineer Shaun Cadogan (Coscradh, Diocletian, Dread Sovereign etc) at Last Light Recordings in Dublin, The Unbinding sounds magnificent – every individual element of the band given power and clarity, just the right level of prominence afforded each intricate detail, while all is bound into a huge, cohesive force. Soothsayer have outdone themselves with The Unbinding, delivering a superlative distillation of their art. Look for its coming on July 3rd, on limited edition vinyl, digipak CD, cassette and digital formats – all from Apocalyptic Witchcraft.
Line-up:
Liam Hughes - Vocals
Marc O’Grady - Guitars
Gerard O' Callaghan - Drums
Con Doyle - Guitars
Pavol Rosa - Bass
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/soothsayerdoom
Bergen, Norway & Athens, Greece; 5 June 2026: Bergen-based melodic black metal outfit SWORN have have released the first single from their fifth album, “NULL CROWNED THE INFINITE”, which will be released on 4 September 2026.
Listen to “Null Crowned the Infinite”: https://youtu.be/QoDwAk4OTgI
The track is also available now via all major streaming services.
Three years following the critically acclaimed “A Journey told through Fire” (2023), the new album navigates a sprawling conceptual narrative, tracing the cyclical nature of the cosmos from its initial spark in the void to its inevitable dissolution.
Lyrically, the album explores the terrifying scale of cosmic darkness and the fragility of existence within a primordial emptiness. Sworn investigates the philosophy of becoming and unmaking, where reality and time emerge from nothingness only to eventually collapse back into the same unfathomable origin. Musically, “Null Crowned the Infinite” pushes the boundaries of the band's established sound, balancing their signature melodic tension with newfound levels of aggression and atmospheric depth. The record features "The Starless Origin", a twelve-minute epic that stands as their longest composition to date, alongside "Fracture of Aeons", which the band identifies as their most aggressive track ever recorded.
Sworn collaborated with renowned producer Jens Bogren at Fascination Street Studios, who handled the mixing and mastering. Bogren’s legendary portfolio, featuring giants such as Opeth, Arch Enemy and Behemoth, brings a polished yet devastating edge to the performances of Max Wilson, Christoffer Kjørsvik, Gøran Hope and Tom Ian Klungland. The album artwork is equally striking, created by Pär Olofsson, known for his iconic work with Aborted and Kreator.
While Sworn continues to operate as an independent entity for the recording and production, they have partnered with The Circle Music to handle the physical releases under a special licensing deal. The release includes a Digipak CD alongside two distinct vinyl variants: Marbled Smoke and Marbled Green.
Pre-order “Null Crowned the Infinite”: https://thecirclemusic.gr/product-category/distributed-stuff/?filter_artist-name=sworn
Track list:
1. The Starless Origin
2. Null Crowned the Infinite
3. A Cosmic Storm
4. Fracture of Aeons
5. The Entropic Void
6. Circle of the Eternal
Lineup:
Max Wilson - Vocals
Christoffer Kjørsvik - Guitars, Bass and Synthesizers
Gøran Hope - Guitars
Tom Ian Klungland - Drums
All music written by Christoffer Kjørsvik
Lyrics by Christoffer Kjørsvik and Max Wilson
All instruments except drums were recorded at Sworn Studio
Drums recorded at Taakeheimen Lydrike, engineered by Semming Haraldsen
Mixed and Mastered at Fascination Street Studios by Jens Bogren
Produced by Sworn and Jens Bogren
Cover artwork by Pär Olofsson
Since their debut “The Alleviation” in 2007, Sworn has evolved from a solitary vision into a powerful force in the black metal scene. Their history includes notable performances at major European festivals such as Summer Breeze, Ragnarök and Ultima Ratio, as well as tours alongside bands including Behemoth, Aborted and Helrunar. In 2023, Sworn released “A Journey Told Through Fire”, an album that became a defining moment for the band. Widely praised for its intensity, atmosphere and emotional depth, the record pushed Sworn to new heights and solidified their standing as one of Norway’s most well-known melodic black metal acts. Darker, sharper and more focused than ever before, the album captured the essence of everything Sworn had been building toward since their inception. Now, in 2026, Sworn return with “Null Crowned the Infinite”, a worthy successor that expands on the darkness and power that defined its predecessor while pushing deeper into bleak and atmospheric territory. The new album stands as the next chapter in the band’s relentless evolution. On stage and on record, Sworn continue to carry the fire forward with unwavering conviction.
https://thecirclemusic.gr/
https://www.sworn.no/
https://www.facebook.com/swornnorway/
Technical/progressive death metal band Xenosis have gone above and beyond on their fifth album - their first on a label - to elevate their craft and have even added elements of brutal and dissonant death metal. The result is a delectable, challenging, engrossing album that you won't tire of easily. It's a rare pleasure to keep revisiting it and discovering new things each time. The album is out on in full now!
Check it out on https://xenosis-label.bandcamp.com/album/hermetic-transmutation
XENOSIS – „HERMETIC TRANSMUTATION“
Genre - progressive/technical Death Metal
For fans of - Death, Martyr, Atheist, Gorguts, Evilyn, Mors Verum
US progressive/technical death metal Xenosis have been at it for years, honing their craft with each album and showcasing a flair for experimentation too. On their fifth full-length album, "Hermetic Transmutation", they retain their core sound as they elaborate on both the progressive and technical aspects, even borrowing elements of brutal death metal and dissonant death metal to achieve that. The influences are finely integrated into their ever throbbing, busy music, never seeming forced and instead adding meaningful variation to their intense sound. The music's persistent groove belies its highly intricate quality; there's just so much happening while you're busy bobbing your head, tapping your feet, or rolling on the floor. After years of toiling, Xenosis have created a delightfully engrossing album that is bound to confound, tantalize, and ultimately satiate fans of this kind of music.
Line up
Sal Bova - Vocals
Gary Marotta - Drums
Kenny Bullard - Guitar
Keith Benway - Guitar
Travers Kenney - Bass
Artwork by Graphic Nightmare
Track listing
1. Sentient Shapes
2. Prolapsed Twin Entombment
3. Spore Whore
4. Engravings for Dyslexic Clairvoyants
5. Rapid Metamorphosis
6. Sea of Teeth
7. Altar of the Hound
8. No Longer Human
https://www.facebook.com/transcendingobscurityrecords/
https://www.facebook.com/xenosisband
Thank a ton once again ! Cheers! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
The album is out now on CD, vinyl and digital formats via Dark Descent Records and Me Saco Un Ojo Records.
On Cranial Devastation, DEAD VOID returns not with reinvention, but refinement of their singular, suffocating vision. Where the band’s debut Volatile Forms introduces a band steeped in cavernous atmosphere and psychological unease, their newest outing showcases something more deliberate, violent and far less forgiving.
Across five sprawling tracks, DEAD VOID invoke a form of doom-laden death metal that shuns clarity in favor of chaos. The album collapses inward under its own weight, lurching between glacial crawl and frantic rupture, with unearthly vocals screaming out like transmissions from beneath layers of sediment. The end result is controlled descent – oppressive, disorienting and relentless.
Recorded mostly live by Marcus Ferreira Larsen at No Master's Voice, Cranial Devastation faithfully preserves DEAD VOID’s raw presence without sacrificing their dynamic range. The approach lends a sense of instability that permeates throughout the entire record. The album ends with a crushing Adrian Borland and The Sound cover.
Track list:
1.Regurgitation of Ancient Manifestations
2.Isolation's Hold
3.Phantosmial Stench of Decay
4.Cranial Devastation
5.Jeg Kan Ikke Flygte Fra Mig Selv
Mastered by James Plotkin at Plotkinworks and featuring the artwork of French symbolist Odilion Redon, the album’s presentation mirrors its sound – surreal, decaying and steeped in tension.
All songs by Dead Void, except track 5 originally by Adrian Borland and The Sound. Track 5 lyrics translated by S. Boesen and K.
DEAD VOID is:
A.: drums, bass, vocals
K.: guitars, bass, vocals
www.darkdescentrecords.com
VERTIGINOUS – „INCESSANT AFFLICTION“
Label: Comatose Music
Release date: August 7th 2026
Genre: Brutal Death Metal
For fans of: Indecent Excision | Embodied Torment | Disgorge | Gorgasm
Through the long, cold hours of night, in that darkness which seems to stretch into forever, I gaze upon the countless wounds that disfigure my skin; the long, jagged scars, the deep, never healing cuts – infected and pustulent – a tracery of torments unending. And beneath the skin, within the cage of bone and flesh that imprisons me, the voices scream, unceasing howls of rage and hatred, agony and terror, sneering spite and abject ruin. I am a construct of madness, plagued by memory and steeped in blood, haunted and beset by devils. There is no end in sight, no hope for respite from the ravages of horror. I am trapped in this eternal nightmare, this incessant affliction…
Having left the brutal death metal scene battered and broken with their 2024 debut album, Reek Of Putrefaction On Excruciating Lust, Indonesian duo Vertiginous have returned with a sickening second serving of mind warping malice – Incessant Affliction! Ten new tracks delivered with a breathless intensity, each one a fresh wave of dread and terror, another injection of adrenaline straight into the chambers of the heart. It all begins with ‘Suffering, Misery And Slaughtering’, a furious assault of bewildering savagery, monstrous riffs, frantic drumming and a voice from the darkest recesses of the dreams you try to forget, the blistering pace slipping into an agonised crawl through the detritus of death. The superb riffs in tracks like ‘Engraved Loathing’ are realised with surgical precision and the levels of performance from multi-instrumentalist Hendika Dwi Prasetyo are off the scale, as he invokes the sound of a body torn apart. The vocal performance from Jossi Bima is equally impressive, his bestial exhortations like drowning in blood on the deeply unsettling ‘Chaotic In The Weakened Reason’. From the vicious jabs and sick bass tones of ‘Tortured With Endless Despair’ through the violent rampage of ‘Incubated Inquietude’ – shocking in its force and velocity, intensely satisfying in its single minded purpose, its absolute need to destroy absolutely – to the remorseless ‘Unclear Misery’, a final demand for no mercy, no quarter asked or given, just wholesale slaughter to the last gasping breath, Incessant Affliction towers above the average brutal death metal fare. These acts of torture have been meticulously crafted and steeped in the very essence of rot, decay and carnage.
Mixed and mastered at Endless Gruesome Studio, where the likes of Vile Desolation and Analtopsy have spawned their cruel creations, Incessant Affliction has a sound that conjures visions of bodies raked by methodical bursts of machine gun fire, the vicious disassembling of the human form. With its entrails and organs adorned in the unnerving artwork of the renowned Timbul Cahyono, aka Bvllmetalart (Avulsed, Defeated Sanity, Massacre etc), Incessant Affliction will be unleashed upon the world by Comatose Music on August 7th. Vertiginous are coming and there is no place you can hide.
Line-up:
Hendika Dwi Prasetyo – Guitars/Bass/Drums
Jossi Bima – Vocals
https://www.comatosemusic.com/
https://www.facebook.com/vertiginousbrutal
For fans of : Archgoat, Belphegor, Deicide, Immortal and Marduk.
Dragsholm make their return to Horror Pain Gore Death Productions with the debut full length album From The Bloodlines Of Bram! Following up on the Sorrow Hexen EP released in 2024, Dragsholm continues to push the boundaries of Blackened Death Metal.
From The Bloodlines Of Bram explores the story of Dracula, war and occult themes. Dragsholm's unique blend of brutal riffs, melodic passage, pummeling drums and unforgiving vocals defines what Jersey Devil Bestial Black metal is all about!
Listen to the single "The Wandering Relic" at https://www.youtube.com/watch?v=kEWDJXhYTBI
Tracklisting:
1. Irina's Heart
2. The Wandering Relic
3. I Am The Impaler
4. A Coffin Unscathed
5. A Kingdom In The Land Of Shadows
6. Battling Through The Stormlands
7. Crosses Drowned In Blood
8. Thorns For Mina
www.youtube.com/user/horrorpaingoredeath/videos
www.facebook.com/horrorpaingoredeath
Label: Independent Release
Release date: June 3rd 2026
Genre: Gothic Metal/Post-DSBM
For fans of: Amesoeurs | Sylvaine | Katatonia | Frozen Ocean
“Faces, cities, years drown in purple mist of desuetude…”
‘Desuetude’ is the first single to be released by Léan, an intriguing new coalition of musical talents that brings together Vaarwel, known for his work under the windswept banner of Frozen Ocean and as part of the enigmatic Goatpsalm and bleak, harsh Meister Leonhardt, and Lorelei Ether, keyboard player and vocalist with the prolific gothic metal bands, The Lust and Goot. The blending of their two unique creativities has resulted in an elixir of sound that entwines the ghosts of their previous endeavours in threads of a wholly new magic. Vaarwel has offered his insights to the birth of this new endeavour…
“It started several years ago when Lorelei was depleted of music she likes to listen to and thus decided that, in that case, she needed to write this music herself. Since it is something between gothic metal, DSBM, post punk, atmospheric black metal, depressive rock and blackgaze, the window was quite narrow! She wrote some songs, about two dozen and I helped her to develop those to the point of completion.”
It is clear from Vaarwel’s words that there is much more to come from Léan, but first there is ‘Desuetude’, a single designed to introduce the world to this very special project. And it is a song that has existed in a simpler form for many years, as Vaarwel explains…
“It was initially a song that Lorelei wrote when she was about 13, just accompanied by an acoustic guitar. I severely reworked and rearranged it, made it much more complex and wrote appropriate lyrics, also adding And the results are remarkable – the fusion of Lorelei’s original delicate composition and Vaarwel’s engulfing layers and arrangements and haunting lyrical approach becoming something new, something special. ‘Desuetude’ begins in a cascade of glittering, fragile notes before powerful guitars and drums rise up beneath them like waves, carrying the song forward with an irresistible energy and momentum. Lorelei’s soft voice, possessing a beautiful clarity, is joined by Vaarwel’s full, rich and rounded tones and a blackened, whispered rasp completes a triumvirate of complimentary vocal timbres. Deeply emotive, there is an undeniable current of melancholy running through ‘Desuetude’ and yet there is also an uplifting sense of release as it reaches its conclusion, of letting go and moving on. This is just the beginning for Léan, but what a fantastic first offering it is – and one can only wonder, with impatient anticipation, what further stories await us on the road ahead. With unsettling cover art, created by Vaarwel, ‘Desuetude’ will be available from June 3rd. Be there from the startmale vocals, trying to aggregate all the features of our music in a demonstrative way.”
“Thus we will tear all corporal reins constraining souls that could reach the never-ending…”
Line up:
Lorelei Ether – Keyboards/Vocals
Vaarwel - Guitars/Bass/Vocals/Drum Programming
https://www.facebook.com/lorrelean
Label: Road To Masochist
Release date: july 17th 2026
Genre: Doom/Sludge Metal
For fans of: Eyehategod | Acid Bath | Iron Monkey | Grief
The first foundation stones for what would become the brutal architecture of Tomb Slab were laid back in 2024. The Atrocity Exhibit guitarist James Caygill and The Infernal Sea vocalist Dean Lettice discovered their mutual admiration for the anarchic, angry sludge of bands like Iron Monkey and Eyehategod - and slowly words and thoughts became riffs and lyrics, which then became early, rough demos. While other commitments soon intervened, the pair were determined to return to the sleeping behemoth they had christened Tomb Slab and in 2025 they did just that; now accompanied by Oneiros bassist John Hunter and Shyrkull drummer Kez Whelan. The beast was awake – and those early demos began the process of transformation into a self-titled debut album of soul crushing doom and sludge. With Road To Masochist, champions of the malign and malformed creatures of the UK underground on board, Tomb Slab the album is now ready to leave its nest of ash and bone and crawl out into the light…
Opening track ‘Kingdom Of Tyranny’ emerges from a wailing wall of feedback with a grim, purposeful air. The thudding drumbeats land with colossal power while the vocals are vicious to the point of self-destruction; you can almost feel the mucous membrane in Lettice’s throat tearing with every venomous, bilious utterance. The song pauses momentarily at its midpoint simply to bathe in the radioactive hum of the guitars before a well-placed death grunt kicks it back into action. ‘The Butcher’ follows, riding a dirty, attitude infused groove, the drumbeats still falling like hammer blows and you start to feel like there are only two ways to respond to Tomb Slab – you either commit to violence and wanton destruction or you enter a catatonic state, consciousness lost to the implacable riffs. With an intro that’ll bring a smile to all but the most po-faced of listeners, ‘Rawhead’ is part lively, obnoxious celebration and part grinding, hypnotic riff-poisoning, while the circling guitars of first single ‘What’s Below Remains Below’ demand a headbanging response and won’t be satisfied until something inside breaks. ‘Tomb Of Flesh’ then grows organically from the wreckage of ‘What’s Below Remains Below’, a darker, grimier thing, with a nasty glint in its eye, dragging itself forward with malicious intent until it collapses, dying in feedback screams that slowly become the gargantuan ‘Toils of The Unclean Spirit’. There’s a bleak resignation about this Godzilla like conclusion to the album, a life sapping ennui that sucks the energy from the song like marrow from a bone. It slows at its heart, almost drowning in its own bitter lethargy, just managing to pull clear from the quicksand long enough for a wandering bass line to inject enough vigour to get it moving again, staggering away into the screaming void from whence it came.
Recorded, mixed and mastered by Ian Boult (Mage, Abduction, Shyrkull etc) at Stuck On A Name Studios in Nottingham, Tomb Slab’s sonic palette is part rusted razor wire, part rubble and decay, but there’s a sparse clarity to it that allows every element of its brutal, broken choir to sing. Featuring the striking artwork of Amy Edwards (The Atrocity Exhibit etc), Tomb Slab will be driven from its place of confinement by Road To Masochist on July 17th and will be available on transparent yellow and black vinyl variants and CD.
Line-up:
James Caygill - Guitar
Dean Lettice - Vocals
John Hunter - Bass
Kez Whelan - Drums
https://roadtomasochist.co.uk
https://www.facebook.com/profile.php?id=61578623263649
SUPERIOR RAGE continue their resurgence with
the release of the new lyric video for “SOLERIGHT”, a striking symphonic
black metal track that captures the spirit of rebirth, self-discovery, and
transformation.
After returning in 2024 with Anthology, Superior Rage have shown no signs of slowing down. Reinforced by a lineup of talented session musicians, the project reopened its creative path by revisiting selected classics while introducing new material through the promo release Back to the Crypt and the EP In Memoriam, the latter released with the support of WormHoleDeath.
Now, as work progresses on the forthcoming full-length album, Superior Rage reveal the lyric video for “Soleright” — a key track featured across the project’s recent releases and a defining statement of this new artistic chapter.
“Soleright” is a symphonic black metal piece driven by a powerful and introspective message: an inner rebirth achieved by breaking free from false demons and moving toward knowledge, self-awareness, and personal growth.
“Phoenix, phoenix, you'll rise from your ashes. Soleright is waiting for you.”
About SUPERIOR RAGE
SUPERIOR RAGE began in 2006, delivering raw black metal with atmospheric, dark, and symphonic tones. The core lineup features Superior Rage (vocals, synths), Pagan Fury (guitars, synths), and Hyemens Kaiser Tszar (bass).
The first demo (2008) earned strong national reviews, followed by Through Infinity (2010), a mix of unreleased tracks and new material. Between 2010 and 2011, the project released several live recordings with temporary session musicians.
In 2011, SUPERIOR RAGE shifted toward symphonic black metal with III. Two Fire Eternal EPs followed, covering classic black metal songs—first in their original style, then in an ambient approach.
In 2012 the lineup expanded, producing new online recordings, additional covers, and a remake of “The Night of Rains.” The project paused in 2014, briefly resurfacing in 2017 with a new version of “Indecent Condition.”
SUPERIOR RAGE returned in 2022 with the single Boobs Explosions. This led to Anthology, a 2024 collection of re-recorded key tracks, including a new prog-influenced take on “Cuore Sincero.”
In 2025, the promo Back to the Crypt introduced two re-recorded tracks and a new song, “Soleright,” with four session members. The EP In Memoriam followed, adding a new version of “Asmodeus Bacchic” and the unreleased “Death of the Red Dragon.”
www.youtube.com/@SuperiorRageRawchannel
www.facebook.com/rawsuperiorrage
Seattle (WA) - Combining Groove, Thrash, and Death Metal,
TORMENTA will release its debut single, "JUNGLE
DEAD," for mass/mosh consumption on June 12! The song is taken
from the band's forthcoming debut album, the details for which will be released
in the coming weeks.
FFO: Sepultura, Pantera Metallica
Tormenta brings a cyclonic storm from the mountains of Seattle, Washington! The trio blends chaotic, intense energy with catchy choruses and groovy riffs.
A teaser video for "Jungle Dead" is available at: https://www.youtube.com/shorts/E8JtyTAMe18
"Jungle Dead" will be available on all digital platforms: https://tunelink.co/tormenta/jungle-dead
Credits:Deklan Curry: Vocals, Guitar.
Ben Apple: Guitar.
Braedon “The Don Greenwald”: Drums.
Colin Parker (ex-member): Bass on "Jungle Dead."
Mixed by Jeffery McNutley.
Single artwork by Martyr of Decay.
https://www.facebook.com/people/Tormenta/61554839108954/
Label: Rottweiler Records
Release date: July 3rd 2026
Genre: Death Metal
For fans of: Hate Eternal | Deicide | Immolation | Cannibal Corpse
Line-up:
Jordan Varela – All music and vocals
Jordan Varela knows death metal; the essence of it runs through his veins. He’s the drummer for the crushing Lust Of Decay, the multi-instrumentalist behind the ferocious music of Shuriken Cadaveric Entwinement and an ex-member of legends of brutality, Lividity…and those are just the most notable of his achievements in the scene. So, when Varela announces a new solo project, a new album overflowing with rampant death metal riffs, firmly anchored to the roots of the genre but hitting with a powerful contemporary impact…well, you sit up and you pay attention. Under the name of Dichotomy, Jordan Varela is set to unleash the fiercely focussed intensity of Lucifer Owns The Fence – featuring nine tracks of unequivocal death metal.
There’s no messing around on Dichotomy’s debut, as a savage vocal roar ushers in blistering opening track and first single, ‘He Is…’. The rhythms are wild, frantic, dizzying, the riffs twisting and turning before locking into passages of incredible force and power. It’s a case of hanging on for dear life as a maelstrom of precision performance threatens to tear you apart. However, there is nothing chaotic about the music of Dichotomy, as within the maze of fury and complexity that characterises tracks like the searing ‘What A God’ there is a very definite plan and structure. Gleaming hooks wait to ensnare and everything crackles with an electrifying energy as addictive riffs draw you in ever deeper, revealing an inherent sense of melody within the tornado of sound. With every listen these tracks hit harder and harder, from the unflinching, determined attack of ‘Better To Be Drowned With A Millstone Around The Neck’ to the jabbing, thrusting riffs and screaming harmonics of ‘The Greatest Lie Ever Told’. This album is not background listening; it deserves your full attention and demands to be played loud. Finishing with the massive impact of ‘Satan Will Kill You’ – unswerving in message and music – Lucifer Owns The Fence will leave you exhilarated and utterly destroyed.
Every note, every beat, every excoriating roar on Lucifer Owns The Fence is the work of Jordan Varela and that singularity of vision, purpose and performance has resulted in one of the most formidable and accomplished albums of his career. Lucifer Owns The Fence will be released by Rottweiler Records on July 3rd, so be prepared for a monumental death metal assault!
https://www.rottweilerrecords.com/
https://dichotomyrr.bandcamp.com
https://www.facebook.com/profile.php?id=61574340818108
MAD
LION RECORDS
releases :
ASPERATUS - "SHRINES OF HUMAN WASTE”
Genre: technical Death Metal
The debut album by ASPERATUS contains intro and 8 tracks. The Krakow-based crew expertly crafts technical, aggressive death metal inspired by classic signifies
the Florida scenes! ASPERATUS' music it's a fusion of ruthless aggression from the sign of SUFFOCATION, HATE ETERNAL's technical rigor and merciless,
dark climate of MORBID ANGEL and CANNIBAL CORPSE! It's a mixture of old school patterns with modern brutality in the style of ABORTED!
This all creates a sonic "meat grinder" in which technical precision meets pure, extreme energy! Brutal Masterpiece!!!
Track list:
1. Intro
2. Decades Of Deceithful Faith
3. Age Of Lunacy
4. Blood Will Define Their Fate
5. Absence Of God
6. Throne Of Emptiness
7. Hell To Follow
8. Fall
9. Extinction
Composer / Music: Radosław Godzina
Lyrics: Łukasz Ciepała
Graphics & layout: Michał „Xaay” Loranc
Studio: MR.G_MUSIC
Discography:
Warped Reality (EP, 2015) self released
Sanctified State Of Decay (EP, 2020) self released
Shrines Of Human Waste (Cd / Digital, 2026), Mad Lion Records
https://www.facebook.com/AsperatusPoland/
Genre: Black Metal
Short description: Sarmat's 2nd album, in its entirety, sonically, lyrically, and graphically is a manifestation of individualism in a World full of chaos and contradictions!
These are 7 black metal tracks filled with the contaminated atmosphere known from ULCERATE and the unconventional solutions characteristic of DEATHSPELL OMEGA!
This album is simply a transcontinental missile of total destruction!
Track list:
1. Architect
2. Syndrome Of Dangerous Perspective
3. Scarspike
4. Spectre Of Coercive
5. World Screeches /Triptych: The Left
6. The Fall /Triptych: Center
7. Okrutnik /Triptych: The Right
Composer / Music: Daniel "Hacel" Szymanowicz
Lyrics: Robert "H!" Holiński
Graphics & layout: Grzegorz "Gregory" Kamiński
Studio: SANTA STUDIO, REPLICA (vokals)
Production / Mixing / Mastering: Arkadiusz "Malta" Malczewski
Discography:
RS - 28 (CD/LP, 2021) self released
The Ornaments Of Disturbing Perspectives (Cd / Digital, 2026), Mad Lion Records
https://www.facebook.com/sarmat7v7
www.madlion.eu
www.facebook.com/madlionrecords
Genre
: Sludge
Metal band
FFO: Cult of Luna, Primordial,Rotting Christ, Neurosis & Amenra
Release date: 24.06.2026
Location: Bulgaria/Wales
Bio:
Thrakian are a Bulgaria-born, Wales-based sludge metal band, and their debut album The Way (out June 24 via Aonair Records) blends dense, atmospheric heaviness with themes of displacement, identity, and ancient philosophy.
Frontman Atanas (guitar and vocals) and Matt Strangis (bass guitar) are also members of the acclaimed doom metal band Pantheist, bringing additional depth and experience to Thrakian's expansive sound. The Way is a work born of ancient philosophies, personal upheaval, and a tumultuous journey toward rebuilding identity in a new land. Recorded at Longwave and Woodcroft Audio Studios by Tim Vincent.
https://aonairrecords.bigcartel.com/product/thrakian
https://www.youtube.com/@thrakianofficial
https://thrakian.bandcamp.com/album/the-way-4
I PROÉLEFSI – “YPÓGEIO VASÍLEIO”
Label: Depressive Illusions Records
Release date: July 10th 2026
Genre: Instrumental Atmospheric Black Metal
For fans of: Emperor | Varathron | Limbonic Art | Abigor
“Music is everything and Black Metal is one of its purest forms, like alchemy. It connects our spirit, conscience and wisdom seeking with nature and our surroundings. It’s the vehicle like the Philosopher’s Stone, the central key of alchemy, that symbolises perfection at its finest, illumination and bliss. Join me on a journey set by the ancient ones: mind, heart, music…”- M Eidolon
Hailing from Chile, M Eidolon is a musician, a composer, an explorer of realms, a soul on an endless search. Through the medium of I Proélefsi, an outpouring of instrumental black metal, entwined in threads of dark ambient atmosphere, he seeks connections to ancient wisdom, lost knowledge and the essential truths of existence. The I Proélefsi self-titled 2025 debut EP took the listener on a five-step journey to the spiritual freedom achieved through true connection with the universe and was hailed by No Clean Singing as “a fascinating and multi-faceted musical excursion”. Now M Eidolon, I Proélefsi, is ready to take us on a new voyage, an odyssey that will carry us beyond the veil of death itself, Ypógeio Vasíleio · Υπόγειο Βασίλειο (Underground Kingdom)…
From flesh to shadow, from light to unending night. From the world of breath and blood, tumultuous passions and ever-changing hopes and dreams, to the quiet depths of eternity, of timeless dust and inexorable judgement. You flicker upon the pebbled bank of a vast, still river – its distant, opposite shore lost in darkness – and from the stygian gloom you hear the sound of movement upon the water. A dim light is moving through the shadows, drawing nearer, its progress unhurried and inevitable…
Opening track ‘Apochróseis · Αποχρώσεις (Shadows)’ delivers us to the shores of the Styx, enshrouding us in darkness, transporting us to another world with its ambient textures – and once we are immersed in our new reality Varkáris · Βαρκάρης (Boatman) leaps from the shadows, full of portent and fury. The atmosphere is laden with fear, the dazzling lead guitar weaving its tapestry of captivating imagery as Kharon carries us across the obsidian waters, through visions of torment and desolation. With its immense chords and inherent melody Kynigóskylo · Κυνηγόσκυλο (Hound) brings us into the presence of Cerberus, the guardian of the gates of Hades, in all his majesty and coiled power. This song radiates a sense of awe-inspiring magnitude and an aura of dread reverence as we pass beneath Cerberus’ baleful stare and enter into the realms of the dead. Unnerving keyboards lead us into the presence of Dikastés · Δικαστές (Judges), where we stand before chilling, emotionless authority. The song explodes into an array of thundering drums and cascading guitars, turmoil and tumult and with each passing moment our fate becomes clearer…we will be cast down. We plummet into the eternal prison of the gargantuan titans as the doleful bass tones of Tártaros · Τάρταρος (Tartarus) envelop us. It’s an overwhelming, soul-crushing conclusion to an incredible sonic journey, one that haunts the mind long after the voices of the fallen giants have faded into silence.
Every element of Ypógeio Vasíleio · Υπόγειο Βασίλειο (Underground Kingdom) was the work of M Eidolon – there is no separation between M Eidolon and I Proélefsi – and this singularity of vision and purpose is what gives Ypógeio Vasíleio · Υπόγειο Βασίλειο (Underground Kingdom) its extraordinary power to enthral and entrance. When this new chapter of knowledge from the grimoires of I Proélefsi is released by Depressive Illusions Records on July 10th do not hesitate…take the leap into the unknown, into the darkness – and fly.
Line-up:
M Eidolon – All instruments, orchestral arrangements and programming
https://www.instagram.com/iproelefsi/
https://iproelefsi.bandcamp.com/ https://depressiveillusions.com/
Ireland's LEADBELCHER,
purveyors of dissident death metal, have signed with Apocalyptic
Witchcraft for the release of their debut album, HEAVEN'S
BLOATED CORPSE...
Leadbelcher spill outwardly from Ireland's many rotting wounds, bringing forth a stinking blend of scum-laced death metal, corroded by the grinding blast beats of old, mixed with bile-ridden d-beat passages. Featuring a fleshed-out line-up of members from Irish bands such as Sermon of Flames, Mortichnia and ex-Coscradh, the band formed in 2024 and subsequently set out to record their debut album Heaven's Bloated Corpse in 2025 with JSR Audio in Belfast. Heaven's Bloated Corpse is all the good things in the world turned rotten, the rejection of all religion, the people you love turned to shit, and the death of every landlord globally...
Speaking of their new alliance with the dark forces of Apocalyptic Witchcraft, the band have said...
"With prior ties to Apocalyptic Witchcraft, we already trusted the label and its vision - so we knew we could unleash something truly rancid, without any fear of compromise."
Meanwhile Conor Droney, head of Apocalyptic Witchcraft comments...
"Leadbelcher sound like Ireland’s decay given physical form a suffocating collision of scum-soaked death metal, grinding blasts, and d-beat filth. Heaven’s Bloated Corpse is violent, rotten, and completely uncompromising."
See the visualizer video for first single, 'Severance Of Belief', at the Apocalyptic Witchcraft YouTube channel now: https://www.youtube.com/watch?v=-3ldi69rgWo
Heaven’s Bloated Corpse will be released on October 16th on Limited Edition 10" vinyl, digipack CD and cassette.
Don't miss Leadbelchers first ever gig supporting Abigail Williams at The Sound House, Dublin on June 4th at 19.00 with label mates Suffering and Soothsayer.
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/profile.php?id=61581747969071
NEWS 31.5.2026
Aktuelle Reviews :
MERLIN – „ IM REICH DES ZAUBERERS“
Noch mehr aktuelle Infos rund um den Globus findet ihr unter : https://www.facebook.com/mario.klein.961/ https://www.facebook.com/Undergroundfanzine/
Vancouver (BC) - Canadian Thrashers W.M.D. (WHEN MINDS DEVELOP) have released AGAINST ALL WARNINGS, the band's second full-length album on vinyl, CD, and digital formats.
FFO: Classic Thrash, Megadeth, Slayer, Nuclear Assault, Sepultura, Exodus, Kreator, Testament
Stream/Purchase Against All Warnings:
https://wmdofficial.bandcamp.com/album/against-all-warnings
https://distrokid.com/hyperfollow/wmd5/against-all-warnings
Thematically, Against All Warnings concerns the constant human need for more, where nothing ever feels good enough, and people ignore every warning sign until everything starts to collapse. The album is also a reflection of W.M.D.'s experience during the last few years: refusing to quit, getting angry at what the world really is, and trying to find their place in the middle of all of it. Every song comes from a different perspective on the chaos and pressure people are living through every day.
"The songs were built in the jam room first, so what you’re hearing is the exact pace, feel, and weight of what we created, while feeding off each other’s energy in the room. We wanted it to feel alive, raw, and honest. We’re proud of this record and stoked to finally share it with you." - W.M.D.
In other W.M.D. news, the band has hit the road with countrymates Iron Kingdom for the True North Strong and Heavy Canadian Tour 2026. Tour launches tonight at The Rickshaw in Vancouver for the album release show! Scroll down for tour dates.
Track Listing:1. Eyes Of A Killer
2. Against All Warnings
3. Kleptomania
4. The Black Expanse
5. March Of Death
6. The Thin Red Line
7. Post Human Predator
8. Already Dead
9. Painful Vengeance
Album Credits:
Produced by Skyler Mills.
Co-Produced by W.M.D.
Mixed & Mastered by Adair Daufembach.
Pre-Production by Ryan Idris & Skyler Mills.
Drums recorded by Dan Yakimow at Monarch Studios, Vancouver, BC.
Assisted by Aaron Klassen.
Guitars & Bass recorded by Skyler Mills & Adair Daufembach.
Vocals recorded by Adair Daufembach @ Daufembach Studios, Los Angeles. CA & Colin Ryley @ Singularity Sound Studios, Vancouver, BC.
Sound Design by Skyler Mills.
Guest Guitar Solos:
"Post Human Predator," "The Thin Red Line, and "Painful Vengeance" perofmed by Casey Trask.
"Against All Warnings" performed by Kai Sakaguchi.
Artwork by Alex Malakmadze.
W.M.D logo by The Pit Forge.
All songs written and performed by W.M.D.
Independently released by W.M.D.
In other W.M.D. news, the band has hit the road with countrymates Iron Kingdom for the True North Strong and Heavy Canadian Tour 2026.
W.M.D. Line-Up:
Skyler Mills - Vocals/Guitars
Jon Power - Bass
Ryan Idris - Drums
Bio:
W.M.D. (When Minds Develop) are a thrash metal trio originating from Calgary, AB. Recently migrated to Vancouver BC, re-establishing themselves with a new line-up featuring local shredders Jon Power on bass (Mvlgrave/ Heteromorphic Zoo / Over the Coals/Aggression), Ryan Idris on drums (Aggression/ Heathen/ Expain) and original member Skyler Mills on guitar/vocals leading the charge.
www.wmdofficial.com
https://www.facebook.com/WMDofficial/
Your patience will be rewarded. Chile’s RIPPER
returns with their first full-length since 2016’s Experiment of Existence.The last decade has seen RIPPER refine their attack into a lethal blend of old-school death metal and thrash-or-be-thrashed aggression. The band has undeniably earned a reputation as one of South America's premiere extreme metal exports.
Witness the band's triumphant return with the first single off TOWARDS REBIRTH, "THE SOURCE EXTERMINATOR."
Stream the track at https://www.youtube.com/watch?v=J_QqGRoVQ2Q
Towards Rebirth contains the band’s most violent work to date. Razor sharp guitar work, intense drumming and well-crafted songs are still there…only more concise, more vicious.
Dark Descent Records will release Towards Rebirth on July 24 on CD, vinyl and digital formats.
Pre-order Towards Rebirth at:
www.darkdescentrecords.com/shop
www.ddmsuo.eu
www.darkdescentrecords.bandcamp.com
Track list:
1. The Secular Awakening
2. World of Darkness
3. Towards Rebirth
4. Final Hologram
5. Into The Coldness of Land of Dead
6. The Source Exterminator
7. Messages From The Other Side
8. The Secret Dawn
9. The End of Universe
10. Procession to the Eternal Rest
This album is highly recommended for devotees of early Sepultura, Kreator, Pestilence and Sadus.
Towards Rebirth was recorded, mixed and mastered by Pablo Clares at DM6 Studio. Artwork by Paolo Girardi.
RIPPER is:
Patricio Spalinger - Vocals/Lead and Rhythm Guitars
Javier Buzeta - Drums
Tomas Barriga - Bass
Nicolas Young - Lead and Rhythm Guitars
www.darkdescentrecords.com
https://www.facebook.com/ripperchileoficial/
Label: Apocalyptic Witchcraft
Release date: September 4th 2026
Genre: Atmospheric Blackened Tribal Metal
For fans of: Heilung | Negură Bunget | Behexen | Dordeduh | Gaahl’s Wyrd
In a time before history, in an age before memory, they walked the vastness of the earth, an earth untainted by the plague bearing, rapacious hand of ill-named civilisation. An earth where the clinical, dissecting sterility of science had yet to drain the essence of nature, the power of magick from the world. A time before light was an instantly available commodity, disrupting the rhythms of existence, a time when shadows were deeper and concealed dreams, nightmares, friends and enemies. A time when there was no certainty of the dawn arriving after the long hours of night, but when every moment thrummed with the vibrant, vital wonder of existing. They walked in the shadow of giants, the true kings of all existence who knew no fear from man’s busy, wicked minds. They lived on the brink of death, more alive than we can ever be, when humanity was part of life’s miraculous, intricate weave, not a devil apart, setting fire to Eden…
The UK’s Wyrdstæf invoke the spirit of the Palaeolithic and Mesolithic ages, where our distant ancestors roamed a world of ice and natural wonder, hunter-gatherers amongst the incredible megafauna. An existence of brutal harshness in an untarnished but unforgiving world. Through a hypnotic and transportative elixir of layered throat singing, distorted guitars, field recordings and ritualistic chants they seek to reach back into the distant past, not in an act of mimicry, but in an attempt to connect with the essence of a time that exists in the deepest waters of cultural memory and the collective unconscious. Having appeared on national television, performing Egil’s Saga, an Icelandic family saga about the life of 10th century warrior-poet and farmer, Egil Skallagrimsson, on the Channel 4 programme Britain’s Most Historic Towns, the band self-released their debut EP, Great Migrations, in 2021 – a meditation upon ancestral movement and extinction. Now, having signed to Apocalyptic Witchcraft in the Autumn of 2025, Wyrdstæf are ready to unveil their first full length album, the incredible journey that is Primordial Bloodlines!
With its elemental rhythms and tribal chants, an encroaching thunder, ‘White Spring’ draws the listener into Wyrdstæf’s prehistoric vision, forming a gateway into this distant reality which exists in the liminal space between dream and memory. Then ‘Great Migrations’ surrounds us in all its majesty – the cavernous vocals and furious onslaught of sound bringing to life something beyond ancient, something harsh and extreme that can never be forgotten. There’s a sense of shamanistic power entwining with the blackened metal tumult as it carries us through the haunted lands of ‘Hyperborean’ into the wild, visceral celebration of sheer survival that is ‘Parhelion’ – infused with a primitive vigour that strikes fear into the tamed, muzzled soul, in its soft, comfortable chains. Circling the fires that keep the terrors of night at bay in these epic tracks, the brittle modern attention span is cast aside as we reach deep for the innate understanding that lies within. This monumental journey ends in the bower of ‘Primordial Bloodlines’, a song of reflection, beauty and melancholy. A hymn for precious things lost and the pathways that lead back through the mists of countless centuries. Wyrdstæf have crafted something special and filled it with the spirit of an age that could be the saving of us all.
In the words of the band themselves, “Wyrdstæf has always been about tapping into something ancient and primal; a memory of a world that once was. For us, this is a way of reflecting on and channelling the primordial origins of humanity.” Join them – and remember things you have always known. Primordial Bloodlines will be released by Apocalyptic Witchcraft on September 4th, on limited edition splatter vinyl, digipak CD, cassette and digital formats.
Line-up:
Urzhan – Vocals
Shaman – Guitars
Baksu – Bass
Malang – Drums
Revenant - Guitars, Electronic
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/Wyrdstaef
SINSID – „ALL THAT REMAINS“
Label: Pitch Black RecordsRelease date: July 10th 2026
Genre: Heavy Metal
For fans of: Judas Priest | Blind Guardian | Accept | Helstar | Syron Vanes
Born on the windswept western coast of Norway, the brainchild of vocalist Terje Singh Sidhu, Sinsid are the living embodiment of raw, powerful heavy metal. Infusing everything they do with their genuine, burning passion for metal music, the band have been honing their craft and sharpening their weapons of war for fourteen years, delivering magnificent live performances that live long in the memory and a triumvirate of albums, each one more impactful and uplifting than the last. The most recent full album release from Sinsid was 2022s In Victory, a collection of songs that received extensive critical acclaim from across the metal world; in Europe Soundmagnet declared the album an ‘epic work’ that ‘consistently distinguishes itself from the majority of old-school heavy metal’, while over in Australia Metal Roos hailed ‘a fiery romp of very heavy traditional metal’. Sinsid followed up the success of In Victory with two magnificent singles in 2024, both of which have paved the way for their latest triumph – their fourth album of indefatigable, undefeatable metal. Proud and defiant, All That Remains is set to raise the Sinsid banner high once again!
Opening with its title track, All That Remains shows immediately that Sinsid are operating at the peak of their powers – harder, heavier and more accomplished than ever before. Sharp, melodic riffs and emotion-laden vocals combine to deliver a song that instantly claims a place amongst the band’s finest recorded works. And incredibly Sinsid not only maintain those standards as the album unfolds, they seem to casually turn the dial, ramping up the power and the quality even higher! ‘Sarcophagus’ is fast and furious with a dark and sinister touch, an adrenaline-packed headbanger of a track, while the crunching guitars, galloping rhythms and anthemic chorus of ‘Running’ mark it out as a timeless classic. ‘Lawless Hunter’ is atmospheric and infectious, ‘Breaking All The Rules’ utterly irresistible and ‘Somewhere In The Dark’ could have stepped straight out of metal’s golden age. By the time you reach the ominous feast of steel that is the concluding ‘Lords Of The Northern Land’ the sheer stature and might of All That Remains has been carved in stone forever.
Mixed and mastered at Green Engine Recording with the respected Tom Poole-Kerr, who has worked with the likes of Evig Natt as well as on Sinsid’s own In Victory, All That Remains captures the essential essence of Sinsid. Every element of the band’s sound has its place in the spotlight, from the thundering rhythm section to the gritty riffs, the electrifying lead work to the distinctive, domineering vocals. Sinsid have never sounded better than they do on All That Remains and they have never delivered such a consistently fantastic selection of raw, honest and finely crafted metal anthems. Pitch Black Records, Sinsid’s stalwart supporters since their early days, will release All That Remains on July 10th, on LP, CD – complete with two exclusive bonus tracks - and digital formats, completed by the artwork of Andy Pilkington of Very Metal Art (Flotsam & Jetsam, KK’s Priest, Tygers Of Pan Tang and many more metal luminaries).
With Sinsid summoning up albums like this, heavy metal will never die!
Line up:
Terje Singh Sidhu – Vocals
Erik Westerlund – Guitar
Grzegorz Urbanski – Bass
Trygve Andre Tvedt – Drums
Jostein Marø– Lead Guitar
*Backing vocals performed by Even Håvold, Robin Wick, Ivar Birkeland, Erik Westerlund
*Additional guitars on ‘Sarcophagus’ and ‘Time Is Ticking’ performed by Even Håvold and Sten Roger Knutsen.
https://www.pitchblackrecords.com
https://www.facebook.com/stonecastmetal/
Here's the lyric video for the title track, "The Wizard Of Doom", directed by Gianfranco Logiudice (aka Noxifer): https://youtu.be/D3TzGVFNsI4
The new release, which will be out on June 12th via Club Inferno Entertainment, represents a return to the band's musical roots, thanks to the dark atmospheres, slow rhythms, and epic sounds so beloved by bands like Candlemass, Pentagram, Solstice, Solitude Aeturnus, and Trouble.
https://www.facebook.com/SorrowSphere
HELL-BORN (Poland) reveal first single IN SCARLET AND DEATH
: https://www.youtube.com/watch?v=b6dlLZw_qbcHell-Born official presents a lyric video for "In Scarlet And Death", the first single from their upcoming album "VII". The new album will be the band's most comprehensive, ominous, and apocalyptic effort to date. It will feature seven tracks of old-school death/black metal, infused with the band's signature melodies. Recording, mixing and mastering took place at Crème de la Crème Studio in Tczew.
The album is scheduled for release on October 9, 2026 via Deformeathing Production.
Before that the band will play in France @ Mennecy Metal Fest, a first gig in France in more than 20 years !
Back catalogue is also planned to be rereleased on Deformeathing Productions - stay connected :)
Little biography :
Hell-Born is a prominent Polish extreme metal band that blends black, death, and thrash metal. Formed in Sopot, Poland, in late 1995, the group was established by Adam Muraszko (known as Baal Ravenlock) and Leszek "Les" Dzięgielewski, both still members of the legendary metal band Behemoth. Their music heavily centers around themes of Satanism, hell, armageddon, and anti-Christianity.
https://www.facebook.com/Deformeathing
https://www.facebook.com/officialHellborn
Label: Apocalyptic WitchcraftRelease date: July 3rd 2026
Genre: Atmospheric Blackened Doom Metal
For fans of: Primordial | My Dying Bride | Negura Bunget | Cnoc An Tursa
Hailing from Ireland’s County Cork, Soothsayer have been weaving their visceral tapestries of sound and story, magick and melancholy since 2013. Their output has been considered and unhurried – just a handful of releases over the years, including a solitary full-length album in the form of 2021s Echoes Of The Earth – but each offering to bear the Soothsayer name matters; it carries weight, significance and a sense of purpose. Now, having recently announced their affiliation with the highly respected Apocalyptic Records label, Soothsayer are set to unveil their next portentous creation – their second full length album. Blending primal instinct, raw emotion and accomplished art, Soothsayer have once again delivered songs of import and substance, sounding like a band with lifetimes of releases and shared experiences behind them. Shaped by history, identity and tradition, infused with passion and tempered by grief and rage – it is time for The Unbinding.
In a thunder of drums and an attack of shocking, blistering intensity, ‘Eroding The Sky’ snatches the hesitant listener from the threshold and carries them into an all-encompassing maelstrom of sound. That initial charge collapses into a mire of mists and dark majesty, immense vocals exclaiming above the haze of mystery while bewitching threads of melody unwind through the shadowed gloom. Before this first song has passed you have been transported completely into a world of Soothsayer’s imagining. A passage of haunted invocation delivers you, seamlessly, into the waiting arms of ‘Sooner Acceptance’, it’s plaintive acoustic guitar and tortured vocals quickly consumed by vast chords and colossal drums. ‘Sooner Acceptance’ never allows you to settle, shifting from towering doom to blackened venom; it stretches out, recoils, attacks - possessing a malignant life it offers no safe harbour within its cruel kingdom. Each song that makes up The Unbinding is an elemental, storm-tossed challenge – part of the overall journey, but also long, hard, transformative roads in their own right. ‘Endless Shesha’, each note burdened with the weight of the world suggests secrets within its serpentine coils, tempting you into obsessive repeated listening, while the emotional intensity of ‘The Vine’ is fierce, draining and exhilarating. The versatility of vocal expression here is remarkable, with Liam Hughes playing narrator, sorcerer, hermit, priest, combining storytelling with the outpouring of overwhelming emotion. The winds between worlds carry us finally to the concluding ‘A Vague Shimmer’; loss, ritual, imposing presence haunting its repeating guitar motifs. More than any other, this song echoes with the essence of Soothsayer’s island home, inescapable bindings reaching back to the past. The Celtic guitar at the song’s heart, the drums touched by the ghosts of ancient heritage and an indefinable sense of passing combine to make this a most fitting ending to a quite incredible album.
Brought to life with sound engineer Shaun Cadogan (Coscradh, Diocletian, Dread Sovereign etc) at Last Light Recordings in Dublin, The Unbinding sounds magnificent – every individual element of the band given power and clarity, just the right level of prominence afforded each intricate detail, while all is bound into a huge, cohesive force. Soothsayer have outdone themselves with The Unbinding, delivering a superlative distillation of their art. Look for its coming on July 3rd, on limited edition vinyl, digipak CD, cassette and digital formats – all from Apocalyptic Witchcraft.
Line-up:
Liam Hughes - Vocals
Marc O’Grady - Guitars
Gerard O' Callaghan - Drums
Con Doyle - Guitars
Pavol Rosa - Bass
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/soothsayerdoom
Bergen, Norway & Athens, Greece; 5 June 2026: Bergen-based melodic black metal outfit SWORN have have released the first single from their fifth album, “NULL CROWNED THE INFINITE”, which will be released on 4 September 2026.
Listen to “Null Crowned the Infinite”: https://youtu.be/QoDwAk4OTgI
The track is also available now via all major streaming services.
Three years following the critically acclaimed “A Journey told through Fire” (2023), the new album navigates a sprawling conceptual narrative, tracing the cyclical nature of the cosmos from its initial spark in the void to its inevitable dissolution.
Lyrically, the album explores the terrifying scale of cosmic darkness and the fragility of existence within a primordial emptiness. Sworn investigates the philosophy of becoming and unmaking, where reality and time emerge from nothingness only to eventually collapse back into the same unfathomable origin. Musically, “Null Crowned the Infinite” pushes the boundaries of the band's established sound, balancing their signature melodic tension with newfound levels of aggression and atmospheric depth. The record features "The Starless Origin", a twelve-minute epic that stands as their longest composition to date, alongside "Fracture of Aeons", which the band identifies as their most aggressive track ever recorded.
Sworn collaborated with renowned producer Jens Bogren at Fascination Street Studios, who handled the mixing and mastering. Bogren’s legendary portfolio, featuring giants such as Opeth, Arch Enemy and Behemoth, brings a polished yet devastating edge to the performances of Max Wilson, Christoffer Kjørsvik, Gøran Hope and Tom Ian Klungland. The album artwork is equally striking, created by Pär Olofsson, known for his iconic work with Aborted and Kreator.
While Sworn continues to operate as an independent entity for the recording and production, they have partnered with The Circle Music to handle the physical releases under a special licensing deal. The release includes a Digipak CD alongside two distinct vinyl variants: Marbled Smoke and Marbled Green.
Pre-order “Null Crowned the Infinite”: https://thecirclemusic.gr/product-category/distributed-stuff/?filter_artist-name=sworn
Track list:1. The Starless Origin
2. Null Crowned the Infinite
3. A Cosmic Storm
4. Fracture of Aeons
5. The Entropic Void
6. Circle of the Eternal
Lineup:
Max Wilson - Vocals
Christoffer Kjørsvik - Guitars, Bass and Synthesizers
Gøran Hope - Guitars
Tom Ian Klungland - Drums
All music written by Christoffer Kjørsvik
Lyrics by Christoffer Kjørsvik and Max Wilson
All instruments except drums were recorded at Sworn Studio
Drums recorded at Taakeheimen Lydrike, engineered by Semming Haraldsen
Mixed and Mastered at Fascination Street Studios by Jens Bogren
Produced by Sworn and Jens Bogren
Cover artwork by Pär Olofsson
Since their debut “The Alleviation” in 2007, Sworn has evolved from a solitary vision into a powerful force in the black metal scene. Their history includes notable performances at major European festivals such as Summer Breeze, Ragnarök and Ultima Ratio, as well as tours alongside bands including Behemoth, Aborted and Helrunar. In 2023, Sworn released “A Journey Told Through Fire”, an album that became a defining moment for the band. Widely praised for its intensity, atmosphere and emotional depth, the record pushed Sworn to new heights and solidified their standing as one of Norway’s most well-known melodic black metal acts. Darker, sharper and more focused than ever before, the album captured the essence of everything Sworn had been building toward since their inception. Now, in 2026, Sworn return with “Null Crowned the Infinite”, a worthy successor that expands on the darkness and power that defined its predecessor while pushing deeper into bleak and atmospheric territory. The new album stands as the next chapter in the band’s relentless evolution. On stage and on record, Sworn continue to carry the fire forward with unwavering conviction.
https://thecirclemusic.gr/
https://www.sworn.no/
https://www.facebook.com/swornnorway/
Technical/progressive death metal band Xenosis have gone above and beyond on their fifth album - their first on a label - to elevate their craft and have even added elements of brutal and dissonant death metal. The result is a delectable, challenging, engrossing album that you won't tire of easily. It's a rare pleasure to keep revisiting it and discovering new things each time. The album is out on in full now!
Check it out on https://xenosis-label.bandcamp.com/album/hermetic-transmutation
XENOSIS – „HERMETIC TRANSMUTATION“
Genre - progressive/technical Death MetalFor fans of - Death, Martyr, Atheist, Gorguts, Evilyn, Mors Verum
US progressive/technical death metal Xenosis have been at it for years, honing their craft with each album and showcasing a flair for experimentation too. On their fifth full-length album, "Hermetic Transmutation", they retain their core sound as they elaborate on both the progressive and technical aspects, even borrowing elements of brutal death metal and dissonant death metal to achieve that. The influences are finely integrated into their ever throbbing, busy music, never seeming forced and instead adding meaningful variation to their intense sound. The music's persistent groove belies its highly intricate quality; there's just so much happening while you're busy bobbing your head, tapping your feet, or rolling on the floor. After years of toiling, Xenosis have created a delightfully engrossing album that is bound to confound, tantalize, and ultimately satiate fans of this kind of music.
Line up
Sal Bova - Vocals
Gary Marotta - Drums
Kenny Bullard - Guitar
Keith Benway - Guitar
Travers Kenney - Bass
Artwork by Graphic Nightmare
Track listing
1. Sentient Shapes
2. Prolapsed Twin Entombment
3. Spore Whore
4. Engravings for Dyslexic Clairvoyants
5. Rapid Metamorphosis
6. Sea of Teeth
7. Altar of the Hound
8. No Longer Human
https://www.facebook.com/transcendingobscurityrecords/
https://www.facebook.com/xenosisband
Thank a ton once again ! Cheers! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
The album is out now on CD, vinyl and digital formats via Dark Descent Records and Me Saco Un Ojo Records.
On Cranial Devastation, DEAD VOID returns not with reinvention, but refinement of their singular, suffocating vision. Where the band’s debut Volatile Forms introduces a band steeped in cavernous atmosphere and psychological unease, their newest outing showcases something more deliberate, violent and far less forgiving.
Across five sprawling tracks, DEAD VOID invoke a form of doom-laden death metal that shuns clarity in favor of chaos. The album collapses inward under its own weight, lurching between glacial crawl and frantic rupture, with unearthly vocals screaming out like transmissions from beneath layers of sediment. The end result is controlled descent – oppressive, disorienting and relentless.
Recorded mostly live by Marcus Ferreira Larsen at No Master's Voice, Cranial Devastation faithfully preserves DEAD VOID’s raw presence without sacrificing their dynamic range. The approach lends a sense of instability that permeates throughout the entire record. The album ends with a crushing Adrian Borland and The Sound cover.
Track list:1.Regurgitation of Ancient Manifestations
2.Isolation's Hold
3.Phantosmial Stench of Decay
4.Cranial Devastation
5.Jeg Kan Ikke Flygte Fra Mig Selv
Mastered by James Plotkin at Plotkinworks and featuring the artwork of French symbolist Odilion Redon, the album’s presentation mirrors its sound – surreal, decaying and steeped in tension.
All songs by Dead Void, except track 5 originally by Adrian Borland and The Sound. Track 5 lyrics translated by S. Boesen and K.
DEAD VOID is:
A.: drums, bass, vocals
K.: guitars, bass, vocals
www.darkdescentrecords.com
VERTIGINOUS – „INCESSANT AFFLICTION“
Label: Comatose MusicRelease date: August 7th 2026
Genre: Brutal Death Metal
For fans of: Indecent Excision | Embodied Torment | Disgorge | Gorgasm
Through the long, cold hours of night, in that darkness which seems to stretch into forever, I gaze upon the countless wounds that disfigure my skin; the long, jagged scars, the deep, never healing cuts – infected and pustulent – a tracery of torments unending. And beneath the skin, within the cage of bone and flesh that imprisons me, the voices scream, unceasing howls of rage and hatred, agony and terror, sneering spite and abject ruin. I am a construct of madness, plagued by memory and steeped in blood, haunted and beset by devils. There is no end in sight, no hope for respite from the ravages of horror. I am trapped in this eternal nightmare, this incessant affliction…
Having left the brutal death metal scene battered and broken with their 2024 debut album, Reek Of Putrefaction On Excruciating Lust, Indonesian duo Vertiginous have returned with a sickening second serving of mind warping malice – Incessant Affliction! Ten new tracks delivered with a breathless intensity, each one a fresh wave of dread and terror, another injection of adrenaline straight into the chambers of the heart. It all begins with ‘Suffering, Misery And Slaughtering’, a furious assault of bewildering savagery, monstrous riffs, frantic drumming and a voice from the darkest recesses of the dreams you try to forget, the blistering pace slipping into an agonised crawl through the detritus of death. The superb riffs in tracks like ‘Engraved Loathing’ are realised with surgical precision and the levels of performance from multi-instrumentalist Hendika Dwi Prasetyo are off the scale, as he invokes the sound of a body torn apart. The vocal performance from Jossi Bima is equally impressive, his bestial exhortations like drowning in blood on the deeply unsettling ‘Chaotic In The Weakened Reason’. From the vicious jabs and sick bass tones of ‘Tortured With Endless Despair’ through the violent rampage of ‘Incubated Inquietude’ – shocking in its force and velocity, intensely satisfying in its single minded purpose, its absolute need to destroy absolutely – to the remorseless ‘Unclear Misery’, a final demand for no mercy, no quarter asked or given, just wholesale slaughter to the last gasping breath, Incessant Affliction towers above the average brutal death metal fare. These acts of torture have been meticulously crafted and steeped in the very essence of rot, decay and carnage.
Mixed and mastered at Endless Gruesome Studio, where the likes of Vile Desolation and Analtopsy have spawned their cruel creations, Incessant Affliction has a sound that conjures visions of bodies raked by methodical bursts of machine gun fire, the vicious disassembling of the human form. With its entrails and organs adorned in the unnerving artwork of the renowned Timbul Cahyono, aka Bvllmetalart (Avulsed, Defeated Sanity, Massacre etc), Incessant Affliction will be unleashed upon the world by Comatose Music on August 7th. Vertiginous are coming and there is no place you can hide.
Line-up:
Hendika Dwi Prasetyo – Guitars/Bass/Drums
Jossi Bima – Vocals
https://www.comatosemusic.com/
https://www.facebook.com/vertiginousbrutal
For fans of : Archgoat, Belphegor, Deicide, Immortal and Marduk.
Dragsholm make their return to Horror Pain Gore Death Productions with the debut full length album From The Bloodlines Of Bram! Following up on the Sorrow Hexen EP released in 2024, Dragsholm continues to push the boundaries of Blackened Death Metal.
From The Bloodlines Of Bram explores the story of Dracula, war and occult themes. Dragsholm's unique blend of brutal riffs, melodic passage, pummeling drums and unforgiving vocals defines what Jersey Devil Bestial Black metal is all about!
Listen to the single "The Wandering Relic" at https://www.youtube.com/watch?v=kEWDJXhYTBI
Tracklisting:1. Irina's Heart
2. The Wandering Relic
3. I Am The Impaler
4. A Coffin Unscathed
5. A Kingdom In The Land Of Shadows
6. Battling Through The Stormlands
7. Crosses Drowned In Blood
8. Thorns For Mina
www.youtube.com/user/horrorpaingoredeath/videos
www.facebook.com/horrorpaingoredeath
Label: Independent Release
Release date: June 3rd 2026
Genre: Gothic Metal/Post-DSBM
For fans of: Amesoeurs | Sylvaine | Katatonia | Frozen Ocean
“Faces, cities, years drown in purple mist of desuetude…”
‘Desuetude’ is the first single to be released by Léan, an intriguing new coalition of musical talents that brings together Vaarwel, known for his work under the windswept banner of Frozen Ocean and as part of the enigmatic Goatpsalm and bleak, harsh Meister Leonhardt, and Lorelei Ether, keyboard player and vocalist with the prolific gothic metal bands, The Lust and Goot. The blending of their two unique creativities has resulted in an elixir of sound that entwines the ghosts of their previous endeavours in threads of a wholly new magic. Vaarwel has offered his insights to the birth of this new endeavour…
“It started several years ago when Lorelei was depleted of music she likes to listen to and thus decided that, in that case, she needed to write this music herself. Since it is something between gothic metal, DSBM, post punk, atmospheric black metal, depressive rock and blackgaze, the window was quite narrow! She wrote some songs, about two dozen and I helped her to develop those to the point of completion.”
It is clear from Vaarwel’s words that there is much more to come from Léan, but first there is ‘Desuetude’, a single designed to introduce the world to this very special project. And it is a song that has existed in a simpler form for many years, as Vaarwel explains…
“It was initially a song that Lorelei wrote when she was about 13, just accompanied by an acoustic guitar. I severely reworked and rearranged it, made it much more complex and wrote appropriate lyrics, also adding And the results are remarkable – the fusion of Lorelei’s original delicate composition and Vaarwel’s engulfing layers and arrangements and haunting lyrical approach becoming something new, something special. ‘Desuetude’ begins in a cascade of glittering, fragile notes before powerful guitars and drums rise up beneath them like waves, carrying the song forward with an irresistible energy and momentum. Lorelei’s soft voice, possessing a beautiful clarity, is joined by Vaarwel’s full, rich and rounded tones and a blackened, whispered rasp completes a triumvirate of complimentary vocal timbres. Deeply emotive, there is an undeniable current of melancholy running through ‘Desuetude’ and yet there is also an uplifting sense of release as it reaches its conclusion, of letting go and moving on. This is just the beginning for Léan, but what a fantastic first offering it is – and one can only wonder, with impatient anticipation, what further stories await us on the road ahead. With unsettling cover art, created by Vaarwel, ‘Desuetude’ will be available from June 3rd. Be there from the startmale vocals, trying to aggregate all the features of our music in a demonstrative way.”
“Thus we will tear all corporal reins constraining souls that could reach the never-ending…”
Line up:
Lorelei Ether – Keyboards/Vocals
Vaarwel - Guitars/Bass/Vocals/Drum Programming
https://www.facebook.com/lorrelean
Label: Road To MasochistRelease date: july 17th 2026
Genre: Doom/Sludge Metal
For fans of: Eyehategod | Acid Bath | Iron Monkey | Grief
The first foundation stones for what would become the brutal architecture of Tomb Slab were laid back in 2024. The Atrocity Exhibit guitarist James Caygill and The Infernal Sea vocalist Dean Lettice discovered their mutual admiration for the anarchic, angry sludge of bands like Iron Monkey and Eyehategod - and slowly words and thoughts became riffs and lyrics, which then became early, rough demos. While other commitments soon intervened, the pair were determined to return to the sleeping behemoth they had christened Tomb Slab and in 2025 they did just that; now accompanied by Oneiros bassist John Hunter and Shyrkull drummer Kez Whelan. The beast was awake – and those early demos began the process of transformation into a self-titled debut album of soul crushing doom and sludge. With Road To Masochist, champions of the malign and malformed creatures of the UK underground on board, Tomb Slab the album is now ready to leave its nest of ash and bone and crawl out into the light…
Opening track ‘Kingdom Of Tyranny’ emerges from a wailing wall of feedback with a grim, purposeful air. The thudding drumbeats land with colossal power while the vocals are vicious to the point of self-destruction; you can almost feel the mucous membrane in Lettice’s throat tearing with every venomous, bilious utterance. The song pauses momentarily at its midpoint simply to bathe in the radioactive hum of the guitars before a well-placed death grunt kicks it back into action. ‘The Butcher’ follows, riding a dirty, attitude infused groove, the drumbeats still falling like hammer blows and you start to feel like there are only two ways to respond to Tomb Slab – you either commit to violence and wanton destruction or you enter a catatonic state, consciousness lost to the implacable riffs. With an intro that’ll bring a smile to all but the most po-faced of listeners, ‘Rawhead’ is part lively, obnoxious celebration and part grinding, hypnotic riff-poisoning, while the circling guitars of first single ‘What’s Below Remains Below’ demand a headbanging response and won’t be satisfied until something inside breaks. ‘Tomb Of Flesh’ then grows organically from the wreckage of ‘What’s Below Remains Below’, a darker, grimier thing, with a nasty glint in its eye, dragging itself forward with malicious intent until it collapses, dying in feedback screams that slowly become the gargantuan ‘Toils of The Unclean Spirit’. There’s a bleak resignation about this Godzilla like conclusion to the album, a life sapping ennui that sucks the energy from the song like marrow from a bone. It slows at its heart, almost drowning in its own bitter lethargy, just managing to pull clear from the quicksand long enough for a wandering bass line to inject enough vigour to get it moving again, staggering away into the screaming void from whence it came.
Recorded, mixed and mastered by Ian Boult (Mage, Abduction, Shyrkull etc) at Stuck On A Name Studios in Nottingham, Tomb Slab’s sonic palette is part rusted razor wire, part rubble and decay, but there’s a sparse clarity to it that allows every element of its brutal, broken choir to sing. Featuring the striking artwork of Amy Edwards (The Atrocity Exhibit etc), Tomb Slab will be driven from its place of confinement by Road To Masochist on July 17th and will be available on transparent yellow and black vinyl variants and CD.
Line-up:
James Caygill - Guitar
Dean Lettice - Vocals
John Hunter - Bass
Kez Whelan - Drums
https://roadtomasochist.co.uk
https://www.facebook.com/profile.php?id=61578623263649
SUPERIOR RAGE continue their resurgence with
the release of the new lyric video for “SOLERIGHT”, a striking symphonic
black metal track that captures the spirit of rebirth, self-discovery, and
transformation.After returning in 2024 with Anthology, Superior Rage have shown no signs of slowing down. Reinforced by a lineup of talented session musicians, the project reopened its creative path by revisiting selected classics while introducing new material through the promo release Back to the Crypt and the EP In Memoriam, the latter released with the support of WormHoleDeath.
Now, as work progresses on the forthcoming full-length album, Superior Rage reveal the lyric video for “Soleright” — a key track featured across the project’s recent releases and a defining statement of this new artistic chapter.
“Soleright” is a symphonic black metal piece driven by a powerful and introspective message: an inner rebirth achieved by breaking free from false demons and moving toward knowledge, self-awareness, and personal growth.
“Phoenix, phoenix, you'll rise from your ashes. Soleright is waiting for you.”
About SUPERIOR RAGE
SUPERIOR RAGE began in 2006, delivering raw black metal with atmospheric, dark, and symphonic tones. The core lineup features Superior Rage (vocals, synths), Pagan Fury (guitars, synths), and Hyemens Kaiser Tszar (bass).
The first demo (2008) earned strong national reviews, followed by Through Infinity (2010), a mix of unreleased tracks and new material. Between 2010 and 2011, the project released several live recordings with temporary session musicians.
In 2011, SUPERIOR RAGE shifted toward symphonic black metal with III. Two Fire Eternal EPs followed, covering classic black metal songs—first in their original style, then in an ambient approach.
In 2012 the lineup expanded, producing new online recordings, additional covers, and a remake of “The Night of Rains.” The project paused in 2014, briefly resurfacing in 2017 with a new version of “Indecent Condition.”
SUPERIOR RAGE returned in 2022 with the single Boobs Explosions. This led to Anthology, a 2024 collection of re-recorded key tracks, including a new prog-influenced take on “Cuore Sincero.”
In 2025, the promo Back to the Crypt introduced two re-recorded tracks and a new song, “Soleright,” with four session members. The EP In Memoriam followed, adding a new version of “Asmodeus Bacchic” and the unreleased “Death of the Red Dragon.”
www.youtube.com/@SuperiorRageRawchannel
www.facebook.com/rawsuperiorrage
Seattle (WA) - Combining Groove, Thrash, and Death Metal,
TORMENTA will release its debut single, "JUNGLE
DEAD," for mass/mosh consumption on June 12! The song is taken
from the band's forthcoming debut album, the details for which will be released
in the coming weeks.FFO: Sepultura, Pantera Metallica
Tormenta brings a cyclonic storm from the mountains of Seattle, Washington! The trio blends chaotic, intense energy with catchy choruses and groovy riffs.
A teaser video for "Jungle Dead" is available at: https://www.youtube.com/shorts/E8JtyTAMe18
"Jungle Dead" will be available on all digital platforms: https://tunelink.co/tormenta/jungle-dead
Credits:Deklan Curry: Vocals, Guitar.
Ben Apple: Guitar.
Braedon “The Don Greenwald”: Drums.
Colin Parker (ex-member): Bass on "Jungle Dead."
Mixed by Jeffery McNutley.
Single artwork by Martyr of Decay.
https://www.facebook.com/people/Tormenta/61554839108954/
Label: Rottweiler RecordsRelease date: July 3rd 2026
Genre: Death Metal
For fans of: Hate Eternal | Deicide | Immolation | Cannibal Corpse
Line-up:
Jordan Varela – All music and vocals
Jordan Varela knows death metal; the essence of it runs through his veins. He’s the drummer for the crushing Lust Of Decay, the multi-instrumentalist behind the ferocious music of Shuriken Cadaveric Entwinement and an ex-member of legends of brutality, Lividity…and those are just the most notable of his achievements in the scene. So, when Varela announces a new solo project, a new album overflowing with rampant death metal riffs, firmly anchored to the roots of the genre but hitting with a powerful contemporary impact…well, you sit up and you pay attention. Under the name of Dichotomy, Jordan Varela is set to unleash the fiercely focussed intensity of Lucifer Owns The Fence – featuring nine tracks of unequivocal death metal.
There’s no messing around on Dichotomy’s debut, as a savage vocal roar ushers in blistering opening track and first single, ‘He Is…’. The rhythms are wild, frantic, dizzying, the riffs twisting and turning before locking into passages of incredible force and power. It’s a case of hanging on for dear life as a maelstrom of precision performance threatens to tear you apart. However, there is nothing chaotic about the music of Dichotomy, as within the maze of fury and complexity that characterises tracks like the searing ‘What A God’ there is a very definite plan and structure. Gleaming hooks wait to ensnare and everything crackles with an electrifying energy as addictive riffs draw you in ever deeper, revealing an inherent sense of melody within the tornado of sound. With every listen these tracks hit harder and harder, from the unflinching, determined attack of ‘Better To Be Drowned With A Millstone Around The Neck’ to the jabbing, thrusting riffs and screaming harmonics of ‘The Greatest Lie Ever Told’. This album is not background listening; it deserves your full attention and demands to be played loud. Finishing with the massive impact of ‘Satan Will Kill You’ – unswerving in message and music – Lucifer Owns The Fence will leave you exhilarated and utterly destroyed.
Every note, every beat, every excoriating roar on Lucifer Owns The Fence is the work of Jordan Varela and that singularity of vision, purpose and performance has resulted in one of the most formidable and accomplished albums of his career. Lucifer Owns The Fence will be released by Rottweiler Records on July 3rd, so be prepared for a monumental death metal assault!
https://www.rottweilerrecords.com/
https://dichotomyrr.bandcamp.com
https://www.facebook.com/profile.php?id=61574340818108
MAD
LION RECORDS
releases :ASPERATUS - "SHRINES OF HUMAN WASTE”
Genre: technical Death Metal
The debut album by ASPERATUS contains intro and 8 tracks. The Krakow-based crew expertly crafts technical, aggressive death metal inspired by classic signifies
the Florida scenes! ASPERATUS' music it's a fusion of ruthless aggression from the sign of SUFFOCATION, HATE ETERNAL's technical rigor and merciless,
dark climate of MORBID ANGEL and CANNIBAL CORPSE! It's a mixture of old school patterns with modern brutality in the style of ABORTED!
This all creates a sonic "meat grinder" in which technical precision meets pure, extreme energy! Brutal Masterpiece!!!
Track list:
1. Intro
2. Decades Of Deceithful Faith
3. Age Of Lunacy
4. Blood Will Define Their Fate
5. Absence Of God
6. Throne Of Emptiness
7. Hell To Follow
8. Fall
9. Extinction
Composer / Music: Radosław Godzina
Lyrics: Łukasz Ciepała
Graphics & layout: Michał „Xaay” Loranc
Studio: MR.G_MUSIC
Discography:
Warped Reality (EP, 2015) self released
Sanctified State Of Decay (EP, 2020) self released
Shrines Of Human Waste (Cd / Digital, 2026), Mad Lion Records
https://www.facebook.com/AsperatusPoland/
Genre: Black Metal
Short description: Sarmat's 2nd album, in its entirety, sonically, lyrically, and graphically is a manifestation of individualism in a World full of chaos and contradictions!
These are 7 black metal tracks filled with the contaminated atmosphere known from ULCERATE and the unconventional solutions characteristic of DEATHSPELL OMEGA!
This album is simply a transcontinental missile of total destruction!
Track list:
1. Architect
2. Syndrome Of Dangerous Perspective
3. Scarspike
4. Spectre Of Coercive
5. World Screeches /Triptych: The Left
6. The Fall /Triptych: Center
7. Okrutnik /Triptych: The Right
Composer / Music: Daniel "Hacel" Szymanowicz
Lyrics: Robert "H!" Holiński
Graphics & layout: Grzegorz "Gregory" Kamiński
Studio: SANTA STUDIO, REPLICA (vokals)
Production / Mixing / Mastering: Arkadiusz "Malta" Malczewski
Discography:
RS - 28 (CD/LP, 2021) self released
The Ornaments Of Disturbing Perspectives (Cd / Digital, 2026), Mad Lion Records
https://www.facebook.com/sarmat7v7
www.madlion.eu
www.facebook.com/madlionrecords
Genre
: Sludge
Metal bandFFO: Cult of Luna, Primordial,Rotting Christ, Neurosis & Amenra
Release date: 24.06.2026
Location: Bulgaria/Wales
Bio:
Thrakian are a Bulgaria-born, Wales-based sludge metal band, and their debut album The Way (out June 24 via Aonair Records) blends dense, atmospheric heaviness with themes of displacement, identity, and ancient philosophy.
Frontman Atanas (guitar and vocals) and Matt Strangis (bass guitar) are also members of the acclaimed doom metal band Pantheist, bringing additional depth and experience to Thrakian's expansive sound. The Way is a work born of ancient philosophies, personal upheaval, and a tumultuous journey toward rebuilding identity in a new land. Recorded at Longwave and Woodcroft Audio Studios by Tim Vincent.
https://aonairrecords.bigcartel.com/product/thrakian
https://www.youtube.com/@thrakianofficial
https://thrakian.bandcamp.com/album/the-way-4
I PROÉLEFSI – “YPÓGEIO VASÍLEIO”
Label: Depressive Illusions Records
Release date: July 10th 2026
Genre: Instrumental Atmospheric Black Metal
For fans of: Emperor | Varathron | Limbonic Art | Abigor
“Music is everything and Black Metal is one of its purest forms, like alchemy. It connects our spirit, conscience and wisdom seeking with nature and our surroundings. It’s the vehicle like the Philosopher’s Stone, the central key of alchemy, that symbolises perfection at its finest, illumination and bliss. Join me on a journey set by the ancient ones: mind, heart, music…”- M Eidolon
Hailing from Chile, M Eidolon is a musician, a composer, an explorer of realms, a soul on an endless search. Through the medium of I Proélefsi, an outpouring of instrumental black metal, entwined in threads of dark ambient atmosphere, he seeks connections to ancient wisdom, lost knowledge and the essential truths of existence. The I Proélefsi self-titled 2025 debut EP took the listener on a five-step journey to the spiritual freedom achieved through true connection with the universe and was hailed by No Clean Singing as “a fascinating and multi-faceted musical excursion”. Now M Eidolon, I Proélefsi, is ready to take us on a new voyage, an odyssey that will carry us beyond the veil of death itself, Ypógeio Vasíleio · Υπόγειο Βασίλειο (Underground Kingdom)…
From flesh to shadow, from light to unending night. From the world of breath and blood, tumultuous passions and ever-changing hopes and dreams, to the quiet depths of eternity, of timeless dust and inexorable judgement. You flicker upon the pebbled bank of a vast, still river – its distant, opposite shore lost in darkness – and from the stygian gloom you hear the sound of movement upon the water. A dim light is moving through the shadows, drawing nearer, its progress unhurried and inevitable…
Opening track ‘Apochróseis · Αποχρώσεις (Shadows)’ delivers us to the shores of the Styx, enshrouding us in darkness, transporting us to another world with its ambient textures – and once we are immersed in our new reality Varkáris · Βαρκάρης (Boatman) leaps from the shadows, full of portent and fury. The atmosphere is laden with fear, the dazzling lead guitar weaving its tapestry of captivating imagery as Kharon carries us across the obsidian waters, through visions of torment and desolation. With its immense chords and inherent melody Kynigóskylo · Κυνηγόσκυλο (Hound) brings us into the presence of Cerberus, the guardian of the gates of Hades, in all his majesty and coiled power. This song radiates a sense of awe-inspiring magnitude and an aura of dread reverence as we pass beneath Cerberus’ baleful stare and enter into the realms of the dead. Unnerving keyboards lead us into the presence of Dikastés · Δικαστές (Judges), where we stand before chilling, emotionless authority. The song explodes into an array of thundering drums and cascading guitars, turmoil and tumult and with each passing moment our fate becomes clearer…we will be cast down. We plummet into the eternal prison of the gargantuan titans as the doleful bass tones of Tártaros · Τάρταρος (Tartarus) envelop us. It’s an overwhelming, soul-crushing conclusion to an incredible sonic journey, one that haunts the mind long after the voices of the fallen giants have faded into silence.
Every element of Ypógeio Vasíleio · Υπόγειο Βασίλειο (Underground Kingdom) was the work of M Eidolon – there is no separation between M Eidolon and I Proélefsi – and this singularity of vision and purpose is what gives Ypógeio Vasíleio · Υπόγειο Βασίλειο (Underground Kingdom) its extraordinary power to enthral and entrance. When this new chapter of knowledge from the grimoires of I Proélefsi is released by Depressive Illusions Records on July 10th do not hesitate…take the leap into the unknown, into the darkness – and fly.
Line-up:
M Eidolon – All instruments, orchestral arrangements and programming
https://www.instagram.com/iproelefsi/
https://iproelefsi.bandcamp.com/ https://depressiveillusions.com/
Ireland's LEADBELCHER,
purveyors of dissident death metal, have signed with Apocalyptic
Witchcraft for the release of their debut album, HEAVEN'S
BLOATED CORPSE...Leadbelcher spill outwardly from Ireland's many rotting wounds, bringing forth a stinking blend of scum-laced death metal, corroded by the grinding blast beats of old, mixed with bile-ridden d-beat passages. Featuring a fleshed-out line-up of members from Irish bands such as Sermon of Flames, Mortichnia and ex-Coscradh, the band formed in 2024 and subsequently set out to record their debut album Heaven's Bloated Corpse in 2025 with JSR Audio in Belfast. Heaven's Bloated Corpse is all the good things in the world turned rotten, the rejection of all religion, the people you love turned to shit, and the death of every landlord globally...
Speaking of their new alliance with the dark forces of Apocalyptic Witchcraft, the band have said...
"With prior ties to Apocalyptic Witchcraft, we already trusted the label and its vision - so we knew we could unleash something truly rancid, without any fear of compromise."
Meanwhile Conor Droney, head of Apocalyptic Witchcraft comments...
"Leadbelcher sound like Ireland’s decay given physical form a suffocating collision of scum-soaked death metal, grinding blasts, and d-beat filth. Heaven’s Bloated Corpse is violent, rotten, and completely uncompromising."
See the visualizer video for first single, 'Severance Of Belief', at the Apocalyptic Witchcraft YouTube channel now: https://www.youtube.com/watch?v=-3ldi69rgWo
Heaven’s Bloated Corpse will be released on October 16th on Limited Edition 10" vinyl, digipack CD and cassette.
Don't miss Leadbelchers first ever gig supporting Abigail Williams at The Sound House, Dublin on June 4th at 19.00 with label mates Suffering and Soothsayer.
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/profile.php?id=61581747969071
GANEDEN
- "GAN EDEN""Gan Eden" is a concept album that revisits the Book of Genesis through a speculative lens: Adam and Eve not as divine creations, but as genetic experiments conducted by a higher intelligence. Expelled from the Garden of Eden, they encounter violence, moral failure, and the weight of human imperfection. The album follows both the subjects and their creators as each side confronts what went wrong: Adam and Eve attempting to reach their makers, the creators watching their experiment unravel. The record moves between dense, heavy arrangements and quieter, more ethereal sections, using the full range of progressive metal to map the emotional arc of the story.
Tracklist
1. Intro
2. Adamo
3. Nahas
4. Eva
5. I confini della libertà
6. Nel mondo
7. Dies Irae
8. XII
GanEden was formed in Trento in 2023. The four-piece — Davide Battisti (drums), Andrea Gottoli (guitars), Morena Dallapiccola (vocals), and Carlo Mirabassi (bass), plays progressive metal built on structural complexity and a range of genre influences, spanning aggressive riffing to atmospheric, introspective passages.
www.instagram.com/ganeden_officialmusic
Label: Pitch Black RecordsRelease date: June 26th 2026
Genre: Heavy Metal
For fans of: Judas Priest | Iron Maiden | Queensryche | Vicious Rumors | Iced Earth
Over the last two decades French heavy metal legends Stonecast have shared the stage with the likes of Warlord, Blaze Bayley and Tim ‘Ripper’ Owens and performed at the 2011 French edition of the gargantuan Sonisphere Festival with the ‘Big 4’ of thrash metal - Metallica, Megadeth, Anthrax and Slayer. They have released three full length albums, including the acclaimed I Earther, which picked up a glowing 10/10 review in the UK’s Powerplay Rock And Metal Magazine and was hailed by popular webzine Musipedia of Metal as “one of the strongest heavy metal albums of the year”. However, it’s been more than seven years since Stonecast served up that magnificent metallic feast and fans are growing ravenous for another banquet of adventurous, imaginative, creative heavy metal. And at long last salvation is now at hand…
Stonecast are finally poised to release their new album, Expand Crimson Chaos – a magnificent display of superlative individual performances and sophisticated, mature song writing. As always with Stonecast, Expand Crimson Chaos is more than just a collection of songs. It is an album that explores humanity’s resilience in the face of adversity, our in built need to evolve and seek for meaning in existence, to defy the very concept of oblivion even as we teeter upon the brink of destruction. Spinning engrossing tales of resistance, fortitude and the search for redemption, Expand Crimson Chaos is surely Stonecast’s most ambitious and engaging work to date.
Beginning with the slow burning majesty of ‘Death’, Expand Crimson Chaos exudes a sense of the epic from its first notes and once we have set sail from “the harbor of the Styx” with the crisp guitars, strong, emotive vocals and driving purpose of ‘Walking Dead’, there is no looking back – the adventure has begun! In ‘Blood Red’ with its sinister, dark-edged riffs and snarling vocal presentation, a preacher prepares to sell his soul for the powers of Hell, while ‘Against The Tide’ seems to hold a world within its boundaries; rolling metal rhythms, beautiful acoustic sections, magnificent refrains and moments of uplifting, soul-stirring magic. Elsewhere ‘Kneel Or Die’ brings us face to face with an implacable, undefeatable monster in the grand metal tradition – a true headbanging track of overwhelming power that’s instantly memorable and utterly addictive. And all this barely scratches the surface of everything that Expand Crimson Chaos has to offer…the title track itself is a hugely accomplished creation with great bass work, great vocals, great riffs and a wonderful chorus. It’s tempting to name it the finest track here, but then comparing such an array of treasures is a thankless task. The CD even comes with a bonus track, a piano and vocal rendition of ‘A Ce Lieu’, with the strength of the song writing shining through this fragile and intimate rendition. Expand Crimson Chaos will transport you to a world of stories that venture from contemporary life to post-apocalyptic futures, from spiritual struggle to realms of powerfully realised fantasy. This is everything that heavy metal was always meant to be.
Mixed and mastered by the experienced Christophe Boin at Recording Studio Marseille, Expand Crimson Chaos sounds superb – every facet of each song blessed with clarity and vibrancy, including the thunderous work of Iced Earth drummer Brent Smedley and the fantastic solos courtesy of Thomas Tiberi of Sunbeam Overdrive. With striking artwork from WolforDeer (Asking Alexandria, Papa Roach etc), when Expand Crimson Chaos is released by Pitch Black Records, on CD and digital formats, on June 26th, it will mark a staggering return to the spotlight for Stonecast!
Line up:
Frank Ghirardi – Vocals
Seb Casula – Rhythm and lead guitar
Lionel Antonorsi – Bass guitar
All drums on Expand Crimson Chaos performed by Brent E. Smedley
All guitar solos performed by Thomas Tiberi
https://www.pitchblackrecords.com
https://www.facebook.com/stonecastmetal/
Copenhagen
grinders MELTIFICATION have arrived with their
blistering, self-titled debut album. Reminiscent of the late 80s/early 90s era
of Earache Records bands, MELTIFICATION unleash a fast and aggressive
breed of grindcore with shares of hardcore punk and thrash metal.Meltification delivers 18 rapid-fire anthems of obliteration aimed right at the throats of old-school fans of extreme metal and grindcore.
Meltification is out now on Extremely Rotten Productions and available on all physical formats and digital. Stream the album at https://meltification.bandcamp.com/album/st
Order Meltification at https://extremelyrottenprod.com/
Tracklist:
1) Turmoil
2) Midian
3) Assembly Line Of Horror
4) Nuclear Death Threat
5) Leech
6) River Of Torment
7) Raw Hate Inferno
8) Hellscape
9) A.I.mageddon
10) Hellscape Part 2
11) Memento Gory
12) Wargod
13) Doomsday Horde Caravan
14) Fragments
15) Mass Hypnosis
16) Lycanthropic Brutality
17) Calculated Demise
18) Final Ritual
MELTIFICATION was formed by veteran of the Copenhagen hardcore scene, Tue Sprogø (Death Token, Asbest, Deformation). Sprogø’s passion for classic grindcore lead him to to team with ex-Imperious Mortality drummer Thomas Rindom. The band gives life to an absolute bulldozer of an album, marked with fast, hectic blastbeats and crushingly heavy grooves.
In addition to writing the music, and recording all of the guitars, bass and vocals, Sprogø also illustrated the album’s artwork.
Meltification was recorded, mixed and mastered by Lasse Ballade at Ballade studios in Copenhagen, Denmark.
MELTIFICATION is:
Tue Sprogø - Guitar/Vocals/Bass
Thomas Rindom - Drums
www.meltification.bandcamp.com
PREVAILER – “CONVALESCENT”
Label: Rottweiler RecordsRelease date: August 28th 2026
Genre: Progressive Metalcore
For fans of: ERRA | Currents | Fit For A King | August Burns Red
Founded in the summer of 2015 in New Jersey, Prevailer are about to unveil their full-length debut album of challenging, cathartic, progressive metalcore – Convalescent. The band released a well received, self-titled EP in 2016 and since then have dropped a number of powerful singles, but now, with their definitive line-up finally in place and a new alliance formed with Rottweiler Records, the band are ready to reveal their devastating first album. Featuring eight exquisitely crafted tracks, each one a soul-searching journey, a confrontation, a revelation, the long years that have been invested in Convalescent’s creation are more than apparent. Be prepared for a listening experience that will accept no half-truths or excuses, no hiding or disassembling. Stand shoulder to shoulder with Prevailer and face reality, head on.
Convalescent opens with ‘Diseased Frames’, in a seething morass of aggression – huge drums, snarling guitars and rabid vocals – all working their way towards the release of the superb melodic chorus. Rich, ambient sounds add an additional layer of atmosphere and depth and the whole song hits hard and fizzes with adrenaline. It sets the scene perfectly for the overwhelming onslaught of both musical and lyrical weight that is to follow – and there’s certainly no let up as we drive on into the staggered blows, twisting riffs and jarring rhythms of first single ‘Into The Furnace’. There’s another transcendental chorus and the harsh vocals are ferocious; almost painful in their raw vehemence…
“Walk with me through the fields of pain, ingest the endless struggle, let us begin again.”
…every word is delivered with a fervent sense of purpose, an unquestionable honesty and passion and that focus and aura of absolute belief radiates through the music as well; from the hammering intensity of ‘Conflux’ to the final, cataclysmic conclusion of ‘Inversion’ that pushes everything into the red and beyond. Every track on Convalescent hits like a white-knuckle, teeth gritted whirlwind of emotion, bar the title track - a brief island of peace in this raging storm - but even that is laced with portent and foreboding, deep currents of things unspoken running beneath its still waters. Convalescent in a compelling, confrontational album, explosive and incendiary, a light bright enough to burn through the deepest darkness.
With a sound that perfectly harnesses the strength, passion and edge of desperation in these remarkable songs, Convalescent is a stunning demonstration of progressive metalcore at its most emotive, adventurous and heartfelt. Brutally heavy, yet entwined in the most uplifting melodies, Prevailer’s music explores the vast and varied territory of their chosen genre. Look for Convalescent’s arrival on August 28th, from Rottweiler Records.
Line-up:
Franklin Dexter Peer – Vocals
Jackson Newcomb – Guitar
Tim Dyson – Guitar/Vocals
Dylan Volb – Drums
Corbin Smith - Bass
https://www.rottweilerrecords.com/
https://www.facebook.com/PrevailerBandPhilly
'Rorschach' is lyrically directed at grifters: a type of person that preaches something they don’t truly believe in. Someone who fakes who they are for validation from others while carrying themselves in direct opposition to what they claim they are about," comments vocalist Dave Keoppen. "Society is full of snake oil salesmen, and in my head I wanted to call the song 'Failing the Rorschach Test,' as both a direct nod to The Acacia Strain’s song 'Passing the Pencil Test,' while also making a tongue-in-cheek joke about how these types would fail a test that is essentially not based on a pass or fail scale. This song is confronting the topic head on, illustrating how someone who lives by what they stand for can combat this type of emotional parasite. Sonically I believe this is the most My Own Will-esque track on the EP, the most like what we have done before but with everything cranked to eleven."
Slam
Worldwide has given exclusive premiere to the official music video for
"Rorschach." Watch the video now at https://www.youtube.com/watch?v=IutDoJhb5dEMixed by Cody Stewart with additional mixing and master by Christian Donaldson (Suffocation, Ingested, Shadow of Intent) the Misery EP is the follow up to the bands crushing debut album Left to the Flies.
Misery is due out on June 4 through Bleeding Art Collective in partnership with Blood Blast Distribution. Pre-save the EP at https://myownwill.bfan.link/misery-ep
Watch the music video for the EP's title track https://www.youtube.com/watch?v=QVdvHWBWnOk
MY OWN WILL hit the road in support of Misery with labelmates, NIGHTS OF MALICE. The Chaos & Misery Tour kicks off on June 4 in New Jersey.
Chaos & Misery Tour dates:
6/4 Clifton, NJ @ Dingbatz
6/5 Harrisburg, PA @ Capital City Music Hall
6/6 Salisbury, MD @ Lurking Class Skate Shop
6/9 Memphis, TN @ Growlers
6/10 Nashville, TN @ Cobra
6/11 Marietta, GA, The Brickyard
6/12 Warner Robins, GA @ The Reverb Room
6/13 Orlando, FL @ My Sisters House
6/14 Bradenton, FL @ Oscura
6/16 Lake Worth, FL @ Propaganda
6/17 Jacksonville, FL @ Hard Love
6/18 Pensacola, FL @ Handlebar
6/19 Spartanburg, SC @ Ground Zero
6/20 Chesapeake, VA @ Riffhouse Pub
The Chaos and Misery US Tour is presented by Satellite Touring in partnership with Bleeding Art Collective.
Bio:
MY OWN WILL is a death metal driven hardcore act from Southeastern Michigan, USA. The band has shared the stage with absolute titans such as Hatebreed, Cannibal Corpse, Nile, Suffocation, Bodysnatcher and Left To Suffer, as well as performing on events such as Michigan Metal Fest and Blue Ridge Rock Fest.
The band’s debut album Left To The Flies is a crushing example of the heft and groove that this band delivers live. The album saw three tracks featured on Spotify's prestigious Deathcore and Metalcore playlist pushing their brand of deathcore to thousands of new listeners. Set to release the new EP Misery through Bleeding Art Records/Blood Blast Distribution in June 2026, the band will be destroying stages across the United States kicking off with the ‘Chaos & Misery Tour’ alongside Bleeding Art label mates Nights Of Malice.
https://www.youtube.com/watch?v=QVdvHWBWnOk
The journey toward this album has been anything but easy, representing a decade-long saga of perseverance. Formed in 1999 following the dissolution of Gates of Ishtar, The Duskfall built a reputation for staying true to the "old school" Swedish sound while remaining distinct from the modern metal landscape. However, the path to "The Everlasting Shadows" was nearly derailed by a series of profound personal tragedies and mental health struggles faced by frontman Mikael Sandorf.
Reflecting on the raw emotional weight behind the record, Mikael Sandorf shared a candid perspective on the creation process. "The everlasting shadows... This album almost didn't happen," Sandorf admitted. "First of all, I would like to thank all our fans for your everlasting patience and support during all these years when there was only silence coming out of our part of the woods! These last 10 years have been a long personal struggle for me, with Oscar’s and then my brother Jannes' death really taking a huge toll on my mental energy and enthusiasm for everything in life. Adding to that, my wife got diagnosed with cancer and in a short period of time, we have also lost two more close family members."
Sandorf continued to explain how his usual creative outlet became a source of pressure during these difficult years. "I hope that you can understand my frustration when the thing I usually have always found joy and solace from became a dread that only produced stress and anxiety for me. This album became such a monster to slay and an effort that I thought would never bring me anything but bad memories and regret. Now, with a newfound passion for music and as I listen through the songs of the album, I am so damn proud of what we have accomplished. Every beat, chug, growl and note bears a purpose, and I am so grateful for Anton's relentless whip cracking of our backs and Sebastian's tremendous effort in mixing this album."
Regarding the physical release via The Circle Music, Sandorf said: “We are so proud and happy that we are finally able to release this juggernaut of an album through the fine people of The Circle Music in Greece. They are the perfect match of dedication and professionalism that will give this album the support it so well deserves. We can't wait for you guys to have this album in your hands! Stay forever fallen!”
Recorded primarily in a home studio environment, "The Everlasting Shadows" was produced by the band and brought to its final, lethal form through the mixing and mastering work of Sebastian Lindgren at Abianaudio. The album features nine tracks of melodic death metal. The current lineup, which Sandorf considers the strongest to date, features Mikael Sandorf on vocals, Ronny Edlund on guitar, Patrik Forlund on lead guitar, Anton Lindbäck on bass, and Sebastian Lindgren on drums.
Pre-order: https://thecirclemusic.gr/product-category/the-circle-releases/?filter_artist-name=the-duskfallTracklist:
1. Entomb my shadow
2. As our days are dying
3. The everlasting shadows
4. World of lies
5. Legion
6. Nights at the graves
7. Knee deep in the grave
8. Golem
9. Peacemaker
The Duskfall are:
Mikael Sandorf - Vocals
Ronny Edlund - Guitar
Patrik Forlund - Lead Guitar
Anton Lindbäck - Bass
Sebastian Lindgren - Drums
https://thecirclemusic.gr/
https://www.facebook.com/TheDuskfallSweden
AZELS MOUNTAIN – “ECHA KRWI”
Azels Mountain, the Polish black metal project formed in 2013, has signed with Pagan Records for a June release of their third album entitled “Echa Krwi”.
On this new album, Azels Mountain continues its descent into darker and more reflective territories, channelling themes of memory, blood, sacrifice and transcendence through a colder, more expansive musical expression shaped by both mystic reflection and the lingering shadows of more recent historical experience.
Compared to previous releases, “Echa Krwi” is a more mature and culturally rooted vision. Beyond the foundations of underground black metal, the album draws inspiration from classical Polish music, literature and the spiritual atmosphere woven through the nation’s artistic heritage. Echoes of melancholy, longing, pride, and existential struggle permeate the compositions, giving the record a distinctly Polish character. The result is an album that channels the spirit of forgotten landscapes, ancestral memory, and the restless soul embedded within Polish culture itself, transforming “Echa Krwi” into something both deeply personal and timeless.
Sirkis completed the artwork for the new album, while Zaćma Visual Studio handled photography. Renowned designer Christophe Szpajdel crafted the band’s refreshed logo. On the production front, the material was recorded at M23 Studio, with mixing and mastering duties executed by Satanic Audio.
Formed in 2013, Azels Mountain emerged from the shadows of the Polish underground with a vision rooted in spiritual symbolism and the raw essence of black metal. Drawing inspiration from Slavic heritage, mysticism, death, and anti-religious contemplation, the band crafts music steeped in cold atmosphere, hypnotic melodies, and fierce aggression. Their sound balances the spirit of classic black metal with hypnotic, ritualistic compositions and mystic atmosphere. Across releases such as “Góra milczenia” (2016) and “Wieczny sen” (2019), Azels Mountain established a distinct identity built on melancholic depth, grim intensity and uncompromising style.
With more dates to be revealed, Azels Mountain is confirmed for the Gothoom Festival in Slovakia, scheduled for 24-25 July 2026.
Tracklist:1. Intro
2. Wschód
3. Bezdroża Jałowe
4. Ku Szczytom i Cieniom
5. Pieśń Wrony
6. Pomrok Czasów
7. Rytuał Zapomniany
8. Sen o Polach Bezkresnych
9. Nikt Nie Woła
10. Pustka
Azels Mountains are:
Vocals, lyrics: Nauthiz Nihilist
Guitars, lyrics: Ottir
Guitars, backing vocals: Roger
Bass, backing vocals: Bart
Drums: Sławomir
All tracks written and composed by Azels Mountain.
All tracks recorded by M23 Audio.
All tracks mixed and mastered by Satanic Audio.
Cover artwork by: Sirkis
Layout & design: Zaćma Visual Studio
Logo design: Christophe Szpajdel
https://www.pagan-records.com
https://www.facebook.com/profile.php?id=100063736590794#
ECAPEINOUT – “ THE AGE OF COLLAPSE: AS ABOVE, SO BELOW”
BRUTAL RECORDS is proud to present ESCAPEINOUT, an emerging extreme metal force from Catania, Sicily, now officially joining the label’s international roster.
Formed in 2011, the band has developed its identity through years within the underground circuit, earning recognition from outlets such as MetalItalia and Metal Hammer Italia. Following a creative reset in 2023, ESCAPEINOUT returns with a refined vision—delivering a sound that is both aggressive and controlled, rooted in extreme metal while expanding into atmospheric and dynamic territory.
Their upcoming full-length album, The Age of Collapse: As Above, So Below, stands as a cohesive and deliberate work. The record explores themes of environmental decay, human excess, and existential duality, conveyed through sharp riffing, disciplined rhythms, and an evolving sense of atmosphere. The result is a release that balances intensity with structure—heavy without excess, aggressive without losing clarity.
Tracklist
Behold The River (feat. F. Burtone)
The Wait
No Time (feat. F. Burtone)
Sink (feat. Andy Neri)
The Awakening
Out of The Shade
As Above, So Below
Filtered
The End of All Things Known
Guest appearances by F. Burtone and Andy Neri add depth while maintaining the album’s cohesion and identity.
Line-Up
Elio Virtù — Vocals
R.G. Noise — Bass
Max Calleri — Guitar
Ciccio Blandini — Drums
Location: Catania, Sicily, Italy
Singles
“The Wait” – June 5, 2026 https://orcd.co/brut89681
“No Time” – July 10, 2026 https://orcd.co/brut89682
Pre-save: https://orcd.co/brut89680
Listen to the album on streaming services: https://push.fm/fl/sjep-album
The band comments:
" ”The wisdom can only be found, if you throw yourself into rapids of madness”. “Syvyyden portit on saatava auki” (“The gates to the depths must be opened”) is simultaneously the most melodic, violent, lingering, fastest, warm-hearted, darkest, spiritual, illogical and consistent album that Se, josta ei puhuta has ever accomplished. The musical shade took a step into megalomania and couple of notches to a more darker vibe. The production values were chosen accordingly. The lyrics are tightly connected to the music, creating a chaotic, but soulful apocalyptic-spiritual creation. Blood, sweat, tears were shed, call bell’s were ringing and the unknown was guiding. Everything else is secondary when the gates to the depths must be opened…"
Biography:
Se, josta ei puhuta is a metal band from Iisalmi. The band was founded in 2007.
That same year, the band recorded a four-track demo titled Se, josta ei puhuta and signed a recording contract with the Sound of Finland label in the spring of 2010. The album Ne, joista ei puhuta was released in May 2010.
In the spring of 2011, the band recorded their second studio album, Musta, kylmä, syvä ja samea (Black, cold, deep and murky), which was released by Spinefarm Records in November 2011.
In 2010 and 2011, Se, josta ei puhuta toured actively across Finnish venues. The band began preparations for a third album, which was, however, put on hold during the production phase in late 2012.
In 2022, as a result of the band's rebirth, the third album Gehenna was completed and released through Inverse Records. The lineup, which had remained unchanged until then, saw its first change when Jimi Myöhänen was chosen as the drummer following the release of the new album.
The band finished recording their fourth album Syvyyden portit on saatava auki- in the fall of 2025, and the album is scheduled to be released during 2026.
Over the years, the rawness of the band’s early HC punk and death metal has evolved into a more complex, black metal-influenced death metal, while still proudly maintaining the edginess of their early days.
Watch music video of first single 'Kuolemaa ei ole': https://youtu.be/T7tHrBma1YU
Watch music video of second single 'Varis': https://youtu.be/xO47SsCQUJA
Watch music video of third single 'Muinaiset jumalat kuuntelevat': https://youtu.be/-nYlC4QHaNg
Track
list: 1. Tulkoon valkeus
2. Myrsky
3. Varis
4. Kuolemaa ei ole
5. Pahuuden palavat nuolet
6. Syvyyden portit on saatava auki
7. Muinaiset jumalat kuuntelevat
8. Rituaali
9. Pimeys ja ikuinen yö
Composed & lyrics by Samu Männikkö
Mixed & mastered by Tore Stjerna (Necromorbus Studio)
Album cover art by Nicolas O
Line-up:
Samu Männikkö - Vocals
Harri Granqvist - Guitar
Heikki Matero - Guitar
Juho-Pekka Lappalainen - Bass
Jimi Myöhänen - Drums
http://www.facebook.com/sejostaeipuhuta
https://linktr.ee/sejostaeipuhutaofficial
Guten
Tag, after some re-releases this year, we finally have new musick coming out on
LYCANTHROPIC CHANTS today. Furthermore, this newsletter has a new
tour announcement, the Sick Feast 2026 line-up so far and some local shows here
in Wolfsburg, Germany for you. Thanks for your ongoing support. It's extremely
appreciated!BELLIGERENCE – “LITURGIES OF THE VILE ONES” OUT NOW
The sophomore EP “Liturgies Of The Vile Ones” of the Berlin-based death metal band BELLIGERENCE is officially out on CD, MC and vinyl via Lycanthropic Chants today! All formats are available from our shop.
Full EP stream on our YouTube-channel: https://www.youtube.com/watch?v=ZbgMQrTme_U
“Liturgies Of The Vile Ones” delivers five punishing tracks that take the band’s sonic blend of technical precision, relentless speed, and groove-driven brutality, to the next level.
Drawing from influences such as BEHEMOTH, MORBID ANGEL and DECAPITATED, the youngsters in BELLIGERENCE combine old school brutality with modern elements, creating their own distinct sound. Blistering blast-driven passages synergise with dense groove-based hooks, as well as blackened atmospheric touches, creating a dynamic soundscape of destruction.
Formed in late 2022, BELLIGERENCE have quickly established themselves within Berlin’s extreme metal scene. The band have shared stages with acts such as CARNAL TOMB, TERATOMA, SIJJIN, MAMMOTH GRINDER, WILT, ENGULFED and NECROT, having played shows across Germany including Skullcrusher Festival in Freiburg, as well as an independently organised DIY Germany Tour in 2025.
“Liturgies Of The Vile Ones” was recorded, mixed and mastered at LTMF Studios in Berlin. The EP marks the band’s most ambitious material to date.
“Liturgies Of The Vile Ones” will be released via Lycanthropic Chants on the 29.05.2026 and will be featured on an EP release show in Berlin (13.06.2026), as well various European stages throughout the year (tba).
https://www.facebook.com/people/Belligerenceband/61552152404677/
“Coffin Of The Corrupted Dead” European tour announcement
Europe! Are you ready for the putrid stench of PODRIDÃO from Brazil in October 2026? Accompanied by CORPSEROT (GER) for the first leg of the tour and BELLIEGERENCE (GER) taking over from the halfway point, Lycanthropic Chants presents a pestilent package of deadly death metal, roaming Europe for two weeks: from 10th to 24th October 2026. Get in touch if you’re interested in having these killer bands play in your city with Steffen at Lycanthropic Chants.
Sick Feast 2026 - six bands announced so far
What's your opinion about the Sick Feast 2026 line-up so far? Half of the number of bands that will be playing is announced already, pre-sale tickets https://www.eventim-light.com/de/a/644e9d1103bb8a518dc280a6/e/69f8f8cc8da5f9f70d28306e
BELLIGERENCE (GER)
BLISTEROUS (FIN)
CORPSEROT (GER)
PODRIDÃO (BRA)
PUSTULANT FLESH (DNK)
SANCTUARIUM (ESP)
+ more bands tba
Upcoming show of REPULSIVE FEAST:
2026.07.02, CZE/Trutnov @ Obscene Extreme Festival
2026.09.11, GER/Ernsthausen @ Masters Of The Unicorn Fest
Lycanthropic Chants presents three shows on German soil by the two death metal-bands CRYPTIC BROOD and SKELETHAL in July 2026:
2026.07.23 GER/Kassel @ Goldgrube
2026.07.24 GER/Pfaffenhofen @ Innsmouth Castle Fest
2026.07.25 GER/Wiesbaden @ Kreativfabrik
https://www.crypticbrood.de/
https://www.facebook.com/Skelethal/
Upcoming local shows in Wolfsburg (Germany)
11. Juli 2026 im s.v. Jugendhaus Ost in Wolfsburg:
DIONYSIAQUE (Doom Metal / FRA, Strasbourg)
GOATBURNER (Death Metal/Grindcore / FIN, Helsinki)
DELINQUENTES (Hardcore Punk / BRA, Belém)
9. August 2026 im s.v. Jugendhaus Ost in Wolfsburg:
COFFINS (Doom/Death Metal / JPN, Tokyo)
CRYPTIC BROOD (Death Metal / GER, Wolfsburg)
https://lycanthropic.de/
Today
we reveal the album cover and full tracklist:1. The Upper Berth
2. The Oval Portrait
3. Memory
4. Green Tea
5. The Judge's House
6. Markheim
7. Oh, Whistle, And I Will Come To You, My Lad
The album will be released on July 3rd via Club Inferno Ent., distributed by My Kingdom Music, and it is available for pre-order on CD at the following link https://t.ly/hD9Ps
Featuring members of NIHILI LOCUS, DVM SPIRO and MANHUNT, PSEUDOBIBLION's "Index I" wants to honor the inspiration that gothic and horror novels gave to the project's protagonists, and the spirit of '90s music, paying homage to bands like Grotesque, Nihilist, early Dark Tranquillity, early Death, Sodom and Autopsy, while leaving room for the melodic elements necessary to evoke the ghosts of the past.
Each track becomes an intense and decadent listening experience, celebrating and evoking the precursors of Gothic and underground tradition.
The title "Index I" draws inspiration from the Index Librorum Prohibitorum, the list of prohibited books created by the Catholic Church in the 16th century to eliminate books and authors deemed heretical and dangerous. This catalog of once-forbidden visions is now translated into music by the band.
Welcome to the darkness!
http://www.facebook.com/clubinfernoent
https://www.facebook.com/Pseudobiblion.official
Originally released in 2009, BAPHOMET’S BLOOD continues their roughneck approach to real underground heavy and speed metal. Their Italian Steel may not be sharp, but nonetheless hard hitting. 8 tracks + a cover of Belgian heavy metal cult act Killer can be found on this record.
Line-up 2026:
Necrovomiterror - Bass, Vocals
Bloodoildrinker - Guitars
S.R. Bestial Hammer - Drums
G.S. Philtyrant - Guitars
Nightagressor - Guitars
From San Benedetto del Tronto, Italy
Release date: 24th July
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on ultra clear/blue splatter vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
Tracklist1 Devil's Night
2 Metal Damnation
3 Midnight Patrol
4 We Don't Care
5 Italian Steel
6 Evilbringer
7 The Ironbonehead
8 Killer
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
THE SCALAR PROCESS – “AGNOMYSTICISM”
Genre
- Progressive/technical Death MetalFor fans of - Fallujah, The Zenith Passage, Rivers Of Nihil
French progressive/technical death metal band The Scalar Process showed a lot of promise on their debut album as a young band. It took them five years to come up with a follow up album and the progress on it is simply staggering. The music seems to have taken an ethereal form, soaring above and raining down thundering riffs followed by shards of piercing melodies. The alternating showers ensure the music doesn't overwhelm with either blasting or mellow parts, maintaining an elegant balance that keeps you trapped in a dreamlike state throughout its duration. "Agnomysticism" is a highly accomplished album, virtually flawless in all ways, that takes the sound of the band forward and elevates it beyond the ordinary.
Line up
Eloi Nicod - Guitar / Composition / Production
Mathieu Lefevre - Vocals / Lyrics
Lucas Martinez - Guitar
Vincent Amar - Bass
Thomas Giroud - Drums
Guest
Andy Thomas (Rivers of Nihil) clean vocals on Incessant Continuum
Justin Mckinney (The Zenith Passage) guitar solo on Illness
Artwork made by Celest.C
Track listing
1. Physical Conquest
2. Far From The Flesh
3. Incessant Continuum
4. Illness
5. Affluent Marea
6. A Breathing Moment
7. Agnomysticism
8. Lack Of Colors
9. Sigil
10. In A Light Frame
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/TheScalarProcess
DYING VICTIMS PRODUCTIONS is proud to present the much-needed reissue of WITCHING HOUR’S mini-album, WHERE PALE WINDS TAKE THEM HIGH…, on vinyl LP format. Under license from Evil Spell Records.
Originally released in 2014, this 6-track mini-album continued the evolvement of the band’s sound from rough and straight forward black thrash to a more varied, multilayered approach to the genre. On this record, Witching Hour still concentrated on shorter, more to the point song writing, whereas their following albums began to see more expansive and atmospheric tunes.
Line-up:Jan Hirtz - Guitars, Vocals
Sascha Bastian - Drums
Marco Justinger - Bass, Guitars
Phil - Guitars
From Saarland, Germany
Artwork: Michal Kaczkowski
Release date: 24th July
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on black/white marbled vinyl, with insert, poster, sticker, post card, download code and patch.
Tracklist
01 Where Pale Winds Take Them High
02 About A Curse Of A Morbid Century
03 So I've Chosen Death
04 From the Black Crypts of Fullmoon
05 Long Way Off In Silent Nights
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Listen to the album:
https://youtu.be/W_XHd3MlLsg?si=4CK-0bY-mQ9PfSin
https://malignantvoices.bandcamp.com/album/exolvuntur
On “Exolvuntur”, Piołun remains deeply inspired by the Scandinavian and Polish black metal scenes of the 90s, while incorporating a refined, contemporary edge. It follows the band’s 2022 debut, "Rzeki Goryczy".
“Stylistically, it is a continuation of the preceding ‘Rzeki Goryczy’; however, it presents black metal that is more dynamic and melodic,” said the band’s founder, Sorh. “The album's concept revolves around the cycle of life and death, referring to human transience in the face of ruthless nature. ‘Exolvuntur’ is a 37-minute journey where the wildness of traditional black metal intertwines with nostalgia and melancholy. Black metal for black metal fans.”
Sorh is widely recognised as XCIII, the guitarist for Blaze of Perdition, Oremus and Mānbryne. For this new chapter, the production was handled by one of Poland's premier engineers, Haldor Grunberg, at Satanic Audio.
“Exolvuntur” is available in CD, LP, Digital along with T-shirts, and can be ordered via Malignant Voices:
http://sklep.malignantvoices.com
https://malignantvoiceswebshop.bigcartel.com
The CD version has been delayed due to an error with the pressing plant. The new release date is 10 June.
Track list:
1. Manifest Kresu
2. Sierpniowy Brzask
3. Czas
4. Koło Życia
5. Moribunda
6. Próba Sznura
7. Hiems
http://malignantvoices.com/
https://www.facebook.com/profile.php?id=100087671561976
French band Verdun, who create a beautiful, compelling blend of black metal and sludge, unleash a new song from their album which is even filthier and nastier than the other two that are out. No Clean Singing premiered it over https://www.nocleansinging.com/2026/05/14/an-ncs-premiere-verdun-la-lame-et-la-chair/
Excerpt from it - "Verdun’s new music is humongously heavy and powerfully channels an array of damaged and dangerous moods with riff-driven compositions that get stuck in the head. Moreover, the songs incorporate contrasting melodic accents that are ethereal in tone..."
VERDUN – „ABYSSAL WOMB“
Genre - Black Metal/Sludge/Doom MetalFor fans of - Drofnosura, Coffinworm, Thou, Indian
Verdun from France emerge after a prolonged gap of seven years, armed with a sound more potent and lethal than ever before. They've evolved to play a form of blackened sludge with a dissonant edge. Their music on the new album is riff-driven through and through; without wasting time on ambience or buildup, they go straight for the jugular and leave things filthy. The music is mind-numbingly heavy yet catchy and direct, making it highly effective and memorable. To balance the blackened spite dripping from the well-enunciated vocals, the music includes atmospheric elements and possesses emotional depth. The album doesn't drag on and seems to end sooner than later but only after exploring various aspects of their sound that keep it engrossing and thoroughly satisfying. "Abyssal Womb" is a fine representation of the style, having a sublime sound and faultless execution, and more importantly, it will stay with you long after the album is over.
Line up
David Sadok - Vocals
Jay Pinelli - Guitars
Florian Celdran - Bass
Geraud Jonquet – Drums
Artwork by David Sadok (Jaxartattooer)
Track listing
1. Funeral of the Cosmic Knight
2. Silent Witness
3. He Who Killed the Devil
4. La Lame et la Chair
5. Rise of the Atomic Ghouls
6. The Man Behind My Eyes
7. Les Noces du Néant
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/weareverdun
Thank a ton once again! Cheers! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
MEGASCAVENGER – „TOXIC NOXIOUS UNDEATH“
Label: Xtreem MusicRelease date: August 13th 2026
Genre: Death Metal
For fans of: Paganizer | Entombed | Ribspreader | Massacre
Over months, years, decades…the poison so carelessly disposed of sinks down through the soil – bleaching, mutating, choking all that it touches. Slowly, slowly it descends deeper into the underworld, through layers of man’s detritus, through roots and rock and history, finally pooling in a place of the forgotten dead – the abandoned, the unmissed, unmourned, unloved. And here the poison works a different dark magic. Where it has killed the living, it brings a hideous parody of life to the dead. The toxins permeate the ragged flesh and mouldering bones and by some unholy alchemy, some ghastly, mindless sorcery, the inert bodies start to move…rising from their polluted resting place in a tainted miasma of corruption and decay, infused with a savage hunger and an implacable, unquenchable thirst for revenge...
Rogga Johansson, the man of a thousand bands, each one more steeped in the essence of death and decay than the last, has returned with his first Megascavenger album in six years. Not since 2020s Songs In The Key Of Madness have we been exposed to the particular brand of sickness that Megascavenger offers up, but in the name of all things dead, dying and undead, the wait has been more than worth it! Toxic Noxious Death is not only the finest album to bear Megascavenger’s ragged, bloody name, there is absolutely no doubt that it is one of Rogga’s very, very best releases to appear under any of the many malign and morbid names – be it Paganizer, Ribspreader, Putrevore or Bloodgut. If anything this phenomenal Swedish riff machine has ever done has captured your imagination, then you need this album. If you’ve ever loved death metal, real death metal, old and rotten, the way it was meant to be, the way it was when it first crawled out of the tomb, then you need this album.
Toxic Noxious Undeath features an incredible array of guest vocalists, a different one for every track, gathered together from Massacre, Crematory, Vomitory, Mercyless, Benediction, Thorium, Maceration, Fondlecorpse, Avulsed and Void Moon - and every one of them gives a superlative performance. These guests are not just a random selection of death metal heavy hitters either, they each seem to fit perfectly with their assigned track, lifting them to an even higher level. ‘Graveyard Dreams And Bonehouse Screams’ is the ultimate opening track, with top class riffs, addictive rhythms, adrenaline packed and featuring an awesome Kam Lee vocal performance – rotten to the core, it’s everything you could want from a death metal song, and incredibly the quality never flags for a second as the album unfolds. Each song has individual character and atmosphere and you simply cannot pick highlights, the consistency is so unrelenting. On one listen ‘A World Of Fire And Brimstone’ with its distinctive melancholy melodies, enfolding atmosphere of darkness and horror, great bass work, outstanding drumming and howling incursions of lead will seem untouchable. The next, ‘Shallow Grave Overflow’, with Dave Rotten’s inhuman vocals making it one of the grimmest, deadliest offerings on this feast of rancid reanimation will rise to the summit. But in truth, every single song is a triumph, every riff a work of genius, every individual performance a world beater. With colossal immediate impact and the depth and quality to keep you coming back for more, Toxic Noxious Undeath is one of the best real death metal albums you’ll hear all year.
Every aspect of Megascavenger’s return is just right; from the haunting, malignant sound, due in no small part to the mixing and mastering of bassist Johan Berglund at Studio Ulgnor (Coldworker, Axis Of Despair etc) to the apt, grotesque and expertly realised artwork of Lucretia Morti (Avulsed, Putrevore, Ribspreader etc). Toxic Noxious Undeath will be released by Xtreem Music, on CD, 12” LP, cassette and digital formats on August 13th. The Megascavenger is coming for you!
Line-up:
Rogga Johansson – Guitars
Johan Berglund – Bass
Thomas Ohlsson - Drums
Kam Lee – vocals on ‘Graveyard Dreams And Bonehouse Screams’
Felix Stass – vocals on ‘Corpses Below’
Erik Rundqvist – vocals on ‘Exploding Casket Syndrome’
Max Otero – vocals on ‘Heading For The Furnace’
Dave Ingram – vocals on ‘A World Of Fire And Brimstone’
Michael H. Andersen – vocals on ‘Fleshburner Yearner’
Jan Bergmann Jepsen – vocals on ‘As Purgatory Ascends’
Silvester Koorevaar – vocals on ‘Toxic Noxious Undeath’
Dave Rotten – vocals on ‘Shallow Grave Overflow’
Peter Svensson – vocals on ‘The Morbid Rides Again’
https://www.xtreemmusic.com/
https://www.facebook.com/megascavenger
BLACK new single out now! BLACK was
Established in 2006 by Guitarist Rich Garcia Jr and Gregorio Jimenez Jr. In the
City of Sacramento, California. Black recorded and released their debut album "United States of War" in 2013.
Black performed extensively in support of this album, throughout The west coast...
Sharing the stage with such acts as...Death Angel, Lazarus AD, Bonded By Blood, Archaic and many more.
2015 through 2018 saw the departure and arrival of new and old members.
2018 saw the group take a brief hiatus to reset and move forward with a new lineup...2019 saw the addition of Vocalist Don McMillan III (Habeas Corpus, Mind Furnace).
The group entered the studio with former Habeas Corpus guitarist Tom Jimenez who owns and operates "Audio Edge Recordings" in Sacramento.
2020 saw the Addition of former History Channel contributing Guitarist Austin Elkington...and Bassist Dave Counts.
Spring of 2020 also saw the release of a new 4 track offering...Good friend and Possessed Lead Guitarist Claudeous Creamer appears on the 2020 EP "Untouched By Light"
Following the Covid-19 onset in 2020...The group cancelled forthcoming shows and dates with the group Pro-Pain and various others in California.
Summer 2020 saw the departure of founding member Rich Garcia Jr.Due to ongoing hand and wrist issues.
2021 The group welcomed Guitarist...Erik Von Krauss (Dead in Seconds)
2022 saw the departure of bassist Dave Counts due to relocating...and the group welcomed Bassist Jay who later departed in February of 2023.
The group welcomes Bassist Kelley Brown (Pierced From Within) in March of 2023...
The group returned to the stage in support of a New single released in June 2023.."CONCRETE"...
The group releases the Video Recording of their performance of the track "CONCRETE" Live at Goldfields in Roseville.
Performing throughout the West coast with such acts as Hatriot, Exmortus, Iron Maidens and the Burning Witches.
The group continues to perform into 2024 .With groups such as...D.R.I. , various Bay Area artists and The Accused.
2024 also saw the Release of the 3 track ep"Torment Bleeds Inside"
November of 2024 saw the departure of founding member Drummer Gregorio Jimenez Jr.
December of 2024 the group Welcomes Drummer Kenny Donovan (Cultural Warfare, Annihilation)
The group returns to the stage in 2025 Headlining various venues including taking part in a 3 band bill which Sold out the Sacramento Venue The Boardwalk in June.
The Group Releases 2 Lyric videos for the tracks "Witness to Decay" and "I AM THE THORN" with Shaumbra ArtVisuals.
2025 Saw the band partner with Imperative Music Agency and is featured on their 19th Compilation CD featuring Guest artist "Kerry King" - Imperative Music Compilation was sent to top magazines in Europe and the U.S., and reviews consistently highlighted BLACK as a promising band on this volume.
The Group also appears in a Full interview with Germanys "Legacy Magazine". In partnership with Imperative Music Agency.
The Group saw the departure of Bassist Kelley Brown in September of 2025.
Black Welcomes bassist Mike Mendenhall (Ashbury Wrath) in October of 2025 and immediately returns to the stage as part of a celebration for Sacra-Metal Records...
The label features the groups track "Torment Bleeds Inside" on a double vinyl release featuring Metal bands from the region.
Spring 2026 the Group creates a Business partnership with Imperative Music Agency. 2026 saw the Group release the New Single inspired by The Roman Emperor Caligula "EMBRACE MY FALL"
The group continues to grow through the Imperative Music Agency.The group looks forward to forthcoming shows and Festivals in 2026...the Group will enter the studio and record more tracks for Summer releases.
BLACK's new single "Practice of Suffering" is scheduled for release on May 29, 2026.
https://youtube.com/@black-officialpage?si=L_ATEk3VWfpcEnil
www.facebook.com/black4metal
More easy listening tunes from Finnish sludge metal band SOUNDS OF
DELUSION! Now released "NEWBORN" is a song
about the next omnipotent generation. No sense, no facts, no laws of physics.
Humanity truly has absolutely no limits! Sounds Of Delusion started as a solo project by Juuso Raatikainen (Swallow The Sun) has grown recently into a trio. The band will play their first gig this fridat at Kuudes Linja in Helsinki on May 29. The live lineup includes Okko Solanterä (Horizon Ignited, I Am the Night), Antti Karhu (Shining [NO], Post Pulse), Pekka Löhönen, and Juuso Raatikainen. The gig will celebrate the album release of guitarist Karhu's other band, Post Pulse, and will also feature a performance by Turku-based rock-metal hybrid Sisin.
Listen to the single on music services : https://push.fm/fl/soundsofdelusion-newborn
Composition & lyrics: Juuso Raatikainen
Mix & mastering: Juho Räihä (SoundSpiral Audio)
https://soundsofdelusion.bandcamp.com/
https://www.facebook.com/soundsofdelusion
NEWS 24.5.2026
Aktuelle Reviews :
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Dallas (TX) - Progressive Death Metal duo, SALLOW MOTH, will release new album, HYDROPHILOUS BROOD July 24 on Willowtip Records!
Hydrophilous Brood takes place in Pamugara, a dimensional nest immersed in a lush world where organisms are rematerialized into new hybrid species after passing through a powerful portal, a highly unpredictable artifact known as the ‘Mossbane Lantern’. Each song has a thematic connection to various artifacts on the previous album (Mossbane Lantern), extrapolating the characteristics and aftereffects of those artifacts within this temperamental environment of a planet.
Musically, Sallow Moth goes hand in hand with the aforementioned lyrical themes of transformation in that the continuous evolution of the project has become a signature feature with each album. This album retains a portion of the genre-shifting approach of previous works, but deliberately exhibits more focus on the intersection of technical death metal and brutal death metal, especially with the addition of a highly skilled drummer in Allen Gingerich. Notable influences on Hydrophilous Brood include Mortal Decay, Wormed, Deeds of Flesh, Cephalic Carnage, and Cynic.
"Distended in Panglacial Advent," the album's first single, is available at: https://www.youtube.com/watch?v=_azXm-LU2ho
Pre-order Hydrophilous Brood:
https://bit.ly/hydrophilous-willowtip
https://sallowmoth.bandcamp.com/album/hydrophilous-brood-2
Track
Listing:1. Nebulous Appendages of Vacillant Seafoam
2. Distended in Panglacial Advent
3. Driftmoth Vivisector
4. Biohybrid Virulence
5. Arcane Benthic Umbilicus
6. Polymorphic Gnaw
7. Hydrophilous Brood
8. Serene Aqueous Leech
Sallow Moth is:
Garry Brents - guitars, bass, lead vocals, keys, lyrics, production
Allen Gingerich - drums, guitar solos on 5 and 6.
Guest Appearances:
Cory Peterson - additional gutturals on ending on 4. (Thaetas).
Dan Wolfson - guitar solo on 7. (Snarling, Cave Moth).
Dave Norman - background high screams on 1, 2, 4, 6, and 7. (Co-runner of Zegema Beach Records).
Evan Sadler - additional high vocals on 2, 3, 6, and 7. additional lyric line on 3. (Labyrinthine Heirs).
Laela Clark - additional high screams on 2. (thisworldisnotkind),
Ola - Trumpet on 8.
Simon Joseph - additional gutturals on 2. (Defaced).
Tucker Spellane - additional high screams on 5. (Lurching).
Cover art by Clare McCarthy
https://www.willowtip.com/home.aspx
https://www.facebook.com/sallowmoth
Label: Rottweiler RecordsRelease date: July 24th 2026
Genre: Metal
For fans of: Megadeth | Trivium | In Flames | Soilwork
Bowed but never broken, the battle-weary angel stands in the darkness, bathed in the silver light of a hunter’s moon. He has given everything for the people of this ravaged earth, fighting for their redemption against an endless tide of demonic wickedness, his sword against an onslaught of tooth, claw, fire and damnation. Risking his heart and soul against the blood hungry cruelty and insidious machinations of the enemy he has been the last hope of a beleaguered world for so long…but still the battle rages on…
Two years ago, US metal band Tyraels Ascension unleashed their incredible debut album, Hell Walker. It was the beginning of a trilogy, with real life struggles translated into the tale of an angel, Tyrael, who descends to a broken earth to help its desperate people in a fight against the demons who threaten their very existence. Lyrically and conceptually immersive and musically dazzling the album was warmly received throughout the international metal underground with Metal Temple calling it “one hell of a journey”, while Games, Braaains & A Headbanging Life were thrilled by its “crushing fast moments, epic head-banging moments, and massive melodic moments”. The Hell Walker story was even made into a video game, featuring the music of Tyraels Ascension, which was made available on Nintendo’s hugely popular Switch platform. Now the time has finally come to return to the world of Tyrael, to follow the warrior angel back into the darkness, as the second part of his trilogy has arrived! Tyraels Ascension and Rottweiler Records are ready to unveil…Grave Seeker!
With its very first song, ‘No End In Sight’, Grave Seeker enfolds us in the special atmosphere that is a trademark of Tyraels Ascension. The dancing guitar riff, the waves of power, the fiercely aggressive vocals, the huge melodies and the stunning lead work…the excitement of the return to this unfolding story is there in every note, the essence of narrative like a glowing thread that runs through the music from the first note to the last. Any concerns as to whether Tyraels Ascension would be able to match the dizzying heights of their debut album are quickly wiped away – the band’s skills of composition and performance have only grown stronger. There is not a weak song to be found, whichever chapter of Grave Seeker you choose to explore. The emotive first single, ‘Bittersweet’, possesses real depth, rich in melancholy as Sean Searls and Kevin McNeil deliver an absolute masterclass in guitar playing, from their remarkable riffs to their beautiful, electrifying solos. ‘Impossible Decisions’ is instantly captivating and its hooks and melodies work their way deeper and deeper into your heart as the song progresses. ‘The Summoning’ is absolutely incendiary – so harsh, so heavy and yet so richly melodic – each note weighty with meaning, each word pronounced with passion, torn from the soul of vocalist Alex Theesen. Grave Seeker’s concluding track is the grand instrumental, ‘Tyraels Curse’, where a haunting, shadowed introduction gives way to dark, venomous riffing and guitar lines like a stately, macabre dance…and these are just a scattering of the treasures to be found throughout this album, the sights to be seen as we accompany Tyrael on his journey. Grave Seeker is a masterpiece of melodic, imaginative, extreme metal, an unforgettable voyage into the night.
Adorned in artwork that perfectly aligns with the darker, more melancholic feel of Tyraels Ascension’s second album, Grave Seeker will be released by Rottweiler Records on July 24th. This will be a metal highlight of the summer, if not the entire year. Tyraels Ascension have once more opened the gates to a metal paradise that you’ll never want to leave.
Line-up:
Kevin McNeil - Lead/Rhythm Guitar
Sean Searls - Lead/Rhythm Guitar
Alex Theesen - Vocals
Adam Bodkin - Bass
Brandon Dorman – Drums
https://www.rottweilerrecords.com/
https://www.facebook.com/TyraelsAscension
"'Idols of Confraternity' is focused on our innate ability in putting horrible people on a pedestal," says vocalist Shawn Wells. "These being celebrities, politicians, influencers and leaders of faith. We worship them as deities, follow their trends, watch their every move in the hope that we may find some form of familiarity. All to crumble in the wake of our self-proclaimed 'unique' display of infatuation."
Watch the video for "Idols of Confraternity" at https://www.youtube.com/watch?v=nFbmnakuaPM
Following a string of EPs and singles, the album promises to be the band's most incendiary work yet. Slated for release via Bleeding Art Collective, with distribution by Blood Blast Distribution, Dread Cycle is set to solidify the band’s position as a premier name in contemporary technical death metal.
Dread Cycle is due out on August 14.
Watch the video for the album's first single, "Ghost Mantra" now at https://www.youtube.com/watch?v=a3MW6H0Socw
Tracklisting: 1) Despotic Ruin (Diet of Worms)
2) Idols of Confraternity
3) Ghost Mantra
4) The Sordid Miasma
5) The Nightlight Sigil
6) Promethean Pilferage
7) A Mire Caked in Nativity
8) Grinding the Sphere
9) The Diary of the Emaciated
Dread Cycle was produced by Chris Themelco and mastered by the world-renowned Jens Bogren at Fascination Street Studios. The album was written by THE ABSOLUTION SEQUENCE with lyrics by Shawn Wells.
Line-up:
Stephen Cusato - Rhythm Guitar/Backing Vocals
Steven Mason - Rhythm Guitar
Alastair Boon - Bass/Backing Vocals
Luke Tucker - Lead Guitar
Nick Machin - Drums
Luke Sanderson - Drums
Shawn Wells - Lead Vocals
Bio:
Emerging from the isolated, unforgiving wilderness of Tasmania, THE ABSOLUTION SEQUENCE has carved out a unique identity within the Australian extreme metal scene. Their sound is a direct reflection of their homeland’s "dark isle" reputation—a place defined by a sinister history
and a cold, remote landscape that stands in stark contrast to the Australian mainland. The band has developed a signature style of Technical Death Metal that balances high-velocity musical prowess with a deeply immersive, atmospheric undertone. The band has earned a wide array of mainland and international support slots from Nile, Archspire, Thy Art is Murder to Psycroptic, Northlane, Make them Suffer and others. The also competed in the “GOOD THINGS 2022” Band Competition Victorian heats. Their proven consistent success in the Tasmanian Metal scene has garnered them a reputation as a reliable and sought after headlining act.
https://www.facebook.com/theabsolutionsequence
The album boasts 10 tracks of brilliantly violent riffing fueled by percussive intensity and unearthly vocals. Following a collection of critically-acclaimed singles and 2023's A Rite of Passage EP, COMPLEXANT is set to cement their status in the global metal community with Apex.
The band has launched the video for the album's first single, "No Angels Weep."
“A tale of vengeance, revenge and killing the false friends who scheme against you, when paranoia turns into reality," says vocalist Dan Greigsy about the song. "Murdered one by one with an old gardening tool, then buried in the backyard. You have freed yourself from your living burden, but you are now haunted by a rotting garden sprouting from your sins”
Watch the video for "No Angels Weep" at https://www.youtube.com/watch?v=GcuHJj4bgoQ
Apex is due out on July 31 via Bleeding Art Collective in partnership with Blood Blast Distribution.
Tracklisting:
1) Apex
2) No Angels Weep
3) Afterlife
4) Swing Myself To Sleep
5) Critical Mass
6) Heretical Supremacy
7) Cyclops
8) Eye For An Eye
9) No Hope For Humanity
10) No Hope For Sanctuary
Vocals on Apex were tracked by Joey Marsh at Beyond the Marsh Studios, with guitars and bass tracked by Shannon Zivkovic. The album was mixed and mastered by Christian Donaldson (Cryptopsy, Suffocation, Shadow of Intent, Ingested). Cover art created by Matt Priso.
Line-up:
Shannon Zivkovic - Guitar
Gavin Bradley – Guitar
Dan Greigsy - Vocals
Chris Tuckley - Bass
Seb Su – Drums
Bio:
COMPLEXANT bring together members from across Australia to deliver a vicious blend of Death Metal and Black Metal.
Drawing influence from bands such as Behemoth, Suffocation, Emperor and Nile, they have been touring nationally since 2022 while steadily building their catalogue with a string of singles and an EP. Since the bands inception they have shared the stage with international titans Cryptopsy, Fleshgod Apocalypse, Signs Of The Swarm, Within Destruction, and Disentomb.
With their debut album Apex due out on July 31, 2026, COMPLEXANT continue to push a sound defined by weight, darkness and unrelenting intensity. Mixed and mastered by renowned producer Christian Donaldson (Shadow of Intent, Ingested, Suffocation) Apex will be unleashed through Bleeding Art Collective in partnership with Blood Blast Distribution.
https://www.facebook.com/complexantband
Label: Independent ReleaseRelease date: July 3rd 2026
Genre: Thrash Metal/Hardcore
For fans of: Metallica | Terror | Hatebreed | Power Trip
Hailing from Bristol, in the UK’s south west, Martyrs Saint have been carving out their own niche in the area’s thriving underground music scene with their powerful, no-holds barred contemporary take on crossover; bringing together the groove, impact and attitude of hardcore with the energy and aggression of thrash – adding a palette expanding dose of musical skill and creative ambition. The rampant force of their pit inducing live performances has seen them sharing the stage with bands from across the hard-hitting sonic spectrum; from the metal of Absolva to the blackened thrash of Grave Altar, the death metal of Psycroptic to the punk of Broken Jaw and thrash metal of Hellfekted and Hellbearer. They also delivered a set at this year’s Southwest Heavy Fest, alongside Visions Of Disfigurement and Inhuman Nature, that was described by From The Pit as “…uncompromising and vicious…savage enough to shatter concrete…”. Now Martyrs Saint are ready to unveil a debut EP that delivers all that ferocity and all those addictive riffs, showing the full extent of what this band have to offer – From Strength To Strength!
The title track, ‘From Strength To Strength’, kicks off this EP in a blast of muscular riffs and attitude infused vocals. It’s an irresistible invitation to the pit, delivering blow after unforgiving blow, a grinding anthem of defiance and self-belief that leads straight into ‘Enemy Of My Enemy’ with its twisting guitars and devastating drums – every snare beat from Louie Hawkes like a shattering skull. There’s a pitbull bite to the delivery, bolstered by the colossal bottom end supplied by bassist Harvey Lewis and blazing lead guitar work brings an additional dimension to the song. Up next is the incredible ‘In Amber’, an epic, emotive, song that evolves through different movements and features outstanding individual performances from every band member. Brandon Goodair showing just how strong his voice is and Amaré Hurley unleashing some breathtaking solos. Building from an atmospheric opening to vast, towering chords and laced with the most potent melodies, ‘In Amber’ is a display of ambitious excellence – and there’s still more to come! Final track, ‘The Divine Art Of War’ begins with snarling guitars like chained wolves, straining at the leash and ready to attack, before serving up a magnificently measured assault of crunching aggression, the band operating as a supremely locked in unit. From Strength To Strength is a standard thrust into the earth, a barrage of heavy artillery that announces a new musical force ready to take on all comers.
Produced and mixed by Lucas Fletcher (Shrike, Espera, Apathy etc) at Shell City Studios, From Strength To Strength sounds magnificent – fierce, colossally heavy, textured and impactful. Each instrument has the space to breathe and yet, when needed, they all mesh to create a seamless wall of impenetrable steel. Coming at you on July 3rd, Martyrs Saint are unstoppable.
Line-up:
Brandon Goodair – Guitar/Vocals
Amaré Hurley - Lead Guitar/Backing Vocals
Louie Hawkes - Drums
Harvey Lewis – Bass
https://www.youtube.com/@MartyrsSaint
https://www.facebook.com/profile.php?id=100094296515428
Italy's INTO DARKNESS have been a work in progress since their formation in 2011. Led by vocalist / guitarist Doomed Warrior from the very beginning, the band released a handful of demos, a couple splits, and a couple EPs during their first decade of existence. While all short-lengths, they certainly did not lack in quality. As time (and lineups) went on, INTO DARKNESS’ primary influences – equally early Asphyx and Soulburn, Pentacle, Sinister, Gorefest, Dead Head, Phlebotomized, Acrostichon, and Thanatos among others – came more sharply into focus, aligning reverently within old-school Dutch death metal in style but with a unique lyrical focus: divulgative astronomy. Not astrology, not sci-fi, no Lovecraft – only and specifically divulgative astronomy, maybe poetically but definitely realistically.
Now, at long last, INTO DARKNESS are prepared to unleash their debut album. Tellingly titled Route to the Outer Side, the Italians’ first full-length is a concept record about the outer solar system, which still considers Pluto as a planet and also includes Halley’s Comet. As a power-trio, they unload a twisted, hulking mass of DEATH METAL – dark, doomed, but not without a special spark of astral atmosphere. Mind you, INTO DARKNESS still don’t do “sci-fi” or “spacey” death metal; rather, the sweeping songwriting that overtakes the listener with an energetic-yet-patient pace spells out in subtler terms the band’s lyrical conceits. Put another way, they show you rather than tell you about the vast, ominous majesty of space, leaving behind cliché sonic signifiers in favor of timeless death metal songcraft. Nevertheless, the trio possess prodigious chops, and are unafraid to often put them in service of the song – but when framed within the album’s powerful & professional production, it all feels exceptionally organic and far from flashy.
A creative, passionate vision that’s bloomed beyond their trademark tribute to classic Dutch death metal, INTO DARKNESS have finally arrived. Prepare for the Route to the Other Side!
Line-up:Santo – Pilot (Drums)
Filippo – Mission Specialist (Rhytm Guitars & Leads)
Doomed Warrior – Commander (Rhytm Guitars & Leads, Bass Guitar, Acoustic Guitars, Vocals)
From Milano, Italy
Artwork:Claudio Elias Scialabba
Release date: 19th June
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on blue/black galaxy vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
Tracklist
1 Jupiter
2 Saturn
3 Uranus
4 Neptune
5 Halley
6 Kuiper Belt
7 Pluto
8 Route to the Outer Side
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
The
Finnish classic Gothenburg-style melodic death metal band MORBID INTENT
are set to release their debut EP MARIONETTES later in 2026 via
Inverse Records. The first single 'ASHEN VEIL' is unleashed today and it's accompanied by a music video which can be seen here: https://youtu.be/lAWiPltZJ-M
The band comments:
"Ashen Veil explores the distortion of reality and the illusion that wraps itself around the human mind like a veil of ash. The lyrics portray a state where the individual can no longer distinguish truth from falsehood - everything is obscured by manipulation and delusion.
Musically, the track combines crushing riffs, melancholic melodies and an intense atmosphere. The result is a dark yet captivating composition driven by both aggression and mood.
Ashen Veil serves as a gateway into the band’s upcoming Marionettes EP- release, offering a first glimpse into its central theme: the fragility of the human mind and the power of manipulation."
Listen to Ashen Veil on streaming services: https://push.fm/fl/morbid-intent-ashen-veil
Biography:
Morbid Intent is an upcoming melodic death metal act formed in Oulu, Finland. Looking to take the scene by storm, Morbid Intent will release their debut EP "Marionettes" in 2026. The main inspiration for the band is the classic Göteborg-style melodic death metal mixed with a splash of modern extreme metal aggression. Fast blast beats, crushing riffs, and haunting melodies are to be expected.
The band members have experience playing in bands such as Mors Subita, Electric Deathbeat, Swansong, Se, Josta Ei Puhuta.
"Marionettes" will crush you, set you on fire, hit you like a truck, set you on fire again, and leave you wanting for more. This is a band and a debut that you will not want to miss.
Composed & arranged by Mikko Lavander, Juha Väyrynen, Juho Näppä
Lyrics by Juha Väyrynen
Single cover by Nikos Stavridakis (VisionBlack)
Line-up:
Vocals & Synths: Juha Väyrynen
Guitar: Juho Näppä
Guitar: Mikko Lavander
Bass: Janne Karjalainen
Drums: Jimi Myöhänen
https://www.facebook.com/morbidintentband
ABYSSAL RIFT – “RELICS OF GREAT ASH”
Genre - Death/Doom metalFor fans of - Incantation, Disembowelment, Saevus Finis, Cruciamentum
Abyssal Rift create gut-wrenching, pulverizing death/doom metal that embodies the best aspects of those two styles. The integration is thorough and the marked oscillation between the two happens naturally rather than it being a forced process. For a band of this ilk, the music is far more intricate and involved than it seems, with moments of it being fleshed out or slowed down if only to emphasize the unfathomable heaviness. At other times, the music builds in intensity until it reaches a crescendo, to be followed by a filthy, chugging part, a ripping solo, or a transcendental or industrial-tinged atmospheric passage. They manage to mix it all up without losing coherency or their asphyxiating grip on the listener. This is an engrossing, diligent album rife with downright wicked riffs, an ominous atmosphere, and some insane structuring, more so than most others in the vein.
Line up
Matt Auxier - Guitars, lead vocals, synths , programming
Mike Sliclen - Bass, vocals
Brandon Smith - Drums, percussion, vocals
Art/Drawings by Brandon Smith
Cover Photo by Mike Sliclen
Track listing
1. Consummate Design
2. Relics of Great Ash
3. The Enlightenment (There Was Never Will)
4. The Death of God
5. Surrealistic Visions
6. Sphere of Perpetuity
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/Abyssalrift
Thanks very much! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
JORDSJØ released their first tape in 2015. With the fourth tape, 2017’s Jord, the band got a wider audience outside their native Norway and subsequently released full-lengths on such labels as Karisma, Pancromatic, and Apollon. The band works as a duo in the studio, but for the last eight years, they have played live as a quintet. JORDSJØ are led by multi-instrumentalist Håkon Oftung, who has been a part of Oslo’s psychedelic, progressive, and heavy rock undergrounds for many years, and has played in Black Magic, Tusmørke, The Chronicles of Father Robin, Wobbler, Zenon, and labelmates FLIGHT to mention but a few. He’s joined by longtime companion and childhood friend Kristian Frøland, who plays drums and percussion, and also produced and mixed Pestkrønikene.
Pestkrønikene is a part of JORDSJØ’s 10-year anniversary, and their ninth release overall. The record started out as a compilation of studio outtakes from 2020-2025, but then took on a form of its own, with the songs linked together thematically. Lyrically, those themes reflect war, upheaval, the fall of kings and the rise of a new dawn, and cults and sects. Sonically, Pestkrønikene encapsulates the JORDSJØ experience as well as extends beyond it. Mythical and magickal, the album honors the band’s background in hard rock and heavy metal, and combines this with their own analog and organic blend of progressive / psychedelic folk rock. To say that band and record, both in general, blend ‘70s heavy rock like Deep Purple, Rush, and Ashbury with the progressive landscapes of Gentle Giant, Høst, and Landberk somewhat undersells JORDSJØ’s particular headspace. The soothingly otherworldly atmosphere sounds incredibly era-authentic but, more so, exists in a parallel universe worth revisiting over and over again; truly, new details and vistas open up with each spin, even with the soundfield being lushly Spartan. To make that anniversary all the sweeter, JORDSJØ are here joined by a few amazing guests: Jon Henriksen from Black Magic, Kristian Valbo from Obliteration / Aura Noir, and Andreas Prestmo and Lars Fredrik Frøislie from Wobbler. Sonic alchemy, Pestkrønikene is.
Succinct yet deceptively expansive at just 36 minutes, Pestkrønikene is a generous feast of fantastical, extra-dimensional exploration. While not “heavy” in the usual DYING VICTIMS sense, JORDSJØ honor the old ways – handmade, honest, even heroic.
Line-up:
Håkon Oftung - Vocals, Guitars, Keys, Flute
Kristian Frøland - drums
From Oslo, Norway
Artwork: Kristian Valbo
Release date: 24th July
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on red vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
Tracklist
1 Pestkrønikene
2 White Magic feat Jon A Henriksen
3 Seven Heads
4 Kaosvelde - Vasallens Elegi
5 Kaosveldets Endelikt feat Lars Fredrik Frøislie
6 The Awakened feat Andreas Prestmo
7 Spiritual Lament feat Kristian Valbo
8 Talisman II feat Jon A Henriksen
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Label: Apocalyptic WitchcraftRelease date: May 29th 2026
Genre: Black Metal
For fans of: Marduk | Shining | Gorgoroth
With bloated souls and skeletal bodies the three mad kings of the end times walk among us, with empty eyes and insatiable hunger. Innocence thieves, blood collectors, bastard children of archaic dynasties built upon the broken bones of the weak. Their consorts are the rotten and the dead, their champions soulless, empty vessels gasping for validation as they bathe in the nectar of inflicted pain. They lead us not into temptation, but into degradation and the all-consuming fire.
Born in the heat and shadows of the Australian underground, in Brisbane in 2014, Graveir have carved out a stronghold for themselves in their homeland’s black metal scene. Bleak, violent and uncompromising, their music possesses a powerful individuality that sees them following their own path, lone wolves in a world of people searching frantically for a voice to tell them how to think and what to believe. After their powerful 2016 debut, Iconostasis and its critically acclaimed successor, King Of The Silent World, hailed as ‘captivatingly hypnotic’ by Metal Bite, Graveir are poised to unleash their third set of black prophecies – The Festering Triad.
The Festering Triad begins with the sinister ‘Lords Of Misrule’, rising from the silence with guitars like an insect swarm before a lugubrious, dolorous shift into life and movement. The song holds you on the edge of oblivion, a constant aura of threat radiating from its broken beauty. There’s a powerful underlying melody too, but it’s corrupted and riddled with disease. And while this unsettling and disorientating introduction to The Festering Triad is still crawling through your veins, ‘A Futile Exhortation’ bursts into flame – as implacable and unstoppable as the passage of time, formed from the seething darkness on the edge of chaos and touched by something ancient and primal. You are now in the heart of darkness, jagged riffs circling like atavistic, feral presences, hammering blast beats disrupting natural rhythms. Nothing is as it should be. Nothing stays within the expected boundaries. This is a malicious attack on the laws that govern reality. ‘A Thief In The Heart Of Man’ flies at you in a howl of rage and bloodlust; you can feel its desperate need to tear you apart and the inherent danger is exhilarating. Title track, ‘The Festering Triad’ arrives swathed in an aura of decaying majesty, a triumvirate of wickedness wreathed in flame, marching onwards, entwined in black briars of unease – on into twisted soundscapes of fear and dizzying anxiety, through boiling malignancy and relentless intensity to the finale of ‘The Rite Of Degradation’, where portentous grandeur and bestial hunger combine in bewildering, schizophrenic fury. This album is fuelled by a determination to leave you broken, beaten and humbled – and it succeeds, absolutely.
Graveir have described The Festering Triad as “a harbinger of collapse — a soundtrack to a world burning from the inside out” and it is all of that and more. This masterpiece of malefice will be released by Apocalyptic Witchcraft on May 29th on limited edition Splatter Vinyl, Digipack CD and digital formats. Prepare for the incineration of all you thought you knew.
Line-up:
VVoid – Guitars
Snjór – Guitars
Gloom – Vocals
XI – Drums
Pandora – Bass
https://www.facebook.com/apocalypticwitchcraftrecordings
https://www.graveircult.com/
Romanian Black Metal band MAUNA SOL released their
debut album, "THE CALLING", on May 15, 2026, in
collaboration with Loud Rage Music.Featuring eight tracks of diverse and immersive Black Metal infused with elements of Post-Black Metal, Melodic, Progressive and Atmospheric Metal, "The Calling" delivers a dynamic and multifaceted sonic journey that balances aggression, melancholy and expansive atmospheres.
"The Calling" is now available for streaming and ordering here:
https://loudragemusic.bandcamp.com/.../mauna-sol-the-calling
https://loudragemusic.limitedrun.com/products/875143-mauna-sol-the-calling
Mauna Sol is a post-black metal band from Brașov, Romania, formed in 2019 by five musicians who sought to channel their diverse musical backgrounds and inner darkness through black metal.
While their sound is rooted in traditional extreme metal, the music is built around a short tale written by George, the band's frontman. Each song explores specific parts of this narrative, shifting between raw intensity and melancholic nuances, enriching the dynamic range of their sound.
Lyrically, the songs give voice to a self-imposed hermit. He recounts his journey toward personal rebirth through a "suicide of identity" - a grueling process set within a hostile desert, where the old self must be shed to allow for the new.
https://linktr.ee/loudragemusic
https://facebook.com/maunasolband
The new single, "SELF = DARK SIDE", showcases another facet of the band's intense and emotionally charged approach to Melodic Death Metal, blending aggressive riffing, intricate songwriting and atmospheric depth into a dark and dynamic composition.
The single is now streaming here: https://www.youtube.com/watch?v=vOy6x0CnM1Y
"Equation II: The Antithesis of Life and Free Will" follows the band's two previously released EPs and marks a significant step forward in both scope and musical ambition. The album further expands BALASHTOTH's sound through the inclusion of viola and Moog synth arrangements performed on three tracks by Adam Toth (Kajgūn, ex-The Dethroners, Art of Dethronement).
The photographs used for the album artwork were captured by Péter Jakab, former vocalist of the Hungarian Brutal Death Metal band Depths of Depravity.
Pre-orders for the album are available here:
https://pestrecords.bandcamp.com/album/balashtoth-equation-ii-the-antithesis-of-life-and-free-will
https://metalordierex.bandcamp.com/
https://www.facebook.com/pestrecords
https://www.youtube.com/@BalashToth
https://www.facebook.com/BalashToth
Pest
Records and Metal Ör Die Records are proud to join forces for the release of "AFTERLIVES:
REVENANTS / VILE TORTURE" SPLIT CD, a devastating union between
two uncompromising forces of the Serbial Death Metal underground: DEADSPAWNED
and MOGILA DEATHCULT.Bringing together suffocating atmospheres, savage riff work and relentless aggression, this split CD stands as a celebration of everything rotten, obscure and morbid within the contemporary Death Metal underground. From sepulchral darkness and cavernous brutality to punishing old school intensity, both bands deliver material that perfectly complements the spirit of this release while maintaining their own distinct identities.
"Afterlives: Revenants / Vile Torture" will be released as a strictly limited CD edition of 300 copies worldwide through Pest Records and Metal or Die Records.
Pre-orders and audio samples here: https://pestrecords.bandcamp.com/album/deadspawned-mogila-deathcult-afterlives-revenants-vile-torture
Release Date: June 19
DEADSPAWNED statement:
"We set out to track "Demonarch" as a teaser for the incoming album, but while we were tearing it up at Hellhammer Festival between studio sessions, we captured a raw live assault that offers a more visceral glimpse into the carnage coming your way on the full record. To ensure we seize the attention of the old-school freaks, we've teamed up with Mogila Deathcult to bring you the pure, decaying essence of Old School Death Metal."
MOGILA DEATHCULT statement:
"This awesome split brings back Vile Torture, our second demo, now backed with two live recordings that capture the raw energy of the band as it is. One of these tracks will also appear on our debut album, setting the tone for what’s to come, aimed for release by the end of 2026.
Joining forces with Deadspawned came naturally as we all know each other and have been ripping it locally and beyond for a while, and we’re proud to stand alongside a band with such a strong legacy. Merged, this split stands as a tribute to the sound that shaped us. No frills, no compromises, rooted in old school death metal."
https://www.facebook.com/Deadspawned
https://www.facebook.com/MogilaDC
https://metalordierex.bandcamp.com/
https://www.facebook.com/pestrecords
The
legendary Finnish metal band SOULGRIND, founded in 1992, is set
to release its tenth album 'AD PULCHRAM MORTEM' on August 14th
2026 via Inverse Records. The third single 'DARK WATER WIDE' is unleashed today and it's available here: https://push.fm/fl/soulgrind-dark-water
The band comments:
"Dark Water Wide leads the listener deep into the shadowed currents of Tuonela — the mythic river of the underworld — where the journey drifts through the darker depths of the mind.
Heavy yet beautifully melodic, the song blends Nordic atmosphere with Finnish darkness. Its harmonic structure weaves minor seventh chords tainted by subtle twists, creating a sense of tension and melancholy. Azhemin conjured the melodies, while Lilith shaped them into form — grounded by Suntio’s relentless, pounding rhythm that resonates through the entire composition.
Dark Water Wide is a voyage across vast, dark waters — an introspective descent into death’s beauty, embodying the very essence of Ad Pulchram Mortem."
Watch music video of first single 'Jylhä Metsämies' https://youtu.be/aoBIyV44VOY
Listen to the second single 'Tears of the Earth' https://push.fm/fl/soulgrind-tears
Biography:
Soulgrind is a Finnish metal band formed in 1992, known for blending gothic metal, thrash and black metal into a dark, melodic atmosphere. The band was founded by Lord Heikkinen, who has consistently contributed guitar and programming. Since 1999 Miika 'Azhemin' Niemelä has handled keyboards and programming, later adding harsh vocals.
Soulgrind's music often explores themes related to the darker aspects of Finnish history and psyche, combining passion, war, and the "dark side of mind" into their lyrical content, reflecting a deep connection to Finland's cultural and historical roots. But there has always been the bride side for the aspects as well. Classic war of love and hate.The sound has evolved over the time, but Soulgrind has maintained a core identity rooted in metal with a dark, atmospheric edge, resisting strict genre categorization and embracing musical development freely. Freedom of metal has always been the theme. And so it shall be.
Soulgrind is recognized for their intelligent and unique approach to metal, merging melodic and dark elements to create a distinctive sound within the Finnish metal scene. Their long-standing presence since the early 90s marks them as a significant act in the gothic and black metal genres in Finland.
Track list:
01 Nousee Musta Lintu
02. The Origin of The White Serpent
03. Jylhä Metsämies
04 The Last Day of Therinon
05. In The Circus of Tuonela
06. Dark Water Wide
07. Tears of The Earth
08. A Whispered Curse Upon The Gale
09. As A Narrow Fjord Descends
10. Into The Shadows of Devotion
Line-up:
Lord Heikkinen: guitars
Azhemin: Keybords, vocals
Tanya Lilith: Vocals
Suntio: Drums
JP: Bass
Micko Hell: Guitars, Vocals
Former members:
Roope Latvala ( Children of Bodom, Stone ), Juke Eräkangas, Tommi McLaunone (Gloomy Grim, Nomicon), Henrik Laine (Deepred )
https://www.facebook.com/SoulgrindFinland
DRAKKAR
return
with “INVASION”, a fast-paced speed/heavy metal anthem built on
relentless rhythm and vivid battlefield imagery. The single drives forward with
sharp riffs, driving percussion, and commanding vocals, capturing the chaos and
momentum of a seaborne raid and its aftermath. Designed for impact on stage as
much as in recording, “INVASION” delivers direct energy, tight songwriting, and
a clear nod to classic heavy metal traditions while keeping a modern edge.Stream "Invasion" Single: https://orcd.co/invasionsingle
About Drakkar
Founded in 1983, Drakkar built their reputation on the European metal circuit throughout the late 1980s and 1990s. Their 1988 debut album X-Rated, released through New Musidisc (Paris), earned strong critical recognition and led to support slots on major European tours with Queensrÿche, Metallica, Overkill, and Slayer. The record has since become a touchstone of the Belgian metal scene.
After a period of inactivity, the band reformed in 2011 with a new lineup. X-Rated was remastered and reissued in 2012, produced by Simone Mularoni (DGM), with original vocalist Fab "Leni" Vanbellinghen returning to the fold in 2013. The reformed band recorded Once Upon a Time in Hell in 2014, featuring Jonas Sanders of Pro-Pain on drums, and went on to play over 80 dates across Europe, including the Power, Prog & Metal Festival in Mons. A live album, Once Upon a Time Hellive, followed in 2016.
The band suffered a significant loss when founding member Thierry Del Cane passed away shortly after. They chose to continue in his memory. Subsequent years brought further lineup shifts alongside new recordings, including three singles and a music video released between 2022 and 2025.
Invasion marks a new chapter: Leni Andersen returns on vocals, and founding member Guy Duvy is back on bass. The current lineup is completed by Thomas Vanhorebeek and Nico RR on guitars, and Adrien Delgambe on drums (member since 2015). Adrien is the son of former drummer and founding member Tim Delval, bringing the band back to its roots alongside Guy and Leni, and continuing to deliver their signature furious heavy/speed metal.
www.youtube.com/@DrakkarBelgium
www.facebook.com/Drakkar
Bergen, Norway & Athens, Greece; 20 May 2026: Bergen-based melodic black metal outfit SWORN have announced that their fifth album, “NULL CROWNED THE INFINITE”, will be released on 4 September 2026. Pre-orders for the physical versions licensed to The Circle Music are available now.
Three years following the critically acclaimed “A Journey told through Fire” (2023), the new album navigates a sprawling conceptual narrative, tracing the cyclical nature of the cosmos from its initial spark in the void to its inevitable dissolution.
Lyrically, the album explores the terrifying scale of cosmic darkness and the fragility of existence within a primordial emptiness. Sworn investigates the philosophy of becoming and unmaking, where reality and time emerge from nothingness only to eventually collapse back into the same unfathomable origin. Musically, “Null Crowned the Infinite” pushes the boundaries of the band's established sound, balancing their signature melodic tension with newfound levels of aggression and atmospheric depth. The record features "The Starless Origin", a twelve-minute epic that stands as their longest composition to date, alongside "Fracture of Aeons", which the band identifies as their most aggressive track ever recorded.
Sworn collaborated with renowned producer Jens Bogren at Fascination Street Studios, who handled the mixing and mastering. Bogren’s legendary portfolio, featuring giants such as Opeth, Arch Enemy and Behemoth, brings a polished yet devastating edge to the performances of Max Wilson, Christoffer Kjørsvik, Gøran Hope and Tom Ian Klungland. The album artwork is equally striking, created by Pär Olofsson, known for his iconic work with Aborted and Kreator.
While Sworn continues to operate as an independent entity for the recording and production, they have partnered with The Circle Music to handle the physical releases under a special licensing deal. The release includes a Digipak CD alongside two distinct vinyl variants: Marbled Smoke and Marbled Green.
Pre-order “Null Crowned the Infinite”: https://thecirclemusic.gr/product-category/distributed-stuff/?filter_artist-name=swornTrack list:
1. The Starless Origin
2. Null Crowned the Infinite
3. A Cosmic Storm
4. Fracture of Aeons
5. The Entropic Void
6. Circle of the Eternal
Lineup:
Max Wilson - Vocals
Christoffer Kjørsvik - Guitars, Bass and Synthesizers
Gøran Hope - Guitars
Tom Ian Klungland - Drums
All music written by Christoffer Kjørsvik
Lyrics by Christoffer Kjørsvik and Max Wilson
All instruments except drums were recorded at Sworn Studio
Drums recorded at Taakeheimen Lydrike, engineered by Semming Haraldsen
Mixed and Mastered at Fascination Street Studios by Jens Bogren
Produced by Sworn and Jens Bogren
Cover artwork by Pär Olofsson
Since their debut “The Alleviation” in 2007, Sworn has evolved from a solitary vision into a powerful force in the black metal scene. Their history includes notable performances at major European festivals such as Summer Breeze, Ragnarök and Ultima Ratio, as well as tours alongside bands including Behemoth, Aborted and Helrunar. In 2023, Sworn released “A Journey Told Through Fire”, an album that became a defining moment for the band. Widely praised for its intensity, atmosphere and emotional depth, the record pushed Sworn to new heights and solidified their standing as one of Norway’s most well-known melodic black metal acts. Darker, sharper and more focused than ever before, the album captured the essence of everything Sworn had been building toward since their inception. Now, in 2026, Sworn return with “Null Crowned the Infinite”, a worthy successor that expands on the darkness and power that defined its predecessor while pushing deeper into bleak and atmospheric territory. The new album stands as the next chapter in the band’s relentless evolution. On stage and on record, Sworn continue to carry the fire forward with unwavering conviction.
https://linktr.ee/thecirclemusic
https://www.sworn.no/
https://www.facebook.com/swornnorway/
Release date : May, 22 2026Style: Music from Outer Space (Psychedelic Black Doom Sludge)
For fans of : Amenra, Pink Floyd, Oranssi Pazuzu, Cult of Luna, Yob, Watain.
Origin: France
Duration: 42min54
Label: Les Acteurs de L’Ombre Productions
Network Distributor: Season of Mist / Plastic Head
Digital Distributor: The Orchard
Line-up:
Pierre Duneau – Vocals, Synthesizers
Sacha Février – Bass
Etienne Sarthou - – Guitar, Backing Vocals
Viken Poulain – Drums
Tracklist:
01. Hellisual
02. Chasing The Dragon
03. Headspace Collapse
04. Turn On, Tune In, Drop Out
05. As Above, So Below
06. Ground Zero
07. The Banquet Part 1
08. The Banquet Part 2
Artwork : Pauline Talarn
Formed in 2013 by Etienne Sarthou (Guitar, Karras, ex-AqME, Freitot) and Pierre Duneau (Vocals & Keyboards, ex-Memories of a Dead Man), DELIVERANCE released an EP (Doomsday, Please) the same year, followed four years later by their debut album CHRST.
However, it was truly with their second and third albums that Deliverance established themselves as a cornerstone of the French avant-garde metal scene. Titled Holocaust 26:1-46 (2020) and Neon Chaos in a Junk-Sick Dawn (2022), these two pivotal releases earned critical acclaim and allowed the Parisian quartet to perform on prestigious stages such as Hellfest, Motocultor, Post in Paris, Rise & Fall, and Tyrant Fest.
In 2026, DELIVERANCE returns once again, completely breaking free from artistic and musical boundaries. While their black metal/sludge DNA remains strong, it now intersects with elements of post-rock, progressive rock, Floydian psychedelia, and even contemporary indie rock/electro - completely unprecedented in this musical sphere.
The Voyager Golden Banquet takes the listener away from the earthly realm and familiar landmarks, plunging them into the vastness of the unknown. The journey is at once tumultuous, unsettling, and even frightening, yet also serene and luminous.
This space odyssey paints a cinematic soundscape more vividly than ever. Whereas its predecessor was cathartic and oppressive, this new album reflects artists in search of inner peace, attainable only through daring, all-encompassing adventure, a quest for light with no turning back.
Pre-orders: https://www.lesacteursdelombre.net/product-category/preorders
Genre : Atmospheric Black Metal
Format : LP & CD
Relaese date : June 12th 2026
Riff-driven and immediate, MALIST's style is rooted in the best Atmospheric Black Metal imprint, although experimenting with Post-Metal passages and modern-oriented melodic approaches. Often epic and fierce, "Eternal Echo of the Fall" allows the listener to experience the perfect balance between anger and melancholy, as well as rawness with suggestiveness, thanks to mutable sections floating between slow-paced magical atmospheres and more fiery, aggressive ones. A particular attention to arrangements and a certain degree of amount of ideas seals this album as an intriguing musical journey, in which each song has distinctive traits if compared to each other.
Lyrically inspired by Tolkien's masterpiece, "Eternal Echo of the Fall" speaks of choice and its consequences in the face of a demiurgic hunger for absolute dominion. In moments of foreordination, the fading echo becomes a hymn of self-sacrifice.
The band's prolific career is now at its sixth record, with the previous ones released by excellences such as Northern Silence Records and Avantgarde Music. The quest is all but accomplished: although started as a solo project by Ovfrost, MALIST has now a full line-up and is ready to bring its majestic and dark music on stage.
Tracklist:1. Eternal Echo
2. Through a Distorted Gaze
3. Days of the Eclipse
4. Snows of Remembrance
5. Her Dark Backwater
6. To Walk the Path of the Dead
7. The Hird
8. Above the Mists of the World
Total length: 45:29 minutes
https://flowingdownward.com/
https://www.facebook.com/flowingdownward
https://www.facebook.com/malistband
Label: Apocalyptic WitchcraftRelease date: July 3rd 2026
Genre: Atmospheric Blackened Doom Metal
For fans of: Primordial | My Dying Bride | Negura Bunget | Cnoc An Tursa
Hailing from Ireland’s County Cork, Soothsayer have been weaving their visceral tapestries of sound and story, magick and melancholy since 2013. Their output has been considered and unhurried – just a handful of releases over the years, including a solitary full-length album in the form of 2021s Echoes Of The Earth – but each offering to bear the Soothsayer name matters; it carries weight, significance and a sense of purpose. Now, having recently announced their affiliation with the highly respected Apocalyptic Records label, Soothsayer are set to unveil their next portentous creation – their second full length album. Blending primal instinct, raw emotion and accomplished art, Soothsayer have once again delivered songs of import and substance, sounding like a band with lifetimes of releases and shared experiences behind them. Shaped by history, identity and tradition, infused with passion and tempered by grief and rage – it is time for The Unbinding.
In a thunder of drums and an attack of shocking, blistering intensity, ‘Eroding The Sky’ snatches the hesitant listener from the threshold and carries them into an all-encompassing maelstrom of sound. That initial charge collapses into a mire of mists and dark majesty, immense vocals exclaiming above the haze of mystery while bewitching threads of melody unwind through the shadowed gloom. Before this first song has passed you have been transported completely into a world of Soothsayer’s imagining. A passage of haunted invocation delivers you, seamlessly, into the waiting arms of ‘Sooner Acceptance’, it’s plaintive acoustic guitar and tortured vocals quickly consumed by vast chords and colossal drums. ‘Sooner Acceptance’ never allows you to settle, shifting from towering doom to blackened venom; it stretches out, recoils, attacks - possessing a malignant life it offers no safe harbour within its cruel kingdom. Each song that makes up The Unbinding is an elemental, storm-tossed challenge – part of the overall journey, but also long, hard, transformative roads in their own right. ‘Endless Shesha’, each note burdened with the weight of the world suggests secrets within its serpentine coils, tempting you into obsessive repeated listening, while the emotional intensity of ‘The Vine’ is fierce, draining and exhilarating. The versatility of vocal expression here is remarkable, with Liam Hughes playing narrator, sorcerer, hermit, priest, combining storytelling with the outpouring of overwhelming emotion. The winds between worlds carry us finally to the concluding ‘A Vague Shimmer’; loss, ritual, imposing presence haunting its repeating guitar motifs. More than any other, this song echoes with the essence of Soothsayer’s island home, inescapable bindings reaching back to the past. The Celtic guitar at the song’s heart, the drums touched by the ghosts of ancient heritage and an indefinable sense of passing combine to make this a most fitting ending to a quite incredible album.
Brought to life with sound engineer Shaun Cadogan (Coscradh, Diocletian, Dread Sovereign etc) at Last Light Recordings in Dublin, The Unbinding sounds magnificent – every individual element of the band given power and clarity, just the right level of prominence afforded each intricate detail, while all is bound into a huge, cohesive force. Soothsayer have outdone themselves with The Unbinding, delivering a superlative distillation of their art. Look for its coming on July 3rd, on limited edition vinyl, digipak CD, cassette and digital formats – all from Apocalyptic Witchcraft.
Line-up:
Liam Hughes - Vocals
Marc O’Grady - Guitars
Gerard O' Callaghan - Drums
Con Doyle - Guitars
Pavol Rosa - Bass
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/apocalypticwitchcraftrecordings
https://www.facebook.com/soothsayerdoom
The new track 'Unified Light', along with its music video, is released today and it's available here: https://push.fm/fl/progeny-of-sun-unified-light
The third album is planned for release sometime in 2027, and the new songs dive even deeper into the depths of dark death metal in the band’s signature genre-blending style. Alongside writing the new album, the band continues to perform actively, and at the end of May they will embark on their first small international tour, which includes Finland as well as Estonia, Latvia, and Lithuania.
Guitarist Joni comments:
"Our drummer Juha was staring out the window on a stormy evening, thinking to himself, ‘It would be nice if, just for once, I could play some fun grooves in at least one song.’ As composers, Jaakko and I somehow picked up on Juha’s thoughts and let him loose in the studio on his own. The result was a track with nothing but drums recorded, without any bigger vision behind it. ‘We’ll figure something out for this," I said confidently, and tuned my guitar even lower than usual. Tuomo (the bassist) struggled with the new tuning, remarking, ‘Isn’t my job supposed to be playing these low frequencies?’ Niko (the vocalist) nodded along with a grin, an orange drink in his hand: ‘Boys, It's kickin’ really nicely’”. I assume he was talking about the song."
Biography:In the beginning, Progeny of Sun was a two-man band formed by Jaakko Hautamäki and Niko Aromaa. Jaakko was responsible for the instrumentals, mixing, and mastering, while Niko handled the vocals, lyrics, visuals, etc.
The songs Jaakko introduced were very versatile. Some had speed, some were slow, some painted a picture with their atmosphere, and some were more straightforward bangers. Despite the diversity in style, everything worked exceptionally well in tandem, and from this premise, the band started to develop and pave its own way forward.
To start with, Progeny of Sun created a 6-song self-titled EP and discovered that their music was met with great reception. The duo behind the band did all the mixing, mastering, videos, and artwork themselves. The project as a whole was very fun and rewarding to work on.
After the EP release, Jaakko and Niko began to think that something more was still needed. They still had a burning desire to spread their music around the world, but with just two people, it would have been impossible.
Subsequently, Jaakko found two local musicians from the Seinäjoki area: Joni Kiviniemi (guitar) and Juha Peura (drums). Joni and Juha were initially brought on board just to offer their vision and play their assigned instruments for new material. Soon, however, it began to feel like they were part of the family, and so it was decided that they would become full-fledged members of the squad and a part of the band's story. Not long after, Tuomo Tolkki (bass) was also welcomed to join, and in a matter of a few months, the full lineup was formed.
The first release with the full lineup, a 3-track EP 'Dark Wanderer', was released in 2021. Next in line were the single releases ‘Worthless’ and ‘Anguish’, which were released in 2022. Thanks to the aforementioned experimental phase, Progeny of Sun has gained self-confidence and started to understand its own identity. The band worked hard on the debut album ‘Throne of Desolation’, which was released at the end of 2023. Progeny of Sun's second album 'Prophets of the Void' was released in September 2025. Following their debut album, the band has identified their strengths, which are utilized and showcased even more prominently on the second album. The third album is currently in progress and is planned to be released sometime in 2027.
Composed by
Joni Kiviniemi, Jaakko Hautamäki, Juha Peura, Tuomo Tolkki
Lyrics by Niko Aromaa
Mixed and mastered by Jonathan Mazzeo
Single cover by Joni Kiviniemi & Niko
Line-up:
Niko Aromaa - Vocals
Jaakko Hautamäki - Guitar
Joni Kiviniemi - Guitar
Tuomo Tolkki - Bass
Juha Peura – Drums
https://www.facebook.com/Progenyofsun
FOREVER IMMORTAL: The Official Biography of VARATHRON
. “Forever Immortal”, the official biography of Greek
titans Varathron a monumental tribute to one of black metal’s most
enduring and influential forces. Written
by Stefan Necroabyssious and Aris Shock in conspiracy
with Dayal Patterson and Cult Never Dies. Coming out September
15th.Available in:
Standard Edition: Hardcover book + CD
Deluxe Edition: Limited Deluxe A5 Box Set,
Hardcover book, CD, 12 high quality art prints, flag, patch, bookmark, 2 picks, signed certificate, in reinforced hotfoil collector’s box
Created in close collaboration with the band, Forever Immortal is the official biography of Greek black metal pioneers Varathron. It traces their journey from humble beginnings in the late 1980s to their present-day successes, drawing on candid interviews and personal recollections to capture both struggle and triumph.
Central to the narrative are the insights of co-founder and vocalist Stefan Necroabyssious, alongside the past and present members of the band.
Their story is enriched by key figures within Greek metal – such as Spiros ‘Captain Death’, Jim Mutilator and Sakis Tolis (Rotting Christ), and The Magus (Necromantia) – as well as musicians from international acts inspired by Varathron’s enduring influence.
Featuring hundreds of photographs and illustrations spanning every era – many previously unseen – this revealing volume offers a comprehensive and intimate portrait of the band. The result is an essential work for longtime devotees and black metal enthusiasts alike, cementing Varathron’s international legacy. This book stands as a testament to Varathron and Stefan Necroabyssious, a titan of the black metal scene.
https://agoniarecords.com/
Horror Pain Gore Death Productions are set to
release the new EP from Lansdale Pennsylvania's L.M.I.; V is
up now for pre-order and will be released June 19th on CD and Digital formats
along with merch.For fans of : Portrayal Of Guilt, early Mastodon, Neurosis, Imperial Triumphant, Drive Like Jehu, Napalm Death and Kylesa
L.M.I. return to Horror Pain Gore Death Productions with the new EP V! Following up on 2024's album Failed To Feel It, Lansdale, Pennsylvania's L.M.I. unleash five new tracks showcasing the band's uniquely intense blend of Sludge Metal, Hardcore Punk and Math Rock. V will leave you in a daze of riffage and pummel you with it's ripping guttural vocals, along with experimental dynamics and song structure, which makes the listener rethink what Hardcore Punk can contort and morph itself into.
Listen to the single "Feelin' Tired" at https://www.youtube.com/watch?v=j_hpB5PNoJE
Tracklisting:
1. Feelin' Tired
2. Wings Of Misery
3. Strangling A Broken Dream
4. Living Fear
5. Fever Dream In A Golden Cage
www.horrorpaingoredeath.com
www.youtube.com/user/horrorpaingoredeath/videos
www.facebook.com/horrorpaingoredeath
Label: Xtreem MusicRelease date: July 9th 2026
Genre: Death/Gore Metal
For fans of: Carcass | Mortician | CBT | Impetigo | Autopsy
There is nothing behind those eyes - no humanity to appeal to, no shared emotions to draw on, no innate sense of mercy to plead to - there is only hunger and a spark of malignant glee. The inevitability of the end is overwhelming; the strangely shocking realisation that you were never the centre of the universe, it was never your story, you were just a bit part player after all. The world will keep on turning long after this…thing…has reduced your ideas and emotions, worries and cares to a shapeless mess of flesh and liquid. It’s enough to make you weep…but there’s no more time for that.
Formed in 2021 by members of Fecal Body Incorporated, Cocklush and Concrete, Bulgarian gore obsessives Necromonger are devoted to the sound of rotting, repugnant death metal; undiluted, uncompromising and bone crushing. Eschewing the pursuit of high velocity blasting, Necromonger take their time over each kill, revelling in choking, claustrophobic atmosphere and sinister, crawling heaviness. A miasma of fear and desperation hangs over each song that they shape from their warped dreams of bruised flesh and congealed blood – and after years of immersion in their fetid fantasies they have emerged with a debut album to bring a shudder to the soul of all but the most hardened disciples of disgust. Emanation Of The Dying Perceptions has arrived…
The grotesque theatre of Emanation Of The Dying Perceptions opens with ‘Beyond The Pleasure Principle’, gradually submerging its victims into a world of terror before the razor-edged atmosphere gives way to snarling guitars underpinned by a thuggish bass. Brutalizing vocals bring an aura of warped sickness to the methodical process of dismemberment and there’s a seething morass of vicious unpleasantness boiling beneath the slow-motion bludgeoning. From here there is no escape, no let up in the degradation and destruction – this album is chilling in its soulless inhumanity. The songs switch from the murderous heat of tracks like ‘Born In Grave Wax’, a lumbering tribal dance of destruction, with the bass sounding as if the strings must be hanging from the instrument like loosely draped entrails, to cold, fear-infused nightmares like ‘Confessions Of A Dead Poet’, making for a disorientating melange of horror. The riffs are thick and suffocating, like wading through offal and the band deliver wound after wound, ghastly, shocking injuries. Listening to Emanation Of The Dying Perceptions is a mind warping experience that will take you from shock and disgust, through fear and madness to total desensitisation…and finally to a lust for depravity. Final track and first advance single, ‘Slaughter To The Bones’, is perhaps Necromonger’s greatest work on this, their first release. Its monstrous guitars and hellish vocals seem to be accompanied by a sense of sinister revelation, as if the meaning behind all the preceding savagery and slaughter is laid bare in this insidious, creeping conclusion.
Emanation Of The Dying Perceptions will be prised from its coffin by Xtreem Music on July 19th and released on CD, 12” LP, cassette and digital formats. The CD will feature the bonus track, ‘Necromonger’ – an epic instrumental combining atmosphere and brutality in a wildly effective, bilious cocktail – while the cassette will feature the additional delights of ‘Necrocannibal Pollution’, a feast of molten riffs that makes a more than fitting addition to the album’s core of carnage. With Emanation Of The Dying Perceptions Necromonger have written a love letter to the dismantling of the human form. Expect no mercy.
Line-up:
Pigman – Vocals
Agrogrinder – Guitars/Bass
Quill Rat – Drums
https://www.xtreemmusic.com/
https://www.facebook.com/goredeathmadness
San Francisco Progressive Metal act GÜRSCHACH has debuted “THE CANCER IS YOU!”, their third single off their upcoming album Absolutely Nothing due out on June 12th. Released on May 15th, this release is the final pre-release single before their upcoming album release show and tour. The track is paired with an accompanying lyric video showcasing the track’s furious and urgent lyrics on full display within the track artwork. With its high energy, twisting and turning structure, and harshly sung vocals, Gürschach's "The Cancer is You!" is an unbridled all-out attack of pure metal rage to a bleak modern world.
Recorded at Altman Studios, and mixed and mastered by Ulrich Wild (Dethklok, Slipknot, Raven Black), “The Cancer is You!” stands apart from the group's other singles from this release. Opening with a primal scream from front man X, this track features blast beats, buzz saw riffs, and a borderline death thrash edge while still maintaining the band's signature sound. Its driving Thrash riffs harken back to the band's roots in San Francisco Metal, while their progressive edge drags the listener through brutal twists and turns with the G-Force of a rollercoaster! Wealth inequality, class divide, and generational abuse fuel the themes of the angriest song Gürschach has ever released by far. Feel the fury of a generation left behind!
Gürschach’s second full length album Absolutely Nothing will be out on all major streaming services on June 12th. The band is set to release the CD at the legendary DNA lounge in San Francisco with Nox Sinister, Barbarous (Creator Destructor Records), and Crepuscle. The band plans to shoot a music video as part of the show, so new and longtime fans of the band alike will not want to miss it! June will also see the band depart on the absolute heathenry tour with Nox Sinister, seeing the band return to the Pacific Northwest in the Rockies for the first time since 2023. The band aims to tour extensively on this new release, and they aim to be at a venue near you soon. Buy their shirts!
Absolute Heathenry Tour:
June 12 - Knucklehead, Los Angeles
June 14 - DNA Lounge, San Francisco
June 15 - Siren's Song Tavern, Eureka
June 16 - Rockafairy, Medford OR
June 17 - High Water Mark, Portland OR
June 18 - Kraken Bar, Seattle WA
June 19 - John Henry’s, Eugene OR
June 21 - Aces High Saloon, Salt Lake City UT
June 22 - The Dive, Las Vegas
June 23 - McGuffie's, San Diego CA
June 24 - Summer Fox Tower, Fresno
June 27 - Alturas Bar, Reno NV
https://www.gurschach.com/epk
Polish atmospheric black/epic doom metal solo project DIVINE SOVEREIGN has announced a new album, AUTAXIA CHRONICLES: A House Divided, due out via Wormholedeath. The first single, "HERESY," is available now as an audiostream video.
A House Divided is the second installment in the Autaxia Chronicles series, picking up where 2025's Dawn of a New Age left off. Where the first album treated religious fanaticism as a unifying force, people bound together against oppression, this one examines its opposite: how the same beliefs can fracture societies from within. The album draws on the historical reality that nearly every major religion, from early Christianity and Islam to Buddhism and Judaism, carries its own legacy of schism and doctrinal conflict. In the Autaxia universe, things are no different. With the independence war concluded and the planet's inhabitants now in control of their world, their psionic abilities begin to fail. The king and his priests resort to increasingly brutal rituals in pursuit of what they believe is the species' ultimate destiny: immortality.
The concept behind A House Divided explores the other side of the same coin examined on the first record, religion as a force of division rather than unity, and how that dynamic plays out across different faiths and different eras, both in real history and in Autaxia's. Musically, the project draws on the atmospheric and epic traditions of Ethereal Shroud, Panopticon, Gallowbraid, and Atlantean Kodex, building long-form songs designed to carry the weight of the story they tell.
About Divine Sovereign
Divine Sovereign is a Polish atmospheric black/epic doom metal solo project founded in 2023. The project tells the ongoing story of Autaxia, a planet where an advanced species discovers the ruins of a once-great civilization. Autaxia Chronicles: Dawn of a New Age was released in 2025 via Wormholedeath.
Tracklist
1.Heresy
2. The Price
3. Pledge
4. Battle Below Mountain Range
5. Words of King
Australian extreme metal cohort KING PARROT
are bringing their no holds barred, off kilter live experience back to the UK
in September in support of their new album "A YOUNG PERSON'S GUIDE
TO KING PARROT". After decimating stadiums nationwide and all over
Europe opening for Pantera and Power Trip in 2025, the boys from down under are
excited to announce their return with a 9 date run of headline shows all over
the UK.The new album has received a rousing reception by the metal community with tracks like "Fuck You and the Horse You Rode In On" and "It's A Rort" and their accompanying videos being lapped up by old and new fans alike. King Parrot recently completed a monstrous 39 date US tour alongside Gwar and Soulfly and are firing on all cylinders leading up to their return to the UK and Europe. Most recently the band have enlisted the services of veteran bass player Derek Engemann (Scour, Philip H Anselmo and The Illegals, ex-Cattle Decapitation) and he will be joining the band again as he did on the US tour.
King Parrot are recent additions to festivals in Europe like Summer Dying Loud (PL), Metal!!! 2026 (CZ) and Get Lost Fest (DE) and they are putting the finishing touches on their more extensive European jaunt, however wanted to get the news out to fans of their return to the UK immediately. Get down with the crown and shit on your liver as King Parrot comes to destroy venues across the UK as only they know how!
https://kingparrot.net/tour/
Melodic Death Metal project BURYING ANGELS debut with „CATHEDRAL OF CHAOS” EP featuring James Murphy, Christopher Amott, Peter Wichers and Andy LaRocque
Burying Angels is a project of a Chicago-based guitarist Mark Palangio.
“I started playing guitar when I was 17 years old after seeing Iron Maiden live footage from Rock In Rio. The way all 3 guitarists interacted on stage and played solos and harmonies together was the coolest thing I had ever seen! Maiden is still my favorite band of all time, but as I got more into metal, I discovered all of the Swedish melodic death metal bands and fell in love. The Jester Race was the first “extreme” metal album I heard and it blew my mind. Still my number 1 album to this day, I always loved everything about that old school Gothenburg sound. The low tunings, the harmonies, the melody lines, the growling vocals, just the amazing melding of heaviness with melody.”
„Cathedral Of Chaos” youtube link: https://www.youtube.com/watch?v=Dup8foPuctE&list=OLAK5uy_l7_SpM-OX7i6qIG2cQusOiJkd3qWg2P_c
On the backhground:
“I had to stop playing guitar around 2009 when I got a blood clot in my left pointer finger and almost had to have it amputated. Luckily I kept my finger, but I didn’t know if I would ever play guitar again and I didn’t until 2022 when my daughter asked me if she could get one. I bought her a 3/4 scale guitar and figured I would get one so I could teach her. The first guitar I had owned and played since 2009 when I sold everything I had. I was obsessed with playing when I was younger and that same passion came back to me when I started messing around with some songs and riffs I had written 20+ years ago when I was in college.
Those songs and riffs were always meant to be the Cathedral Of Chaos EP and I honestly never thought I would finish it. Not only did I finish it, I got so many of my musical idols and metal legends to help me on the project. Something I had wanted to put together since I was a kid is finally a reality and I could not be more proud of how it turned out.
Getting the chance to work with legends like Fredrik Nordstrom, Mattias Eklundh, Andy LaRocque, Peter Wichers, Chris Amott, James Murphy, and all of the guys that helped me was and still is a surreal thing.
Everyone I worked with was so kind and it was such a fun project, I am planning to write and complete 6 more songs by the end of 2026 that will make up a complete album with the 4 tracks from Cathedral Of Chaos. I plan to get even more of my music heroes involved on each track and can’t for it to be finished!”
90’s inspired Swedish melodic death metal from the heartland of America. Featuring members of Arch Enemy, Soilwork, Death, King Diamond, Evergrey The Absence, Without Grief, Autumn Leaves, Cipher System, and more!
Mark Palangio - Guitars/Songwriting
Patrick Johansson - Drums (Clockwork Revolution, Final Strike, NorthTale, ex-Without Grief, ex-Shades, ex-Rusted Through, ex-DeuxMonkey, Kinlin, ex-Chainwreck, ex-Impellitteri, ex-Yngwie Malmsteen, ex-Sabaton (live), ex-W.A.S.P. (live), ex-Stormwind, ex-Scudiero, ex-Prey, ex-Red Lamb, ex-Jet Black Racing, ex-Spelled Moon, ex-Takara, ex-Token)
Torsten Madsen - Vocals (Helge, Inbreeding Rednecks, ex-Autumn Leaves, ex-Slugs, ex-Decrial)
Johan Niemann - Bass (Evergrey, Beyond The Katakomb, Hollingshead, Sectu, ex-Demonoid, ex-Hubi Meisel, ex-Mind's Eye, ex-Tears of Anger, ex-Afterglow, Talisman, ex-Evil Masquerade, ex-Therion, ex-Tiamat (live), ex-The Murder Of My Sweet)
Mattias "IA" Eklundh - Lead Guitar (Solo, Freak Kitchen, Freak Audio Lab, ex-Frozen Eyes, ex-Metal Against Coronavirus, ex-Planet Alliance, Art Metal, ex-Fate)
James Murphy - Lead Guitar (Solo, ex-Death, ex-Testament, ex-Obituary)
Andy LaRocque - Lead Guitar (King Diamond, ex-Illwill, ex-Metal Against Coronavirus, ex-X-World/5, Blue Detective, ex-E.F. Band, ex-Swedish Erotica)
Peter Wichers - Lead Guitar (Solo, ex-Soilwork, ex-Nuclear Blast Allstars, ex-Killswitch Engage (live), ex-Warrel Dane, ex-Inferior Breed, ex-King Fighter, ex-Tone Assassins)
Christopher Amott - Lead Guitar (Solo, ex-Arch Enemy, Black Earth, ex-Armageddon, ex-Dark Tranquillity, ex-Ghost Ship Octavius, ex-Machine Head (live)
Peter Joseph - Lead Guitar (The Grand Leveler, The Absence, ex-Bone Saw, ex-Demogoth, ex-Panic, ex-Hate)
Johan Eskilsson - Lead Guitar & (Cipher System, Night Crowned, ex-Eternal Grief, ex-Dead By April)
Recorded At Belle City Sound in Racine, WI by Chris Wisco (Novembers Doom, The End Records, Lazarus A.D., Metal Blade Records, These Are They, The End Records, Dirge Within, Koch Entertainment, Jungle Rot, Napalm Records, Michael Angelo Batio, Nonpoint, AM Conspiracy, Gorgasm, Leaving Eden, Origin, Denial Machine, Agalloch, A.D.D., Rebels Without Applause)
Mixed & Mastered at Studio Fredman in Gothenburg, Sweden by Fredrik Nordstrom
Travis Smith - Cover Artwork
Carlos Holmberg - Logo
https://buryingangels.bandcamp.com/
https://www.facebook.com/buryingangels
Ernesto
"Doomlord" Menga, mastermind of SORROW SPHERE, and
Giuseppe "Buzz" Nicolò of MEMORIES OF A LOST SOUL, present the
details of the new release "THE WIZARD OF DOOM" which
will be released digitally on Club Inferno Ent. on June 12th.FFO : Candlemass, Pentagram, Solstice, Solitude Aeturnus, Trouble
Let's start with the cover art created by the talented Gianfranco Logiudice and the following tracklist:
1. The Awakening Of Chaos
2. Ashes Of A Dying Breed
3. The Wizard Of Doom
4. The Bringer Of Blades
5. Doomed Skies
6. Descent To Oblivion
7. Descent To Oblivion (Extended Version)
This new 30-minute EP, the successor to their debut album "Demonotheism", released in 2024, features the dark atmospheres, slow rhythms, and Epic Doom Metal sounds that characterized the Calabrian band in the late '90s when SORROW SPHERE formed, updated with a more modern and mature sound thanks to the expert production at Lost Soul Studios by Giuseppe "Buzz" Nicolò.
SORROW SPHERE are back and with them the darkest and deepest sounds of their Epic Doom.
Pre-Save: https://onerpm.link/234146396193
http://www.facebook.com/clubinfernoent
http://www.facebook.com/SorrowSphere
UNHOPED - „TORTUROUS SANCTIFIED CENTURIES“
For
fans of: Demolition
Hammer • Morbid Saint • Dark AngelRaw Skull Recordz proudly unleashes the reissue of Torturous Sanctified Centuries, the savage and long overlooked death/thrash assault by Finnish extremists Unhoped. The album stands as a fierce example of uncompromising aggression, violent riff craftsmanship and raw old school intensity
Blending razor sharp thrash riffing with the darker and heavier edge of classic death metal, Torturous Sanctified Centuries delivers relentless speed, punishing rhythms and hostile vocals without sacrificing atmosphere or authenticity. The album captures the raw energy of the underground era through organic production, chaotic songwriting and a refusal to follow modern polished standards.
This reissue restores a cult release that deserves renewed attention among devotees of savage and unfiltered death/thrash metal. No artificial triggers, no sterile production, no compromises. Only pure underground aggression preserved in its original destructive spirit.
https://www.facebook.com/rawskullrecordz/
Label: Road To Masochist
Release date: June 5th 2026
Genre: Doom/Sludge Metal
For fans of: Electric Wizard | Weedeater | Cough | Dopethrone
From Dorset’s gently undulating chalk downs and ancient woodlands comes a new and far from picturesque entry into the UK’s proud annals of down-tuned, dirt-encrusted, slow-motion metal. Despite only lurching into existence in 2025, Blüdwyrm are already building a formidable reputation for themselves with their snarling collision of soul-shaking doom and feral sludge. They’ve shared the stage with the likes of Witchsorrow, Viking Skull, Mephistofeles, Komatsu, Bile Caster, Nomadic Rituals, Bismut and many more – and this summer their debut EP is set to be unleashed. Prepare for the suppurating sound of The Blissful Sleep Of Ignorance!
This trip into the underworld begins with the lead weight ‘Preacher Of My Own Demise’, which rumbles into life on the back of a thick, rolling riff with a snarling stoner groove, before its own colossal mass sends it sliding over the edge of a crevasse, into a slough of sludge and inescapable sucking filth. With all light extinguished we find ourselves in the dark caverns of ‘Isolate’, where a raw, bleeding vocal intones a trance inducing invocation over a relentless, pulsing crawl towards the grave. This is oppressive and lightless…doomed, damned and dying. Next up in this litany of grim deeds, ‘The Vultures’ may start with a ragged and stained, rattling groove but it soon collapses into a pained crawl - slower and slower, crushing you down into the dirt – before rearing to its feet with a wailing solo for a last charge to its broken conclusion. Morose, regretful, echoing notes then summon into half-life the decimating, desecrating monster that is ‘Pesticides’. A vein of sorrow, like a stream of polluted blood runs through the depths of this ragged ravine, carved out by world-eating riffs, while coruscating vocals and tumbling drums supply the momentum to carry this dying behemoth across the finish line to the accompaniment of wails of agonised feedback. The Blissful Sleep Of Ignorance feels sick and wounded, but utterly defiant and indisputably real. Just like the band’s devastating live performances, this EP delivers a cathartic cleansing and leaves you in a beautifully bloody state of shock.
Looking inwards with an unwavering honesty and reflecting on the world around them through an unfiltered lens, Blüdwyrm bring a palpable emotional depth to the crushing heft and fierce intensity of their music. It’s a powerful combination that gives The Blissful Sleep Of Ignorance an addictive quality that will have you reaching for its vial of dark, bittersweet elixir time and time again. Perfectly imperfect, with open heart and open wounds, Blüdwyrm will be darkening your summer skies from June 5th, when Road To Masochist unleash The Blissful Sleep Of Ignorance on CD and cassette. Everything is about to get a whole lot heavier.
Line-up:
Leo Butterworth: Bass & Vocals
Alex Jones: Guitar & FX
Seb Olds: Drums
https://roadtomasochist.co.uk/
Agonia
Records proudly presents the long-awaited vinyl reissues of two landmark
releases from ABIGAIL WILLIAMS — A VOID WITHIN EXISTENCE and WALK
BEYOND THE DARK. BOTH albums are now available again on limited edition
vinyl variants for collectors and devotees of atmospheric black metal alike.A Void Within Existence
A harrowing and emotionally crushing journey through despair, isolation, and transcendence, A Void Within Existence stands as one of Abigail Williams’ most immersive works.
Available variants include:
Black with gold splatter
Marbled crimson edition
Walk Beyond The Dark
Widely praised for its balance of melody, aggression, and atmosphere, Walk Beyond The Dark remains a defining modern black metal release.
Available variants include:
Solid orange vinyl
Sky blue vinyl
www.agoniarecords.com
LIVA – “ "ECCE MUNDUS"
LIVA have carved out a unique place in heavy metal: a four-piece performing original symphonic power metal entirely in Latin, combining classical vocal technique with a full metal setup. The band formed in Sherbrooke, Québec in 1997, and their catalog spans nearly three decades of work at that crossroads. Ecce Mundus stays true to that approach — tight, technically strong, and built around the push and pull between power and melody.
Tracklist1-De avaritia et luxuria mundi
2-Materiae summa
3-Ecce mundus demundatur
4-Sunt 3m34s
5-Samson & Dalila I
6-Samson & Dalila II
7-Obscura
8-O Roma nobilis
9-Silence
The band's lineup is Nadine Guertin (soprano), Pier Carlo Liva (death and tenor vocals, guitars, electronics), Martin Tremblay (bass) and Claude Lacroix (drums). Their back catalog includes Requiem (2002), a heavy metal take on the Latin requiem mass; De Insulis (2007), built on the Latin texts of 12th-century theologian Alain de Lille; and Human Abstract (2013). In March 2002 they performed live with a 13-piece chamber orchestra for a Radio-Canada broadcast. The following year they picked up the MIMI de l'artiste le plus avantgardiste award for their fusion of classical music and metal. They've shared stages with Voivod, Gorguts, Nightwish, Kataklysm and Therion, among others.
Further details on the Ecce Mundus reissue will be announced shortly.
www.youtube.com/@musicLiva
www.livaband.com
Moin
und guten Stuhlgang gewünscht, wir, BOWEL EVACUATION, haben unser
neusten Longplayer “FECALOCALYPSE” draußen . Die Meister des
musikalischen Shitpostings haben den Wahn des kotalen Krieges auf Albumlänge
gepackt und somit den wichtigsten Longplayer des Jahres kredenzt. Eine Mischung
aus Grind und Fetisch sorgen für die Arschparalyse am heimischen
Bluetooth-Speaker. Saftige Ballerparts, dröhnende Bässe und die Verachtung für Gitarristen untermalen das lyrische Feuerwerk und grooven sich Shit für Shit durch den Enddarm ans Tageslicht. Auch die musikalische Vielfalt wurde berücksichtigt. So kämpft sich auch der Walzer durch die inneren Gefilde bevor es mit der Kritik der überzogenen Käsepreise in Reykjavik zur Sache geht. Doch hier kommt auch die Romantik zutage, die sich in Form einer Liebeserklärung in diesem Song zeigt.
Ein wahrer Hochgenuss für die gehobene Klasse der untersten Schublade!
https://www.youtube.com/@bowelevacuation2041
https://www.bowel-evacuation.de/de/
https://www.facebook.com/xBxEx
PHANTOM
CORPORATION / CATBREATH SPLIT erscheint am 7. August 2026! Nachdem PHANTOM
CORPORATION mit ihrem letzten Album „Time And Tide“ Ende 2025 bereits eine
Schneise der Verwüstung hinterlassen haben, rollt am 07.08.2026 bereits die
nächste Welle auf uns zu! Und zwar in Form einer Split-Veröffentlichung mit
CATBREATH. Die Split besteht aus jeweils einer EP beider Bands, namentlich
„Commando“ von PHANTOM CORPORATION und „Die By The Claw“ von CATBREATH.PHANTOM CORPORATION über die Split:
„Aaaah – endlich wieder neue Musik von PHANTOM CORPORATION!!! Da wir von der letzten Aufnahmesession mit Jörg Uken im Soundlodge noch eine ganze Reihe von Tracks in der Hinterhand hatten, fehlten uns eigentlich nur noch der richtige Zeitpunkt und der passende Partner für die Veröffentlichung unseres nächsten Split-Releases. Und hier sind wir nun … Bühne frei für „Commando“! Auch unsere Kumpels von CATBREATH konnten fantastisches neues Material beisteuern – das Ergebnis ist ein absolutes Crossover-Massaker aus insgesamt 5 Tracks und jeweils 15 Minuten Spielzeit pro Band. Und zu guter Letzt haben die guten Leute von SUPREME CHAOS RECORDS für diese Split-Veröffentlichung – die am 7. August erscheint – sowohl eine Digipak-CD als auch einige streng limitierte Varianten auf 12”-Vinyl vorbereitet. Also sichert euch euer Exemplar, solange ihr noch könnt! Wir sehen uns hoffentlich bald auf Tour..“
CATBREATH kommentieren:
„Vier neue CATBREATH-Songs plus einen Covertrack steuern wir zu dieser Split-LP bei. Als Leif und PHANTOM CORPORATION uns im Dezember 2025 fragten, ob wir Bock auf einen gemeinsamen Release haben, waren wir sofort begeistert. Unser mörderisches Maskottchen Fat Freddy wandelt gerade bei „Cross The Gate“ auf dunklen Pfaden und auch musikalisch geht dieser Song in Richtung Death Metal. „Play Dead“, „Feline Fatality“ und „Inner Peace“ strotzen dagegen vor Crossover/Thrash-Wahnsinn, verbinden Speed/Thrash Metal mit Hardcore/Punk auf derart fiese Weise, dass die Gedärme der Nazi-Ratten nur so durch die Gegend fliegen. Mit EXCITERs „Stand Up And Fight“ haben wir außerdem eine unserer Lieblingsnummern des 80er Heavy Metal gecovert. Alles genau wie bei den PHANTOMEN bei Jörg Uken im Soundlodge aufgenommen. Wir hoffen, ihr hört heraus, wie viel Spaß wir dabei hatten. OBEY THE CLAW!“
Split-Tracklist:
PHANTOM CORPORATION - "Commando" (14:45)
1. Cursed Lands (01:02)
2. When All Roads Lead To Hell (03:51)
3. Deep Well (04:19)
4. World Of Hate (00:52)
5. Phantom Kommando (04:38)
CATBREATH - "Die By The Claw" (14:58)
6. Play Dead (03:27)
7. Inner Piece (02:15)
8. Feline Fatality (03:19)
9. Cross The Gate (03:27)
10. Stand Up And Fight (02:30)
Bei der Vinyl-Version besteht die Seite A aus „Commando“ von PHANTOM CORPORATION (1-5) und Seite B aus „Die By The Claw“ von CATBREATH.
Folgende Varianten des Vinyl-Formats sind erhältlich:
Black (Limitiert auf 200 Kopien)
Orange Marbled (Limitiert auf 100 Kopien, Phantom Corporation Exclusive)
Grey Marbled (Limitiert auf 100 Kopien, Catbreath Exclusive)
Splatter (Limitiert auf 100 Kopien, Supreme Chaos Records Exclusive)
Die Split erscheint ebenfalls als Digi-CD und Digital.
Die Split kann ab sofort vorbestellt werden: https://www.linktr.ee/phantomcatbreath
MOTÖRHEAD freuen sich, die 20-Jahres-Sonderedition von "KISS OF DEATH" anzukündigen
Ab 3. Juli auf Doppel-LP und Doppel-CD inklusive der bislang unveröffentlichten Radioaufzeichnung der Show auf dem LOWLANDS FESTIVAL 2007
Jetzt das neue Lyric-Video zum Fan-Liebling "GOD WAS NEVER ON YOUR SIDE" ansehen : https://www.youtube.com/watch?v=bAIt20SWzi0
Vorbestellungen ab sofort hier: https://motorhead.lnk.to/KissofDeath20thPR
Ursprünglich 2006 veröffentlicht, ist "Kiss of Death" eine gnadenlose Erinnerung an Motörheads kompromisslosen, schnörkellosen Geist und zugleich eine treffende Verbeugung vor dem legendären Status, den sie sich als eine der größten Hardrock-Bands aller Zeiten erarbeitet haben.
Getragen von Lemmys unverwechselbarem rauem Gesang, angetrieben von Phil Campbells furios glühender Gitarrenarbeit und Mikkey Dees messerscharf präzisem Schlagzeug, knüpft "Kiss of Death", das 18. Studioalbum der Band, nahtlos an "Inferno" (2004) an. Motörhead zeigen sich hier ganz in ihrem Element: laut, schnell und kompromisslos.
Mit einem noch stärkeren Fokus auf die härtere Klangkante präsentiert das Album zudem Gastauftritte von Mike Inez (Alice in Chains) und C.C. DeVille (Poison) und überzeugt mit Highlights wie "Sucker", "Trigger" sowie dem Fanliebling "God Was Never On Your Side".
Zum 20-jährigen Jubiläum erscheint das Album in einer neu aufgelegten Edition, die auf Basis der Originalbänder im Half-Speed-Verfahren remastert wurde. Ergänzt wird sie durch neue Linernotes von Classic Rock-Autor Dave Ling, der darin auch das Vermächtnis des legendären Phil Campbell würdigt.
Zusätzlich enthält die Veröffentlichung eine exklusive Bonus-Live-LP mit dem Mitschnitt des Lowlands-Festival-Auftritts von 2007 in Biddinghuizen (Niederlande), der somit erstmals auf Vinyl erhältlich sein wird. Die CD-Version wird zudem um drei weitere Bonustracks ergänzt.
Begleitend zur Veröffentlichung erscheint zudem ein brandneues offizielles Lyric-Video zu "God Was Never On Your Side", umgesetzt von Andy Pilkington. Ergänzt wird dies durch einen ersten Vorgeschmack auf "Killed by Death" vom Lowlands-Auftritt – ab sofort auf allen gängigen Streaming-Plattformen verfügbar.
Komplettes Tracklisting sowie aktuelle News unter: www.imotorhead.com
Baltimore, MD's weirdo thrash stalwarts NUCLEAR TOMB, in collaboration with Invisible Oranges, have premiered "UNBOWED AND AVERSE," the second single from forthcoming album, EPOCH INHUMANE. Click to stream below!
https://www.invisibleoranges.com/nuclear-tomb-are-adroit-in-disaster-on-unbowed-and-averse-track-premiere
FFO: Voivod, Pestilence, Coroner, Atheist
Nuclear Tomb, are back and as twisted and vicious as ever with their new full-length album Epoch Inhumane, out June 12th on Rotted Life Records! The album will be available on vinyl, cassette, CD, and digital formats.
Pre-Order Epoch Inhumane:
https://rottedlife.bandcamp.com/album/epoch-inhumane
https://www.rottedlife.com/
Nuclear Tomb's unique fusion of tight thrash riffing, noisy punk aggression, progressive rock ambition, and classic heavy metal grandeur has brought comparisons to trailblazing metal mavericks such as Voivod, Pestilence,
and Coroner.
Refusing to rest on their laurels, the band spent the last two years crafting
new material, which they introduced and refined in front of audiences at gigs ranging as far as Texas to Quebec. With Epoch Inhumane, Nuclear Tomb are looking to up the ante: faster speeds, deeper hooks, and even more dynamic twists than their fans have already come to expect. Songs that fearlessly rip and tear through warped tales of real world society's impending collapse. Be prepared for the horror... Mind Thrashing Sonic Nightmares.
Track
Listing:1. Watch The Skies
2. Falling Out The World of Lies
3. Unbowed and Averse
4. Faithless Continuum
5. Broken Promise, Barren Essence
6. Lifeless Transformation
7. Butcher’s Lament
8. Terminally Emboldened
9. The Coward’s Curse
10. Epoch Inhumane
Credits:
Album engineered and mixed by: Matt Michel at Viva Studio VA.
Mastered by: Brad Boatright at Audiosiege.
Additional lead guitar by Demir Soyer.
Album art by Brad Moore.
Line-Up:
Michael Brown - Guitar/Vocals
Matt Ibach - Guitar
Amelia Morris - Bass
JD Lookabill - Drums
https://www.rottedlife.com/
https://www.facebook.com/NuclearTombLives
DARK
SHADOW
Challenge the Illusion of Certainty With Explosive New Single “BLACK OR
WHITE”Pushing the boundaries of modern symphonic power metal, Dark Shadow return with “Black or White,” the first single from their upcoming sophomore album Chapter Two: Celestial Bodies, released through SODEH Records. Packed with cinematic orchestration, progressive arrangements, and philosophical lyricism, the track delivers a massive sonic experience that questions humanity’s obsession with absolutes.
For fans of : Kamelot, Nightwish, and Symphony X.
“Black or White” dives deep into the illusion of certainty, confronting the human tendency to divide existence into opposites while ignoring the complexity hidden beneath the surface. Through soaring melodies, thunderous riffs, and emotionally charged vocal passages, Dark Shadow explore the uncomfortable truth that knowledge often reveals how little we truly understand. The repeated line “Life’s not black or white” becomes less of a reassurance and more of a haunting realization that reality exists in endless shades beyond human control.
Musically, the band expands on their signature symphonic power metal sound with towering orchestral layers, dynamic tempo shifts, progressive metal precision, and epic choruses designed for maximum impact. Moments of restrained tension erupt into aggressive bursts of energy, mirroring the lyrical themes of awakening, curiosity, and transformation. The result is a track that feels both intellectually provocative and emotionally cinematic.
As the first glimpse into Chapter Two: Celestial Bodies, “Black or White” hints at a larger conceptual journey still waiting to unfold. Dark Shadow continue building a universe where philosophy, science, emotion, and heavy music collide in dramatic fashion, proving once again that modern metal can be both crushing and thought-provoking.
Biography
In the eerie aftermath of a civilization's collapse, where the remnants of society linger beneath the oppressive veil after the Dark Shadow, five symphonic power metal bards rise to command the stage. Their haunting melodies and thunderous chords serve as an anthem for a world stifled by the dominion of a powerful few.
Within the verses of their epic compositions, the bards paint a vivid narrative of a populace ensnared in the suffocating grip of the mighty Afthron. Through the crescendo of their music, they unveil the harrowing tales of individuals who emerge from the sands, bravely confronting the malevolent forces that hold humanity captive.
As the melodic saga unfolds, the Dark Shadow becomes a character in itself—a metaphorical embodiment of the tyranny and despair that blankets the world. Yet, amidst the bleakness, the power metal minstrels cast a luminous spotlight on the indomitable spirit of those who rise against the darkness. Their verses tell of a courageous few who stand as beacons of resistance, challenging the very essence of the Dark Shadow and striving to liberate humanity from its ominous grasp.
Dark Shadow is:
Dafna - Vocals
DeeRaed - Guitar & grouls
Amalek- Guitar
Dorian- Bass
Nazgul - Drums
https://www.facebook.com/DarkShadowMetal/
FFO: Classic Thrash, Megadeth, Slayer, Nuclear Assault, Sepultura, Exodus, Kreator, Testament
A music video for the album's first single, "Eyes of a Killer," is available at: https://www.youtube.com/watch?v=bRSqPPfyCBs
Thematically, Against All Warnings concerns the constant human need for more, where nothing ever feels good enough, and people ignore every warning sign until everything starts to collapse. The album is also a reflection of W.M.D.'s experience during the last few years: refusing to quit, getting angry at what the world really is, and trying to find their place in the middle of all of it. Every song comes from a different perspective on the chaos and pressure people are living through every day.
"The songs were built in the jam room first, so what you’re hearing is the exact pace, feel, and weight of what we created, while feeding off each other’s energy in the room. We wanted it to feel alive, raw, and honest. We’re proud of this record and stoked to finally share it with you." - W.M.D.
Track
Listing:1. Eyes Of A Killer
2. Against All Warnings
3. Kleptomania
4. The Black Expanse
5. March Of Death
6. The Thin Red Line
7. Post Human Predator
8. Already Dead
9. Painful Vengeance
Pre-order Against All Warnings: https://wmdofficial.bandcamp.com/album/against-all-warnings
Album Credits:
Produced by Skyler Mills.
Co-Produced by W.M.D.
Mixed & Mastered by Adair Daufembach.
Pre-Production by Ryan Idris & Skyler Mills.
Drums recorded by Dan Yakimow at Monarch Studios, Vancouver, BC.
Assisted by Aaron Klassen.
Guitars & Bass recorded by Skyler Mills & Adair Daufembach.
Vocals recorded by Adair Daufembach @ Daufembach Studios, Los Angeles. CA & Colin Ryley @ Singularity Sound Studios, Vancouver, BC.
Sound Design by Skyler Mills.
Guest Guitar Solos:
"Post Human Predator," "The Thin Red Line, and "Painful Vengeance" perofmed by Casey Trask.
"Against All Warnings" performed by Kai Sakaguchi.
Artwork by Alex Malakmadze.
W.M.D logo by The Pit Forge.
Band Photography by Shimon Karmel.
All songs written and performed by W.M.D.
Independently released by W.M.D.
In other W.M.D. news, the band will join countrymates Iron Kingdom on the True North Strong and Heavy Canadian Tour 2026 in June!
W.M.D. Line-Up:
Skyler Mills - Vocals/Guitars
Jon Power - Bass
Ryan Idris - Drums
Bio:
www.wmdofficial.com
https://www.facebook.com/WMDofficial/
Label: Independent ReleaseRelease date: May 15th 2026
Genre: Death/Groove Metal
Hailing from Australia, Beleth were first formed as a recording project during the challenging times of the COVID-19 pandemic and all the restrictions associated with it. However, as the world opened up once more Beleth didn’t fade back into the shadows – that creative spark, ignited in the darkness, simply began to burn brighter. The riffs kept coming, heavier and harder, while the grooves got deeper and more irresistible. In 2021 the band’s debut album, Silent Genesis, was released through Wormholedeath Records, in association with Scorched Earth Records and Narcoleptica Productions and positive reviews flooded in from all corners of the worldwide metal press. Devil’s Horns Zine drew comparisons with Carcass and Lamb Of God, declaring Silent Genesis to be a “raging gem”, while Acta Infernalis described Beleth as “a motivated and energetic riff machine” – and that was just the tip of the iceberg of critical acclaim. Since the release of Silent Genesis, Beleth have kept themselves in the spotlight with a series of independently released singles, including a bulldozing rendition of Metallica classic ‘No Remorse’ – and now, with formidable new vocalist Dean Wade firmly ensconced in the ranks, their latest single is about to detonate…
‘The Grinding Void’ retains all the Beleth trademarks that made Silent Genesis land with such impact – the muscular riffs, the inherent melody, the rolling rhythms and monstrous vocal roars – and it adds more. Swathed in atmosphere ‘The Grinding Void’ begins with a descent into darkness, through blood and flame. You can sense the approach of something inevitable and undeniable – and then those riffs punch through the gathered mists in an onslaught of hard-hitting metal. The delivery is measured and focused, the chorus expansive and addictive and you can feel the power building relentlessly as the song reaches an electrifying climax with a guest guitar solo from Aidan Cibich (Echoes In Eternity, ex-Apophis, ex-Tanin’iver etc).
Mixed and mastered by the in-demand Lasse Lammert (Raven, Sigh, Godsnake etc) at LSD Studios in Germany, ‘The Grinding Void’ sounds rugged, vital and armour plated. Beleth’s most complete sonic statement to date, when it arrives on May 15th, complete with lyric video created by Tony Kaarlas at Kaarto Media in Finland, ‘The Grinding Void’ will take no prisoners!
Line up:
Dean Wade - Vocals
Chris Long - Guitars/Bass
Robin Stone - Drums
Guest lead guitar by Aidan Cibich
https://www.youtube.com/@BelethAU
https://www.facebook.com/BelethAU
Constellation Zero features seven tracks — each revealing a different shade of Inthraced.
It’s a journey through speed, crushing riffs, and guttural growls, driven by lightning-fast guitar solos and relentless blast beats. All of this is intertwined with breathtakingly beautiful melodies and majestic orchestrations.
The result is an intense and epic experience where raw power meets deep emotion — Constellation Zero encapsulates the universe of Inthraced in seven chapters.
Constellation
Zero is now available on all major streaming platforms: https://push.fm/fl/inthraced-album
Track list:
01. The Revenant
02. Neon Frontiers
03. The Black Star
04. Darkest Chest
05. Constellation Zero
06. The Way Of The Voice
07. Lost Divinity
Mixed by Janne Korpela JK mixing studios Finland
Mastered by Mika Jussila @ Finnvox studios Finland
Line-up:
Tommi Takkunen - Guitar & Vocals
Mirko Byman - Guitar
Eetu Kovapohja - Bass
Antti Ikonen - Drums
Cover art by Robert H, Holo Dreamz
Biography:
Inthraced is a Finnish metal band founded in 2011, blending melodic intensity with cosmic darkness to forge a distinct and powerful soundscape. Their early releases, “The New Awakening” (2012) and “The Rising Chaos” (2014), set the foundation for their rise, further amplified by the 2019 single “Interstellar.”
In 2022, the band was reborn with a new guitarist and bassist, igniting the creative fire behind their debut album “Constellation Zero” — an epic and ambitious journey that carries the listener to the very edges of the universe.
https://www.facebook.com/Inthraced
Italian Downtempo Deathcore
band GRAVERY have unleashed their newest EP, PURIFIED
IN BLOOD. This four song maelstrom of violent and aggressive pummel
follows the band's critically-acclaimed debut Everything That Is Born Must
Die. Prepare yourselves for a relentless decent into darkness that refuses
to let up.FFO: Bodysnatcher, Cell, Heavy//Hitter, Volatile Ways.
Purified in Blood is out now on May 15 through Upstate Records in partnership with Blood Blast Distribution. Listen to the EP at https://gravery.bfan.link/purified-in-blood
Watch the official music video for "Icon of Sin" at https://www.youtube.com/watch?v=U9GVEz8HYdU
Tracklist:
1) Icon of Sin
2) Purified in Blood
3) Fragments of Life
4) An Ode to Death
GRAVERY will embark on a string of live across Europe and the UK in support of Purified in Blood, with a US tour set for August. The tour kicks off today in Germany. Dates are as follows:
Purified in Blood was written and produced by GRAVERY with lyrics by Luca De Simone and GRAVERY. The EP was recorded, mixed and mastered at Audiocore Studio in Fontevivo, Parma, Italy.
Line-up:
Luca “Pigo” De Simone – Vocals
Luca Cocconi – Guitars
Francesco Marenghi - Bass
Bio:
Rising from the fog and smog of Northern Italy the band Gravery emerged to set a new standard in violent and straight forward aggressiveness.
The outfit formed in November 2023 immediately started to write no compromise tracks addressing uncomfortable topics such as the analysis of the destructive potential of the human mind.
Gravery decided to use a rough, direct and disturbing sound to outline these themes giving birth to 6 songs that hit straight in the stomach and leaves the listener breathless and further stunned by the aggressiveness of the low tones and the merciless breakdowns leaving no room for interpretation as can be easily understood from the title chosen by the band: Everything that is Born must Die.
The EP was recorded in Autumn 2023 at the MK2 Recordings Studio by Davide Billia (Antropofagus, Hour of Penance), the mixing was delivered by Steph “Orkid” Santi (Lacuna Coil, Lvcifyer) at the SPVN Studios, and the mastering was provided by Chris Whited (Bodysnatcher, Traitors) at the 1776 Recordings Studio assuring to this malevolent masterpiece a dose of pure adrenaline fear.
After releasing 2 single videos Gravery signed with UPSTATE RECORDS USA (Fury of Five, Subzero, Freya, Brick by Brick, These Streets, Gloves Off among others) and their debut EP was released worldwide on August 9th 2024 and premiered on Decibel Magazine. The distribution was provided by Bloodblast/Nuclear Blast.
Gravery’s first EP didn’t go unnoticed and ended up to make his debut at #18 of the NACC Top 30 Heavy Chart USA together with bands such as Lamb of God, Speed, Fit for an Autopsy and more.
This achievement convinced Upstate Records to release a new single “My Own Graveyard” on December 20th 2024 which was also distributed by Bloodblast/Nuclearblast followed by another single video “A Fetish For The Graves” which was released on May 16th 2025.
Gravery is ready to launch their new EP Purified in Blood which will be released in May 2026 by Upstate Records / Bloodblast and they will make 2026 memorable, with Release Tour already planned in USA (August 2026), and UK (June 2026) as well as the EU (May 2026), together with WE shows and Festival in Continental Europe throughout the all year.
Are you ready for this?
www.upstaterecordsny.com
https://linktr.ee/graveryband
Brutal Records Announces GODFROST – “HANGING DOLL” EP (Worldwide Release: September 18, 2026)
Brutal Records is proud to announce the worldwide release of Hanging Doll, the new EP from Tokyo-based industrial metal project GODFROST, arriving on September 18th, 2026 in both digital and physical formats. The release will be distributed globally across all major platforms and supported by a coordinated promotional campaign through Haulix and international media outlets.
This signing marks a significant expansion of GODFROST’s international presence and further reinforces Brutal Records’ commitment to advancing innovative and forward-driven extreme music on a global scale.
About GODFROST
GODFROST is the industrial metal project led by Frost, also known for his work with the Japanese grunge/goth metal act Gods of Decay, a band recognized within Japan’s heavy music scene, including chart success on the Japanese iTunes rankings.
Fusing mechanical industrial precision with extreme metal aggression and dark cinematic atmosphere, GODFROST delivers a sound rooted in intensity, control, and modern industrial brutality.
Tracklist:Nefarious — 3:19
Escape from Reality — 4:02
Hanging Doll — 3:35
Bloodcurdling Scream — 3:43
Seasons End — 4:11
Production & Credits
Produced by: Lee Popa & GODFROST
Mixed by: Lee Popa (Tracks 1–4)
Final EQ: Lee Popa (Track 5)
Recorded & Mastered at: Grave Signal Studio
Artwork & Visual Design: GODFROST
Front Cover Photography: Chiroline Evil
Live Photography: OKAZAKI
Line-up:
Frost — Guitar, Bass, Programming
Luna Midnight — Vocals (Tracks 1, 4, 5)
Sara — Vocals (Tracks 2, 3)
Guest Vocal Contributions
Luna Midnight and Sara contribute dual vocal performances across selected tracks, adding dynamic contrast and emotional depth to the EP’s industrial framework. Both are credited for their vocal and lyrical contributions on Hanging Doll.
Production Statement
The EP was produced and shaped in collaboration with renowned producer Lee Popa, known for his work with Ministry, KMFDM, Killing Joke, Tool, and Korn. His signature approach—balancing industrial density with clarity and impact—enhances the sonic identity of GODFROST while preserving its raw intensity.
Label Statement
Founded in 1986 in New Orleans, Brutal Records continues its global mission of developing and promoting cutting-edge extreme music across death metal, black metal, thrash, and industrial genres. The addition of GODFROST strengthens the label’s international roster and expands its footprint across Asia, Europe, and the Americas.
Upcoming Plans
Following the release of Hanging Doll, GODFROST will unveil an official music video supported by a full-scale international promotional campaign across digital platforms, streaming services, and targeted media outreach.
A full-length GODFROST album is currently in development, scheduled for release in 2027, further expanding the project’s evolving industrial-metal direction.
Artist Statement
“We are honored to join Brutal Records, a label with a long history in extreme music. This partnership allows us to bring GODFROST to a global audience. We thank Michael Howard and the entire team for their trust and support.”
https://brutalrecords.com/godfrost-hanging-doll-ep/
https://godfrost.mystrikingly.com/
Maurilio
Rossi's urgency in creating new Art leads GOAD to
publish, just 7 months after the release of the album "DUSKETHA",
a new EP entitled "SONG OF FOUR FAIRIES".Inspired by the poem written by John Keats, one of the greatest exponents of English Romanticism, the composition is a long suite divided into three acts and represents a further step in the band's artistic journey, which has always oriented itself toward the fusion of literature, symbolic imagery, and Progressive sounds, musically recalling Genesis, the theatricality of Van der Graaf Generator, the dark atmospheres of King Crimson, and the poetic sensibility of PFM.
The author reimagines the dialogue between the spirits of the four elements—Fire, Air, Earth, and Water—in a musical key, rendering the theatrical and visionary structure of the original text in aural form, highlighting the distinctive characteristics of each element: the fiery impulse of Fire, the lightness of Air, the depth of Earth, and the fluidity of Water.
"Song Of Four Fairies" is more than just a poem set to music: the music amplifies the lyrics' theatricality, enhancing their sensuality and pagan dimension, transporting the listener into a world suspended between myth, nature, and romantic vision. It is a spell, a small cosmic drama that GOAD brings to life, vibrant, and contemporary, enhancing its evocative power and dramatic dimension.
The EP will be released digitally on Club Inferno / My Kingdom Music on June 5th and it is available on Bandcamp [ https://t.ly/CT1QA ] and in pre-save at https://onerpm.link/236091531150
https://linktr.ee/mykingdommusic
Meltification delivers 18 rapid-fire anthems of obliteration aimed right at the throats of old-school fans of extreme metal and grindcore.
Check out the album’s first single, ''NUCLEAR DEATH THREAT'' at https://meltification.bandcamp.com/album/st
Meltification will be released by Extremely Rotten Productions on all physical formats and digital on Friday May 29th 2026.
Tracklist:1) Turmoil
2) Midian
3) Assembly Line Of Horror
4) Nuclear Death Threat
5) Leech
6) River Of Torment
7) Raw Hate Inferno
8) Hellscape
9) A.I.mageddon
10) Hellscape Part 2
11) Memento Gory
12) Wargod
13) Doomsday Horde Caravan
14) Fragments
15) Mass Hypnosis
16) Lycanthropic Brutality
17) Calculated Demise
18) Final Ritual
MELTIFICATION was formed by veteran of the Copenhagen hardcore scene, Tue Sprogø (Death Token, Asbest, Deformation). Sprogø’s passion for classic grindcore lead him to to team with ex-Imperious Mortality drummer Thomas Rindom. The band gives life to an absolute bulldozer of an album, marked with fast, hectic blastbeats and crushingly heavy grooves.
In addition to writing the music, and recording all of the guitars, bass and vocals, Sprogø also illustrated the album’s artwork.
Meltification was recorded, mixed and mastered by Lasse Ballade at Ballade studios in Copenhagen, Denmark.
MELTIFICATION is:
Tue Sprogø - Guitar/Vocals/Bass
Thomas Rindom – Drums
https://extremelyrottenprod.com/
https://meltification.bandcamp.com/album/st
Listen to 'Breath of the Dying Sun' on streaming services: https://push.fm/fl/meret-breath
"The songs are built from the emotions and darkness I carry within me. For me, this music is a way to unravel my inner world and bring to light things that are hard to put into words. The music moves between beauty, melancholy, and dark moods, but there is always light to be found beneath the surface.
The songs were born more from emotion than from a plan. Sometimes a single melody or mood opens up a whole world around the song" says, Toni Hinkkala.
Biography:Meret, formed in 2025 in Heinola, is a atmospheric metal band built around strong melodies, melancholy and the contrast between hope and darkness. The band’s songs are born from personal emotions and an inner world. A place that cannot always be explained with words, but can be heard through the music.
Meret’s sound combines beautiful melodies, dark tones and dynamic songwriting where sensitivity and heaviness exist side by side. The music does not aim to be perfectly polished or calculated, but genuinely emotional and honest. The band builds its songs around powerful atmospheres. At times the music can feel hopeless and dark, yet beneath the surface there is always also light and hope. The band’s identity is strongly rooted in its own vision and personal expression.
Meret was born from the need to create music that feels real.
Composed, arranged & lyrics by Toni Hinkkala
Arranged by Mikko Kolari
Mixed by Pasi Löfgren
Mastered by Miro Kiiski
Single cover by Petri Lampela
Line-up:
Toni Hinkkala - Vocals & rhythm guitar
Mikko Kolari - Lead guitar
Pasi Löfgren - Bass guitar & backing vocals
Janne Jukarainen – Drums
https://www.facebook.com/meretofficial
SKULLCHURN
– “OF DEATH AND REBIRTH “ Demo out now ! From the depths of the underground
rises SKULLCHURN, a new Dutch/Czech alliance forged by current and former
members of Burial Remains, Grim Fate, Massive Assault and Symbtomy.For fans of the Scream Bloody Gore era and the earliest days of death metal.
FFO: Death, Possessed, Necrovore
Their debut demo, Of Death And Rebirth, delivers savage old school death metal with a vicious thrash edge, inspired by the raw and primitive origins of the genre. No modern polish. No sterile production. Just pure decay-driven death metal worship.
Across four tracks, Skullchurn drags the listener through a world of surreal horror, violent transformation and suffocating dread. Razor-sharp riffs, relentless pacing and rotting atmosphere collide like a forgotten tape unearthed from a dust-covered crypt
www.intoitrecords.com
Label: Apocalyptic WitchcraftRelease date: August 7th 2026
Genre: Depressive Atmospheric Black Metal
For fans of: Leviathan | Be Persecuted | Altar Of Plagues | Bethlehem | Axis Of Perdition
In November of 2025 Cleveland, Ohio based Flowers of Rust – a vehicle for the tortured and emotive musical outpourings of multi-instrumentalist Jake O’Brien – released their second full length album, Crude Exhibitions Of The Soul, on an extremely limited run of hand-numbered CDs. It seemed that this remarkable work of blackened art was destined to remain an underground secret, its desolate sonic landscape largely unexplored. However, an alliance between Flowers of Rust and international label Apocalyptic Witchcraft is set to bring richly deserved new life to this monumental collection of soul-scarring hymns. The following statement regarding the signing was issued under the Flowers of Rust name: “The journey continues. Flowers of Rust is honoured to join the Apocalyptic Witchcraft family—a collective bound by vision and intensity. Together, we move forward, gathering momentum toward an uncertain and looming future.” While Conor Droney, head of Apocalyptic Witchcraft stated: “Signing Flowers of Rust feels like the beginning of something raw, honest, and impossible to ignore.” So now the time has come to discover the secrets of Crude Exhibitions Of The Soul…
The music of Flowers Of Rust has been described by the artist as a ‘journey into the forgotten, the forsaken’ and with the first, haunting notes of the introductory ‘Eigengrau’ a pall of solitude descends, a feeling of intense loneliness - and the gate to Crude Exhibitions Of The Soul swings open… The title track that follows is a richly organic creation, formed from the essence of despair and hopelessness. The riffs seem to breathe, the rhythms like a heartbeat – alternating between frantic anxiety and utter despondency – while the vocals are unvarnished, harsh and bitingly real. Our descent into shattered abandonment continues through ‘Sour Mercy’, a step into emptiness that begins with a feeling of being helplessly lost, before the guitars take on more menacing and dangerous shapes, delivering sharp injections of jagged pain. ‘Brave New Corpse’ summons an oppressive, soul-crushing weight and all consuming, impenetrable blackness through anguished, agonized riffs, colossal chords and razorblade guitar motifs; then explodes into a rush of bleak exhilaration with melancholic melody winding wormlike through its heart. ‘Bright Violence’ offers stately dread and imperious dissonance, fraught with a sublevel of desperation and perturbation, before casting us into the freezing torrents of ‘Mother Atrophy’. An absolute highlight amongst an array of blighted, splintered treasures, ‘Mother Atrophy’ drags us down into its raging, shadowed depths before casting us upon a distant shore – cold, alone, lost once more, howling beneath an endless, pitiless sky. It is then left to ‘Driftwood’ to render the perfect, broken conclusion to our journey through these Crude Exhibitions Of The Soul.
Featuring the formidable drumming of J V Green (Burial Oath, Goatchamber etc) and a guest guitar contribution from Thorn Blackfyre (Black Altar, Vástígr etc), Crude Exhibitions Of The Soul is a work of incredible potency. Mixed and mastered by Thom Tadsen (Cringe, Trenchgoat etc) it has been cursed with an emotional intensity that pierces the heart like a cold, steel needle. Complete with new artwork, Crude Exhibitions Of The Soul will be released by Apocalyptic Witchcraft on cassette and digital formats on August 7th and a new host of tormented souls will be drawn to its bitter radiance, like moths to a flame.
Line-up:
Jake O’Brien – Guitars/Bass/Vocals
Drums on Crude Exhibitions Of The Soul performed by J V Green
Additional guitar work on ‘Crude Exhibitions Of The Soul’ by Thorn Blackfyre
https://www.facebook.com/apocalypticwitchcraftrecordings
https://www.facebook.com/Flowersofrustofficial
Brutal Records is proud to announce the signing of ESCAPEINOUT, a band that represents the raw, unfiltered edge of the Italian extreme metal underground. Coming out of Catania, Sicily, their sound carries that unmistakable tension—dark, aggressive, and shaped by years of persistence beneath the surface.
Italy has been quietly building a serious reputation in extreme metal over the past decade. What used to be considered a regional scene has evolved into something far more dangerous—bands blending black, death, and thrash with real identity and purpose. ESCAPEINOUT fits naturally into that movement, but they’re not chasing it—they’re pushing it forward.
ESCAPEINOUT – “THE AGE OF COLLAPSE – AS ABOVE, SO BELOW”
Release
Date:
August 21, 2026 Label: Brutal Records
Formats: Digital & Physical Worldwide
Tracklist
Behold The River (feat. F. Burtone)
The Wait
No Time (feat. F. Burtone)
Sink (feat. Andy Neri)
The Awakening
Out of The Shade
As Above, So Below
Filtered
The End of All Things Known
The Age of Collapse – As Above, So Below is a concept album, but it never feels forced or over-explained. The themes are clear—environmental breakdown, human excess, and what’s left when everything starts to fall apart—but the band lets the music carry most of that weight.
There’s a strong sense of control throughout the record. The riffs are sharp without being overcomplicated, the rhythm section stays locked in, and the atmosphere builds naturally instead of relying on studio tricks. It’s heavy, but it breathes. Aggressive, but still deliberate.
Guest appearances from F. Burtone and Andy Neri add texture without pulling focus, which says a lot about how cohesive the core of the band is.
ESCAPEINOUT started in 2011 and built their name the hard way, earning attention from outlets like MetalItalia and Metal Hammer Italia. After a period of lineup changes and rethinking their direction, they came back in 2023 with a much clearer vision.
What you hear now is the result of that reset—a tighter band, more focused songwriting, and a better understanding of what they want to say and how to say it.
Line-Up
Elio Virtù — Vocals
R.G. Noise — Bass
Max Calleri — Guitar
Ciccio Blandini — Drums
https://brutalrecords.com
http://www.escapeinout.com/
“Longing” captures the pull of a connection just out of reach. Desire and distance collide; hope stays alive, but it doesn’t come easy. The result is metal with momentum: melody and force pushing in the same direction.
Vocalist Karoliina McLoud delivers a focused, expressive performance that creates the core of the song. Teemu Harjunen’s guitar work drives the forward motion, Sami Halinen supports the impact with bass and keys, and Juha-Tapio Anttonen keeps the engine running with relentless, groove-first drumming.
Commenting on the release, Karoliina McLoud states:
“Longing is about a connection that feels destined yet painfully out of reach. The kind that consumes you and makes you question what’s real and what’s imagined.”
Listen to the single on music services : https://push.fm/fl/vov-longing
Band Info
VOV is a Finnish symphonic metal band founded in 2023. They are combining melodic metal, classical elements and narrative-driven songwriting.
Line-up:
Vocals: Karoliina McLoud
Guitar: Teemu Harjunen
Bass, Keyboards & Backing vocals: Sami Halinen
Drums: Juha-Tapio Anttonen
Composition & lyrics by Karoliina McLoud, Teemu Harjunen, Sami Halinen, Juha-Tapio Anttonen
https://www.facebook.com/VovmusicOfficial
Montreal (QC) - Progressive rock powerhouse, KARCIUS, have released dynamic new album, BLACK SOUL SICKNESS, on vinyl, CD, and digital formats!
FFO: Porcupine Tree, Big Wreck, Opeth
Purchase/Stream Black Soul Sickness:
https://karcius.bandcamp.com/album/black-soul-sickness-2
https://distrokid.com/hyperfollow/karcius/black-soul-sickness
KARCIUS returns with Black Soul Sickness — a haunting and cinematic odyssey through the fragile architecture of the human psyche. The forthcoming album is Part III of a magnificent trilogy that includes The Fold (2018) and critically acclaimed release, Grey White Silver Yellow & Gold (2022).
Entirely produced by the band and mixed by guitarist and main composer Simon L’Espérance, this seventh studio album captures a group at the height of its artistic and emotional power.
Following the international acclaim of Grey White Silver Yellow & Gold (2022) — described by The Progspace as “a masterclass in dynamic storytelling and sonic exploration” and hailed by DPRP.net as “a magnificent showcase of modern progressive rock” — KARCIUS ventures deeper into uncharted emotional and sonic territory.
Black Soul Sickness is an introspective voyage that confronts loss, obsession, and rebirth. Its sound weaves together the cinematic scope of modern prog with the intensity of metal and the emotional depth of post-rock. Every note feels both intimate and immense — from shimmering vocal harmonies to thunderous rhythmic pulses, from intricate guitar passages to moments of near silence that breathe like ghosts.
At the heart of KARCIUS's chemistry is the collective interplay between Sylvain Auclair (vocals, bass & words — The Anchoret, Heaven’s Cry), Sébastien Cloutier (keyboards — The Anchoret, Hamadryad), drummer Thomas Brodeur, and guitarist/producer Simon L’Espérance. Together, their performances fuse emotional weight with virtuosic precision, embodying a rare balance between technical mastery and heartfelt expression.
Recorded in and around Montreal, Black Soul Sickness embraces both precision and imperfection — reflecting the duality that defines KARCIUS: human yet technical, dark yet luminous. It’s an album that invites listeners to look inward — not for comfort, but for truth.
With over two decades of evolution, performances across Europe and North America, and a reputation for electrifying live shows — including a headlining performance at Progstorm Montréal and their acclaimed Blu-ray Live in France (recorded at Festival Crescendo 2019) — KARCIUS continues to bridge the visceral and the cerebral, the shadow and the light.
Black
Soul Sickness is not just an album — it’s a descent into the storm, and a
testament to the healing power of sound.Track Listing:
1. Wallow
2. Out of Nothing
3. Darkest Heir
4. Slow Down Son
5. Rise
6. Awakening the Spirit
7. Dusting My Coat
Album Credits:
Music composed by Simon L'Espérance.
Lyrical concept, melodies & vocal production by Sylvain Auclair.
Additional inspiration and arrangements by KARGIUS.
Recorded at Wild Studio in Saint Zénon. Oakloor Studio in Sainte Sophie
and at our home studios in Montréal, Québec, Canada.
Engineered by Simon LEspérance.
Mixed by Simon LEspérance & Kargius.
Digital editing by Thomas Brodeur.
Mastered by Tony Lindgren at Fascination Street Studios, Sweden.
Cover artwork by Michael Cloutier.
Graphie design by Felipe Quinzaños.
Line-up:
Simon L'Espérance - Guitars, Synths, Percussions, Keyboards & Loops Programming.
Sylvain Auclair - Vocals, Bass & Words.
Thomas Brodeur - Drums, Pecussion & Sound Design.
Sébastien Cloutier - Piano, B3, Wurlitzer, Synths, Mellotrons, Additional Keyboards.
Bio:
Formed in the spring of 2001, the band began as an instrumental progressive fusion project featuring Simon L’Espérance (guitars), Thomas Brodeur (drums), Mingan Sauriol (keyboards), and Dominique Blouin (bass). Complex arrangements and fearless musicianship quickly became their signature.
In 2009, the arrival of vocalist and bassist Sylvain Auclair (Heaven's Cry, The Anchoret) marked a turning point. The addition of vocals didn’t soften the band — it expanded the battlefield. The music grew darker, heavier, more emotionally charged. In 2017, keyboard virtuoso Sébastien Cloutier (Hamadryad, The Anchoret) joined the lineup, unlocking an even broader sonic spectrum and pushing the band into new progressive territory.
Their 2018 studio album The Fold established KARCIUS as a serious force in modern progressive rock and metal — bold compositions, massive dynamics, no compromise. The intensity of their stage presence was captured on the live album and Blu-ray Live in France (2019), showcasing a band that thrives in front of an audience.
On March 18, 2022, KARCIUS released Grey White Silver Yellow & Gold, a six-track statement of intent. The album was met with critical acclaim, including recognition from DPRP.net, which named it the #1 Progressive-Metal & Heavy-Prog album of 2022. It was not just well received — it was definitive.
The next chapter arrives May 8, 2026 with Black Soul Sickness. The one certainty with the forthcoming album is that KARCIUS isn’t slowing down. The riffs hit harder. The melodies cut deeper. The vision is sharper. This is a band that builds tension patiently, strikes without warning, and leaves a mark that lingers. KARCIUS doesn’t follow trends. They carve their own path — loud, intricate, and unapologetically progressive.
Drawing inspiration from the sonic ambition of Pink Floyd, the angular intensity of King Crimson, the modern depth of Porcupine Tree, the darkness of Opeth, and the emotional punch of Radiohead and Foo Fighters, KARCIUS blends melody, weight, atmosphere, and technical firepower into something unmistakably their own.
https://www.facebook.com/Karciusmusic
Label: Independent ReleaseRelease date: May 12th 2026
Genre: Dark Melodic Gothic Metal
For fans of: Fields Of The Nephilim | Paradise Lost | Sisters Of Mercy | My Dying Bride
"There are more things in heaven and earth, Horatio,
Than are dreamt of in your philosophy"
Hamlet – William Shakespeare
Formed in Manchester, UK in 2023, gothic metal troupe Reliquia released an array of singles over the first two years of their existence, most of which then found their way onto the 2025 compilation album, Fragments. Over the course of those recordings and numerous live shows, alongside the feted likes of Hexvessel, Godthrymn, Darkest Era and many more, the band developed their individual blend of melody and melancholy, enveloping atmosphere and beguiling mystery…loss, longing and resolute strength. And all the lessons learned and dark paths followed have led to this moment, this distillation of their creative vision, this tome of secrets…their debut full length album, In Theory And Practice.
In Theory And Practice opens with ‘Caesar, Bejewelled’ – a stillness, a held breath beneath slowly cascading notes and atmosphere, building layer upon layer, until the drums attack and the measured vocal tones become harsh exhortations from a bleeding throat. The melodies still sing above the snap and snarl, muscular thunder entwined in sonic spell craft and the listener is carried on into the dark dream of ‘Temple Terrace’, its buds of brooding introspection blossoming into heavy black flowers of heady, dizzying scent. The guitars in full force ring with haunting vibrancy and a solo climbs through liquid spirals above rich, resonant bass tones. The juxtapositions of emotional and musical power are hypnotic and each track leads you deeper and deeper into Reliquia’s world of shadows, the way home long since lost and forgotten, all thoughts of return willingly abandoned by the path. The beautiful sadness of ‘Crestfallen’ takes you in its embrace, wraps you in the bittersweet reminiscence of loss, capturing you upon its sweet, beguiling hooks before the heavy atmosphere of ‘Bone And Shale’ settles upon your shoulders like a mantle of snow and sadness. The narrative unfurls with each word and note, stealing your heart with gentle, swaying stealth and wondrous illusion. The simply titled ‘Interlude’ is a swathe of dusk across the senses that lowers you into the final spellbinding gothic lament of ‘Give’; guitar notes like starlight, pulsing, propulsive rhythms, words intoned with a controlled passion…an irresistible witches’ dance. ‘Give’ is both conclusion and revelation, weighted with acceptance; acceptance of fate, of a dark road, a lonely way, of broken hearts and endless secrets, a way through life that is not for others. In Theory And Practice is an album that it is easy to fall in love with and cruelly hard to leave behind.
Recorded, mixed and mastered by Joe Clayton (Ba’al, Conjurer, Aggressive Perfector etc) with engineering assistance from long term Reliquia collaborator Ben McEwan, In Theory And Practice possesses a textured and layered sound, with a depth that draws you in and imprisons you within its velvet darkness. Adorned in the evocative artwork of Chris Kiesling aka Misanthropic Art (Katatonia, Demonical, Mortuary Drape etc) the gloaming majesty of In Theory And Practice will be unveiled on May 12th – and Reliquia’s Cimmerian fairytale will truly begin.
Line-up:
Gregg Neville – Vocals/Synths
Tobias Gray - Guitars
George Kal - Guitars
Karim Nasher - Drums
Bass on In Theory And Practice performed by Andy Lindley
https://linktr.ee/reliquiauk
https://www.facebook.com/reliquia/
Funeral
doom powerhouse ABYSMAL GROWLS OF DESPAIR (AGOD) has
released the official lyric video for "PROLOGUE TO AGONY," the
first glimpse into the crushing weight of their upcoming studio album, TORN, scheduled
for release on June 5, 2026.Prologue to Agony” captures grief in its purest form. It is a nihilistic track that pulls all light into a black hole of despair. Slow and decadent, it drags the listener into a state of helplessness and hopelessness. As pitch black as a soul can become when all hope is lost.
"Prologue to Agony" is a slow, deliberate track built on grief and negation. Moving at the pace of something irreversible, it presses the listener into a state of total desolation, pitch black, unrelenting, without exit. It is an accurate preview of what Torn has to offer.
The upcoming album “Torn” follows the same path. It unfolds with weight and patience, shaping a listening experience that demands full attention. This is not background music. It is immersive, deliberate, and deeply personal. The album lyrics were penned by Jörg Püschmann, with album artwork created by Patrick Corcoran.
Pre-save "Torn" here: https://orcd.co/tornalbum
Abysmal Growls Of Despair is the main project of Hangsvart, active since 2013. The project blends funeral doom with ritualistic dark ambient and drone, drawing influence from acts such as Funeral Moth, Ataraxie, Comatose Vigil, SUNN O))), and Remembrance. Themes move through ancient spirituality, grief, and altered states of mind.
Hangsvart has been open about his long-term struggle with schizophrenia, which has shaped the emotional core of the project since its inception. That honesty defines the sound and direction of Abysmal Growls Of Despair.
www.youtube.com/channel/UCJdyff5TfztnIeO0U6QaHwA
www.facebook.com/abysmalgrowlsofdespairofficial
Originally released in 1998, Perpetual Mockery stands as one of the essential pillars of European old school death metal. Now, the album is reborn through a completely remastered edition featuring brand new artwork and updated packaging, giving this cult classic the treatment it truly deserves.
Tracklist1. Transcendental Iniquity
2. Perpetual Mockery
3. Inborn Lust
4. Subconscious Deliverance
5. Void of Empathy
6. Ethereal Passages
7. Vae Victus (Prayer for the Vanquished)
8. Omnipotent Carnage
9. Souldead
10. Suffer in Silence
This special reissue captures the raw intensity that established BEHEADED as one of the underground’s most respected death metal acts, while revitalizing the album for longtime followers and a new generation of listeners alike.
“Thank you for your continued support. Stay extreme!”
www.agoniarecords.com
The
passion for '90s Death and Doom Metal and the inspiration from Gothic and
horror novels are the roots of PSEUDOBIBLION, a
project born in 2015 from the minds of Roberto Ripollino (vocals and guitar)
and Massimo Currò (bass and vocals)—formerly of NIHILI LOCUS—who were soon
joined by Massimo Ligotino (guitars), Lorenzo Somma (drums) and Roberto Biorcio
(keyboards).Their debut album, "INDEX I", will be released on July 3rd on Club Inferno, a sub-label of My Kingdom Music, on CD and digital. It aims to honor the spirit of the music and genres of those years in a more contemporary mood and in a decadent way.
The title "Index I" is inspired by the Index Librorum Prohibitorum, the list of prohibited books created by the Catholic Church in the 16th century with the aim of eliminating books and authors deemed heretical and dangerous. This catalog of once-forbidden visions has been transposed into music by the band.
The band told us about the essence of their project: "PSEUDOBIBLION is a homage to our origins as listeners and young musicians of extreme metal, with our love for bands like Grotesque, Nihilist, early Dark Tranquillity, early Death, Sodom, Autopsy, but also as readers of horror and gothic novels written between the 19th and 20th centuries, which greatly influenced us during those years. For this reason, we wanted to use original and intact excerpts from these works, aiming to preserve and convey the authentic spirit of each opera. The whole thing thus becomes a listening experience aimed at celebrating and evoking the precursors of gothic, dense with atmosphere and deeply rooted in underground tradition".
Welcome to the darkness!
http://www.facebook.com/clubinfernoent
https://www.facebook.com/Pseudobiblion.official
TOOMS – “KARST”
Label: Road To MasochistRelease date: May 29th 2026
Genre: Progressive Sludge Metal
For fans of: Mastodon | Inter Arma | Baroness | Kylesa
Hailing from Limerick in the west of Ireland, Tooms’ progressive sludge metal has been evolving into ever more astounding forms since 2017. Bassist Anto Donnellan, drummer Kieran Grace and guitarist/vocalist Alex Hölzinger had been working together for four years prior to that, under the name of Gaia, but it was with the first Tooms single, ‘Simon Ferocious’, that their creative endeavours really began to gather momentum. Debut album, The Orb Offers Massive Signals, was released in the summer of 2020 on Cursed Monk Records and was warmly received by critics, with Wonderbox Metal describing it as “an underground journey into sludgy heaviness and murky darkness”. Now the band are ready to reveal their second full length album – and while the weight and gloom remain prevalent, Karst shows Tooms spreading their wings and letting their collective imagination take flight…
Beginning with an echoing, cavernous rumble, Karst’s opening track ‘Blood Rust – Of Cudgel And Quill’ is brute force and harnessed chaos, held in check by straining muscle and grinding teeth. The instruments are loosely bound, with an antagonism and ever-present potential violence seething in the spaces between them - and when they lock together the energy and power is exhilarating. The guitars possess a rich, snarling effervescence beneath a crust of dried blood and dirt and that sense of life, in all its glorious, torturous, filthy, vivid vibrancy explodes in the following ‘Lowlander’. The progressive, adventurous nature of Karst emerges; gritty and beautiful. Not the beauty of poetic hyperbole but of vital, harsh reality. From the imposing, compelling, rugged majesty of ‘Tower Of Silence’ to the unpredictable beast that is ‘Whitethorn’ with its jagged, rusted razors hidden in the mud, to the inescapable reflection of ‘Two Silver Pieces’ – aged and weathered, back bent beneath the weight of a lifetime of sorrows, loss and simple, cumulative disappointments – Karst grows into a multifaceted, expansive creation formed from emotion, ambition and searing intensity. Final track, ‘Physics Beyond The Standard Model’ is a truly grand conclusion. There is a sense of reaching a peak from which you can look back over the full vista of Tooms’ accomplishments – and look ahead to the incredible potential futures unveiled. This captivating epic of a track would be enough in itself, let alone as the staggering final act in such a dramatic narrative. It offers a summation of the entire journey that has gone before; the balance of urgency and eternity, the raw, bloody reality, the unvarnished yet breathtaking realisation of a multitude of ideas.
Having recorded Karst with long-time collaborator Chris Quigley at The Meadow Studios, Tooms handed the task of mixing to Matt Bayles (Isis, Mastodon, The Sword etc) and mastering to Chris Fielding (Conan, Darkest Era, Hooded Menace etc) and the results are superb – nothing smoothed, no edges lost and everything possessing clarity, heft, emotion and atmospheric texture. Karst will be released on May 29th, on CD by Road To Masochist, vinyl by Cursed Monk Records, cassette by Fiadh Productions and on all major digital platforms. This is unmissable.
Line-up:
Anto Donnellan - Bass
Kieran Grace - Drums/Vocals
Alex Hölzinger - Guitars/Vocals
https://roadtomasochist.co.uk/
https://www.facebook.com/TOOMSband/
MUSTA SURU – “SAVU”
Style: Depressive Black MetalOrigin: Finland
Formed in: 2020
Released on: Downfall Records
Line-up:
Non: Guitar, Bass, Vocals
Mors: Drums
Bio
Musta Suru (roughly translates as “black sorrow”) is a two‑man Depressive Black Metal band, founded around 2020 in Tampere, Finland.
We both have a background in black metal bands, and everything began after a rehearsal of another project, when we decided to stay behind and jam.
We continued playing together, and eventually we had several songs taking shape — that’s how Musta Suru was founded.
The band name came to us very naturally, just like our songs do.
From the very beginning we found a shared musical language and mindset.
Our music deals with pain, death, sorrow and all the difficult, unpleasant aspects of human existence — this is our way of releasing difficult emotions. Music is for us both a passion and a form of therapy.
https://downfallrecords.bandcamp.com/album/viimeinen-viilto
For fans of : Leeway, Downpresser, Trapped Under Ice, Municipal Waste and Killing Time
Horror Pain Gore Death Productions welcome Eyes Out to the roster with the new album Satiate The Blade! Hailing from Sacramento California, Eyes Out have been contaminating the River City with their pollutant Crossover Hardcore since 2019.
Satiate The Blade delivers a barrage of fast tempos, heavy breakdowns and emotionally charged lyrics combining a sound of classic hardcore, with an infusion of modern Thrash Metal. The end result is a frenzy of mosh fueled madness that will surely leave your favorite DRI shirt stained with the remnants of your melted face! Recorded, Mixed and Mastered by Greg Wilkinson (Autopsy, Necrot, Undergang) at Earhammer Studios in Oakland California.
Listen to the single "Bleed Me Dry" at https://www.youtube.com/watch?v=BXCKCUO_fK4
Tracklisting:1. Bleed Me Dry
2. Drowning In Routine
3. Penchant For Brutality
4. Enucleation
5. Total Recall
6. Satiate The Blade
7. Ticket To Hell
8. Street Lord
9. Return To The Void
10. We Walk From Here
11. Counterbalance
12. Eyes Of The Assailant
www.youtube.com/user/horrorpaingoredeath/videos
www.facebook.com/horrorpaingoredeath
Multifaceted progressive/technical/brutal death metal band Goreworm from Canada continue to enthrall listeners as more of their songs are unveiled. The latest one has been done via No Clean Singing and the premiere can be found at https://www.nocleansinging.com/2026/04/29/an-ncs-premiere-goreworm-no-reprieve/
Excerpt -"If you’re in the mood for wild-eyed technical death metal so dazzling and demented that it might leave you jaw-dropped, head-spun, and gasping, you’ve come to the right place."
GOREWORM – “MIASMATIC SOLITUDE”
Genre -
Technical/melodic/brutal death metalFor fans of - Arsis, Gorod, Xenosis, Fleshbore, Obscura
Canadian death metal band Goreworm mesh different death metal styles in a way that's both confounding and challenging. They're throwing technical, melodic, and brutal death metal elements into a high-speed blender—hardly the most conventional approach—and when the music still manages to sound so coherent, it warrants a closer listen. They seem to have coalesced the influences on an almost cellular level - the aural phantasmic entity emanating from the speakers sounds decidedly Goreworm even when constantly showing glimpses of different musical personalities. "Miasmic Solitude" is Goreworm's most evolved creation to date and it must be celebrated for its passionate and innovative take on the technical death metal style.
Line up
Robert Miller - Vocals
Jordan Estrela - Guitars
Brent Moerschfelder - Guitars/Bass
Robin Stone - Session Drums
Album Artwork by Leanna TenEycke
Track listing
1. Conjuring
2. Monuments to Murdering
3. The Enthralling Grave
4. Orbweaver
5. Amor Vincit Omnia
6. No Reprieve
7. Eve of Flagellation
8. Jarrell
9. Strelly
10. Miasmic Solitude
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/GorewormOfficial
Thank a ton once again! Cheers! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
Brutal
Records is proud to announce the signing of Finland’s uncompromising old school
death metal entity KORPSESOTURI to its international
roster.Hailing from Finland, the band stands firmly in the tradition of true old school death metal—raw, heavy, and stripped of anything unnecessary. No modern gloss, no overproduction—just dense riffs, oppressive atmosphere, and a sound rooted in the early days of the genre.
To mark the signing, KORPSESOTURI will release their new full-length album:
“KORPLISH SEDAMON”
The album is driven entirely by Juha Ahlfors, who wrote all music and lyrics and handled guitars, bass, vocals, as well as the full production, mixing, and mastering. Drums and percussions are performed by Otto Uotila, bringing a solid and punishing backbone to the record.
Recorded in Finland between Wanha Wihtahousu Studios and ZombiEater Studios, KORPLISH SEDAMON new album reflects a complete and uncompromising creative vision—built from the ground up without outside interference.
KORPSESOTURI comments:
“We extend our deepest gratitude to all who supported this album throughout its recording and mixing process, and to everyone who has followed us over the years. Special thanks to Brutal Records for believing in our vision and working with us with full confidence.”
korpsesoturi@gmail.com
https://brutalrecords.com
Kansas City thrash masters HELLEVATE have posted the official music video for the title track off their new album, KILLICON VALLEY. This five-minute thrash-fest aims its rage at the use of AI in today's culture.
“This song is the result of several years of us watching the development of AI and ranting about it with each other. So many songs out there about AI have their hearts in the right place, but they always sing about it like it's Skynet or SHODAN; some unstoppable robot overlord coming to bring the apocalypse," comments guitarist Joshua Cole about the song. "Then you actually use it and it's a crappy productivity tool that only helps create more noise and BS that we all have to wade through, all because some idiot billionaires decided they liked the idea of a computer that could do all their thinking for them and replace those pesky employees. The lyrics fit the music perfectly, as it's nasty, aggressive, relentless, and fast! If you like your thrash metal played pissed off and at warp speed, we've got you covered with this one!"
Vocalist Robert Browne expands on the song's lyrical theme, "The so-called "leaders" of the tech industry have made shit more expensive, turned a multitude of careers upside-down, and gotten this moronic presidential administration to give them access to sensitive systems. And for what? It fucks up simple tasks. It fills our news feeds with garbage and lies. It gives mediocre idiots with no skill the delusions that they can make art with no effort, all at the cost of the planet that sustains our lives. Older folks who fear AI think it'll be like a Terminator 2 thing. It's much worse; I'd rather be blown up than starve."
Watch the video for "Killicon Valley (Silicon Dust)" at https://www.youtube.com/watch?v=eoMxcOpvaSs
Killicon Valley is relentless in execution. Eleven tracks of the bullshit-free, 'thrash-or-be-thrashed' attitude the band has cultivated over their nearly 20 years of existence. Today, that fury has escalated beyond the breaking point. The result is an album that true fans of old-school thrash can blast with pride.
Watch the video for the album's first single, "In the Long Grass," at https://www.youtube.com/watch?v=4pvJtJcOrvo
Killicon Valley is set for release on May 22. Pre-order the album at https://hellevate.bandcamp.com/album/killicon-valley
HELLEVATE will mark the release of Killicon Valley with an album release show at Warehouse on Broadway in Kansas City, MO. Support will come from Jackson Country 5, Meat Shank, and Bloodscent.
Tracklist:1) D.T.C.
2) In the Long Grass
3) Invoke Apocalypse
4) Demagogue
5) The Rampart
6) Holy Man
7) Jorogumo
8) Part of the Tribe
9) Killicon Valley (Silicon Dust)
10) The Lost Pages
11) Thou Shalt Kill
12) Curse God and Die
HELLEVATE is a thrash metal band from Kansas City, MO, known for their unique blend of melodic thrash, extreme metal, and power metal influences.
Formed in the late 2000s by guitarist Dan Whitmer, HELLEVATE maintains a commitment to writing unforgettable music that hits hard and leaves a lasting impression.
Lyrically, the band continues to deliver powerful messages with directness and intensity. Together, they have crafted a sound that is both expansive and undeniably thrash, incorporating influences from speed metal,
power metal, death metal, and hardcore to create something truly unique.
HELLEVATE's discography includes their debut self-titled album (2012), Kill Confirmed (2014), Weapons Against Their Will (2016), The Purpose Is Cruelty (2023), and their newest album Killicon Valley (2026).
Since their debut in 2012, HELLEVATE has built a reputation for delivering electrifying live performances, sharing the stage with some of the biggest names in metal, including EXODUS, KREATOR, ACCEPT, OVERKILL, DESTRUCTION, HAMMERFALL, UNLEASH THE ARCHERS, GHOUL,
VENOM INC., and DANZIG, among others.
Line-Up:
Robert Browne - Vocals
Dan Whitmer - Guitar
Joshua Cole - Guitar
Zack Burke - Bass
Ruben Lopez - Drums
www.facebook.com/hellevate
NEWS 9.5.2026
VARJOON
– “BLUT, STAHL UND LEID”
Genre: Black Metal
Label: Folter Records
Distributed by: Alive
Release: 24.06.2026
VALOSTA VARJOON beweisen einmal mehr, dass schroffe Black-Metal-Finsternis nicht allein in Skandinavien, sondern auch in den Gefilden des Oberpfälzer Waldes heraufbeschworen werden kann, wo auf imposanten Granitfelsen so manche Burgruine als Sinnbild zugleich historischer Trutzigkeit und melancholischen Zerfalls die Zeiten überdauert hat.
Auf »Blut, Stahl und Leid«, dem vierten Langspieler der trinkfesten Bajuwaren V.V. und Sturmwolf, verdichten sich barbarische Raserei und Hymnisches – wie im Titeltrack, der mit wehmütigen Untertönen den stolzen Geist der frühen Neunziger wiederauferstehen lässt – mit dem bandtypisch trotzigen Black’n’Roll zu einem zwingenden Ganzen. Die neuen Kompositionen haben dabei im Vergleich zu den früheren Werken in einer Weise an Schärfe, Kontur und Eingängigkeit gewonnen, dass ohne Zweifel von der bis dato besten Veröffentlichung der Band gesprochen werden kann.
VALOSTA VARJOON wurde 2016 in Neumarkt in der Oberpfalz als Soloprojekt von V.V. gegründet und entwickelte sich 2018 zu einem Duo, als Sturmwolf hinzukam. In den Anfängen war der Sound fest im klassischen melodischen Black Metal verwurzelt – kalt, melancholisch und traditionsbewusst. Doch mit der Zeit mischte sich etwas anderes darunter …
Heute lassen sich VALOSTA VARJOON nicht mehr so einfach in eine Schublade stecken. Black Metal trifft auf dreckigen Rock’n’Roll und Punk-Spirit. Das Ergebnis ist rohe, ungeschliffene und wütende Musik – weniger kalkulierte Komposition, eher wie ein nächtlicher Ausbruch, der durch einen abgenutzten Verstärker in einer verrauchten Bar hallt.
Textlich ist die Band weit entfernt von Fantasy-Klischees. Stattdessen lässt sie sich von Mythen und Legenden ihrer Heimatregion um Neumarkt inspirieren und vermischt diese mit Themen wie Melancholie, Menschenfeindlichkeit, Alkohol und dem sogenannten »Grattler«-Dasein – einem bayerischen Ausdruck für ein Leben am Rande der Gesellschaft, irgendwo zwischen hartnäckigem Trotz und bewusster Rauheit.
VALOSTA VARJOON ist finnisch für »Aus dem Licht in den Schatten«.
Tracklist
1. Die Könige der Nacht 6:12
2. Vambier 4:18
3. Reise ins Gestern 5:50
4. Blut, Stahl und Leid 5:46
5. Im kalten Moor 6:36
6. Die Insel im Traum 5:30
7. Am Rande der Welt 6:29
Total: 40:41
Texter & Komponist: V.V. alias Kevin G.
https://www.facebook.com/FolterRecordsGermany
https://www.facebook.com/ValostaV
“FISSION” obliterates LECHEROUS
NOCTURNE’s eight-year hiatus with extreme force, delivering one of the most
aggressive assaults in the band’s nearly 30 years of existence. Marking the
beginning of a new chapter for the band, the song showcases a reinvigorated
form of their trademark technical death metal chaos, further intensified with
the addition of new vocalist Zach Jeter (Nile) to the fold.
“Once again Lecherous Nocturne has been inspired to release a series of songs representative of life’s horrors,” says guitarist Kreishloff Lofgren. “The music is proud, ferocious, fun to play, and focused. I’m personally very happy with the end result and look forward to the albums release.”
Zach Jeter offers his thoughts on the band’s new chapter. “Alongside my brothers in Lecherous Nocturne, we've compiled an uncompromisingly brutal slab of music that's finally ready to unleash. I'm stoked and honored to be a part of it. The first single takes no prisoners and wastes no time kicking you in the teeth from the start. Still just a taste of whats to come.”
LECHEROUS NOCTURNE has tapped Metal Injection for the exclusive world premiere of the lyric video for “Fission.” Watch now at https://metalinjection.net/video/premiere-lecherous-nocturne-drop-ferocious-fission
The song is the first of a string of singles leading up to the band’s long-awaited fifth album, Violust due out this fall.
2026 promises to be the comeback year for LECHEROUS NOCTURNE, one that includes a spot at the Milwaukee Metal Fest, with additional live dates in the works. LECHEROUS NOCTURNE is slated to perform on Day 3 on the fest (June 7) alongside Ministry, John Bush, Napalm Death and more.
After years of silence, LECHEROUS NOCTURNE emerge sharper, heavier and more dangerous than ever. Be warned. The war machine has re-entered the battlefield.
LECHEROUS NOCTURNE is:
Zach Jeter - Vocals
Kreishloff Lofgren - Guitar
James O'Neal - Bass
Ethan Lane - Guitar
Alex Lancia - Drums
https://beacons.ai/lecherousnocturne
Label: Ardua Music
Release date: May 15th 2026
Genre: Gothic Doom Metal
For fans of: Theatre Of Tragedy | Tristania | Empyrium | Draconian | Saturnus
A voice comes singing in my dreams; an incongruous enchantment pulling me away from my simple fantasies, replays of mundane moments and unfounded anxieties. It leads me beneath the boughs of towering trees, through unspoilt alpine meadows and in the shadows of mountain peaks, beneath the glowering eyes of ancient fortresses of blackened stone. Emotions I have never dared to feel, even in my journeys through the realms of sleep, tear me open beneath vast, storm fractured skies…and I awake bereft, my siren still unseen but my heart enraptured.
For nearly twenty years Avignon’s Angellore have ensorcelled and delighted fans and critics alike with their unique blend of gothic doom, folkloric influence, drama, storytelling and grand emotion; weaving traditional instruments into the rich layers of sound that have characterised remarkable, enthralling albums like 2015s La Litanie des Cendres and 2020s acclaimed Rien Ne Devait Mourir, described by Angry Metal Guy as painting “a despairingly beautiful picture for the listener to enjoy”. And now it is time for a new chapter in Angellore’s epic tale, an album that has been slowly developing in the darkness for the best part of ten, long years – their most profoundly affecting creation to date – Nocturnes…
The tale begins with ‘Falling Birds’, a dolorous dance shifting into powerful chords, laced with melancholic melody, that usher in a voice of aching, angelic purity and guitar lines laden with sorrow. Like an unfolding fairytale the music carries you through shadows and sadness, splendour and tragedy, broken hearts and betrayal…another world is revealed within the song – one of heightened emotion and magic, lost souls and monsters – and passages of oboe and bass clarinet add immeasurably to the mesmerising aura. Angellore never release you from the spell cast by ‘Falling Birds’, the journey continuing into ‘Black Sun River’, a spirit stirring track that binds you within its ghost dance, steeped in passion that can transcend ages, love that burns through the centuries. The unhurried fable of ‘Forsaken Fairytale’ follows, highlighting the wonderful versatility and variety of voices that the band possess, creating an array of characters that populate their stories. The harsh vocals contrasting with the quiet dignity of the music, speaking with a bitter clarity and heartfelt expression, while beautiful flute and sublime piano add to a seemingly limitless palette of sound from which Angellore can draw. Cathedral choirs beckon in the transportative ‘Martyrium’, a gateway to wind blasted moors where clouds race through the night sky across the face of the moon. Wherever you might be, when you listen to this song it becomes midnight in your mind, each note falling like cold rain as you are given a glimpse of what it means to feel beyond reason and to love beyond madness. And finally, there is ‘A Dormant Stream’; a dazzling tapestry of emotion woven from tactile textures…delicate simplicity, words intoned with strength and meaning, sweetly measured guitar lines in a stately dance with ethereal flute and formidable chords of breathtaking grandeur that lead us in sombre procession to the album’s end.
Recorded in an array of different studios, in different countries, from Iceland to Belgium, Nocturnes was engineered and mixed by Déhà (Inborn Suffering, Wolvennest, Cult Of Erinyes etc) and mastered by Markus Skroch (October Falls, Sig:Ar:Tyr, The Chasm etc) and the results couldn’t be more apt – smooth, deep and all-encompassing. With cover artwork created by the band’s own Florent ‘Celin’ Castellani that encapsulates the spirit of the album, Nocturnes will be released on May 15th by Ardua Music – prepare to be bewitched…
Line-up:
Lucia – Vocals
Rosarius – Clean & harsh vocals, electric & acoustic guitars, synths, grand piano
Walran – Harsh & clean vocals, synths, grand piano
Celin – Bass, additional guitars, EBow, backing extreme vocals
Ronnie – Drums & percussions
Also featuring:
Gunnar Ben – Oboe on “Falling Birds” & “A Dormant Stream”
Ségolène Perraud – Flute on “Falling Birds”, “Forsaken Fairytale” & “A Dormant Stream”
Dirk Goossens – Bass clarinet on “Falling Birds”
Raphaël Verguin – Cello on “Forsaken Fairytale” & “A Dormant Stream”
https://www.arduamusic.com/
https://www.facebook.com/AngelloreDoom
FURIA, the Polish metal
visionaries, are set to embark on a strictly limited tour of Poland with their
acclaimed “FURIA GRA KINO” ( FURIA PLAYS CINEMA) project. Moving
beyond traditional concert boundaries, the tour will visit five prestigious
theatres and cinema spaces across the country this May.
Furia requires no introduction to fans of extreme music. For years, the band has consistently redefined the Polish metal scene, venturing into the National Old Theatre in Krakow for Jan Klata’s The Wedding, receiving a "Paszport Polityki" nomination, and most recently seeing their seminal album Księżyc milczy luty named the "Album of the 25th Anniversary" by Musick Magazine.
The "Furia Gra Kino" project was born last year in collaboration with the Silesia Film Institute to celebrate the 25th anniversary of the Silesian Film Archive. Initially a strictly limited event that sold out instantly with no plans for a reprise, this tour represents an exclusive opportunity for audiences to experience this unique audiovisual spectacle.
"Furia Gra Kino" is an immersive journey into Silesia’s past and not just a live soundtrack. During the performance, Furia’s classic set, augmented by improvised sections, intertwines with archival film footage from the region, bringing "ghosts of Silesia" to life within the walls of selected cinema and theatre halls.
For the tour finale at Klub Studio in Kraków, the performance will be amplified using a d&b Soundscape immersive audio system. This state-of-the-art technology creates a fully spatialised and realistic sound image, allowing the audience to hear a multi-dimensional mix that maintains the precise directionality and proportions of instruments and voices on stage. Soundscape further allows for the application of acoustic signatures from world-renowned venues, ensuring a world-class listening experience in the heart of Krakow.
Please note: The event contains intense light and sound effects.
There will be no support acts on this tour. The film presentation will be accompanied by narration from Krzysztof Zawadzki, with live-image editing and visual interpretation by Bogna Przewoźniak, a long-time visual collaborator of the band.
The tour is organised by Iron Realm Productions.
FURIA GRA KINO: POLISH TOUR MAY 2026
15.05 - Poznań, CK Zamek
21.05 - Warsaw, Kino Palladium
22.05 - Gdańsk, Shakespeare Theatre (Teatr Szekspirowski)
23.05 - Łódź, Monopolis
24.05 - Kraków, Klub Studio (feat. d&b Soundscape)
https://www.pagan-records.com
https://www.facebook.com/IronRealmProductions
Wormholedeath is pleased to announce the signing of German black metal band AKANTOPHIS. The label will handle the reissue of the band's album ERNEUERUNG, marking the beginning of a new chapter for the group.
"AKANTOPHIS
are absolutely delighted to announce that we have signed a deal with
Wormholedeath," the band said. "This is a huge step for us as a band
– and we can’t wait to share our music with the world. To you, our listeners:
thank you for joining us on this journey and for continuing to support us. None
of this would be possible without you! Together with Wormholedeath, we look
forward to bringing even more energy, even more sound and even more AKANTOPHIS
straight to you. This is just the beginning – and we can’t wait to experience
this next chapter together with you!“
The album „Erneuerung“ features seven tracks with a total running time of 42 minutes, blending atmospheric intensity and aggression. Recorded live at Liquid Aether Audio and mastered under the direction of Mario Dahmen, the album captures an organic and dynamic feel. The lyrics are primarily in German, adapted to the themes of each track, and presented with more variety than before.
With "Erneuerung," Akantophis explores a broader sound while staying true to their roots, aiming to connect with a wider audience through this release.
AKANTOPHIS is a German black metal band with a modern, atmospheric, and dissonant sound. Their approach leans progressive, with a dense dystopian atmosphere and touches of death metal, a combination that sits outside any easy genre classification. For them, black metal is less about aggression than about inner transformation and artistic renewal.
Founded in 1998, the band had a stable line-up by mid-2000. A year later, Galaria: Terra@ Exitus put them on the underground map. Live im Klima followed, featuring four live tracks that haven’t been released before. By 2004, they'd gone on hiatus — personal circumstances, and a period spent exploring other projects, including Hidden in the Fog, Throat Cut, and Psykra.
They returned in April 2017 with a slightly altered line-up. Wiederkehr, a 7-inch vinyl, came out in 2018. Exitus XX (MCD, 2020) closed out the band's earlier chapter and pointed toward what was next. Their current album is the result, and the one they believe can bring them to a wider audience.
The band’s visual identity is reflected in the previously released “Perforation” music video, available online.
Tracklist
1.Spot
2. Lobotomie
3. Perforation
4. Renewal
5. Horizont aus Glas
6. #9010
7. See Me
www.facebook.com/akantophis
The
dark atmospheres, the slow rhythms, and the heavy sounds of SORROW SPHERE,
a Calabrian Epic Doom Metal band, are back. The follow-up to their debut album "DEMONOTHEISM",
released in 2024, is "The Wizard of Doom", a 30-minute EP that will
be released digitally on June 12th via Club Inferno Entertainment.
Ernesto "Doomlord" Menga, the project's mastermind, remains from the original lineup. Giuseppe "Buzz" Nicolò of MEMORIES OF A LOST SOUL has joined him on the new material.
"The Wizard Of Doom" marks a return to the darker and deeper Doom sounds that characterized SORROW SPHERE in the late 90s when the band formed, updated however with a more modern and mature sound thanks to the expert production of Lost Soul Studios, owned by the same Giuseppe "Buzz" Nicolò.
http://www.facebook.com/clubinfernoent
https://open.spotify.com/artist/1rt6htZ3LQdaxudgBt2lTz
The
warped and bludgeoning release has been teased by expert extreme metal
purveyors Toilet Ov Hell, whom in premiering the opening track “Emblazoned Upon
Ebony Winds”, have remarked how the release is “23 minutes of a lecherous
inferno swallowing us all, vomiting us back up in a rapturous conflagration“ -
you can check out the track and feature https://toiletovhell.com/exclusive-track-premiere-diabolic-oaths-emblazoned-upon-ebony-winds/
Swathed in dissonance and liquefying into free-form chaos, the band's esoteric and ritual-like psychedelic extreme metal keeps evolving beyond new thresholds of aural mind-devourement, further transitioning their cryptic dogma of musical transformation through absolute technical tyranny into formal aberrations rarely observed before in the underground. Those familiar with the band’s personal sphere are well aware of the musical mastery harbored within this mystical human nuclear trident. Conventional stringed instruments hand-stripped of frets and transformed into psychedelic mind-weapons for sensorial depredation, percussions transformed into tribal war drums through the use of massively deep and bellowing shells that deflagrate like wrathful thunder shattering through the celestial vaults, and a triple, simultaneous vocal attack slithering through the cacophony like an infernal trifecta of interwoven snakes spitting venom and hissing obscenities from beyond the shreds of sanity. An absolute mind-war of psychedelic terror and primitive warmongering violence creating a tyrannical unison in which the mind is perpetually disarmed and deceived to submit the corporeal realm into an infinite sequence of chaos and destruction.
The “Unholy Barbaric Hymns” EP is slated for a June 5 2026 release on LP, CD, MC and digital formats, all of which are now pre-orderable via all our channels.
Sincerely, Sentient Ruin
https://sentientruin.com/bands#/diabolic-oath
https://sentientruin.com/releases/diabolic-oath-unholy-barbaric-hymns
Tracklist
1. Ashen Remains
2. Blood Atonement
3. When The Dust Finally Settles
4. D - TX
5. Human Defects
6. Dead Frequency
7. Incense Of The Lost Rite
8. Fragments Of The Sign
9. Black Dust
10. Void Theory
11. Stigmata
Formed in 1999 in Vernouillet, France, Haemoth have long cultivated a reputation for channeling raw, ritualistic black metal steeped in themes of Satanism, occultism, and misanthropy. Over the years, their work has carved a sinister path through the genre, delivering a sound that is both ferocious and steeped in the traditions of the darkest underground metal.
Black Dust promises to deliver the band’s signature blend of hostile, occult-charged black metal, a sonic assault forged in shadow and fueled by misanthropic intensity. With this upcoming release, Haemoth promise a return to their signature atmosphere of hostility, ritual, and sonic devastation.“The underground stirs once again!”
https://www.facebook.com/agoniarecords
"This isn't a story of growth. This is a documentary of decay."
The sound is dynamic, intense, and unsettling—surging straight ahead, at times even painful to listen to. On the vocal side, Leevi Kärsämä uses his entire vocal range, from the lowest growls to piercing screams, which bind Topias Jokipii’s raw guitar sound, Janne Hietanen’s brooding bass, and Jimi Lahtinen’s aggressive drumming into a single cohesive whole. Each song is part of the same pressure that builds and eventually collapses under its own weight.
Listen to "Cesspool" on music services : https://push.fm/fl/saasta-cesspool
“When everything is stripped away, all that remains is what can no longer be hidden.”
The album was recorded at Saasta’s home studio in Kotka during 2025. Ben Jones handled the mixing and mastering; his touch can also be heard on Saasta’s previous release, “Black|Death|Doom” (EP, 2023).
The album is accompanied by five music videos, four of which were released before the album’s release. And the final The Plagued is now also released and you can watch it from https://www.youtube.com/watch?v=lFsIBspUMBw. All of the videos were produced by Saasta in a raw DIY spirit, with the support of a large group of volunteers.
The album’s release and distribution are handled by the Finnish label Inverse Records.
Line up
Vocals – Leevi Kärsämä
Guitar – Topias Jokipii
Bass – Janne Hietanen
Drums – Jimi Lahtinen
Track
list
01. The Leeches
02. The Caricature
03. The Coffin
04. The Imposter
05. The Plagued
06. The March
07. The Envy
08. The Maelstrom
09. The Woe
10. The Ironclad
11. The Entrencher
12. The Retribution
Focus tracks: 03. The Coffin, 05. The Plagued, 10. The Ironclad
https://www.saastaofficial.com/
https://www.facebook.com/saastaofficial
Listen to the album on streaming services: https://push.fm/fl/acolythus-album
The band comments:
"Unearthly Kingdoms 'Neath Lifeless Stars is an amalgam of the three members' personal black metal preferences that was produced in weeks after the idea was thrown out there by Maleficarum. Because the creation of the music itself was a very fast-paced process, a lot of the themes emerged only as we moved on to actually record the songs. Angrmáni composed the songs in a short amount of time, and wrote the lyrics afterwards. Each song is meant to evoke mental images of post-apocalyptic rituals of the occult, so the soundscape of the album is filled to the brim with cold and shrieking guitars and black metal growls, as if the songs were being played among ruins surrounded by boundless ancient battlefields. Immortal might have inspired us a lot there. The songs were recorded in a cabin in the middle of a forest, as well as in our rehearsal place. The final product was mixed and mastered by Abyssias at his
home studio. The lyrics were very much inspired by all matters of esoteric and occult
scriptures, which were mixed together with overlaying misanthropia. We felt that this way we got the most out of both the old school of black metal as well as what black metal has nowadays evolved into. It's a sort of melting pot of camp and cult, so to speak. It is not unlikely that you will see Acolythus on stage in the future, and surely we will make more music. And that might just be a lot sooner than you think…"
Biography:
Acolythus is a project strongly rooted in traditional black metal, boasting straightforward aggression coupled with a recognizable Finnish melodic approach to the genre. Featuring members from Convulse, Sargassus and Jotungrav, the band was born as an outlet for the musicians' black metal aspirations. After the inspiration struck, 'Unearthly Kingdoms 'Neath Lifeless Stars' was written and recorded in a matter of weeks. The album aims at conveying the aggression and feeling behind the music in its purest form. Hence in Acolythus' music, the listener will only hear real instruments being played by real people - free of all edits and tricks that dominate the modern metal sound. Thematically Acolythus centers itself around esoteric and occult knowledge, as well as a somewhat misanthropic and post-apocalyptic focus on humanity. Much of the inspiration from which the music is born out of can be traced to the mystical worldbuilding and wordweaving of bands such as Alghazanth, Immortal and Emperor, to name a few. In short, Acolythus provides the listener with poetic hymns and sermons of woe, accompanied by blazing and ice-cold riffs in the most authentic way black metal should be performed in.
Track
list:
1. Among Ruins Forlorn
2. Scholars of Empires Beyond
3. As the Slaughtered Wizards Reincarnate
4. Frozen Desolate Warfields
5. Vacuous Gods of the Abyss
6. Unearthly Kingdoms 'Neath Lifeless Stars
7. In the Fading Light of Burning Cathedrals
All music written and produced by Acolythus
Mix & Master by Teemu Leskinen
Album cover art by Matias Stenman
Line-up:
Guitars & Vocals: Angrmáni (Matias Stenman)
Drums: Maleficarum (Matias Rokio)
Bass: Abyssias (Teemu Leskinen)
https://www.facebook.com/Acolythusband
Label: Apocalyptic Witchcraft
Release date: July 24th 2026
Genre: Black Metal
For fans of: Emperor | Mayhem | Akercocke | Dark Funeral
A confluence of dire forces, Australian band Faustian brings together perpetrators of horrific sonic assaults, crimes committed under the names of Abramelin, Werewolves, The Berzerker, Psycroptic, The Amenta, The Antichrist Imperium and more…a kind of caustic, damaging extreme metal supergroup if you will. Having proved time and again their mastery of wildly violent death metal as Werewolves, Faustian allows the triumvirate of conspirators to explore darker realms, in a blaze of blasphemous black metal. As guitarist Matt Wilcock put it when discussing Faustian’s 2023 debut album, We Come As Angels, “if the Werewolves aesthetic is violence, then Faustian’s is fear and horror”. Having recently announced their new alliance with the Apocalyptic Witchcraft label, Faustian are now poised to unleash their second album of ruinous malice and beguiling nightmares – Parable Of The Sewer…
Without a second of preamble or scene setting Parable Of The Sewer’s opening track, ‘I Curse You’, hurls the listener into a raging storm of cataclysmic blast beats, overwhelming guitars and venomous, imperious vocals, delivering a damning indictment of humanity. The focus and intensity is fearsome, the impact shocking…but Faustian reveal themselves to be about more than just breathtaking musical firepower, as the parable unfolds. First single, ‘Broken Better’ is deeply unsettling, radiating an aura of evil, as the desolate poetry of the lyrics seeps into your blood, forming bonds of esoteric addiction, while ‘I Want The Ride To Begin Again’ is an eruption of magnificent, defiant grandeur, steeped in the absolute essence of black metal. This glorious paen to doomed rebellion possesses some insidious sorcery that makes you want to offer up your soul on whatever altar is presented, just to share in the offer of damnation. Every song on this album feels part of a greater whole, while burning with a fierce individual fire. From the implacable thunder and furious chaos of ‘Immaculate’ to ‘Cephalophore’s cascading stygian waves, beheading saints with riffs like scythes, Faustian embrace the fundamental tenents of black metal, excelling to such a degree in their execution that they impart new vigour and potency. In ‘We Do Not Use Names Here’ the evocative words are pronounced with fervour and weighty imprecation, summoning the soul harrowing force that suggests true evil and genuine danger – its passages of delicious, creeping menace tempting you to believe that Faustian have made exactly the sort of bargains that their name references. ‘Tenements (Only The Wicked Walk In Circles) is a jagged, jarring, luring and threatening beast, the kind of song that will have you glimpsing movement in empty rooms from the corner of your eye; feeding you a bitter bile of paranoia as it snarls “afraid of mirrors, afraid of stairs, you feel like you’re being followed everywhere…stalked by nightmares”. All of which finally delivers you into the arms of ‘The Rot Shall Inherit The Earth’, a love song to decay and collapse, a twisted hymn to corruption with guitars circling like vultures around a soon-to-be carcass. It’s a horrifying invocation of worms that ends in a peal of bells and the screams of the possessed.
For all their bleak, self-deprecating humour, the members of the Faustian collective – drummer David Haley, guitarist Matt Wilcock and vocalist Sam Bean – have created something special with Parable Of The Sewer. This album is feral intensity, incendiary violence, unearthly majesty and mystery, fear and temptation; dread art that harks back to near forgotten days when black metal still had the power to frighten, intimidate and suggest a pathway to worlds behind the veil of accepted reality. As Conor Droney, head of Apocalyptic Witchcraft, has neatly offered in succinct summing up – Parable Of The Sewer is a “savage masterpiece from down under”. Look for its coming on July 24th, on Limited Edition Splatter Vinyl, Digipak CD, Cassette and digital formats.
Line-up:
David Haley – Drums
Matt Wilcok – Guitars
Sam Bean – Vocals
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/faustianblackmetal
US prog/tech band Xenosis have crafted a stunning album that imbibes influences of all kinds of death metal including of the brutal and dissonant strain. It makes for a fascinating albeit challenging listen. Toilet ov Hell premiered an exhilarating 7-min track called "Spore Whore" which can be found at https://toiletovhell.com/premiere-xenosis-spore-whore/
Excerpt - “Spore Whore” is the purest distillation of all these aspects into a single song, the clearest representation of Xenosis’s multifaceted take on tech death... In short, it’s some truly excellent stuff"
XENOSIS – “HERMETIC TRANSMUTATION”
Genre - Progressive/technical
death metal
For fans of - Death, Martyr, Atheist, Gorguts, Evilyn, Mors Verum
US progressive/technical death metal Xenosis have been at it for years, honing their craft with each album and showcasing a flair for experimentation too. On their fifth full-length album, "Hermetic Transmutation", they retain their core sound as they elaborate on both the progressive and technical aspects, even borrowing elements of brutal death metal and dissonant death metal to achieve that. The influences are finely integrated into their ever throbbing, busy music, never seeming forced and instead adding meaningful variation to their intense sound. The music's persistent groove belies its highly intricate quality; there's just so much happening while you're busy bobbing your head, tapping your feet, or rolling on the floor. After years of toiling, Xenosis have created a delightfully engrossing album that is bound to confound, tantalize, and ultimately satiate fans of this kind of music.
Line up
Sal Bova - Vocals
Gary Marotta - Drums
Kenny Bullard - Guitar
Keith Benway - Guitar
Travers Kenney - Bass
Artwork by Graphic Nightmare
Track listing
1. Sentient Shapes
2. Prolapsed Twin Entombment
3. Spore Whore
4. Engravings for Dyslexic Clairvoyants
5. Rapid Metamorphosis
6. Sea of Teeth
7. Altar of the Hound
8. No Longer Human
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/xenosisband
Thank a ton once again! Cheers! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
Wormholedeath
is pleased to announce the signing of Belgian speed/heavy metal band DRAKKAR. The
label has entered a licensing agreement with the band for their forthcoming
album INVASION, scheduled for release on June 19, 2026.
Founded in 1983, Drakkar built their reputation on the European metal circuit throughout the late 1980s and 1990s. Their 1988 debut album X-Rated, released through New Musidisc (Paris), earned strong critical recognition and led to support slots on major European tours with Queensrÿche, Metallica, Overkill, and Slayer. The record has since become a touchstone of the Belgian metal scene.
After a period of inactivity, the band reformed in 2011 with a new lineup. X-Rated was remastered and reissued in 2012, produced by Simone Mularoni (DGM), with original vocalist Fab "Leni" Vanbellinghen returning to the fold in 2013. The reformed band recorded Once Upon a Time in Hell in 2014, featuring Jonas Sanders of Pro-Pain on drums, and went on to play over 80 dates across Europe, including the Power, Prog & Metal Festival in Mons. A live album, Once Upon a Time Hellive, followed in 2016.
The band suffered a significant loss when founding member Thierry Del Cane passed away shortly after. They chose to continue in his memory. Subsequent years brought further lineup shifts alongside new recordings, including three singles and a music video released between 2022 and 2025.
Invasion marks a new chapter: Leni Andersen returns on vocals, and founding member Guy Duvy is back on bass. The current lineup is completed by Thomas Vanhorebeek and Nico RR on guitars, and Adrien Delgambe on drums (member since 2015). Adrien is the son of former drummer and founding member Tim Delval, bringing the band back to its roots alongside Guy and Leni, and continuing to deliver their signature furious heavy/speed metal.
To celebrate the announcement, the band has released the single and video "666 'n' Rock'n' Roll (Tribute to Them)", a track dedicated to two icons of metal: Ozzy and Lemmy.
Stream the single: https://orcd.co/666
Tracklist
1 To The Shores
2 Invasion
3 Far Away
4 Mad Clown
5 Bloody Mary
6 Crying Out
7 Never Touch The Stars
8 666 'n' Rock'n' Roll (Tribute to them)
9 The Everlasting Journey
www.youtube.com/@DrakkarBelgium
www.facebook.com/Drakkar
ASTRAL
SLEEP
new song! "TOMUINEN TIE" is out now exclusively on
Bandcamp!
The track can be freely downloaded.
Band quote about the song:
"Tomuinen Tie" is an in between albums studio b-roll outtake performance of a classic Woody Guthrie protest song "Going down the road", as a Funeral Doom/Funk version in Finnish.
We had the rare opportunity to perform as a 5-piece ensemble! It was played and recorded all in one take."
Song info:
Original Song: "Going Down The Road" by Woody Guthrie
Finnish Translation Mikko Perkoila - Hannu Raatikainen
Composition & Arrangement: Astral Sleep
Line up:
Markus Alavire - Guitar & vocals
Santeri Kangasmetsä - Guitar
Jaakko Oksanen - Bass
Jiri Pyörälä - Drums
Rolle Heinonen - Keyboards
https://linktr.ee/astralsleep
Taken from the upcoming album “SYLFAERA THE FAIR”, the final installment of a trilogy that began with “Pomegranate” and “Centaurea”, “Alabaster” introduces a warrior-shaman into the band’s unfolding mythos.
Watch the video for “Alabaster”: https://www.youtube.com/watch?v=jJgsL7HnOoU
Stream the track: https://thecirclemusic.lnk.to/Alabaster
In the world of “Sylfaera the Fair”, “Alabaster” is a free spirit and a shaman deeply entwined with the wolf species. He roams the snow-capped Northern mountains, a formidable warrior who balances the disciplined grace of martial arts with the raw, savage power of the wilderness.
As a member of the Fellowship of the 9, “Alabaster” embodies the sacred masculine. He is a body-shifter, moving between the forms of man and wolf, his identity defined by the pale hue of his skin and fur. He is the first to arrive at the ritual grounds of Loona under the light of the full moon, acting as the vanguard who opens portals through arcane formulas.
The band comments on the track’s significance:
"Alabaster acts as a bridge between the physical and the spiritual. On the night in Loona, he longs to reunite with his group soul, moving not as an individual, but as a single spiritual entity guided by powerful instinct. He knows the shadows, the tracks, and the smells of the wild. He represents that primal, intuitive force that exists within the sacred masculine."
The track features the evocative vocals of Francesca Nicoli, set against the music that includes bouzouki, electric guitar, and ritualistic programming by Vittorio Vandelli, and keyboards of Giovanni Pagliari. The haunting uilleann pipes of guest musician Gregorio Bellodi further elevate the arrangement. Wampyrion directed the accompanying video.
“Sylfaera the Fair” will be available from 21 May 2026 in three distinct physical formats via The Circle Music. Options include a high-quality Digi CD, a Turquoise LP limited to 400 copies, and a Deluxe Black Box embossed in silver, limited to only 100 copies. The box set features exclusive silver vinyl, a "Travelling Stone" ritual artefact, a 16-page booklet, and a personal message from the band.
Pre-Order: https://thecirclemusic.gr/product-category/distributed-stuff/?filter_artist-name=ataraxia&products-per-page=all
Digital Pre-Save: https://thecirclemusic.lnk.to/SylfaeraTheFair
Tracklist:
1. Alabaster
2. Breanwinn
3. Alqua
4. Sylfaera
5. Silvertine
6. Loona
7. Llawarra
8. Muirreann (CD Bonus Track)
9. Ojos Sagrados
10. Crowea
https://linktr.ee/thecirclemusic
https://www.facebook.com/AtaraxiaFB
Format: Split 7" EP (vinyl)
Label : WolfKult Religion
Release date: May 15th, 2026
As a joint effort between Necromantic Worship, The Nameless Shrine and WolfKult Religion comes this special split 7" EP.
NECROMANTIC WORSHIP is no stranger for those who delve deep enough or are regular customers of such labels as Nuclear War Now! Productions or New Era Productions. With a respectable discography under their belt, you can expect nothing but more necromantic worshipping Black Metal.
For THE NAMELESS SHRINE this is the debut, and what better way to make itself known than with sharing a piece of vinyl with fellow Dutch occultists? Largely building on the same fundamentals, The Nameless Shrine leans slightly more towards classic Varathron and offers a mystical journey through times long lost. The band was founded by one of the veterans of the Dutch Black Metal scene, and this is evident in their music. Connoisseurs pay attention!
Tracklist
A. Necromantic Worship - Blood Of The Abyss
B. The Nameless Shrine - The Veil Torn By Forbidden Fire
Release information: Released in a limited edition of 150 copies (100x on black vinyl and 50x on coloured vinyl). Comes with a folded 4-page insert.
https://wolfkultreligion.com
"The last time my music was released was in 2016. After a long break, it's great to see that I still get excited when a whole (and damn dark) song is built out of total emptiness. It's one of the greatest experiences music offers me." -Harri Kauppinen
Check the lyric video of the track "Unpleasant Light": https://youtu.be/2uNxmYTPN70
Listen to the EP on music services : https://push.fm/fl/abandonedocean-innerdusk
Although the EP's music was written by Harri Kauppinen, there's also other players involved: Teemu Liekkala (Rioghan, Red Eleven), Otto Närhi (Psychework, Nestruction) and producer Hiili Hiilesmaa (Kypck, Swallow the Sun, HIM).
These four gentlemen last came together on a unifying theme in 2016, when Kauppinen's debut solo album, Helvetin laulut, was released. Not forgetting the fact that Kauppinen, Liekkala and Närhi share a common history from 2005-2014, when they were part of the dark metal band Beyond The Dream.
Inner Dusk is a narrow passageway into a gloomy world, but one where there is hope for a way out. Step inside. You can come back if you want, but before you do ; close your eyes and immerse yourself in the inner dusk.
https://www.facebook.com/abandonedocean/
https://www.abandonedocean.com/
"CHILDREN OF THE DOOM" by Czech
band MEMORIA is for me as a doom metal fan, an
absolutely iconic album from Czech doom metal history.
I’d been thinking about getting the first vinyl release for quite some time, but the right opportunity hadn’t presented itself. Or rather, an opportunity can always be found - any reissue on any physical format can come out at any time - but since I like everything to be orderly and systematic, I waited until the 25th celebration.
Pre-orders for the “Children Of The Doom” digipak reissue (+ T-shirts and hoodies) will go Pařátshop on June 10, with the release date set for June 29.
Pre-orders for the LP version of “Children Of The Doom” (+ T-shirts and hoodies) will go Pařátshop on September 10, with the release date set for September 28.
www.facebook.com/ParatMagazine
www.paratshop.cz
BELETH – “THE GRINDING VOID” (SINGLE)
Label: Independent Release
Release date: May 15th 2026
Genre: Death/Groove Metal
Hailing from Australia, Beleth were first formed as a recording project during the challenging times of the COVID-19 pandemic and all the restrictions associated with it. However, as the world opened up once more Beleth didn’t fade back into the shadows – that creative spark, ignited in the darkness, simply began to burn brighter. The riffs kept coming, heavier and harder, while the grooves got deeper and more irresistible. In 2021 the band’s debut album, Silent Genesis, was released through Wormholdeath Records, in association with Scorching Earth Records and Narcoleptica Productions and positive reviews flooded in from all corners of the worldwide metal press. Devil’s Horns Zine drew comparisons with Carcass and Lamb Of God, declaring Silent Genesis to be a “raging gem”, while Acta Infernalis described Beleth as “a motivated and energetic riff machine” – and that was just the tip of the iceberg of critical acclaim. Since the release of Silent Genesis, Beleth have kept themselves in the spotlight with a series of independently released singles, including a bulldozing rendition of Metallica classic ‘No Remorse’ – and now, with formidable new vocalist Dean Wade firmly ensconced in the ranks, their latest single is about to detonate…
‘The Grinding Void’ retains all the Beleth trademarks that made Silent Genesis land with such impact – the muscular riffs, the inherent melody, the rolling rhythms and monstrous vocal roars – and it adds more. Swathed in atmosphere ‘The Grinding Void’ begins with a descent into darkness, through blood and flame. You can sense the approach of something inevitable and undeniable – and then those riffs punch through the gathered mists in an onslaught of hard-hitting metal. The delivery is measured and focused, the chorus expansive and addictive and you can feel the power building relentlessly as the song reaches an electrifying climax with a guest guitar solo from Aidan Cibich (Echoes In Eternity, ex-Apophis, ex-Tanin’iver etc).
Mixed and mastered by the in-demand Lasse Lammert (Raven, Sigh, Godsnake etc) at LSD Studios in Germany, ‘The Grinding Void’ sounds rugged, vital and armour plated. Beleth’s most complete sonic statement to date, when it arrives on May 15th, complete with lyric video created by Tony Kaarlas at Kaarto Media in Finland, ‘The Grinding Void’ will take no prisoners!
Line up:
Dean Wade - Vocals
Chris Long - Guitars/Bass
Robin Stone - Drums
Guest lead guitar by Aidan Cibich
https://www.youtube.com/@BelethAU
RIYL : Dark Tranquillity| In Flames | Hypocrisy | Soilwork | Textures
Out now on CD & Digital through Great Dane Records and all platforms .
Breeding Chaos, a French modern death metal band, making a renewed push for wider coverage with their debut album 'Distant Planets', released in September 2024 on LP & Digital via Great Dane Records.
Massive riffs. Controlled dynamics. A sonic concept rooted in astrophysics and interstellar phenomena. 'Distant Planets' operates at the intersection of groove-heavy extremity and melodic precision — no speed saturation, no genre clichés. Just dense, atmospheric, purposeful metal.
Already praised internationally for its distinctive guitar identity and head-driven songwriting, the album is now pushing further into new territories. Tracks like "Birth of the Abyss" and "Stone Cross" showcase the band's ability to combine memorable rhythmic structures with a consistently dark, immersive atmosphere — favoring weight and impact over excess.
..For the record...
Breeding Chaos has forged a sound that sits between the melodic discipline of Dark Tranquillity and In Flames, and the rhythmic precision of Textures — with a darker, more atmospheric backbone drawn from the ambition of Blood Incantation. Progressive in structure, uncompromising in heaviness.
With a second album in development and the band actively building its live presence across France and Europe, now is the right moment to get ahead of what they're becoming.
https://www.greatdanerecs.com/
https://www.facebook.com/breedingchaos.band
VIANDE – “MONUMENT AUX MORTS”
Genre - Dark, doomy,
atmospheric death metal
For fans of - Incantation, Teitanblood, Cruciamentum, Dwelling Below, Dead Congregation
French band Viande do more than create scarring, wholesome dark and doomy death metal - they delve into the more atmospheric side of things that messes with your consciousness and has potential psychological implications. There's an all too palpable menace in the sound - the aggressive, militaristic approach, the ominous, dread-filled music aided by a combination of abyssal growls and tormented screams, and ultimately, a haunting, eerie atmosphere touched by dissonance that wouldn't be out of place in a horror movie. Viande's music sounds chaotic even during the slower, doomier parts. It exerts a kind of control over you making you more susceptible to the imagery they intend to project with their sound. When this carefully devised album ends, the feeling is akin to stumbling out of a horrific catacomb in an enhanced spiritual state, with the cries of a thousand dead souls still ringing in your head. "Monument aux morts" is an exceptional album in the style and definitely not one for the faint of heart.
Line up
B - Guitar, synths
J - Vocals
O - Bass
I - Drums
Artwork by JB Godefroy
Track listing
1. Linceul immense
2. Sacrifice ardent
3. Germes de mort
4. Monolithe de chagrin
5. Cercueil de vase
6. Une cage d'os
7. L'esprit cachot
8. Austérité maximum
9. L'homme Brasier (Bonus)
https://www.facebook.com/viandedeath
https://www.facebook.com/transcendingobscurityrecords
Thanks very much! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
Label: Comatose Music
Release date: July 10th 2026
Genre: Brutal Death Metal
For fans of: Suffocation | Condemned | Skinless | Internal Bleeding
A lifetime of searching, everything sacrificed upon the altar of my all-consuming quest to know, to understand, to have every ancient secret revealed. I have followed paths of pain and degradation, bent the knee to unspeakable masters to uncover the key to the next locked door. I have murdered, tortured, torn apart, cast aside, betrayed and butchered…and in the end I burn with all the other fools. Broken beneath his laughing gaze, wreathed in flame, despair and shame. Seduced by the hypnotising vortex of dark knowledge…just another empty vessel who sold his soul for nothing.
Fourteen years in the making and a full fifteen years since their debut album, Victim Of Wicked Sickness, was released…finally the second album from Russia’s brutal death metal force, Cranial Osteotomy is here! Vortex Of The Dark Knowledge is an irresistible, unstoppable surge of soul devouring power that will shatter your body and haunt the hidden chambers of your mind.
‘Praecursor’ is an introductory descent into darkness, an ominous welcome to the hell that is then unleashed by ‘Thanatomorpheus’! This brute of a track comes crawling out of the stygian shadows before bursting into blood hungry life with formidable drums and thick, gore-stained guitars that snarl and scream. An imposing vocal presence seizes you by the throat and vomits forth a guttural chaos of ritual, invocation, nightmares and death. After a warped, winding strand of guitar melody the song collapses to a conclusion like rancid, dissolving flesh…from which arises ‘Dipping Into Sombre Quagmire’ in a blaze of energy, before splintering into staggered, grinding riffs that descend into sickening, squirming sludge – still lashing out unpredictably in unexpected moments. There is no respite from the horror as the vortex continues to spin…’Structures Of Decadence Impurity’ attacks with skin flaying velocity before colliding with immovable granite blocks of staggering weight with dire implications for muscle and bone, ‘Cathedral Butchery Feast’ is a magnificent, organ crushing assault of merciless death…on and on, with no shred of pity, until ‘Scorched Diadem’ delivers its focussed destruction with an aura of dark, arcane power, dragging you into one more black hole of twisted imagination and horror before slipping away into sibilant echoes and finally, silence. It’s been an undeniably long wait, but you’ll be too busy screaming to worry about that when Vortex Of The Dark Knowledge drags you inexorably into its maelstrom of madness.
Mixing and mastering for Vortex Of The Dark Knowledge was carried out by Impulse and Gravestone studios respectively and the results are decimating. With the full package completed by the awesome artwork of Marco Hasmann (Kraanium, Fleshgod Apocalypse, Vile etc), Vortex Of The Dark Knowledge will be set loose upon the world by Comatose Music on July 10th. This is destined to be one of the heaviest releases this year!
Line-up:
Vladislav Melnik - Drums
Vladimir Pomytkin - Guitar
Vad Moskalenko – Vocals/Guitar
Vitaliy Sturk - Bass
https://www.comatosemusic.com/
https://www.facebook.com/cranialosteotomyofficial/
Release
date :
June 12 2026
Genre : Black Metal
Origin: Basque
Duration: 36min56
Label: Les Acteurs de L’Ombre Productions
Network Distributor: Season of Mist / Plastic Head
Digital Distributor: The Orchard
Line-up :
Aritz – vocals
Jabo – guitars
Lander – bass
Eöl – keyboards, screams
Sistre – Drums
Artwork: Raoul / View From The Coffin
Tracklist:
1. Kez beteriko zeru penatua
2. Negu itxian Urtarril hotza
3. Errautsen azken arnasa
4. Hustasuna - Oroitzapen galduen putzua
5. Euria infernuko sutan
Pre-orders: https://www.lesacteursdelombre.net/product-category/preorders
NUMEN, a black metal band from the Basque Country, makes its long-awaited return on June 12 via Les Acteurs de l’Ombre Productions with "Erre", a fifth album that is dark and relentless, deeply rooted in the ancestral beliefs of their native land.
Entirely sung in Euskera (one of the oldest living languages in Europe), this opus delves into the darkest chapters of Basque history, exploring the witch trials and the Inquisition of the early 17th century. Through these themes, NUMEN delivers a work that is both immersive and meaningful, where collective memory and ancient spirituality intertwine.
With "Erre", the band offers a decidedly old-school black metal sound: fast, aggressive, yet also deeply melodic. Drawing from both Nordic and Basque traditions, NUMEN crafts a striking balance between raw fury and more progressive, soaring passages. The compositions, epic and uncompromising, transport the listener to primitive and frozen ages, into the heart of dark, untamed territories.
Driven by more introspective writing, the lyrics further intensify the overall experience, giving rise to a cohesive, inhabited, and culturally distinctive work. With this new album, NUMEN more than ever asserts a strong sonic identity and an uncompromising artistic vision.
For fans of ’90s Nordic black metal and those who appreciate fast, aggressive, and melodic black metal rooted in the spirit of that era.
https://www.facebook.com/NUMENofficial/
Kill De La Morte is up now for pre-order and will be released May 29th on CD and Digital formats along with merch.
Horror Pain Gore Death Productions unleashes a blistering split album of Japanese Crossover Thrash! Lowcard De La Morte are a band from Tromaville (Nagoya) Japan formed in 2012, and unleash 6 tracks of devastating Speedcore for fans of Toxic Avenger, Frankenhooker, XYZ Murders (aka Crimewave).
Killseduction formed from the ashes of Retortion Terror, and feature legend Takafumi Matsubara (Gridlink, Barren Path, Formless Master) joined by Amano (World Downfall, Red Ran Amber), IZ3 (Grindsurf) and Yasuda (Worm). Killseduction unchain five devastating tracks of unique and fast Japanese Crossover Thrash for fans of Suicidal Tendencies, Nuclear Assault and Napalm Death.
Listen to the single "Brain Wash'n 1!2!3!4!" by Lowcard De La Morte at https://www.youtube.com/watch?v=icRXUBiiRAg
Listen to the single "Zenjyari" by Killseduction at https://www.youtube.com/watch?v=uJ5AVcxZAjc
Tracklist
1. Lowcard De La Morte - Brain Wash'n 1!2!3!4!
2. Lowcard De La Morte - Satan With The Pink Hundle
3. Lowcard De La Morte - I'm At Home, Coz I'm Stupid
4. Lowcard De La Morte - Cock Rock Shock
5. Lowcard De La Morte - A Terrible Barbarian
6. Lowcard De La Morte - Mr. Lowless's Secret Service
7. Killseduction - xLIPs
8. Killseduction - Sukimakaze
9. Killseduction - Gride
10. Killseduction - Zenjyari
11. Killseduction - Social Dust
www.youtube.com/user/horrorpaingoredeath/videos
www.facebook.com/horrorpaingoredeath
American
practitioners of the most brutal death metal, DIVULSIVE, appeared
on the scene with a two-track demo in 2024, which was then followed by the
three-track Promo 2025, released the following year. Promo 2025 was awarded a
10/10 rating at Annihilated Simply Reviews and secured the band a deal with
Comatose Music – the world’s number one brutal death metal label – for the
release of their debut album. That debut album is now upon us – and to say that
Divulsive have pushed the limits of brutality with this devastating offering
would be a gross understatement. SPAWNED IN VISCERA is here - and
even the most jaded and experienced of death metal disciples will be put to the
test by this rancorous beast…
As opening track, ‘Cyberorganic Paraphilia’ retches into existence, there’s a moment of complete bewilderment as the brain tries to assimilate the sonic assault. From the viciously overwhelming high-tension snare attack to the vocals that sound like frontman, Beckett Fountain, is having his throat perpetually torn out by a rabid wolf, everything about the Divulsive sound is sickeningly, painfully wrong. Listening to the foully infected riffs that seethe beneath the sanity destroying drumming of ‘Hemorrhagic Reanimation’ is akin to being drowned in blood and excrement. Hate-filled and horrifying, songs like ‘Flesh Ripping Insemination’ leave the strictures of normality choking in the dirt. To the last exhortation of rapacious repugnance, the final rancid note of concluding track, ‘Mechanized Carnivorous Impurity’, Spawned In Viscera is unadulterated, grotesque violence. If you’ve ever felt dismayed that death metal was becoming too much of a mainstream commodity, Divulsive will take you right back to the edge. Spawned In Viscera will never be assimilated, appropriated or understood.
Spawned In Viscera’s wildly extreme sound palette was crafted by the mixing and mastering of the band’s own Thomas Meeker, while the suitably eye-gouging artwork was created by Ethan Valk. Comatose Music will loose Divulsive’s chains on July 24th and the carnage, the weeping, the bleeding will begin.
https://www.comatosemusic.com/
https://www.facebook.com/profile.php?id=61567459773203
Genre: Black Metal Label: Folter Records
Distributed by: Alive
Release: 24.06.2026
VALOSTA VARJOON beweisen einmal mehr, dass schroffe Black-Metal-Finsternis nicht allein in Skandinavien, sondern auch in den Gefilden des Oberpfälzer Waldes heraufbeschworen werden kann, wo auf imposanten Granitfelsen so manche Burgruine als Sinnbild zugleich historischer Trutzigkeit und melancholischen Zerfalls die Zeiten überdauert hat.
Auf »Blut, Stahl und Leid«, dem vierten Langspieler der trinkfesten Bajuwaren V.V. und Sturmwolf, verdichten sich barbarische Raserei und Hymnisches – wie im Titeltrack, der mit wehmütigen Untertönen den stolzen Geist der frühen Neunziger wiederauferstehen lässt – mit dem bandtypisch trotzigen Black’n’Roll zu einem zwingenden Ganzen. Die neuen Kompositionen haben dabei im Vergleich zu den früheren Werken in einer Weise an Schärfe, Kontur und Eingängigkeit gewonnen, dass ohne Zweifel von der bis dato besten Veröffentlichung der Band gesprochen werden kann.
VALOSTA VARJOON wurde 2016 in Neumarkt in der Oberpfalz als Soloprojekt von V.V. gegründet und entwickelte sich 2018 zu einem Duo, als Sturmwolf hinzukam. In den Anfängen war der Sound fest im klassischen melodischen Black Metal verwurzelt – kalt, melancholisch und traditionsbewusst. Doch mit der Zeit mischte sich etwas anderes darunter …
Heute lassen sich VALOSTA VARJOON nicht mehr so einfach in eine Schublade stecken. Black Metal trifft auf dreckigen Rock’n’Roll und Punk-Spirit. Das Ergebnis ist rohe, ungeschliffene und wütende Musik – weniger kalkulierte Komposition, eher wie ein nächtlicher Ausbruch, der durch einen abgenutzten Verstärker in einer verrauchten Bar hallt.
Textlich ist die Band weit entfernt von Fantasy-Klischees. Stattdessen lässt sie sich von Mythen und Legenden ihrer Heimatregion um Neumarkt inspirieren und vermischt diese mit Themen wie Melancholie, Menschenfeindlichkeit, Alkohol und dem sogenannten »Grattler«-Dasein – einem bayerischen Ausdruck für ein Leben am Rande der Gesellschaft, irgendwo zwischen hartnäckigem Trotz und bewusster Rauheit.
VALOSTA VARJOON ist finnisch für »Aus dem Licht in den Schatten«.
Tracklist
1. Die Könige der Nacht 6:12
2. Vambier 4:18
3. Reise ins Gestern 5:50
4. Blut, Stahl und Leid 5:46
5. Im kalten Moor 6:36
6. Die Insel im Traum 5:30
7. Am Rande der Welt 6:29
Total: 40:41
Texter & Komponist: V.V. alias Kevin G.
https://www.facebook.com/FolterRecordsGermany
https://www.facebook.com/ValostaV
“FISSION” obliterates LECHEROUS
NOCTURNE’s eight-year hiatus with extreme force, delivering one of the most
aggressive assaults in the band’s nearly 30 years of existence. Marking the
beginning of a new chapter for the band, the song showcases a reinvigorated
form of their trademark technical death metal chaos, further intensified with
the addition of new vocalist Zach Jeter (Nile) to the fold.“Once again Lecherous Nocturne has been inspired to release a series of songs representative of life’s horrors,” says guitarist Kreishloff Lofgren. “The music is proud, ferocious, fun to play, and focused. I’m personally very happy with the end result and look forward to the albums release.”
Zach Jeter offers his thoughts on the band’s new chapter. “Alongside my brothers in Lecherous Nocturne, we've compiled an uncompromisingly brutal slab of music that's finally ready to unleash. I'm stoked and honored to be a part of it. The first single takes no prisoners and wastes no time kicking you in the teeth from the start. Still just a taste of whats to come.”
LECHEROUS NOCTURNE has tapped Metal Injection for the exclusive world premiere of the lyric video for “Fission.” Watch now at https://metalinjection.net/video/premiere-lecherous-nocturne-drop-ferocious-fission
The song is the first of a string of singles leading up to the band’s long-awaited fifth album, Violust due out this fall.
2026 promises to be the comeback year for LECHEROUS NOCTURNE, one that includes a spot at the Milwaukee Metal Fest, with additional live dates in the works. LECHEROUS NOCTURNE is slated to perform on Day 3 on the fest (June 7) alongside Ministry, John Bush, Napalm Death and more.
After years of silence, LECHEROUS NOCTURNE emerge sharper, heavier and more dangerous than ever. Be warned. The war machine has re-entered the battlefield.
LECHEROUS NOCTURNE is:
Zach Jeter - Vocals
Kreishloff Lofgren - Guitar
James O'Neal - Bass
Ethan Lane - Guitar
Alex Lancia - Drums
https://beacons.ai/lecherousnocturne
Label: Ardua MusicRelease date: May 15th 2026
Genre: Gothic Doom Metal
For fans of: Theatre Of Tragedy | Tristania | Empyrium | Draconian | Saturnus
A voice comes singing in my dreams; an incongruous enchantment pulling me away from my simple fantasies, replays of mundane moments and unfounded anxieties. It leads me beneath the boughs of towering trees, through unspoilt alpine meadows and in the shadows of mountain peaks, beneath the glowering eyes of ancient fortresses of blackened stone. Emotions I have never dared to feel, even in my journeys through the realms of sleep, tear me open beneath vast, storm fractured skies…and I awake bereft, my siren still unseen but my heart enraptured.
For nearly twenty years Avignon’s Angellore have ensorcelled and delighted fans and critics alike with their unique blend of gothic doom, folkloric influence, drama, storytelling and grand emotion; weaving traditional instruments into the rich layers of sound that have characterised remarkable, enthralling albums like 2015s La Litanie des Cendres and 2020s acclaimed Rien Ne Devait Mourir, described by Angry Metal Guy as painting “a despairingly beautiful picture for the listener to enjoy”. And now it is time for a new chapter in Angellore’s epic tale, an album that has been slowly developing in the darkness for the best part of ten, long years – their most profoundly affecting creation to date – Nocturnes…
The tale begins with ‘Falling Birds’, a dolorous dance shifting into powerful chords, laced with melancholic melody, that usher in a voice of aching, angelic purity and guitar lines laden with sorrow. Like an unfolding fairytale the music carries you through shadows and sadness, splendour and tragedy, broken hearts and betrayal…another world is revealed within the song – one of heightened emotion and magic, lost souls and monsters – and passages of oboe and bass clarinet add immeasurably to the mesmerising aura. Angellore never release you from the spell cast by ‘Falling Birds’, the journey continuing into ‘Black Sun River’, a spirit stirring track that binds you within its ghost dance, steeped in passion that can transcend ages, love that burns through the centuries. The unhurried fable of ‘Forsaken Fairytale’ follows, highlighting the wonderful versatility and variety of voices that the band possess, creating an array of characters that populate their stories. The harsh vocals contrasting with the quiet dignity of the music, speaking with a bitter clarity and heartfelt expression, while beautiful flute and sublime piano add to a seemingly limitless palette of sound from which Angellore can draw. Cathedral choirs beckon in the transportative ‘Martyrium’, a gateway to wind blasted moors where clouds race through the night sky across the face of the moon. Wherever you might be, when you listen to this song it becomes midnight in your mind, each note falling like cold rain as you are given a glimpse of what it means to feel beyond reason and to love beyond madness. And finally, there is ‘A Dormant Stream’; a dazzling tapestry of emotion woven from tactile textures…delicate simplicity, words intoned with strength and meaning, sweetly measured guitar lines in a stately dance with ethereal flute and formidable chords of breathtaking grandeur that lead us in sombre procession to the album’s end.
Recorded in an array of different studios, in different countries, from Iceland to Belgium, Nocturnes was engineered and mixed by Déhà (Inborn Suffering, Wolvennest, Cult Of Erinyes etc) and mastered by Markus Skroch (October Falls, Sig:Ar:Tyr, The Chasm etc) and the results couldn’t be more apt – smooth, deep and all-encompassing. With cover artwork created by the band’s own Florent ‘Celin’ Castellani that encapsulates the spirit of the album, Nocturnes will be released on May 15th by Ardua Music – prepare to be bewitched…
Line-up:
Lucia – Vocals
Rosarius – Clean & harsh vocals, electric & acoustic guitars, synths, grand piano
Walran – Harsh & clean vocals, synths, grand piano
Celin – Bass, additional guitars, EBow, backing extreme vocals
Ronnie – Drums & percussions
Also featuring:
Gunnar Ben – Oboe on “Falling Birds” & “A Dormant Stream”
Ségolène Perraud – Flute on “Falling Birds”, “Forsaken Fairytale” & “A Dormant Stream”
Dirk Goossens – Bass clarinet on “Falling Birds”
Raphaël Verguin – Cello on “Forsaken Fairytale” & “A Dormant Stream”
https://www.arduamusic.com/
https://www.facebook.com/AngelloreDoom
FURIA, the Polish metal
visionaries, are set to embark on a strictly limited tour of Poland with their
acclaimed “FURIA GRA KINO” ( FURIA PLAYS CINEMA) project. Moving
beyond traditional concert boundaries, the tour will visit five prestigious
theatres and cinema spaces across the country this May.Furia requires no introduction to fans of extreme music. For years, the band has consistently redefined the Polish metal scene, venturing into the National Old Theatre in Krakow for Jan Klata’s The Wedding, receiving a "Paszport Polityki" nomination, and most recently seeing their seminal album Księżyc milczy luty named the "Album of the 25th Anniversary" by Musick Magazine.
The "Furia Gra Kino" project was born last year in collaboration with the Silesia Film Institute to celebrate the 25th anniversary of the Silesian Film Archive. Initially a strictly limited event that sold out instantly with no plans for a reprise, this tour represents an exclusive opportunity for audiences to experience this unique audiovisual spectacle.
"Furia Gra Kino" is an immersive journey into Silesia’s past and not just a live soundtrack. During the performance, Furia’s classic set, augmented by improvised sections, intertwines with archival film footage from the region, bringing "ghosts of Silesia" to life within the walls of selected cinema and theatre halls.
For the tour finale at Klub Studio in Kraków, the performance will be amplified using a d&b Soundscape immersive audio system. This state-of-the-art technology creates a fully spatialised and realistic sound image, allowing the audience to hear a multi-dimensional mix that maintains the precise directionality and proportions of instruments and voices on stage. Soundscape further allows for the application of acoustic signatures from world-renowned venues, ensuring a world-class listening experience in the heart of Krakow.
Please note: The event contains intense light and sound effects.
There will be no support acts on this tour. The film presentation will be accompanied by narration from Krzysztof Zawadzki, with live-image editing and visual interpretation by Bogna Przewoźniak, a long-time visual collaborator of the band.
The tour is organised by Iron Realm Productions.
FURIA GRA KINO: POLISH TOUR MAY 2026
15.05 - Poznań, CK Zamek
21.05 - Warsaw, Kino Palladium
22.05 - Gdańsk, Shakespeare Theatre (Teatr Szekspirowski)
23.05 - Łódź, Monopolis
24.05 - Kraków, Klub Studio (feat. d&b Soundscape)
https://www.pagan-records.com
https://www.facebook.com/IronRealmProductions
Wormholedeath is pleased to announce the signing of German black metal band AKANTOPHIS. The label will handle the reissue of the band's album ERNEUERUNG, marking the beginning of a new chapter for the group.
"AKANTOPHIS
are absolutely delighted to announce that we have signed a deal with
Wormholedeath," the band said. "This is a huge step for us as a band
– and we can’t wait to share our music with the world. To you, our listeners:
thank you for joining us on this journey and for continuing to support us. None
of this would be possible without you! Together with Wormholedeath, we look
forward to bringing even more energy, even more sound and even more AKANTOPHIS
straight to you. This is just the beginning – and we can’t wait to experience
this next chapter together with you!“The album „Erneuerung“ features seven tracks with a total running time of 42 minutes, blending atmospheric intensity and aggression. Recorded live at Liquid Aether Audio and mastered under the direction of Mario Dahmen, the album captures an organic and dynamic feel. The lyrics are primarily in German, adapted to the themes of each track, and presented with more variety than before.
With "Erneuerung," Akantophis explores a broader sound while staying true to their roots, aiming to connect with a wider audience through this release.
AKANTOPHIS is a German black metal band with a modern, atmospheric, and dissonant sound. Their approach leans progressive, with a dense dystopian atmosphere and touches of death metal, a combination that sits outside any easy genre classification. For them, black metal is less about aggression than about inner transformation and artistic renewal.
Founded in 1998, the band had a stable line-up by mid-2000. A year later, Galaria: Terra@ Exitus put them on the underground map. Live im Klima followed, featuring four live tracks that haven’t been released before. By 2004, they'd gone on hiatus — personal circumstances, and a period spent exploring other projects, including Hidden in the Fog, Throat Cut, and Psykra.
They returned in April 2017 with a slightly altered line-up. Wiederkehr, a 7-inch vinyl, came out in 2018. Exitus XX (MCD, 2020) closed out the band's earlier chapter and pointed toward what was next. Their current album is the result, and the one they believe can bring them to a wider audience.
The band’s visual identity is reflected in the previously released “Perforation” music video, available online.
Tracklist
1.Spot
2. Lobotomie
3. Perforation
4. Renewal
5. Horizont aus Glas
6. #9010
7. See Me
www.facebook.com/akantophis
The
dark atmospheres, the slow rhythms, and the heavy sounds of SORROW SPHERE,
a Calabrian Epic Doom Metal band, are back. The follow-up to their debut album "DEMONOTHEISM",
released in 2024, is "The Wizard of Doom", a 30-minute EP that will
be released digitally on June 12th via Club Inferno Entertainment.Ernesto "Doomlord" Menga, the project's mastermind, remains from the original lineup. Giuseppe "Buzz" Nicolò of MEMORIES OF A LOST SOUL has joined him on the new material.
"The Wizard Of Doom" marks a return to the darker and deeper Doom sounds that characterized SORROW SPHERE in the late 90s when the band formed, updated however with a more modern and mature sound thanks to the expert production of Lost Soul Studios, owned by the same Giuseppe "Buzz" Nicolò.
http://www.facebook.com/clubinfernoent
https://open.spotify.com/artist/1rt6htZ3LQdaxudgBt2lTz
The
warped and bludgeoning release has been teased by expert extreme metal
purveyors Toilet Ov Hell, whom in premiering the opening track “Emblazoned Upon
Ebony Winds”, have remarked how the release is “23 minutes of a lecherous
inferno swallowing us all, vomiting us back up in a rapturous conflagration“ -
you can check out the track and feature https://toiletovhell.com/exclusive-track-premiere-diabolic-oaths-emblazoned-upon-ebony-winds/Swathed in dissonance and liquefying into free-form chaos, the band's esoteric and ritual-like psychedelic extreme metal keeps evolving beyond new thresholds of aural mind-devourement, further transitioning their cryptic dogma of musical transformation through absolute technical tyranny into formal aberrations rarely observed before in the underground. Those familiar with the band’s personal sphere are well aware of the musical mastery harbored within this mystical human nuclear trident. Conventional stringed instruments hand-stripped of frets and transformed into psychedelic mind-weapons for sensorial depredation, percussions transformed into tribal war drums through the use of massively deep and bellowing shells that deflagrate like wrathful thunder shattering through the celestial vaults, and a triple, simultaneous vocal attack slithering through the cacophony like an infernal trifecta of interwoven snakes spitting venom and hissing obscenities from beyond the shreds of sanity. An absolute mind-war of psychedelic terror and primitive warmongering violence creating a tyrannical unison in which the mind is perpetually disarmed and deceived to submit the corporeal realm into an infinite sequence of chaos and destruction.
The “Unholy Barbaric Hymns” EP is slated for a June 5 2026 release on LP, CD, MC and digital formats, all of which are now pre-orderable via all our channels.
Sincerely, Sentient Ruin
https://sentientruin.com/bands#/diabolic-oath
https://sentientruin.com/releases/diabolic-oath-unholy-barbaric-hymns
Tracklist1. Ashen Remains
2. Blood Atonement
3. When The Dust Finally Settles
4. D - TX
5. Human Defects
6. Dead Frequency
7. Incense Of The Lost Rite
8. Fragments Of The Sign
9. Black Dust
10. Void Theory
11. Stigmata
Formed in 1999 in Vernouillet, France, Haemoth have long cultivated a reputation for channeling raw, ritualistic black metal steeped in themes of Satanism, occultism, and misanthropy. Over the years, their work has carved a sinister path through the genre, delivering a sound that is both ferocious and steeped in the traditions of the darkest underground metal.
Black Dust promises to deliver the band’s signature blend of hostile, occult-charged black metal, a sonic assault forged in shadow and fueled by misanthropic intensity. With this upcoming release, Haemoth promise a return to their signature atmosphere of hostility, ritual, and sonic devastation.“The underground stirs once again!”
https://www.facebook.com/agoniarecords
"This isn't a story of growth. This is a documentary of decay."
The sound is dynamic, intense, and unsettling—surging straight ahead, at times even painful to listen to. On the vocal side, Leevi Kärsämä uses his entire vocal range, from the lowest growls to piercing screams, which bind Topias Jokipii’s raw guitar sound, Janne Hietanen’s brooding bass, and Jimi Lahtinen’s aggressive drumming into a single cohesive whole. Each song is part of the same pressure that builds and eventually collapses under its own weight.
Listen to "Cesspool" on music services : https://push.fm/fl/saasta-cesspool
“When everything is stripped away, all that remains is what can no longer be hidden.”
The album was recorded at Saasta’s home studio in Kotka during 2025. Ben Jones handled the mixing and mastering; his touch can also be heard on Saasta’s previous release, “Black|Death|Doom” (EP, 2023).
The album is accompanied by five music videos, four of which were released before the album’s release. And the final The Plagued is now also released and you can watch it from https://www.youtube.com/watch?v=lFsIBspUMBw. All of the videos were produced by Saasta in a raw DIY spirit, with the support of a large group of volunteers.
The album’s release and distribution are handled by the Finnish label Inverse Records.
Line up
Vocals – Leevi Kärsämä
Guitar – Topias Jokipii
Bass – Janne Hietanen
Drums – Jimi Lahtinen
Track
list01. The Leeches
02. The Caricature
03. The Coffin
04. The Imposter
05. The Plagued
06. The March
07. The Envy
08. The Maelstrom
09. The Woe
10. The Ironclad
11. The Entrencher
12. The Retribution
Focus tracks: 03. The Coffin, 05. The Plagued, 10. The Ironclad
https://www.saastaofficial.com/
https://www.facebook.com/saastaofficial
Listen to the album on streaming services: https://push.fm/fl/acolythus-album
The band comments:
"Unearthly Kingdoms 'Neath Lifeless Stars is an amalgam of the three members' personal black metal preferences that was produced in weeks after the idea was thrown out there by Maleficarum. Because the creation of the music itself was a very fast-paced process, a lot of the themes emerged only as we moved on to actually record the songs. Angrmáni composed the songs in a short amount of time, and wrote the lyrics afterwards. Each song is meant to evoke mental images of post-apocalyptic rituals of the occult, so the soundscape of the album is filled to the brim with cold and shrieking guitars and black metal growls, as if the songs were being played among ruins surrounded by boundless ancient battlefields. Immortal might have inspired us a lot there. The songs were recorded in a cabin in the middle of a forest, as well as in our rehearsal place. The final product was mixed and mastered by Abyssias at his
home studio. The lyrics were very much inspired by all matters of esoteric and occult
scriptures, which were mixed together with overlaying misanthropia. We felt that this way we got the most out of both the old school of black metal as well as what black metal has nowadays evolved into. It's a sort of melting pot of camp and cult, so to speak. It is not unlikely that you will see Acolythus on stage in the future, and surely we will make more music. And that might just be a lot sooner than you think…"
Biography:
Acolythus is a project strongly rooted in traditional black metal, boasting straightforward aggression coupled with a recognizable Finnish melodic approach to the genre. Featuring members from Convulse, Sargassus and Jotungrav, the band was born as an outlet for the musicians' black metal aspirations. After the inspiration struck, 'Unearthly Kingdoms 'Neath Lifeless Stars' was written and recorded in a matter of weeks. The album aims at conveying the aggression and feeling behind the music in its purest form. Hence in Acolythus' music, the listener will only hear real instruments being played by real people - free of all edits and tricks that dominate the modern metal sound. Thematically Acolythus centers itself around esoteric and occult knowledge, as well as a somewhat misanthropic and post-apocalyptic focus on humanity. Much of the inspiration from which the music is born out of can be traced to the mystical worldbuilding and wordweaving of bands such as Alghazanth, Immortal and Emperor, to name a few. In short, Acolythus provides the listener with poetic hymns and sermons of woe, accompanied by blazing and ice-cold riffs in the most authentic way black metal should be performed in.
Track
list:1. Among Ruins Forlorn
2. Scholars of Empires Beyond
3. As the Slaughtered Wizards Reincarnate
4. Frozen Desolate Warfields
5. Vacuous Gods of the Abyss
6. Unearthly Kingdoms 'Neath Lifeless Stars
7. In the Fading Light of Burning Cathedrals
All music written and produced by Acolythus
Mix & Master by Teemu Leskinen
Album cover art by Matias Stenman
Line-up:
Guitars & Vocals: Angrmáni (Matias Stenman)
Drums: Maleficarum (Matias Rokio)
Bass: Abyssias (Teemu Leskinen)
https://www.facebook.com/Acolythusband
Label: Apocalyptic WitchcraftRelease date: July 24th 2026
Genre: Black Metal
For fans of: Emperor | Mayhem | Akercocke | Dark Funeral
A confluence of dire forces, Australian band Faustian brings together perpetrators of horrific sonic assaults, crimes committed under the names of Abramelin, Werewolves, The Berzerker, Psycroptic, The Amenta, The Antichrist Imperium and more…a kind of caustic, damaging extreme metal supergroup if you will. Having proved time and again their mastery of wildly violent death metal as Werewolves, Faustian allows the triumvirate of conspirators to explore darker realms, in a blaze of blasphemous black metal. As guitarist Matt Wilcock put it when discussing Faustian’s 2023 debut album, We Come As Angels, “if the Werewolves aesthetic is violence, then Faustian’s is fear and horror”. Having recently announced their new alliance with the Apocalyptic Witchcraft label, Faustian are now poised to unleash their second album of ruinous malice and beguiling nightmares – Parable Of The Sewer…
Without a second of preamble or scene setting Parable Of The Sewer’s opening track, ‘I Curse You’, hurls the listener into a raging storm of cataclysmic blast beats, overwhelming guitars and venomous, imperious vocals, delivering a damning indictment of humanity. The focus and intensity is fearsome, the impact shocking…but Faustian reveal themselves to be about more than just breathtaking musical firepower, as the parable unfolds. First single, ‘Broken Better’ is deeply unsettling, radiating an aura of evil, as the desolate poetry of the lyrics seeps into your blood, forming bonds of esoteric addiction, while ‘I Want The Ride To Begin Again’ is an eruption of magnificent, defiant grandeur, steeped in the absolute essence of black metal. This glorious paen to doomed rebellion possesses some insidious sorcery that makes you want to offer up your soul on whatever altar is presented, just to share in the offer of damnation. Every song on this album feels part of a greater whole, while burning with a fierce individual fire. From the implacable thunder and furious chaos of ‘Immaculate’ to ‘Cephalophore’s cascading stygian waves, beheading saints with riffs like scythes, Faustian embrace the fundamental tenents of black metal, excelling to such a degree in their execution that they impart new vigour and potency. In ‘We Do Not Use Names Here’ the evocative words are pronounced with fervour and weighty imprecation, summoning the soul harrowing force that suggests true evil and genuine danger – its passages of delicious, creeping menace tempting you to believe that Faustian have made exactly the sort of bargains that their name references. ‘Tenements (Only The Wicked Walk In Circles) is a jagged, jarring, luring and threatening beast, the kind of song that will have you glimpsing movement in empty rooms from the corner of your eye; feeding you a bitter bile of paranoia as it snarls “afraid of mirrors, afraid of stairs, you feel like you’re being followed everywhere…stalked by nightmares”. All of which finally delivers you into the arms of ‘The Rot Shall Inherit The Earth’, a love song to decay and collapse, a twisted hymn to corruption with guitars circling like vultures around a soon-to-be carcass. It’s a horrifying invocation of worms that ends in a peal of bells and the screams of the possessed.
For all their bleak, self-deprecating humour, the members of the Faustian collective – drummer David Haley, guitarist Matt Wilcock and vocalist Sam Bean – have created something special with Parable Of The Sewer. This album is feral intensity, incendiary violence, unearthly majesty and mystery, fear and temptation; dread art that harks back to near forgotten days when black metal still had the power to frighten, intimidate and suggest a pathway to worlds behind the veil of accepted reality. As Conor Droney, head of Apocalyptic Witchcraft, has neatly offered in succinct summing up – Parable Of The Sewer is a “savage masterpiece from down under”. Look for its coming on July 24th, on Limited Edition Splatter Vinyl, Digipak CD, Cassette and digital formats.
Line-up:
David Haley – Drums
Matt Wilcok – Guitars
Sam Bean – Vocals
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/faustianblackmetal
US prog/tech band Xenosis have crafted a stunning album that imbibes influences of all kinds of death metal including of the brutal and dissonant strain. It makes for a fascinating albeit challenging listen. Toilet ov Hell premiered an exhilarating 7-min track called "Spore Whore" which can be found at https://toiletovhell.com/premiere-xenosis-spore-whore/
Excerpt - “Spore Whore” is the purest distillation of all these aspects into a single song, the clearest representation of Xenosis’s multifaceted take on tech death... In short, it’s some truly excellent stuff"
XENOSIS – “HERMETIC TRANSMUTATION”
Genre - Progressive/technical
death metalFor fans of - Death, Martyr, Atheist, Gorguts, Evilyn, Mors Verum
US progressive/technical death metal Xenosis have been at it for years, honing their craft with each album and showcasing a flair for experimentation too. On their fifth full-length album, "Hermetic Transmutation", they retain their core sound as they elaborate on both the progressive and technical aspects, even borrowing elements of brutal death metal and dissonant death metal to achieve that. The influences are finely integrated into their ever throbbing, busy music, never seeming forced and instead adding meaningful variation to their intense sound. The music's persistent groove belies its highly intricate quality; there's just so much happening while you're busy bobbing your head, tapping your feet, or rolling on the floor. After years of toiling, Xenosis have created a delightfully engrossing album that is bound to confound, tantalize, and ultimately satiate fans of this kind of music.
Line up
Sal Bova - Vocals
Gary Marotta - Drums
Kenny Bullard - Guitar
Keith Benway - Guitar
Travers Kenney - Bass
Artwork by Graphic Nightmare
Track listing
1. Sentient Shapes
2. Prolapsed Twin Entombment
3. Spore Whore
4. Engravings for Dyslexic Clairvoyants
5. Rapid Metamorphosis
6. Sea of Teeth
7. Altar of the Hound
8. No Longer Human
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/xenosisband
Thank a ton once again! Cheers! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
Wormholedeath
is pleased to announce the signing of Belgian speed/heavy metal band DRAKKAR. The
label has entered a licensing agreement with the band for their forthcoming
album INVASION, scheduled for release on June 19, 2026.Founded in 1983, Drakkar built their reputation on the European metal circuit throughout the late 1980s and 1990s. Their 1988 debut album X-Rated, released through New Musidisc (Paris), earned strong critical recognition and led to support slots on major European tours with Queensrÿche, Metallica, Overkill, and Slayer. The record has since become a touchstone of the Belgian metal scene.
After a period of inactivity, the band reformed in 2011 with a new lineup. X-Rated was remastered and reissued in 2012, produced by Simone Mularoni (DGM), with original vocalist Fab "Leni" Vanbellinghen returning to the fold in 2013. The reformed band recorded Once Upon a Time in Hell in 2014, featuring Jonas Sanders of Pro-Pain on drums, and went on to play over 80 dates across Europe, including the Power, Prog & Metal Festival in Mons. A live album, Once Upon a Time Hellive, followed in 2016.
The band suffered a significant loss when founding member Thierry Del Cane passed away shortly after. They chose to continue in his memory. Subsequent years brought further lineup shifts alongside new recordings, including three singles and a music video released between 2022 and 2025.
Invasion marks a new chapter: Leni Andersen returns on vocals, and founding member Guy Duvy is back on bass. The current lineup is completed by Thomas Vanhorebeek and Nico RR on guitars, and Adrien Delgambe on drums (member since 2015). Adrien is the son of former drummer and founding member Tim Delval, bringing the band back to its roots alongside Guy and Leni, and continuing to deliver their signature furious heavy/speed metal.
To celebrate the announcement, the band has released the single and video "666 'n' Rock'n' Roll (Tribute to Them)", a track dedicated to two icons of metal: Ozzy and Lemmy.
Stream the single: https://orcd.co/666
Tracklist
1 To The Shores
2 Invasion
3 Far Away
4 Mad Clown
5 Bloody Mary
6 Crying Out
7 Never Touch The Stars
8 666 'n' Rock'n' Roll (Tribute to them)
9 The Everlasting Journey
www.youtube.com/@DrakkarBelgium
www.facebook.com/Drakkar
ASTRAL
SLEEP
new song! "TOMUINEN TIE" is out now exclusively on
Bandcamp!The track can be freely downloaded.
Band quote about the song:
"Tomuinen Tie" is an in between albums studio b-roll outtake performance of a classic Woody Guthrie protest song "Going down the road", as a Funeral Doom/Funk version in Finnish.
We had the rare opportunity to perform as a 5-piece ensemble! It was played and recorded all in one take."
Song info:
Original Song: "Going Down The Road" by Woody Guthrie
Finnish Translation Mikko Perkoila - Hannu Raatikainen
Composition & Arrangement: Astral Sleep
Line up:
Markus Alavire - Guitar & vocals
Santeri Kangasmetsä - Guitar
Jaakko Oksanen - Bass
Jiri Pyörälä - Drums
Rolle Heinonen - Keyboards
https://linktr.ee/astralsleep
Taken from the upcoming album “SYLFAERA THE FAIR”, the final installment of a trilogy that began with “Pomegranate” and “Centaurea”, “Alabaster” introduces a warrior-shaman into the band’s unfolding mythos.
Watch the video for “Alabaster”: https://www.youtube.com/watch?v=jJgsL7HnOoU
Stream the track: https://thecirclemusic.lnk.to/Alabaster
In the world of “Sylfaera the Fair”, “Alabaster” is a free spirit and a shaman deeply entwined with the wolf species. He roams the snow-capped Northern mountains, a formidable warrior who balances the disciplined grace of martial arts with the raw, savage power of the wilderness.
As a member of the Fellowship of the 9, “Alabaster” embodies the sacred masculine. He is a body-shifter, moving between the forms of man and wolf, his identity defined by the pale hue of his skin and fur. He is the first to arrive at the ritual grounds of Loona under the light of the full moon, acting as the vanguard who opens portals through arcane formulas.
The band comments on the track’s significance:
"Alabaster acts as a bridge between the physical and the spiritual. On the night in Loona, he longs to reunite with his group soul, moving not as an individual, but as a single spiritual entity guided by powerful instinct. He knows the shadows, the tracks, and the smells of the wild. He represents that primal, intuitive force that exists within the sacred masculine."
The track features the evocative vocals of Francesca Nicoli, set against the music that includes bouzouki, electric guitar, and ritualistic programming by Vittorio Vandelli, and keyboards of Giovanni Pagliari. The haunting uilleann pipes of guest musician Gregorio Bellodi further elevate the arrangement. Wampyrion directed the accompanying video.
“Sylfaera the Fair” will be available from 21 May 2026 in three distinct physical formats via The Circle Music. Options include a high-quality Digi CD, a Turquoise LP limited to 400 copies, and a Deluxe Black Box embossed in silver, limited to only 100 copies. The box set features exclusive silver vinyl, a "Travelling Stone" ritual artefact, a 16-page booklet, and a personal message from the band.
Pre-Order: https://thecirclemusic.gr/product-category/distributed-stuff/?filter_artist-name=ataraxia&products-per-page=allDigital Pre-Save: https://thecirclemusic.lnk.to/SylfaeraTheFair
Tracklist:
1. Alabaster
2. Breanwinn
3. Alqua
4. Sylfaera
5. Silvertine
6. Loona
7. Llawarra
8. Muirreann (CD Bonus Track)
9. Ojos Sagrados
10. Crowea
https://linktr.ee/thecirclemusic
https://www.facebook.com/AtaraxiaFB
Format: Split 7" EP (vinyl)
Label : WolfKult Religion
Release date: May 15th, 2026
As a joint effort between Necromantic Worship, The Nameless Shrine and WolfKult Religion comes this special split 7" EP.
NECROMANTIC WORSHIP is no stranger for those who delve deep enough or are regular customers of such labels as Nuclear War Now! Productions or New Era Productions. With a respectable discography under their belt, you can expect nothing but more necromantic worshipping Black Metal.
For THE NAMELESS SHRINE this is the debut, and what better way to make itself known than with sharing a piece of vinyl with fellow Dutch occultists? Largely building on the same fundamentals, The Nameless Shrine leans slightly more towards classic Varathron and offers a mystical journey through times long lost. The band was founded by one of the veterans of the Dutch Black Metal scene, and this is evident in their music. Connoisseurs pay attention!
Tracklist
A. Necromantic Worship - Blood Of The Abyss
B. The Nameless Shrine - The Veil Torn By Forbidden Fire
Release information: Released in a limited edition of 150 copies (100x on black vinyl and 50x on coloured vinyl). Comes with a folded 4-page insert.
https://wolfkultreligion.com
"The last time my music was released was in 2016. After a long break, it's great to see that I still get excited when a whole (and damn dark) song is built out of total emptiness. It's one of the greatest experiences music offers me." -Harri Kauppinen
Check the lyric video of the track "Unpleasant Light": https://youtu.be/2uNxmYTPN70
Listen to the EP on music services : https://push.fm/fl/abandonedocean-innerdusk
Although the EP's music was written by Harri Kauppinen, there's also other players involved: Teemu Liekkala (Rioghan, Red Eleven), Otto Närhi (Psychework, Nestruction) and producer Hiili Hiilesmaa (Kypck, Swallow the Sun, HIM).
These four gentlemen last came together on a unifying theme in 2016, when Kauppinen's debut solo album, Helvetin laulut, was released. Not forgetting the fact that Kauppinen, Liekkala and Närhi share a common history from 2005-2014, when they were part of the dark metal band Beyond The Dream.
Inner Dusk is a narrow passageway into a gloomy world, but one where there is hope for a way out. Step inside. You can come back if you want, but before you do ; close your eyes and immerse yourself in the inner dusk.
https://www.facebook.com/abandonedocean/
https://www.abandonedocean.com/
"CHILDREN OF THE DOOM" by Czech
band MEMORIA is for me as a doom metal fan, an
absolutely iconic album from Czech doom metal history. I’d been thinking about getting the first vinyl release for quite some time, but the right opportunity hadn’t presented itself. Or rather, an opportunity can always be found - any reissue on any physical format can come out at any time - but since I like everything to be orderly and systematic, I waited until the 25th celebration.
Pre-orders for the “Children Of The Doom” digipak reissue (+ T-shirts and hoodies) will go Pařátshop on June 10, with the release date set for June 29.
Pre-orders for the LP version of “Children Of The Doom” (+ T-shirts and hoodies) will go Pařátshop on September 10, with the release date set for September 28.
www.facebook.com/ParatMagazine
www.paratshop.cz
BELETH – “THE GRINDING VOID” (SINGLE)
Label: Independent ReleaseRelease date: May 15th 2026
Genre: Death/Groove Metal
Hailing from Australia, Beleth were first formed as a recording project during the challenging times of the COVID-19 pandemic and all the restrictions associated with it. However, as the world opened up once more Beleth didn’t fade back into the shadows – that creative spark, ignited in the darkness, simply began to burn brighter. The riffs kept coming, heavier and harder, while the grooves got deeper and more irresistible. In 2021 the band’s debut album, Silent Genesis, was released through Wormholdeath Records, in association with Scorching Earth Records and Narcoleptica Productions and positive reviews flooded in from all corners of the worldwide metal press. Devil’s Horns Zine drew comparisons with Carcass and Lamb Of God, declaring Silent Genesis to be a “raging gem”, while Acta Infernalis described Beleth as “a motivated and energetic riff machine” – and that was just the tip of the iceberg of critical acclaim. Since the release of Silent Genesis, Beleth have kept themselves in the spotlight with a series of independently released singles, including a bulldozing rendition of Metallica classic ‘No Remorse’ – and now, with formidable new vocalist Dean Wade firmly ensconced in the ranks, their latest single is about to detonate…
‘The Grinding Void’ retains all the Beleth trademarks that made Silent Genesis land with such impact – the muscular riffs, the inherent melody, the rolling rhythms and monstrous vocal roars – and it adds more. Swathed in atmosphere ‘The Grinding Void’ begins with a descent into darkness, through blood and flame. You can sense the approach of something inevitable and undeniable – and then those riffs punch through the gathered mists in an onslaught of hard-hitting metal. The delivery is measured and focused, the chorus expansive and addictive and you can feel the power building relentlessly as the song reaches an electrifying climax with a guest guitar solo from Aidan Cibich (Echoes In Eternity, ex-Apophis, ex-Tanin’iver etc).
Mixed and mastered by the in-demand Lasse Lammert (Raven, Sigh, Godsnake etc) at LSD Studios in Germany, ‘The Grinding Void’ sounds rugged, vital and armour plated. Beleth’s most complete sonic statement to date, when it arrives on May 15th, complete with lyric video created by Tony Kaarlas at Kaarto Media in Finland, ‘The Grinding Void’ will take no prisoners!
Line up:
Dean Wade - Vocals
Chris Long - Guitars/Bass
Robin Stone - Drums
Guest lead guitar by Aidan Cibich
https://www.youtube.com/@BelethAU
RIYL : Dark Tranquillity| In Flames | Hypocrisy | Soilwork | Textures
Out now on CD & Digital through Great Dane Records and all platforms .
Breeding Chaos, a French modern death metal band, making a renewed push for wider coverage with their debut album 'Distant Planets', released in September 2024 on LP & Digital via Great Dane Records.
Massive riffs. Controlled dynamics. A sonic concept rooted in astrophysics and interstellar phenomena. 'Distant Planets' operates at the intersection of groove-heavy extremity and melodic precision — no speed saturation, no genre clichés. Just dense, atmospheric, purposeful metal.
Already praised internationally for its distinctive guitar identity and head-driven songwriting, the album is now pushing further into new territories. Tracks like "Birth of the Abyss" and "Stone Cross" showcase the band's ability to combine memorable rhythmic structures with a consistently dark, immersive atmosphere — favoring weight and impact over excess.
..For the record...
Breeding Chaos has forged a sound that sits between the melodic discipline of Dark Tranquillity and In Flames, and the rhythmic precision of Textures — with a darker, more atmospheric backbone drawn from the ambition of Blood Incantation. Progressive in structure, uncompromising in heaviness.
With a second album in development and the band actively building its live presence across France and Europe, now is the right moment to get ahead of what they're becoming.
https://www.greatdanerecs.com/
https://www.facebook.com/breedingchaos.band
VIANDE – “MONUMENT AUX MORTS”
Genre - Dark, doomy,
atmospheric death metalFor fans of - Incantation, Teitanblood, Cruciamentum, Dwelling Below, Dead Congregation
French band Viande do more than create scarring, wholesome dark and doomy death metal - they delve into the more atmospheric side of things that messes with your consciousness and has potential psychological implications. There's an all too palpable menace in the sound - the aggressive, militaristic approach, the ominous, dread-filled music aided by a combination of abyssal growls and tormented screams, and ultimately, a haunting, eerie atmosphere touched by dissonance that wouldn't be out of place in a horror movie. Viande's music sounds chaotic even during the slower, doomier parts. It exerts a kind of control over you making you more susceptible to the imagery they intend to project with their sound. When this carefully devised album ends, the feeling is akin to stumbling out of a horrific catacomb in an enhanced spiritual state, with the cries of a thousand dead souls still ringing in your head. "Monument aux morts" is an exceptional album in the style and definitely not one for the faint of heart.
Line up
B - Guitar, synths
J - Vocals
O - Bass
I - Drums
Artwork by JB Godefroy
Track listing
1. Linceul immense
2. Sacrifice ardent
3. Germes de mort
4. Monolithe de chagrin
5. Cercueil de vase
6. Une cage d'os
7. L'esprit cachot
8. Austérité maximum
9. L'homme Brasier (Bonus)
https://www.facebook.com/viandedeath
https://www.facebook.com/transcendingobscurityrecords
Thanks very much! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
Label: Comatose MusicRelease date: July 10th 2026
Genre: Brutal Death Metal
For fans of: Suffocation | Condemned | Skinless | Internal Bleeding
A lifetime of searching, everything sacrificed upon the altar of my all-consuming quest to know, to understand, to have every ancient secret revealed. I have followed paths of pain and degradation, bent the knee to unspeakable masters to uncover the key to the next locked door. I have murdered, tortured, torn apart, cast aside, betrayed and butchered…and in the end I burn with all the other fools. Broken beneath his laughing gaze, wreathed in flame, despair and shame. Seduced by the hypnotising vortex of dark knowledge…just another empty vessel who sold his soul for nothing.
Fourteen years in the making and a full fifteen years since their debut album, Victim Of Wicked Sickness, was released…finally the second album from Russia’s brutal death metal force, Cranial Osteotomy is here! Vortex Of The Dark Knowledge is an irresistible, unstoppable surge of soul devouring power that will shatter your body and haunt the hidden chambers of your mind.
‘Praecursor’ is an introductory descent into darkness, an ominous welcome to the hell that is then unleashed by ‘Thanatomorpheus’! This brute of a track comes crawling out of the stygian shadows before bursting into blood hungry life with formidable drums and thick, gore-stained guitars that snarl and scream. An imposing vocal presence seizes you by the throat and vomits forth a guttural chaos of ritual, invocation, nightmares and death. After a warped, winding strand of guitar melody the song collapses to a conclusion like rancid, dissolving flesh…from which arises ‘Dipping Into Sombre Quagmire’ in a blaze of energy, before splintering into staggered, grinding riffs that descend into sickening, squirming sludge – still lashing out unpredictably in unexpected moments. There is no respite from the horror as the vortex continues to spin…’Structures Of Decadence Impurity’ attacks with skin flaying velocity before colliding with immovable granite blocks of staggering weight with dire implications for muscle and bone, ‘Cathedral Butchery Feast’ is a magnificent, organ crushing assault of merciless death…on and on, with no shred of pity, until ‘Scorched Diadem’ delivers its focussed destruction with an aura of dark, arcane power, dragging you into one more black hole of twisted imagination and horror before slipping away into sibilant echoes and finally, silence. It’s been an undeniably long wait, but you’ll be too busy screaming to worry about that when Vortex Of The Dark Knowledge drags you inexorably into its maelstrom of madness.
Mixing and mastering for Vortex Of The Dark Knowledge was carried out by Impulse and Gravestone studios respectively and the results are decimating. With the full package completed by the awesome artwork of Marco Hasmann (Kraanium, Fleshgod Apocalypse, Vile etc), Vortex Of The Dark Knowledge will be set loose upon the world by Comatose Music on July 10th. This is destined to be one of the heaviest releases this year!
Line-up:
Vladislav Melnik - Drums
Vladimir Pomytkin - Guitar
Vad Moskalenko – Vocals/Guitar
Vitaliy Sturk - Bass
https://www.comatosemusic.com/
https://www.facebook.com/cranialosteotomyofficial/
Release
date :
June 12 2026Genre : Black Metal
Origin: Basque
Duration: 36min56
Label: Les Acteurs de L’Ombre Productions
Network Distributor: Season of Mist / Plastic Head
Digital Distributor: The Orchard
Line-up :
Aritz – vocals
Jabo – guitars
Lander – bass
Eöl – keyboards, screams
Sistre – Drums
Artwork: Raoul / View From The Coffin
Tracklist:
1. Kez beteriko zeru penatua
2. Negu itxian Urtarril hotza
3. Errautsen azken arnasa
4. Hustasuna - Oroitzapen galduen putzua
5. Euria infernuko sutan
Pre-orders: https://www.lesacteursdelombre.net/product-category/preorders
NUMEN, a black metal band from the Basque Country, makes its long-awaited return on June 12 via Les Acteurs de l’Ombre Productions with "Erre", a fifth album that is dark and relentless, deeply rooted in the ancestral beliefs of their native land.
Entirely sung in Euskera (one of the oldest living languages in Europe), this opus delves into the darkest chapters of Basque history, exploring the witch trials and the Inquisition of the early 17th century. Through these themes, NUMEN delivers a work that is both immersive and meaningful, where collective memory and ancient spirituality intertwine.
With "Erre", the band offers a decidedly old-school black metal sound: fast, aggressive, yet also deeply melodic. Drawing from both Nordic and Basque traditions, NUMEN crafts a striking balance between raw fury and more progressive, soaring passages. The compositions, epic and uncompromising, transport the listener to primitive and frozen ages, into the heart of dark, untamed territories.
Driven by more introspective writing, the lyrics further intensify the overall experience, giving rise to a cohesive, inhabited, and culturally distinctive work. With this new album, NUMEN more than ever asserts a strong sonic identity and an uncompromising artistic vision.
For fans of ’90s Nordic black metal and those who appreciate fast, aggressive, and melodic black metal rooted in the spirit of that era.
https://www.facebook.com/NUMENofficial/
Kill De La Morte is up now for pre-order and will be released May 29th on CD and Digital formats along with merch.
Horror Pain Gore Death Productions unleashes a blistering split album of Japanese Crossover Thrash! Lowcard De La Morte are a band from Tromaville (Nagoya) Japan formed in 2012, and unleash 6 tracks of devastating Speedcore for fans of Toxic Avenger, Frankenhooker, XYZ Murders (aka Crimewave).
Killseduction formed from the ashes of Retortion Terror, and feature legend Takafumi Matsubara (Gridlink, Barren Path, Formless Master) joined by Amano (World Downfall, Red Ran Amber), IZ3 (Grindsurf) and Yasuda (Worm). Killseduction unchain five devastating tracks of unique and fast Japanese Crossover Thrash for fans of Suicidal Tendencies, Nuclear Assault and Napalm Death.
Listen to the single "Brain Wash'n 1!2!3!4!" by Lowcard De La Morte at https://www.youtube.com/watch?v=icRXUBiiRAg
Listen to the single "Zenjyari" by Killseduction at https://www.youtube.com/watch?v=uJ5AVcxZAjc
Tracklist1. Lowcard De La Morte - Brain Wash'n 1!2!3!4!
2. Lowcard De La Morte - Satan With The Pink Hundle
3. Lowcard De La Morte - I'm At Home, Coz I'm Stupid
4. Lowcard De La Morte - Cock Rock Shock
5. Lowcard De La Morte - A Terrible Barbarian
6. Lowcard De La Morte - Mr. Lowless's Secret Service
7. Killseduction - xLIPs
8. Killseduction - Sukimakaze
9. Killseduction - Gride
10. Killseduction - Zenjyari
11. Killseduction - Social Dust
www.youtube.com/user/horrorpaingoredeath/videos
www.facebook.com/horrorpaingoredeath
American
practitioners of the most brutal death metal, DIVULSIVE, appeared
on the scene with a two-track demo in 2024, which was then followed by the
three-track Promo 2025, released the following year. Promo 2025 was awarded a
10/10 rating at Annihilated Simply Reviews and secured the band a deal with
Comatose Music – the world’s number one brutal death metal label – for the
release of their debut album. That debut album is now upon us – and to say that
Divulsive have pushed the limits of brutality with this devastating offering
would be a gross understatement. SPAWNED IN VISCERA is here - and
even the most jaded and experienced of death metal disciples will be put to the
test by this rancorous beast…As opening track, ‘Cyberorganic Paraphilia’ retches into existence, there’s a moment of complete bewilderment as the brain tries to assimilate the sonic assault. From the viciously overwhelming high-tension snare attack to the vocals that sound like frontman, Beckett Fountain, is having his throat perpetually torn out by a rabid wolf, everything about the Divulsive sound is sickeningly, painfully wrong. Listening to the foully infected riffs that seethe beneath the sanity destroying drumming of ‘Hemorrhagic Reanimation’ is akin to being drowned in blood and excrement. Hate-filled and horrifying, songs like ‘Flesh Ripping Insemination’ leave the strictures of normality choking in the dirt. To the last exhortation of rapacious repugnance, the final rancid note of concluding track, ‘Mechanized Carnivorous Impurity’, Spawned In Viscera is unadulterated, grotesque violence. If you’ve ever felt dismayed that death metal was becoming too much of a mainstream commodity, Divulsive will take you right back to the edge. Spawned In Viscera will never be assimilated, appropriated or understood.
Spawned In Viscera’s wildly extreme sound palette was crafted by the mixing and mastering of the band’s own Thomas Meeker, while the suitably eye-gouging artwork was created by Ethan Valk. Comatose Music will loose Divulsive’s chains on July 24th and the carnage, the weeping, the bleeding will begin.
https://www.comatosemusic.com/
https://www.facebook.com/profile.php?id=61567459773203
NEWS 1.5.2026
Leeds
(UK) - Willowtip has released, IN LIGHT, NO SHAPE,
the monumental new album from Progressive Death Metallers, COGNIZANCE!
Four LPs deep and a slew of EPs behind them, COGNIZANCE show no signs of restraining the pace of unrelenting inventive riffs and razor-sharp grooves. In Light, No Shape is a masterful Progressive Death Metal opus, rich in texture and atmospheric detail, delivering everything long-time listeners crave while channeling the mid-90s technical extremity of Death, Extol, and Meshuggah. This time, the band deliberately fractures the conventions of modern extreme production, opting instead for a more organic and visceral mix that sharpens the defining traits of their work.
In Light, No Shape marks the first lineup shift in a decade, as the band sharpen from a quintet to a quartet with founding guitarist Alex Baillie stepping forward as vocalist while retaining guitar duties, following the 2023 departure of founding vocalist Henry “Big Mac” Pryce.
“This record is a defining milestone for us. Taking on vocals has pushed us to re-engineer how we experiment with the blend of elements in our sound, unlocking new creative pathways to compliment the core identity of the band. What you will hear are four dudes all adding their flavours to the melting pot to create a body of work that felt completely natural to us.”- Alex Baillie (Vocals/Guitar)
Track Listing:
1. Transient Fixations
2. Inflection Chants
3. A Game of Proliferation
4. Chasm
5. Vertical Illusion
6. A Reconfiguration
7. Witness Marks
8. Subterranean Incantation
9. Induced Contortions
10. The Zone
Credits:
Mix and Master by Ronnie Björnström (AEON, BLOOD RED THRONE).
Artwork by Jef Whitehead (NAILS, LEVIATHAN).
Produced by Alex Baillie and Apostolis Karydis.
Photography by Nadine Geuter.
Line-up:
Alex Baillie - Guitar/Vocals
Apostolis Karydis - Guitar
Chris Binns - Bass
David Diepold - Drums
https://www.willowtip.com/home.aspx
https://www.facebook.com/cognizanceband
Originally released in 2008, the Italians definitely continued in the same vein: rough speeding heavy metal hailing the old goods of NWOBHM and 80s speed metal. Beer drinkers and hell raisers though and through, this one is for the backwards leaning blue-collar metal maniacs.8 tracks + a cover of German heavy metal cult act Tyrant finished of this Second Strike.
Line-up 2026:
Necrovomiterror - Bass, Vocals
Bloodoildrinker - Guitars
S.R. Bestial Hammer - Drums
G.S. Philtyrant - Guitars
Nightagressor - Guitars
From San Benedetto del Tronto, Italy
Release date:
19th June
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on ultra clear/red splatter vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
Tracklist
1 Intro
2 Baphometal
3 Army of the Night
4 Satanic Force
5 Burn in Hell
6 Speed Fast Loud
7 Speed Metal Earthquake
8 Making Noise and Drinking Beer (TYRANT Cover)
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Pre-order the album "THE CALLING" here:
https://loudragemusic.bandcamp.com/.../mauna-sol-the-calling
https://loudragemusic.limitedrun.com/products/875143-mauna-sol-the-calling
MAUNA SOL is a post-black metal band from Brașov, Romania, formed in 2019 by five musicians who sought to channel their diverse musical backgrounds and inner darkness through black metal.
While their sound is rooted in traditional extreme metal, the music is built around a short tale written by George, the band's frontman. Each song explores specific parts of this narrative, shifting between raw intensity and melancholic nuances, enriching the dynamic range of their sound.
Lyrically, the songs give voice to a self-imposed hermit. He recounts his journey toward personal rebirth through a "suicide of identity" - a grueling process set within a hostile desert, where the old self must be shed to allow for the new.
https://linktr.ee/loudragemusic
https://facebook.com/maunasolband
PUTRED vomit forth their cavernous, rotten Death Metal: slow, crushing and drenched in filth, dragging the listener into a suffocating realm of putrefaction.
DECEASE answer with a relentless barrage of Thrash-infused Death Metal: sharp, violent and unrestrained, delivering riffs that cut deep and strike without mercy.
Each band offers two exclusive tracks, forged in the same underground spirit, yet spreading their own distinct aggression.
Limited to 100 hand-numbered copies, this release stands as a monument of decay for those who still worship the old ways.
"DECESSUS PUTRIDUS" split CD is out now on Loud Rage Music and available here:
https://loudragemusic.bandcamp.com/album/putred-decease-decessus-putridus
https://loudragemusic.limitedrun.com/products/874175-putred-decease-decessus-putridus
"Super hyped on getting invited to take part of this killer split with Decease! Our side consists of two new versions destined to be used on this edition exclusively, first and only time that you are listening to Putred singing in English language, the songs have been remixed and remastered for the aforementioned occasion" - PUTRED
"Sculpted into Servitude" picks up nearly a decade after "Age of the Covenant" and continues where we left off. These two tracks push further into brutality and technicality, both musically and lyrically, surpassing everything we’ve done before." - DECEASE
https://putred.bandcamp.com/
https://deceaseband.bandcamp.com/
https://linktr.ee/loudragemusic
Originally released in 2011, as well as on tape through Dying Victims in 2012, this album introduced the evolvement of the band’s sound from rough and straight forward black thrash to a more varied, multilayered approach to the genre. The fast and evil aspects are still present, yet the band managed to weave in the early version of their yearning, melancholic and ancient heavy metal atmosphere. Ancient heavy metal black thrash!
Line-up:
Jan Hirtz - Guitars, Vocals
Sascha Bastian - Drums
Marco Justinger - Bass, Guitars
From Saarland, Germany
Artwork:
Michal Kaczkowski
Release date:
19th June
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on green/black galaxy vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
Tracklist
01 Past Midnight
02 Under Evil Spells
03 Total Possession
04 Barbed Wire Lust
05 Dark Unholy Night
06 Black Countess
07 Hail the Cult
08 Black Horned Doom
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Genre: Atmospheric Black Metal |
Formats : LP & CD
Release date : June 12th 2026
Riff-driven and immediate, MALIST's style is rooted in the best Atmospheric Black Metal imprint, although experimenting with Post-Metal passages and modern-oriented melodic approaches. Often epic and fierce, "Eternal Echo of the Fall" allows the listener to experience the perfect balance between anger and melancholy, as well as rawness with suggestiveness, thanks to mutable sections floating between slow-paced magical atmospheres and more fiery, aggressive ones. A particular attention to arrangements and a certain degree of amount of ideas seals this album as an intriguing musical journey, in which each song has distinctive traits if compared to each other.
Lyrically inspired by Tolkien's masterpiece, "Eternal Echo of the Fall" speaks of choice and its consequences in the face of a demiurgic hunger for absolute dominion. In moments of foreordination, the fading echo becomes a hymn of self-sacrifice.
The band's prolific career is now at its sixth record, with the previous ones released by excellences such as Northern Silence Records and Avantgarde Music. The quest is all but accomplished: although started as a solo project by Ovfrost, MALIST has now a full line-up and is ready to bring its majestic and dark music on stage.
The publication of the official video of the track "Eternal Echo" is set for May 15th - do not miss it!
Tracklist:
1. Eternal Echo
2. Through a Distorted Gaze
3. Days of the Eclipse
4. Snows of Remembrance
5. Her Dark Backwater
6. To Walk the Path of the Dead
7. The Hird
8. Above the Mists of the World
Total length: 45:29 minutes
https://www.facebook.com/malistband
https://www.youtube.com/watch?v=biU86Zq6NOE
https://linktr.ee/DraconisBand
CARBON TOMB – “PASSAGE TO A NEUTRON STAR”
Genre - Dissonant death metal
For fans of - Ulcerate, Dysgnostic, Devenial Verdict, Artificial Brain, Mors Verum
Carbon Tomb are a new band playing dissonant death metal exuding raw, visceral energy and possessing far more expressive range than most bands in this style. The songs are highly structured and coherent, emphasizing the right moments, and are also comparatively more varied than normal. Without contradicting the sound, they even infuse black metal elements into some songs on this album, rendering it diverse and interesting. For a debut album, their songwriting shines, a result of the members' experience—one is in Dysgnostic and others are in undisclosed Danish bands. As an interpretation of a style generally considered complex or inscrutable, "Passage to a Neutron Star" is surprisingly fluid, entertaining, and memorable.
Line up
Richardt (Dysgnostic) - Guitars and shrieks
Jeppe - Bass and growls
Mikael - Drums
Artwork by Graphic No Jutsu
Track listing
1. Chanting Spells I
2. A Hidden Creature
3. From the Giant's Snout
4. The Dog Hunter
5. Of God's Neglect
6. Gogoffmagog
7. Tritons of Ichthyology
8. Reversed Head Renewal
9. Passage to a Neutron Star
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/carbontomb
Thanks very much! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
NEWS 1.5.2026Four LPs deep and a slew of EPs behind them, COGNIZANCE show no signs of restraining the pace of unrelenting inventive riffs and razor-sharp grooves. In Light, No Shape is a masterful Progressive Death Metal opus, rich in texture and atmospheric detail, delivering everything long-time listeners crave while channeling the mid-90s technical extremity of Death, Extol, and Meshuggah. This time, the band deliberately fractures the conventions of modern extreme production, opting instead for a more organic and visceral mix that sharpens the defining traits of their work.
In Light, No Shape marks the first lineup shift in a decade, as the band sharpen from a quintet to a quartet with founding guitarist Alex Baillie stepping forward as vocalist while retaining guitar duties, following the 2023 departure of founding vocalist Henry “Big Mac” Pryce.
“This record is a defining milestone for us. Taking on vocals has pushed us to re-engineer how we experiment with the blend of elements in our sound, unlocking new creative pathways to compliment the core identity of the band. What you will hear are four dudes all adding their flavours to the melting pot to create a body of work that felt completely natural to us.”- Alex Baillie (Vocals/Guitar)
Track Listing:
1. Transient Fixations
2. Inflection Chants
3. A Game of Proliferation
4. Chasm
5. Vertical Illusion
6. A Reconfiguration
7. Witness Marks
8. Subterranean Incantation
9. Induced Contortions
10. The Zone
Credits:
Mix and Master by Ronnie Björnström (AEON, BLOOD RED THRONE).
Artwork by Jef Whitehead (NAILS, LEVIATHAN).
Produced by Alex Baillie and Apostolis Karydis.
Photography by Nadine Geuter.
Line-up:
Alex Baillie - Guitar/Vocals
Apostolis Karydis - Guitar
Chris Binns - Bass
David Diepold - Drums
https://www.willowtip.com/home.aspx
https://www.facebook.com/cognizanceband
Originally released in 2008, the Italians definitely continued in the same vein: rough speeding heavy metal hailing the old goods of NWOBHM and 80s speed metal. Beer drinkers and hell raisers though and through, this one is for the backwards leaning blue-collar metal maniacs.8 tracks + a cover of German heavy metal cult act Tyrant finished of this Second Strike.
Line-up 2026:
Necrovomiterror - Bass, Vocals
Bloodoildrinker - Guitars
S.R. Bestial Hammer - Drums
G.S. Philtyrant - Guitars
Nightagressor - Guitars
From San Benedetto del Tronto, Italy
Release date:
19th June
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on ultra clear/red splatter vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
Tracklist
1 Intro
2 Baphometal
3 Army of the Night
4 Satanic Force
5 Burn in Hell
6 Speed Fast Loud
7 Speed Metal Earthquake
8 Making Noise and Drinking Beer (TYRANT Cover)
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Pre-order the album "THE CALLING" here:
https://loudragemusic.bandcamp.com/.../mauna-sol-the-calling
https://loudragemusic.limitedrun.com/products/875143-mauna-sol-the-calling
MAUNA SOL is a post-black metal band from Brașov, Romania, formed in 2019 by five musicians who sought to channel their diverse musical backgrounds and inner darkness through black metal.
While their sound is rooted in traditional extreme metal, the music is built around a short tale written by George, the band's frontman. Each song explores specific parts of this narrative, shifting between raw intensity and melancholic nuances, enriching the dynamic range of their sound.
Lyrically, the songs give voice to a self-imposed hermit. He recounts his journey toward personal rebirth through a "suicide of identity" - a grueling process set within a hostile desert, where the old self must be shed to allow for the new.
https://linktr.ee/loudragemusic
https://facebook.com/maunasolband
PUTRED vomit forth their cavernous, rotten Death Metal: slow, crushing and drenched in filth, dragging the listener into a suffocating realm of putrefaction.
DECEASE answer with a relentless barrage of Thrash-infused Death Metal: sharp, violent and unrestrained, delivering riffs that cut deep and strike without mercy.
Each band offers two exclusive tracks, forged in the same underground spirit, yet spreading their own distinct aggression.
Limited to 100 hand-numbered copies, this release stands as a monument of decay for those who still worship the old ways.
"DECESSUS PUTRIDUS" split CD is out now on Loud Rage Music and available here:
https://loudragemusic.bandcamp.com/album/putred-decease-decessus-putridus
https://loudragemusic.limitedrun.com/products/874175-putred-decease-decessus-putridus
"Super hyped on getting invited to take part of this killer split with Decease! Our side consists of two new versions destined to be used on this edition exclusively, first and only time that you are listening to Putred singing in English language, the songs have been remixed and remastered for the aforementioned occasion" - PUTRED
"Sculpted into Servitude" picks up nearly a decade after "Age of the Covenant" and continues where we left off. These two tracks push further into brutality and technicality, both musically and lyrically, surpassing everything we’ve done before." - DECEASE
https://putred.bandcamp.com/
https://deceaseband.bandcamp.com/
https://linktr.ee/loudragemusic
Originally released in 2011, as well as on tape through Dying Victims in 2012, this album introduced the evolvement of the band’s sound from rough and straight forward black thrash to a more varied, multilayered approach to the genre. The fast and evil aspects are still present, yet the band managed to weave in the early version of their yearning, melancholic and ancient heavy metal atmosphere. Ancient heavy metal black thrash!
Line-up:
Jan Hirtz - Guitars, Vocals
Sascha Bastian - Drums
Marco Justinger - Bass, Guitars
From Saarland, Germany
Artwork:
Michal Kaczkowski
Release date:
19th June
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on green/black galaxy vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
Tracklist
01 Past Midnight
02 Under Evil Spells
03 Total Possession
04 Barbed Wire Lust
05 Dark Unholy Night
06 Black Countess
07 Hail the Cult
08 Black Horned Doom
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Genre: Atmospheric Black Metal |
Formats : LP & CD
Release date : June 12th 2026
Riff-driven and immediate, MALIST's style is rooted in the best Atmospheric Black Metal imprint, although experimenting with Post-Metal passages and modern-oriented melodic approaches. Often epic and fierce, "Eternal Echo of the Fall" allows the listener to experience the perfect balance between anger and melancholy, as well as rawness with suggestiveness, thanks to mutable sections floating between slow-paced magical atmospheres and more fiery, aggressive ones. A particular attention to arrangements and a certain degree of amount of ideas seals this album as an intriguing musical journey, in which each song has distinctive traits if compared to each other.
Lyrically inspired by Tolkien's masterpiece, "Eternal Echo of the Fall" speaks of choice and its consequences in the face of a demiurgic hunger for absolute dominion. In moments of foreordination, the fading echo becomes a hymn of self-sacrifice.
The band's prolific career is now at its sixth record, with the previous ones released by excellences such as Northern Silence Records and Avantgarde Music. The quest is all but accomplished: although started as a solo project by Ovfrost, MALIST has now a full line-up and is ready to bring its majestic and dark music on stage.
The publication of the official video of the track "Eternal Echo" is set for May 15th - do not miss it!
Tracklist:
1. Eternal Echo
2. Through a Distorted Gaze
3. Days of the Eclipse
4. Snows of Remembrance
5. Her Dark Backwater
6. To Walk the Path of the Dead
7. The Hird
8. Above the Mists of the World
Total length: 45:29 minutes
https://www.facebook.com/malistband
https://www.youtube.com/watch?v=biU86Zq6NOE
https://linktr.ee/DraconisBand
CARBON TOMB – “PASSAGE TO A NEUTRON STAR”
Genre - Dissonant death metal
For fans of - Ulcerate, Dysgnostic, Devenial Verdict, Artificial Brain, Mors Verum
Carbon Tomb are a new band playing dissonant death metal exuding raw, visceral energy and possessing far more expressive range than most bands in this style. The songs are highly structured and coherent, emphasizing the right moments, and are also comparatively more varied than normal. Without contradicting the sound, they even infuse black metal elements into some songs on this album, rendering it diverse and interesting. For a debut album, their songwriting shines, a result of the members' experience—one is in Dysgnostic and others are in undisclosed Danish bands. As an interpretation of a style generally considered complex or inscrutable, "Passage to a Neutron Star" is surprisingly fluid, entertaining, and memorable.
Line up
Richardt (Dysgnostic) - Guitars and shrieks
Jeppe - Bass and growls
Mikael - Drums
Artwork by Graphic No Jutsu
Track listing
1. Chanting Spells I
2. A Hidden Creature
3. From the Giant's Snout
4. The Dog Hunter
5. Of God's Neglect
6. Gogoffmagog
7. Tritons of Ichthyology
8. Reversed Head Renewal
9. Passage to a Neutron Star
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/carbontomb
Thanks very much! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
HEXBANE
unveils
“FROM HELL” EP artwork and details . New band features Faust
(Djevel, ex-Emperor), The Magus (ex-Necromantia, The Magus), George Emmanuel
(Lucifer’s Child, ex-Rotting Christ) & Tas Danazoglou (Friends of Hell,
ex-Electric Wizard)Debut EP “From Hell” to be released in September via The Circle Music and Hell’s Fire Records
HEXBANE, a new band that features veterans of the scene, has unveiled the artwork and first details of its debut EP “From Hell”, which is planned for release in September via The Circle Music and Hell’s Fire Records.
The band was born out of nostalgia and admiration for the primal days of black metal. The band’s ethos is simple: to create pure, unadulterated proto-black metal that honours the nostalgia and aggression of the era that started it all.
The band comprises a monumental lineup of extreme metal veterans:
The Magus on vocals (ex-Necromantia, ex-Rotting Christ, The Magus, Thou Art Lord)
George Emmanuel on guitars (Lucifer’s Child, ex-Rotting Christ)
Tas Danazoglou on bass (Friends of Hell, ex-Electric Wizard, Mirror, Satan’s Wrath)
Faust on drums (Djevel, ex-Emperor, Blood Fire Death)
The band previously said: “HEXBANE is a band born out of nostalgia and admiration of the primal black metal days, where pioneer bands created and established the genre. So expect nothing more and nothing less than pure proto- black metal in music and spirit.”
Pre-orders for the 7" EP will start on 6.6.2026. Further details regarding the release will be unveiled in the coming months.
https://thecirclemusic.gr/
https://www.hellsfire-records.com/
https://www.facebook.com/profile.php?id=61586053254779
Formed in 2008, Germany’s IRON KOBRA began with a noble mission: to bring heavy metal back to its unpolished, rough, and weird roots. Influenced by heroes of old like Iron Maiden, Cirith Ungol, Living Death, Manowar, and Tank with a sprinkle of punk, the band brewed up a venomous concoction of catchy-yet-speedy heavy metal with maximum potential for engagement – whether it was singing along to, banging your head, and / or raising your fist! Their first few years were busy, releasing the Cult of the Snake demo in 2009 and the Battlesword EP the year after. After playing extensively all throughout Europe and earning a reputation for being a force to be reckoned with live, IRON KOBRA teamed up with DYING VICTIMS in 2012 for the release of their momentous debut album, Dungeon Masters, and three years later for their more refined second album, Might & Magic. The years after – especially those around the pandemic – brought the band’s external momentum to a crawl. But behind the scenes, they were still writing and playing select shows, even venturing as far as Japan.
Now, at very long last, IRON KOBRA return to stake their claim as kings of swords & sorcery metal with Eternal Dagger! Granted, the characteristically amazing cover artwork suggests a sci-fi bent, but the timeless HEAVY METAL the Germans unleash here is vintage IRON KOBRA: immediately recognizable as them, but still reflecting on (and refining) their past, incorporating influences from their favorite bands to result in something that will be YOUR favorite soon enough! Aided by the gleaming & glorious production of Stefan Castevet (Vulture, Luzifer), Eternal Dagger explodes with excitement at every turn, its nine songs ranging speed metal tracks like “Trembling Dungeons” to NWOBHM-fueled rockers like “Shibuya Nights” and epics like "Mountains of Madness.” It goes without saying that IRON KOBRA’s arsenal here offers a wide variety of pure metal gold, evoking the likes of Exciter, Brocas Helm, Diamond Head, and early Running Wild but, of course, with their undeniable personality and panache.
So strap yourselves to your seats, maniacs: the Cult of the Snake is back, bringing you heavy hymns that will pierce your eardrums like a heavy metal drill
Line-up:
Matze - Bass
Björn- Drums
Ela - Guitars, Vocals
Steffen - Guitars
From Gelsenkirchen, Germany
Artwork: Mario Lopez
Release date: 19th June
Tracklist
1 Trembling Dungeons
2 Forbidden Fruits
3 Fliehen
4 Shibuya Nights
5 Silver Strings And Iron Wings
6 Eternal Dagger
7 Unchained & Untamed
8 Treacherous Tyrant
9 Mountains Of Madness
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on purple vinyl, with insert, poster, sticker, post card, download code and patch.
Limited Box set on blue/silver galaxy vinyl, with insert, A1 sized poster, sticker, post card, woven patch, silkscreened backpatch, metal pin, posterflag, vinyl slipmat and download code.
CD edition with sticker and obi.
MC edition with sticker, button, download code
T-Shirt
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
French progressive/technical death metal band The Scalar Process have taken a quantum leap with their new album. It surpasses their debut in almost every way. The new one is intense yet atmospheric, and it also has soul. No Clean Singing premiered a fresh track from the new album at https://www.nocleansinging.com/2026/04/13/an-ncs-premiere-the-scalar-process-far-from-the-flesh/
Excerpt -"“Seductive”, “surreal”, “spellbinding” and “sublime” aren’t words usually deployed in describing the music of a band whose principle genre partition is technical death metal"
THE SCALAR PROCESS – “AGNOMYSTICISM”
Genre - Progressive/technical
death metalFor fans of - Fallujah, The Zenith Passage, Rivers Of Nihil
French progressive/technical death metal band The Scalar Process showed a lot of promise on their debut album as a young band. It took them five years to come up with a follow up album and the progress on it is simply staggering. The music seems to have taken an ethereal form, soaring above and raining down thundering riffs followed by shards of piercing melodies. The alternating showers ensure the music doesn't overwhelm with either blasting or mellow parts, maintaining an elegant balance that keeps you trapped in a dreamlike state throughout its duration. "Agnomysticism" is a highly accomplished album, virtually flawless in all ways, that takes the sound of the band forward and elevates it beyond the ordinary.
Line up
Eloi Nicod - Guitar / Composition / Production
Mathieu Lefevre - Vocals / Lyrics
Lucas Martinez - Guitar
Vincent Amar - Bass
Thomas Giroud - Drums
Guest
Andy Thomas (Rivers of Nihil) clean vocals on Incessant Continuum
Justin Mckinney (The Zenith Passage) guitar solo on Illness
Artwork made by Celest.C
Track listing
1. Physical Conquest
2. Far From The Flesh
3. Incessant Continuum
4. Illness
5. Affluent Marea
6. A Breathing Moment
7. Agnomysticism
8. Lack Of Colors
9. Sigil
10. In A Light Frame
https://www.facebook.com/transcendingobscurityrecords/
https://www.facebook.com/TheScalarProcess
Thank a ton once again! Cheers! Kunal Choksi Label Owner
Genre : Blackened Heavy MetalLabel : Masked Dead Records
Release date : April 30th 2026
For fans of: Iron Maiden, King Diamond, Goblin, Bewitched, Morgul Blade, Black Magick SS, Nite.
After the previous acclaimed EP "Stryx Strega Strygae", the Blackened Heavy Metal hex STREGA opens a new chapter of the Arrakyan saga: "Mors Mortiys Morte".
With this three-songs new EP, STREGA furthermore sharpens its dark, blackened classic Heavy Metal flair. With a stylistically enhanced 80's Metal core and Goblin-inspired keyboards sections, this new record upgrades both epicness and theatricality in STREGA's music, unfolding its character, attitude and atmosphere. Refined song's structures, style-changing vocals, rhythmic variations, quality classic Heavy Metal riffing and enigmatic yet technical keyboards sections are key points in STREGA's style, whose mix of influences outline a unique formula.
Sales Point:
80's Heavy Metal classics + Black Metal vocals + theatrical keyboards;
Lyrics in Arrakyan, the band's peculiar language;
With members of Ponte del Diavolo (Season of Mist) and Darkend (Dark Essence);
Dark fantasy atmosphere and aesthetics;
Artwork by Renato Florindi.
STREGA is:
Stryx - Vocals
Er’ekal - Guitars
Oder-yr - Guitars
Merhelør - Bass
Tharydel - Drums
Special guest:
Balsamus - Hammond, Synth & SFX
Artwork by Renato Floridi
Guitars, bass and drums recorded by Carlo "Fajo" Girardi at OneBlackSock Studio
Arrakyan words and chronicles recorded and carved by Stryx at The Old Tower Of Abandon
Mix and Master by Chris D'Onofrio at Atrocity Exhibition Studio
https://maskeddeadrecords.com/
https://www.facebook.com/strega.officialband
Genre: Progressive Sludge
MetalFor fans of: Mastodon | Inter Arma | Baroness | Kylesa
Hailing from Limerick in the west of Ireland, TOOMS’ progressive sludge metal has been evolving into ever more astounding forms since 2017. Bassist Anto Donnellan, drummer Kieran Grace and guitarist/vocalist Alex Hölzinger had been working together for four years prior to that, under the name of Gaia, but it was with the first Tooms single, ‘Simon Ferocious’, that their creative endeavours really began to gather momentum. Debut album, The Orb Offers Massive Signals, was released in the summer of 2020 on Cursed Monk Records and was warmly received by critics, with Wonderbox Metal describing it as “an underground journey into sludgy heaviness and murky darkness”. Now the band are ready to reveal their second full length album – and while the weight and gloom remain prevalent, KARST shows Tooms spreading their wings and letting their collective imagination take flight…
Beginning with an echoing, cavernous rumble, Karst’s opening track ‘Blood Rust – Of Cudgel And Quill’ is brute force and harnessed chaos, held in check by straining muscle and grinding teeth. The instruments are loosely bound, with an antagonism and ever-present potential violence seething in the spaces between them - and when they lock together the energy and power is exhilarating. The guitars possess a rich, snarling effervescence beneath a crust of dried blood and dirt and that sense of life, in all its glorious, torturous, filthy, vivid vibrancy explodes in the following ‘Lowlander’. The progressive, adventurous nature of Karst emerges; gritty and beautiful. Not the beauty of poetic hyperbole but of vital, harsh reality. From the imposing, compelling, rugged majesty of ‘Tower Of Silence’ to the unpredictable beast that is ‘Whitethorn’ with its jagged, rusted razors hidden in the mud, to the inescapable reflection of ‘Two Silver Pieces’ – aged and weathered, back bent beneath the weight of a lifetime of sorrows, loss and simple, cumulative disappointments – Karst grows into a multifaceted, expansive creation formed from emotion, ambition and searing intensity. Final track, ‘Physics Beyond The Standard Model’ is a truly grand conclusion. There is a sense of reaching a peak from which you can look back over the full vista of Tooms’ accomplishments – and look ahead to the incredible potential futures unveiled. This captivating epic of a track would be enough in itself, let alone as the staggering final act in such a dramatic narrative. It offers a summation of the entire journey that has gone before; the balance of urgency and eternity, the raw, bloody reality, the unvarnished yet breathtaking realisation of a multitude of ideas.
Having recorded Karst with long-time collaborator Chris Quigley at The Meadow Studios, Tooms handed the task of mixing to Matt Bayles (Isis, Mastodon, The Sword etc) and mastering to Chris Fielding (Conan, Darkest Era, Hooded Menace etc) and the results are superb – nothing smoothed, no edges lost and everything possessing clarity, heft, emotion and atmospheric texture. Karst will be released on May 29th, on CD by Road To Masochist, vinyl by Cursed Monk Records, cassette by Fiadh Productions and on all major digital platforms. This is unmissable
Line-up:
Anto Donnellan - Bass
Kieran Grace - Drums
Alex Hölzinger - Guitars/Vocals
https://roadtomasochist.co.uk/
https://www.facebook.com/TOOMSband/
Heavy metal is living a global explosion, driven by underground bands that keep alive the legacy of those Heavy Metal Heroes who created eternal anthems. This titular mini-album brings together two bands separated by a great distance but united in an undying thirst for true metal.
From Cajamarca, Peru’s HYENA return after touring worldwide in support of their DYING VICTIMS debut album, About Rock and Roll. Carrying forward the spirit that defined their first record, the Peruvians deliver two brand-new tracks as the first strike from their forthcoming second album. Raw and bloodthirsty, the band bring their turn-of-the-‘80s style to a boil here, more anthemic and charismatic than ever.
From Tokyo, Japan’s RISINGFALL continue their ascent with new material following 2022’s DYING VICTIMS debut album Rise or Fall and last year’s self-released EP Dungeon’s Call. After their performance at Germany’s Keep It True Rising Festival, the band has established itself among today’s true torchbearers of heavy metal. Their two brand-new tracks here bring a dazzling display of old-metal values filtered through that uniquely Eastern lens.
Heavy Metal Heroes stands as a statement of real underground heavy metal: forged in tradition, carried across continents, and kept alive by those who remain faithful to its sound and spirit. In support of the release, HYENA and RISINGFALL will join forces for a co-headlining triple strike of shows in Tokyo in June
Line-up
Hyena:El Sucio – Vocals
Alfonso Espinoza – Guitars
Alexander Rojas – Guitars
Jorge Reinoso – Bass
Diego Guzmán – Drums
From Peru
Release date: 19th June
Tracklist
Hyena - The Evil Monk
Hyena - Tokyo Nights
Risingfall - Rock Forever
Risingfall - Twilight
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on red vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Listen to 'The Black Scorpion' single: https://push.fm/fl/gates-open-scorpion
The
band comments:"The black scorpion has always been present where fear and darkness meet. It moves through cultures. From the deserts of South America to the deepest chambers of the human mind, always as the same symbol: inevitable, venomous, and powerful.
This song, however, is not solely about destruction. It is a metaphor for the shadows that live within all of us, for those fears that move in silence before striking with full force. Black Scorpion is a journey into darkness, where fear is confronted, not escaped.
It is fast-paced, enigmatic, and inevitable, just like the creature itself.
Step inside.
Let the venom flow.
Face the darkness."
Biography:
Gates Open is a Finnish blackened death/thrash metal band. The band was founded in early 2023. Gates Open is a band founded by two men, the band includes Jere Neejärvi, in the role of guitarist/composer, and Tommi Manninen as singer.
The members' united history began already in 2007 during the previous band's time.
Our band moved to the distribution of the Inverse Records label in June 2023.
The first official single "The Awakening" under Inverse Records was released in June 2023.
The second official single "Let The Night Become Your Guide" was released in October 2023.
Our third single, by the band name "Gates Open" was released in December 2023.
Our first full-length debut album "Voice After Silence" was released in February 2024.
A single release called "Nightmares Coming True" from “Black Clouds Over The World” EP was released June 2024.
A second single release called “Preys And Predators” from “Black Clouds Over The World” EP was released August 2024.
A six-song EP called "Black Clouds Over The World" was released October 2024.
A single release called “The Blood On Their Hands” was released October 2025.
The Upcoming single release called “The Black Scorpion” will be released in spring 2026.
Composed, mixed & mastered by Jere Neejärvi
Lyrics by Tommi Manninen
Artwork by Gates Open
Line-up:
Tommi Manninen - Vocals
Jere Neejärvi - Guitars, Bass, Drums
https://www.facebook.com/gatesopenband
DELIVERANCE - "THE VOYAGER GOLDEN BANQUET"
Release
date :
May, 22 2026Style: Music from Outer Space (Psychedelic Black Doom Sludge)
For fans of : Amenra, Pink Floyd, Oranssi Pazuzu, Cult of Luna, Yob, Watain.
Origin: France
Duration: 42min54
Label: Les Acteurs de L’Ombre Productions
Network Distributor: Season of Mist / Plastic Head
Digital Distributor: The Orchard
Tracklist:
01. Hellisual
02. Chasing The Dragon
03. Headspace Collapse
04. Turn On, Tune In, Drop Out
05. As Above, So Below
06. Ground Zero
07. The Banquet Part 1
08. The Banquet Part 2
Line up
Pierre Duneau – Vocals, Synthesizers
Sacha Février – Bass
Etienne Sarthou - – Guitar, Backing Vocals
Viken Poulain – Drums
Artwork : Pauline Talarn
Formed in 2013 by Etienne Sarthou (Guitar, Karras, ex-AqME, Freitot) and Pierre Duneau (Vocals & Keyboards, ex-Memories of a Dead Man), DELIVERANCE released an EP (Doomsday, Please) the same year, followed four years later by their debut album CHRST.
However, it was truly with their second and third albums that Deliverance established themselves as a cornerstone of the French avant-garde metal scene. Titled Holocaust 26:1-46 (2020) and Neon Chaos in a Junk-Sick Dawn (2022), these two pivotal releases earned critical acclaim and allowed the Parisian quartet to perform on prestigious stages such as Hellfest, Motocultor, Post in Paris, Rise & Fall, and Tyrant Fest.
In 2026, DELIVERANCE returns once again, completely breaking free from artistic and musical boundaries. While their black metal/sludge DNA remains strong, it now intersects with elements of post-rock, progressive rock, Floydian psychedelia, and even contemporary indie rock/electro - completely unprecedented in this musical sphere.
The Voyager Golden Banquet takes the listener away from the earthly realm and familiar landmarks, plunging them into the vastness of the unknown. The journey is at once tumultuous, unsettling, and even frightening, yet also serene and luminous.
This space odyssey paints a cinematic soundscape more vividly than ever. Whereas its predecessor was cathartic and oppressive, this new album reflects artists in search of inner peace, attainable only through daring, all-encompassing adventure, a quest for light with no turning back.
Pre-orders: https://www.lesacteursdelombre.net/product-category/preorders
https://www.facebook.com/deliveranceband
FFO: Imperial Triumphant, Deathspell Omega, Krallice, Ulcerate, Portal, and the absolute heat death of the universe.
Voidthrone will release Dreaming Rat, their most unhinged and trenchant record yet, on May 8.
Structured as a three-part cosmic death ritual, Dreaming Rat follows a triptych of parallel arcs: a solar system burning through its lifespan, a civilization collapsing under its own complexity, and a parasite replicating itself across language, culture, and flesh. The band trades some of the prior atmospheric murk for a more immediate, frenetic mix—closer, sharper, and meaner.
Vocalist Zhenya Frolov delivers his most insane performance yet, retching through death-metal lows, black-metal shrieks, and ritualistic howls as the album spirals toward extinction. The listener is invited to drift calmly and unflinching through the maelstrom, like the dreaming rat on the album’s cover.
Pre-order Dreaming Rat: https://voidthrone.bandcamp.com/album/dreaming-rat
Track
Listing:Arc 2 - The vital present. A universe, a civilization, an idea flourishing into a promised infinity.
1. II-I. Homeless Animal
2. II-II. Morbid Seagull
3. II-III. Ren Omega
Arc 1 - The hopeful past. A maelstrom of violence and optimism.
4. I-I. Bergen
5. I-II. Dreaming Rat
6. I-III. First Blood
Arc 3 - The silent future. An extinguished, lonely death of the physical, spiritual, and cognitive.
7. III-I. Surfing the Abyss
8. III-II. The Dying Squid
9. III-III. Worm Spiral
Credits:
Produced / Mixed / Mastered by Ronald Foodsack (Voidthrone).
Masters: 24-bit / 44.1 kHz; vinyl premaster on request.
Album Art: Kiri Yu
Line-up:
Zhenya Frolov - Vocals, Japanese Otamatone
Ron - Guitar, Jaw Harp
Gavin Brooks - Fretless and Fretted Bass, Acoustic Guitar, Guitar Solos
Josh Keifer - Drums, Vibraslap, Didgeridoo, Spoons
Bio:
Hailing from the rain-soaked muck of the Pacific Northwest, Voidthrone crafts dissonant blackened death metal that is as belligerent as it is meticulously arranged. Intentionally disorienting and feral, their unconventional music has evolved from the raw Spiritual War Tactics (2016) and the avant-garde churn of Kur (2018) to the sharpened, atmospheric density of 2022’s Metaphysical Degradation.
Discography:
Dreaming Rat (May 8, 2026)
Metaphysical Degradation (2022)
Kur (2018)
Spiritual War Tactics (2016)
https://www.facebook.com/voidthrone
The island of Ireland may not appear often when it comes to underground bands…yet when it does, it strikes hard and swift! Witness CUTTHROAT, the goriest addition yet, who are now delivering their debut mini-album following two demos in 2023 and 2025, respectively. Aptly titled Invoking Terror, this five-song / 25-minute blast of filth & fury delivers violent, thrashing DEATH METAL that worships the underground’s forgotten days of old. For sure, CUTTHROAT may be “new,” but they definitely sound OLD here: think early / best Possessed, Morbid Angel, Merciless, and Necrovore and you’re within the power-trio’s wheelhouse. And no, they don’t intend to reinvent that wheel any time soon; the wheel that is Invoking Terror simply rolls over you – FAST – and the only recourse is to submit and headbang like a fucking maniac or summarily get flattened like the wimp that you are.
The modern underground has yet to see such unbridled violence since the glory days of the aforementioned bands, and indeed is that CUTTHROAT’s aim on Invoking Terror. There is no story, no fashion, no trends – this is simply audial torture sent to invoke terror over all who listen!
Line-up:
B.McG - Bass, Lead Vocals
B.M - All Guitars and Backing Vocals
C.S - Drums
From Dublin, Ireland
Artwork:
Jesper Nobbe (concept)
Dark Dungeon Atelier (execution)
Release date:
19th June
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on transparent red vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
Tracklist
1 March of the Damned
2 Invoking Terror
3 Azathoth's Lair
4 Morbid Rites
5 Life Beyond the Grave
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Label: Apocalyptic WitchcraftRelease date: May 29th 2026
Genre: Black Metal
For fans of: Marduk | Shining | Gorgoroth
With bloated souls and skeletal bodies the three mad kings of the end times walk among us, with empty eyes and insatiable hunger. Innocence thieves, blood collectors, bastard children of archaic dynasties built upon the broken bones of the weak. Their consorts are the rotten and the dead, their champions soulless, empty vessels gasping for validation as they bathe in the nectar of inflicted pain. They lead us not into temptation, but into degradation and the all-consuming fire.
Born in the heat and shadows of the Australian underground, in Brisbane in 2014, Graveir have carved out a stronghold for themselves in their homeland’s black metal scene. Bleak, violent and uncompromising, their music possesses a powerful individuality that sees them following their own path, lone wolves in a world of people searching frantically for a voice to tell them how to think and what to believe. After their powerful 2016 debut, Iconostasis and its critically acclaimed successor, King Of The Silent World, hailed as ‘captivatingly hypnotic’ by Metal Bite, Graveir are poised to unleash their third set of black prophecies – The Festering Triad.
The Festering Triad begins with the sinister ‘Lords Of Misrule’, rising from the silence with guitars like an insect swarm before a lugubrious, dolorous shift into life and movement. The song holds you on the edge of oblivion, a constant aura of threat radiating from its broken beauty. There’s a powerful underlying melody too, but it’s corrupted and riddled with disease. And while this unsettling and disorientating introduction to The Festering Triad is still crawling through your veins, ‘A Futile Exhortation’ bursts into flame – as implacable and unstoppable as the passage of time, formed from the seething darkness on the edge of chaos and touched by something ancient and primal. You are now in the heart of darkness, jagged riffs circling like atavistic, feral presences, hammering blast beats disrupting natural rhythms. Nothing is as it should be. Nothing stays within the expected boundaries. This is a malicious attack on the laws that govern reality. ‘A Thief In The Heart Of Man’ flies at you in a howl of rage and bloodlust; you can feel its desperate need to tear you apart and the inherent danger is exhilarating. Title track, ‘The Festering Triad’ arrives swathed in an aura of decaying majesty, a triumvirate of wickedness wreathed in flame, marching onwards, entwined in black briars of unease – on into twisted soundscapes of fear and dizzying anxiety, through boiling malignancy and relentless intensity to the finale of ‘The Rite Of Degradation’, where portentous grandeur and bestial hunger combine in bewildering, schizophrenic fury. This album is fuelled by a determination to leave you broken, beaten and humbled – and it succeeds, absolutely.
Graveir have described The Festering Triad as “a harbinger of collapse — a soundtrack to a world burning from the inside out” and it is all of that and more. This masterpiece of malefice will be released by Apocalyptic Witchcraft on May 29th on limited edition Splatter Vinyl, Digipack CD and digital formats. Prepare for the incineration of all you thought you knew.
Line-up:
VVoid – Guitars
Snjór – Guitars
Gloom – Vocals
XI – Drums
Pandora – Bass
https://www.facebook.com/apocalypticwitchcraftrecordings
https://www.graveircult.com/
https://www.facebook.com/Graveirbm/https://apocalypticwitchcraft.co.uk/
The
Finnish melodic death/black metal band SE, JOSTA EI PUHUTA are
set to release their fourth studio album, SYVYYDEN PORTIT ON SAATAVA AUKI,
on 29 May 2026 via Inverse Records. The third single 'Muinaiset jumalat kuuntelevat' is unleashed today and its accompanying music video can be seen here: https://youtu.be/-nYlC4QHaNg
The band comments:
"When the shadows grow, they light your path, but too close their radiance will blind you. Ancient gods will hear when you are ready. Great masters will see if you are ready.
Muinaiset jumalat kuuntelevat is a call and a trial. It is a song where darkness is no longer something to escape, but something to kneel before. Where Varis proclaims and warns, this song takes it one step further, into the moment where the listener stands alone and is forced to answer.
The song builds layer by layer, mid-tempo and oppressive, like a ritual tightening its grip. Heavier surges and breathing spaces alternate until everything is pressed into a single movement that cannot be stepped away from. The atmosphere does not explode, it presses down and lingers.
In this world, liberation is not gentle. It demands sacrifice, marks carved into the skin, and a decision that cannot be undone. Ancient forces do not guide, they watch, they listen, and they wait. And when the moment comes, they take what is theirs.
Muinaiset jumalat kuuntelevat is a song about surrender. About the moment when you realize the question is no longer whether you want in, but whether you are ready."
Listen to Muinaiset jumalat kuuntelevat single on streaming services: https://push.fm/fl/sjep-jumalat
Biography:
Se, josta ei puhuta is a metal band from Iisalmi. The band was founded in 2007.
That same year, the band recorded a four-track demo titled Se, josta ei puhuta and signed a recording contract with the Sound of Finland label in the spring of 2010. The album Ne, joista ei puhuta was released in May 2010.
In the spring of 2011, the band recorded their second studio album, Musta, kylmä, syvä ja samea (Black, cold, deep and murky), which was released by Spinefarm Records in November 2011.
In 2010 and 2011, Se, josta ei puhuta toured actively across Finnish venues. The band began preparations for a third album, which was, however, put on hold during the production phase in late 2012.
In 2022, as a result of the band's rebirth, the third album Gehenna was completed and released through Inverse Records. The lineup, which had remained unchanged until then, saw its first change when Jimi Myöhänen was chosen as the drummer following the release of the new album.
The band finished recording their fourth album Syvyyden portit on saatava auki- in the fall of 2025, and the album is scheduled to be released during 2026.
Over the years, the rawness of the band’s early HC punk and death metal has evolved into a more complex, black metal-influenced death metal, while still proudly maintaining the edginess of their early days.
Watch music video of first single 'Kuolemaa ei ole': https://youtu.be/T7tHrBma1YU
Watch music video of second single 'Varis': https://youtu.be/xO47SsCQUJA
Track list:
1. Tulkoon valkeus
2. Myrsky
3. Varis
4. Kuolemaa ei ole
5. Pahuuden palavat nuolet
6. Syvyyden portit on saatava auki
7. Muinaiset jumalat kuuntelevat
8. Rituaali
9. Pimeys ja ikuinen yö
Composed & lyrics by Samu Männikkö
Mixed & mastered by Tore Stjerna (Necromorbus Studio)
Album cover art by Nicolas O
Line-up:
Samu Männikkö - Vocals
Harri Granqvist - Guitar
Heikki Matero - Guitar
Juho-Pekka Lappalainen - Bass
Jimi Myöhänen – Drums
https://linktr.ee/sejostaeipuhutaofficial
http://www.facebook.com/sejostaeipuhuta
FFO: Decide, Vader, Morbid Angel
Cosmic Liar will be released June 6 on all digital platforms. Videos for the album's first two singles are out now. Dive right in at the links that follow!
"Evil To Live" (Lyric Video): https://www.youtube.com/watch?v=xJliI7maKDE
"Nyarlathotep" (Official Video): https://www.youtube.com/watch?v=NldX7kYg51E
Critics and underground outlets highlighted Ditheist's ability to channel classic death metal aggression while maintaining a tight, modern execution and a clearly defined sonic personality.
With themes ranging from existential dread to dark humor and social commentary, Ditheist operates as a relentless force in the underground, carrying forward a legacy of intensity, precision, and unapologetic extremity.
Forged in silence and unleashed in fury, Cosmic Liar is Ditheist at their most vicious—an unrelenting descent into blasphemy, chaos, and cosmic dread where every riff hits like a hammer from the abyss
Pre-order Cosmic Liar: https://ditheist.bandcamp.com/album/cosmic-liar
Track
Listing:1. Cosmic Liar
2. Evil To Live
3. Kill The Priest
4. Nyarlathotep
5. Apoplectic Delirium
6. Covenant Ov Torture
7. Mouth Of Hell
8. Singularity
Album Credits:
Matt 'Chesterfields' Wright - Vocals, Lyrics
Konrad Lysak - Guitar, Lyrics
Brian Frost - Guitar, Bass
Narcyz Fortuna - Drums
Guest Appearances:
Briant Daniel - Guitar Solo on Nyarlathotep, Covent Ov Torture.
Thomas Moore - Oud intro on Nyarlathotep.
Mad Chad Chanfieled - Irish Low Whistle Intro on Nyarlathotep.
Album cover art by Tatomir Pitariu.
Recorded, Mixed & Mastered by Chris Wisco, Belle City Sound, Racine, WI.
Album Production: Chris Wisco/Konrad Lysak.
All music by Konrad Lysak/Narcyz Fortuna.
Lyrics by Matt "Chesterfields" Wright/Konrad Lysak.
Bio:
Ditheist was formed in 2006 in Chicago, Illinois, emerging from the underground with a singular goal: pure, unfiltered death metal destruction. Their 2008 debut EP Seduction of Demons quickly gained traction through strong reviews and airplay, establishing the band as a serious force within the scene.
Forged by founding members Konrad Lysak, Narcyz Fortuna, and John Gunerka, Ditheist refined their sound through years of relentless writing and lineup evolution, including the addition of vocalist Luke Voelz in 2014. Their full-length assault Eternity of Nothingness was unleashed in 2015, later receiving additional physical releases, and drew heavily from the ferocity and precision of genre pillars such as Atheist, Decapitated, Behemoth, and Vader.
Brutal, direct, and uncompromising, the record cemented Ditheist’s identity as a no-frills death metal entity—built on blast-driven percussion, razor-edged riffing, and cavernous vocals.
https://www.facebook.com/ditheist666
ETERNAL DARK have released their second studio album! Entitled "CUGETĂRI",
the record features 9 tracks, plus an intro and outro, and delivers
music that explores a broad stylistic palette, fitting broadly within
the Dark Metal genre, with lyrics in Romanian.The album can be ordered here:
https://loudragemusic.bandcamp.com/album/eternal-dark-cuget-ri
https://loudragemusic.limitedrun.com/products/874674-eternal-dark-cugetari
After a 27-year hiatus, Eternal Dark re-emerged at the end of 2021 with the track "Vino moarte." The following year, the band recorded nine additional songs, all of which were compiled into their debut full-length album, "Gânduri," released in 2023.
Also in 2023, Eternal Dark introduced their first English-language single, "Thorns," followed in 2024 by "The Landscape of the Fall."
Meanwhile, work began on their second album, "Cugetări," which was mixed and mastered by Sorin Ghiniță at E.D. Production.
Compared to its predecessor, "Cugetări" marks a significant step forward. While preserving the band’s signature dark themes, ranging from melancholy and suicidal depression to deep introspection, the new material reflects a more refined compositional approach, increased aggression, and subtle influences from progressive death metal.
Line-up on "Cugetări":
Andrei Bivolan – vocals
Cosmina Albu – keyboards, vocals
Cosmin Albu – guitar
Lucian Sîrbu – bass
Sorin Ghiniță – drums
https://linktr.ee/loudragemusic
https://www.youtube.com/channel/UCQtiSNkMNtAt3r5vPA_4AlA
https://www.facebook.com/EternalDarkBand/
HORRIFIC VISIONS – “REMNANTS OF ATROPHY”
Label: Comatose MusicRelease date: May 22nd 2026
Genre: Brutal Death Metal
For fans of: Bludgeoned | Stabbing | Brodequin | Disgorge
Grey skies and black earth, a pallor of sickness hanging over a rotten world. The wasted remains of civilisation, of mankind’s dreams and ambitions, lie mouldering beneath a cold sludge of ash and decay. New forms of warped, suppurating life squirm in entangled, mindless masses; nothing but pustulent worms driven by hunger, aggression and lust. Evolution has stumbled and fallen, never to rise again. The future is the present – this diseased sea of parasitic consumption and death…the repugnant remnants of life’s atrophy.
Twelve years on from their initial spawning in Texas’ ever-fertile breeding grounds of brutality, Horrific Visions are finally set to unleash their full-length debut album of shocking violence and colossal carnage. After two decimating EPs - Enlightenment Through Excruciating Torture (2022) and Monopoly On Violence (2024) - the time has come to stare into the dead eyes of Remnants Of Atrophy!
The album opens with the disorientating, spinning riffs of ‘Malnutrition’, inspiring visions of skin stretched across protruding bone to the point of tearing. Fired by depravation and desperation this track collapses into nerve-grating sounds, before reforming into a shape of pure evil; a huge riff of monstrous heaviness, inhuman vehemence and bone grinding malice. From this point there is no way back. Through the terrifying focus and precision of ‘Deranged Perversion’ to the aptly entitled and utterly barbaric ‘Primal Regression’, on to the reanimated, unhinged and unstoppable ‘Enlightenment Through Excruciating Torture’…God alone knows what clarity of vision awaits anyone subjected to this process of torment and rabid dismemberment…with the final, deftly executed process of extermination being applied by the album’s title track – ‘Remnants Of Atrophy’ – a sonic atrocity invoked by hellish vocals, a rhythm section as tight as a torniquet and guitars conjuring riffs like vengeful djinn. This debut album from Horrific Visions is a gift to the demented and the black of heart – one that has been well worth the wait.
Mixed and mastered by guitarist Mason Vickers at Rocker House Studios, Remnants Of Atrophy possesses a blistering intensity and a raw, serrated edge; it sounds like a deadly weapon, wielded with vicious intent. The final nightmarish touch has been applied by infamous artist John Zig (Aborted Fetus, Deeds Of Flesh, Defeated Sanity etc), enfolding this barrage of brutal death metal in a shroud of bleak, unnerving imagery. Remnants Of Atrophy will be released by Comatose Music on May 22nd…indiscriminate bloodshed and mass destruction await!
Line-up:
Rene Martinez – Drums
Chris Rossmeier - Guitar
Mason Vickers - Guitar
Cody Hancock - Bass
Conrad Heinemeyer - Vocals
https://www.comatosemusic.com/
https://www.facebook.com/hvsabd/
LAST BATTLE – “DAY OF WRATH”
Format: Digital CD
Label: Independent Release
Genre : Symphonic Ethnic Black / Death Metal )
For fans of : Holy Blood, Nokturnal Mortum, Antestor, Finntroll and so on….
This new record is the seventh full-length album from this Ukrainian project and this album came out as an Independent Release. The release date was set for April 25, 2026.
Tracklist:01 Vova Putin Must Die
02 To Arms
03 My Country
04 This Evil World
05 The Lord’s Earth
06 Day of Wrath
07 My Land is Bleeding
08 The Bryansk Four
09 Glory to the Heroes
10 Ukraine
Last Battle is more than a musical project; it is a spiritual and sonic fortress built by Anatoliy, a veteran of the Ukrainian underground scene.
Since the early 2000s, Anatoliy has forged 10 full-length albums across various projects, staying true to the dark yet triumphant sound of Blackened Death Metal.
In a time when his homeland is engulfed in the flames of invasion, Anatoliy proves that the spirit has no limits.
Every riff and every lyric in ‘Day of Wrath’ is a victory of will over matter.
This is music for those who seek the Light in the darkest of times, forged in a country fighting for its very existence.
Last Battle is a call to arms, a prayer in the roar of guitars, and a witness to the unbreakable Ukrainian spirit.
https://www.facebook.com/profile.php?id=100063474280069
Hi everybody, Petr from PARAT PRODUCTIONS,
Czech Republic, here. In my opinion, as a fan, the best Czech hard
metal album of 2025 will also be released in August in a version for
vinyl collectors. It is my great honor to introduce you to the band COLOSALIST, which is made up of highly experienced musicians Petr Staněk (Petter Stanek), who has lived in Norway for many years, was the frontman of Czech iconic metal band Silent Stream Of Godless Elegy from 1995 to 2001, with whom he recorded three seminal albums in the history of Czech doom/death metal.
Petter initiated the formation of the originally studio-based band COLOSALIST in 2013. I was already thrilled by the release of the four-song digipak “Pass Into Oblivion” (2014). Even more exciting was COLOSALIST’s participation on the tribute album for DISSOLVING OF PRODIGY (2018) and the major release of the “Two Suns” digipak (September 2025), prior to which COLOSALIST had become a live band featuring three original members of SILENT STREAM OF GODLESS ELEGY.
Listen to full album "Two Suns" on YouTube : https://www.youtube.com/watch?v=zqCuFAkG5tE&t=1424s
www.paratshop.cz
www.facebook.com/ParatMagazine
NEWS 25.4.2026
Wird mal wieder Zeit ,
euch mit neuer metallischer Unterhaltungsmusik zu
“belästigen “ . Wer mal wieder eins so richtig derb
oder auch experimentell “vor den Latz” geballert kriegen
will , der sollte die Scheiben auf jeden Fall mal antesten .
DEMONIC RAGE – “ DESECRATION RITES” (EP 2020)
DEAMONOLITH – „ THE MONOLITHIC CULT OF DEATH” HAMMER
Noch mehr aktuelle Infos rund um den Globus findet ihr unter : https://www.facebook.com/mario.klein.961/ https://www.facebook.com/Undergroundfanzine/
Die französischen Metal-Magier AVALAND
erschaffen mit ihrer Musik ganze Sagen, in denen jeder Song eine neue
Geschichte erzählt. Zurück in ihrem heldenhaften
High-Fantasy-Reich, verbindet die Band für die
Veröffentlichung ihres kommenden dritten Studioalbums “CHEMICAL POETRY” am 30. Oktober über Storytium SAS erneut Power-Metal-Feuer mit dem Flair einer cineastischen Metal-Oper.
AVALANDs brandneue Single “Destiny Calls” (VÖ: 24. April) ist ein Titel für jeden Fan von narrativem Power Metal und markiert den eigentlichen Beginn des Album-Abenteuers, indem sie die Zuhörer direkt in die Geschichte entführt: Der Gott der Zeit spürt eine Unruhe um einen jungen Alchemisten – ein großes Schicksal regt sich in ihm, doch muss er zunächst Prüfungen überstehen, die seine Magie- und Alchemie-Fähigkeiten stählen werden. Als sich sein Schicksal zu entfalten beginnt, kreuzt eine Zauberin seinen Weg und bald beginnen sich ihre Leben umeinander zu drehen, während diese Begegnung die Fäden der Zeit selbst neu verwebt.
AVALAND erklären:
“‘Destiny Calls’ erhebt sich zu einer theatralischen Hymne, geschmiedet in der großen Tradition des Power Metal (im Geiste von Angra, Helloween, Sonata Arctica usw.). Scharfe, schwere Riffs treffen auf mitreißende Orchestrierungen und atemberaubende Melodien und verschmelzen zu einer wahrhaft hymnischen Reise. Diese neue Single begrüßt zudem Madie (Ex-Nightmare, Faith In Agony) als ersten Gast dieser Ära, während Jeff Kanji alle Texte und Vocal Lines liefert, die auf Adriens Kompositionen basieren – erneut untermalt durch die Virtuosität von Lucas, Camille und Léo. Der Ruf ist erklungen. Wirst du vortreten und das Schicksal annehmen?“
https://www.youtube.com/watch?v=54Yd88-OePw
https://www.fanbase.to/sOguiCPU
Jedes AVALAND-Album ist ein neues Kapitel in einer originellen Fantasy-Chronik voller fesselnder Schlachten, heldenhafter Schicksale und mitreißender Melodien, die so hart einschlagen wie ein Kriegshammer und wie arkanes Feuer schimmern. Das ist mehr als nur ein Albumzyklus – es ist eine lebendige Legende. Nach ihrem Debüt “Theater Of Sorcery” (2021), dem zweiten Album “The Legend Of The Storyteller” (2023) und ihrem Live-Album “The Legend Comes Alive” (2025) hat die Band den renommierten Produzenten Joost van den Broek (Epica, Powerwolf, Sabaton, Ayreon, Blind Guardian) für ihr neues Album “Chemical Poetry” an Bord geholt. “Bei der Arbeit an diesem Album mit Joost konnten wir endlich genau definieren, was den Sound von AVALAND ausmacht, indem wir nach etwas sehr Organischem, Warmem und Mitreißendem suchten, aber mit einem moderneren Ansatz. Er hat uns wirklich dazu gebracht, durch unsere Musik auszudrücken, was AVALAND ausmacht und uns von einigen imaginären Zwängen befreit”, erklärt Sänger Adrien.
Mit der Veröffentlichung von “Chemical Poetry” schlägt die Band das nächste Kapitel (Kapitel 4) ihres fortlaufenden Opus auf und präsentiert ein Album, das als fesselndes, episches Abenteuer erlebt werden soll. Gewaltige Riffs schlagen ein wie kritische Treffer, Chöre und orchestrale Arrangements bereiten das Schlachtfeld vor und das Storytelling steht weiterhin im Mittelpunkt dieses Gesamterlebnisses. AVALAND liefern nicht nur den Soundtrack zu einem Abenteuer – sie laden die Zuhörer ein, tiefer in eine Welt einzutauchen, in der Metal und Mythos sich gemeinsam weiterentwickeln.
Über Avaland
AVALAND wurde 2020 mit dem Ziel gegründet, mehr als nur eine Band zu sein – konzipiert als ein vollständig immersives, theatralisches Live-Erlebnis. Inspiriert von Acts wie The Alan Parsons Project, Avantasia, Winger und Savatage – und angetrieben von einer tiefen Liebe zum Hardrock der 80er-Jahre – verbindet AVALAND orchestrale Arrangements und Metal-Oper-Storytelling mit dynamischem Rock und Power Metal. Adrien G. Gzagg und Jeff Kanji führen die Band mit ihrem aus Stahl und Feuer geschmiedeten zweistimmigen Lead-Gesang an, während Lucas Martinez seine flammenden Gitarrenriffs in das Fundament aus Camille Souffrons wilden Basslines und Léo Mouchonays rasenden Drums schießt, die den Donner beherrschen und den Rhythmus vorantreiben. Auf der Bühne präsentiert die Band zwischen zwei und fünf Stimmen, die sowohl aus dem inneren Kreis als auch von verschiedenen Gästen stammen und jede Performance zu einem unvergesslichen Erlebnis machen.
Inspiriert von Tabletop-RPGs und vom Leben der fünf Musiker, die schnell lernten, ihre Emotionen und Erfahrungen in fesselnden Geschichten umzudeuten, lädt die Band ihre Zuhörer ein, die fortlaufende Saga von AVALAND, die sich über Alben, Songs und Story-Fragmente erstreckt, zu verfolgen. Durch monatlich auf World Anvil (einer Plattform, die Tools zum Erstellen, Organisieren, Speichern und Teilen von Fantasy-Welten bietet) veröffentlichte Kapitel wird der AVALAND-Lore eine weitere Lebensdimension verliehen.
Erlebe die Welt von AVALAND bei World Anvil: https://www.worldanvil.com/w/avaland-metal-opera-avaland-metal-opera
https://www.youtube.com/@avaland-metal-opera
https://www.facebook.com/avaland.metal.opera
SLOWLY WE ROT #27 is in the works! Adverts & compilation CD slots available for reservation! https://slowlywerot.limitedrun.com/ https://www.facebook.com/swrzine/
The upcoming Slowly We Rot issue 27 is scheduled for a May/June 2026 release!
Deadline for promo submission, adverts and compilation booking: 30th of April 2026
Please find below some details on SWR#27:
- A4 size
- glossy paper
- old school black & white
- English written
- professional print
+ Free Compilation CD!
- genres featured: Heavy, Thrash, Progressive, Power, Death, Grind, Black, Gothic, Symphonic, Doom, Dark Metal and the likes
Check out previous issues here: https://slowlywerot.limitedrun.com/
Bands / labels / agencies ask for affordable advert rates, compilation CD reservations info and promo submission info.
Guidelines for compilation CD reservation:
- please email first and ask for availability and rates
- traditional & extreme metal only (above-listed genres)
- only good quality recordings (no rehearsal sound, no live recordings)
Deadline for promo submission & advert booking: 30th of April 2026!
Issue 26 and previous issues available here: https://slowlywerot.limitedrun.com/
Thanks for your support! swrzine@yahoo.com
Greek atmospheric death/thrashers CREMATE return after 30 years, “HUMAN” lyric video promote their new EP . https://www.youtube.com/watch?v=qHxRB1cj-L8
Cremate returned from the dead in 2021, after 26 years: Christos (vocals, bass), along with George (drums) and longtime friend Akis Pastras (guitars; Dexter Ward, Damon Systema, Nightfall), decided to resurrect CREMATE.
They revisited their early material with a new vision. Using the 1993 End of Time demo as a foundation, Christos reworked and reimagined the songs with synths, samples, and fresh arrangements — giving birth to a new, unique sound that blends 90s death/thrash aggression with dark electronic atmospheres.
The result is Ready to Fight, a powerful 4-track EP, set to be officially released in November 2025 via Wormholedeath Records.
The EP includes three reworked tracks from the original demo (excluding the intro), with “Another Pain Born” now retitled “Human.” On "Die as You Lived," Lusty Apricot contributes haunting violin, adding a dark, atmospheric layer to the track. The EP’s title track, “Ready to Fight,” is a brand new composition — fierce, heavy, and emotionally charged, featuring a guitar solo by Marios Iliopoulos from NIGHTRAGE.
It’s important to note that all music and lyrics were written by Chris, who also handled the overall vision, arrangements, and direction of the release.
The musicians featured on the recording — including George on drums and Akis Pastras — participated strictly as session members for the studio recording and are not permanent members of the band.
The EP captures the raw spirit of the '90s, but through a modern sonic lens where synths and samples enhance the brutality instead of softening it. It’s a sound that stands apart — not easy to categorize or compare.
Recording and mixing were handled by Akis Pastras at his personal studio, while mastering was done by George Nerantzis (Abbath, Rotting Christ, Gus G., etc.).
CREMATE isn’t here to relive the past. It’s about pushing forward — with experience, passion, and roots still firmly planted in the music they’ve always loved. The mission is simple: reconnect with old fans, reach new ones, and bang heads together once again.
Track list:
Die As You Lived (05:37)
Human (05:14)
Cerebral Pain (06:16)
Ready To Fight (05:54)
Total Duration: 23:04 min
www.facebook.com/CremateTHEBAND
ANGELLORE – „NOCTURNES“
Label: Ardua Music
Release date: May 15th 2026
Genre: Gothic Doom Metal
For fans of: Theatre Of Tragedy | Tristania | Empyrium | Draconian | Saturnus
A voice comes singing in my dreams; an incongruous enchantment pulling me away from my simple fantasies, replays of mundane moments and unfounded anxieties. It leads me beneath the boughs of towering trees, through unspoilt alpine meadows and in the shadows of mountain peaks, beneath the glowering eyes of ancient fortresses of blackened stone. Emotions I have never dared to feel, even in my journeys through the realms of sleep, tear me open beneath vast, storm fractured skies…and I awake bereft, my siren still unseen but my heart enraptured.
For nearly twenty years Avignon’s Angellore have ensorcelled and delighted fans and critics alike with their unique blend of gothic doom, folkloric influence, drama, storytelling and grand emotion; weaving traditional instruments into the rich layers of sound that have characterised remarkable, enthralling albums like 2015s La Litanie des Cendres and 2020s acclaimed Rien Ne Devait Mourir, described by Angry Metal Guy as painting “a despairingly beautiful picture for the listener to enjoy”. And now it is time for a new chapter in Angellore’s epic tale, an album that has been slowly developing in the darkness for the best part of ten, long years – their most profoundly affecting creation to date – Nocturnes…
The tale begins with ‘Falling Birds’, a dolorous dance shifting into powerful chords, laced with melancholic melody, that usher in a voice of aching, angelic purity and guitar lines laden with sorrow. Like an unfolding fairytale the music carries you through shadows and sadness, splendour and tragedy, broken hearts and betrayal…another world is revealed within the song – one of heightened emotion and magic, lost souls and monsters – and passages of oboe and bass clarinet add immeasurably to the mesmerising aura. Angellore never release you from the spell cast by ‘Falling Birds’, the journey continuing into ‘Black Sun River’, a spirit stirring track that binds you within its ghost dance, steeped in passion that can transcend ages, love that burns through the centuries. The unhurried fable of ‘Forsaken Fairytale’ follows, highlighting the wonderful versatility and variety of voices that the band possess, creating an array of characters that populate their stories. The harsh vocals contrasting with the quiet dignity of the music, speaking with a bitter clarity and heartfelt expression, while beautiful flute and sublime piano add to a seemingly limitless palette of sound from which Angellore can draw. Cathedral choirs beckon in the transportative ‘Martyrium’, a gateway to wind blasted moors where clouds race through the night sky across the face of the moon. Wherever you might be, when you listen to this song it becomes midnight in your mind, each note falling like cold rain as you are given a glimpse of what it means to feel beyond reason and to love beyond madness. And finally, there is ‘A Dormant Stream’; a dazzling tapestry of emotion woven from tactile textures…delicate simplicity, words intoned with strength and meaning, sweetly measured guitar lines in a stately dance with ethereal flute and formidable chords of breathtaking grandeur that lead us in sombre procession to the album’s end.
Recorded in an array of different studios, in different countries, from Iceland to Belgium, Nocturnes was engineered and mixed by Déhà (Inborn Suffering, Wolvennest, Cult Of Erinyes etc) and mastered by Markus Skroch (October Falls, Sig:Ar:Tyr, The Chasm etc) and the results couldn’t be more apt – smooth, deep and all-encompassing. With cover artwork created by the band’s own Florent ‘Celin’ Castellani that encapsulates the spirit of the album, Nocturnes will be released on May 15th by Ardua Music – prepare to be bewitched…
Line-up:
Lucia – Vocals
Rosarius – Clean & harsh vocals, electric & acoustic guitars, synths, grand piano
Walran – Harsh & clean vocals, synths, grand piano
Celin – Bass, additional guitars, EBow, backing extreme vocals
Ronnie – Drums & percussions
Also featuring:
Gunnar Ben – Oboe on “Falling Birds” & “A Dormant Stream”
Ségolène Perraud – Flute on “Falling Birds”, “Forsaken Fairytale” & “A Dormant Stream”
Dirk Goossens – Bass clarinet on “Falling Birds”
Raphaël Verguin – Cello on “Forsaken Fairytale” & “A Dormant Stream”
https://www.arduamusic.com/
https://www.facebook.com/AngelloreDoom
VARATHRON – “PROCREATION OF THE UNALTERED EVIL”
Label : WolfKult Religion
Format: 7" EP (vinyl)
Release date: May 15th, 2026
Originally released back in October 1989, 'Procreation Of Unaltered Evil' is widely regarded as one of the ultimate milestones of Greek Black Metal. Not only was it one of the very first recordings from that highly praised scene, it also served as a blueprint of countless of other bands all around the globe who were left in awe after hearing these primordial tracks. VARATHRON entered the scene with a demo tape under their collective belts that became a classic almost immediately.
The two tracks that were released on this first Varathron demo tape are still among the favourites of many Varathron fans, but musicians all over the world were influenced by these early recordings. Dead, of Mayhem and Morbid fame, for example, more than once cited this demo to be one of the most influential recordings for his, sadly short, musical career.
At that time Varathron’s line-up consisted of vocalist and visionary Stefan Necroabyssious, who still leads this legendary band today, as well as Jim Mutilator who was also in ROTTING CHRIST at the time and is currently helming YOTH IRIA. And while members would come and go, including Themis Tolis (ROTTING CHRIST) and Vorskaath (ZEMIAL and AGATUS), which is also typical of a small but close-knit scene, the Varathron sound would remain largely unchanged for the band’s long career. What this means is that ‘Procreation Of The Unaltered Evil’ wasn’t just any Black Metal landmark or foundation; it turned out, as brief as it is, to be a genre-defining recording.
Because of the undeniable significance of these two tracks, they have been reissued a couple of times over the past 37 years (think about it, this is almost 40 years old!). But never were they presented in a stand-alone release since its original appearance so many years ago despite Stefan Necroabyssious’s fervent desire to make it happen. That changes on May 15th when WOLFKULT RELIGION releases the two tracks on a 7" EP, it also comes with a 12-page booklet with old drawings, photos, flyers etc.
Tracklist
A. Necranastasis
B. Dawn Of Sordid Decay
Line-up and additional information
Stephan - Vocals
Spyros - Drums
Jim - Bass
Jon - Guitar
Recorded at Backstage Studio, October 1989
Originally released in October 1989
Design and layout by Felix Schoonen & WolfKult Religion
https://wolfkultreligion.com
Ahead of its arrival, Stuttgart-based dark rock quintet ASTRAYA have presented a full stream of their sophomore album, “ATROPINE”. The band’s second full-length will be released on 24 April 2026 via These Hands Melt in CD, LP and Digital formats.
Listen to the album in full: https://youtu.be/KIhcVJ1M4Xg
This follows the band’s previously released music videos for “A Spark Within” and “A Theory of Time”.
Since their 2019 debut EP “Black Awakening”, Astraya has carved out a reputation for a "handmade" wall of sound that balances dreamlike longing with unrelenting rage. Vast moments of calm are built only to be torn down unexpectedly, demanding the listener’s full emotional commitment. Their music is a blend of dark rock, metal and doom, and is defined by the ethereal, classically influenced vocals of Melina Abele, which pierce through the band's heavy atmosphere like sun rays through black clouds.
With their new album “Atropine”, the band explores human fragility, fate and time. The title track has a deeply mystical atmosphere, exploring the very moment of death and the idea that one’s fate may already be predetermined. This underlying theme runs throughout the entire record. “A Theory of Time” approaches our existence from a more scientific and philosophical perspective, analysing the nature of being and our place within the greater structure of time. Furthermore, the album reflects on humanity and its failings: addiction in “Valley of the Damned”, war in “In The Pale Glow of Torches” and “In Devotion”, and trauma in “Descendant of a Dead Man” and “Lighthouse”. Amid the album’s pervasive melancholy, the first single, “A Spark Within”, stands out as a small but powerful glimmer of hope. Through its dark sound, the music reinforces and amplifies the themes expressed in the lyrics.
“Atropine” was produced and mixed by the band's own Tim Suske, with mastering handled by Roland Böffgen at Hard Drive Sounds Studio. The haunting cover artwork was created by Katja Schocke.
Pre-order "Atropine" now:
https://thesehandsmelt.shop/
https://astraya.bandcamp.com/album/atropine
The album will be available in the following formats:
Vinyl LP: "Transparent Indigo" colour (Limited to 200 copies)
CD: Digisleeve with booklet (Limited to 300 copies)
Digital: All major streaming and download platforms
Tracklist:
1. A Spark Within
2. Lighthouse
3. In Devotion
4. A Theory Of Time
5. Descendant of a Dead Man
6. Valley Of The Damned Pt. 1
7. In The Pale Glow Of Torches
8. Arrival
9. Valley Of The Damned Pt. 2
10. Atropine
Astraya are:
Melina Abele: Vocals
Benny Gölz: Guitar
Tim Suske: Guitar
Tobias Hänsel: Bass
Klaus Wintermayr: Drums
https://thesehandsmelt.shop/
https://www.facebook.com/astrayaband/
Defect Designer's new album is once again grabbing everyone's attention with their bold, almost outrageous take on progressive death metal/grindcore. Everyone's talking about their "Carte Blanche" song with its James Bond theme bit. Heavy Blog Is Heavy premiered a brand new song, the album opener, at https://www.heavyblogisheavy.com/2026/03/25/exclusive-premiere-17/
which is just as much fun.
Excerpt - "I can't really encapsulate everything else which the excellent Depressants contains because it's a lot. Suffice it to say that if you love progressive music, then this release is, once again, for you."
DEFECT DESIGNER – “DEPRESSANTS”
Genre - Progressive Death Metal
For fans of - Diskord, Februus, Demilich, Contrastic, Swelling Repulsion, Disharmonic Orchestra
Defect Designer have kept progressing with each album and they seem to have reached the acme with this one. It's wildly diverse and refreshing while retaining their core sound; it's a marvel how they continue to remain death metal or keep reverting to it after unabashedly exploring various sounds and imbibe influences from so many unrelated and unexpected styles. No song is redundant or sounding too similar at this point; they have something or the other hidden in it, often towards the end. This is decidedly their most ambitious album and they've outdone themselves on this one to offer a singular, exhilarating experience for the true prog-minded fans of the style. With the music on "Depressants" being as colourful as the Ian Miller artwork, it is anything but what the album title suggests - that's just the classic tongue-in-cheek Defect Designer for you.
Line up
Dmitry Sukhinin (Diskord) - Guitars, vocals, music, lyrics
Martin Storm-Olsen - Bass, vocals, lyrics, sound engineering
Eugene Ryabchenko (Fleshgod Apocalypse) - Drums
Artwork by Ian Miller (Ulthar)
Track listing
1. Daily Dose of Gloom
2. Butterfly Juice Straws
3. Repeated Aversive Stimuli Inducer
4. Carte Blanche
5. Expiration Deferral Request Denied
6. Scorching The Rival Pogonomyrmex Burrows
7. Body Count Of My Cow Tail
8. I Heard Robespierre Screamed Like A Bitch
9. Peons Before My Drabbing Wings
10. As The Terracotta Dust Settles
11. Awaiting The Return Of The Golden Age
12. The Inevitable Mad Composite
13. Wrong Future Forecast
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/defectdesigner1
Finnish melodic metal band BLACKMENT is set to release their second studio album on June 12th. The sophomore full length is preceded by two more singles. The first of them “IN MOTION” is released today, and it's quite a blast!
“In Motion is a concentrated burst of energy packed into less than three minutes — just enough to make you want to listen to it again. Sometimes the tempo slows down, and other times the choruses really blow up,” the band’s guitarist Allan Välimaa sums up.
Listen to the single on music services : https://push.fm/fl/blackment-inmotion
The melody was found from the depths of Allan’s desk drawer, and it was given a completely new arrangement. Basically it became a completely new song. After being approved by the band it was also turned into a music video that you can watch.
When the video was being filmed, Allan fell ill with fatigue, a condition that wasn’t diagnosed until later. But for that very reason, getting the video finished was a memorable experience in many ways. Although Allan was also the video’s director, the filming was handled by Hille Sadehelmi, who also shines as a backing vocalist on the track. She also took charge of the camera. It was in other words a true multi-talented session.
"Sure, we left a bunch of gear in the parking lot at the shoot location, but luckily it was still there the next morning. I also got to feature my new favorite guitar from Raato Custom Guitars in the video," Allan recalls, noting with a twinkle in his eye that this sort of thing is always a big deal for guitar geeks.
Blackment are:
Sami Vuorenheimo – vocals
Saalas Ruokangas – guitar & backing vocals
Allan Välimaa – guitar
Väinö Huhtanen – bass & backing vocals
Sebastian Nyandoto – keyboards & backing vocals
Akseli Aalto – drums
The single also features: Hille Sadehelmi – backing vocals
Blackment is a melodic metal band that was founded in 2014 at Hyvinkää, Finland. Their debut album “Plains of Oblivion” was released in autumn 2022. The album has gotten airplay in various European countries. In addition, the band was nominated for the newcomer of the year 2022 by Kaaoszine (a Finnish music news website). In 2023-2024 Blackment released three singles “Pariah”, “Ghost in the Machine” and “Freedom Fall”. The band also competed as a semifinalist in the Wacken Metal Battle Finland competition.
Over the years Blackment has developed a recognizable sound and style including catchy melodies, tricky yet punchy guitars, groovy drums and bass, atmospheric synths and a wide range of vocals with unique voice. The six-piece band has been praised for their energetic live shows and they have performed for example at Heavy Metal Heart Festival and at Semifinal club in Helsinki.
https://www.facebook.com/blackmentofficial
Polish Death Metal Act ASPERATUS
will release its debut full-length on Mad Lion Records!!!! We're
pleased to announce that Mad Lion Records' catalog will soon be
increased by another extraordinary release –
the debut album by Asperatus! The Krakow-based crew expertly crafts technical, aggressive death metal inspired by classic signifies the Florida scenes! Asperatus' music it's a fusion of ruthless aggression from the sign of Suffocation, Hate Eternal's technical rigor and merciless, dark climate of Morbid Angel and Cannibal Corpse!
It's a mixture of old school patterns with modern brutality in the style of Aborted! This all creates a sonic "meat grinder" in which technical precision meets pure, extreme energy! Brutal Masterpiece!!!
Current line up:
Lukasz Ciepala - vocal
Radoslaw Godzina - guitar
Rafal Zenczak - guitar
Piotrek Tokarz - bass
Bartek Janczarski - drums
Discography:
Warped Reality (EP, 2015) self released
Sanctified State Of Decay (EP, 2020) self released
https://www.youtube.com/@asperatuspoland4675
https://www.facebook.com/AsperatusPoland/
AZARATH – „IN EXTREMIS “
We are pleased to share an important update regarding the legendary extreme metal force Azarath. In addition, the jewel case CD reissue of In Extremis is scheduled for release on May 22. We encourage fans to secure their copies early, as demand for both formats is anticipated to be strong.
Tracklist
1. The Triumph of Ascending Majesty
2. Let My Blood Become His Flesh
3. Annihilation (Smite All the Illusions)
4. The Slain God
5. At the Gates of Understanding
6. Parasu Blade
7. Sign of Apophis
8. Into the Nameless Night
9. Venomous Tears (Mourn of the Unholy Mother)
10. Death
Azarath is a Polish blackened death metal band formed in 1998 by drummer and vocalist Inferno (also known for his work with Behemoth). The group is known for its aggressive, fast, and unrelenting style that blends brutal death metal with black metal atmospheres and themes centered on anti-religion, chaos, and nihilism.
Across their discography, Azarath has built a reputation for precision, intensity, and extreme speed, with Inferno’s drumming often being a defining element of their sound. Albums like Demon Seed, Blasphemers’ Maledictions, and In Extremis highlight their evolution into one of Poland’s most consistent and ferocious extreme metal acts.
www.agoniarecords.com
Portuguese thrashers VILEDÖG debut with “APPETITES” EP on Mosher Records .The Porto-based quartet promotes the debut release with a video for the title track. What’s peculiar: it was recorded almost a year ago and their hair is longer nowadays!
“ We are Viledög! A band that thrives In the space between chaos and precision by blending ccrushing riffs and raw emotional intensity that feels both feral and deliberate. To put it simply, we are Viledög, we’re all gas, no fucking breaks!” – that’s what they say about themselves.
https://www.youtube.com/watch?v=h7zo7l4AnbQ
https://linktr.ee/bandviledog
Polish black metal outfit PIOŁUN returns with their second full-length album, “EXOLVUNTUR”, set for release on 22 May 2026 via Malignant Voices.
Listen to the first advance track “Manifest Kresu” via BMP: https://www.youtube.com/watch?v=wGPwsuZWu-U
On “Exolvuntur”, Piołun remains deeply inspired by the Scandinavian and Polish black metal scenes of the 90s, while incorporating a refined, contemporary edge. It follows the band’s 2022 debut, "Rzeki Goryczy".
“Stylistically, it is a continuation of the preceding ‘Rzeki Goryczy’; however, it presents black metal that is more dynamic and melodic,” said the band’s founder, Sorh. “The album's concept revolves around the cycle of life and death, referring to human transience in the face of ruthless nature. ‘Exolvuntur’ is a 37-minute journey where the wildness of traditional black metal intertwines with nostalgia and melancholy. Black metal for black metal fans.”
Sorh is widely recognised as XCIII, the guitarist for Blaze of Perdition, Oremus and Mānbryne. For this new chapter, the production was handled by one of Poland's premier engineers, Haldor Grunberg, at Satanic Audio.
“Exolvuntur” will be available in CD, LP, Digital along with T-shirts, and can be pre-ordered via Malignant Voices:
http://sklep.malignantvoices.com
https://malignantvoiceswebshop.bigcartel.com
Track list:
1. Manifest Kresu
2. Sierpniowy Brzask
3. Czas
4. Koło Życia
5. Moribunda
6. Próba Sznura
7. Hiems
http://malignantvoices.com/
https://www.facebook.com/MalignantVoicesProductions/
https://www.facebook.com/profile.php?id=100087671561976
NUMEN reveals "HUSTASUNA - OROITZAPEN GALDUEN PUTZUA", when wrath devours souls .NUMEN makes their grand return on June 12th with Les Acteurs de l'ombre Productions and a new album of dark and merciless black metal, inspired by the ancestral beliefs of the Basque Country.
Sung in euskera, this album delves into the witch trials and the Inquisition of the 17th century
"Amorruak putzurik beltzenean Ito ditu arima desolatuak" / "Wrath has submerged desolate souls in the darkest abyss." / "Anger has engulfed desolate souls in the darkest abyss."
A first track entitled "Hustasuna - Oroitzapen galduen putzua" is now available on Black Metal Promotion
For fans of ’90s Nordic black metal and those who appreciate fast, aggressive, and melodic black metal rooted in the spirit of that era.
Pre-orders: https://www.lesacteursdelombre.net/product-category/preorders
Wormholedeath welcomes UK funeral doom project ABYSMAL GROWLS OF DESPAIR
to its roster. This collaboration marks a significant milestone for the
one-man project led by the prolific artist Hangsvart, as he prepares to
unveil his latest and most profound work, Torn, on June 5, 2026.
AGoD has been Hangsvart's main project since 2013. It has explored a wide range of sounds but centered on ritualistic dark ambient, drone, and funeral doom. Inspired by bands like Funeral Moth, Ataraxie, Comatose Vigil, SUNN O))), Remembrance; by ancient civilisation and spirituality, despair, grief and madness. Hangsvart has always been straightforward with his own struggle with schizophrenia since 2007, being a main source of inspiration.
Torn is a solemn and uncompromising work. It unfolds slowly, with immense weight and emotional gravity, and leaves a strong, lasting impression. This is not an album you listen to. This is an album you enter.
This album of funeral doom metal explores the emotional landscape of a husband caring for his wife battling cancer. It is a testament to love and resilience. Trombones and tubas add weight and solemn grandeur, while 8-string guitars and the guttural voice entomb the listener.
Hangsvart commented:
"I am very excited to sign with WormholeDeath for my album Torn. Even though I have released a dozen of physical albums with other labels, WormholeDeath is definitely a step above anything I've ever done before, allowing me to reach a much wider audience."
Tracklist
1 - Prologue to Agony
2 - Growth
3 - Mourning Has Broken
4 - Torn
www.youtube.com/channel/UCJdyff5TfztnIeO0U6QaHwA
www.facebook.com/abysmalgrowlsofdespairofficial
How should a thrash metal band from the 2000s make a comeback? This is how! WHERE VICTIMS LIE
released two promo CDs back in 2003 and 2007, before going on a long
hiatus. Now they're finally back with a five-track EP called "WHAT WAS LEFT BEHIND" - an assault of sheer thrash metal revival! Rooted in the 80s, influenced by the 00s, but crafted with passion in the 20s.
Listen to the single on music services : https://push.fm/fl/wherevictimslie-wwlb
"I always felt there was some unfinished business with this band. We got back together a few years ago and quickly realized that we all still had the same fire burning!" says guitarist Jarkko Petosalmi.
"We wanted to make absolutely sure that we came back stronger before, and we definitely succeeded! We also haven't slowed down one bit, quite the opposite actually." comments drummer Timo Häkkinen.
Where Victims Lie:
Teijo Hakkola: vocals
Jarkko Petosalmi: guitar
J-V Hintikka: guitar
Herkko Huttunen: bass, backing vocals
Timo Häkkinen: drums
Tracklist
1. Petting a Burning Dog
2. Imprint
3. Veil
4. The One to Bring Forth Fiery Apotheosis
5. The Code
Music: Jarkko Petosalmi, J-V Hintikka
Lyrics: Teijo Hakkola
https://www.facebook.com/wherevictimslie
DEFORMEATHING PRODUCTION proudly announces the release of NEOLITH'S brand new album. Nearly seven years after the release of "I Am The Way", the band returns with their sixth album. The album titled "INBIR," will be released on September 12, 2026, in LP/CD/digital formats. It is the band's most ambitious, complex, and refined work to date, representing a significant step forward in both compositional and sonic terms.
The title "Inbir", meaning "war" in the ancient Sumerian language, defines the album's thematic direction. The material explores universal themes related to power, mystery, spirituality, and the fate of man. Musically, Neolith remains true to its roots, which accurately reflects the nature of this album—intense, dark, and consciously rooted in the aesthetics of old-school Death/Black Metal.
The album's sound is the work of the band and Haldor Grunberg, who, in his Satanic Audio studio, created a massive, cohesive, and powerful production. The artwork was created by a renowned Polish artist Artur Szolc.
Along with the album's release, the band will launch a live offensive, bringing "Inbir" to the stage in full force.
Tracklisting:
1. Inbir
2. Ashur Has Given Me a Brother
3. The Dawn is Waking
4. Modlitwa na Marny Czas
5. Of All the Gods
6. Ouroboros
7. The Four ETEMMŪ of KURNUGI
8. Morte
www.neolith.bandcamp.com
www.facebook.com/neolith
MALKKEBRE & Meyhnach (Mütiilation) join forces on "YOU FAILED", an anthem against traitors . MALHKEBRE will release their new album "B.A.M.N." on
April 30 via Battlesk’rs Productions. Ahead of the album, the
band gives a second glimpse with the the single "You Failed", now
available on all digital platforms.
Regarding the French black metal alliance, it stands as the product of three decades of intersecting paths, forged friendships, and cast-off adversaries. A testament to resilience in a scene where time and betrayal have brought many down, as Eklezjastik BerZerK himself it.
He explain that the single serves as a clear message to those who once declared them finished:
"When I see how it all started 30 years ago, I wouldn't have bet a 8.6 beer that we'd still be here doing what we do, spreading the word of the Evil One with as much devotion as ever. In fact, there were many parasites who kept proclaiming that we were dead and a thing of the past.
Whether it was Mütiilation or MALHKEBRE, we went through a lot of growing pains, encountered fakes and hypocrites... Where are they now? We know where some of them are, and that's fine... As for the others, well, it would certainly make us smile to see that they have become worse than those they used to criticize. On this track, we chant a message to all our detractors: YOU FAILED!!! WE NEED NO MORE TRAITORS!!!"
Listen, Share, Support, Die!
Pre-orders: www.battleskrs.com
Finnish death metal band Devenial Verdict revealed a new song from their upcoming release titled "Old Blood - Fresh Wounds" which sees the band dishing out powerful, catchy death metal. The premiere done by No Clean Singing can be found at https://www.nocleansinging.com/2026/03/31/an-ncs-premiere-devenial-verdict-rituals-of-ignorance/
Excerpt - "(We) congratulate Devenial Verdict on not only surviving for 20 years but continuing to make such tremendously good death metal."
DEVENIAL VERDICT – “OLD BLOOD - FRESH WOUNDS”
Genre : Death Metal
For fans of : Morbid Angel, Obituary, Ulcerate, Dysgnostic, Crown of Madness, Mithras
"This release celebrates the 20th anniversary of Devenial Verdict. We wanted to update some of our older songs on this EP; these songs mark some of the most important musical moments of us as a band. We have the first instances of dissonance in our music and the seeds of our melancholic and atmospheric leanings; we have brutal passages and rare instances of melody. It was really eye opening to realise that all the influences were there all along! Some of these songs have never been properly released and exist only as live videos captured at our shows.
We wanted to add Soulthirst EP to this release since 2026 marks the 10 year anniversary for that release. Soulthirst functions as the bridge between all of our older material and our current sound, which we fully unleashed on Ash Blind in 2022."
Line up
Okko Tolvanen - Drums
Sebastian Frigren - Guitars, backing vocals
Antti Poutanen - Bass, backing vocals
Riku Saressalo - Vocals
Artwork by Niilas Nissilä
Track listing
1. Rituals of Ignorance
2. Swarms of the Mindless
3. Elysium
4. The Unborn God
5. Thrones
6. Fall of Faith
7. Sun Hammer
8. The Corinthian
9. Despoiler
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/DevenialVerdict
Thank you very much! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
VILE DESOLATION – “ANNIHILATING THE CONSCIOUSNESS”
Label: Comatose Music
Release date: May 8th 2026
Genre: Brutal Death Metal
For fans of: Suffocation | Anthropophagus Depravity | Beheaded | Molested Divinity
All I have known, all I have done, seen, given, taken, loved and destroyed, all that I am…begins to crumble into dust. My mind drifts like smoke on the evening air, a twilight ghost escaping into the void and leaving me a fractured, empty shell. I am wiped clean, alone and untethered in a cold, uncaring darkness. And then they find me, sensing a vacant vessel. I am defenceless as the nightmares pour into the abandoned rooms within the palace of my skull. I have become a playground for the impious spirits of seething chaos who feed upon my fear. I am nothing but desperate, endless terror.
From the ever-fertile spawning grounds of East Java, Indonesia comes another monstrous entry into the annals of brutal death metal – Vile Desolation! Drawing on their extensive experience in an array of bands from the Indonesian scene, the members of Vile Desolation have created a debut album of titanic, shocking power. Annihilating The Consciousness is brutal death metal at its absolute, horrifying best – and Vile Desolation are already apex predators of this most extreme musical landscape.
Opening with the bruising, bludgeoning force of ‘Veiled In Obscurity’, a grotesque amalgam of shuddering hammer blows, white hot blasts, discordant tones and an atmosphere of evil, Annihilating The Consciousness erupts with unbelievable intensity and never steps back from the brink of wild, untamed chaos beyond reason and morality. From the wicked technicality and lightless crevasses of pestilential bass rumblings of ‘Whispers Through The Shadowed Gates’ to the dimension of pain haunted by otherworldly entities and incomprehensible violence that is ‘Labyrinth Of Torment’, Annihilating The Consciousness delivers with fearsome dexterity and shattering impact. A magnificent trilogy of insanity lurks at the album’s heart – ‘Dementia’s Embrace’, ‘Eyes Of Madness’ and ‘Eternal Lunacy’ – which serve up complexity and carnage in a compelling and consuming fashion. The guitars carve intricate patterns into your defenceless flesh while the vocals are a heart-shaking subterranean roar as the confusion and desperation of the decaying mind are brought to unnerving life. There is simply no weak point on this devastating debut from Vile Desolation. These songs are not random acts of violence; they are carefully planned, vividly imagined and meticulously executed. After the shattering conclusion of ‘Sanctified In Ashes’ you’ll understand that you have experienced one of the best brutal death metal albums that 2026 will have to offer.
Mixed and mastered at Endless Gruesome Studio and bedecked in the bleak artwork of Timbul Cahyono (Monstrosity, Terrorizer, Witchburner etc) Annihilating The Consciousness will march forth under the bloodstained banner of Comatose Music on May 8th. Kiss goodbye to your sanity; Vile Desolation are coming and madness follows in their wake.
Line-up:
Yudha - Vocals
Hendika - Guitar/Bass
Rama - Drums
https://www.comatosemusic.com/
https://www.facebook.com/viledesolation/
BEYOND THE VEIL - "OBLIVION"
Oblivion was built around a specific ambition: to drag the spirit of 1970s and '80s progressive rock into direct collision with modern extreme metal. To do it authentically, the band reached for the instruments that defined that era — Mellotron, Moog, and Chapman Stick — giving the record a texture and warmth that sets it apart from anything currently on the heavy music landscape. The songs are long by design. Beyond The Veil was not interested in compromise, and it shows.
Their influences read like a well-worn record collection: UK and Italian prog, Nordic and Asian prog, and a deep, foundational love for thrash, death, and black metal, particularly the output from before 2010. It's that combination, the old and the extreme, the delicate and the crushing, that gives Oblivion its character.
The band is already working on their next release, with a stated intent to evolve the format while keeping the philosophy intact: modern music made by people who genuinely revere the golden age of progressive rock.
The digital album's release date is 01 May 2026.
Tracklist
1 Built on Sand
2 A Glimpse into Eternity
3 Reflection
4 Enigma
5 Collapse
6 Terminus
About Beyond The Veil
Formed in 2020 by DB Karma, Yoshihiro Yamaji, and Eric Fetterman, Beyond The Veil quickly established a distinctive identity within the extreme metal landscape. Keisuke Tsuboi joined the band in 2021 on bass and drums, and Dave Griffiths completed the current lineup on bass in 2025.
Their sound merges thrash, death metal, black metal, and blackgaze with elements of progressive rock, jazz, folk, and classical music. The result is music that moves between crushing intensity and reflective, melodic passages. Most compositions come from lead guitarist Yoshihiro Yamaji and keyboardist DB Karma, while vocalist and rhythm guitarist Eric Fetterman writes the English lyrics. DB Karma contributes the Japanese lyrics, and the rhythm section, Dave Griffiths and Keisuke Tsuboi, develops the band’s bass and drum arrangements.
www.beyondtheveil.jp
Irish melodic Death Metal act BALASHTOTH
announce debut album . Following two EPs, Ireland based Melodic Death
Metal act BALASHTOTH now announces its first full-length album, "EQUATION II – THE ANTITHESIS OF LIFE AND FREE WILL", to be released this June 12 as a joint release between Pest Records, Metal Ör Die Records and Not-Even-Music.
The first single, " Misunderstanding", is now streaming here: https://www.youtube.com/watch?v=dq_NRfCv5bo
3 tracks from the album feature Adam Toth (Kajgūn, ex-The Dethroners, Art of Dethronement) on viola and/or Moog synth.
The photos used for cover art were taken by Péter Jakab, the former singer of the Hungarian Brutal Death Metal band, Depths of Depravity.
Pre-orders are now open: https://pestrecords.bandcamp.com/album/balashtoth-equation-ii-the-antithesis-of-life-and-free-will
https://metalordierex.bandcamp.com/
https://www.facebook.com/pestrecords
https://www.youtube.com/@BalashToth
https://www.facebook.com/BalashToth
Italian atmospheric Black Doom Metal duo URLUK release new album . Italy’s URLUK released their highly anticipated second full-length album, “MEMORIES IN FADE”, on April 10, 2026, via Pest Records. Following the atmospheric and introspective journey of their previous works, this new record marks a clear evolution in the band’s sound, embracing a more sinuous and emotionally driven approach.
For fans of: In The Woods..., early Katatonia, Anathema, Woods Of Desolation
“Memories in Fade” is available here: https://pestrecords.bandcamp.com/album/urluk-memories-in-fade
“Memories in Fade” expands the band’s black-doom foundation with layers of ’90s alternative rock, ambient textures and neo-folk influences, creating a complex yet cohesive sonic narrative. Unlike conventional song structures, the album seeks a storytelling quality, where each track contributes to a broader, immersive experience while remaining grounded in the project’s artistic identity.
Throughout the album, clean vocals and intense screaming alternate, complementing a diverse palette of riffs that shift from melancholic and brooding to sharp and dynamic. The mood is consistently dark and enveloping, reflecting both personal introspection and the uncertainties of contemporary life. The result is a record that feels cinematic in scope, balancing heaviness and subtlety in equal measure.
Recorded with meticulous attention to atmosphere and texture, “Memories in Fade” represents URLUK’s ongoing exploration of emotional depth within extreme metal. The band continues to intertwine local identity, narrative sensibility, and musical experimentation, offering listeners a journey that is both intimate and expansive.
The single “Angles of Hauntology” is streaming here: https://youtu.be/o3ulw0iK2oo?si=zIfGELUGND2h6M2t
Tracklist:
01. Angles of Hauntology
02. Lying There
03. Yesterday’s Letters
04. Liminal Vortices
05. The Last Watch
URLUK was formed in July 2020 in Lombardy, Italy. The band’s name refers to a nocturnal bird of prey native to the region, reflecting a strong connection to its territory, an element also expressed visually through booklet photographs taken by the members themselves. Their sound, defined as black doom melancholic metal, merges black metal and doom into a dark and melancholic sonic landscape.
The lineup has remained unchanged since the beginning: M. (screaming and clean vocals, drums; formerly in Black Oath 2006–2010) and U. (clean vocals, guitars, bass, and lyrics), ensuring a coherent and recognizable identity.
The debut EP, “Loss” (2022), released via Black Mass Prayer and later reissued by Depressive Illusion Records, explores the theme of loss as a condition of profound human vulnerability.
The first full-length album, “More” (2023), released by Remparts Productions, represents a natural evolution. Conceptually centered on melancholy as the enduring aftermath of loss, the album expands the band’s sound, from ’90s black metal and doom to ambient and subtle folk influences, while featuring guest contributions from Carlo Altobelli (Vision Deprived, Camposanto, ex-Moral Values), Giovanni (Mindful of Pripyat, Corporal Raid, Henoa), and Luxitan (ex-Gosforth).
Work on a new album began at the end of 2023. Conceived as a sonic journey through memory and dreamlike dimensions, the record blends ’90s alternative rock, ambient, hauntology, neo-folk, and black metal within a vision described as ALT B/L/A/C/K/. Recorded at Orion Recording Studios between 2025 and early 2026, and featuring Francesco Cucinotta (Felis Catus, Sinoath), the album marks a further step in the band’s ongoing artistic evolution.
https://www.facebook.com/pestrecords
https://www.facebook.com/urlukofficial
ABUSER – “BLOOD MARKS”
Label: Xtreem Music
Release date: May 7th 2026
Genre: Thrash Metal
For fans of: Kreator | Sodom | Destruction | Hypnosia
Beneath the thin veneer of civilisation, the flesh of our society has begun to rot. Resentment and anger boil the blood and the luxuries of charity and empathy have been cast aside – violated and torn. Humanity’s predatory instincts rise as the illusion of law and order’s protective shield is shattered and violence seethes in streets choked with filth and desperation. Those who have always harboured secret passions for cruelty and domination sense that their time is near. A new age of savagery is upon us…
…and the perfect soundtrack to these turbulent, bloodthirsty days can be found in the devastating sound of Polish thrashers Abuser! Formed in Wrocław, Poland, in 2018, Abuser were driven, right from the start, to deliver relentless, aggressive thrash metal that captured the spirit of the genre’s raw and frenzied formative years. After a well-received 2019 demo the band’s forward momentum was temporarily derailed as they were forced to search for a new drummer, but now – with a solid line-up and the support of Xtreem Music behind them, Abuser are ready to unleash their ferocious debut album - Blood Marks!
Beginning with ‘Cry Of The Innocent’, Blood Marks delivers a rush of adrenaline as Abuser take things straight to the very brink of chaos. Riffs are delivered with a palpable purpose and intent and the domineering drumming and snarled vocals infuse this whirlwind of aggression with a primal fire. This is thrash for those dedicated to the hardest and fastest, as ‘Suspended In Torture’ makes abundantly clear with its raw intensity and wild guitar solos like flailing barbed wire. No ballads, no unwanted experimental forays into milder territories, just teeth-grinding crunch and the kind of velocities that dare you to try and headbang along. Songs like ‘Painbringer’ recall those feelings of shock and awe that accompanied your first listen to Kreator’s ‘Ripping Corpse’ or Destruction’s ‘Bestial Invasion’ – glorious insanity! ‘Abuser’ is the perfect choice for an eponymous anthem - an irresistible and addictive track – and there’s no let-up, no compromise as ‘Witnessing Madness’ takes us on a breathless, frantic, headlong race to the end with its blistering riffs and screaming solos. Blood Marks is the epitome of unwavering, rampaging thrash metal intensity from start to finish. A masterpiece of mayhem!
Xtreem Music will release Blood Marks on CD and digital formats on May 7th and the seismic shocks will be felt throughout the thrash metal scene. A new ‘Riot Of Violence’ has begun!
Line-up:
Paweł Dominiak - guitar & vocals
Michał Kotwicki - bass guitar & riot vocals
Albert Matuszny - guitar & riot vocals
Jakub Klimkiewicz - drums & riot vocals
https://www.xtreemmusic.com/
https://www.facebook.com/abuserthrash
DEMONIC RAGE – “ DESECRATION RITES” (EP 2020)
DEAMONOLITH – „ THE MONOLITHIC CULT OF DEATH” HAMMER
Noch mehr aktuelle Infos rund um den Globus findet ihr unter : https://www.facebook.com/mario.klein.961/ https://www.facebook.com/Undergroundfanzine/
Die französischen Metal-Magier AVALAND
erschaffen mit ihrer Musik ganze Sagen, in denen jeder Song eine neue
Geschichte erzählt. Zurück in ihrem heldenhaften
High-Fantasy-Reich, verbindet die Band für die
Veröffentlichung ihres kommenden dritten Studioalbums “CHEMICAL POETRY” am 30. Oktober über Storytium SAS erneut Power-Metal-Feuer mit dem Flair einer cineastischen Metal-Oper. AVALANDs brandneue Single “Destiny Calls” (VÖ: 24. April) ist ein Titel für jeden Fan von narrativem Power Metal und markiert den eigentlichen Beginn des Album-Abenteuers, indem sie die Zuhörer direkt in die Geschichte entführt: Der Gott der Zeit spürt eine Unruhe um einen jungen Alchemisten – ein großes Schicksal regt sich in ihm, doch muss er zunächst Prüfungen überstehen, die seine Magie- und Alchemie-Fähigkeiten stählen werden. Als sich sein Schicksal zu entfalten beginnt, kreuzt eine Zauberin seinen Weg und bald beginnen sich ihre Leben umeinander zu drehen, während diese Begegnung die Fäden der Zeit selbst neu verwebt.
AVALAND erklären:
“‘Destiny Calls’ erhebt sich zu einer theatralischen Hymne, geschmiedet in der großen Tradition des Power Metal (im Geiste von Angra, Helloween, Sonata Arctica usw.). Scharfe, schwere Riffs treffen auf mitreißende Orchestrierungen und atemberaubende Melodien und verschmelzen zu einer wahrhaft hymnischen Reise. Diese neue Single begrüßt zudem Madie (Ex-Nightmare, Faith In Agony) als ersten Gast dieser Ära, während Jeff Kanji alle Texte und Vocal Lines liefert, die auf Adriens Kompositionen basieren – erneut untermalt durch die Virtuosität von Lucas, Camille und Léo. Der Ruf ist erklungen. Wirst du vortreten und das Schicksal annehmen?“
https://www.youtube.com/watch?v=54Yd88-OePw
https://www.fanbase.to/sOguiCPU
Jedes AVALAND-Album ist ein neues Kapitel in einer originellen Fantasy-Chronik voller fesselnder Schlachten, heldenhafter Schicksale und mitreißender Melodien, die so hart einschlagen wie ein Kriegshammer und wie arkanes Feuer schimmern. Das ist mehr als nur ein Albumzyklus – es ist eine lebendige Legende. Nach ihrem Debüt “Theater Of Sorcery” (2021), dem zweiten Album “The Legend Of The Storyteller” (2023) und ihrem Live-Album “The Legend Comes Alive” (2025) hat die Band den renommierten Produzenten Joost van den Broek (Epica, Powerwolf, Sabaton, Ayreon, Blind Guardian) für ihr neues Album “Chemical Poetry” an Bord geholt. “Bei der Arbeit an diesem Album mit Joost konnten wir endlich genau definieren, was den Sound von AVALAND ausmacht, indem wir nach etwas sehr Organischem, Warmem und Mitreißendem suchten, aber mit einem moderneren Ansatz. Er hat uns wirklich dazu gebracht, durch unsere Musik auszudrücken, was AVALAND ausmacht und uns von einigen imaginären Zwängen befreit”, erklärt Sänger Adrien.
Mit der Veröffentlichung von “Chemical Poetry” schlägt die Band das nächste Kapitel (Kapitel 4) ihres fortlaufenden Opus auf und präsentiert ein Album, das als fesselndes, episches Abenteuer erlebt werden soll. Gewaltige Riffs schlagen ein wie kritische Treffer, Chöre und orchestrale Arrangements bereiten das Schlachtfeld vor und das Storytelling steht weiterhin im Mittelpunkt dieses Gesamterlebnisses. AVALAND liefern nicht nur den Soundtrack zu einem Abenteuer – sie laden die Zuhörer ein, tiefer in eine Welt einzutauchen, in der Metal und Mythos sich gemeinsam weiterentwickeln.
Über Avaland
AVALAND wurde 2020 mit dem Ziel gegründet, mehr als nur eine Band zu sein – konzipiert als ein vollständig immersives, theatralisches Live-Erlebnis. Inspiriert von Acts wie The Alan Parsons Project, Avantasia, Winger und Savatage – und angetrieben von einer tiefen Liebe zum Hardrock der 80er-Jahre – verbindet AVALAND orchestrale Arrangements und Metal-Oper-Storytelling mit dynamischem Rock und Power Metal. Adrien G. Gzagg und Jeff Kanji führen die Band mit ihrem aus Stahl und Feuer geschmiedeten zweistimmigen Lead-Gesang an, während Lucas Martinez seine flammenden Gitarrenriffs in das Fundament aus Camille Souffrons wilden Basslines und Léo Mouchonays rasenden Drums schießt, die den Donner beherrschen und den Rhythmus vorantreiben. Auf der Bühne präsentiert die Band zwischen zwei und fünf Stimmen, die sowohl aus dem inneren Kreis als auch von verschiedenen Gästen stammen und jede Performance zu einem unvergesslichen Erlebnis machen.
Inspiriert von Tabletop-RPGs und vom Leben der fünf Musiker, die schnell lernten, ihre Emotionen und Erfahrungen in fesselnden Geschichten umzudeuten, lädt die Band ihre Zuhörer ein, die fortlaufende Saga von AVALAND, die sich über Alben, Songs und Story-Fragmente erstreckt, zu verfolgen. Durch monatlich auf World Anvil (einer Plattform, die Tools zum Erstellen, Organisieren, Speichern und Teilen von Fantasy-Welten bietet) veröffentlichte Kapitel wird der AVALAND-Lore eine weitere Lebensdimension verliehen.
Erlebe die Welt von AVALAND bei World Anvil: https://www.worldanvil.com/w/avaland-metal-opera-avaland-metal-opera
https://www.youtube.com/@avaland-metal-opera
https://www.facebook.com/avaland.metal.opera
SLOWLY WE ROT #27 is in the works! Adverts & compilation CD slots available for reservation! https://slowlywerot.limitedrun.com/ https://www.facebook.com/swrzine/The upcoming Slowly We Rot issue 27 is scheduled for a May/June 2026 release!
Deadline for promo submission, adverts and compilation booking: 30th of April 2026
Please find below some details on SWR#27:
- A4 size
- glossy paper
- old school black & white
- English written
- professional print
+ Free Compilation CD!
- genres featured: Heavy, Thrash, Progressive, Power, Death, Grind, Black, Gothic, Symphonic, Doom, Dark Metal and the likes
Check out previous issues here: https://slowlywerot.limitedrun.com/
Bands / labels / agencies ask for affordable advert rates, compilation CD reservations info and promo submission info.
Guidelines for compilation CD reservation:
- please email first and ask for availability and rates
- traditional & extreme metal only (above-listed genres)
- only good quality recordings (no rehearsal sound, no live recordings)
Deadline for promo submission & advert booking: 30th of April 2026!
Issue 26 and previous issues available here: https://slowlywerot.limitedrun.com/
Thanks for your support! swrzine@yahoo.com
Greek atmospheric death/thrashers CREMATE return after 30 years, “HUMAN” lyric video promote their new EP . https://www.youtube.com/watch?v=qHxRB1cj-L8
Cremate returned from the dead in 2021, after 26 years: Christos (vocals, bass), along with George (drums) and longtime friend Akis Pastras (guitars; Dexter Ward, Damon Systema, Nightfall), decided to resurrect CREMATE.
They revisited their early material with a new vision. Using the 1993 End of Time demo as a foundation, Christos reworked and reimagined the songs with synths, samples, and fresh arrangements — giving birth to a new, unique sound that blends 90s death/thrash aggression with dark electronic atmospheres.
The result is Ready to Fight, a powerful 4-track EP, set to be officially released in November 2025 via Wormholedeath Records.
The EP includes three reworked tracks from the original demo (excluding the intro), with “Another Pain Born” now retitled “Human.” On "Die as You Lived," Lusty Apricot contributes haunting violin, adding a dark, atmospheric layer to the track. The EP’s title track, “Ready to Fight,” is a brand new composition — fierce, heavy, and emotionally charged, featuring a guitar solo by Marios Iliopoulos from NIGHTRAGE.
It’s important to note that all music and lyrics were written by Chris, who also handled the overall vision, arrangements, and direction of the release.
The musicians featured on the recording — including George on drums and Akis Pastras — participated strictly as session members for the studio recording and are not permanent members of the band.
The EP captures the raw spirit of the '90s, but through a modern sonic lens where synths and samples enhance the brutality instead of softening it. It’s a sound that stands apart — not easy to categorize or compare.
Recording and mixing were handled by Akis Pastras at his personal studio, while mastering was done by George Nerantzis (Abbath, Rotting Christ, Gus G., etc.).
CREMATE isn’t here to relive the past. It’s about pushing forward — with experience, passion, and roots still firmly planted in the music they’ve always loved. The mission is simple: reconnect with old fans, reach new ones, and bang heads together once again.
Track list:
Die As You Lived (05:37)
Human (05:14)
Cerebral Pain (06:16)
Ready To Fight (05:54)
Total Duration: 23:04 min
www.facebook.com/CremateTHEBAND
ANGELLORE – „NOCTURNES“
Label: Ardua MusicRelease date: May 15th 2026
Genre: Gothic Doom Metal
For fans of: Theatre Of Tragedy | Tristania | Empyrium | Draconian | Saturnus
A voice comes singing in my dreams; an incongruous enchantment pulling me away from my simple fantasies, replays of mundane moments and unfounded anxieties. It leads me beneath the boughs of towering trees, through unspoilt alpine meadows and in the shadows of mountain peaks, beneath the glowering eyes of ancient fortresses of blackened stone. Emotions I have never dared to feel, even in my journeys through the realms of sleep, tear me open beneath vast, storm fractured skies…and I awake bereft, my siren still unseen but my heart enraptured.
For nearly twenty years Avignon’s Angellore have ensorcelled and delighted fans and critics alike with their unique blend of gothic doom, folkloric influence, drama, storytelling and grand emotion; weaving traditional instruments into the rich layers of sound that have characterised remarkable, enthralling albums like 2015s La Litanie des Cendres and 2020s acclaimed Rien Ne Devait Mourir, described by Angry Metal Guy as painting “a despairingly beautiful picture for the listener to enjoy”. And now it is time for a new chapter in Angellore’s epic tale, an album that has been slowly developing in the darkness for the best part of ten, long years – their most profoundly affecting creation to date – Nocturnes…
The tale begins with ‘Falling Birds’, a dolorous dance shifting into powerful chords, laced with melancholic melody, that usher in a voice of aching, angelic purity and guitar lines laden with sorrow. Like an unfolding fairytale the music carries you through shadows and sadness, splendour and tragedy, broken hearts and betrayal…another world is revealed within the song – one of heightened emotion and magic, lost souls and monsters – and passages of oboe and bass clarinet add immeasurably to the mesmerising aura. Angellore never release you from the spell cast by ‘Falling Birds’, the journey continuing into ‘Black Sun River’, a spirit stirring track that binds you within its ghost dance, steeped in passion that can transcend ages, love that burns through the centuries. The unhurried fable of ‘Forsaken Fairytale’ follows, highlighting the wonderful versatility and variety of voices that the band possess, creating an array of characters that populate their stories. The harsh vocals contrasting with the quiet dignity of the music, speaking with a bitter clarity and heartfelt expression, while beautiful flute and sublime piano add to a seemingly limitless palette of sound from which Angellore can draw. Cathedral choirs beckon in the transportative ‘Martyrium’, a gateway to wind blasted moors where clouds race through the night sky across the face of the moon. Wherever you might be, when you listen to this song it becomes midnight in your mind, each note falling like cold rain as you are given a glimpse of what it means to feel beyond reason and to love beyond madness. And finally, there is ‘A Dormant Stream’; a dazzling tapestry of emotion woven from tactile textures…delicate simplicity, words intoned with strength and meaning, sweetly measured guitar lines in a stately dance with ethereal flute and formidable chords of breathtaking grandeur that lead us in sombre procession to the album’s end.
Recorded in an array of different studios, in different countries, from Iceland to Belgium, Nocturnes was engineered and mixed by Déhà (Inborn Suffering, Wolvennest, Cult Of Erinyes etc) and mastered by Markus Skroch (October Falls, Sig:Ar:Tyr, The Chasm etc) and the results couldn’t be more apt – smooth, deep and all-encompassing. With cover artwork created by the band’s own Florent ‘Celin’ Castellani that encapsulates the spirit of the album, Nocturnes will be released on May 15th by Ardua Music – prepare to be bewitched…
Line-up:
Lucia – Vocals
Rosarius – Clean & harsh vocals, electric & acoustic guitars, synths, grand piano
Walran – Harsh & clean vocals, synths, grand piano
Celin – Bass, additional guitars, EBow, backing extreme vocals
Ronnie – Drums & percussions
Also featuring:
Gunnar Ben – Oboe on “Falling Birds” & “A Dormant Stream”
Ségolène Perraud – Flute on “Falling Birds”, “Forsaken Fairytale” & “A Dormant Stream”
Dirk Goossens – Bass clarinet on “Falling Birds”
Raphaël Verguin – Cello on “Forsaken Fairytale” & “A Dormant Stream”
https://www.arduamusic.com/
https://www.facebook.com/AngelloreDoom
VARATHRON – “PROCREATION OF THE UNALTERED EVIL”
Label : WolfKult Religion
Format: 7" EP (vinyl)
Release date: May 15th, 2026
Originally released back in October 1989, 'Procreation Of Unaltered Evil' is widely regarded as one of the ultimate milestones of Greek Black Metal. Not only was it one of the very first recordings from that highly praised scene, it also served as a blueprint of countless of other bands all around the globe who were left in awe after hearing these primordial tracks. VARATHRON entered the scene with a demo tape under their collective belts that became a classic almost immediately.
The two tracks that were released on this first Varathron demo tape are still among the favourites of many Varathron fans, but musicians all over the world were influenced by these early recordings. Dead, of Mayhem and Morbid fame, for example, more than once cited this demo to be one of the most influential recordings for his, sadly short, musical career.
At that time Varathron’s line-up consisted of vocalist and visionary Stefan Necroabyssious, who still leads this legendary band today, as well as Jim Mutilator who was also in ROTTING CHRIST at the time and is currently helming YOTH IRIA. And while members would come and go, including Themis Tolis (ROTTING CHRIST) and Vorskaath (ZEMIAL and AGATUS), which is also typical of a small but close-knit scene, the Varathron sound would remain largely unchanged for the band’s long career. What this means is that ‘Procreation Of The Unaltered Evil’ wasn’t just any Black Metal landmark or foundation; it turned out, as brief as it is, to be a genre-defining recording.
Because of the undeniable significance of these two tracks, they have been reissued a couple of times over the past 37 years (think about it, this is almost 40 years old!). But never were they presented in a stand-alone release since its original appearance so many years ago despite Stefan Necroabyssious’s fervent desire to make it happen. That changes on May 15th when WOLFKULT RELIGION releases the two tracks on a 7" EP, it also comes with a 12-page booklet with old drawings, photos, flyers etc.
Tracklist
A. Necranastasis
B. Dawn Of Sordid Decay
Line-up and additional information
Stephan - Vocals
Spyros - Drums
Jim - Bass
Jon - Guitar
Recorded at Backstage Studio, October 1989
Originally released in October 1989
Design and layout by Felix Schoonen & WolfKult Religion
https://wolfkultreligion.com
Ahead of its arrival, Stuttgart-based dark rock quintet ASTRAYA have presented a full stream of their sophomore album, “ATROPINE”. The band’s second full-length will be released on 24 April 2026 via These Hands Melt in CD, LP and Digital formats. Listen to the album in full: https://youtu.be/KIhcVJ1M4Xg
This follows the band’s previously released music videos for “A Spark Within” and “A Theory of Time”.
Since their 2019 debut EP “Black Awakening”, Astraya has carved out a reputation for a "handmade" wall of sound that balances dreamlike longing with unrelenting rage. Vast moments of calm are built only to be torn down unexpectedly, demanding the listener’s full emotional commitment. Their music is a blend of dark rock, metal and doom, and is defined by the ethereal, classically influenced vocals of Melina Abele, which pierce through the band's heavy atmosphere like sun rays through black clouds.
With their new album “Atropine”, the band explores human fragility, fate and time. The title track has a deeply mystical atmosphere, exploring the very moment of death and the idea that one’s fate may already be predetermined. This underlying theme runs throughout the entire record. “A Theory of Time” approaches our existence from a more scientific and philosophical perspective, analysing the nature of being and our place within the greater structure of time. Furthermore, the album reflects on humanity and its failings: addiction in “Valley of the Damned”, war in “In The Pale Glow of Torches” and “In Devotion”, and trauma in “Descendant of a Dead Man” and “Lighthouse”. Amid the album’s pervasive melancholy, the first single, “A Spark Within”, stands out as a small but powerful glimmer of hope. Through its dark sound, the music reinforces and amplifies the themes expressed in the lyrics.
“Atropine” was produced and mixed by the band's own Tim Suske, with mastering handled by Roland Böffgen at Hard Drive Sounds Studio. The haunting cover artwork was created by Katja Schocke.
Pre-order "Atropine" now:
https://thesehandsmelt.shop/
https://astraya.bandcamp.com/album/atropine
The album will be available in the following formats:
Vinyl LP: "Transparent Indigo" colour (Limited to 200 copies)
CD: Digisleeve with booklet (Limited to 300 copies)
Digital: All major streaming and download platforms
Tracklist:
1. A Spark Within
2. Lighthouse
3. In Devotion
4. A Theory Of Time
5. Descendant of a Dead Man
6. Valley Of The Damned Pt. 1
7. In The Pale Glow Of Torches
8. Arrival
9. Valley Of The Damned Pt. 2
10. Atropine
Astraya are:
Melina Abele: Vocals
Benny Gölz: Guitar
Tim Suske: Guitar
Tobias Hänsel: Bass
Klaus Wintermayr: Drums
https://thesehandsmelt.shop/
https://www.facebook.com/astrayaband/
Defect Designer's new album is once again grabbing everyone's attention with their bold, almost outrageous take on progressive death metal/grindcore. Everyone's talking about their "Carte Blanche" song with its James Bond theme bit. Heavy Blog Is Heavy premiered a brand new song, the album opener, at https://www.heavyblogisheavy.com/2026/03/25/exclusive-premiere-17/
which is just as much fun.
Excerpt - "I can't really encapsulate everything else which the excellent Depressants contains because it's a lot. Suffice it to say that if you love progressive music, then this release is, once again, for you."
DEFECT DESIGNER – “DEPRESSANTS”
Genre - Progressive Death MetalFor fans of - Diskord, Februus, Demilich, Contrastic, Swelling Repulsion, Disharmonic Orchestra
Defect Designer have kept progressing with each album and they seem to have reached the acme with this one. It's wildly diverse and refreshing while retaining their core sound; it's a marvel how they continue to remain death metal or keep reverting to it after unabashedly exploring various sounds and imbibe influences from so many unrelated and unexpected styles. No song is redundant or sounding too similar at this point; they have something or the other hidden in it, often towards the end. This is decidedly their most ambitious album and they've outdone themselves on this one to offer a singular, exhilarating experience for the true prog-minded fans of the style. With the music on "Depressants" being as colourful as the Ian Miller artwork, it is anything but what the album title suggests - that's just the classic tongue-in-cheek Defect Designer for you.
Line up
Dmitry Sukhinin (Diskord) - Guitars, vocals, music, lyrics
Martin Storm-Olsen - Bass, vocals, lyrics, sound engineering
Eugene Ryabchenko (Fleshgod Apocalypse) - Drums
Artwork by Ian Miller (Ulthar)
Track listing
1. Daily Dose of Gloom
2. Butterfly Juice Straws
3. Repeated Aversive Stimuli Inducer
4. Carte Blanche
5. Expiration Deferral Request Denied
6. Scorching The Rival Pogonomyrmex Burrows
7. Body Count Of My Cow Tail
8. I Heard Robespierre Screamed Like A Bitch
9. Peons Before My Drabbing Wings
10. As The Terracotta Dust Settles
11. Awaiting The Return Of The Golden Age
12. The Inevitable Mad Composite
13. Wrong Future Forecast
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/defectdesigner1
Finnish melodic metal band BLACKMENT is set to release their second studio album on June 12th. The sophomore full length is preceded by two more singles. The first of them “IN MOTION” is released today, and it's quite a blast!
“In Motion is a concentrated burst of energy packed into less than three minutes — just enough to make you want to listen to it again. Sometimes the tempo slows down, and other times the choruses really blow up,” the band’s guitarist Allan Välimaa sums up.
Listen to the single on music services : https://push.fm/fl/blackment-inmotion
The melody was found from the depths of Allan’s desk drawer, and it was given a completely new arrangement. Basically it became a completely new song. After being approved by the band it was also turned into a music video that you can watch.
When the video was being filmed, Allan fell ill with fatigue, a condition that wasn’t diagnosed until later. But for that very reason, getting the video finished was a memorable experience in many ways. Although Allan was also the video’s director, the filming was handled by Hille Sadehelmi, who also shines as a backing vocalist on the track. She also took charge of the camera. It was in other words a true multi-talented session.
"Sure, we left a bunch of gear in the parking lot at the shoot location, but luckily it was still there the next morning. I also got to feature my new favorite guitar from Raato Custom Guitars in the video," Allan recalls, noting with a twinkle in his eye that this sort of thing is always a big deal for guitar geeks.
Blackment are:Sami Vuorenheimo – vocals
Saalas Ruokangas – guitar & backing vocals
Allan Välimaa – guitar
Väinö Huhtanen – bass & backing vocals
Sebastian Nyandoto – keyboards & backing vocals
Akseli Aalto – drums
The single also features: Hille Sadehelmi – backing vocals
Blackment is a melodic metal band that was founded in 2014 at Hyvinkää, Finland. Their debut album “Plains of Oblivion” was released in autumn 2022. The album has gotten airplay in various European countries. In addition, the band was nominated for the newcomer of the year 2022 by Kaaoszine (a Finnish music news website). In 2023-2024 Blackment released three singles “Pariah”, “Ghost in the Machine” and “Freedom Fall”. The band also competed as a semifinalist in the Wacken Metal Battle Finland competition.
Over the years Blackment has developed a recognizable sound and style including catchy melodies, tricky yet punchy guitars, groovy drums and bass, atmospheric synths and a wide range of vocals with unique voice. The six-piece band has been praised for their energetic live shows and they have performed for example at Heavy Metal Heart Festival and at Semifinal club in Helsinki.
https://www.facebook.com/blackmentofficial
Polish Death Metal Act ASPERATUS
will release its debut full-length on Mad Lion Records!!!! We're
pleased to announce that Mad Lion Records' catalog will soon be
increased by another extraordinary release –the debut album by Asperatus! The Krakow-based crew expertly crafts technical, aggressive death metal inspired by classic signifies the Florida scenes! Asperatus' music it's a fusion of ruthless aggression from the sign of Suffocation, Hate Eternal's technical rigor and merciless, dark climate of Morbid Angel and Cannibal Corpse!
It's a mixture of old school patterns with modern brutality in the style of Aborted! This all creates a sonic "meat grinder" in which technical precision meets pure, extreme energy! Brutal Masterpiece!!!
Current line up:
Lukasz Ciepala - vocal
Radoslaw Godzina - guitar
Rafal Zenczak - guitar
Piotrek Tokarz - bass
Bartek Janczarski - drums
Discography:
Warped Reality (EP, 2015) self released
Sanctified State Of Decay (EP, 2020) self released
https://www.youtube.com/@asperatuspoland4675
https://www.facebook.com/AsperatusPoland/
AZARATH – „IN EXTREMIS “
We are pleased to share an important update regarding the legendary extreme metal force Azarath. In addition, the jewel case CD reissue of In Extremis is scheduled for release on May 22. We encourage fans to secure their copies early, as demand for both formats is anticipated to be strong.
Tracklist1. The Triumph of Ascending Majesty
2. Let My Blood Become His Flesh
3. Annihilation (Smite All the Illusions)
4. The Slain God
5. At the Gates of Understanding
6. Parasu Blade
7. Sign of Apophis
8. Into the Nameless Night
9. Venomous Tears (Mourn of the Unholy Mother)
10. Death
Azarath is a Polish blackened death metal band formed in 1998 by drummer and vocalist Inferno (also known for his work with Behemoth). The group is known for its aggressive, fast, and unrelenting style that blends brutal death metal with black metal atmospheres and themes centered on anti-religion, chaos, and nihilism.
Across their discography, Azarath has built a reputation for precision, intensity, and extreme speed, with Inferno’s drumming often being a defining element of their sound. Albums like Demon Seed, Blasphemers’ Maledictions, and In Extremis highlight their evolution into one of Poland’s most consistent and ferocious extreme metal acts.
www.agoniarecords.com
Portuguese thrashers VILEDÖG debut with “APPETITES” EP on Mosher Records .The Porto-based quartet promotes the debut release with a video for the title track. What’s peculiar: it was recorded almost a year ago and their hair is longer nowadays!
“ We are Viledög! A band that thrives In the space between chaos and precision by blending ccrushing riffs and raw emotional intensity that feels both feral and deliberate. To put it simply, we are Viledög, we’re all gas, no fucking breaks!” – that’s what they say about themselves.
https://www.youtube.com/watch?v=h7zo7l4AnbQ
https://linktr.ee/bandviledog
Polish black metal outfit PIOŁUN returns with their second full-length album, “EXOLVUNTUR”, set for release on 22 May 2026 via Malignant Voices.
Listen to the first advance track “Manifest Kresu” via BMP: https://www.youtube.com/watch?v=wGPwsuZWu-U
On “Exolvuntur”, Piołun remains deeply inspired by the Scandinavian and Polish black metal scenes of the 90s, while incorporating a refined, contemporary edge. It follows the band’s 2022 debut, "Rzeki Goryczy".
“Stylistically, it is a continuation of the preceding ‘Rzeki Goryczy’; however, it presents black metal that is more dynamic and melodic,” said the band’s founder, Sorh. “The album's concept revolves around the cycle of life and death, referring to human transience in the face of ruthless nature. ‘Exolvuntur’ is a 37-minute journey where the wildness of traditional black metal intertwines with nostalgia and melancholy. Black metal for black metal fans.”
Sorh is widely recognised as XCIII, the guitarist for Blaze of Perdition, Oremus and Mānbryne. For this new chapter, the production was handled by one of Poland's premier engineers, Haldor Grunberg, at Satanic Audio.
“Exolvuntur” will be available in CD, LP, Digital along with T-shirts, and can be pre-ordered via Malignant Voices: http://sklep.malignantvoices.com
https://malignantvoiceswebshop.bigcartel.com
Track list:
1. Manifest Kresu
2. Sierpniowy Brzask
3. Czas
4. Koło Życia
5. Moribunda
6. Próba Sznura
7. Hiems
http://malignantvoices.com/
https://www.facebook.com/MalignantVoicesProductions/
https://www.facebook.com/profile.php?id=100087671561976
NUMEN reveals "HUSTASUNA - OROITZAPEN GALDUEN PUTZUA", when wrath devours souls .NUMEN makes their grand return on June 12th with Les Acteurs de l'ombre Productions and a new album of dark and merciless black metal, inspired by the ancestral beliefs of the Basque Country.
Sung in euskera, this album delves into the witch trials and the Inquisition of the 17th century
"Amorruak putzurik beltzenean Ito ditu arima desolatuak" / "Wrath has submerged desolate souls in the darkest abyss." / "Anger has engulfed desolate souls in the darkest abyss."
A first track entitled "Hustasuna - Oroitzapen galduen putzua" is now available on Black Metal Promotion
For fans of ’90s Nordic black metal and those who appreciate fast, aggressive, and melodic black metal rooted in the spirit of that era.
Pre-orders: https://www.lesacteursdelombre.net/product-category/preorders
Wormholedeath welcomes UK funeral doom project ABYSMAL GROWLS OF DESPAIR
to its roster. This collaboration marks a significant milestone for the
one-man project led by the prolific artist Hangsvart, as he prepares to
unveil his latest and most profound work, Torn, on June 5, 2026.AGoD has been Hangsvart's main project since 2013. It has explored a wide range of sounds but centered on ritualistic dark ambient, drone, and funeral doom. Inspired by bands like Funeral Moth, Ataraxie, Comatose Vigil, SUNN O))), Remembrance; by ancient civilisation and spirituality, despair, grief and madness. Hangsvart has always been straightforward with his own struggle with schizophrenia since 2007, being a main source of inspiration.
Torn is a solemn and uncompromising work. It unfolds slowly, with immense weight and emotional gravity, and leaves a strong, lasting impression. This is not an album you listen to. This is an album you enter.
This album of funeral doom metal explores the emotional landscape of a husband caring for his wife battling cancer. It is a testament to love and resilience. Trombones and tubas add weight and solemn grandeur, while 8-string guitars and the guttural voice entomb the listener.
Hangsvart commented:
"I am very excited to sign with WormholeDeath for my album Torn. Even though I have released a dozen of physical albums with other labels, WormholeDeath is definitely a step above anything I've ever done before, allowing me to reach a much wider audience."
Tracklist
1 - Prologue to Agony
2 - Growth
3 - Mourning Has Broken
4 - Torn
www.youtube.com/channel/UCJdyff5TfztnIeO0U6QaHwA
www.facebook.com/abysmalgrowlsofdespairofficial
How should a thrash metal band from the 2000s make a comeback? This is how! WHERE VICTIMS LIE
released two promo CDs back in 2003 and 2007, before going on a long
hiatus. Now they're finally back with a five-track EP called "WHAT WAS LEFT BEHIND" - an assault of sheer thrash metal revival! Rooted in the 80s, influenced by the 00s, but crafted with passion in the 20s.Listen to the single on music services : https://push.fm/fl/wherevictimslie-wwlb
"I always felt there was some unfinished business with this band. We got back together a few years ago and quickly realized that we all still had the same fire burning!" says guitarist Jarkko Petosalmi.
"We wanted to make absolutely sure that we came back stronger before, and we definitely succeeded! We also haven't slowed down one bit, quite the opposite actually." comments drummer Timo Häkkinen.
Where Victims Lie:
Teijo Hakkola: vocals
Jarkko Petosalmi: guitar
J-V Hintikka: guitar
Herkko Huttunen: bass, backing vocals
Timo Häkkinen: drums
Tracklist
1. Petting a Burning Dog
2. Imprint
3. Veil
4. The One to Bring Forth Fiery Apotheosis
5. The Code
Music: Jarkko Petosalmi, J-V Hintikka
Lyrics: Teijo Hakkola
https://www.facebook.com/wherevictimslie
DEFORMEATHING PRODUCTION proudly announces the release of NEOLITH'S brand new album. Nearly seven years after the release of "I Am The Way", the band returns with their sixth album. The album titled "INBIR," will be released on September 12, 2026, in LP/CD/digital formats. It is the band's most ambitious, complex, and refined work to date, representing a significant step forward in both compositional and sonic terms.
The title "Inbir", meaning "war" in the ancient Sumerian language, defines the album's thematic direction. The material explores universal themes related to power, mystery, spirituality, and the fate of man. Musically, Neolith remains true to its roots, which accurately reflects the nature of this album—intense, dark, and consciously rooted in the aesthetics of old-school Death/Black Metal.
The album's sound is the work of the band and Haldor Grunberg, who, in his Satanic Audio studio, created a massive, cohesive, and powerful production. The artwork was created by a renowned Polish artist Artur Szolc.
Along with the album's release, the band will launch a live offensive, bringing "Inbir" to the stage in full force.
Tracklisting:1. Inbir
2. Ashur Has Given Me a Brother
3. The Dawn is Waking
4. Modlitwa na Marny Czas
5. Of All the Gods
6. Ouroboros
7. The Four ETEMMŪ of KURNUGI
8. Morte
www.neolith.bandcamp.com
www.facebook.com/neolith
MALKKEBRE & Meyhnach (Mütiilation) join forces on "YOU FAILED", an anthem against traitors . MALHKEBRE will release their new album "B.A.M.N." on
April 30 via Battlesk’rs Productions. Ahead of the album, the
band gives a second glimpse with the the single "You Failed", now
available on all digital platforms.Regarding the French black metal alliance, it stands as the product of three decades of intersecting paths, forged friendships, and cast-off adversaries. A testament to resilience in a scene where time and betrayal have brought many down, as Eklezjastik BerZerK himself it.
He explain that the single serves as a clear message to those who once declared them finished:
"When I see how it all started 30 years ago, I wouldn't have bet a 8.6 beer that we'd still be here doing what we do, spreading the word of the Evil One with as much devotion as ever. In fact, there were many parasites who kept proclaiming that we were dead and a thing of the past.
Whether it was Mütiilation or MALHKEBRE, we went through a lot of growing pains, encountered fakes and hypocrites... Where are they now? We know where some of them are, and that's fine... As for the others, well, it would certainly make us smile to see that they have become worse than those they used to criticize. On this track, we chant a message to all our detractors: YOU FAILED!!! WE NEED NO MORE TRAITORS!!!"
Listen, Share, Support, Die!
Pre-orders: www.battleskrs.com
Finnish death metal band Devenial Verdict revealed a new song from their upcoming release titled "Old Blood - Fresh Wounds" which sees the band dishing out powerful, catchy death metal. The premiere done by No Clean Singing can be found at https://www.nocleansinging.com/2026/03/31/an-ncs-premiere-devenial-verdict-rituals-of-ignorance/
Excerpt - "(We) congratulate Devenial Verdict on not only surviving for 20 years but continuing to make such tremendously good death metal."
DEVENIAL VERDICT – “OLD BLOOD - FRESH WOUNDS”
Genre : Death Metal
For fans of : Morbid Angel, Obituary, Ulcerate, Dysgnostic, Crown of Madness, Mithras
"This release celebrates the 20th anniversary of Devenial Verdict. We wanted to update some of our older songs on this EP; these songs mark some of the most important musical moments of us as a band. We have the first instances of dissonance in our music and the seeds of our melancholic and atmospheric leanings; we have brutal passages and rare instances of melody. It was really eye opening to realise that all the influences were there all along! Some of these songs have never been properly released and exist only as live videos captured at our shows.
We wanted to add Soulthirst EP to this release since 2026 marks the 10 year anniversary for that release. Soulthirst functions as the bridge between all of our older material and our current sound, which we fully unleashed on Ash Blind in 2022."
Line up
Okko Tolvanen - Drums
Sebastian Frigren - Guitars, backing vocals
Antti Poutanen - Bass, backing vocals
Riku Saressalo - Vocals
Artwork by Niilas Nissilä
Track listing
1. Rituals of Ignorance
2. Swarms of the Mindless
3. Elysium
4. The Unborn God
5. Thrones
6. Fall of Faith
7. Sun Hammer
8. The Corinthian
9. Despoiler
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/DevenialVerdict
Thank you very much! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
VILE DESOLATION – “ANNIHILATING THE CONSCIOUSNESS”
Label: Comatose MusicRelease date: May 8th 2026
Genre: Brutal Death Metal
For fans of: Suffocation | Anthropophagus Depravity | Beheaded | Molested Divinity
All I have known, all I have done, seen, given, taken, loved and destroyed, all that I am…begins to crumble into dust. My mind drifts like smoke on the evening air, a twilight ghost escaping into the void and leaving me a fractured, empty shell. I am wiped clean, alone and untethered in a cold, uncaring darkness. And then they find me, sensing a vacant vessel. I am defenceless as the nightmares pour into the abandoned rooms within the palace of my skull. I have become a playground for the impious spirits of seething chaos who feed upon my fear. I am nothing but desperate, endless terror.
From the ever-fertile spawning grounds of East Java, Indonesia comes another monstrous entry into the annals of brutal death metal – Vile Desolation! Drawing on their extensive experience in an array of bands from the Indonesian scene, the members of Vile Desolation have created a debut album of titanic, shocking power. Annihilating The Consciousness is brutal death metal at its absolute, horrifying best – and Vile Desolation are already apex predators of this most extreme musical landscape.
Opening with the bruising, bludgeoning force of ‘Veiled In Obscurity’, a grotesque amalgam of shuddering hammer blows, white hot blasts, discordant tones and an atmosphere of evil, Annihilating The Consciousness erupts with unbelievable intensity and never steps back from the brink of wild, untamed chaos beyond reason and morality. From the wicked technicality and lightless crevasses of pestilential bass rumblings of ‘Whispers Through The Shadowed Gates’ to the dimension of pain haunted by otherworldly entities and incomprehensible violence that is ‘Labyrinth Of Torment’, Annihilating The Consciousness delivers with fearsome dexterity and shattering impact. A magnificent trilogy of insanity lurks at the album’s heart – ‘Dementia’s Embrace’, ‘Eyes Of Madness’ and ‘Eternal Lunacy’ – which serve up complexity and carnage in a compelling and consuming fashion. The guitars carve intricate patterns into your defenceless flesh while the vocals are a heart-shaking subterranean roar as the confusion and desperation of the decaying mind are brought to unnerving life. There is simply no weak point on this devastating debut from Vile Desolation. These songs are not random acts of violence; they are carefully planned, vividly imagined and meticulously executed. After the shattering conclusion of ‘Sanctified In Ashes’ you’ll understand that you have experienced one of the best brutal death metal albums that 2026 will have to offer.
Mixed and mastered at Endless Gruesome Studio and bedecked in the bleak artwork of Timbul Cahyono (Monstrosity, Terrorizer, Witchburner etc) Annihilating The Consciousness will march forth under the bloodstained banner of Comatose Music on May 8th. Kiss goodbye to your sanity; Vile Desolation are coming and madness follows in their wake.
Line-up:
Yudha - Vocals
Hendika - Guitar/Bass
Rama - Drums
https://www.comatosemusic.com/
https://www.facebook.com/viledesolation/
BEYOND THE VEIL - "OBLIVION"Oblivion was built around a specific ambition: to drag the spirit of 1970s and '80s progressive rock into direct collision with modern extreme metal. To do it authentically, the band reached for the instruments that defined that era — Mellotron, Moog, and Chapman Stick — giving the record a texture and warmth that sets it apart from anything currently on the heavy music landscape. The songs are long by design. Beyond The Veil was not interested in compromise, and it shows.
Their influences read like a well-worn record collection: UK and Italian prog, Nordic and Asian prog, and a deep, foundational love for thrash, death, and black metal, particularly the output from before 2010. It's that combination, the old and the extreme, the delicate and the crushing, that gives Oblivion its character.
The band is already working on their next release, with a stated intent to evolve the format while keeping the philosophy intact: modern music made by people who genuinely revere the golden age of progressive rock.
The digital album's release date is 01 May 2026.
Tracklist
1 Built on Sand
2 A Glimpse into Eternity
3 Reflection
4 Enigma
5 Collapse
6 Terminus
About Beyond The Veil
Formed in 2020 by DB Karma, Yoshihiro Yamaji, and Eric Fetterman, Beyond The Veil quickly established a distinctive identity within the extreme metal landscape. Keisuke Tsuboi joined the band in 2021 on bass and drums, and Dave Griffiths completed the current lineup on bass in 2025.
Their sound merges thrash, death metal, black metal, and blackgaze with elements of progressive rock, jazz, folk, and classical music. The result is music that moves between crushing intensity and reflective, melodic passages. Most compositions come from lead guitarist Yoshihiro Yamaji and keyboardist DB Karma, while vocalist and rhythm guitarist Eric Fetterman writes the English lyrics. DB Karma contributes the Japanese lyrics, and the rhythm section, Dave Griffiths and Keisuke Tsuboi, develops the band’s bass and drum arrangements.
www.beyondtheveil.jp
Irish melodic Death Metal act BALASHTOTH
announce debut album . Following two EPs, Ireland based Melodic Death
Metal act BALASHTOTH now announces its first full-length album, "EQUATION II – THE ANTITHESIS OF LIFE AND FREE WILL", to be released this June 12 as a joint release between Pest Records, Metal Ör Die Records and Not-Even-Music.The first single, " Misunderstanding", is now streaming here: https://www.youtube.com/watch?v=dq_NRfCv5bo
3 tracks from the album feature Adam Toth (Kajgūn, ex-The Dethroners, Art of Dethronement) on viola and/or Moog synth.
The photos used for cover art were taken by Péter Jakab, the former singer of the Hungarian Brutal Death Metal band, Depths of Depravity.
Pre-orders are now open: https://pestrecords.bandcamp.com/album/balashtoth-equation-ii-the-antithesis-of-life-and-free-will
https://metalordierex.bandcamp.com/
https://www.facebook.com/pestrecords
https://www.youtube.com/@BalashToth
https://www.facebook.com/BalashToth
Italian atmospheric Black Doom Metal duo URLUK release new album . Italy’s URLUK released their highly anticipated second full-length album, “MEMORIES IN FADE”, on April 10, 2026, via Pest Records. Following the atmospheric and introspective journey of their previous works, this new record marks a clear evolution in the band’s sound, embracing a more sinuous and emotionally driven approach.
For fans of: In The Woods..., early Katatonia, Anathema, Woods Of Desolation
“Memories in Fade” is available here: https://pestrecords.bandcamp.com/album/urluk-memories-in-fade
“Memories in Fade” expands the band’s black-doom foundation with layers of ’90s alternative rock, ambient textures and neo-folk influences, creating a complex yet cohesive sonic narrative. Unlike conventional song structures, the album seeks a storytelling quality, where each track contributes to a broader, immersive experience while remaining grounded in the project’s artistic identity.
Throughout the album, clean vocals and intense screaming alternate, complementing a diverse palette of riffs that shift from melancholic and brooding to sharp and dynamic. The mood is consistently dark and enveloping, reflecting both personal introspection and the uncertainties of contemporary life. The result is a record that feels cinematic in scope, balancing heaviness and subtlety in equal measure.
Recorded with meticulous attention to atmosphere and texture, “Memories in Fade” represents URLUK’s ongoing exploration of emotional depth within extreme metal. The band continues to intertwine local identity, narrative sensibility, and musical experimentation, offering listeners a journey that is both intimate and expansive.
The single “Angles of Hauntology” is streaming here: https://youtu.be/o3ulw0iK2oo?si=zIfGELUGND2h6M2tTracklist:
01. Angles of Hauntology
02. Lying There
03. Yesterday’s Letters
04. Liminal Vortices
05. The Last Watch
URLUK was formed in July 2020 in Lombardy, Italy. The band’s name refers to a nocturnal bird of prey native to the region, reflecting a strong connection to its territory, an element also expressed visually through booklet photographs taken by the members themselves. Their sound, defined as black doom melancholic metal, merges black metal and doom into a dark and melancholic sonic landscape.
The lineup has remained unchanged since the beginning: M. (screaming and clean vocals, drums; formerly in Black Oath 2006–2010) and U. (clean vocals, guitars, bass, and lyrics), ensuring a coherent and recognizable identity.
The debut EP, “Loss” (2022), released via Black Mass Prayer and later reissued by Depressive Illusion Records, explores the theme of loss as a condition of profound human vulnerability.
The first full-length album, “More” (2023), released by Remparts Productions, represents a natural evolution. Conceptually centered on melancholy as the enduring aftermath of loss, the album expands the band’s sound, from ’90s black metal and doom to ambient and subtle folk influences, while featuring guest contributions from Carlo Altobelli (Vision Deprived, Camposanto, ex-Moral Values), Giovanni (Mindful of Pripyat, Corporal Raid, Henoa), and Luxitan (ex-Gosforth).
Work on a new album began at the end of 2023. Conceived as a sonic journey through memory and dreamlike dimensions, the record blends ’90s alternative rock, ambient, hauntology, neo-folk, and black metal within a vision described as ALT B/L/A/C/K/. Recorded at Orion Recording Studios between 2025 and early 2026, and featuring Francesco Cucinotta (Felis Catus, Sinoath), the album marks a further step in the band’s ongoing artistic evolution.
https://www.facebook.com/pestrecords
https://www.facebook.com/urlukofficial
ABUSER – “BLOOD MARKS”
Label: Xtreem MusicRelease date: May 7th 2026
Genre: Thrash Metal
For fans of: Kreator | Sodom | Destruction | Hypnosia
Beneath the thin veneer of civilisation, the flesh of our society has begun to rot. Resentment and anger boil the blood and the luxuries of charity and empathy have been cast aside – violated and torn. Humanity’s predatory instincts rise as the illusion of law and order’s protective shield is shattered and violence seethes in streets choked with filth and desperation. Those who have always harboured secret passions for cruelty and domination sense that their time is near. A new age of savagery is upon us…
…and the perfect soundtrack to these turbulent, bloodthirsty days can be found in the devastating sound of Polish thrashers Abuser! Formed in Wrocław, Poland, in 2018, Abuser were driven, right from the start, to deliver relentless, aggressive thrash metal that captured the spirit of the genre’s raw and frenzied formative years. After a well-received 2019 demo the band’s forward momentum was temporarily derailed as they were forced to search for a new drummer, but now – with a solid line-up and the support of Xtreem Music behind them, Abuser are ready to unleash their ferocious debut album - Blood Marks!
Beginning with ‘Cry Of The Innocent’, Blood Marks delivers a rush of adrenaline as Abuser take things straight to the very brink of chaos. Riffs are delivered with a palpable purpose and intent and the domineering drumming and snarled vocals infuse this whirlwind of aggression with a primal fire. This is thrash for those dedicated to the hardest and fastest, as ‘Suspended In Torture’ makes abundantly clear with its raw intensity and wild guitar solos like flailing barbed wire. No ballads, no unwanted experimental forays into milder territories, just teeth-grinding crunch and the kind of velocities that dare you to try and headbang along. Songs like ‘Painbringer’ recall those feelings of shock and awe that accompanied your first listen to Kreator’s ‘Ripping Corpse’ or Destruction’s ‘Bestial Invasion’ – glorious insanity! ‘Abuser’ is the perfect choice for an eponymous anthem - an irresistible and addictive track – and there’s no let-up, no compromise as ‘Witnessing Madness’ takes us on a breathless, frantic, headlong race to the end with its blistering riffs and screaming solos. Blood Marks is the epitome of unwavering, rampaging thrash metal intensity from start to finish. A masterpiece of mayhem!
Xtreem Music will release Blood Marks on CD and digital formats on May 7th and the seismic shocks will be felt throughout the thrash metal scene. A new ‘Riot Of Violence’ has begun!
Line-up:
Paweł Dominiak - guitar & vocals
Michał Kotwicki - bass guitar & riot vocals
Albert Matuszny - guitar & riot vocals
Jakub Klimkiewicz - drums & riot vocals
https://www.xtreemmusic.com/
https://www.facebook.com/abuserthrash
NEWS 19.4.2026
Italian
Downtempo Deathcore band GRAVERY are set to unleash their newest
EP, PURIFIED IN BLOOD. This four song maelstrom of violent and
aggressive pummel follows the band's critically-acclaimed debut Everything That
Is Born Must Die. Prepare yourselves for a relentless decent into darkness that
refuses to let up.This is evident with the EP's lead single, "ICON OF SIN." Watch the official music video at https://www.youtube.com/watch?v=U9GVEz8HYdU
FFO: Bodysnatcher, Cell, Heavy//Hitter, Volatile Ways.
Purified in Blood is due on May 15 through Upstate Records in partnership with Blood Blast Distribution. Pre-save the release at https://gravery.bfan.link/purified-in-blood
Tracklist:
1) Icon of Sin
2) Purified in Blood
3) Fragments of Life
4) An Ode to Death
GRAVERY will embark on a string of live across Europe and the UK in support of Purified in Blood, with a US tour set for August. Confirmed dates are as follows:
4/17 @ Worst Fest - Bergamo, IT
4/18 @ 6000 Fest Vol. 5 - Charleroi, BE
4/26 @ Freakout - Bologna, IT
4/29 @ JH Asgaard - Ghent, BE
4/30 @ Innocent - Hengelo, NL
5/1 @ Backstage - Hoorn, NL
5/2 @ Rising Tides Fest - Tilburg, NL
5/8 @ Q-Hub - Milan, IT
5/9 @ Le Pourquoi Pas - Liege, BE
Purified in Blood EU Tour:
5/15 @ Rats - Obhausen, DE
5/16 @ Skally Fest - Halle, BE
5/17 @ La Cage - Wez Velvain, BE
5/18 @ Cafe Bluff - Heerlen, NL
5/20 @ Cpunt - Hoofddorp, NL
5/21 @ Fla Fla - Herford, DE
5/22 @ Mk Bar - Esch, LUX
5/23 @ Park In - Hal, AT
5/24 @ TBA - Turin, IT
5/29 @ Slaughter Club - Paderno, IT
UK Tour w/ SUFFER:
6/2 @ The Vic Inn - Derby, UK
6/3 @ Live Rooms - Chester, UK
6/4 @ Moor Brewery - Bristol, UK
6/5 @ The Aatma - Manchester, UK
6/6 @ Gorilla Studios - Hull, UK
6/7 @ The Dev - Camden, UK
Additional EU dates:
6/13 @ Piccadilly - Brugg, CH
6/20 @ Damage Inc - Verona, IT
6/27 @ Gasthaus Sutter - Zweibrücken, DE
US dates to be announced soon.
Purified in Blood was written and produced by GRAVERY with lyrics by Luca De Simone and GRAVERY. The EP was recorded, mixed and mastered at Audiocore Studio in Fontevivo, Parma, Italy.
Line-up:
Luca “Pigo” De Simone – Vocals
Luca Cocconi – Guitars
Francesco Marenghi - Bass
Bio:
Rising from the fog and smog of Northern Italy the band Gravery emerged to set a new standard in violent and straight forward aggressiveness.
The outfit formed in November 2023 immediately started to write no compromise tracks addressing uncomfortable topics such as the analysis of the destructive potential of the human mind.
Gravery decided to use a rough, direct and disturbing sound to outline these themes giving birth to 6 songs that hit straight in the stomach and leaves the listener breathless and further stunned by the aggressiveness of the low tones and the merciless breakdowns leaving no room for interpretation as can be easily understood from the title chosen by the band: Everything that is Born must Die.
The EP was recorded in Autumn 2023 at the MK2 Recordings Studio by Davide Billia (Antropofagus, Hour of Penance), the mixing was delivered by Steph “Orkid” Santi (Lacuna Coil, Lvcifyer) at the SPVN Studios, and the mastering was provided by Chris Whited (Bodysnatcher, Traitors) at the 1776 Recordings Studio assuring to this malevolent masterpiece a dose of pure adrenaline fear.
After releasing 2 single videos Gravery signed with UPSTATE RECORDS USA (Fury of Five, Subzero, Freya, Brick by Brick, These Streets, Gloves Off among others) and their debut EP was released worldwide on August 9th 2024 and premiered on Decibel Magazine. The distribution was provided by Bloodblast/Nuclear Blast.
Gravery’s first EP didn’t go unnoticed and ended up to make his debut at #18 of the NACC Top 30 Heavy Chart USA together with bands such as Lamb of God, Speed, Fit for an Autopsy and more.
This achievement convinced Upstate Records to release a new single “My Own Graveyard” on December 20th 2024 which was also distributed by Bloodblast/Nuclearblast followed by another single video “A Fetish For The Graves” which was released on May 16th 2025.
Gravery is ready to launch their new EP Purified in Blood which will be released in May 2026 by Upstate Records / Bloodblast and they will make 2026 memorable, with Release Tour already planned in USA (August 2026), and UK (June 2026) as well as the EU (May 2026), together with WE shows and Festival in Continental Europe throughout the all year.
www.upstaterecordsny.com
https://linktr.ee/graveryband
Wormholedeath
is pleased to announce the signing of Romanian doom metal band DOOMNEZEU
to its roster. The band has entered a licensing agreement for the release of
their forthcoming album "DAȚI DRUMUL LA CER", with
further details to be announced.To mark the occasion, Doomnezeu has released "SPÂNUL," the first single from the album. The track is accompanied by a lyric video, available now on YouTube.
"Spânul" — "The Hairless" in English — takes its name from a recurring antagonist in Romanian fairy tales: a trickster figure who poses as a helper to the hero while covertly working against them. The band has described the song as a warning to lurking wrongdoers: God is always watching.
"Our deepest thanks to Wormholedeath for their gracious interest in our music!" The band stated. "We proudly announce that our upcoming album 'Dați drumul la cer' will be released on their Italian label. Beginning our journey together, we present to you the first single off the album, the song 'Spânul'. This is a stark reminder to the lurking evildoers of the world: God is always watching. We look forward to seeing you all on tour starting on April 17th and to all the hard work still left on the album. Doomneajută!"
Stream 'Spânul' : https://orcd.co/spanul
The single release coincides with the start of an eight-date Romanian tour alongside Bossferatu and Dronisie Răsăriteanul, running from April 17 to 25.
About Doomnezeu
Doomnezeu began as a studio project in 2019, with the release of 'La Viflaim Colo-n Jos', a doom metal reinterpretation of a haunting Romanian Christmas carol. The name is a play on the words 'Doom' and 'Dumnezeu' ('God' in Romanian), expressing the band's musical style and Christian message.
Over the next few years, the band released original songs on a regular basis, developing their mix of doom metal and ecclesiastical orthodox music. The first 6 of these songs were later released as a debut album in 2023, named simply 'Doomnezeu'. The band was already touring Romania by this time, bringing a theatrical approach to live shows that had been missing in the Romanian metal scene up until then: masks, robes, secret identities, and ritualistic performances.
The year 2024 saw the release of a split album of epic breadth and scope, 'Atotțiitorul'. For this release, Doomnezeu teamed up with Church of Cthulhu to deliver a story about the journey from the bottom of Hell to the peaks of Heaven.
In 2025, they released their latest album, 'Al Doilea Legământ', an EP containing 4 songs recorded live in the studio in August 2023, marking the moment of Doomnezeu's transformation from a studio project into a full-fledged band. The band records and tours on a regular basis, and all artwork, merch, packaging and branding is designed in-house.
Doomnezeu has until now released 3 albums, all on CD and Vinyl and has toured multiple times across the entirety of Romania. The band had their major festival debut last Summer at Rockstadt Extreme Fest, and are currently recording for their next full-length album, 'Dați drumul la cer', set to be released on Italian label Wormholedeath.
www.facebook.com/doomnezeuband
New video clip from AEONS IN SOLITUDE ("DREAMER" out from upcoming "BLACK LUMINA" album) https://www.youtube.com/watch?v=GXtYVBXT1CwAeons In Solitude is a metal band from Athens, Greece, formed by Vocalist and composer Alex Roussos on May 2016. It all started as a solo project, but later turned into a full band on May 2018. Their debut album, entitled ‘’Mourning Cloak’’ was released on 22th April 2020 via Rock Company (NL). Its sound consists of Doom/Gothic Metal with progressive elements. It was recorded, mixed and mastered at Fragile Studio in Athens by Vangelis Yalamas. Now, the band’s second album entitled ‘’Black Lumina’’ is scheduled to be released on 15th May 2026 by Soman Records (FR). Its sound shifts towards Gothic Rock and Darkwave, moving away from its Doom Metal roots while retaining a strong sense of darkness and melancholy, now expressed through atmospheric textures, synth-driven elements and a more introspective tone. The album was recorded, mixed and mastered at Fragile Studio in Athens, by Vangelis Yalamas.
Line Up:
Alex Roussos - Vocals, Guitars, Bass Guitar, Keyboards, Drum Programming
Nepheli Sofra- Drums
https://www.youtube.com/@aeonsinsolitudebandgr
https://www.facebook.com/aeonsinsolitude
Following last year’s album release, “GORZKIE PLONY” ("BITTER HARVEST"), the Polish blackened heavy metal outfit NARRENWIND return with a Polish-language cover of Darkthrone’s “Natassja in Eternal Sleep” from the 1993 album “Under a Funeral Moon”.
Listen to "Natasza w wiecznym spoczywaniu": https://youtu.be/XnDwLYww60kÆvil said:
"Three years after the spontaneous recording of 'Under the Funeral Moon’, I just as spontaneously suggested to Klimørh that we tackle another classic. This time it was a despair-filled declaration of love to a witch burned at the stake. Why Darkthrone again? Why this particular track? Because it's great!"
Klimørh said:
"I'm very happy that we're revisiting the unholy third Darkthrone album. For me, these are iconic songs that, years ago, opened my eyes to the musical and spiritual aspects of black metal. And Arthur, Ævil, on the occasion of your birthday, I wish you one hundred years, one hundred albums, and one hundred witches (not burned at the stake). Pass the bottle, reach for the knife!"
The band’s last and fifth full-length album, "Gorzkie Plony", was unleashed on 22 September 2025 via Pagan Records. Order the album (Cd/Vinyl/Merch): https://tinyurl.com/2j535tdw
The band described "Gorzkie Plony" as "a return to the spirit of our inaugural work". The album was mixed and mastered by Haldor Grunberg at Satanic Audio. The artwork was completed by JRMR. The album also includes session drums by Anti-Christian (Doedsvangr, Beaten to Death, ex-Tsjuder).
https://www.pagan-records.com
https://www.facebook.com/paganrecords
https://www.facebook.com/narrenwind
DEFILED EMBRACE - "SOLACE" Release date: April 17, 2026
Label: Another Side Records
The first single from the third full-length studio album, "SOUL OF A SWAN", by Israeli Doom Metal project.
The song explores a dependent and destructive relationship, in which the dependent partner longs to die in the arms of their loved one. It draws a haunting comparison between such an embrace and the suffocating grasp of the ocean, reflected in the music itself, which begins and ends with the sound of waves.
This single features Israeli vocalist Efrat Lavie, whose soft yet dramatic performance adds a powerful emotional depth to the track.
https://anotherside.metalscraprecords.com/playlist/solace/
DEPERIR – “WAR“ (EP)
Release date : May, 20th 2026
Label : Adipocere Records
Tracklist :
01 – Blood Spill
02 – Cold War
03 – Payback
04 – CCCP
DÉPÉRIR was formed in France in 2011 when Nico, guitarist for DECENT, a death metal band from the Lyon region, met Sorthei, drummer for Daedalion and Pavillon Rouge. CedR joined them as vocalist.
In 2013, Nico immigrated to Quebec, bringing the band's first phase to a close.
In January 2015, Sorthei also settled in Quebec, and they naturally resumed playing, welcoming back Arawn on bass and WT on vocals (Endless Horizon/Hak-Ed Damm).
From July 2015 onwards, they played a string of shows: ARBOR (USA), ATROCE (QC), DÉLÉTÈRE (QC), and NEIGE ÈTERNELLE (QC).
In 2016, the band entered Studio Sonum to record their self-titled debut album. Mixed in France at Convulsound Studio (Sublime Cadaveric Décomposition / Benighted / Mithridatic) and was offered the opening act for concerts by TAAKE (Nor) and HELHEIM (Nor) or BLACKLODGE (Fr)
Released in 2017, their first album allowed DÉPÉRIR to play throughout Quebec, alongside SACCAGE (QC), OUTRE TOMBE (QC), NORDHEIM (QC), APES (QC), and CRYPTOPSY (QC).
In 2018/2019, the band participated in Quebec DeathFest in Montreal, the Festival d'été de Québec, and Doom Days of Summer (USA).
The band's last concert before the COVID-19 pandemic took place in Saguenay with NARGAROTH (DE).
2020 brought a lineup change! Nico parted ways with Sorthei, a founding member, who became unavailable due to his job as an airline pilot. WT was replaced by Bob Girard, vocalist of ANCESTOR'S REVENGE (QC), and Nico also took on the role of bassist for the recording of their second album: BLACK BEAST!
Kevin Foley (Benighted/Abbath/Hjelvik) recorded the drum parts at WarmAudio in Décines, France.
June 4, 2021, the first single, "BLACK BEAST," was released on YouTube as a lyric video featuring Vincent Houde (DOPETHRONE/NIGGGHT) on guest vocals!
February 5, 2022, the second single, "SUCCUBUS," was released!
At the end of 2021, jamming resumed, JF Coté joined the band as bassist, Wax Lamontagne on guitar, and Samuel Santiago (ex-ARKHON INFAUSTUS / MELECHESH / GOROD) became DÉPÉRIR's live session drummer!
The album Black Beast was launched on April 9, 2022, in Montreal!
Since then, Dépérir has been promoting the new album by touring the Quebec music scene extensively! They've played numerous concerts with local heavyweights like Decerebration, Soothsayer, Spirit of Rebellion, Wormwitch, Sarkasm, and Dopethrone!
They've also performed at several festivals, including Gaspesian Metal Fest, Sonum Fest, Skogen Fest, St Rock Mini Wild, and La Messe des Morts, alongside Marduk, Sargeist, Horna, and Ancient.
In 2025, they changed drummers and began writing their new EP: WAR!
In 2026, Dépérir returns to the forefront of the scene more motivated than ever with their first France/Belgium tour alongside Himinbjorg and Putrefaction Of Rotting Corpses from May 20th to 25th, culminating in a spectacular finale at Lions Metal Fest!
On December 25th, 2025, the single BLOODSPILL will be released on YouTube, restricted to viewers 18 and over due to graphic images and historical gore.
The second single from the WAR EP is scheduled for release on Thursday, April 16th, 2026 on YouTube!
The WAR EP will be released on CD on May 20th, 2026 by Adipocere, the date of the first concert of the tour.
https://adipocere-records.sumupstore.com/
https://www.facebook.com/Deperir666
We are SERMON, a Doom/Death Metal band from İzmir, Turkey. Following our debut album “TILL BIRTH DO US PART” (2023), we recently released our new single “SHARING THESE WORDS I FEAR NO PAIN”.
Our music is built on heavy riffs, dark atmospheres, and melodic structures within the doom/death metal tradition.
Listen to the new single:
https://open.spotify.com/intl-tr/track/4fIqWAy3ByEAm53IWfvt2a
https://music.youtube.com/watch?v=ll31_nQCZRQ
Previous album (2023):
https://www.youtube.com/watch?v=WPIbt1iFk2Y
https://sermontur.bandcamp.com/
Thank you for your time and consideration. Best regards, Cem – Sermon
URAL – “ANTHROPIC GENETIC INVOLUTION”
Label: Xtreem MusicRelease date: April 23rd 2026
Genre: Thrash Metal
For fans of: Death Angel | Nuclear Assault | Voivod | Forbidden
Nobility degraded, nature disfigured…tooth and claw, blade and bullet, animal and war machine made one. Flesh and circuitry, bone and steel, fused and driven by a single terrifying purpose, an absolute need to kill and destroy. The party is over and the time for fun is finished; now the world must burn. Pain maddened, blood hungry, consumed with an undeniable need for vengeance – the wolf beast is unleashed!
Since 2010 the Turin based wolves of Ural have been blending full-force thrash metal with crossover adrenaline and a willingness to step outside the confining boundaries of genre. Three explosive full-length albums – Party With The Wolves, Just For Fun and most recently Psychoverse – along with a brace of EPs, have carved their name into the hearts of thrashers everywhere. Now the pack are ready to unveil their fourth album, their second for the renowned Xtreem Music label and their most ferocious and far reaching to date – Anthropic Genetic Involution!
Anthropic Genetic Involution’s opening track, ‘Extreme Paranoia’, delivers an array of Ural’s exceptional traits right off the bat – clear, powerful lead vocals, jagged, spikey riffs, touches of VoiVod-ian dissonance, outstanding, fluid solos…awesome elements hit you from every angle. Tracks like ‘God Of Lies’ encompass so much musical diversity in such a cohesive, finely honed form, delivering thrash at its freewheeling, expansive, creative best. As the album powers on through ‘Open Scars’ you can never be certain where Ural are going to take you; they’re always one step ahead and that ability to surprise keeps everything fresh and interesting. At the same time, a song like ‘Rat In A Cage’ is supremely satisfying, bringing together crossover adrenaline, inherent melody and accomplished songcraft, topping it all off with a searing solo of classic metal brilliance. In fact the lead guitar work throughout this album is simply brilliant! A real unexpected twist comes in the form of ‘Flat Black’ – a savage reinterpretation of a classic tune from jazz trombonist J.J. Johnson. Meanwhile an absolute highlight is the vehement, burning thrash attack of ‘Terror Eyes’, where complexity and ferocity entwine to stunning effect. Towards its conclusion ‘Terror Eyes’ finally breaks down into a great snarling riff with another amazing solo dancing in its flames, before tumbling straight into final track ‘…To Change Your Vision’; a grinding, atmospheric coda, a final act of measured riffing and tension as the Ural wolfpack head back to their lair once more.
By retaining the services of producer Davide Billia (Avulsed, Beheaded, Holycide etc), who harnessed the lightning of Ural’s Cyber Requiem EP and Psychoverse album, the band have captured the perfect sound for Anthropic Genetic Involution – sharp, crisp, clear and powerful. Ural have also kept up their successful working relationship with artist Luca SoloMacello (Elvenking, Pentagram, Wormwood etc) – who has created the most impactful Ural cover art yet! Anthropic Genetic Involution will be released by Xtreem Music on CD and digital formats on April 23rd and is set to be one of the most exciting and energized thrash releases of 2026.
Line-up:
Andrea Calviello - Vocals
Alex Gervasoni - Guitars
Luca Caci - Guitars
Stefano Cipriano Moliner - Bass
Filippo Torno - Drums
https://www.xtreemmusic.com/
https://www.facebook.com/URALWOLFTEA
Danish death metal band Dysgnostic's new album "End Whispers" is an extension of their hypnotic, dissonant death metal music but is denser and a lot more nuanced. It's fascinating and intense, and there's a lot to unravel. You can watch their official video of one of their new songs at https://www.youtube.com/watch?v=2C4USEits2U
DYSGNOSTIC – „END WHISPERS“
Genre - Dissonant Death MetalFor fans of - Ulcerate, Evilyn, Gorguts, Crown of Madness, Undersave
Dysgnostic continue to refine their hypnotic dissonant death metal sound by adding more nuance and structure to it. The music on this album is dense and complex while retaining the cover of darkness. The impassioned, seething riffs light up the proceedings like fireflies buzzing around in an underground cave. The hypnotic quality of the music induces a state of pleasurable numbness where you witness an otherwise harrowing maze of constantly shifting tunes and it all seems perfectly logical and in place. With all this cacophony, which eventually feels like orchestrated symphony, varying dark shades of emotions start becoming apparent. It's clear that "End Whispers" is only as impenetrable as it is multifaceted, an album that starts making sense after a few listens and one that will make you keep coming back to it to unravel more of its intricacies.
Line up
Thomas Fischer (Elitist, Apparatus, ex-Defilementory) - Bass, vocals, composition
Simon Kannegard (Denial of God, ex-Defilementory) - Lead guitar
Richardt Olsen (Carbon Tomb, ex-Defilementory)- Drums
Mads Bertram H Gath (Crocell, Heaven's Damnation) – Guitar
Artwork by Belial NecroArts (Hierarchies)
Track listing
1. The Last Refrain
2. Into Salvation's Night
3. The Black Sun
4. End Whispers
5. Ignis Fatuus
6. Feast of Emptiness
7. The Shattered Timekeeper
8. Orphaned and Abandoned
9. Glimpses of a Lost Horizon
https://www.facebook.com/transcendingobscurityrecords/
https://www.facebook.com/Dysgnostic
Thanks very much! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
Bestial death horde PIG'S BLOOD have unleashed a new song off their forthcoming new album, DESTROYING THE SPIRIT.
Stream the album opener, "Standing in Depravity" now at https://www.youtube.com/watch?v=u7g_fGzQZgA
Destroying the Spirit is set for release on April 24 on digital, CD and vinyl (standard black and yellow/oxblood variants).
Pre-order links below:
www.darkdescentrecords.com/shop
www.ddmsuo.eu
https://darkdescentrecords.bandcamp.com/album/destroying-the-spirit
PIG'S BLOOD are going scorched earth with their inaugural release under the Dark Descent Records banner. Destroying the Spirit sees the band reach a new level of relentless, blackened brutality. An unholy barrage of volcanic riffing and abyssal hostility, Destroying the Spirit is violence incarnate.
Listen to the album's first single, "Strikeforce of Isolate Will," at: https://www.youtube.com/watch?v=w9xeLa0ifG8
Hailing from Milwaukee, PIG’S BLOOD have spent the last decade-plus unleashing their unrepentant strain of death metal upon the underground. While often grouped under the banner of war metal, their sound stretches far beyond any single label.
Drawing from the raw, militant fury of bands like Revenge and Blasphemy, PIG’S BLOOD fuses that chaotic savagery with a backbone indebted to early ’90s American legends such as Deicide, Order from Chaos, and Incantation.
The result is a malformed yet deliberate hybrid—bludgeoning battle hymns delivered with a sharp, serrated edge. Through sheer force and conviction, PIG’S BLOOD continue carving out their own brutal stronghold within the death metal underground.
Track list:1. Standing in Depravity
2. Destroying the Spirit
3. Tartarean Infection
4. Power to Stop It
5. Rabid Dogs
6. Satanic Hammer of Justice
7. Aftermath
8. Commitment to Death
9. Ravenous Hellslaught
10. Strikeforce of Isolate Will
PIG'S BLOOD is:
Bubba Nitz - Bass
Chris Ellis - Vocals
Brian Serzynski - Drums
Mike Gamm - Guitars
Paul Mirenda - Guitars
www.darkdescentrecords.com
https://www.facebook.com/commandmoreblood/
NOOSED – “MISERY” (EP)
Label: Road To MasochistRelease date: May 15th 2026
Genre: Crust/Sludge
For fans of: Amebix | Axegrinder | Allfather | Dead Existence
There’s no denying that humanity is circling the drain. We live in a world where truth itself has become a mutable concept, where hatred and violence have become accepted means of social interaction. Respect and rational thinking have been cast into the gutter while greed and ignorance dance in the ashes of hope. This is the reality that Ireland’s Noosed were born into and it’s what feeds the flames of the anger, indignation and defiance that inform their music. Since 2019 they have poured their frustration into a series of EPs and compilations that seethe with a ferocious blend of crust punk, sludge and hardcore, creating songs that present the unvarnished reality that they see around them every day – grim, destructive and bleak. But they face this reality with gritted teeth and raised fists, not bent knees and broken backs – in their words, “humanity is noosed, but we are not yet hanged”. And with new EP Misery they offer up their hardest-hitting manifesto of resistance to date…
Misery opens with ‘This Country’, a sequence of heavy, portentous chords and a stark, simple statement – “I hate this fucking country” – and then we’re catapulted straight into the crust punk anger of ‘Drag Them Out’ and the simple, effective riffs of ‘Fuck The Church’, a direct punch to the face of the hypocritical guardians of morality driven by some superb, instinctive drumming. ‘Fallout’ drops us into some speaker reverberating sludge, before digging its hooks in and unleashing a rhythmic barrage that demands a physical reaction, demands that you get off your knees and fight! ‘Floating Coffins’ is an amalgamation of the detritus of the world, the idiocy and vacuity, subjected to a fierce, cathartic attack, while more outstanding drumming catapults us into the snarling, attitude infused ‘Misery’. Finally, Noosed subject us to the devastating heaviness of ‘No Return’, where crushing music accompanies a desolate narrative about the desperate degradation of drug abuse and addiction. It’s an uncompromising conclusion to a collection of songs that strive to force the bitter reality of our manipulated existence into the consciousness of those lost in a world of endless manufactured distractions.
Misery will be released on May 15th on 10” black vinyl by Road To Masochist. CDs will be available via Throne Of Lies Records, with a cassette version being released by Fiadh Productions.
Line-up:
Rodger Boyle - Vocals, Guitar, Bass, Drum Programming, and Samples
Live Line-up:
Rodger Boyle - Vocals, Samples, Noise
Oliver Cunningham – Drums
Alex Hölzinger - Guitar, Vocals
Eoghan Galligan - Bass
https://roadtomasochist.co.uk/
https://www.facebook.com/ThroneOfLiesRecords666/
https://www.facebook.com/NOOSEDBAND/
KÜNTSQUÄDK unleash grimy satirical onslaught with new Video "PISS AND PURGE" . Melbourne’s premier purveyors of crust-infused death metal, Küntsquäd, are back with the release of their shocking new music video, "Piss and Purge." The track is taken from their critically acclaimed album "SATANS COCK" , out now via Wormholedeath.
Piss and Purge is a song … challenging the ideology around the normalisation of humanity's excesses and its obsessions with disposable consumerism, which manifests both on a personal and broader level. The visuals particularly highlight the humour around the end results of rockstar like consumption of drugs of choice or other ‘fast’ consumables. The visuals also highlight how this greed manifests more broadly, asking the questions around the disposability of human life through classist warfare, and how the acquisition (consumption) of goods or territory is steadfastly sold asa necessary evil, always resulting in the death or genocide (purging) of human life. In short, it’s a satirical foray into the monstrous absurdity of what this may actually look like through the eyes of a passive observer.
Previous videos:
https://youtu.be/om99zzMY0ac
https://youtu.be/Nso_kHVv3oI
https://youtu.be/xeeiwOvpmr4
https://youtu.be/26xpIfMKKhE
https://youtu.be/3ugPaxkkJlE
https://youtu.be/blMQMxR9Sh0
"SATANS COCK" the album . Following their 2022 self-titled debut, which sold out multiple pressings and carved a cult following across the underground, KÜNTSQUÄD (pronounced Kountskard) double down on everything grotesque, unholy, and deliberately absurd. There are no genre walls here—only a relentless descent into sonic madness.
With the album “Satans Cock”, the band delivers a grotesque yet calculated assault—layering blast-beaten fury, apocalyptic riffs, and sneering satire into a weaponized soundscape for the damned.
About KÜNTSQUÄD:
KÜNTSQUÄD (pron. Kountskard) is a crusty death metal band from Melbourne blending guttural vocals, down-tuned riffs, and blackened chaos. Their 2022 self-titled debut on Wormholedeath Records earned global acclaim and sold-out pressings. Raw, extreme, and satirically twisted—this is metal with no genre boundaries.
Stream the album: https://orcd.co/scalbum
www.facebook.com/kuntsquad666
"IN SORROW'S REQUIEM" is the new song Italian Doomsters MOTUS TENEBRAE present with the official video created by Solar Sphere Multimedia and available at https://youtu.be/gvWN0s4HLwQThe band explains the meaning of the song:
"It's about a solitary traveler, condemned to long suffering, depicting life as a journey suspended between a painful past and an uncertain future, where the Requiem is not just a funeral dirge for what has been lost, but the prelude to an inner victory and the entrance into a new world. In short, it is a hymn to the strength of the human spirit which, even while crossing the abyss of sadness and pain, continues to walk toward its redemption and eternal peace".
With "In Sorrow's Requiem", MOTUS TENEBRAE rises again, stronger, darker and deeper than ever, with music for lovers of the sounds of Paradise Lost, My Dying Bride, Sentenced and Katatonia!
The album will be released on CD, LP (black vinyl and marble gold), and digitally on May 8th and is available for pre-order at https://t.ly/AyAM7
https://linktr.ee/mykingdommusic
https://www.facebook.com/MotusTenebraeOfficial
WARREN SCHOENBRIGHT – “TWO DANCES FOR THE END OF DAYS” (EP)
Label: Road To MasochistRelease date: April 17th 2026
Genre: Experimental Industrial Noise Rock
For fans of: Isis | Godflesh | Mordor
For over a decade London’s Warren Schoenbright have been sculpting their sonic monuments of noise; dark visions of experimental, industrial sound that challenge, scour, hollow out and break open the listener. From the excoriating, damaging abrasion of 2014s Plateaus EP, to the critically acclaimed diversity of atmosphere and textures that is 2024s Sunless – a spiralling descent through the horrors that lurk in the sub-levels of our mind, a harrowing examination of the self in search of redemption – everything that Warren Schoenbright have dragged into the light has been, in equal parts, demanding, fascinating and rewarding. And now they bring us their first unsettling offering of 2026, a soundtrack to accompany our seemingly irreversible decline into fractured, hate-ridden rot…Two Dances For The End Of Days.
The first of these two damned dances, ‘Pyrrhike’, begins in portentous darkness, with echoing calls reverberating in the stygian gloom – warnings, laments or death knells – before they are overtaken by a dirty, frantic rhythm that leads you on a breathless flight through a decaying urban nightmare. Its mechanistic, industrial, pounding constructs an unnerving soundscape born from societal collapse and when an abrupt silence hits at the black heart of ‘Pyrrhike’, it generates a sense of panic and imminent danger that will have you scanning your instantly alien surroundings for the source of threat. When the vocals finally arrive they are tortured and desperate, a visceral shock, crying out from the clashing jaws of the machine.
The second dance, ‘Bacchanalia’, offers no respite from ‘Pyrrhike’s nightmare. Its slow, inexorable, steam hammer grind, drags you into a mechanized hell of pitiless, emotionless destruction. The voice here is distorted and soulless, a powerful testament to the ongoing eradication of humanity, the methodical incineration of beauty, creativity and individual thought. ‘Bacchanalia’ is perhaps Warren Schoenbright’s most terrifying invocation of bleak, hopeless horror.
Recorded and mixed at Holy Mountain Studios by Misha Hering (40 Watt Sun, Wren, Puppy etc) and mastered at Berlin’s Scape Mastering (Laibach, Cabaret Voltaire, The Orb etc), Two Dances For The End Of Days possesses a formidable sound palette – primal and fearsome, emotive and atmospheric – that enables it to surround, overwhelm and devour the listener. It pulses with a frightening, vibrant life that is both compelling and intimidating. It will be released by Road To Masochist, the perfect partners for Warren Schoenbright, on April 17th, on CD and digital formats. It is time to confront the inevitable darkness once again.
Line-up:
Daniel McClennan – Drums/Samples
Alex Virji – Bass/Vocals
Seb Tull – Live percussion and electronics
Clarinet on ‘Pyrrhike’ by Claire Knox
Additional synths performed by Misha Hering
https://www.roadtomasochist.co.uk
https://www.facebook.com/roadtomascochist
https://www.facebook.com/warrenschoenbright
QUEEN OF SPADES is proud to announce the release of their powerful new single “CHASM”. This track combines dynamic, groovy riffs with emotional charged vocals.
The song lyrics reflect on the struggles we have in the modern world.
In the dictionary, a chasm is defined as ‘’a deep fissure in the earth; a profound gap or division between people. The song captures both meanings: the literal and metaphorical divides that shape our daily life.
‘There is so much going on in the world right now’, the band notes, ‘from social unrest to environmental crisis and it can really feel like we’re living on opposite sides of a massive chasm’.
The song reminds listeners that despite differences in status or circumstance, ‘we all have the same heart and seek truth in a world often clouded by lies’.
“Chasm” encourages reflection and empathy and a call to action during these turbulent times
The “Chasm” music video is out now as well.
This music video is intentionally static and pure, designed to put the focus squarely on the lyrics and the message of the song. As the song builds, it slowly zooms out and leads to the physical form of ‘Chasm’.
Experience the powerful message of “Chasm” and watch the official music video now and see the divide come to life! https://www.youtube.com/watch?v=O5NHTyWziUY
BiographyQueen of Spades is a hardrock/metal band that formed in 2019.
They released their first album ‘Devil In Disguise’ in 2021. That album was drenched in classic and hardrock influences. After releasing, they worked hard on their sound and image and have experimented with their sound by releasing some stand-alone singles.
Now, with a clear vision and sound, they are working on their second album.
Known for their captivating live performances, Queen of Spades not only showcases their musical talents but also delivers the energy and intensity that makes hard rock and metal so irresistible. They performed as a support act for Tremonti in 013 and have provided the after show for Three Days Grace at AFAS LIVE.
Next up is working on releasing their songs and album in 2026/2027.
Queen of Spades is working really hard on conquering the hardrock/metal scene. Queen of Spades has everything needed to make both longtime rock fans and new generations cheer. If you’re into The Pretty Reckless, Halestorm, or Spiritbox, this is the next band you need on your radar.
This is Queen of Spades.
Chasm credits:
Peggy Smits – Vocals
Emilio Lanza – Guitar
Bram van Beekveld – Bass
Mickey Giesbers - Guitar
Paul van Limbeek – Drums
Music written by Emilio Lanza, Bram van Beekveld, Mickey Giesbers and Paul van Limbeek.
Lyrics written by Peggy Smits.
Produced by Peggy, Emilio, Bram, Mickey and Paul.
Recorded, Mixed and Mastered by Emilio Lanza & Dennis Geraads.
Music Video recorded by Robin Smits and edited by Emilio Lanza
https://www.facebook.com/queenofspadesofficialmusic
BENEVOLENCE – “FACE OF A LIAR” (SINGLE)
Label: Rottweiler RecordsRelease date: April 17th 2026
Rottweiler Records proudly announces the signing of Dallas, Fort Worth, Texas based metal juggernaut Benevolence, a band forged in grit, sharpened by time, and now fully unleashed. Alongside the signing, the band has dropped their blistering new single, ‘Face of a Liar’, the first strike from their upcoming full-length record, set to release later this year. ‘Face of a Liar’ hits like a steel door kicked off its hinges - tight, aggressive and unrelenting - showcasing the band’s ability to balance precision with raw, brutal, emotional weight. It’s not just a single; it’s a warning flare exploding against the night sky. The forthcoming record carries a unique lineage. Originally recorded in 2022 by Chris Corley alongside a cadre of elite Dallas metal studio musicians, featuring Chris Johnson (HARD LOOK), Nakoa Arnold (Hunt The Dinosaur, Funeral Procession, Thy Flesh Abhorred) and Charles Benson (Conquered Flesh, Benson, Exalt the Throne), the album captures a moment of pure creative combustion. Now, with a brand-new, battle-ready lineup, Benevolence is resurrecting and redefining that material - bringing it out of the studio shadows and into the live arena with renewed intensity and cohesion.
The current lineup of Benevolence is comprised of bassist Alex Brannan, guitarist Cameron Murrell, drummer Chris Corley and vocalist Brent Wells – and this new incarnation of Benevolence isn’t just continuing a vision - it’s a total weaponizing of it.
“Those recordings were lightning in a bottle,” says Corley. “Now we’ve got the storm around it. This lineup brings power, chemistry and a live energy that’s going to take these songs to a whole different level.”
With their signing to Rottweiler Records, Benevolence is stepping onto a much larger stage, poised to carve their name into the modern metal landscape. Their sound is equal parts calculated destruction and controlled chaos - built for both the pit and the long haul.
‘Face of a Liar’ will be available from Friday, April 17th on all major streaming platforms. More details on the full album release coming soon.
Line up:
Brent Wells - Vocals
Cameron Murrell - Guitars
Alex Brannan – Bass
Chris Corley - Drums
https://www.rottweilerrecords.com/
https://www.facebook.com/BenevolenceMetal
"Translating the silence after the storm into sonic eruptions, ECHOES OF A DYING WORLD
is a Belgian Melodic Death Metal force that balances atmospheric walls
of sound with apocalyptic beauty. Defying rigid categorization, they
craft a landscape where crushing heaviness meets raw, experimental
freedom".The echoes are growing louder.
We have walked through the shadows of Before The Fall and endured the weight of Tribulation. But the cycle is not yet complete. The air is shifting, and the veil is thinning.
We can no longer hold back the shadows of what comes next. The final piece of the trilogy is breathing, waiting to be exhaled into the world.
Are you ready to witness the end? Or is it a new beginning?
The next chapter is coming… Revelations… Stay in the light while you still can.
Echoes of a Dying World is:
Guitars: Wim Melis and Michiel Debie
Vocals: Tine Vanmuysen
Bass: Gert Cools
Drums: Jasper Vreys
Credits:
Recorded, mixed and mastered by Jarne Heylen at Project Zero Studio
Artwork by Sepp Coeck
Bandbio:
Echoes of a Dying World is not just a band; it is a sonic response to a world in transition. Based in Mol, Belgium, this five-piece collective has carved out a unique space within the Melodic Death Metal scene by embracing total musical freedom and refusing to be bound by genre tropes.
Their journey began with the 2022 EP ‘Before The Fall’, a haunting prequel that set the stage for their 2023 full-length debut, ‘Tribulation’. Through these releases, the band established their signature sound: a powerful blend of aggressive energy and atmospheric depth, led by the versatile and commanding vocals of Tine Vanmuysen.
Following their recent sessions at the renowned Project Zero Studio, the band is now preparing to unveil the final chapter of the Tribulation era. Revelations serves as a definitive closing piece to the Trilogy, further expanding their reach into experimental textures while maintaining the "walls of sound" their fans have come to crave.
From the stages of Asgard Rock & Metal Fest to local underground haunts, Echoes of a Dying World delivers a live experience that is as emotionally heavy as it is musically precise. For fans of atmospheric metal who seek both the roar of the storm and the eerie calm that follows, the message is clear: the world may be dying, but its echoes have never been louder.
https://www.facebook.com/echoesofadyingworld
BÖDEL – „DÖDSBRINGAREN“ (SINGLE)
Genre: Punk
For fans of: Wolfbrigade, Disfear, Doom, Anti Cimex, Napalm Death, Nausea
Label: DiSTAT Records
Veröffentlichungs-Datum: 14 April 2026
Format: CD, LP & Digital
"Dödsbringaren" is the third single from Bödel's critically acclaimed debut album of the same name, which is being released to radio worldwide today. The album, originally released on January 30, has continued to receive overwhelmingly enthusiastic praise.
Even before the band released their first single, "Bilan Faller," in June 2025, from the EP "Välkommen till avrättningen", there were signs that something powerful was about to erupt. When the band posted a short, simple video message on social media during their very first rehearsal, merely to announce their existence, it hit like an unexpected bombshell. Record labels and concert promoters from around the world quickly began reaching out, and now, here we are, with their debut album officially released.
About BÖDEL
Born out of the legendary punk soil of the Skaraborg plains (Mariestad and Tidaholm)--the same ground that shaped bands like Wolfbrigade, Asta Kask, and Anti Cimex, Bödel delivers uncompromising crust punk deeply rooted in the Swedish underground scene.
Fronted by Leya, just 19 years old yet already a full-force powerhouse behind the microphone, the band is led alongside her father Arvid (The Crown, Deny), Henke (Pastoratet, The Liptones, Vänsternäven), and new drummer Micke (The Crown, Adept, Impious). Together, they create a sound that blends classic crust and hardcore with a dark, apocalyptic edge driven by Leya's relentless, doomsday screams.
"Dödsbringaren" features 12 furious new tracks showcasing a band in full attack mode. The CD edition also includes all of Bödel's previous recordings, 23 tracks in total, for a complete dose of Swedish apocalyptic punk.
Bödel is not here to play nice--they are here to tear everything in their path apart.
Line-Up:
Leya - Lead Vocals
Arvid - Guitars And Vocals
Henke - Bass And Vocals
Micke - Drums
Selling points:
Critically acclaimed album
Debut album "Dödsbringaren" by Bödel
12 songs, 25 minutes of furious judgment day crust-punk.
Singles "Domare och bödel" and "Deprimerad" on radio airplay all over the world.
Female-fronted crust punk from Sweden
Includes Bödel's former releases (singles and eps) as bonus exclusively on the Dödsbringaren Cd version, total of 23 songs
Including members from The Crown, Adept, Pastoratet, Deny, Vänsternäven, The Liptones, Impious
Produced & mixed by Jocke Rydbjer from Wolfbrigade (Wolfden Studios)
Sweden's biggest newspaper Aftonbladet, called Bödel "the most interesting & future of punk in Sweden."
"Bilan Faller" from debut EP "Välkommen till verkligheten" got worldwide radio rotation
Heavy radio promotion is being made
Discography:
2024 - Välkommen till avrättningen, EP
2024 - Guidance Patrol, single
2025 - Snabbasth, EP
2026 - Dödsbringaren, Album
www.cramada.se
https://www.facebook.com/profile.php?id=61554108637897
https://linktr.ee/bodelpunk
Mexican black metal band Muerto premiered a scathing new track via No Clean Singing which can be found https://www.nocleansinging.com/2026/03/09/an-ncs-premiere-muerto-wilderness/
It highlights the anguished vocals from Penelope echoing alarmingly over the gloomy, wistful music. Excerpt from the premiere –
"“Wilderness” is in many respects a very sinister song, but it’s as tormented and haunting as it is chilling. It’s also a disturbingly catchy song"
MUERTO – “ECLIPSED REALMS”
For fans of - Amenra, Emptiness, (early) Opera IX, Deathspell OmegaGenre - Black Metal with doom metal elements
There is something about the rawness of emotions expressed in their pure, undiluted form and that's probably what's most appealing about this release. Against the backdrop of harrowing, plaintive music are the hollow echoes of an aggrieved, possessed-sounding woman, adding more malice to the music than anything possibly contrived. Over here is something dark, unseemly, insidious if only by being so naturally real and relatable. The intriguing doom-laden black metal music throbs and twists with a firm grip of the atmosphere pressing down on the listener like a hand to the throat. Muerto's disarmingly direct delivery, masterful juggling of various emotions in an aura of suffocating darkness, and their refreshing rawness in a time of overly processed music make them a band worthy of your attention.
Line up
Penelope Matamoros - Vocals & Bass
Juan Mondragon (Necronos, ex-Castleumbra) - Guitars
Eddel Jared - Drums
Artwork by Ricardo González
Track listing
1. Serpentine Echoes
2. Veil of Desolation
3. Burning Shadows
4. Wilderness
5. Decay
6. Radiance
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/muertoband
Thank you very much! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
GOLGOTHA – “HUBRIS”
Label: Abstract EmotionsRelease date: April 24th 2026
Genre: Melodic Doom/Death Metal
For fans of: Candlemass | Novembers Doom | Paradise Lost | My Dying Bride
Held in the arms of comfort and love, surrounded by joy and affirmation, I had no expectation, nor understanding of failure and loss. I had no sense of my own true measure, or of the darknesses that lay so far below me, watching me with hungry eyes and endless patience. I flew higher, heedless and carefree, gathering happiness like an endless crop, a constant golden yield. And as the flames began to flicker along my wings I took them to be just another well-deserved adornment, another gift from a universe that loved me best. And when the fall came, it came fast. I spiralled into shadow, crashing into night…my heart, my mind, my spirit shattering on the rocks of reality. Toxicity and spite, rejection and grief, jealousy and hunger lapped at my feet like a bitter sea, as I lay on the cold, cruel shores of realisation…the scales rebalanced.
Following in the wake of their towering Spreading The Wings Of Hope album, Spain’s Golgotha have returned with the altogether darker hues and harsher, more rugged textures of Hubris. This is an album forged in the pitiless furnace of life; eight songs steeped in the struggle, turmoil and challenges that shape us, that make us human. Reflecting on their latest creation the band have emphatically stated, “these are not fictional stories, but fragments of real life turned into music”.
The album begins with first single, ‘A Simple Life’, opening with a brave, exposed vocal from María J. Lladó that focusses the attention, drawing the listener in before the full tide of Golgotha’s overwhelming sound crashes over them. The poignancy of emotion in this track, with its hypnotic refrain, flows like blood through every chord, every note. Elsewhere, the gargantuan, crawling riffs and huge, monstrous vocals of ‘Broken Toy’ open out into a reflective, melancholy melody – harsh vocals switching to Maria’s clear, emotive tones – as contrasts blend and entwine. Throughout Hubris these two sides of Golgotha, the forceful, bleak and blackened and the doomed, delicate beauty dance with each other in a deftly harmonious, disparate duality. ‘Too Late’ is deep, dark, slow motion death metal until a melodious chorus arrives, allowing a pale, gentle light into the black and a vibrant solo is a burst of flame in the cold murk. From ‘Blind’, in all its tarnished, faded majesty, like a funeral of kings, to the concluding ‘Intolerance’ – a musical conflict between the nobility of sorrow and the raw pain of grief – this is an album that lays bare its heart and shows all its scars. It will hollow you out, caressing your hidden anguish and drawing your wounds into the light.
“I became just an echo…”- Blind
To capture the real and vivid darkness of Hubris, Golgotha turned to producer Davide Billia (Antropofagus, Beheaded, Posthuman Abomination etc) and the band have described his contribution as “essential in shaping the power and character we wanted for this album”. Hubris will be released by Abstract Emotions on April 24th – another incredible chapter in the unfolding story of Golgotha.
Line-up:
Vicente J. Paya – Guitar/Keyboards/Vocals
Andrew Spinoza – Bass/Harsh Vocals
Rafel Garcies – Drums
María J. Lladó – Clean Vocals
Dan Garcia – Guitars
https://abstractemotions.com/en/
https://www.facebook.com/abstractemotions1995
https://www.facebook.com/GolgothaOfficialBand
Horror Pain Gore Death Productions are set to release the new album from New Jersey's Blackened Sludge/Hardcore act REVENGE RITUAL. ARBITRARY PUNISHMENT is up now for pre-order and will be released May 15th on CD and Digital formats along with merch. Horror Pain Gore Death Productions welcome Revenge Ritual to the roster with the debut full length album Arbitrary Punishment! Formed in 2023 in New Jersey, Revenge Ritual fuses elements of Sludge, Hardcore and Black Metal with a morose attitude. Arbitrary Punishment unleashes 8 tracks of intense brutality, touching on topics such as occultism, deep depression, murder, Satanism and desolation.
For fans of : Admiral Angry, Celtic Frost, Conan, Crowbar, Dark Throne, Eyehategod, Hatebreed, Pantera, Soilent Green and Twitching Tongues
Listen to the single "A Passion For Murder" at https://www.youtube.com/watch?v=cngjpLFHyQg
Tracklisting:
1. Centuries Of Pain
2. Killing Fields
3. Razorwire
4. Liars Guilt
5. A Passion For Murder
6. Admonishment
7. Throes
8. Arbitrary Punishment
www.youtube.com/user/horrorpaingoredeath/videos
www.facebook.com/horrorpaingoredeath
From the cold, unforgiving
heights of the Austrian Alps, SCREAMS OF TRANQUILITY return with “WHERE
HOPE LIES SLAIN,” a crushing descent into darkness where melody and
devastation collide with unrelenting force. Rooted in melodic death metal but
sharpened with raw extremity, the track delivers a sound that feels both
ancient and immediate, like a final warning echoing through a collapsing world.
Built on serrated riffs, thunderous percussion, and frostbitten atmospheres, the song moves with purpose, every section tightening the grip. The guitars cut deep with precision, while the vocals roar like a force beyond reason, channeling rage, loss, and inevitability. There is no false light here, only the slow suffocation of hope.
Lyrically, Where Hope Lies Slain paints a bleak and cinematic landscape of decay, guilt, and final judgment. From “crimson tears fall like poisoned rain” to the haunting vision of a reaper guiding the condemned, the track unfolds like a march toward extinction. Themes of pride, consequence, and irreversible collapse dominate, as the narrative descends into a realm where even angels scream and redemption no longer exists.
The closing image, “to the throne of despair where all hope lies slain,” is not metaphor, but destination. A point of no return. A final reckoning.
For fans of Death, Obituary, and Morbid Angel, this is melodic death metal at its most atmospheric and punishing, a track that doesn’t just explore darkness, but fully inhabits it.
No salvation.
No escape.
Only the weight of what remains.
Biography
"Screams Of Tranquility" stands as the dynamic brainchild led by the gifted Marc P. Prohaska, a 29-year-old musician based in the idyllic foothills of the Austrian Alps in Upper Austria. This captivating project delves deep into the narratives of a society marred by excess, laying bare its hypocrisies, collective folly, and the gradual erosion of humanity.
Marc's musical palette is a vibrant fusion of influences, melding Scandinavian melodic death, American thrash, and hints of black metal. With deft craftsmanship, he intertwines pulsating rhythms and intricate orchestrations, weaving a spellbinding tapestry of sound.
From his beginnings as a musician at the age of 18, Marc has explored diverse musical avenues, ranging from pop-punk to rock and metal cover bands. However, it was through the emergence of Screams Of Tranquility that his artistic vision truly blossomed. In 2019, Marc graduated as a recording, mixing, and mastering engineer from HOFA College, now operating his own successful mixing and mastering business as a freelancer.
While Screams Of Tranquility is a solo endeavor, questions about the absence of additional band members only underscore Marc's proficiency and the effectiveness of his approach to "running SOT as if it were a fully occupied band." His unwavering dedication and skill shine through in every aspect of his work.
For those in search of authentic, meticulously crafted music that transcends the confines of mainstream melodic death metal, replete with searing leads, impassioned vocals, and profound thematic depth, Screams Of Tranquility stands as a beacon of artistic excellence worthy of exploration.
Release date: 07. May 2026
The Northern German thrashers Extinct were anything but idle in 2025. With well over 20 shows played, they didn’t just stay busy on stage, but also write material for a new album, and record it. Now the result is here in the form of a brand-new full-length!
“In Conspiracies We Trust” isn’t just a thrash metal album, it’s a thrash metal statement. The band’s signature mix of old school and modern death/thrash, with a clear focus on both the German and American roots of the genre in the 80s, has a charm all its own. From stomping mid-tempo parts to full-on Slayer-esque beatdowns, there’s everything here a dedicated listener could want.
https://mdd-records.de/
NEWS 12.4.2026
PARAGON
BELIAL – “F.M.M.S.”
Genre: Black Metal
Label: Folter Records
Distributed by: Alive
Release: 30.04.2026
»F.M.M.S.« ist der vierte Langspieler von PARAGON BELIAL – und ein brachiales Exempel für rohen, kompromisslosen Black Metal, der in seiner archaischen Bösartigkeit auch in War-Metal-Manier das Höllenfeuer zum Lodern bringt!
PARAGON BELIAL, deren bewegte Geschichte bis ins Jahr 1993 zurückreicht, sind heute härter und brutaler als je zuvor – mit einer Vehemenz, die einen an Bands wie Archgoat oder Gravesend denken lässt. Für einen unheiligen Track wie »Blood Sacrifice« haben sie sich im Sinne größtmöglicher Durchschlagskraft auch Elemente des Death- und Thrash-Metal einverleibt und dringen damit zu den frühesten Wurzeln extremen Metals in den Achtzigern vor.
PARAGON BELIAL wurden nach dem gleichnamigen Song von Darkthrone benannt. Nach seinem Ausstieg bei der Dark-Metal-Institution Bethlehem von Andreas Classen alias Andras Necropest gegründet, machte die Band aus Nordrhein-Westfalen erstmals 1995 mit ihrem Debüt »Hordes Of The Darklands« – erschienen bei Folter Records – auf sich aufmerksam, das nicht wenige als eine der relevantesten Veröffentlichungen im teutonischen Black-Metal-Underground erachten.
Andras, der auch schon als Sänger von Shining fungierte und bei Bands wie Darkened Nocturn Slaughercult involviert war, ist die wesentliche Konstante bei PARAGON BELIAL.
Nachdem PARAGON BELIAL infolge von Meinungsverschiedenheiten lange Zeit weitgehend auf Eis lagen, kam 2007 die Besetzung des Debüts – Andras, Zahgurim und Ralph – wieder zusammen, woraus letztlich das zweite Album »Nosferathu Sathanis« (2008) resultierte, das große Erfolge feierte. Eine Tour durch Deutschland, die Niederlande, Frankreich und Österreich schloss sich an.
Nach Jahren, in denen die Band mehrere Line-up-Wechsel durchlief – u. a. gehörte zeitweilig der heutige Marduk-Drummer Bloodhammer aka Simon zur Besetzung –, wurde 2014 André Müller alias Rhabbazz der neue Schlagzeuger; seit 2015 spielt Thyrannoizer die Gitarre.
Diese Besetzung spielte das im Herbst 2017 veröffentlichte dritte Studioalbum »Necrophobic Rituals« ein und brachte dann auch »F.M.M.S.« auf den Weg, das 2025 vom Label Schattenpfade auf Vinyl veröffentlicht wurde – und nun auch via Folter Records als CD erscheint.
Das seit nunmehr zehn Jahren unverändert aus Andras, Thyrannoizer und Rhabbazz bestehende Line-up konnte sich fokussiert den neuen Tracks widmen, die PARAGON BELIAL verkörpern wie nie zuvor: »F.M.M.S.« ist roher, ehrlicher und brutaler Metal ohne Kompromisse. Der finale Track des Albums, »Midnight Queen«, ist dabei als Ehrerbietung an die brasilianischen Extrem-Metal-Pioniere Sarcófago zu verstehen.
Hail to the blasphemous Goatking!
Tracklist
1. Necropest 05:29
2. Belials Mark 03:25
3. Fresst Mutter Marias Scheiße 05:37
4. Blood Sacrifice 03:17
5. Arise of Satans Glory 04:38
6. Under the Sign of Satan 04:53
7. Riders of Leprosy 04:18
8. Endless Blasphemy 03:52
9. Midnight Queen 06:18
Total: 42:02
Line up :
Andras: Bass, Vocals
Rhabbazz: Drums
Thyrannoizer: Guitars
Composer: Paragon Belial
Lyrics: Andreas Classen
Recorded, Mixed and Mastered at Krappalzz Studio
https://www.facebook.com/FolterRecordsGermany
https://www.facebook.com/paragonbelialofficial
Kansas City thrash masters HELLEVATE will unleash their sixth assault this spring! KILLICON VALLEY is relentless in execution. Eleven tracks of the bullshit-free, 'thrash-or-be-thrashed' attitude the band has cultivated over their nearly 20 years of existence. Today, that fury has escalated beyond the breaking point. The result is an album that true fans of old-school thrash can blast with pride.
Guitarist Dan Whitmer comments on Killicon Valley:
“We couldn’t be more excited about this release! It’s the result of the last few years of a concentrated effort to expand our songwriting capabilities and deliver something for every kind of metal fan there is. Sonically, we’re going to places we haven’t been to before, and we’re trying out a lot of different approaches, sounds, and songwriting angles in our mission to make heads bang worldwide! Everyone involved has pushed themselves physically and mentally in their performances, and it’s all come together in a unique blend of melody and aggression, tackling every subject from our anger at the injustices in the world, to velociraptor attacks and Japanese spider demons. Grab a brace, because this album will make you wreck your neck!”
Get your first taste of Killicon Valley with the album's lead single, "In the Long Grass." Check out the official video at https://www.youtube.com/watch?v=4pvJtJcOrvo
Killicon Valley is set for release on May 22. Pre-order the album at https://hellevate.bandcamp.com/album/killicon-valley
HELLEVATE will mark the release of Killicon Valley with an album release show at Warehouse on Broadway in Kansas City, MO. Support will come from Jackson Country 5, Meat Shank, and Bloodscent.
Tracklist:
1) D.T.C.
2) In the Long Grass
3) Invoke Apocalypse
4) Demagogue
5) The Rampart
6) Holy Man
7) Jorogumo
8) Part of the Tribe
9) Killicon Valley (Silicon Dust)
10) The Lost Pages
11) Thou Shalt Kill
12) Curse God and Die
HELLEVATE is a thrash metal band from Kansas City, MO, known for their unique blend of melodic thrash, extreme metal, and power metal influences. Formed in the late 2000s by guitarist Dan Whitmer, HELLEVATE maintains a commitment to writing unforgettable music that hits hard and leaves a lasting impression.
Lyrically, the band continues to deliver powerful messages with directness and intensity. Together, they have crafted a sound that is both expansive and undeniably thrash, incorporating influences from speed metal, power metal, death metal, and hardcore to create something truly unique.
HELLEVATE's discography includes their debut self-titled album (2012),Kill Confirmed (2014), Weapons Against Their Will (2016), The Purpose Is Cruelty (2023), and their newest album Killicon Valley (2026).
Since their debut in 2012, HELLEVATE has built a reputation for delivering electrifying live performances, sharing the stage with some of the biggest names in metal, including EXODUS, KREATOR, ACCEPT, OVERKILL, DESTRUCTION, HAMMERFALL, UNLEASH THE ARCHERS, GHOUL,
VENOM INC., and DANZIG, among others.
Line-Up:
Robert Browne - Vocals
Dan Whitmer - Guitar
Joshua Cole - Guitar
Zack Burke - Bass
Ruben Lopez - Drums
www.facebook.com/hellevate
The
Bocșa-based band ETERNAL DARK presents “BLESTEMAT,”
the new single taken from their second studio album, “CUGETĂRI,” which
is set for release on April 25 in collaboration with Loud Rage Music.
The single can be streamed here: https://www.youtube.com/watch?v=CoSYkOIKanU
The album can be pre-ordered here:
https://loudragemusic.bandcamp.com/album/eternal-dark-cuget-ri
https://loudragemusic.limitedrun.com/products/874674-eternal-dark-cugetari
After a 27-year hiatus, Eternal Dark re-emerged at the end of 2021 with the track "Vino moarte." The following year, the band recorded nine additional songs, all of which were compiled into their debut full-length album, "Gânduri," released in 2023.
Also in 2023, Eternal Dark introduced their first English-language single, "Thorns," followed in 2024 by "The Landscape of the Fall."
Meanwhile, work began on their second album, "Cugetări," which was mixed and mastered by Sorin Ghiniță at E.D. Production.
Compared to its predecessor, "Cugetări" marks a significant step forward. While preserving the band’s signature dark themes, ranging from melancholy and suicidal depression to deep introspection, the new material reflects a more refined compositional approach, increased aggression, and subtle influences from progressive death metal.
Line-up on "Cugetări":
Andrei Bivolan – vocals
Cosmina Albu – keyboards, vocals
Cosmin Albu – guitar
Lucian Sîrbu – bass
Sorin Ghiniță – drums
https://linktr.ee/loudragemusic
The band comments:
"Scholars of Empires Beyond embodies the very elements that inspired the creation of the album and the becoming of Acolythus. Born not only from the members’ passion for black metal but also from a growing distaste for the sterile sound of modern metal production, this record rejects perfection in favor of authenticity. Written in its entirety and recorded within a single month—February 2026—we deliberately constrained the production process to preserve the aggression and the human element behind every take. No edits, no gimmicks, only pure expression. Listeners can expect furious, melodic, and at times unexpected echoes of Finnish old-school black metal!"
Biography:
Acolythus is a project strongly rooted in traditional black metal, boasting straightforward aggression coupled with a recognizable Finnish melodic approach to the genre. Featuring members from Convulse, Sargassus and Jotungrav, the band was born as an outlet for the musicians' black metal aspirations. After the inspiration struck, 'Unearthly Kingdoms 'Neath Lifeless Stars' was written and recorded in a matter of weeks. The album aims at conveying the aggression and feeling behind the music in its purest form. Hence in Acolythus' music, the listener will only hear real instruments being played by real people - free of all edits and tricks that dominate the modern metal sound. Thematically Acolythus centers itself around esoteric and occult knowledge, as well as a somewhat misanthropic and post-apocalyptic focus on humanity. Much of the inspiration from which the music is born out of can be traced to the mystical worldbuilding and wordweaving of bands such as Alghazanth, Immortal and Emperor, to name a few. In short, Acolythus provides the listener with poetic hymns and sermons of woe, accompanied by blazing and ice-cold riffs in the most authentic way black metal should be performed in.
Track
list:
1. Among Ruins Forlorn
2. Scholars of Empires Beyond
3. As the Slaughtered Wizards Reincarnate
4. Frozen Desolate Warfields
5. Vacuous Gods of the Abyss
6. Unearthly Kingdoms 'Neath Lifeless Stars
7. In the Fading Light of Burning Cathedrals
All music written and produced by Acolythus
Mix & Master by Teemu Leskinen
Album cover art by Matias Stenman
Line-up:
Guitars & Vocals: Angrmáni (Matias Stenman)
Drums: Maleficarum (Matias Rokio)
Bass: Abyssias (Teemu Leskinen)
https://www.facebook.com/Acolythusband
Genre: Dark Ambient/Doom/Electronica
For fans of: Apollyon Sun | Tiamat | Coil | Ager Sonus
Label: BDB Studios
Release date: April 20th 2026
“Fading out, you drift into the light
Caked in dust, this is where you’ll die
Of your wisdom, time will never know
Land of lost gods, this is where we go.”
-Babylon – The Medea Project
We walk through scarred ruins, bathed in the blood of sunset. The dust rises about our feet like swarms of infinitesimal devils, raging silently at our passage, our intrusion into their kingdom of loss. The weight of ages hangs heavy in the air, the taste of forgotten souls bitter upon our dry, cracked lips. Beneath our feet, below this broken ground lie the answers we have sought for so many years, wrapped in cerements of shadow and bound in words of forbidding and forgetting. It is time to descend and receive whatever gifts the Fates have prescribed for us.
Following on from the raw, untrammelled passion and majesty of their Live At Dingwalls release, The Medea Project are about to reveal yet another aspect of their many faceted sound. They have offered up their children of the night, their beautifully warped brood of songs, to Lucifer X (aka David Fox) of industrial/anti-pop/noise band St. Lucifer, to do with as he wilt…and he has handed back to them Akkadian Artefacts; five songs remixed, reimagined and reconfigured. Reticent shades have been drawn from their places of hiding within these layered compositions – and songs once known have become entrancing strangers. Just as dark, just as dramatic but utterly transformed. Akkadian Artefacts is an ambient, atmospheric shadow world, the other side of The Medea Project mirror. From the lightless mausoleum of ‘Babylon (The Fall Of Akkadia), through the melancholy, haunted dream state of ‘Ghosts In The Shell’, to the hard electronics and shadows reshaped of ‘Cave Dweller’, these new visions are spellbinding. Brett Minnie’s vocals have gained an additional power in their new isolation and the strength of the lyrics really hits home; in their fragmented state, removed from their natural surrounding structure they call for a fresh appreciation. ‘The Drone Song (Desertion)’ holds you like a flickering light in the void with no sense of time, space or self and throughout final track, ‘Redacted’, you hardly dare to breathe – afraid of breaking its still magic and attracting the gaze of forgotten gods, consumed in their timeless ceremonies. This is the sound of the world ending, not in nuclear fire, but in a quiet fading of the light.
“And still we dream in the desert’s night
on distant breeze in a lost yesterday.
The Desert Song – The Medea Project
Complete with artwork also conceived and created by Lucifer X, Akkadian Artefacts will be released on digital and limited-edition, hand-numbered CD formats on April 20th, by BDB Studios. Step through the veil and discover that all you knew is but a dream, your faith is built on shifting sands and nothing, nothing is what it seems…
“We are the gods of a dying sun
We are the gods of a dying son
Here below in the world remain, where shadows come and shadows play.”
Reborn – The Medea Project
Line-up:
Brett Minnie - Guitars/Vocals
Pauline Silver - Drums & Percussion
All songs reimagined, deconstructed, reassembled and remixed by Lucifer X
https://medeaproject.com/
https://www.facebook.com/themedeaprojectband
New
video clip from MORBID DEATH ("WORLD OF LIES"
out from "VEIL OF ASHES" album)
There is a before and after in the Azores Heavy Metal scene. The emergence of Morbid Death marks exactly this separation, coupled with a starting point, towards audacity, determination and a dream... to build an unprecedented band with a sound never before tested. Amplifiers at maximum and let's make history...
And this is the story that begins in September of the now distant year of 1990. Ricardo Santos, Dinis Costa, Miguel Verissimo and Pedro Rodrigues decided to join forces and build a legacy that, even today, is recognized at all levels, in almost every corner of the world.
Between demo tapes, albums, music videos, concerts, tours and line-up renewals, the band, led from the beginning by Ricardo Santos, always knew how to reinvent itself and adapt, even to the most adverse situations... or they wouldn't have been born in the Azores.
The most recent proof of this is called VEIL OF ASHES and it was released on March 13, 2026, under Firecum Records / Museu do Heavy Metal Açoriano labels.
The legacy lives on and intends to remain so…
Line-up
Ricardo Santos - Vocals & Bass
João Raposo - Guitar
Hélder Pinheiro - Guitar
Pedro Sousa - Drums
https://www.youtube.com/@morbiddeath7355
https://www.facebook.com/morbid.death.oficial
Following 2024’s critically acclaimed LP Phantazein, COGNIZANCE return with In Light, No Shape May 1 on Willowtip Records!
Four LPs deep and a slew of EPs behind them, COGNIZANCE show no signs of restraining the pace of unrelenting inventive riffs and razor-sharp grooves. In Light, No Shape is a masterful Progressive Death Metal opus, rich in texture and atmospheric detail, delivering everything long-time listeners crave while channeling the mid-90s technical extremity of Death, Extol, and Meshuggah. This time, the band deliberately fractures the conventions of modern extreme production, opting instead for a more organic and visceral mix that sharpens the defining traits of their work.
In Light, No Shape marks the first lineup shift in a decade, as the band sharpen from a quintet to a quartet with founding guitarist Alex Baillie stepping forward as vocalist while retaining guitar duties, following the 2023 departure of founding vocalist Henry “Big Mac” Pryce.
“This record is a defining milestone for us. Taking on vocals has pushed us to re-engineer how we experiment with the blend of elements in our sound, unlocking new creative pathways to compliment the core identity of the band. What you will hear are four dudes all adding their flavours to the melting pot to create a body of work that felt completely natural to us.”- Alex Baillie (Vocals/Guitar)
Pre-order:
https://bit.ly/inlightnoshape-willowtip
https://cognizance.bandcamp.com/album/in-light-no-shape
Track
Listing:
1. Transient Fixations
2. Inflection Chants
3. A Game of Proliferation
4. Chasm
5. Vertical Illusion
6. A Reconfiguration
7. Witness Marks
8. Subterranean Incantation
9. Induced Contortions
10. The Zone
Credits:
Mix and Master by Ronnie Björnström (AEON, BLOOD RED THRONE).
Artwork by Jef Whitehead (NAILS, LEVIATHAN).
Produced by Alex Baillie and Apostolis Karydis.
Photography by Nadine Geuter.
Line-up:
Alex Baillie - Guitar/Vocals
Apostolis Karydis - Guitar
Chris Binns - Bass
David Diepold - Drums
https://www.willowtip.com/home.aspx
https://www.facebook.com/cognizanceband
Genre
: Death
Doom Metal
Release dates:
Digital - April 24thh, 2026
CD - May 29th, 2026
When Sebastian Görlach parted ways with DÉCEMBRE NOIR in the spring of 2024, the decision did not mark the end of his musical journey. Instead, it opened the space he needed for a creative new beginning – or rather, a return to the very essence of what had always drawn him to metal. With AVERTAT, the musician from Thuringia reconnects with his roots and the holistic songwriting approach that defined DÉCEMBRE NOIR
While parallels to DÉCEMBRE NOIR are unmistakable, AVERTAT offers a distinctly different perspective on death‑doom. A key factor is the involvement of vocalist Enrico Langguth, who did not come from a metal background, even though his performance on “Dead End Life” suggests otherwise. His expressive, emotionally charged delivery adds a fresh dimension to the genre, while Sebastian Görlach contributes the deep growls, creating a dynamic interplay that amplifies the album’s emotional weight.
https://www.facebook.com/people/Avertat/61583501705970/
Verdun from France play blackened sludge/doom music that's dissonant, catchy, and of course, heavy. It's might seem like a bit of an odd combination but it works extremely well. The music is cohesive and intuitive and makes you keep coming back for more. You can check out one of the songs https://www.youtube.com/watch?v=ST2gUHiQQ7I
VERDUN - “ABYSSAL WOMB”
Genre - Black Metal/Sludge/Doom
Metal
For fans of - Drofnosura, Coffinworm, Thou, Indian
Verdun from France emerge after a prolonged gap of seven years, armed with a sound more potent and lethal than ever before. They've evolved to play a form of blackened sludge with a dissonant edge. Their music on the new album is riff-driven through and through; without wasting time on ambience or buildup, they go straight for the jugular and leave things filthy. The music is mind-numbingly heavy yet catchy and direct, making it highly effective and memorable. To balance the blackened spite dripping from the well-enunciated vocals, the music includes atmospheric elements and possesses emotional depth. The album doesn't drag on and seems to end sooner than later but only after exploring various aspects of their sound that keep it engrossing and thoroughly satisfying. "Abyssal Womb" is a fine representation of the style, having a sublime sound and faultless execution, and more importantly, it will stay with you long after the album is over.
Line up
David Sadok - Vocals
Jay Pinelli - Guitars
Florian Celdran - Bass
Geraud Jonquet - Drums
Artwork by David Sadok (Jaxartattooer)
Track listing
1. Funeral of the Cosmic Knight
2. Silent Witness
3. He Who Killed the Devil
4. La Lame et la Chair
5. Rise of the Atomic Ghouls
6. The Man Behind My Eyes
7. Les Noces du Néant
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/weareverdun
Thank a ton once again! Cheers!Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
CNOC AN TURSA – “A CRY FOR THE SLAIN”
Label: Apocalyptic Witchcraft
Release date: April 24th 2026
Genre: Black/Folk Metal
For fans of: Primordial | Winterfylleth | Saor | Forefather
Line-up:
Alan Buchan - Vocals
Rene McDonald Hill - Guitars, Keyboards
Bryan Hamilton – Drums
“Let warlocks grim an' wither'd hags
Tell how wi' you on ragweed nags
They skim the muirs an' dizzy crags
Wi' wicked speed;
And in kirk-yards renew their leagues,
Owre howket dead.”
- Robert Burns – Address To The Devil
Eight years on from their last album, The Forty Five, Scotland’s Cnoc An Tursa have returned with an evocative tribute to the history, the folklore, the unique magic of their homeland. With their characteristic blend of fierce black metal and traditional melodies they have conjured up a set of songs that bring together mourning and defiance, mystery and fear, pride and passion. It is rare for a band to return from years of silence with an album that represents a new creative peak in their story, but with A Cry For The Slain that is exactly what Cnoc An Tursa have achieved. Speaking about their aims with this album, the band have said,
"With this new album we feel like we are going back to our roots with a more guitar driven style and bringing back some of the folk elements musically and lyrically which was the original inspiration for the band."
And by looking back they have found the way forward, reigniting their fire and forging an album that will resonate through the years to come.
‘Na Fir Ghorma’ with its haunting guitar notes and sense of dignity and sorrow opens the door to A Cry For The Slain, ushering you into the furious opening blast of ‘The Caoineag’. Steeped in bardic tradition and storytelling this majestic track introduces the listener to a highland banshee who foretells death and tragedy and sings her laments beside the deep lochs and chill waterfalls. With the Caoineag’s song atmosphere rises like mountain mists, enshrouding and transporting while the captivating melodies conjured by Cnoc An Tursa lead us into a different world. ‘Cailleach And The Guardians Of The Seven Stones’ is a magnificent, sweeping tribute to the goddess of winter who shapes the landscape with her hammer, the ghost of Thin Lizzy’s ‘Emerald’ dancing in its Gaelic reels. A stunning guitar solo adorns the multifaceted track that captures the power, allure, mystery and terror of the blood thirsty ‘Baobhan Sith’, while the thundering energy of ‘Am Fear Liath Mòr’ takes you to the mountain passes of the Cairngorms, haunted by a giant presence…“I can hear the footsteps behind me, I can see the Big Grey Man”… And nestled amongst all the stories and ‘Address To The Devil’s epic dark poetry, we find first single, ‘Alba In My Heart’ – a pledge of allegiance, a song of devotion to Cnoc An Tursa’s beloved Scotland. There’s a raised fist and a strength of spirit in the blood stirring melodies and the rolling rhythms, in the riffs tumbling down like mountain streams. The authenticity of emotion in this song is undeniable. By the time ‘The Nine Maidens Of Dundee’ leads us down from the peaks once more, with a head full of dreams and a belief that magic may still exist in the less travelled glens of the northlands, the sheer power of Cnoc An Tursa’s return has become abundantly clear. A Cry For The Slain is a breathtaking album, a beacon burning in the night of mundane modernity, calling to those of us who want more than we’ve been sold.
With the intuitive mastering of Jaime Gomez Arellano (Paradise Lost, Primordial, Hexvessel etc) bringing depth and vigour to every note, A Cry For The Slain smoulders with sonic intensity and all the emotion and secrets of its narrative are captured in the evocative artwork of Olga Kann (Winteria, Withered Land, Ruadh etc) that adorns its cover. Apocalyptic Witchcraft will release this monumental album on April 24th and the defiant cry of Cnoc An Tursa will echo through the landscape once more.
“When thowes dissolve the snawy hoord,
An' float the jinglin icy-boord,
Then water-kelpies haunt the foord
By your direction,
An' nighted trav'lers are allur'd
To their destruction.”
- Robert Burns – Address To The Devil
https://www.facebook.com/cnocantursa/
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/apocalypticwitchcraftrecordings
FFO: Thy Art Is Murder, Fit
For An Autopsy, Cattle Decapitation
The official video for "The War Within" is available at: https://www.youtube.com/watch?v=RmbwP5iHjOY
The phrases that best summarise "The War Within," in their simplicity, are 'we are not that evil, in the end' and 'it’s always darkest, before the dawn.' The song talks about an encounter between generations and the
forgiveness of the new generation towards the old one. It recalls the concept of the band's second album Requiem For Us All, though allowing for a new dawn and forgiveness for the past mistakes.
The story begins 2022 when The Modern Age Slavery embarked on an new exciting adventure, a trilogy of pieces of art in the death-metal scenario. The band idea is to portray human self-imposed slavery along three different eras in men’s history. Indeed, 2023 album, 1901 | The First Mother released via Fireflash Records / Atomic Fire - represented the very first chapter of the trilogy. The album concept was inspired by writers and philosophers belonging to the so-called “modern age,” 1901 being the year in which Queen Victoria
passed away.
That brings us to the second chapter of the trilogy, 1969 | No One Jokes at God, recalling the symbolic beginning of the hipster culture at Woodstock and the rapid switch of equality ideals to the actual worldwide decay that has inevitably followed.
The EP was produced by The Modern Age Slavery with engineering duties undertaken by the band’s guitar player, Luca Cocconi, along with Simone Sighinolfi (who took care also of mixing and mastering at Audiocore Studio, near Parma, Italy).
The 1969 | No One Jokes at God EP is targeted for a Fall 2026 release.
Credits:
Music: Recording, mixing and mastering by Luca Cocconi e Simone Sighinolfi at Audiocore Studio.
Video by Desi S.
Guest appearance on drums: Davide Tomadini.
Cover art by Ludovico Cioffi.
Line-up:
Giovanni Berselli - Vocals
Luca Cocconi - Rhythm Guitar
Ludovico Cioffi - Lead Guitar
Mirco Bennati - Bass
Federico Leone - Drums
Bio:
Emerging amidst a sea of deathcore, Italy’s THE MODERN AGE SLAVERY separated themselves from therest with their visceral sense of the genre. Coming equipped with grinding blast beats, merciless brutal
vocals and slaughtering rapid-fire double bass patterns their sound developed and became increasingly unique over time. After the release of their demo, which was chosen as “Demo of the Month” by Rock Hard
Germany, they got signed to Napalm Records.
Then, thanks to significant acclaim from the metal world, THE MODERN AGE SLAVERY extensively toured across Europe both as headliners and as supporting act, along with CANNIBAL CORPSE, DYING FETUS, OBSCURA, MALEVOLENT CREATION, VOMITORY. The band also
played selected shows with FLESHGOD APOCALYPSE, SEPULTURA, DECAPITATED, SUICIDE SILENCEand many more.
The release of the second album -Requiem For Us All- pushed their death metal war machine one step forward, this time with a fierce mix of blazingly fast drumming, technical riffing, epic atmospheres, and
crushing groove. Listed as the best metal album of the year by MetalSucks, it brought the band on tour again with bands, such as GORGOROTH, VITAL REMAINS, HYPOCRISY, plus many gigs on national soil. Their last full-length album -Stygian- represented a new chapter in the sound of the band, introducing blackmetal riffing, keyboards, atmospheres, and orchestral elements.
Owing to such efforts, the band got once again acclaimed around Europe, co-headlining shows with INGESTED and supporting VADER and ENTOMBED A.D. Before the pandemic, they shared stages with
JINJER, DECAPITATED, INCITE, and they are currently hitting the road again, having played in big festivals with SLIPKNOT, SABATON, BEHEMOTH, and many more.
https://www.facebook.com/tmasofficial/
Finnish
thrash metal force BLOODRIDE are already on the road with their “DEAFENING
TOUR 2026,” and the next run of dates is now in full focus as the band
moves into spring and summer.
"Bloodride has started the second leg of touring around their new album “DEAFENING”. At the end of 2025, they thrashed around Finland and also visited Germany and Nuclear Intervention Fest in the Czech Republic. This part will bring more gigs, both domestic and abroad:
“This weekend we're going to places where Bloodride has already been," said bassist Esa." Fontaine in
Liepaja and Lemmy Club in Kaunas, which have been really great venues. Later, we'll be visiting Marienhamn in Åland and Tuuri for the first time. After these, we'll go on a great trip to Poland, Krakow (once again), and then we'll trash Harryfest in the Czech Republic. Some more gigs are to come, but talk to you later about them. Now, hope to see you people at our shows, mosh!"
Upcoming Dates:
10.04.2026 – Liepaja (LV), Fontaine Palace
11.04.2026 – Kaunas (LT), Lemmy Club
09.05.2026 – Maarianhamina (FI), Pub Bastun
22.05.2026 – Tampere (FI), Bar Kotelo
23.05.2026 – Tuuri (FI), Tuurin NS
24.07.2026 – Krakow (PL), Sny
25.07.2026 – Baska (CZ), Harryfest XI
From small club stages to festival crowds, “Deafening Tour 2026” is set to deliver fast riffs, sharp hooks, and a live set built to hit hard and leave a mark.
About Bloodride
Fierce Finnish thrash metal veterans Bloodride formed in 2000. They debuted with the EP Bloodridden Disease in 2004, followed by their first full-length album Crowned in Hell in 2011. Their fourth album, Idiocracy (2021), earned critical acclaim worldwide. Their sound blends old-school thrash with darker death metal tones and the raw edge of hardcore—pure neck-breaking intensity.
Over the years, Bloodride has torn through stages across Europe, sharing the stage with acts like Exhumed, Exodus, Nunslaughter, Toxic Holocaust, Whiplash, and Prestige. Live, they deliver nothing short of a perfect storm
www.facebook.com/bloodride
Just click and go below!
The bands have each released a statement concerning their respective contributions to Toward Dead Temples, as follows:
Nixil: “Our contributions to Toward Dead Temples explore the spiritual depth of death and isolation. Through the use of imagery representative of the crumbling edifice of christo-fascism, we strive to push toward the eradication of the oppressor in all its manifestations. Sonically, this album marks a point of transition for us, beginning a deep dive into darker waters on a quest for stranger, more unsettling discordance. We are thrilled to be joining forces with our friends in Drouth to present this anthem of defiance against the crushing weight of impending dictatorship - until all tyrants and their temples fall.”
Drouth: “Originally recorded during The Teeth of Time sessions in late 2023, 'Cathartes Aura' and 'The Outer Church' stand on their own by representing both the past and future of Drouth. We are proud to share this release with our friends in Nixil and join them in spreading sonic misery throughout the West Coast this May.”
FFO: Enslaved, Ludicra, Blut Aus Nord, Altar of Plagues, Dawn, Black Curse, Ulcerate, Spectral Wound, Weakling, Sacramentum, Schammasch, Watain, The Ruins of Beverast
Nixil and Drouth will embark on the Toward Dead Temples West Coast Tour 2026 in May. Tour dates are as follows:
May 7: Seattle, WA - Neumos (Northwest Terror Fest)
May 8: Eugene, OR - John Henry's
May 9: Redding, CA - The Dip
May 10: Sacramento, CA - Cafe Colonial
May 12: Los Angeles, CA - The Moroccan Lounge
May 13: San Diego, CA - Tower Bar
May 14: Palmdale, CA - Transplants Brewing
May 15: Santa Rosa, CA - Arlene Francis Center
May 16: Eureka, CA - Savage Henry Comedy Club
May 17: Portland, OR - The High Water Mark
Toward
Dead Temples will be released April 24 on vinyl, cassette tape, and digital
formats.
Pre-order:
https://nixil.bandcamp.com/album/toward-dead-temples-nixil-drouth
https://nixilnothing.com/merch-store
https://drouth.bandcamp.com/album/toward-dead-temples
Track Listing:
1. Never Rise Again [Nixil]
2. Bloody Footprints on the Path of Bones [Nixil]
3. I Am Not Here [Nixil]
4. Cathartes Aura [Drouth]
5. The Outer Church [Drouth]
Nixil:
All songs written and recorded by Nixil.
Recorded and mixed by J. Robbins at The Magpie Cage Recording Studio
magpiecage.com.
Mastered by James Plotkin, plotkinworks.com.
Artwork for Nixil by Ash Nix.
A. - Vocals
S.G. - Guitar
A.B. - Guitar, backing vocals
A.R. - Bass, backing vocals
Drums on Toward Dead Temples - M.T.
Drouth:
All songs by Drouth.
Recorded & mixed by Billy Anderson at Hallowed Halls & Everything Hz, Portland, Ore. MMXXIII-IV.
Mastered by Justin Weis at trakworx.com, South SF, CA.
Layout & Artwork for Drouth by Matt Stikker.
Matt Stikker - Guitar, Vocals, Lyrics
John Edwards - Guitar, Vocals
Patrick Fiorentino - Drums
Matt Solis - Bass, Vocals
Viola on “The Outer Church” by Eva Vonne
Nixil Photo Credit: Shane Gardner
Drouth Photo Credit: Jason DeSomer
https://www.facebook.com/nixilnothing
https://www.facebook.com/drouthpdx
The
new album from Australian death/thrash duo BATTLEGRAVE is out
now! Order or download ENSLAVEMENT at
https://battlegrave.bandcamp.com/album/enslavement
The band's most devastating full-length release to date, Enslavement delivers 10 tracks of unbridled and vitriolic, death-laden thrash metal. This relentless barrage of calculated venom, intense riffing, and punishing rhythmic precision further cements the band's reputation for uncompromising extremity.
Lyrically tied to themes of violence and aggression, Enslavement weaves an interlocking narrative of a subterranean demon harvesting human souls to satiate its unending hunger. This conceptual core adds a sinister layer beneath the album's sonic brutality.
The album was recorded by Clint Patzel of BATTLEGRAVE, mixed by Tim Shearman and mastered by Logan Mader. Session drums by Robin Stone.
Line-up:
Rohan Buntine - Vocals, Lyrics
Clint Patzel - All Strings
Bio:
BATTLEGRAVE are a two-piece death/thrash project from Melbourne, Australia, formed in 2017 following the release of their debut demo track, “Mortar Fire,” which quickly generated strong underground buzz.
The duo followed with the EP To Hell with War (2017) and full-length albums Relics of a Dead Earth (2018) and Cavernous Depths (2022, via Bitter Loss Records), establishing a reputation for blending savage thrash intensity with punishing death metal weight. Their releases have received consistent acclaim across the global metal press and airplay on international radio platforms.
While primarily a studio-driven force, BATTLEGRAVE have also brought their music to the stage, recruiting respected musicians from Melbourne’s metal scene to deliver their blistering sound in a live setting.
Throughout their discography, the project has collaborated with world-class drummers including Kevin Talley, 66Samus, and most recently Robin Stone, further reinforcing the precision and power behind the band’s extreme sonic identity.
https://www.facebook.com/Battlegrave/
POSEYDON
– “TIME IS A RIVER AND THE WATERS ARE RED”
Format: Digital CD / Physical CD / Vinyl
Label: Independent Release
Distribution: Necktwister
Tracklist:
01 Storm
02 Poseidon
03 Mind Intrusion
04 Time Is A River And The Waters Are Red
05 Thief Of Dreams
06 Instinctive Dissonance
07 With Tears In My Eyes
08 Ancestral Rites
Poseydon was formed in 1992 by Alain De Block with the ambition to play a mix of Thrash and Death- metal.
The band’s playing style should appeal to fans of early Slayer, Sepultura, Testament and many more…
The band took a few years to grow but in 1995 the first recording took place.
A single ‘Thief of Dreams’ was recorded in the legendary Midas Studios and got released by Tessa Records in 1995 as part of a metal-compilation album ‘Detonation II”. This track showcased the bands ability to write dynamic songs and not to be afraid to include calm, almost tranquil elements, only to enforce the heavy hitting sequences even more. The band received great critiques for this first release, gathering the attention of the Belgian metal-scene.
This brought a lot more possibilities to the band, which meant playing a lot of live gigs and recording & release of the 4-track EP ‘With Tears In My Eyes’ in 1998. Again recorded in Midas Studios, the EP contains four fierce thrashing pieces of metal, which proved the band was growing and moving upwards in the Belgian metal-scene.
Although the band had gained momentum, the march of Poseydon was put to a halt… as Poseydon ceased to exist. Through the leaving of its frontman, Alain de Block decided to put Poseydon on hold.
But as the saying goes: blood is thicker than water! After a few years the aching started to arise to reboot Poseydon which lead to the reformation in 2007. Founding member Alain de Block & former guitarist Ward van Iseghem got together and started to reclaim the God of the sea. After a few years of rehearsing and looking for the right bandmembers, the band recorded its first full album titled ‘Cold World’ in 2011
Although the album comprised mostly older unreleased work, it was a death-metal metal release in contrast to it earlier death/thrash releases. To support the album, Poseydon played everywhere as it could through the Flemish part of Belgium.
Unfortunately some line-up changes slowed the progress towards a new recording, but patience is a virtue!
After recording and mixing the songs without any pressure, Poseydon’s latest album ‘Masterpiece (in the mind of a serial killer)’, or ‘Masterpiece’ in short, was released in the beginning of September 2016.
Then, 7 years later the God of the Sea emerges with a new album entitled ‘Through The Gate Of Hatred And Aversion’. This time they went to Project Zero studios where Yarne Heylen (Carnation) recorded, mixed and mastered the tracks.
Since its first incarnation, the goal of Poseydon was, is and always will be to play energetic live-shows.
And now they are preparing themselves for the release of their third full-length album that will come out at the end of April 2026.
Line-up:
Alain De Block (rhythm guitar, lead guitar, backing vocals)
Leander Karageorgos (rhythm guitar, lead guitar)
Jeroen Bonne (bass guitar, backing vocals)
Jef Boons (drums)
Tom Lenaerts (vocals)
https://www.necktwister.com/
https://www.facebook.com/godoftheseaandmetal
Label: Ardua Music
Release date: april 24th 2026
Genre: Doom/Stoner Metal
For fans of: High On Fire | Kyuss | Orange Goblin | Desert Storm
“Something unknown, something unforeseen, something unspeakable lives below – and it lives to destroy…”
- promotional text for the 1977 film, Shockwaves
You’ve lost count of the drinks and lost sight of the path you were walking. Your eyes won’t focus, but the world seems to be burning and there’s a voice speaking from the other side of the flames…telling you it’s time to die.
Hailing from Mechelen, Belgium and featuring one ex and one current member of doom legends Marche Funèbre, Witch Piss have been brewing their potent blend of dark, stoner metal since 2022. It’s a brew they call Mississippi Goat Worship and there’s witchcraft and venom lurking in the sediment that swirls in that pitch black elixir. A self-titled EP released in the spring of 2023 turned heads, as did brain melting live shows with the likes of Your Highness, Belzebong and The Obsessed – but now the story really begins, with the heady, heavy, hypnotic delights of debut full length album, The Devil Doesn’t Burn!
The gates of delirium open onto ‘Black Tongue Driven’, with its towering midnight riffs, a rhythm section like thunder and vocals with a rough, drunken drawl, shot through with menace. Grooves dig deep into the black earth, breaking through into the realms of the dead. There’s a loose, devil may care feel to the Witch Piss sound, but it’s bathed in sweat and the stench of possession and carrying something sinister in its back pocket. By the time ‘Bad Juju’ arrives through the pale grey light of dawn, with a half-forgotten night of madness trailing in its wake, you’re captured and committed; happy to let the rolling tide of guitars carry you away on riffs thick enough to bear the load. There’s a fierce energy to ‘Wolf Cries Boy’, driving you through the shadows, smoke, firelight and voodoo whispers. It makes you headbang until the world spins and you see drug dealing devils dancing in your brain. The spell never breaks as the album unfurls; heavy metal bombast and desert rock dreams laughing in the face of doom. ‘Catelyn’s Broken Hope’ is a highlight amongst an array of peaks – an unstoppable battering ram shot through with a deep, melancholic rumble, with a killer chorus and a starburst of firework lead. When the end arrives with ‘Rubicon River’ you realise that while you were lost in the haze Witch Piss were carrying you past the point of no return…and now there’s no way back. But then who wants to come back from a trip like this?
Recorded live in the studio at Motormusic Recording Studios and produced, engineered, mixed and mastered by Chiaran Verheyden, who also brought the Witch Piss EP to doomed, stoned and devastating life, The Devil Doesn’t Burn sounds rich, thick and textured – a lead weight monolith wreathed in smoke and dust. Completed by the distinctive artwork of Luca ‘Solo Macello’ Martinotti (Pentagram, Sahg, Baest etc) The Devil Doesn’t Burn will be released by Ardua Music, on CD and exclusive black vinyl LP, on April 24th. The LP will also be available as a splatter vinyl, only from the band and on marble vinyl from Necktwister Records. Be ready to lose your mind and sell your soul to Witch Piss!
Line-up:
Peter Egberghs · Vocals
Andoni Lombide Carreton · Guitars
Stijn Georges Moens · Guitars, backing vocals
Wouter Veeckmans · Bass, backing grunts
Dennis Lefebvre · Drums
Guest vocals on ‘Wolf Cries Boy’ and ‘The Devil Doesn’t Burn’ by Ben Baert (Your Highness)
https://www.arduamusic.com/
https://www.facebook.com/WitchPiss
Release date : 8 Mai 2026
Genre : Black Metal
Origin: France
Duration: 41min43
Label: Les Acteurs de L’Ombre Productions
Network Distributor: Season of Mist / Plastic Head
Digital Distributor: The Orchard
Line-up:
Vocals : Agathe Boulanger a.k.a Diffamie & Thomas Deffrasnes
Tracklist:
1. Catabase
2. Jeanlin
3. Bleu Noir Rouge
4. Voreux
5. Baptise Terre
6. Pénitent
7. Les Montagnes Poussent Sous Terre
8. Estaminet Pt.1
9. Terril
10. Saint Cordon
11. Mesektet
GALIBOT announces the release of "PÉNITENT" the first single from their upcoming second album "Catabase" set to drop on May 8 via Les Acteurs de L’Ombre.
This music video offers a first glimpse into the project's intense and immersive universe, inviting listeners on a striking, incandescent descent into the heart of the mines.
"Pénitent" depicts the perilous work of elite miners tasked with a mission as essential as it is dangerous: igniting firedamp to purify the tunnels. Sent alone into the depths, the penitent, clad in water-soaked clothing as his only protection, crawls forward with torch in hand to consume the deadly gas. Heroic yet tragic, he embodies the constant struggle between survival and sacrifice.
This gripping narrative inspires a musical composition that mirrors its subject: raw, intense, and deeply melancholic. "Pénitent" alternates between violent breaks, piercing leads, and more melodic, ethereal passages, conveying the full tension and duality of the story.
Produced and recorded at Minotaure Studio, then mixed and mastered at St Marthe Studio, this first single is accompanied by visuals crafted by David Stan, enhancing the immersion in this dark, story-rich universe.
With "Catabase" GALIBOT continues to explore profound human themes, cementing a strong and singular artistic identity.
https://www.facebook.com/skaphosofficiel
Pre-orders: https://www.lesacteursdelombre.net/product-category/preorders
Hailing from the frostbitten landscapes of Finland, Dead Samaritan emerged in 2001 under a
The current lineup features Marko Saarinen (vocals), the newest member Joonas
Konki (guitars), Matti Viholainen (guitars), Eero Virtanen (bass), and Janne Honkanen (drums)
Their discography includes:
The Only Good Samaritan... (Full-length album, Casket Music, 2012)
The Devil Tunes (Full-length album, 2014)
Shadows (EP, 2019)
Come Plague upon Us (EP, 2022)
Overlord of Wasteland (EP, 2026)
Dead Samaritan doesn’t just play metal — they breathe it.
https://deadsamaritan.bandcamp.com/album/overlord-of-wasteland
https://www.facebook.com/DeadSamaritan/
The
Basque pagan black metal band NUMEN marks their grand return on June 12 with
their fifth album, titled "Erre". True to their roots, the record is
entirely sung in Euskera, one of the oldest languages in the world.
With "Erre" NUMEN delivers old-school black metal that is fast, aggressive, and deeply melodic, drawing inspiration from Nordic and Basque traditions.
Balancing raw fury with soaring progressive passages, the band crafts an intense and uncompromising sonic identity. The lyrics, staying true to the band’s essence, gain depth and introspection, further amplifying the impact of this work.
The cover art, created by Raoul / View From The Coffin, and the tracklist have just been revealed.
For fans of ’90s Nordic black metal and those who appreciate fast, aggressive, and melodic black metal rooted in the spirit of that era.
Tracklist :
1. Kez beteriko zeru penatua
2. Negu itxian Urtarril hotza
3. Errautsen azken arnasa
4. Hustasuna - Oroitzapen galduen putzua
5. Euria infernuko sutan
Pre-orders: https://www.lesacteursdelombre.net/product-category/preorders
For fans of: Behemoth, Hate, Dead Congregation
Since its inception, the band has crafted a singular universe through three albums - “Bathyscaphe” (2020), “Thooï” (2022), and “Cult of Uzura” (2025) - blending the dark, dissonant atmospheres of Black Metal with the raw power of Death Metal.
With “THE DESCENT,” SKAPHOS offers far more than a simple reinterpretation of its early works. The album revisits tracks from “Bathyscaphe” and “Thooï,” while reimagining them within a renewed artistic vision. More than a physical descent into the abyss, “The Descent” embodies a true plunge into madness.
Entirely recomposed, reworked, and re-recorded in continuity with the ritualistic and tribal direction initiated on “Cult of Uzura,” the tracks gain in intensity, density, and maturity.
The lyrics have also been rewritten, evolving the themes explored and giving rise to new identities for each track, now retitled.
Drawing on years of experience, SKAPHOS refines and asserts its artistic direction, elevated by the work of Nathan Faure (mixing), Thibault Chaumont (mastering), and Paulo Girardi (artwork).
« Skaphos is the perfect candidate to combine Black and Death Metal in a very violent way » Acta Infernalis
On stage, SKAPHOS unfolds a dark and immersive universe through performances marked by a near-ritualistic intensity. The band has played in more than 20 countries, touring across Europe and Asia alongside legends such as I Am Morbid, Vader, Marduk, Suffocation, Belphegor, Batushka, and Vomitory.
« Skaphos managed to make it a hell of a performance, with brutal riffs, menacing rhythms, the French definitely created an astonishing atmosphere » Antichristmagazine.com
Their abyssal universe extends beyond the stage, with evocative music videos and the short film La Litanie des Flots (2022). They are currently working on a full-length film, Aurores Noires, scheduled for April 10 2026.
A few days after the release of its new album “The Descent,” Skaphos will hit the European roads to promote it live.
Tracklist correspondence:
1. Nese Ende - Royaume du fond (Thooï)
2. Okean - Bathyscaphe (Bathyscaphe)
3. Mireborn - Ruines Aphotiques (Thooï)
4. Ube - BLOOP (Thooï)
5. The Descent - U29 (Bathyscaphe)
6. Horror squid - l'eveil de THOOÏ (Thooï)
7. The brine seal - le temple (Bathyscaphe)
8. Mariana Tomb - la tombe des Mariannes (Bathyscaphe)
Pre-orders: https://lesacteursdelombre.net/product-category/preorder
Swedish thrashers MEZZROW re-sign with Fireflash Records and release new single „AS THE FLAMES RISE“ .
„Bay Area Thrash Metal – Made in Sweden“, that‘s what MEZZROW stands for. Since their reunion in 2021, the band is celebrating their second birth and second spring in one. With „Summon Thy Demons“ (2023) and „Embrace The Awakening“ (2025), the quintet from Nyköping released two highly recommended records, that continues perfectly what once started with their legendary debut album „Then Came The Killing“ (1990).
Amid Sweden's thriving "second wave" thrash scene - featuring bands like BLOODSTAIN, METHANE, SAVAGE MANIA, HOSTILIA and veterans like FKÜ, MEZZROW have positioned themselves as enduring and inspiring. They’ve had the privilege of sharing stage with notable bands during these last years such as: EXODUS, DARK TRANQUILITY, ASPHYX, CORONER, MYRKUR, BLOOD RED THRONE, CANDLEMASS and many more. This eventually led up to a signing with WE LIVE AGENCY, a booking agency with a broad network and the future now looks seemingly bright for the Swedish thrash metal force.
Today, MEZZROW have two topics to celebrate. First of all, the members signed a new record deal with their previous partner FIREFLASH RECORDS, which re-started new and independently early 2026. ”It feels like coming home”, says vocalist Uffe Pettersson and continues: „Markus has been our collaboration partner in many ways since we restarted the band more or less. We all feel it was an obvious decision to make, when we heard that he would make Fireflash Records great for a second time!”
To celebrate this, MEZZROW release a brand-new single, entitled ”As The Flames Rise“ today. Guitar player and producer Ronnie Björnström comments: ”This one was written during the „Embrace the Awakening“-sessions and didn’t end up on the album. It has a typical Bay Area old school-vibe with a catchy chorus. The lyrics have a classical horror theme and Clive Barker, foremost, comes to mind as inspiration. Overall, just pure headbanging from start to finish and now it’s time to release this thrasher of a song!”
Further on this spring MEZZROW will also release a live album digitally through DMG - Powered by Reigning Phoenix Music and also another single through Fireflash. Keep your thrash metal eyes and ears open!
As of 2026, MEZZROW remain a vital force in global thrash revival!
MEZZROW live:
April 17th - OBERHAUSEN (GER) - Thrash Speed Burn Fest
May 16th - BORAS (SWE) - Klubb Hades Festival
June 13th - VINGAKER (SWE) - Vingåkersvrålet Festival
MEZZROW are:
Ulf "Uffe" Pettersson – Vocals
Conny Welén – Bass
Magnus Söderman – Lead Guitar
Ronnie Björnström – Guitar
Alvaro "Alvis" Svanerö – Drums
http://www.mezzrow.black/
https://www.facebook.com/mezzrowsweden
The ambitious debut album from the melodic death/black metal band Apolaustic, formed by ex-Stortregn vocalist/guitarist, is out now. The band unveiled an animated video of one of their songs prior to their full album stream dropping, which is worth a watch too. You can find both the links below. Don't sleep on this beautiful, passionate, and poignant album.
APOLAUSTIC – “NO PLENITUDE WITHOUT SUFFERING”
Genre - Melodic black/death
metal
For fans of - Dissection, Naglfar, Sacramentum, Unanimated, Thulcandra, Stortregn, Dyssebeia
Apolaustic was formed by the former Stortregn vocalist/guitarist Romain Negro as an outlet for him to express his personal vision. At once scathing and stirring, the sharp, insistent riffs go hand in hand with elegant melodies that never outstay their welcome. The aggression and poignancy is beautifully managed with plenty of variations provided to highlight those emotions at the right times. After experiencing the turmoil of life, the aching pain in the melodies is all too palpable. "No Plenitude Without Suffering" is a heartfelt, meticulously put together, pristine-sounding debut from a veteran musician that is bound to stand the test of time if only on the basis of the sheer quality of melodies contained within.
Line up
Romain Negro (ex-Stortregn) - Vocals, Songwriting
Merlin Bogado (Dyssebeia) - Session Guitars & Bass
Nicolas Muller (Akiavel) - Session Drums
Cover artwork by Romain Negro
Track listing
1. Devouring the Past
2. Fragments from a Misty Journey
3. Testimony of an Obsolescent World
4. Shining Amidst the Lights
5. Smells Like Dead Autumn Fire
6. Black Flame Reviver
7. De Feu et de Cendre
8. Peregrination Towards Childhood Memories
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/ApolausticBand
Thank you very much! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
Genre: Death Metal
For fans of: Hate Eternal | Deicide | Immolation | Cannibal Corpse
Label: Rottweiler Records
Release date: July 3rd 2026
Jordan Varela knows death metal; the essence of it runs through his veins. He’s the drummer for the crushing Lust Of Decay, the multi-instrumentalist behind the ferocious music of Shuriken Cadaveric Entwinement and an ex-member of legends of brutality, Lividity…and those are just the most notable of his achievements in the scene. So, when Varela announces a new solo project, a new album overflowing with rampant death metal riffs, firmly anchored to the roots of the genre but hitting with a powerful contemporary impact…well, you sit up and you pay attention. Under the name of Dichotomy, Jordan Varela is set to unleash the fiercely focussed intensity of Lucifer Owns The Fence – featuring nine tracks of unequivocal death metal.
There’s no messing around on Dichotomy’s debut, as a savage vocal roar ushers in blistering opening track and first single, ‘He Is…’. The rhythms are wild, frantic, dizzying, the riffs twisting and turning before locking into passages of incredible force and power. It’s a case of hanging on for dear life as a maelstrom of precision performance threatens to tear you apart. However, there is nothing chaotic about the music of Dichotomy, as within the maze of fury and complexity that characterises tracks like the searing ‘What A God’ there is a very definite plan and structure. Gleaming hooks wait to ensnare and everything crackles with an electrifying energy as addictive riffs draw you in ever deeper, revealing an inherent sense of melody within the tornado of sound. With every listen these tracks hit harder and harder, from the unflinching, determined attack of ‘Better To Be Drowned With A Millstone Around The Neck’ to the jabbing, thrusting riffs and screaming harmonics of ‘The Greatest Lie Ever Told’. This album is not background listening; it deserves your full attention and demands to be played loud. Finishing with the massive impact of ‘Satan Will Kill You’ – unswerving in message and music – Lucifer Owns The Fence will leave you exhilarated and utterly destroyed.
Every note, every beat, every excoriating roar on Lucifer Owns The Fence is the work of Jordan Varela and that singularity of vision, purpose and performance has resulted in one of the most formidable and accomplished albums of his career. Lucifer Owns The Fence will be released by Rottweiler Records on July 3rd, so be prepared for a monumental death metal assault!
Line-up:
Jordan Varela – All music and vocals
https://www.rottweilerrecords.com/
https://www.facebook.com/profile.php?id=61574340818108
FFO: Cryptopsy, Devourment, Brodequin, Deeds of Flesh
Hostile Consuming Rapture is available on CD, vinyl, and digital formats.
Click to stream/purchase at:
https://www.youtube.com/watch?v=3rgyrZlVMQ4
https://www.graveislandrecords.com/sectariandefacement-hostileconsumingrapture
https://sectariandefacement.bandcamp.com/album/hostile-consuming-rapture
Following their EP Chaotic Demiurge, the band pushes their sound further with a heavier and more focused approach. The album delivers raw, aggressive brutal death metal with elements of technical riffing, grinding intensity and groove-driven sections that keep the songs tight and memorable. Instead of following the polished “slamcore” trend, Sectarian Defacement deliver something far more extreme and brutal. The sound is raw, heavy and direct, hitting with the force of a blunt weapon.
Lyrically, Sectarian Defacement also touch on darker historical themes, including crimes of the Soviet regime.
If you are into truly heavy and uncompromising brutal death metal, Hostile Consuming Rapture is a release you should not ignore. Sectarian Defacement prove themselves as a band with real intensity and a
strong identity.
The members share their thoughts about the forthcoming album:
"As a composer, I wanted to create not only aggressive and extremely heavy music, but also combine a brutal sound with more groovy and catchy elements. It would be cool to create something unique, something that would be different from the oversaturated crowd of similar sounding bands, and have its own recognizable SD branded style." - Nazar (guitar/vocals)
"As a soundman, I wanted to create a unique mix, that would not sound like all those 'slamcore' mixes. No offense to bands that do trendy overproduced mixes, but I wanted to hear something both modern and brutal. My take was to give Old school slam’s sound it’s logical modernization. Main influences were - Supply of Flesh Came Just in Time by Craniotomy, Goresoaked Clinical Accidents by Aborted Fetus, Tortured Whole and Homicidal Ecstasy by Sanguisugabogg, and Dissect, Molest, Ingest by Amputated." - Anton (bass)
"I am happy to be able to talk to the audience through our music, and I really enjoy the fact that we are one of the few bands who talk about crimes of soviet union, particularly it is really important for western listeners to hear the truth. We tried our best to make the music sound interesting, in my opinion we managed to do it, and we will continue doing it in future." - Viktor (drums)
Track
Listing:
1. Intro
2. Sectarian Ritual (Appalling Oath)
3. Mob Justice
4. Mental Putrefaction
5. Corrosion Spread
6. Hostile Consuming Rapture
7. Puddle of Gore
8. Dismal Liturgy
9. Famine 33
10. Suttee (Defeated Sanity Cover)
Album Credits:
Produced by Sectarian Defacement and Grave Island Records.
All music and lyrics by Sectarian Defacement.
Mixed and mastered by Ostrovskyi Anton.
Artwork by Felipe Froeder.
Line-up:
Nazar - Guitars and Vocals
Viktor - Drums
Anton - Bass Guitar
https://www.graveislandrecords.com/
https://www.facebook.com/profile.php?id=61576693025503
Label: Xtreem Music
Genre: Death/Gore Metal
For fans of: Autopsy | Gorevent | Impetigo | Haemorrhage
Release date: July 9th 2025
There is nothing behind those eyes - no humanity to appeal to, no shared emotions to draw on, no innate sense of mercy to plead to - there is only hunger and a spark of malignant glee. The inevitability of the end is overwhelming; the strangely shocking realisation that you were never the centre of the universe, it was never your story, you were just a bit part player after all. The world will keep on turning long after this…thing…has reduced your ideas and emotions, worries and cares to a shapeless mess of flesh and liquid. It’s enough to make you weep…but there’s no more time for that.
Formed in 2021 by members of Fecal Body Incorporated, Cocklush and Concrete, Bulgarian gore obsessives Necromonger are devoted to the sound of rotting, repugnant death metal; undiluted, uncompromising and bone crushing. Eschewing the pursuit of high velocity blasting, Necromonger take their time over each kill, revelling in choking, claustrophobic atmosphere and sinister, crawling heaviness. A miasma of fear and desperation hangs over each song that they shape from their warped dreams of bruised flesh and congealed blood – and after years of immersion in their fetid fantasies they have emerged with a debut album to bring a shudder to the soul of all but the most hardened disciples of disgust. Emanation Of The Dying Perceptions has arrived…
The grotesque theatre of Emanation Of The Dying Perceptions opens with ‘Beyond The Pleasure Principle’, gradually submerging its victims into a world of terror before the razor-edged atmosphere gives way to snarling guitars underpinned by a thuggish bass. Brutalizing vocals bring an aura of warped sickness to the methodical process of dismemberment and there’s a seething morass of vicious unpleasantness boiling beneath the slow-motion bludgeoning. From here there is no escape, no let up in the degradation and destruction – this album is chilling in its soulless inhumanity. The songs switch from the murderous heat of tracks like ‘Born In Grave Wax’, a lumbering tribal dance of destruction, with the bass sounding as if the strings must be hanging from the instrument like loosely draped entrails, to cold, fear-infused nightmares like ‘Confessions Of A Dead Poet’, making for a disorientating melange of horror. The riffs are thick and suffocating, like wading through offal and the band deliver wound after wound, ghastly, shocking injuries. Listening to Emanation Of The Dying Perceptions is a mind warping experience that will take you from shock and disgust, through fear and madness to total desensitisation…and finally to a lust for depravity. Final track and first advance single, ‘Slaughter To The Bones’, is perhaps Necromonger’s greatest work on this, their first release. Its monstrous guitars and hellish vocals seem to be accompanied by a sense of sinister revelation, as if the meaning behind all the preceding savagery and slaughter is laid bare in this insidious, creeping conclusion.
Emanation Of The Dying Perceptions will be prised from its coffin by Xtreem Music on July 19th and released on CD, 12” LP, cassette and digital formats. The CD will feature the bonus track, ‘Necromonger’ – an epic instrumental combining atmosphere and brutality in a wildly effective, bilious cocktail – while the cassette will feature the additional delights of ‘Necrocannibal Pollution’, a feast of molten riffs that makes a more than fitting addition to the album’s core of carnage. With Emanation Of The Dying Perceptions Necromonger have written a love letter to the dismantling of the human form. Expect no mercy.
Line-up:
Pigman – Vocals
Agrogrinder – Guitars/Bass
Quill Rat – Drums
https://www.xtreemmusic.com/
https://www.facebook.com/goredeathmadness
Origin: Finland
Style: Depressive Black Metal
Formed in: 2020
Released on: Downfall Records
Line-up:
Non: Guitar, Bass, VocalsMors: Drums
BioMusta Suru (roughly translates as “black sorrow”) is a two‑man Depressive Black Metal band, founded around 2020 in Tampere, Finland.We both have a background in black metal bands, and everything began after a rehearsal of another project, when we decided to stay behind and jam.We continued playing together, and eventually we had several songs taking shape — that’s how Musta Suru was founded.The band name came to us very naturally, just like our songs do.From the very beginning we found a shared musical language and mindset. Our music deals with pain, death, sorrow and all the difficult, unpleasant aspects of human existence — this is our way of releasing difficult emotions. Music is for us both a passion and a form of therapy.
Pre order digipack CD: https://www.bengans.se/musta-suru-viimeinen-viilto
NEWS 5.4.2026Genre: Black Metal Label: Folter Records
Distributed by: Alive
Release: 30.04.2026
»F.M.M.S.« ist der vierte Langspieler von PARAGON BELIAL – und ein brachiales Exempel für rohen, kompromisslosen Black Metal, der in seiner archaischen Bösartigkeit auch in War-Metal-Manier das Höllenfeuer zum Lodern bringt!
PARAGON BELIAL, deren bewegte Geschichte bis ins Jahr 1993 zurückreicht, sind heute härter und brutaler als je zuvor – mit einer Vehemenz, die einen an Bands wie Archgoat oder Gravesend denken lässt. Für einen unheiligen Track wie »Blood Sacrifice« haben sie sich im Sinne größtmöglicher Durchschlagskraft auch Elemente des Death- und Thrash-Metal einverleibt und dringen damit zu den frühesten Wurzeln extremen Metals in den Achtzigern vor.
PARAGON BELIAL wurden nach dem gleichnamigen Song von Darkthrone benannt. Nach seinem Ausstieg bei der Dark-Metal-Institution Bethlehem von Andreas Classen alias Andras Necropest gegründet, machte die Band aus Nordrhein-Westfalen erstmals 1995 mit ihrem Debüt »Hordes Of The Darklands« – erschienen bei Folter Records – auf sich aufmerksam, das nicht wenige als eine der relevantesten Veröffentlichungen im teutonischen Black-Metal-Underground erachten.
Andras, der auch schon als Sänger von Shining fungierte und bei Bands wie Darkened Nocturn Slaughercult involviert war, ist die wesentliche Konstante bei PARAGON BELIAL.
Nachdem PARAGON BELIAL infolge von Meinungsverschiedenheiten lange Zeit weitgehend auf Eis lagen, kam 2007 die Besetzung des Debüts – Andras, Zahgurim und Ralph – wieder zusammen, woraus letztlich das zweite Album »Nosferathu Sathanis« (2008) resultierte, das große Erfolge feierte. Eine Tour durch Deutschland, die Niederlande, Frankreich und Österreich schloss sich an.
Nach Jahren, in denen die Band mehrere Line-up-Wechsel durchlief – u. a. gehörte zeitweilig der heutige Marduk-Drummer Bloodhammer aka Simon zur Besetzung –, wurde 2014 André Müller alias Rhabbazz der neue Schlagzeuger; seit 2015 spielt Thyrannoizer die Gitarre.
Diese Besetzung spielte das im Herbst 2017 veröffentlichte dritte Studioalbum »Necrophobic Rituals« ein und brachte dann auch »F.M.M.S.« auf den Weg, das 2025 vom Label Schattenpfade auf Vinyl veröffentlicht wurde – und nun auch via Folter Records als CD erscheint.
Das seit nunmehr zehn Jahren unverändert aus Andras, Thyrannoizer und Rhabbazz bestehende Line-up konnte sich fokussiert den neuen Tracks widmen, die PARAGON BELIAL verkörpern wie nie zuvor: »F.M.M.S.« ist roher, ehrlicher und brutaler Metal ohne Kompromisse. Der finale Track des Albums, »Midnight Queen«, ist dabei als Ehrerbietung an die brasilianischen Extrem-Metal-Pioniere Sarcófago zu verstehen.
Hail to the blasphemous Goatking!
Tracklist
1. Necropest 05:29
2. Belials Mark 03:25
3. Fresst Mutter Marias Scheiße 05:37
4. Blood Sacrifice 03:17
5. Arise of Satans Glory 04:38
6. Under the Sign of Satan 04:53
7. Riders of Leprosy 04:18
8. Endless Blasphemy 03:52
9. Midnight Queen 06:18
Total: 42:02
Line up :
Andras: Bass, Vocals
Rhabbazz: Drums
Thyrannoizer: Guitars
Composer: Paragon Belial
Lyrics: Andreas Classen
Recorded, Mixed and Mastered at Krappalzz Studio
https://www.facebook.com/FolterRecordsGermany
https://www.facebook.com/paragonbelialofficial
Kansas City thrash masters HELLEVATE will unleash their sixth assault this spring! KILLICON VALLEY is relentless in execution. Eleven tracks of the bullshit-free, 'thrash-or-be-thrashed' attitude the band has cultivated over their nearly 20 years of existence. Today, that fury has escalated beyond the breaking point. The result is an album that true fans of old-school thrash can blast with pride.
Guitarist Dan Whitmer comments on Killicon Valley:
“We couldn’t be more excited about this release! It’s the result of the last few years of a concentrated effort to expand our songwriting capabilities and deliver something for every kind of metal fan there is. Sonically, we’re going to places we haven’t been to before, and we’re trying out a lot of different approaches, sounds, and songwriting angles in our mission to make heads bang worldwide! Everyone involved has pushed themselves physically and mentally in their performances, and it’s all come together in a unique blend of melody and aggression, tackling every subject from our anger at the injustices in the world, to velociraptor attacks and Japanese spider demons. Grab a brace, because this album will make you wreck your neck!”
Get your first taste of Killicon Valley with the album's lead single, "In the Long Grass." Check out the official video at https://www.youtube.com/watch?v=4pvJtJcOrvo
Killicon Valley is set for release on May 22. Pre-order the album at https://hellevate.bandcamp.com/album/killicon-valley
HELLEVATE will mark the release of Killicon Valley with an album release show at Warehouse on Broadway in Kansas City, MO. Support will come from Jackson Country 5, Meat Shank, and Bloodscent.
Tracklist:1) D.T.C.
2) In the Long Grass
3) Invoke Apocalypse
4) Demagogue
5) The Rampart
6) Holy Man
7) Jorogumo
8) Part of the Tribe
9) Killicon Valley (Silicon Dust)
10) The Lost Pages
11) Thou Shalt Kill
12) Curse God and Die
HELLEVATE is a thrash metal band from Kansas City, MO, known for their unique blend of melodic thrash, extreme metal, and power metal influences. Formed in the late 2000s by guitarist Dan Whitmer, HELLEVATE maintains a commitment to writing unforgettable music that hits hard and leaves a lasting impression.
Lyrically, the band continues to deliver powerful messages with directness and intensity. Together, they have crafted a sound that is both expansive and undeniably thrash, incorporating influences from speed metal, power metal, death metal, and hardcore to create something truly unique.
HELLEVATE's discography includes their debut self-titled album (2012),Kill Confirmed (2014), Weapons Against Their Will (2016), The Purpose Is Cruelty (2023), and their newest album Killicon Valley (2026).
Since their debut in 2012, HELLEVATE has built a reputation for delivering electrifying live performances, sharing the stage with some of the biggest names in metal, including EXODUS, KREATOR, ACCEPT, OVERKILL, DESTRUCTION, HAMMERFALL, UNLEASH THE ARCHERS, GHOUL,
VENOM INC., and DANZIG, among others.
Line-Up:
Robert Browne - Vocals
Dan Whitmer - Guitar
Joshua Cole - Guitar
Zack Burke - Bass
Ruben Lopez - Drums
www.facebook.com/hellevate
The
Bocșa-based band ETERNAL DARK presents “BLESTEMAT,”
the new single taken from their second studio album, “CUGETĂRI,” which
is set for release on April 25 in collaboration with Loud Rage Music.The single can be streamed here: https://www.youtube.com/watch?v=CoSYkOIKanU
The album can be pre-ordered here:
https://loudragemusic.bandcamp.com/album/eternal-dark-cuget-ri
https://loudragemusic.limitedrun.com/products/874674-eternal-dark-cugetari
After a 27-year hiatus, Eternal Dark re-emerged at the end of 2021 with the track "Vino moarte." The following year, the band recorded nine additional songs, all of which were compiled into their debut full-length album, "Gânduri," released in 2023.
Also in 2023, Eternal Dark introduced their first English-language single, "Thorns," followed in 2024 by "The Landscape of the Fall."
Meanwhile, work began on their second album, "Cugetări," which was mixed and mastered by Sorin Ghiniță at E.D. Production.
Compared to its predecessor, "Cugetări" marks a significant step forward. While preserving the band’s signature dark themes, ranging from melancholy and suicidal depression to deep introspection, the new material reflects a more refined compositional approach, increased aggression, and subtle influences from progressive death metal.
Line-up on "Cugetări":
Andrei Bivolan – vocals
Cosmina Albu – keyboards, vocals
Cosmin Albu – guitar
Lucian Sîrbu – bass
Sorin Ghiniță – drums
https://linktr.ee/loudragemusic
The band comments:
"Scholars of Empires Beyond embodies the very elements that inspired the creation of the album and the becoming of Acolythus. Born not only from the members’ passion for black metal but also from a growing distaste for the sterile sound of modern metal production, this record rejects perfection in favor of authenticity. Written in its entirety and recorded within a single month—February 2026—we deliberately constrained the production process to preserve the aggression and the human element behind every take. No edits, no gimmicks, only pure expression. Listeners can expect furious, melodic, and at times unexpected echoes of Finnish old-school black metal!"
Biography:
Acolythus is a project strongly rooted in traditional black metal, boasting straightforward aggression coupled with a recognizable Finnish melodic approach to the genre. Featuring members from Convulse, Sargassus and Jotungrav, the band was born as an outlet for the musicians' black metal aspirations. After the inspiration struck, 'Unearthly Kingdoms 'Neath Lifeless Stars' was written and recorded in a matter of weeks. The album aims at conveying the aggression and feeling behind the music in its purest form. Hence in Acolythus' music, the listener will only hear real instruments being played by real people - free of all edits and tricks that dominate the modern metal sound. Thematically Acolythus centers itself around esoteric and occult knowledge, as well as a somewhat misanthropic and post-apocalyptic focus on humanity. Much of the inspiration from which the music is born out of can be traced to the mystical worldbuilding and wordweaving of bands such as Alghazanth, Immortal and Emperor, to name a few. In short, Acolythus provides the listener with poetic hymns and sermons of woe, accompanied by blazing and ice-cold riffs in the most authentic way black metal should be performed in.
Track
list:1. Among Ruins Forlorn
2. Scholars of Empires Beyond
3. As the Slaughtered Wizards Reincarnate
4. Frozen Desolate Warfields
5. Vacuous Gods of the Abyss
6. Unearthly Kingdoms 'Neath Lifeless Stars
7. In the Fading Light of Burning Cathedrals
All music written and produced by Acolythus
Mix & Master by Teemu Leskinen
Album cover art by Matias Stenman
Line-up:
Guitars & Vocals: Angrmáni (Matias Stenman)
Drums: Maleficarum (Matias Rokio)
Bass: Abyssias (Teemu Leskinen)
https://www.facebook.com/Acolythusband
Genre: Dark Ambient/Doom/ElectronicaFor fans of: Apollyon Sun | Tiamat | Coil | Ager Sonus
Label: BDB Studios
Release date: April 20th 2026
“Fading out, you drift into the light
Caked in dust, this is where you’ll die
Of your wisdom, time will never know
Land of lost gods, this is where we go.”
-Babylon – The Medea Project
We walk through scarred ruins, bathed in the blood of sunset. The dust rises about our feet like swarms of infinitesimal devils, raging silently at our passage, our intrusion into their kingdom of loss. The weight of ages hangs heavy in the air, the taste of forgotten souls bitter upon our dry, cracked lips. Beneath our feet, below this broken ground lie the answers we have sought for so many years, wrapped in cerements of shadow and bound in words of forbidding and forgetting. It is time to descend and receive whatever gifts the Fates have prescribed for us.
Following on from the raw, untrammelled passion and majesty of their Live At Dingwalls release, The Medea Project are about to reveal yet another aspect of their many faceted sound. They have offered up their children of the night, their beautifully warped brood of songs, to Lucifer X (aka David Fox) of industrial/anti-pop/noise band St. Lucifer, to do with as he wilt…and he has handed back to them Akkadian Artefacts; five songs remixed, reimagined and reconfigured. Reticent shades have been drawn from their places of hiding within these layered compositions – and songs once known have become entrancing strangers. Just as dark, just as dramatic but utterly transformed. Akkadian Artefacts is an ambient, atmospheric shadow world, the other side of The Medea Project mirror. From the lightless mausoleum of ‘Babylon (The Fall Of Akkadia), through the melancholy, haunted dream state of ‘Ghosts In The Shell’, to the hard electronics and shadows reshaped of ‘Cave Dweller’, these new visions are spellbinding. Brett Minnie’s vocals have gained an additional power in their new isolation and the strength of the lyrics really hits home; in their fragmented state, removed from their natural surrounding structure they call for a fresh appreciation. ‘The Drone Song (Desertion)’ holds you like a flickering light in the void with no sense of time, space or self and throughout final track, ‘Redacted’, you hardly dare to breathe – afraid of breaking its still magic and attracting the gaze of forgotten gods, consumed in their timeless ceremonies. This is the sound of the world ending, not in nuclear fire, but in a quiet fading of the light.
“And still we dream in the desert’s night
on distant breeze in a lost yesterday.
The Desert Song – The Medea Project
Complete with artwork also conceived and created by Lucifer X, Akkadian Artefacts will be released on digital and limited-edition, hand-numbered CD formats on April 20th, by BDB Studios. Step through the veil and discover that all you knew is but a dream, your faith is built on shifting sands and nothing, nothing is what it seems…
“We are the gods of a dying sun
We are the gods of a dying son
Here below in the world remain, where shadows come and shadows play.”
Reborn – The Medea Project
Line-up:
Brett Minnie - Guitars/Vocals
Pauline Silver - Drums & Percussion
All songs reimagined, deconstructed, reassembled and remixed by Lucifer X
https://medeaproject.com/
https://www.facebook.com/themedeaprojectband
New
video clip from MORBID DEATH ("WORLD OF LIES"
out from "VEIL OF ASHES" album)There is a before and after in the Azores Heavy Metal scene. The emergence of Morbid Death marks exactly this separation, coupled with a starting point, towards audacity, determination and a dream... to build an unprecedented band with a sound never before tested. Amplifiers at maximum and let's make history...
And this is the story that begins in September of the now distant year of 1990. Ricardo Santos, Dinis Costa, Miguel Verissimo and Pedro Rodrigues decided to join forces and build a legacy that, even today, is recognized at all levels, in almost every corner of the world.
Between demo tapes, albums, music videos, concerts, tours and line-up renewals, the band, led from the beginning by Ricardo Santos, always knew how to reinvent itself and adapt, even to the most adverse situations... or they wouldn't have been born in the Azores.
The most recent proof of this is called VEIL OF ASHES and it was released on March 13, 2026, under Firecum Records / Museu do Heavy Metal Açoriano labels.
The legacy lives on and intends to remain so…
Line-up
Ricardo Santos - Vocals & Bass
João Raposo - Guitar
Hélder Pinheiro - Guitar
Pedro Sousa - Drums
https://www.youtube.com/@morbiddeath7355
https://www.facebook.com/morbid.death.oficial
Following 2024’s critically acclaimed LP Phantazein, COGNIZANCE return with In Light, No Shape May 1 on Willowtip Records!
Four LPs deep and a slew of EPs behind them, COGNIZANCE show no signs of restraining the pace of unrelenting inventive riffs and razor-sharp grooves. In Light, No Shape is a masterful Progressive Death Metal opus, rich in texture and atmospheric detail, delivering everything long-time listeners crave while channeling the mid-90s technical extremity of Death, Extol, and Meshuggah. This time, the band deliberately fractures the conventions of modern extreme production, opting instead for a more organic and visceral mix that sharpens the defining traits of their work.
In Light, No Shape marks the first lineup shift in a decade, as the band sharpen from a quintet to a quartet with founding guitarist Alex Baillie stepping forward as vocalist while retaining guitar duties, following the 2023 departure of founding vocalist Henry “Big Mac” Pryce.
“This record is a defining milestone for us. Taking on vocals has pushed us to re-engineer how we experiment with the blend of elements in our sound, unlocking new creative pathways to compliment the core identity of the band. What you will hear are four dudes all adding their flavours to the melting pot to create a body of work that felt completely natural to us.”- Alex Baillie (Vocals/Guitar)
Pre-order:
https://bit.ly/inlightnoshape-willowtip
https://cognizance.bandcamp.com/album/in-light-no-shape
Track
Listing:1. Transient Fixations
2. Inflection Chants
3. A Game of Proliferation
4. Chasm
5. Vertical Illusion
6. A Reconfiguration
7. Witness Marks
8. Subterranean Incantation
9. Induced Contortions
10. The Zone
Credits:
Mix and Master by Ronnie Björnström (AEON, BLOOD RED THRONE).
Artwork by Jef Whitehead (NAILS, LEVIATHAN).
Produced by Alex Baillie and Apostolis Karydis.
Photography by Nadine Geuter.
Line-up:
Alex Baillie - Guitar/Vocals
Apostolis Karydis - Guitar
Chris Binns - Bass
David Diepold - Drums
https://www.willowtip.com/home.aspx
https://www.facebook.com/cognizanceband
Genre
: Death
Doom MetalRelease dates:
Digital - April 24thh, 2026
CD - May 29th, 2026
When Sebastian Görlach parted ways with DÉCEMBRE NOIR in the spring of 2024, the decision did not mark the end of his musical journey. Instead, it opened the space he needed for a creative new beginning – or rather, a return to the very essence of what had always drawn him to metal. With AVERTAT, the musician from Thuringia reconnects with his roots and the holistic songwriting approach that defined DÉCEMBRE NOIR
While parallels to DÉCEMBRE NOIR are unmistakable, AVERTAT offers a distinctly different perspective on death‑doom. A key factor is the involvement of vocalist Enrico Langguth, who did not come from a metal background, even though his performance on “Dead End Life” suggests otherwise. His expressive, emotionally charged delivery adds a fresh dimension to the genre, while Sebastian Görlach contributes the deep growls, creating a dynamic interplay that amplifies the album’s emotional weight.
https://www.facebook.com/people/Avertat/61583501705970/
Verdun from France play blackened sludge/doom music that's dissonant, catchy, and of course, heavy. It's might seem like a bit of an odd combination but it works extremely well. The music is cohesive and intuitive and makes you keep coming back for more. You can check out one of the songs https://www.youtube.com/watch?v=ST2gUHiQQ7I
VERDUN - “ABYSSAL WOMB”
Genre - Black Metal/Sludge/Doom
MetalFor fans of - Drofnosura, Coffinworm, Thou, Indian
Verdun from France emerge after a prolonged gap of seven years, armed with a sound more potent and lethal than ever before. They've evolved to play a form of blackened sludge with a dissonant edge. Their music on the new album is riff-driven through and through; without wasting time on ambience or buildup, they go straight for the jugular and leave things filthy. The music is mind-numbingly heavy yet catchy and direct, making it highly effective and memorable. To balance the blackened spite dripping from the well-enunciated vocals, the music includes atmospheric elements and possesses emotional depth. The album doesn't drag on and seems to end sooner than later but only after exploring various aspects of their sound that keep it engrossing and thoroughly satisfying. "Abyssal Womb" is a fine representation of the style, having a sublime sound and faultless execution, and more importantly, it will stay with you long after the album is over.
Line up
David Sadok - Vocals
Jay Pinelli - Guitars
Florian Celdran - Bass
Geraud Jonquet - Drums
Artwork by David Sadok (Jaxartattooer)
Track listing
1. Funeral of the Cosmic Knight
2. Silent Witness
3. He Who Killed the Devil
4. La Lame et la Chair
5. Rise of the Atomic Ghouls
6. The Man Behind My Eyes
7. Les Noces du Néant
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/weareverdun
Thank a ton once again! Cheers!Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
CNOC AN TURSA – “A CRY FOR THE SLAIN”
Label: Apocalyptic WitchcraftRelease date: April 24th 2026
Genre: Black/Folk Metal
For fans of: Primordial | Winterfylleth | Saor | Forefather
Line-up:
Alan Buchan - Vocals
Rene McDonald Hill - Guitars, Keyboards
Bryan Hamilton – Drums
“Let warlocks grim an' wither'd hags
Tell how wi' you on ragweed nags
They skim the muirs an' dizzy crags
Wi' wicked speed;
And in kirk-yards renew their leagues,
Owre howket dead.”
- Robert Burns – Address To The Devil
Eight years on from their last album, The Forty Five, Scotland’s Cnoc An Tursa have returned with an evocative tribute to the history, the folklore, the unique magic of their homeland. With their characteristic blend of fierce black metal and traditional melodies they have conjured up a set of songs that bring together mourning and defiance, mystery and fear, pride and passion. It is rare for a band to return from years of silence with an album that represents a new creative peak in their story, but with A Cry For The Slain that is exactly what Cnoc An Tursa have achieved. Speaking about their aims with this album, the band have said,
"With this new album we feel like we are going back to our roots with a more guitar driven style and bringing back some of the folk elements musically and lyrically which was the original inspiration for the band."
And by looking back they have found the way forward, reigniting their fire and forging an album that will resonate through the years to come.
‘Na Fir Ghorma’ with its haunting guitar notes and sense of dignity and sorrow opens the door to A Cry For The Slain, ushering you into the furious opening blast of ‘The Caoineag’. Steeped in bardic tradition and storytelling this majestic track introduces the listener to a highland banshee who foretells death and tragedy and sings her laments beside the deep lochs and chill waterfalls. With the Caoineag’s song atmosphere rises like mountain mists, enshrouding and transporting while the captivating melodies conjured by Cnoc An Tursa lead us into a different world. ‘Cailleach And The Guardians Of The Seven Stones’ is a magnificent, sweeping tribute to the goddess of winter who shapes the landscape with her hammer, the ghost of Thin Lizzy’s ‘Emerald’ dancing in its Gaelic reels. A stunning guitar solo adorns the multifaceted track that captures the power, allure, mystery and terror of the blood thirsty ‘Baobhan Sith’, while the thundering energy of ‘Am Fear Liath Mòr’ takes you to the mountain passes of the Cairngorms, haunted by a giant presence…“I can hear the footsteps behind me, I can see the Big Grey Man”… And nestled amongst all the stories and ‘Address To The Devil’s epic dark poetry, we find first single, ‘Alba In My Heart’ – a pledge of allegiance, a song of devotion to Cnoc An Tursa’s beloved Scotland. There’s a raised fist and a strength of spirit in the blood stirring melodies and the rolling rhythms, in the riffs tumbling down like mountain streams. The authenticity of emotion in this song is undeniable. By the time ‘The Nine Maidens Of Dundee’ leads us down from the peaks once more, with a head full of dreams and a belief that magic may still exist in the less travelled glens of the northlands, the sheer power of Cnoc An Tursa’s return has become abundantly clear. A Cry For The Slain is a breathtaking album, a beacon burning in the night of mundane modernity, calling to those of us who want more than we’ve been sold.
With the intuitive mastering of Jaime Gomez Arellano (Paradise Lost, Primordial, Hexvessel etc) bringing depth and vigour to every note, A Cry For The Slain smoulders with sonic intensity and all the emotion and secrets of its narrative are captured in the evocative artwork of Olga Kann (Winteria, Withered Land, Ruadh etc) that adorns its cover. Apocalyptic Witchcraft will release this monumental album on April 24th and the defiant cry of Cnoc An Tursa will echo through the landscape once more.
“When thowes dissolve the snawy hoord,
An' float the jinglin icy-boord,
Then water-kelpies haunt the foord
By your direction,
An' nighted trav'lers are allur'd
To their destruction.”
- Robert Burns – Address To The Devil
https://www.facebook.com/cnocantursa/
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/apocalypticwitchcraftrecordings
FFO: Thy Art Is Murder, Fit
For An Autopsy, Cattle DecapitationThe official video for "The War Within" is available at: https://www.youtube.com/watch?v=RmbwP5iHjOY
The phrases that best summarise "The War Within," in their simplicity, are 'we are not that evil, in the end' and 'it’s always darkest, before the dawn.' The song talks about an encounter between generations and the
forgiveness of the new generation towards the old one. It recalls the concept of the band's second album Requiem For Us All, though allowing for a new dawn and forgiveness for the past mistakes.
The story begins 2022 when The Modern Age Slavery embarked on an new exciting adventure, a trilogy of pieces of art in the death-metal scenario. The band idea is to portray human self-imposed slavery along three different eras in men’s history. Indeed, 2023 album, 1901 | The First Mother released via Fireflash Records / Atomic Fire - represented the very first chapter of the trilogy. The album concept was inspired by writers and philosophers belonging to the so-called “modern age,” 1901 being the year in which Queen Victoria
passed away.
That brings us to the second chapter of the trilogy, 1969 | No One Jokes at God, recalling the symbolic beginning of the hipster culture at Woodstock and the rapid switch of equality ideals to the actual worldwide decay that has inevitably followed.
The EP was produced by The Modern Age Slavery with engineering duties undertaken by the band’s guitar player, Luca Cocconi, along with Simone Sighinolfi (who took care also of mixing and mastering at Audiocore Studio, near Parma, Italy).
The 1969 | No One Jokes at God EP is targeted for a Fall 2026 release.
Credits:
Music: Recording, mixing and mastering by Luca Cocconi e Simone Sighinolfi at Audiocore Studio.
Video by Desi S.
Guest appearance on drums: Davide Tomadini.
Cover art by Ludovico Cioffi.
Line-up:
Giovanni Berselli - Vocals
Luca Cocconi - Rhythm Guitar
Ludovico Cioffi - Lead Guitar
Mirco Bennati - Bass
Federico Leone - Drums
Bio:
Emerging amidst a sea of deathcore, Italy’s THE MODERN AGE SLAVERY separated themselves from therest with their visceral sense of the genre. Coming equipped with grinding blast beats, merciless brutal
vocals and slaughtering rapid-fire double bass patterns their sound developed and became increasingly unique over time. After the release of their demo, which was chosen as “Demo of the Month” by Rock Hard
Germany, they got signed to Napalm Records.
Then, thanks to significant acclaim from the metal world, THE MODERN AGE SLAVERY extensively toured across Europe both as headliners and as supporting act, along with CANNIBAL CORPSE, DYING FETUS, OBSCURA, MALEVOLENT CREATION, VOMITORY. The band also
played selected shows with FLESHGOD APOCALYPSE, SEPULTURA, DECAPITATED, SUICIDE SILENCEand many more.
The release of the second album -Requiem For Us All- pushed their death metal war machine one step forward, this time with a fierce mix of blazingly fast drumming, technical riffing, epic atmospheres, and
crushing groove. Listed as the best metal album of the year by MetalSucks, it brought the band on tour again with bands, such as GORGOROTH, VITAL REMAINS, HYPOCRISY, plus many gigs on national soil. Their last full-length album -Stygian- represented a new chapter in the sound of the band, introducing blackmetal riffing, keyboards, atmospheres, and orchestral elements.
Owing to such efforts, the band got once again acclaimed around Europe, co-headlining shows with INGESTED and supporting VADER and ENTOMBED A.D. Before the pandemic, they shared stages with
JINJER, DECAPITATED, INCITE, and they are currently hitting the road again, having played in big festivals with SLIPKNOT, SABATON, BEHEMOTH, and many more.
https://www.facebook.com/tmasofficial/
Finnish
thrash metal force BLOODRIDE are already on the road with their “DEAFENING
TOUR 2026,” and the next run of dates is now in full focus as the band
moves into spring and summer."Bloodride has started the second leg of touring around their new album “DEAFENING”. At the end of 2025, they thrashed around Finland and also visited Germany and Nuclear Intervention Fest in the Czech Republic. This part will bring more gigs, both domestic and abroad:
“This weekend we're going to places where Bloodride has already been," said bassist Esa." Fontaine in
Liepaja and Lemmy Club in Kaunas, which have been really great venues. Later, we'll be visiting Marienhamn in Åland and Tuuri for the first time. After these, we'll go on a great trip to Poland, Krakow (once again), and then we'll trash Harryfest in the Czech Republic. Some more gigs are to come, but talk to you later about them. Now, hope to see you people at our shows, mosh!"
Upcoming Dates:
10.04.2026 – Liepaja (LV), Fontaine Palace
11.04.2026 – Kaunas (LT), Lemmy Club
09.05.2026 – Maarianhamina (FI), Pub Bastun
22.05.2026 – Tampere (FI), Bar Kotelo
23.05.2026 – Tuuri (FI), Tuurin NS
24.07.2026 – Krakow (PL), Sny
25.07.2026 – Baska (CZ), Harryfest XI
From small club stages to festival crowds, “Deafening Tour 2026” is set to deliver fast riffs, sharp hooks, and a live set built to hit hard and leave a mark.
About Bloodride
Fierce Finnish thrash metal veterans Bloodride formed in 2000. They debuted with the EP Bloodridden Disease in 2004, followed by their first full-length album Crowned in Hell in 2011. Their fourth album, Idiocracy (2021), earned critical acclaim worldwide. Their sound blends old-school thrash with darker death metal tones and the raw edge of hardcore—pure neck-breaking intensity.
Over the years, Bloodride has torn through stages across Europe, sharing the stage with acts like Exhumed, Exodus, Nunslaughter, Toxic Holocaust, Whiplash, and Prestige. Live, they deliver nothing short of a perfect storm
www.facebook.com/bloodride
Just click and go below!
The bands have each released a statement concerning their respective contributions to Toward Dead Temples, as follows:
Nixil: “Our contributions to Toward Dead Temples explore the spiritual depth of death and isolation. Through the use of imagery representative of the crumbling edifice of christo-fascism, we strive to push toward the eradication of the oppressor in all its manifestations. Sonically, this album marks a point of transition for us, beginning a deep dive into darker waters on a quest for stranger, more unsettling discordance. We are thrilled to be joining forces with our friends in Drouth to present this anthem of defiance against the crushing weight of impending dictatorship - until all tyrants and their temples fall.”
Drouth: “Originally recorded during The Teeth of Time sessions in late 2023, 'Cathartes Aura' and 'The Outer Church' stand on their own by representing both the past and future of Drouth. We are proud to share this release with our friends in Nixil and join them in spreading sonic misery throughout the West Coast this May.”
FFO: Enslaved, Ludicra, Blut Aus Nord, Altar of Plagues, Dawn, Black Curse, Ulcerate, Spectral Wound, Weakling, Sacramentum, Schammasch, Watain, The Ruins of Beverast
Nixil and Drouth will embark on the Toward Dead Temples West Coast Tour 2026 in May. Tour dates are as follows:
May 7: Seattle, WA - Neumos (Northwest Terror Fest)
May 8: Eugene, OR - John Henry's
May 9: Redding, CA - The Dip
May 10: Sacramento, CA - Cafe Colonial
May 12: Los Angeles, CA - The Moroccan Lounge
May 13: San Diego, CA - Tower Bar
May 14: Palmdale, CA - Transplants Brewing
May 15: Santa Rosa, CA - Arlene Francis Center
May 16: Eureka, CA - Savage Henry Comedy Club
May 17: Portland, OR - The High Water Mark
Toward
Dead Temples will be released April 24 on vinyl, cassette tape, and digital
formats.Pre-order:
https://nixil.bandcamp.com/album/toward-dead-temples-nixil-drouth
https://nixilnothing.com/merch-store
https://drouth.bandcamp.com/album/toward-dead-temples
Track Listing:
1. Never Rise Again [Nixil]
2. Bloody Footprints on the Path of Bones [Nixil]
3. I Am Not Here [Nixil]
4. Cathartes Aura [Drouth]
5. The Outer Church [Drouth]
Nixil:
All songs written and recorded by Nixil.
Recorded and mixed by J. Robbins at The Magpie Cage Recording Studio
magpiecage.com.
Mastered by James Plotkin, plotkinworks.com.
Artwork for Nixil by Ash Nix.
A. - Vocals
S.G. - Guitar
A.B. - Guitar, backing vocals
A.R. - Bass, backing vocals
Drums on Toward Dead Temples - M.T.
Drouth:
All songs by Drouth.
Recorded & mixed by Billy Anderson at Hallowed Halls & Everything Hz, Portland, Ore. MMXXIII-IV.
Mastered by Justin Weis at trakworx.com, South SF, CA.
Layout & Artwork for Drouth by Matt Stikker.
Matt Stikker - Guitar, Vocals, Lyrics
John Edwards - Guitar, Vocals
Patrick Fiorentino - Drums
Matt Solis - Bass, Vocals
Viola on “The Outer Church” by Eva Vonne
Nixil Photo Credit: Shane Gardner
Drouth Photo Credit: Jason DeSomer
https://www.facebook.com/nixilnothing
https://www.facebook.com/drouthpdx
The
new album from Australian death/thrash duo BATTLEGRAVE is out
now! Order or download ENSLAVEMENT at https://battlegrave.bandcamp.com/album/enslavement
The band's most devastating full-length release to date, Enslavement delivers 10 tracks of unbridled and vitriolic, death-laden thrash metal. This relentless barrage of calculated venom, intense riffing, and punishing rhythmic precision further cements the band's reputation for uncompromising extremity.
Lyrically tied to themes of violence and aggression, Enslavement weaves an interlocking narrative of a subterranean demon harvesting human souls to satiate its unending hunger. This conceptual core adds a sinister layer beneath the album's sonic brutality.
The album was recorded by Clint Patzel of BATTLEGRAVE, mixed by Tim Shearman and mastered by Logan Mader. Session drums by Robin Stone.
Line-up:
Rohan Buntine - Vocals, Lyrics
Clint Patzel - All Strings
Bio:
BATTLEGRAVE are a two-piece death/thrash project from Melbourne, Australia, formed in 2017 following the release of their debut demo track, “Mortar Fire,” which quickly generated strong underground buzz.
The duo followed with the EP To Hell with War (2017) and full-length albums Relics of a Dead Earth (2018) and Cavernous Depths (2022, via Bitter Loss Records), establishing a reputation for blending savage thrash intensity with punishing death metal weight. Their releases have received consistent acclaim across the global metal press and airplay on international radio platforms.
While primarily a studio-driven force, BATTLEGRAVE have also brought their music to the stage, recruiting respected musicians from Melbourne’s metal scene to deliver their blistering sound in a live setting.
Throughout their discography, the project has collaborated with world-class drummers including Kevin Talley, 66Samus, and most recently Robin Stone, further reinforcing the precision and power behind the band’s extreme sonic identity.
https://www.facebook.com/Battlegrave/
POSEYDON
– “TIME IS A RIVER AND THE WATERS ARE RED”Format: Digital CD / Physical CD / Vinyl
Label: Independent Release
Distribution: Necktwister
Tracklist:
01 Storm
02 Poseidon
03 Mind Intrusion
04 Time Is A River And The Waters Are Red
05 Thief Of Dreams
06 Instinctive Dissonance
07 With Tears In My Eyes
08 Ancestral Rites
Poseydon was formed in 1992 by Alain De Block with the ambition to play a mix of Thrash and Death- metal.
The band’s playing style should appeal to fans of early Slayer, Sepultura, Testament and many more…
The band took a few years to grow but in 1995 the first recording took place.
A single ‘Thief of Dreams’ was recorded in the legendary Midas Studios and got released by Tessa Records in 1995 as part of a metal-compilation album ‘Detonation II”. This track showcased the bands ability to write dynamic songs and not to be afraid to include calm, almost tranquil elements, only to enforce the heavy hitting sequences even more. The band received great critiques for this first release, gathering the attention of the Belgian metal-scene.
This brought a lot more possibilities to the band, which meant playing a lot of live gigs and recording & release of the 4-track EP ‘With Tears In My Eyes’ in 1998. Again recorded in Midas Studios, the EP contains four fierce thrashing pieces of metal, which proved the band was growing and moving upwards in the Belgian metal-scene.
Although the band had gained momentum, the march of Poseydon was put to a halt… as Poseydon ceased to exist. Through the leaving of its frontman, Alain de Block decided to put Poseydon on hold.
But as the saying goes: blood is thicker than water! After a few years the aching started to arise to reboot Poseydon which lead to the reformation in 2007. Founding member Alain de Block & former guitarist Ward van Iseghem got together and started to reclaim the God of the sea. After a few years of rehearsing and looking for the right bandmembers, the band recorded its first full album titled ‘Cold World’ in 2011
Although the album comprised mostly older unreleased work, it was a death-metal metal release in contrast to it earlier death/thrash releases. To support the album, Poseydon played everywhere as it could through the Flemish part of Belgium.
Unfortunately some line-up changes slowed the progress towards a new recording, but patience is a virtue!
After recording and mixing the songs without any pressure, Poseydon’s latest album ‘Masterpiece (in the mind of a serial killer)’, or ‘Masterpiece’ in short, was released in the beginning of September 2016.
Then, 7 years later the God of the Sea emerges with a new album entitled ‘Through The Gate Of Hatred And Aversion’. This time they went to Project Zero studios where Yarne Heylen (Carnation) recorded, mixed and mastered the tracks.
Since its first incarnation, the goal of Poseydon was, is and always will be to play energetic live-shows.
And now they are preparing themselves for the release of their third full-length album that will come out at the end of April 2026.
Line-up:
Alain De Block (rhythm guitar, lead guitar, backing vocals)
Leander Karageorgos (rhythm guitar, lead guitar)
Jeroen Bonne (bass guitar, backing vocals)
Jef Boons (drums)
Tom Lenaerts (vocals)
https://www.necktwister.com/
https://www.facebook.com/godoftheseaandmetal
Label: Ardua MusicRelease date: april 24th 2026
Genre: Doom/Stoner Metal
For fans of: High On Fire | Kyuss | Orange Goblin | Desert Storm
“Something unknown, something unforeseen, something unspeakable lives below – and it lives to destroy…”
- promotional text for the 1977 film, Shockwaves
You’ve lost count of the drinks and lost sight of the path you were walking. Your eyes won’t focus, but the world seems to be burning and there’s a voice speaking from the other side of the flames…telling you it’s time to die.
Hailing from Mechelen, Belgium and featuring one ex and one current member of doom legends Marche Funèbre, Witch Piss have been brewing their potent blend of dark, stoner metal since 2022. It’s a brew they call Mississippi Goat Worship and there’s witchcraft and venom lurking in the sediment that swirls in that pitch black elixir. A self-titled EP released in the spring of 2023 turned heads, as did brain melting live shows with the likes of Your Highness, Belzebong and The Obsessed – but now the story really begins, with the heady, heavy, hypnotic delights of debut full length album, The Devil Doesn’t Burn!
The gates of delirium open onto ‘Black Tongue Driven’, with its towering midnight riffs, a rhythm section like thunder and vocals with a rough, drunken drawl, shot through with menace. Grooves dig deep into the black earth, breaking through into the realms of the dead. There’s a loose, devil may care feel to the Witch Piss sound, but it’s bathed in sweat and the stench of possession and carrying something sinister in its back pocket. By the time ‘Bad Juju’ arrives through the pale grey light of dawn, with a half-forgotten night of madness trailing in its wake, you’re captured and committed; happy to let the rolling tide of guitars carry you away on riffs thick enough to bear the load. There’s a fierce energy to ‘Wolf Cries Boy’, driving you through the shadows, smoke, firelight and voodoo whispers. It makes you headbang until the world spins and you see drug dealing devils dancing in your brain. The spell never breaks as the album unfurls; heavy metal bombast and desert rock dreams laughing in the face of doom. ‘Catelyn’s Broken Hope’ is a highlight amongst an array of peaks – an unstoppable battering ram shot through with a deep, melancholic rumble, with a killer chorus and a starburst of firework lead. When the end arrives with ‘Rubicon River’ you realise that while you were lost in the haze Witch Piss were carrying you past the point of no return…and now there’s no way back. But then who wants to come back from a trip like this?
Recorded live in the studio at Motormusic Recording Studios and produced, engineered, mixed and mastered by Chiaran Verheyden, who also brought the Witch Piss EP to doomed, stoned and devastating life, The Devil Doesn’t Burn sounds rich, thick and textured – a lead weight monolith wreathed in smoke and dust. Completed by the distinctive artwork of Luca ‘Solo Macello’ Martinotti (Pentagram, Sahg, Baest etc) The Devil Doesn’t Burn will be released by Ardua Music, on CD and exclusive black vinyl LP, on April 24th. The LP will also be available as a splatter vinyl, only from the band and on marble vinyl from Necktwister Records. Be ready to lose your mind and sell your soul to Witch Piss!
Line-up:
Peter Egberghs · Vocals
Andoni Lombide Carreton · Guitars
Stijn Georges Moens · Guitars, backing vocals
Wouter Veeckmans · Bass, backing grunts
Dennis Lefebvre · Drums
Guest vocals on ‘Wolf Cries Boy’ and ‘The Devil Doesn’t Burn’ by Ben Baert (Your Highness)
https://www.arduamusic.com/
https://www.facebook.com/WitchPiss
Release date : 8 Mai 2026
Genre : Black Metal
Origin: France
Duration: 41min43
Label: Les Acteurs de L’Ombre Productions
Network Distributor: Season of Mist / Plastic Head
Digital Distributor: The Orchard
Line-up:
Vocals : Agathe Boulanger a.k.a Diffamie & Thomas Deffrasnes
Tracklist:1. Catabase
2. Jeanlin
3. Bleu Noir Rouge
4. Voreux
5. Baptise Terre
6. Pénitent
7. Les Montagnes Poussent Sous Terre
8. Estaminet Pt.1
9. Terril
10. Saint Cordon
11. Mesektet
GALIBOT announces the release of "PÉNITENT" the first single from their upcoming second album "Catabase" set to drop on May 8 via Les Acteurs de L’Ombre.
This music video offers a first glimpse into the project's intense and immersive universe, inviting listeners on a striking, incandescent descent into the heart of the mines.
"Pénitent" depicts the perilous work of elite miners tasked with a mission as essential as it is dangerous: igniting firedamp to purify the tunnels. Sent alone into the depths, the penitent, clad in water-soaked clothing as his only protection, crawls forward with torch in hand to consume the deadly gas. Heroic yet tragic, he embodies the constant struggle between survival and sacrifice.
This gripping narrative inspires a musical composition that mirrors its subject: raw, intense, and deeply melancholic. "Pénitent" alternates between violent breaks, piercing leads, and more melodic, ethereal passages, conveying the full tension and duality of the story.
Produced and recorded at Minotaure Studio, then mixed and mastered at St Marthe Studio, this first single is accompanied by visuals crafted by David Stan, enhancing the immersion in this dark, story-rich universe.
With "Catabase" GALIBOT continues to explore profound human themes, cementing a strong and singular artistic identity.
https://www.facebook.com/skaphosofficiel
Pre-orders: https://www.lesacteursdelombre.net/product-category/preorders
Hailing from the frostbitten landscapes of Finland, Dead Samaritan emerged in 2001 under a
The current lineup features Marko Saarinen (vocals), the newest member Joonas
Konki (guitars), Matti Viholainen (guitars), Eero Virtanen (bass), and Janne Honkanen (drums)
Their discography includes:
The Only Good Samaritan... (Full-length album, Casket Music, 2012)
The Devil Tunes (Full-length album, 2014)
Shadows (EP, 2019)
Come Plague upon Us (EP, 2022)
Overlord of Wasteland (EP, 2026)
Dead Samaritan doesn’t just play metal — they breathe it.
https://deadsamaritan.bandcamp.com/album/overlord-of-wasteland
https://www.facebook.com/DeadSamaritan/
The
Basque pagan black metal band NUMEN marks their grand return on June 12 with
their fifth album, titled "Erre". True to their roots, the record is
entirely sung in Euskera, one of the oldest languages in the world.With "Erre" NUMEN delivers old-school black metal that is fast, aggressive, and deeply melodic, drawing inspiration from Nordic and Basque traditions.
Balancing raw fury with soaring progressive passages, the band crafts an intense and uncompromising sonic identity. The lyrics, staying true to the band’s essence, gain depth and introspection, further amplifying the impact of this work.
The cover art, created by Raoul / View From The Coffin, and the tracklist have just been revealed.
For fans of ’90s Nordic black metal and those who appreciate fast, aggressive, and melodic black metal rooted in the spirit of that era.
Tracklist :
1. Kez beteriko zeru penatua
2. Negu itxian Urtarril hotza
3. Errautsen azken arnasa
4. Hustasuna - Oroitzapen galduen putzua
5. Euria infernuko sutan
Pre-orders: https://www.lesacteursdelombre.net/product-category/preorders
For fans of: Behemoth, Hate, Dead Congregation
Since its inception, the band has crafted a singular universe through three albums - “Bathyscaphe” (2020), “Thooï” (2022), and “Cult of Uzura” (2025) - blending the dark, dissonant atmospheres of Black Metal with the raw power of Death Metal.
With “THE DESCENT,” SKAPHOS offers far more than a simple reinterpretation of its early works. The album revisits tracks from “Bathyscaphe” and “Thooï,” while reimagining them within a renewed artistic vision. More than a physical descent into the abyss, “The Descent” embodies a true plunge into madness.
Entirely recomposed, reworked, and re-recorded in continuity with the ritualistic and tribal direction initiated on “Cult of Uzura,” the tracks gain in intensity, density, and maturity.
The lyrics have also been rewritten, evolving the themes explored and giving rise to new identities for each track, now retitled.
Drawing on years of experience, SKAPHOS refines and asserts its artistic direction, elevated by the work of Nathan Faure (mixing), Thibault Chaumont (mastering), and Paulo Girardi (artwork).
« Skaphos is the perfect candidate to combine Black and Death Metal in a very violent way » Acta Infernalis
On stage, SKAPHOS unfolds a dark and immersive universe through performances marked by a near-ritualistic intensity. The band has played in more than 20 countries, touring across Europe and Asia alongside legends such as I Am Morbid, Vader, Marduk, Suffocation, Belphegor, Batushka, and Vomitory.
« Skaphos managed to make it a hell of a performance, with brutal riffs, menacing rhythms, the French definitely created an astonishing atmosphere » Antichristmagazine.com
Their abyssal universe extends beyond the stage, with evocative music videos and the short film La Litanie des Flots (2022). They are currently working on a full-length film, Aurores Noires, scheduled for April 10 2026.
A few days after the release of its new album “The Descent,” Skaphos will hit the European roads to promote it live.
Tracklist correspondence:
1. Nese Ende - Royaume du fond (Thooï)
2. Okean - Bathyscaphe (Bathyscaphe)
3. Mireborn - Ruines Aphotiques (Thooï)
4. Ube - BLOOP (Thooï)
5. The Descent - U29 (Bathyscaphe)
6. Horror squid - l'eveil de THOOÏ (Thooï)
7. The brine seal - le temple (Bathyscaphe)
8. Mariana Tomb - la tombe des Mariannes (Bathyscaphe)
Pre-orders: https://lesacteursdelombre.net/product-category/preorder
Swedish thrashers MEZZROW re-sign with Fireflash Records and release new single „AS THE FLAMES RISE“ .
„Bay Area Thrash Metal – Made in Sweden“, that‘s what MEZZROW stands for. Since their reunion in 2021, the band is celebrating their second birth and second spring in one. With „Summon Thy Demons“ (2023) and „Embrace The Awakening“ (2025), the quintet from Nyköping released two highly recommended records, that continues perfectly what once started with their legendary debut album „Then Came The Killing“ (1990).
Amid Sweden's thriving "second wave" thrash scene - featuring bands like BLOODSTAIN, METHANE, SAVAGE MANIA, HOSTILIA and veterans like FKÜ, MEZZROW have positioned themselves as enduring and inspiring. They’ve had the privilege of sharing stage with notable bands during these last years such as: EXODUS, DARK TRANQUILITY, ASPHYX, CORONER, MYRKUR, BLOOD RED THRONE, CANDLEMASS and many more. This eventually led up to a signing with WE LIVE AGENCY, a booking agency with a broad network and the future now looks seemingly bright for the Swedish thrash metal force.
Today, MEZZROW have two topics to celebrate. First of all, the members signed a new record deal with their previous partner FIREFLASH RECORDS, which re-started new and independently early 2026. ”It feels like coming home”, says vocalist Uffe Pettersson and continues: „Markus has been our collaboration partner in many ways since we restarted the band more or less. We all feel it was an obvious decision to make, when we heard that he would make Fireflash Records great for a second time!”
To celebrate this, MEZZROW release a brand-new single, entitled ”As The Flames Rise“ today. Guitar player and producer Ronnie Björnström comments: ”This one was written during the „Embrace the Awakening“-sessions and didn’t end up on the album. It has a typical Bay Area old school-vibe with a catchy chorus. The lyrics have a classical horror theme and Clive Barker, foremost, comes to mind as inspiration. Overall, just pure headbanging from start to finish and now it’s time to release this thrasher of a song!”
Further on this spring MEZZROW will also release a live album digitally through DMG - Powered by Reigning Phoenix Music and also another single through Fireflash. Keep your thrash metal eyes and ears open!
As of 2026, MEZZROW remain a vital force in global thrash revival!
MEZZROW live:
April 17th - OBERHAUSEN (GER) - Thrash Speed Burn Fest
May 16th - BORAS (SWE) - Klubb Hades Festival
June 13th - VINGAKER (SWE) - Vingåkersvrålet Festival
MEZZROW are:
Ulf "Uffe" Pettersson – Vocals
Conny Welén – Bass
Magnus Söderman – Lead Guitar
Ronnie Björnström – Guitar
Alvaro "Alvis" Svanerö – Drums
http://www.mezzrow.black/
https://www.facebook.com/mezzrowsweden
The ambitious debut album from the melodic death/black metal band Apolaustic, formed by ex-Stortregn vocalist/guitarist, is out now. The band unveiled an animated video of one of their songs prior to their full album stream dropping, which is worth a watch too. You can find both the links below. Don't sleep on this beautiful, passionate, and poignant album.
APOLAUSTIC – “NO PLENITUDE WITHOUT SUFFERING”
Genre - Melodic black/death
metalFor fans of - Dissection, Naglfar, Sacramentum, Unanimated, Thulcandra, Stortregn, Dyssebeia
Apolaustic was formed by the former Stortregn vocalist/guitarist Romain Negro as an outlet for him to express his personal vision. At once scathing and stirring, the sharp, insistent riffs go hand in hand with elegant melodies that never outstay their welcome. The aggression and poignancy is beautifully managed with plenty of variations provided to highlight those emotions at the right times. After experiencing the turmoil of life, the aching pain in the melodies is all too palpable. "No Plenitude Without Suffering" is a heartfelt, meticulously put together, pristine-sounding debut from a veteran musician that is bound to stand the test of time if only on the basis of the sheer quality of melodies contained within.
Line up
Romain Negro (ex-Stortregn) - Vocals, Songwriting
Merlin Bogado (Dyssebeia) - Session Guitars & Bass
Nicolas Muller (Akiavel) - Session Drums
Cover artwork by Romain Negro
Track listing
1. Devouring the Past
2. Fragments from a Misty Journey
3. Testimony of an Obsolescent World
4. Shining Amidst the Lights
5. Smells Like Dead Autumn Fire
6. Black Flame Reviver
7. De Feu et de Cendre
8. Peregrination Towards Childhood Memories
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/ApolausticBand
Thank you very much! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
Genre: Death MetalFor fans of: Hate Eternal | Deicide | Immolation | Cannibal Corpse
Label: Rottweiler Records
Release date: July 3rd 2026
Jordan Varela knows death metal; the essence of it runs through his veins. He’s the drummer for the crushing Lust Of Decay, the multi-instrumentalist behind the ferocious music of Shuriken Cadaveric Entwinement and an ex-member of legends of brutality, Lividity…and those are just the most notable of his achievements in the scene. So, when Varela announces a new solo project, a new album overflowing with rampant death metal riffs, firmly anchored to the roots of the genre but hitting with a powerful contemporary impact…well, you sit up and you pay attention. Under the name of Dichotomy, Jordan Varela is set to unleash the fiercely focussed intensity of Lucifer Owns The Fence – featuring nine tracks of unequivocal death metal.
There’s no messing around on Dichotomy’s debut, as a savage vocal roar ushers in blistering opening track and first single, ‘He Is…’. The rhythms are wild, frantic, dizzying, the riffs twisting and turning before locking into passages of incredible force and power. It’s a case of hanging on for dear life as a maelstrom of precision performance threatens to tear you apart. However, there is nothing chaotic about the music of Dichotomy, as within the maze of fury and complexity that characterises tracks like the searing ‘What A God’ there is a very definite plan and structure. Gleaming hooks wait to ensnare and everything crackles with an electrifying energy as addictive riffs draw you in ever deeper, revealing an inherent sense of melody within the tornado of sound. With every listen these tracks hit harder and harder, from the unflinching, determined attack of ‘Better To Be Drowned With A Millstone Around The Neck’ to the jabbing, thrusting riffs and screaming harmonics of ‘The Greatest Lie Ever Told’. This album is not background listening; it deserves your full attention and demands to be played loud. Finishing with the massive impact of ‘Satan Will Kill You’ – unswerving in message and music – Lucifer Owns The Fence will leave you exhilarated and utterly destroyed.
Every note, every beat, every excoriating roar on Lucifer Owns The Fence is the work of Jordan Varela and that singularity of vision, purpose and performance has resulted in one of the most formidable and accomplished albums of his career. Lucifer Owns The Fence will be released by Rottweiler Records on July 3rd, so be prepared for a monumental death metal assault!
Line-up:
Jordan Varela – All music and vocals
https://www.rottweilerrecords.com/
https://www.facebook.com/profile.php?id=61574340818108
FFO: Cryptopsy, Devourment, Brodequin, Deeds of Flesh
Hostile Consuming Rapture is available on CD, vinyl, and digital formats.
Click to stream/purchase at:
https://www.youtube.com/watch?v=3rgyrZlVMQ4
https://www.graveislandrecords.com/sectariandefacement-hostileconsumingrapture
https://sectariandefacement.bandcamp.com/album/hostile-consuming-rapture
Following their EP Chaotic Demiurge, the band pushes their sound further with a heavier and more focused approach. The album delivers raw, aggressive brutal death metal with elements of technical riffing, grinding intensity and groove-driven sections that keep the songs tight and memorable. Instead of following the polished “slamcore” trend, Sectarian Defacement deliver something far more extreme and brutal. The sound is raw, heavy and direct, hitting with the force of a blunt weapon.
Lyrically, Sectarian Defacement also touch on darker historical themes, including crimes of the Soviet regime.
If you are into truly heavy and uncompromising brutal death metal, Hostile Consuming Rapture is a release you should not ignore. Sectarian Defacement prove themselves as a band with real intensity and a
strong identity.
The members share their thoughts about the forthcoming album:
"As a composer, I wanted to create not only aggressive and extremely heavy music, but also combine a brutal sound with more groovy and catchy elements. It would be cool to create something unique, something that would be different from the oversaturated crowd of similar sounding bands, and have its own recognizable SD branded style." - Nazar (guitar/vocals)
"As a soundman, I wanted to create a unique mix, that would not sound like all those 'slamcore' mixes. No offense to bands that do trendy overproduced mixes, but I wanted to hear something both modern and brutal. My take was to give Old school slam’s sound it’s logical modernization. Main influences were - Supply of Flesh Came Just in Time by Craniotomy, Goresoaked Clinical Accidents by Aborted Fetus, Tortured Whole and Homicidal Ecstasy by Sanguisugabogg, and Dissect, Molest, Ingest by Amputated." - Anton (bass)
"I am happy to be able to talk to the audience through our music, and I really enjoy the fact that we are one of the few bands who talk about crimes of soviet union, particularly it is really important for western listeners to hear the truth. We tried our best to make the music sound interesting, in my opinion we managed to do it, and we will continue doing it in future." - Viktor (drums)
Track
Listing:1. Intro
2. Sectarian Ritual (Appalling Oath)
3. Mob Justice
4. Mental Putrefaction
5. Corrosion Spread
6. Hostile Consuming Rapture
7. Puddle of Gore
8. Dismal Liturgy
9. Famine 33
10. Suttee (Defeated Sanity Cover)
Album Credits:
Produced by Sectarian Defacement and Grave Island Records.
All music and lyrics by Sectarian Defacement.
Mixed and mastered by Ostrovskyi Anton.
Artwork by Felipe Froeder.
Line-up:
Nazar - Guitars and Vocals
Viktor - Drums
Anton - Bass Guitar
https://www.graveislandrecords.com/
https://www.facebook.com/profile.php?id=61576693025503
Label: Xtreem MusicGenre: Death/Gore Metal
For fans of: Autopsy | Gorevent | Impetigo | Haemorrhage
Release date: July 9th 2025
There is nothing behind those eyes - no humanity to appeal to, no shared emotions to draw on, no innate sense of mercy to plead to - there is only hunger and a spark of malignant glee. The inevitability of the end is overwhelming; the strangely shocking realisation that you were never the centre of the universe, it was never your story, you were just a bit part player after all. The world will keep on turning long after this…thing…has reduced your ideas and emotions, worries and cares to a shapeless mess of flesh and liquid. It’s enough to make you weep…but there’s no more time for that.
Formed in 2021 by members of Fecal Body Incorporated, Cocklush and Concrete, Bulgarian gore obsessives Necromonger are devoted to the sound of rotting, repugnant death metal; undiluted, uncompromising and bone crushing. Eschewing the pursuit of high velocity blasting, Necromonger take their time over each kill, revelling in choking, claustrophobic atmosphere and sinister, crawling heaviness. A miasma of fear and desperation hangs over each song that they shape from their warped dreams of bruised flesh and congealed blood – and after years of immersion in their fetid fantasies they have emerged with a debut album to bring a shudder to the soul of all but the most hardened disciples of disgust. Emanation Of The Dying Perceptions has arrived…
The grotesque theatre of Emanation Of The Dying Perceptions opens with ‘Beyond The Pleasure Principle’, gradually submerging its victims into a world of terror before the razor-edged atmosphere gives way to snarling guitars underpinned by a thuggish bass. Brutalizing vocals bring an aura of warped sickness to the methodical process of dismemberment and there’s a seething morass of vicious unpleasantness boiling beneath the slow-motion bludgeoning. From here there is no escape, no let up in the degradation and destruction – this album is chilling in its soulless inhumanity. The songs switch from the murderous heat of tracks like ‘Born In Grave Wax’, a lumbering tribal dance of destruction, with the bass sounding as if the strings must be hanging from the instrument like loosely draped entrails, to cold, fear-infused nightmares like ‘Confessions Of A Dead Poet’, making for a disorientating melange of horror. The riffs are thick and suffocating, like wading through offal and the band deliver wound after wound, ghastly, shocking injuries. Listening to Emanation Of The Dying Perceptions is a mind warping experience that will take you from shock and disgust, through fear and madness to total desensitisation…and finally to a lust for depravity. Final track and first advance single, ‘Slaughter To The Bones’, is perhaps Necromonger’s greatest work on this, their first release. Its monstrous guitars and hellish vocals seem to be accompanied by a sense of sinister revelation, as if the meaning behind all the preceding savagery and slaughter is laid bare in this insidious, creeping conclusion.
Emanation Of The Dying Perceptions will be prised from its coffin by Xtreem Music on July 19th and released on CD, 12” LP, cassette and digital formats. The CD will feature the bonus track, ‘Necromonger’ – an epic instrumental combining atmosphere and brutality in a wildly effective, bilious cocktail – while the cassette will feature the additional delights of ‘Necrocannibal Pollution’, a feast of molten riffs that makes a more than fitting addition to the album’s core of carnage. With Emanation Of The Dying Perceptions Necromonger have written a love letter to the dismantling of the human form. Expect no mercy.
Line-up:
Pigman – Vocals
Agrogrinder – Guitars/Bass
Quill Rat – Drums
https://www.xtreemmusic.com/
https://www.facebook.com/goredeathmadness
Origin: Finland
Style: Depressive Black Metal
Formed in: 2020
Released on: Downfall Records
Line-up:
Non: Guitar, Bass, VocalsMors: Drums
BioMusta Suru (roughly translates as “black sorrow”) is a two‑man Depressive Black Metal band, founded around 2020 in Tampere, Finland.We both have a background in black metal bands, and everything began after a rehearsal of another project, when we decided to stay behind and jam.We continued playing together, and eventually we had several songs taking shape — that’s how Musta Suru was founded.The band name came to us very naturally, just like our songs do.From the very beginning we found a shared musical language and mindset. Our music deals with pain, death, sorrow and all the difficult, unpleasant aspects of human existence — this is our way of releasing difficult emotions. Music is for us both a passion and a form of therapy.
Pre order digipack CD: https://www.bengans.se/musta-suru-viimeinen-viilto
Ostern
ist ja nun nen Fest, bei dem du mal wieder einen
richtig „abbeißen“ könntest, die Kirche besuchen
kannst, um vorm Mann am Kreuz
abzuknien oder irgendjemanden mit einen Überraschungsbesuch
„auf die Eier" gehen kannst. Da unsereins zu all dem absolut
keinen Bock hatte, hat man sich bedeutend
interessanterer und wichtiger Sachen gewidmet und sich lieber ne neue,
enorm
fette Metallektüre reingezogen. Und ich kann euch sagen, ich habe
keine Minute bereut,
die ich mit dem Buch verbracht habe. Aber lest selbst, was der olle
„Ossie
Metaller „LEO dazu zu sagen hat:
Aktuelle Review
„HEAVY OST „ - EIN ROAD-TRIP DURCH DIE GESCHICHTE DER (SUB)KULTUR IN SACHSEN-ANHALT VON 1983 – 1994“
Noch mehr aktuelle Infos rund um den metallischen Globus findet ihr unter:
https://www.facebook.com/mario.klein.961/ https://www.facebook.com/Undergroundfanzine
Aktuelle Review
„HEAVY OST „ - EIN ROAD-TRIP DURCH DIE GESCHICHTE DER (SUB)KULTUR IN SACHSEN-ANHALT VON 1983 – 1994“
Noch mehr aktuelle Infos rund um den metallischen Globus findet ihr unter:
https://www.facebook.com/mario.klein.961/ https://www.facebook.com/Undergroundfanzine
Brutal
Records is proud to announce the signing of Tokyo-based industrial metal
project GODFROST to a worldwide multi-album agreement, marking a
significant expansion of the artist’s global presence and reinforcing the
label’s commitment to forward-thinking extreme music.GODFROST is the solo industrial/metal project of Frost, who is also a key member of the grunge/goth metal act Gods of Decay—an established name in the Japanese heavy music scene, having achieved notable success including reaching #1 on the Japanese iTunes charts.
Blending extreme metal aggression with mechanical precision and dark, cinematic atmospheres, GODFROST represents the cutting edge of Japan’s underground industrial metal movement.
Founded in 1986 in New Orleans, Brutal Records has built a legacy as a driving force behind the global evolution of death metal, black metal, thrash, and industrial metal. With operations spanning Europe, South America, and Asia, the label continues to develop and promote innovative artists worldwide.
The signing of GODFROST further strengthens this global network and positions the project among the rising forces in the international extreme metal scene.
As part of the agreement, GODFROST will release the new EP HANGING Doll in July 2026. The record delivers a calculated fusion of crushing riffs, industrial textures, and modern production, targeting a global audience across streaming and physical formats.
This release marks a pivotal milestone in the evolution of GODFROST and serves as a major introduction to international listeners.
The EP is produced and mixed by Lee Popa, known for his work with Ministry, KMFDM, Killing Joke, Tool, and Korn.
His production approach—combining industrial density with high-impact clarity—perfectly aligns with GODFROST’s aggressive and atmospheric direction.
Members:
Luna Midnight — Vocals
Sara — Vocals
Kose — Bass
DIMMU — Drums
EP Credits (Hanging Doll):
For the EP Hanging Doll, Luna Midnight and Sara contributed vocals and select lyrical content and are officially credited as guest vocalists on this release.
Following the EP release, GODFROST will launch an official music video supported by a coordinated international promotional campaign across digital platforms, including YouTube and major streaming services.
This rollout is designed to maximize global visibility and strengthen audience engagement.
In addition to Hanging Doll, GODFROST is currently preparing a full-length album scheduled for release in 2027. The album will further expand the project’s sonic identity, combining technical precision, dark atmospheres, and extreme intensity.
Official Statement from GODFROST
“We are honored to sign with Brutal Records, a label that has supported extreme metal for decades. This partnership allows us to bring our music from Japan to a global audience. We thank Michael Howard and the entire team for their trust and support.”
https://godfrost.mystrikingly.com/
"A New Life" is now available as a lyric video created by Andrea Mantelli Productions: https://youtu.be/JGMAaTF5zvc
Mauna Sol is a post-black metal band from Brașov, Romania, formed in 2019 by five musicians who sought to channel their diverse musical backgrounds and inner darkness through black metal.
While their sound is rooted in traditional extreme metal, the music is built around a short tale written by George, the band's frontman. Each song explores specific parts of this narrative, shifting between raw intensity and melancholic nuances, enriching the dynamic range of their sound.
Lyrically, the songs give voice to a self-imposed hermit. He recounts his journey toward personal rebirth through a "suicide of identity" - a grueling process set within a hostile desert, where the old self must be shed to allow for the new.
https://linktr.ee/loudragemusic
https://www.facebook.com/maunasolband/
Baltimore, MD's weirdo thrash stalwarts, NUCLEAR TOMB, are back and as twisted and vicious as ever with their new full-length album EPOCH INHUMANE, out June 12th on Rotted Life Records!
FFO: Voivod, Pestilence, Coroner, Atheist
The official video for the album's first single, "FALLING OUT THE WORLD OF LIES," has been premiered at No Clean Singing!
Check it out at: https://www.nocleansinging.com/2026/04/03/an-ncs-video-premiere-nuclear-tomb-falling-out-the-world-of-lies/
Nuclear Tomb's unique fusion of tight thrash riffing, noisy punk aggression, progressive rock ambition, and classic heavy metal grandeur has brought comparisons to trailblazing metal mavericks such as Voivod, Pestilence, and Coroner.
Refusing to rest on their laurels, the band spent the last two years crafting new material, which they introduced and refined in front of audiences at gigs ranging as far as Texas to Quebec. With Epoch Inhumane, Nuclear Tomb are looking to up the ante: faster speeds, deeper hooks, and even more dynamic twists than their fans have already come to expect. Songs that fearlessly rip and tear through warped tales of real world society's impending collapse. Be prepared for the horror... Mind Thrashing Sonic Nightmares.
Track
listing:1. Watch The Skies
2. Falling Out The World of Lies
3. Unbowed & Averse
4. Faithless Continuum
5. Broken Promise, Barren Essence
6. Lifeless Transformation
7. Butcher’s Lament
8. Terminally Emboldened
9. The Coward’s Curse
10. Epoch Inhumane
Credits:
Album engineered and mixed by: Matt Michel at Viva Studio VA.
Mastered by: Brad Boatright at Audiosiege.
Additional lead guitar by Demir Soyer.
Album art by Brad Moore.
Line-Up:
Michael Brown - Guitar/Vocals
Matt Ibach - Guitar
Amelia Morris - Bass
JD Lookabill - Drums
https://www.rottedlife.com/
https://www.facebook.com/NuclearTombLives
Milwaukee (WI) - New Blackened Death Metal entity, RELIC, have released
FFO: Belphegor, Sanguisuabogg, 200 Stab Wounds, Diocletian, Behemoth, Angelcorpse, Devourment, Dead Congregation, Immolation
Delivering Death Metal's dissonant punishing riffage with Black Metal's relentless chaotic speed. RELIC builds a new monument on the foundation of those that came before. Comprised of seasoned Milwaukee metal scene veterans with a history of making tight and focused music. Their debut EP, Crown Of Flies, is a blistering slab of Midwest 90s Blackend Death Metal worship. Delivered with malintent for its listeners. No frills, no scene drama, or gimmicks used by so many bands today. Pure underground Death Metal that is in your face and out for blood.
RELIC
is:Kevin Forsythe (Jungle Rot, Emblazoned) – Guitar / Bass
Jeff Plewa (Micawber, Emblazoned) – Vocals
Alex “Pulverizer” Pulvermacher (Decrescent, Emblazoned) – Drums
Vinny Alvarez (A Night At The Chalet, Slam Pig) - Guitar
Track Listing:
1. The Void Between Gods
2. Filth Of Rebirth
3. Scavengers Daughter
4. Iron Sacrament
Credits:
Recorded at Belle City Sound in Racine WI, November 2025.
Produced by Chris Wisco.
Mixed and Mastered by Billy Diamond.
Album Cover: Sant V. Schreiber
Logo Design by Christophe Szpajde
https://www.youtube.com/@RELICDM
https://www.facebook.com/RELICDM
GRAVEIR – “THE FESTERING TRIAD”
Label: Apocalyptic WitchcraftRelease date: May 29th 2026
Genre: Black Metal
For fans of: Marduk | Shining | Gorgoroth
With bloated souls and skeletal bodies the three mad kings of the end times walk among us, with empty eyes and insatiable hunger. Innocence thieves, blood collectors, bastard children of archaic dynasties built upon the broken bones of the weak. Their consorts are the rotten and the dead, their champions soulless, empty vessels gasping for validation as they bathe in the nectar of inflicted pain. They lead us not into temptation, but into degradation and the all-consuming fire.
Born in the heat and shadows of the Australian underground, in Brisbane in 2014, Graveir have carved out a stronghold for themselves in their homeland’s black metal scene. Bleak, violent and uncompromising, their music possesses a powerful individuality that sees them following their own path, lone wolves in a world of people searching frantically for a voice to tell them how to think and what to believe. After their powerful 2016 debut, Iconostasis and its critically acclaimed successor, King Of The Silent World, hailed as ‘captivatingly hypnotic’ by Metal Bite, Graveir are poised to unleash their third set of black prophecies – The Festering Triad.
The Festering Triad begins with the sinister ‘Lords Of Misrule’, rising from the silence with guitars like an insect swarm before a lugubrious, dolorous shift into life and movement. The song holds you on the edge of oblivion, a constant aura of threat radiating from its broken beauty. There’s a powerful underlying melody too, but it’s corrupted and riddled with disease. And while this unsettling and disorientating introduction to The Festering Triad is still crawling through your veins, ‘A Futile Exhortation’ bursts into flame – as implacable and unstoppable as the passage of time, formed from the seething darkness on the edge of chaos and touched by something ancient and primal. You are now in the heart of darkness, jagged riffs circling like atavistic, feral presences, hammering blast beats disrupting natural rhythms. Nothing is as it should be. Nothing stays within the expected boundaries. This is a malicious attack on the laws that govern reality. ‘A Thief In The Heart Of Man’ flies at you in a howl of rage and bloodlust; you can feel its desperate need to tear you apart and the inherent danger is exhilarating. Title track, ‘The Festering Triad’ arrives swathed in an aura of decaying majesty, a triumvirate of wickedness wreathed in flame, marching onwards, entwined in black briars of unease – on into twisted soundscapes of fear and dizzying anxiety, through boiling malignancy and relentless intensity to the finale of ‘The Rite Of Degradation’, where portentous grandeur and bestial hunger combine in bewildering, schizophrenic fury. This album is fuelled by a determination to leave you broken, beaten and humbled – and it succeeds, absolutely.
Graveir have described The Festering Triad as “a harbinger of collapse — a soundtrack to a world burning from the inside out” and it is all of that and more. This masterpiece of malefice will be released by Apocalyptic Witchcraft on May 29th on limited edition Splatter Vinyl, Digipack CD and digital formats. Prepare for the incineration of all you thought you knew.
Line-up:
VVoid – Guitars
Snjór – Guitars
Gloom – Vocals
XI – Drums
Pandora – Bass
https://www.facebook.com/apocalypticwitchcraftrecordings
https://apocalypticwitchcraft.co.uk/
https://www.graveircult.com/
https://www.facebook.com/Graveirbm/
DYING VICTIMS PRODUCTIONS and ELECTRIC ASSAULT RECORDS are proud to present the highly anticipated third album of Sweden’s TYRANN, TYRANN FOREVER. ELECTRIC ASSAULT will handle the vinyl version while DYING VICTIMS will handle the CD version.
Since their formation in 2018, Sweden’s TYRANN have quickly become a gold standard for rustic, turn-of-the-‘80s hard-rockin’ heavy metal…or perhaps that should be “heavy metalling hard rock”? Either way, the quartet have handily transcended their esteemed pedigree – members do or have done time in the likes of Enforcer and Tribulation – across two full-lengths, 2021’s Djävulens musik and 2023’s Besatt, both showing acute focus and finesse but all done with a seemingly effortless air and a touch of evil.
Now, TYRANN return with arguably their best record yet, Tyrann Forever. Aptly titled, Tyrann Forever sees the Swedes running through their whole arsenal – thunder & lightning heavy metal, straight-between-the-eyes hard rock, moody & magickal AOR, and the galloping early Maiden-gone-punk of their earliest days – with an aplomb that’s patient and breathless simultaneously. The songwriting’s as taut as it comes, with eight songs spanning a half-hour, but TYRANN pack each to the gills with hooks that are stripped-down yet sublime. That they can somehow take garage ethics to stadium dynamics circa 1981 is some strange alchemy, to be sure, but it only serves to make their already-intimate personality that much more ingratiating. Tyrann Forever? Fucking indeed!
Line-up:
Jakob Ljungberg - Drums
Adam Zaars - Guitars
Tobias Lindqvist - Vocals, Bass
Joseph Tholl - Guitars
From Stockholm, Sweden
Release date:
29th May
Tracklist1 Born for Hell
2 Tyrann Forever
3 Demonomania
4 Bathory I
5 Kom Armageddom
6 Natten Då de Döda Lever
7 Allt Ska Brinna
8 Bathory II
Release info:
Electric Assault Records
LP edition (not available for pre-order)
Dying Victims Productions
CD edition with sticker and obi. (available for pre-order)
https://electricassaultrecords.bandcamp.com/
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Horror
Pain Gore Death Productions are set to release the new EP from
Mexico's legendary Death/Thrash Metal desecrators MORTUARY. GREAT
BLACK EARTH is up now for pre-order and will be released April
24th on CD and Digital formats along with merch.For fans of : Death, Destruction, Kreator, Massacra, Merciless, Morbid Angel, Morbid Saint, Sarcófago, Sepultura and Slayer
First appearing on HPGD via the compilation Death Metal Power From Beyond back in 2021, Mexico's Death/Thrash legends Mortuary return with a vengeance, unleashing four new tracks of savage speed and devastating destruction!
Forming back in 1988, the band released the now classic demo Where Death Takes Your Soul in 1989, followed by the legendary debut album Blackened Images in 1990 (reissued by JL American in 1992). Great Black Earth continues the bands legacy of pure evil and relentless torment.
Listen to the single "Black Superstition" at https://www.youtube.com/watch?v=mbfiG-b5Pfk
Tracklisting:
1. Holy War
2. Cut Their Heads
3. Great Black Earth
4. Black Superstition
www.youtube.com/user/horrorpaingoredeath/videos
www.facebook.com/horrorpaingoredeath
Bocșa, Romania based Dark Metal act ETERNAL DARK announce the upcoming release of their second full-length album, "CUGETĂRI". The record is scheduled for release this spring via Loud Rage Music.
As a first preview, the band have unveiled the lead single, "TIMP", now available here: https://www.youtube.com/watch?v=rTVbRq_jvGw
After a 27-year hiatus, ETERNAL DARK re-emerged at the end of 2021 with the track "Vino moarte". The following year, the band recorded nine additional songs, all of which were compiled into their debut full-length album, "Gânduri", released in 2023.
Also in 2023, ETERNAL DARK introduced their first English-language single, "Thorns", followed in 2024 by "The Landscape of the Fall".
Meanwhile, work began on their second album, "Cugetări", which was mixed and mastered by Sorin Ghiniță at E.D. Production.
Compared to its predecessor, "Cugetări" marks a significant step forward. While preserving the band's signature dark themes, ranging from melancholy and suicidal depression to deep introspection, the new material reflects a more refined compositional approach, increased aggression, and subtle influences from Progressive Death Metal.
Line-up on "Cugetări":
Andrei Bivolan – vocals
Cosmina Albu – keyboards, vocals
Cosmin Albu – guitar
Lucian Sîrbu – bass
Sorin Ghiniță – drums
https://linktr.ee/loudragemusic
https://www.youtube.com/channel/UCQtiSNkMNtAt3r5vPA_4AlA
https://facebook.com/EternalDarkBand/
Hailing from Belgium, SHEWOLFF emerged from the underground as a solo-project of K. Von Shewolff, which eventually formed into the solid three-piece band it is today. They find their origins in raw, punk-driven blackness galore, faithfully returning to the old-school spirit of making music by modest and primitive means. A five-song digital-only demo was released in 2023 - songs which contain absolute fury towards the known and long-overdue established order, existential live-or-die sentiment, and a small tribute paid to the old-school believers who came before them.
Now, SHEWOLFF blend all that together on the debut mini-album We’re All Gonna Fukking Die. With six new tracks pushing towards a final and inevitable end, this bleakly titled record is actually invigorating and inspiring: railing against the dying of the light with a paradoxically dark metalpunk sound, familiar in its stomping swagger but exuding cantankerous charisma that’s all their own. The aesthetic signposts are planted firmly in the ground – think Hellhammer, pre-Viking Bathory, Darkthrone’s record-nerd era, early Midnight, the almighty Venom, or even labelmates like KARLOFF, HELLCRASH, and Germany’s LUCIFUGE – but SHEWOLFF manage to stir some diabolical little twists into the bubbling brew, with K. Von Shewolff’s vocals in particular imparting a femininity that’s fierce, frightening, and fucking going for the throat. In fact, “going for the throat” is the best way to describe We’re All Gonna Gie, so embrace it, ye fukks!
Line-up:
Swinedog - Bass
Voilnöngt - Drums
K. Von Shewolff - Guitars, Vocals
From Ghent, Belgium
Release date:
22nd May
Tracklist1 Eternal Night
2 Guillotines
3 We're All Gonna Fukkin' Die
4 Nail + Burn
5 Fantastik Fukk
6 The Day the whole World ends
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on bone vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
https://dyingvictimsproductions.bandcamp.com/
www.dyingvictims.com
DIATRIBES Unleash Crushing Debut Album DEGENERATE . Diatribes reveals “Hostility Within”, the first sonic assault from the highly anticipated album 'Degenerate' https://www.youtube.com/watch?v=fCc81cEYqvQ
For
fans of:
Slayer • Sepultura • Death • Pantera • Lamb of God • Machine Head • VaderGenre: Extreme Metal / Modern Death Metal
Label : Brutal Records:
Brazil has long been one of the world’s most fertile breeding grounds for extreme metal. From the early days of the genre’s global expansion to the modern underground movement, the country has consistently produced bands capable of blending raw aggression with technical power. Emerging from the relentless metal scene of São Paulo, DIATRIBES now steps forward with DEGENERATE, a debut album that demonstrates both musical precision and uncompromising brutality.
Musically, DEGENERATE stands firmly at the intersection of death metal ferocity, thrash metal speed, and groove-driven heaviness. The band channels the classic intensity of old-school extreme metal while incorporating a modern sense of structure and rhythmic impact. At the center of the sonic assault is guitarist Gladyson Rivero, whose riff-driven compositions form the backbone of the album. Alongside guitarist Marcelo Souza, the pair delivers a relentless barrage of razor-edged riffs that shift seamlessly between technical passages and crushing rhythmic grooves.
Vocalist Danilo Luna provides a powerful performance throughout the record, alternating between deep, guttural growls and aggressive mid-range attacks that perfectly match the album’s hostile atmosphere. The rhythm section—bass player Sergio Roma and drummer Niko Teixeira, who handled the drum recordings for the album—adds significant weight to the sound. Their tight and dynamic interplay drives the music forward with precision and intensity, reinforcing the band’s groove-heavy approach.
The production, handled by Niko Teixeira at Audiolab Extreme Studio in Taubaté, avoids the overly polished aesthetic that often dominates contemporary metal recordings. Instead, DEGENERATE maintains a raw yet balanced sound where each instrument retains its presence without sacrificing the overall heaviness of the mix. The guitars cut sharply through the mix, the bass remains audible and powerful, and the drums maintain a natural, organic punch.
Thematically, the album explores darker reflections on human conflict, societal decay, and internal struggle, giving the music an atmosphere that is both intense and introspective.
With DEGENERATE, DIATRIBES delivers a debut that feels both authentic and ambitious. It is the sound of a band deeply rooted in the traditions of extreme metal while forging its own path forward—an impressive introduction that firmly places DIATRIBES among the promising new acts emerging from the global underground scene.
https://brutalrecords.bandcamp.com/album/degenerate
https://brutalrecords.com/release/diatribes-degenerate/
Style : Blackened Heavy MetalFor fans of: Iron Maiden, King Diamond, Goblin, Bewitched, Morgul Blade, Black Magick SS, Nite.
Label : Masked Dead Records
Release date: April 30th 2026
After the previous acclaimed EP "Stryx Strega Strygae", the Blackened Heavy Metal hex STREGA opens a new chapter of the Arrakyan saga: "Mors Mortiys Morte".
With this three-songs new EP, STREGA furthermore sharpens its dark, blackened classic Heavy Metal flair. With a stylistically enhanced 80's Metal core and Goblin-inspired keyboards sections, this new record upgrades both epicness and theatricality in STREGA's music, unfolding its character, attitude and atmosphere. Refined song's structures, style-changing vocals, rhythmic variations, quality classic Heavy Metal riffing and enigmatic yet technical keyboards sections are key points in STREGA's style, whose mix of influences outline a unique formula.
Sales Point:
80's Heavy Metal classics + Black Metal vocals + theatrical keyboards;
Lyrics in Arrakyan, the band's peculiar language;
With members of Ponte del Diavolo (Season of Mist) and Darkend (Dark Essence);
Dark fantasy atmosphere and aesthetics;
Artwork by Renato Florindi.
STREGA is:
Stryx - Vocals
Er’ekal - Guitars
Oder-yr - Guitars
Merhelør - Bass
Tharydel - Drums
Special guest:
Balsamus - Hammond, Synth & SFX
Artwork by Renato Floridi
Guitars, bass and drums recorded by
Carlo "Fajo" Girardi at OneBlackSock Studio
Arrakyan words and chronicles recorded and carved by Stryx at The Old Tower Of Abandon
Mix and Master by Chris D'Onofrio at Atrocity Exhibition Studio
https://www.facebook.com/strega.officialband
https://maskeddeadrecords.com/
ANGELLORE – “NOCTURNES”
Label: Ardua MusicRelease date: May 15th 2026
Genre: Gothic Doom Metal
For fans of: Theatre Of Tragedy | Tristania | Empyrium | Draconian | Saturnus
A voice comes singing in my dreams; an incongruous enchantment pulling me away from my simple fantasies, replays of mundane moments and unfounded anxieties. It leads me beneath the boughs of towering trees, through unspoilt alpine meadows and in the shadows of mountain peaks, beneath the glowering eyes of ancient fortresses of blackened stone. Emotions I have never dared to feel, even in my journeys through the realms of sleep, tear me open beneath vast, storm fractured skies…and I awake bereft, my siren still unseen but my heart enraptured.
For nearly twenty years Avignon’s Angellore have ensorcelled and delighted fans and critics alike with their unique blend of gothic doom, folkloric influence, drama, storytelling and grand emotion; weaving traditional instruments into the rich layers of sound that have characterised remarkable, enthralling albums like 2015s La Litanie des Cendres and 2020s acclaimed Rien Ne Devait Mourir, described by Angry Metal Guy as painting “a despairingly beautiful picture for the listener to enjoy”. And now it is time for a new chapter in Angellore’s epic tale, an album that has been slowly developing in the darkness for the best part of ten, long years – their most profoundly affecting creation to date – Nocturnes…
The tale begins with ‘Falling Birds’, a dolorous dance shifting into powerful chords, laced with melancholic melody, that usher in a voice of aching, angelic purity and guitar lines laden with sorrow. Like an unfolding fairytale the music carries you through shadows and sadness, splendour and tragedy, broken hearts and betrayal…another world is revealed within the song – one of heightened emotion and magic, lost souls and monsters – and passages of oboe and bass clarinet add immeasurably to the mesmerising aura. Angellore never release you from the spell cast by ‘Falling Birds’, the journey continuing into ‘Black Sun River’, a spirit stirring track that binds you within its ghost dance, steeped in passion that can transcend ages, love that burns through the centuries. The unhurried fable of ‘Forsaken Fairytale’ follows, highlighting the wonderful versatility and variety of voices that the band possess, creating an array of characters that populate their stories. The harsh vocals contrasting with the quiet dignity of the music, speaking with a bitter clarity and heartfelt expression, while beautiful flute and sublime piano add to a seemingly limitless palette of sound from which Angellore can draw. Cathedral choirs beckon in the transportative ‘Martyrium’, a gateway to wind blasted moors where clouds race through the night sky across the face of the moon. Wherever you might be, when you listen to this song it becomes midnight in your mind, each note falling like cold rain as you are given a glimpse of what it means to feel beyond reason and to love beyond madness. And finally, there is ‘A Dormant Stream’; a dazzling tapestry of emotion woven from tactile textures…delicate simplicity, words intoned with strength and meaning, sweetly measured guitar lines in a stately dance with ethereal flute and formidable chords of breathtaking grandeur that lead us in sombre procession to the album’s end.
Recorded in an array of different studios, in different countries, from Iceland to Belgium, Nocturnes was engineered and mixed by Déhà (Inborn Suffering, Wolvennest, Cult Of Erinyes etc) and mastered by Markus Skroch (October Falls, Sig:Ar:Tyr, The Chasm etc) and the results couldn’t be more apt – smooth, deep and all-encompassing. With cover artwork created by the band’s own Florent ‘Celin’ Castellani that encapsulates the spirit of the album, Nocturnes will be released on May 15th by Ardua Music – prepare to be bewitched…
Line-up:
Lucia – Vocals
Rosarius – Clean & harsh vocals, electric & acoustic guitars, synths, grand piano
Walran – Harsh & clean vocals, synths, grand piano
Celin – Bass, additional guitars, EBow, backing extreme vocals
Ronnie – Drums & percussions
Also featuring:
Gunnar Ben – Oboe on “Falling Birds” & “A Dormant Stream”
Ségolène Perraud – Flute on “Falling Birds”, “Forsaken Fairytale” & “A Dormant Stream”
Dirk Goossens – Bass clarinet on “Falling Birds”
Raphaël Verguin – Cello on “Forsaken Fairytale” & “A Dormant Stream”
https://www.arduamusic.com/
https://www.facebook.com/AngelloreDoom
FFO: Imperial Triumphant, Deathspell Omega, Krallice, Ulcerate, Portal, and the absolute heat death of the universe.
In the band's own words:
"Surfing the Abyss is our first song to feature a vibraslap (!), and, well, a honky-tonk section? You be the judge. It's black-death metal with absurd genre touchstones, a few Tom G. Warrior inspired "ugh!" vocalizations, and very tasty fretless bass from Gavin Brooks. Enjoy!"
Check out "Surfing The Abyss" at https://www.youtube.com/watch?v=UM9eza2GCAA
The song is also streaming on Bandcamp.
Voidthrone will release Dreaming Rat, their most unhinged and trenchant record yet, on May 8.
Structured as a three-part cosmic death ritual, Dreaming Rat follows a triptych of parallel arcs: a solar system burning through its lifespan, a civilization collapsing under its own complexity, and a parasite replicating itself across language, culture, and flesh. The band trades some of the prior atmospheric murk for a more immediate, frenetic mix—closer, sharper, and meaner.
Vocalist Zhenya Frolov delivers his most insane performance yet, retching through death-metal lows, black-metal shrieks, and ritualistic howls as the album spirals toward extinction. The listener is invited to drift calmly and unflinching through the maelstrom, like the dreaming rat on the album’s cover.
Pre-order Dreaming Rat: https://voidthrone.bandcamp.com/album/dreaming-rat
Track
Listing:Arc 2 - The vital present. A universe, a civilization, an idea flourishing into a promised infinity.
1. II-I. Homeless Animal
2. II-II. Morbid Seagull
3. II-III. Ren Omega
Arc 1 - The hopeful past. A maelstrom of violence and optimism.
4. I-I. Bergen
5. I-II. Dreaming Rat
6. I-III. First Blood
Arc 3 - The silent future. An extinguished, lonely death of the physical, spiritual, and cognitive.
7. III-I. Surfing the Abyss
8. III-II. The Dying Squid
9. III-III. Worm Spiral
Credits:
Produced / Mixed / Mastered by Ronald Foodsack (Voidthrone).
Masters: 24-bit / 44.1 kHz; vinyl premaster on request.
Album Art: Kiri Yu
Line-up:
Zhenya Frolov - Vocals, Japanese Otamatone
Ron - Guitar, Jaw Harp
Gavin Brooks - Fretless and Fretted Bass, Acoustic Guitar, Guitar Solos
Josh Keifer - Drums, Vibraslap, Didgeridoo, Spoons
Bio:
Hailing from the rain-soaked muck of the Pacific Northwest, Voidthrone crafts dissonant blackened death metal that is as belligerent as it is meticulously arranged. Intentionally disorienting and feral, their unconventional music has evolved from the raw Spiritual War Tactics (2016) and the avant-garde churn of Kur (2018) to the sharpened, atmospheric density of 2022’s Metaphysical Degradation.
Discography:
Dreaming Rat (May 8, 2026)
Metaphysical Degradation (2022)
Kur (2018)
Spiritual War Tactics (2016)
https://www.facebook.com/voidthrone
Pagan
Records to release 30th anniversary reissue of SACRILEGIUM’S
- "WICHER” .Thirty years after its initial emergence from the Polish
underground, Sacrilegium’s seminal debut, “Wicher”, is set for a reissue via
Pagan Records. Originally released in 1996, “Wicher” is one of the most
influential and atmospheric works of Polish black metal, a record that captured
the freezing, pagan spirit of the era with a raw, melodic grandeur that few
have since replicated.In celebration of this 30th anniversary, Pagan Records is unearthing the album in its most authentic form to date. This reissue features the original, "lost" cover art, rediscovered after decades, and includes the full lyrics for the first time in years.
Set for release on 11 April 2026, the reissue will be available in multiple high-quality formats: jewelcase CD, double splatter vinyl, double blue vinyl, double white vinyl.
Released during the "golden age" of the Polish scene, “Wicher” stood apart for its ability to balance savage black metal aggression with an evocative, folk-tinted atmosphere. For many, it represents the pinnacle of the genre’s mid-90s evolution, blending cold, razor-sharp riffing with a distinctly Slavic sense of melancholy.
Pre-order now via Pagan Records:
Tracklist:
1. W Dolinie Rwących Potoków
2. Śpiew Kruków Czarnych Cieni
3. Wilczy Skowyt
4. W Rogatym Majestacie Snu
5. Zagubiona Ciemność
6. Wicher Falami Ognia
7. Szept Nocy
8. Tam Gdzie Gaśnie Dzień (bonus track)
https://www.pagan-records.com
https://www.facebook.com/paganrecords
Originally released in 2006, the Italian act went all in with their pure and authentic love for the old metal scene of the 80s. The aim was never to reinvent the wheel and bring new influences into classic speed metal. These maniacs represented a new generation which wanted to continue and blast out heavy metal in the old way, with the same spirit. 7 tracks + a cover of Italian legends Fingernails take this debut album just over the half an hour finish line
Line-up 2026:
Necrovomiterror - Bass, Vocals
Bloodoildrinker - Guitars
S.R. Bestial Hammer - Drums
G.S. Philtyrant - Guitars
Nightagressor - Guitars
From San Benedetto del Tronto, Italy
Release date:
22nd May
Tracklist1 Satanic Commando
2 Blood, Vomit and Satan
3 Nightstalker
4 Satanic Beerdrinkers
5 Kill The Monk
6 Speed Metal Warrior
7 Satanic Metal Attack
8 Heavy Metal Forces (Fingernails cover)
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on ultra clear/red splatter vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
https://dyingvictimsproductions.bandcamp.com/
www.dyingvictims.com
WARREN SCHOENBRIGHT – “TWO DANCES FOR THE END OF DAYS” (EP)
Label: Road To MasochistRelease date: April 17th 2026
Genre: Experimental Industrial Noise Rock
For fans of: Isis | Godflesh | Mordor
For over a decade London’s Warren Schoenbright have been sculpting their sonic monuments of noise; dark visions of experimental, industrial sound that challenge, scour, hollow out and break open the listener. From the excoriating, damaging abrasion of 2014s Plateaus EP, to the critically acclaimed diversity of atmosphere and textures that is 2024s Sunless – a spiralling descent through the horrors that lurk in the sub-levels of our mind, a harrowing examination of the self in search of redemption – everything that Warren Schoenbright have dragged into the light has been, in equal parts, demanding, fascinating and rewarding. And now they bring us their first unsettling offering of 2026, a soundtrack to accompany our seemingly irreversible decline into fractured, hate-ridden rot…Two Dances For The End Of Days.
The first of these two damned dances, ‘Pyrrhike’, begins in portentous darkness, with echoing calls reverberating in the stygian gloom – warnings, laments or death knells – before they are overtaken by a dirty, frantic rhythm that leads you on a breathless flight through a decaying urban nightmare. Its mechanistic, industrial, pounding constructs an unnerving soundscape born from societal collapse and when an abrupt silence hits at the black heart of ‘Pyrrhike’, it generates a sense of panic and imminent danger that will have you scanning your instantly alien surroundings for the source of threat. When the vocals finally arrive they are tortured and desperate, a visceral shock, crying out from the clashing jaws of the machine.
The second dance, ‘Bacchanalia’, offers no respite from ‘Pyrrhike’s nightmare. Its slow, inexorable, steam hammer grind, drags you into a mechanized hell of pitiless, emotionless destruction. The voice here is distorted and soulless, a powerful testament to the ongoing eradication of humanity, the methodical incineration of beauty, creativity and individual thought. ‘Bacchanalia’ is perhaps Warren Schoenbright’s most terrifying invocation of bleak, hopeless horror.
Recorded and mixed at Holy Mountain Studios by Misha Hering (40 Watt Sun, Wren, Puppy etc) and mastered at Berlin’s Scape Mastering (Laibach, Cabaret Voltaire, The Orb etc), Two Dances For The End Of Days possesses a formidable sound palette – primal and fearsome, emotive and atmospheric – that enables it to surround, overwhelm and devour the listener. It pulses with a frightening, vibrant life that is both compelling and intimidating. It will be released by Road To Masochist, the perfect partners for Warren Schoenbright, on April 17th, on CD and digital formats. It is time to confront the inevitable darkness once again.
Line-up:
Daniel McClennan – Drums/Samples
Alex Virji – Bass/Vocals
Seb Tull – Live percussion and electronics
Clarinet on ‘Pyrrhike’ by Claire Knox
Additional synths performed by Misha Hering
https://www.roadtomasochist.co.uk
https://www.facebook.com/roadtomascochist
https://www.facebook.com/warrenschoenbright
New video clip from SERPENTHEIR ("THE LAMPLIGHTS" out from upcoming "IRIDESCENCE" album) https://www.youtube.com/watch?v=VdtfYtAHq40
Serpentheir is a Gdańsk-based experimental metal project rooted in symphonic black and melodic death metal. With a versatile discography of 4.5 albums, including the phantasmagorical 'Hypernature's Vines' and the dreaming, ethereal 'Oneirism', the project attempts to answer sonic questions like, 'What happens when you fuse groove metal with symphonic black?' and 'How would a journey from Industrial to the Baroque unfold?'.
Their compositions are often unstable, feisty, and temperamental. The combination of a drum machine with melodic riffs under massive layers of synths creates an effect of oversaturated, mechanically-conducted extremity.
FFO: Thy Catafalque, Samael, Tiamat, Ihsahn, Shade Empire, Dimmu Borgir, Windir, Arcturus, Septicflesh, The Kovenant.
Short bio
Serpentheir has undergone a metamorphosis through a mostly solitary decade of geographic shifts and creative defiance. Conceived by Maurizio Pullman (aka Dr. Caligula), the project has meticulously built a 4.5-album discography—from the cold echoes of the 2017 EP 'Undertones of Yore' and the grueling "meta" struggle of the 'Protracting the States Invariant' era, to the prolific one-year from-sketch-to-release experiment 'Shadow People', which has reignited the nearly smoldered out creative process.
Through the phantasmagorical 'Hypernature's Vines' and the dreaming, ethereal 'Oneirism', Serpentheir further solidified its boundary-defying identity.
Now based back in Gdańsk, the project has finally shed its one-man skin. The fold has expanded to include a full lineup of dedicated composers, pushing the project’s musical horizons further with the promise to never become complacent and always strive to evolve.
With the 2026 release of 'Iridescence' and the band finally hitting the stage, another chapter of mechanically-conducted extremity begins.
https://www.youtube.com/channel/UCkaZAhgnDSm9l6gPBdBxiig
https://serpentheir.net
https://www.facebook.com/serpentheir
From
the depths of the Romanian underground, two entities emerge to unleash a split
of pure sonic decay.PUTRED vomit forth their cavernous, rotten Death Metal: slow, crushing and drenched in filth, dragging the listener into a suffocating realm of putrefaction.
DECEASE answer with a relentless barrage of Thrash-infused Death Metal: sharp, violent and unrestrained, delivering riffs that cut deep and strike without mercy.
Each band offers two exclusive tracks, forged in the same underground spirit, yet spreading their own distinct aggression.
Limited to 100 hand-numbered copies, this release stands as a monument of decay for those who still worship the old ways.
"DECESSUS PUTRIDUS" will be out on April 29th, 2026.
Pre-order here: https://loudragemusic.bandcamp.com/album/putred-decease-decessus-putridus
"Super hyped on getting invited to take part of this killer split with Decease! Our side consists of two new versions destined to be used on this edition exclusively, first and only time that you are listening to Putred singing in English language, the songs have been remixed and remastered for the aforementioned occasion" - PUTRED
"Sculpted into Servitude" picks up nearly a decade after "Age of the Covenant" and continues where we left off. These two tracks push further into brutality and technicality, both musically and lyrically, surpassing everything we’ve done before." - DECEASE
https://putred.bandcamp.com/
https://deceaseband.bandcamp.com/
https://linktr.ee/loudragemusic
ZORNHAU'S self-titled album "ZORNHAU".
Conceived as one continuous movement, Zornhau rejects fragmentation. The album
unfolds without pause, drawing the listener into a sustained descent that
demands focus and endurance. It is not a collection of tracks, but a complete
ritual. Each movement dissolves into the next, collapsing boundaries and
summoning a stark, primal atmosphere. The digital album's release date is 17 April 2026
Zornhau is an atmospheric black metal project focused on immersion and transformation.
Driven by atmosphere rather than narrative, the music unfolds as a continuous rite — demanding
endurance, presence, and submission. A voyage within.
www.youtube.com/@Zornhau-o4b
https://zornhau1.bandcamp.com/album/zornhau
Pre-save "Zornhau": https://orcd.co/zornhau
Label: Xtreem MusicRelease date: April 30th 2026
Genre: Death Metal
For fans of: Bolt Thrower | Morbid Angel | Asphyx | Sulphur Aeon
“Neither age nor submersion has corroded the pristine grandeur of this awful fane—for fane indeed it must be—and today after thousands of years it rests untarnished and inviolate in the endless night and silence of an ocean chasm.”-The Temple – H.P. Lovecraft
Titanic Russian death metal force, Grond, have returned and are ready, once again, to take us down to the depths of the ocean, beyond the reach of light. An ambitious and imaginative concept album entwining the story of decorated First World War German U-boat commander, Otto Eduard Weddigen, with H.P. Lovecraft’s chilling tale of subaquatic madness from which the album takes its name, The Temple is a heavyweight masterpiece of atmosphere and devastating death metal. It’s been ten long years since the last Grond album, Worship The Kraken’, with only the 2019 split release with Graceless – Endless Spiral Of Terror – to break the silence of a decade; but The Temple has been more than worth the wait and will have fans welcoming the band home like the proverbial prodigal sons.
‘Rotten Himmel’ begins the process of submersion, immediately drawing the listener into the darkness beneath the waves and introducing the superb lead guitar work which plays such a pivotal role throughout the album to come. From this opening sequence Grond’s grip upon us is unbreakable and there is no turning back, no escape until the final desolate tones of ‘Dark Solitude Of The Sea’. Everything about this album feels huge – from the towering riffs to the earthshaking drums and the bass infused with the weight of worlds. And then there is the colossal voice of founder member, Kist; each reverberating roar seeming to emit from the throat of an ancient monstrosity of staggering scale. Between the gargantuan vocal exhortations and the intimidating riffs the lead guitar works its magic, conjuring claustrophobic horror in ‘Pour Le Merite’, bringing a haunting madness to ‘U29’ with its strange, liquid melodies and screaming through the smoke and fire of ‘Dreadnought’… The Temple just gets better and better as it progresses, with ‘Radiant Fury’ bringing you to your knees before the power of ancient gods, helpless before their grotesque majesty, as elemental, vertiginous chaos resolves into irresistible, utterly satisfying riffs and chord sequences. Title track, ‘The Temple’, is a sanity destroying, lurching monstrosity – both regal and shockingly violent – while ‘Dark Solitude Of The Sea’ is a superb conclusion, bringing together all the dark secrets, howling madness, desperation and death that has come before in great, seething riffs, enticing melodies and an atmosphere to drown in…
Xtreem Music will release The Temple on April 30th, on CD and digital formats, featuring stunning artwork created by Daemorph (Aborted Fetus, Avulsed, Holycide etc). Follow Grond into the black, to discover the unseen mysteries that lie in the stygian gloom of the ocean floor.
Line-up:
Void - Guitar
Kist - Vocals
Sarghas - Bass
Kadath - Drums
https://www.xtreemmusic.com/
https://www.facebook.com/xtreemmusic666
https://www.facebook.com/grondrus
“We build inhuman altars for ourselves, goals that tear us away from our own flesh and minds. We force ourselves into a mold we cannot fit into. We feed every drop of blood to an illusion we call ambition. When the body breaks down and the mind screams for mercy, we still do not relent. We cling tooth and nail to the lie we have woven ourselves, until it crushes us and sucks the marrow from our bones.”
Watch the music video: https://youtu.be/VI9_yTfEgg0
Listen to the single on music services : https://push.fm/fl/saasta-coffin
Musically, “The Coffin” is an atypical track for Saasta thanks to its almost melodic chorus, but the verses and bridge are crafted in the familiar black and death metal aesthetic. The combination of these elements has added a raw, fresh, and addictive track to Saasta’s song arsenal.
The single’s cover art and music video were created in a brutal DIY spirit entirely by Saasta themselves. This marks the band’s seventh music video and continues a series in which Saasta has purposefully built a distinctive, raw, and recognizable visual identity from one opus to the following one. For the band, the visual dimension is not a side note, but a central part of the whole. It is a way to deepen the world created by Saasta and to drive the themes of the songs concretely under the viewer’s skin.
Saasta is an extreme metal band from Kotka, Finland. Formed in 2020 the band combines the mercilessness of black and death metal, with the more subtle nuances of doom. The combination is dark and groovy metal with its own distinctive sound, where strong lyrical expression meets raw energy. Saasta is known for their intense stage presence and uncompromising effort.
Tracklist 01. The Leeches
02. The Caricature
03. The Coffin
04. The Imposter
05. The Plagued
06. The March
07. The Envy
08. The Maelstrom
09. The Woe
10. The Ironclad
11. The Entrencher
12. The Retribution
Line up
Vocals – Leevi Kärsämä
Guitar – Topias Jokipii
Bass Guitar – Janne Hietanen
Drums – Jimi Lahtinen
https://www.saastaofficial.com/
https://www.facebook.com/saastaofficial
Chilean death/black metal band BLASART have released their second full-length album, DEPRAVATUS CHRISTIANIS SACRIS, now available for streaming and digital purchase via Lavadome Productions.
Arriving eighteen years after the band’s debut and following a series of EP releases, the album stands as Blasart’s most focused and uncompromising work to date. Rooted in Chile’s extreme metal underground, the band combines the violent intensity of death metal with the oppressive atmosphere of black metal.
Listen / Purchase:
https://lavadome.bandcamp.com/album/depravatus-christianis-sacris
https://youtu.be/MbLtKyYf_DY
https://store.lavadome.org
Blasart's vocalist, Carlo Giaquinta comments on the time gap between albums: "Time passed, lineups shifted, and the project existed in a constant state of tension between persistence and collapse. Depravatus Christianis Sacris exists because that tension never resolved — it evolved. The album is not just a continuation, but a consequence of everything that came before it. With a more stable lineup, the band was finally able to develop ideas with greater depth and continuity. Composition became more deliberate, more structured, yet still driven by the same underlying intensity."
Conceptually, Depravatus Christianis Sacris explores anti-Christian themes and we let the vocalist, Carlo Giaquinta, elaborate on: "Thematically, the album engages with the idea of contradiction — particularly in relation to institutions that position themselves as moral authorities while embodying the opposite in practice. This is not approached as simple provocation, but as a reflection on the tension between doctrine and reality, something that has remained historically persistent and personally unavoidable."
The whole album has been crowned with the art by Luciana Nedelea, complementing the musical and lyrical approach of the band to the fullest as Carlo adds: "The artwork presents a structure that exists somewhere between architecture and entity — a monumental form that dominates, consumes and distorts. It is not a literal representation, but it echoes the same underlying ideas present in the music: scale, oppression, and transformation."
Tracklist:1. Depravatus Christianis Sacris
2. Venenum Immersionem Ritual
3. Violatio Mortem illius Nazareni
4. Ritus Impositionis Sacrilega
5. Supplicia Absolutum Numinis Iram
6. Mors Extrema Imminentia
7. Vocatio Sanctis Phallus
8. Luxuriosa Promiscua Unio Carnalis Magnarum
9. Ecclesia Ardere
All music composed by Eduardo Vera
Drums recorded by Pablo Clares (DM6 Recording Studio)
Mixed and mastered by Carlos Fuentes (Estudio Sonido Origen)
Line-up:
Carlo Giaquinta – Vocals
Eduardo Vera – Guitars
Felipe Rodríguez – Guitars
Krayt – Bass
C.I.R.R. – Drums
https://store.lavadome.org
https://blasart.bandcamp.com/
https://www.facebook.com/blasartchile
DYING VICTIMS PRODUCTIONS is proud to present the striking debut EP of Spain’s FABLE, - "LONG HATH THE NIGHT DWELT", on CD and 12” vinyl formats.
FABLE started as a solo-project by Jose Soler (Phantom Spell, Chantrice) influenced by ‘70s and ‘80s hard rock and heavy metal – a list as varied and idiosyncratic as Thin Lizzy, Whitesnake, Pagan Altar, Ashbury, and Hällas – along with hints of old US metal. Duly girded, the band bring forth their public debut, Long Hath the Night Dwelt.
An actually-narrated prelude sets the stage for a cautionary tale about class struggle and revolution, FABLE indeed using fables and stories as a medium to tell an expansive story of the woodsfolk dominated under the iron claw of “The Owl.” Despite that, the band’s debut EP is exceptionally compact at five tracks in 22 minutes, moving with a simmering patience that’s heavy on mood and dynamic in its restraint. Never overdriven nor busy, warm and intimate but with a psychic distance that seems impossibly ancient, FABLE very much evoke the perhaps-centuries-old folklore that seems so central to their rustic rock; the wise-sage vocals almost seem an afterthought when the narrative flow of the music starts winding and wending like smoke from a tavern fireplace, so illustrative is its hushed power. However, each element here is equally important, and all work together to form a totality that’s unfussy but hewn with class and care.
And this is just the start of this FABLE: discover for yourself how Long Hath the Night Dwelt!
Line-up:Drums, Guitars - Jose Soler
Bass - Miguel M. Menárguez
Vocals - Alberto de Lara
From Murcia, Spain
Artwork:
Álex Bustillo
Release date:
22nd May
Tracklist
1 Prelude
2 The Owl
3 The Oak
4 The Funeral - March to the Black Mountain
5 The Moon
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on beige/brown splatter vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Label: Apocalyptic WitchcraftRelease date: April 17th 2026
Genre: Blackened Death Metal
For fans of: Mayhem | Gorguts | Anaal Nathrakh | Morbid Angel
As the head of respected label Apocalyptic Witchcraft, Conor Droney is exposed to a mountain of new, extreme music on a daily basis – he’s not a man who is easily impressed. However, upon hearing the uniquely challenging sounds of Australian blackened death metal entity Hebephrenique’s Decathexis album – released in Australia last year through Gutter Prince Cabal and Brilliant Emperor Records – he knew he had to help spread this plague to an international audience. The band were promptly signed to Apocalyptic Witchcraft and a cassette and digital release of the tumultuous Decathexis is now upon us.
“Australia has long produced some of the finest bands in extreme music, and Hebephrenique were one of the best discoveries I made last year” Droney commented. “I can’t wait for the rest of the extreme metal community to experience Decathexis.”
Decathexis begins with ‘Stasis’, a passage through the veil, an admittance into the strange, unnerving otherness of Hebephrenique. The layers of existence part at your touch and each step takes you deeper into darkness, farther from the light and from all you know and understand. There is movement, sound, a shifting in the shadows…and then ‘Visions Of Magdalene’ comes crashing into life – jarring, angular, dissonance and destruction, strange, disjointed melodies clambering like crippled spiders over a framework of steel madness. And within this vortex a voice; completely in command of its distorted environment, comfortable in this mangled confluence of impossibilities. The vocals act as a focal point, Kris Wolf a ringmaster in this circus of chaos, as songs shift into different dimensions, each one more unsettling than the last; incendiary intensity giving way to fractured dreams. Each element of the Hebephrenique sound seems to work independently, following its own path, patterns and realities…yet they are pinned together, thrashing wildly against impediment and restraint, painting sonic images of cruel, strange beauty. From the forceful, serrated riffs of ‘I, Adverse’ to the leaping, irrepressible energy of ‘To Inflict Or Nurture’ nothing can be held in place. This music is liquid silver – constantly evolving and transforming – building worlds and tearing them down in the blink of an eye. Concluding, title track – ‘Decathexis’ – begins as colossal, strident death metal which then splits and splinters before slipping beneath still, dark waters, falling down magnificent descending chords, deeper and deeper. It’s a profoundly affecting experience and when silence finally returns Hebephrenique leaves you stunned and changed.
Meticulously mixed by Brendan Auld (Idle Ruin, Malignant Aura, Resin Tomb etc) and mastered by the in-demand Brad Boatwright (Corrosion Of Conformity, Devourment, Obituary etc) Decathexis has been gifted a clarity to its chaos and nuance to its power, imbuing it with the power to shock, surprise and bewilder with every listen. Look for its coming on April 17th from Apocalyptic Witchcraft – a label whom the band are proud to be associated with…
"We are extremely excited to be working with Apocalyptic Witchcraft...It's humbling to be a part of such a strong roster."
Line-up:
Jack Greenhill - Guitars, Bass, Keyboards
Kris Wolf - Vocals
Leo Graae - Drums
https://www.facebook.com/apocalypticwitchcraftrecordings
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/hebephrenique
ACID
DEATH'S
new single, "FORGING THE CHAINS" is officially out on
March 27th 2026. Stream or download at: https://bfan.link/forging-the-chainsIt is the 3rd digital single from band's latest album, "Evolution". The single is in a new mix specially for this release. The two previous ones were, "The Gateway To Knowledge" (feat. Kelly R Shaefed and James Murphy), on September 12th 2025 and "Rise Of Salvation" on October 17th 2025. "Evolution" album is out from November 21st 2025, all releases by the German 7hard/7us Media Group .
All the best ACID DEATH
www.sevenus.de
www.7hard.de
www.youtube.com/user/aciddeathgr
www.aciddeath.net
www.facebook.com/aciddeathgr
OZARK SHAMAN – “A TRAITOR IS WORSE THAN AN ENEMY”
Genre
:
Black MetalFFO: Windir, Taake,Woods of Ypres
Release date: 28.02.2026
Location: United States
Bio:
Ozark Shaman is a one man black metal band from the shadowy fringes of Ozark, Missouri. Brad Nailling handles all instruments and production while the music features his wife Madeleine Nailling on viola.
Blending raw black metal aggression with electronic synth and atmospheric folk elements the musical themes explore spirituality, cosmicism, war, history, and human struggle while highlighted by the banjo as the core folk element, delivered in Scruggs-style picking.
https://ozarkshaman.bandcamp.com/
https://www.facebook.com/OzarkShaman
Hi
everybody, Petr from PARAT PRODUCTIONS, Czech Republic, here. Here is my new release: SCENERY – “CONTINUITY”
Style: Death / Thrash Metal
For fans: DEATH, CYNIC, ATHEIST etc.
Type: Digipak + 16 page booklet
Release date: 27.3. 2026
In my opinion, another amazing album in the history of Czech metal. This re-release comes out exactly 20 years later. It was originally released in March 2006 as a standard jewel case, so this version is now on digipak.
You can listen to full recording on the Pařát Productions YouTube channel www.youtube.com/watch?v=7AteI0cy7Y4&t=630s
Buy in Pařátshop : https://paratshop.cz/produkt/scenery-continuity-after-twenty-years-3/
Genre : Death MetalFormat : CD / LP
Release date : 20 march 2026
Label : MusikÖ_Eye
Line up :
Eflam : guitars & vocals
Melaine : bass & vocals
Morgann : drums
Tracklist :
01 – Gwad An Diaoul
02 – Enteuzet Get Trenk
03 – Diskar
04 – Distrujour Hor Bed
05 - Argad
06- An Ankou Ar E Varc’h
07 – Sklaved An Doueed
08 – Slave New World (Sepultura cover)
Recorded & mixed in July 2025
All music by Tanork / Lyrics by Eflam & Melaine
Mixing & mastering : Estebane Coudray
Artwork & layout : Hugo Zrd
https://www.musiko-eye.fr/boutique/
NEWS 28.3.2026
Am 30.03.2026 wird eine Sendung zum Buch „HEAVY
OST – EIN ROADTRIP DURCH DIE GESCHICHTE DER (SUB) KULTUR IN SACHSEN-ANHALT VON
1983-1994 „ auf Hellborn - Metalradio aufgezeichnet.Auf die Ohren gibt es das HEAVY OST Special dann am
Ostermontag den 06.04.2026 um 18:00 beim OKJ (Offener Kanal Jena) und
anschliessend auf dem Portal https://hearthis.at/hellbornmetalradio.
"IRON MAIDEN: BURNING AMBITION" verspricht
Kinoerlebnis der Extraklasse und unvergessliche Fanmomente ab 14. Mai nur im
Kino .
Als die britischen Heavy-Metal-Legenden IRON MAIDEN 2025 mit den Feierlichkeiten zum 50-jährigen Bandjubiläum begannen, war bereits klar: Ein Jahr reicht dafür nicht aus! Nach der RUN FOR YOUR LIVES WORLD TOUR mit Stadionkonzerten und weltweit mehr als einer Million Ticketverkäufen folgen 2026 Festivalauftritte unter anderem bei Rock am Ring und Rock im Park sowie eine exklusive Deutschland-Headline-Show in Hannover.
Vorher steht aber noch ein ganz besonderes Highlight an, mit dem Fans sich auf den Festival- und Konzertsommer einstimmen können: Im Mai startet über Universal Pictures International (UPI) der Iron-Maiden-Dokumentarfilm “IRON MAIDEN: BURNING AMBITION“ in Kinos weltweit; Kinostart in Deutschland ist der 14. Mai. Der Kartenvorverkauf hat bereits begonnen.
Die Band. Die Fans. Der Film. “IRON MAIDEN: BURNING AMBITION” dokumentiert in Spielfilmlänge eine der legendärsten Reisen der Musikgeschichte in Form eines Kinoerlebnisses der Extraklasse: Fans können sich auf restauriertes und in dieser Form noch nie gesehenes Archivmaterial sowie eindrucksvolle visuelle Erzählkunst freuen – inklusive Klang in Konzertqualität. In enger Zusammenarbeit mit IRON MAIDEN unter der Regie von Malcolm Venville (“Churchill at War”) entstanden und von Dominic Freeman (“Spirits in the Forest – A Depeche Mode Film”) produziert, bietet der Film neben bisher unveröffentlichten Aufnahmen vor allem persönliche Einblicke von ehemaligen sowie aktuellen Bandmitgliedern und fängt dabei IRON MAIDENs visuelle Identität, wie wir sie von Albumcovern, Tourfotos oder Fanartikeln kennen, perfekt ein.
Erlebe die unglaubliche Geschichte von Steve Harris, Dave Murray, Adrian Smith, Bruce Dickinson und Nicko McBrain – zum ersten Mal in ihren eigenen Worten und sorgfältig kuratiert. “IRON MAIDEN: BURNING AMBITION” ist die erste vollständig autorisierte, mit Archivmaterial gespickte Kinochronik über 50 Jahre IRON MAIDEN, erzählt aus der Perspektive der Band selbst – mit all ihren Höhen und Tiefen und einem besonderen Fokus auf der unglaublichen Fan-Community, die die Briten seit ihren Anfangsjahren begleitet, oder, wie die Band es im Film ausdrückt: “Es ging immer um die Fans. Durch dick und dünn.” Der Film ehrt diese Gemeinschaft, die Kontinente und Generationen verbindet; eine gemeinsame Kultur, die über 50 Jahre hinweg gewachsen ist, und ein kulturelles Erbe, das weit über die Musik hinausgeht, indem es Fans auf der ganzen Welt verbindet.
Auch das legendäre Maskottchen EDDIE wurde dazu für die große Leinwand neu interpretiert: EDDIE-Filmsequenzen, die speziell für diese Dokumentation geschaffen wurden, würdigen das künstlerische Vermächtnis des EDDIE-Mythos im Kinoformat.
Neben ausführlichen Erzählungen der Band enthält “IRON MAIDEN: BURNING AMBITION” Kommentare prominenter Fans wie Javier Bardem (der die Band schon im Trailer als “die Götter des Metal” bezeichnet), Lars Ulrich und Chuck D, die jeweils über den Einfluss von IRON MAIDEN auf Musik, Kultur und Generationen von Fans weltweit sprechen. Das beeindruckende Filmposter-Artwork von Alberto “Akirant” Quirantes bietet einen ersten visuellen Einblick in die Dokumentation.
Der Film erscheint pünktlich zur nächsten Etappe von IRON MAIDENs zweijähriger RUN FOR YOUR LIVES WORLD TOUR und wird – schon bevor der Konzert- und Festivalsommer überhaupt angefangen hat – für gemeinsam erlebte, unvergessliche Fan-Momente in den Kinos sorgen.
Gegründet 1975 in East London, haben sich IRON MAIDEN zu einer der einflussreichsten und beständigsten Bands der Welt entwickelt. In den vergangenen 50 Jahren haben sie 17 Studioalben veröffentlicht, über 100 Millionen Platten verkauft und fast 2.500 Konzerte in 64 Ländern gegeben.
“IRON MAIDEN: BURNING AMBITION” – AB 14. MAI 2026 DEUTSCHLANDWEIT IM KINO!
ÜBER "IRON MAIDEN: BURNING AMBITION"
Regie: Malcolm Venville
Mit: Steve Harris, Dave Murray, Adrian Smith, Bruce Dickinson, Nicko McBrain, Janick Gers, Rod Smallwood, Javier Bardem, Lars Ulrich, Chuck D
Synopsis: Dank beispiellosem Zugang zu den offiziellen Bandarchiven zeichnet “IRON MAIDEN: BURNING AMBITION“ fünf Jahrzehnte einer der legendärsten Karrieren der Musikgeschichte nach. Mit Interviews mit der Band und Mitwirkenden wie Javier Bardem, Lars Ulrich und Chuck D bietet dieser mitreißende Film einen intimen Einblick in die kompromisslose Vision einer Band und ihre unerschütterliche Verbundenheit mit ihrer weltweiten Fangemeinde.
https://www.cmm-marketing.com/
News
PARTY SAN OPEN AIR :
CELESTE P.S:O:A-Premiere! Wenn Celeste beim Party.San Metal Open Air 2026 die Bühne betreten, wird es düster, intensiv und kompromisslos. Die Franzosen verbinden Black Metal mit Hardcore-Wucht, drückendem Sludge und einer beklemmenden Atmosphäre, die sich langsam, aber unerbittlich aufbaut. Ihr Sound ist roh, chaotisch und gleichzeitig präzise – ein finsterer Strudel aus Lärm, Emotion und Druck. Wer extreme Musik jenseits klarer Genregrenzen schätzt, sollte sich diesen Auftritt vormerken.
IOTUNN P.S:O:A-Premiere! Beim P.S:O:A 2026 bringen Iotunn ihren epischen Extreme Metal erstmals auf diese Bühne – und das dürfte für viele zu einem der besonderen Momente des Wochenendes werden. Die Band verbindet wuchtige Riffs mit weitläufigen, atmosphärischen Klanglandschaften und erschafft Songs, die gleichermaßen kraftvoll wie majestätisch wirken. Getragen von der markanten Stimme von Jón Aldará entfaltet sich live ein Sound zwischen Melodie, Härte und großer Geste. Wer auf epischen Metal mit Tiefgang steht, sollte sich diesen Auftritt nicht entgehen lassen.
SCHIRENC plays PNGENT STENCH P.S:O:A-Premiere! Sobald Schirenc Plays Pungent Stench beim Party.San Metal Open Air 2026 auf die Bühne kommen, steht ein Stück Death-Metal-Geschichte im Mittelpunkt. Mastermind Martin Schirenc bringt die Klassiker der Kultband Pungent Stench noch einmal mit der rohen Wucht und dem schwarzen Humor auf die Bühne, die den Sound der Österreicher einst so besonders gemacht haben. Zwischen dreckigem Groove, bissigen Riffs und makabrem Charme wird schnell klar, warum diese Songs bis heute Kultstatus genießen. Umso besonderer: Es handelt sich dabei um einen der letzten Auftritte dieses Projekts, das sich spätestens zur Jahreswende auflösen wird – eine der wenigen Gelegenheiten, diese Kapitel der Extrem-Metal-Geschichte noch einmal live zu erleben.
http://www.party-san.de
After
the crushing digital release of 'HE WHO KILLS', extreme metal
warriors MONOLIYTH now unleash the album in its most tangible
forms.
Following the recent vinyl edition, the record is now available worldwide on CD via Wormholedeath Records / Aural Musci Group. This is the definitive way to experience the album — a relentless slab of Australian death metal, forged for those who demand it physical, loud, and unapologetic.
Order & Stream Now
He Who Kills is available now on all major digital platforms and in physical formats through the following links:
https://orcd.co/hwkalbum
https://monoliythofficial.bigcartel.com/
www.auralwebstore.com/shop
Check out their videos:
https://youtu.be/P-VuI_Pzmk8
https://youtu.be/Ug-TkP9MGY0
https://youtu.be/uRE3Fv2qcHg
About Monoliyth:
Formed in 1998 by guitarist Mick Barr in Melbourne, MONOLIYTH has maintained a relentless dedication to extreme music across decades. Evolving from classic thrash to old-school death metal with hints of technical death, their music delivers aggressive, complex, and boundary-pushing compositions.
He Who Kills explores the darker side of humanity, focusing on the psychology of serial killers as a lens into depravity, rather than specific historical events. The album blends pounding rhythms, menacing instrumentation, unnerving tension, and cathartic release, fueled by guttural vocals and diminished harmonies. Drawing influence from thrash legends like Kreator, Metallica, Megadeth, and death metal icons such as Morbid Angel, Suffocation, and Death, MONOLIYTH crafts a sonic assault that is uniquely their own.
www.youtube.com/@MonoliythOfficial
www.facebook.com/Monoliyth
"DESTROYER" is the last track we
premiere from "MALEDICTI IN AETERNVM", the upcoming new
album by DEATH DIES.
Audio track at: https://youtu.be/kJLrAMjrP9k
It's a blade that cuts through you, ferocious and gloomy. The only English-language song on the album, "Destroyer" represents the final step leading up to the release of "Maledicti In Aeternvm" scheduled for April 3rd.
This is DEATH DIES, this is "Maledicti In Aeternvm," a journey into the darkest depths of Black Metal, uncompromising extreme music in the name of the most ferocious and extremist Dark Art.
"Maledicti In Aeternvm" will be released on April 3rd on My Kingdom Music and is available for pre-order on LP, digipak CD, and Deluxe Edition at https://t.ly/O-Q7U
https://linktr.ee/mykingdommusic
https://www.facebook.com/DeathDiesLegione
Washington,
D.C. - Metalcore veterans, AGE OF RUIN, have released new single,
"FALLING." The song is the first fresh blood spilled by
Age of Ruin since last year's seminal, full-length album, NOTHINGMAN (a title that perfectly encapsulates both
the crushing bleakness of the human spirit and the exact Kelley Blue Book value
of their touring vessel, the Nothingvan). Manifesting without warning like a
collective auditory hallucination, this new track sees the band violently
regressing to their roots. It delivers the kind of punishing, primitive riffage
that will make anyone raised on Roots-era Sepultura or Kingdom of Lost
Souls-era Damnation
FFO: In Flames, Soilwork, Killswitch Engage, and Gojira.
A.D. want to immediately start throwing elbows in a pottery store.
But it’s not just an exercise in neck-snapping brutality. As the despair boils over, the mood shifts from pitch-black bleakness to something suspiciously resembling optimism. When frontman Ben's haunting vocals bellow, “the lines begin to blur around me”—which in most other contexts would be a terrifying neurological symptom—it actually serves as a rare glimmer of hope. Just then, the mood shifts, like a thundering tempest leaving all of the elements of rebirth in it's wake. It’s sonic proof that even after all this time, a little bit of light is finally cracking through the Age of Ruin.
The official video for "Falling" is available at: https://www.youtube.com/watch?v=XjVvWz9LEC4
"Falling" was recorded at The Hell Room in northern Virginia and mixed and mastered by Will Beasley at The Bakery Studios in Richmond Virginia.
Released October 17, 2025, Nothingman is available.
Line-up:
Benjamin Swan - vocals
Christopher Fleming - bass
Daniel Fleming - guitar
Hendrik Osinga - drums
Casey Flanagan - guitar
Bio:
The exact location of the dawn of man has been a constant subject of debate. Some say it was Prometheus delivering fire, some say it was Franklin discovering electricity, most people say it’s when Lars met James…but everyone agrees: those were simply precursors. Throughout the age of enlightenment, the renaissance, the reformation era and beyond, mortals have tried to make sense of mankind's meaning on earth.
Most archaeologists believe that in the late 90's, a surge of lightning fast riffs, guttural screams, devastatingly bass tones, and the relentless pulverizing rhythm of drums unearthed a crucial piece of this puzzle...this ushered in what would be known as The Age of Ruin. Those who heard it, really dug it. But those who dug it found there is much more than the surface layers. Music filled with textures, themes, and tunings that go deeper than a James Cameron film unbound by budgets.
For over 20 years, Age of Ruin has been firing off a relentless string of releases. Even the busiest trash compactors could not keep up with the amount of crushing that Age of Ruin crams into a single album, and this is so…with Nothingman. They have consistently delivered a brutal barrage of the heaviest hits metal has heard. Why stop At the Gates, when you can break down the whole house with your music? Why get Entombed when you can breathe new life into the scene? Why let the years waste away when the Age of Ruin can answer all of these questions?
Age of Ruin has definitely paid their dues, earning every ounce of the heaviest crown one band could carry. Naturally, the tonal tenure of the AoRmy servicemen is not something that can be held onto forever...the constant axe-wielding and riff hurling has required numerous changing of the guard over the years; however, the core horsemen of the Age of Ruin (Benjamin Swan, and Daniel and Christopher Fleming) remain, along with Casey Flanagan and Hendrik Osinga, forging an amalgamation of devastation which would conjure a collection of songs that few, if any, houses could harness. Fortunately, under the tutelage and production of Sound-Sensei Mike Schleibaum (Darkest Hour), Age of Ruin would hone their tone in Mike's Riff Dojo, creating an undeniable masterpiece of metal.
https://www.facebook.com/thisistheageofruin
A brand new track from Australian death/thrash unit IN MALICE'S WAKE is now streaming. "BEYOND DEATH" is the second single off the band's long-awaited fifth studio album, THE PROFOUND DARKNESS.
For fans of : Slayer, Goatwhore, Testament, Morbid Angel, Vital Remains, Angelcorpse, and ABSU.
The premiere of "Beyond Death" comes via MetalInjection.net. Watch now at https://metalinjection.net/new-music/in-malices-wake-unleashes-new-single-beyond-death
The Profound Darkness is due out on May 1. Pre-order the album at www.inmaliceswake.com
Where previous albums have all progressively stepped downward into darker and more brutal territory over the years, The Profound Darkness conjures a demonic presence that feels closer than ever before. This album is an exploration of the darkness that awaits us all beyond the grave - a journey through the various forms that the great unknown may take, told through a collection of 9 carefully crafted stories.
An infernal blend of Death and Blackened Thrash metal, IN MALICE'S WAKE continue to prioritize crafting songs that stand the test of time - songs that speak with a haunting, iconic and truly recognizable voice.
IN MALICE'S WAKE calls the album a tribute to all the incredible people who have supported the band globally over the previous quarter of a century.
Tracklisting:
1) The Profound Darkness
2) Beyond Death
3) By Tongues of Demons
4) The Last Song
5) Numb to Paradise
6) Upon My Flesh
7) The Great Purifier
8) Away from the Light
9) The Darkness Below Us
The Profound Darkness was mixed by Chris Themelco at Monolith Studio in Melbourne, Australia and mastered by Plec Johansson at Panic Room Mastering. Artwork by Shaun Farrugia of IN MALICE'S WAKE.
Line-up:
Mark Farrugia - Drums
Shaun Farrugia - Vocals, Guitars
Karl Watterson - Bass
Leigh Bartley - Guitars
Bio:
IN MALICE'S WAKE are the unholy crossing of Death Metal, Thrash Metal and total darkness. Over two decades of savagery across countless stages and five studio albums have honed the band into the force it is today. Combining timeless songwriting with an infamously violent live show, IN MALICE'S WAKE have left a true impression throughout Australia and overseas.
IN MALICE'S WAKE have supported many of the greats, including TRIUMPH OF DEATH (CHE), POSSESSED (USA), BLOODBATH (SWE), DESTRUCTION (GER) and countless others. The haunting melodies and iconic songwriting are most present in the latest demonic opus - The Profound Darkness.
With release of this album, IN MALICE'S WAKE now extend their shadow to reach to an even greater audience, while celebrating this latest release with their incredible long-term supporter base.
https://www.facebook.com/inmaliceswake
Watch
the music video for "Misery" https://www.youtube.com/watch?v=QVdvHWBWnOk
Misery is due out on June 4 through Bleeding Art Collective in partnership with Blood Blast Distribution. Pre-save the EP at https://myownwill.bfan.link/misery-ep
Tracklisting:
1) Misery
2) Rorshach
3) Forsaken
4) Phobos
MY OWN WILL hit the road in support of Misery with labelmates, NIGHTS OF MALICE. The Chaos & Misery Tour kicks off on June 4 in New Jersey.
Chaos & Misery Tour dates:
6/4 Clifton, NJ @ Dingbatz
6/5 Harrisburg, PA @ Capital City Music Hall
6/6 Salisbury, MD @ Lurking Class Skate Shop
6/9 Memphis, TN @ Growlers
6/10 Nashville, TN @ Cobra
6/11 Atlanta, GA @ Boggs Social & Supply
6/12 Warner Robins, GA @ The Reverb Room
6/13 Orlando, FL @ My Sisters House
6/14 Bradenton, FL @ Oscura
6/16 Lake Worth, FL @ Propaganda
6/17 Jacksonville, FL @ Hard Love
6/18 Pensacola, FL @ Handlebar
6/19 Spartanburg, SC @ Ground Zero
6/20 Chesapeake, VA @ Riffhouse Pub
Misery was engineered by Max Kushner and produced by Cody Steward and Max Kushner. The EP was mixed by Cody Steward and mastering and additional mixing by Christian Donaldson.
Bio:
MY OWN WILL is a death metal driven hardcore act from Southeastern Michigan, USA. The band has shared the stage with absolute titans such as Hatebreed, Cannibal Corpse, Nile, Suffocation, Bodysnatcher and Left To Suffer, as well as performing on events such as Michigan Metal Fest and Blue Ridge Rock Fest.
The band’s debut album Left To The Flies is a crushing example of the heft and groove that this band delivers live. The album saw three tracks featured on Spotify's prestigious Deathcore and Metalcore playlist pushing their brand of deathcore to thousands of new listeners. Set to release the new EP Misery through Bleeding Art Records/Blood Blast Distribution in June 2026, the band will be destroying stages across the United States kicking off with the ‘Chaos & Misery Tour’ alongside Bleeding Art label mates Nights Of Malice.
https://linktr.ee/MyOwnWill
Label: Independent Release
Release date: April 7th 2026
Genre: Industrial Black/Death Metal
For fans of: Anaal Nathrakh | Morbid Angel | Hate Eternal | Dødheimsgard
Surrounded by a mindless swarm of vicious, vindictive, selfish parasites - consuming and destroying, stealing and defiling; gifted beauty and hungering only for filth. The stewards of Eden have become the vandals of creation - paying lip service to a senile, senseless god while they incinerate the world. My only dream for the future is the purging of the human infection and a return to the silent perfection, the lightless omnipotence of the void.
“Ravaging like locusts in season. Rendering down flesh and bone. Revel in death and the tearing with teeth…”
- Cellular Catharsis – The Machinist
Following in the scorched earth footsteps of their critically acclaimed second album, Contempt For Life, Manchester’s purveyors of harsh, bleak, mechanized extremity, The Machinist, are set to unleash a punishing new EP – the uncompromising onslaught of nihilistic venom that is Towers. The three blistering tracks included were written during the same creative invocations that gave birth to the Contempt For Life album but at that time had yet to find their final form. As such these songs, now fully armed and armoured, represent the last gasp of that unforgiving era in The Machinist’s constant evolution, an excoriating coda to the bitter blast of Contempt For Life before The Machinist reload and set their sights on fresh targets. It is time to enter the blasted wastelands of The Machinist once more and gaze upon the monument to desolation that is Towers…
“Annihilate man! Annihilate man! Annihilate man!”- Of Creation And Cancer – The Machinist
Towers begins with the harnessed chaos of ‘Sagittarius In Bloom’, The Machinist riding the winds of mayhem as only they can. But of course, history has taught us that this is one band that never just follow a simple, predictable path; the song slips into a passage of tranquil contrast, which is then shattered by an eruption of madness. Vast, choir like vocal melodies, extravagant flourishes of guitar – the mechanized clashes with the spiritual, dissonance takes up arms against musicality and a pervading, teeth-grinding intensity permeates all. ‘Sagittarius In Bloom’ is a complex, overwhelming, multifaceted beginning to this high velocity ride to the edge of everything. The jagged violence of ‘Of Creation And Cancer’ follows with demonic vocals and a ferocious display of outlandish musical weaponry. This is the sound of alien gods and cyborg war machines torn apart inside an insane threshing machine, while galloping rhythms carry us over vast disintegrating star systems. This is mind destroying stuff…and the most epic expression of musical extremism is still to come. Towers finishes with ‘Cellular Catharsis’, a constantly transforming anthem of despair and the total repudiation of existence that hurtles into the inferno of an exploding sun, blasting through solar flares in a blaze of defiant, burnt and blackened majesty. Towers brings together three tracks that could not be left behind, an eruption of fury that demanded to be heard.
“Beyond all hope and any thought of Salvation, I burn.”- Cellular Catharsis – The Machinist
Mixed and mastered by George Nerantzis (Abbath, Dark Funeral, Rotting Christ etc) Towers sounds dominant and impregnable – a howling storm of incomprehensible power. Completed by the evocative artwork of Duncan MacPherson (Extinction Of Mankind etc) Towers will be unleashed on April 7th and the walls of reality will shatter.
Line-up:
John T - Vocals, bass, synths, drum programming
Tobias Gray - Guitars
George Kal - Guitars
https://themachinistuk.wixsite.com/themachinistuk
https://www.facebook.com/TheMachinistUK
DYING VICTIMS PRODUCTIONS is proud to present the highly anticipated fifth album of Austria’s DEATHSTORM, CASCOPHONIES, on CD and vinyl LP formats.
A veritable institution by now, DEATHSTORM have been flying the flag of hate since 2010, releasing albums on such well-regarded labels as I Hate and High Roller as well as delivering The Gallows EP to DYING VICTIMS in 2015and later on, 2020s’ For Dread Shall Reign. With but the Swarming demo quietly released in 2022, the question still remains: does the DEATHSTORM still rage? You better fucking believe it!
Witness Cascophonies, DEATHSTORM’s long-awaited fifth album. Wasting no time whatsoever, the Austrians kick in and lay waste to all that lay before them. As always, the spectre of classic Kreator looms large over DEATHSTORM still – and why should it not, when you’re STILL doing deathtrash this devastating? – but with Cascophonies, the band bring forth a whole host of new ideas as twisted as the album’s title suggests. While there’s (many) moments that are DEATHSTORM at their fiercest and fastest yet, Cascophonies contorts through myriad corridors, all of them dizzying, but always with a clear trajectory. Hooks and heavy metal leads crop up amongst the hammering riffs, riffs, RIFFS! Tempos speed up and slow down, or slow down and speed up – or, quite often, speed up to hyperspeed! Moshes and marches are also among DEATHSTORM’s arsenal here, along with a deadly production that’s organically clear yet cutting like the sharpest razor. And at 29 lean ‘n’ mean minutes, the record makes you beg for more!
Ever wanna hear late ‘80s Slayer and Dark Angel filtered through a Teutonic thrash lens? DEATHSTORM bring it to you with Cascophonies!
Line-up:
Ferdinand Reinbacher - guitars
Marco Stebich - bass, vocals
Manuel Röxeis - drums
From Graz, Austria
Artwork:
Bvllmetalart
Release date:
22nd May
Tracklist
1 Partially Devoured
2 Let this one be a Demon
3 Cease to Exist
4 Body in a Barrel
5 Horripilation
6 Mask of Sanity
7 Black Knife Night
8 Mount Eerie
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on olive green vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Listen to the EP on music services: https://push.fm/fl/mosfite-hominilupus
“Enemy” blasts out a very trash-influenced experience, complete with a style-staple guitar into that was left out in the single version, followed by “Brickslayer” moving into a little more traditional melodic metal territory and lyrics talking about a sad fate. The third song, ”Rules of War” switches on to a slower gear, teleporting the listener via the nineties with its grunge-flavors on to future, where AI has stopped the humankind from destroying itself – by destroying it first.
The fourth song, “Tanktop”, gets quite serious with a story about domestic violence, where in the end the victim is forced to act against the terror endured. The song is complex and multi-part in progressive style, with rhythmic tricks and time signature changes, while still retaining the drive of the previous songs.
The EP’s final song, ” 6ft Deep”, is a moody softer tune, which however also gets back to trash-y tempo by the end of it. All in all, the EP offers a versatile and nicely variation-rick package from the Finnish quartet bent to keep things honest and real!
The musical influences of Mosfite stem from New Wave Of British Heavy Metal, thrash metal and progressive rock and metal. They try to stay away from the modern, overproduced lifelessness, aiming to sound honest and big, yet dynamic and alive.
Tracklist
01. Enemy
02. Brickslayer
03. Rules of War
04. Tanktop
05. 6ft Deep
Lyricist: Antti Heikkinen
Composers: Petri Hietikko, Jukka Latikka, Sami Ulvi
Focus tracks: Enemy & Tanktop
Mosfite was established in 2021. The debut album Mosfite released in 2022.
Line up
Antti Heikkinen: vocals and guitar
Petri Hietikko: guitars and backing vocals
Jukka Latikka: bass
Sami Ulvi: drums
Recorded by: Antti Heikkinen
Mixed by: Juho Hämäläinen
Mastered by: Antti Heikkinen
Discography:
Si Vis Pacem (single, 2024)
Open Wide (single, 2023)
She’s a Machine (single, 2023)
Mosfite (album, Aug. 2022)
Garden (single, 2022)
https://www.facebook.com/mosfite
Forged through 20 years of evolution, this release delivers a dark,
atmospheric, ritual-driven death metal experience. SCARAB Egypt’s death metal
legends return with ritualistic riffs, cinematic orchestration, and crushing
aggression . SCARAB unleashes TRANSMUTATION OF FATE
Brutal Records unleashes Transmutation of Fate, the new EP from Egypt’s legendary death metal force SCARAB. With this release, the band enters a new chapter under its global alliance with the iconic American label. As a result, SCARAB launches a devastating new era. Brutal Records now drives the band’s ancient sonic incantations through its international network.
The Rise of SCARAB in Egyptian Death Metal
SCARAB formed in 2006 and quickly earned a reputation for ferocity, atmosphere, and spiritual intensity. Over the years, the band refined a sound that stands apart. Moreover, SCARAB fuses uncompromising death metal with Middle Eastern and Egyptian mysticism. Because of this approach, the music creates a ritualistic experience that transcends borders, cultures, and belief systems. Crushing riffs collide with cinematic orchestrations. Meanwhile, relentless aggression channels ancient mythology into modern extreme metal.
Line up and Sonic Identity
Sammy Sayed leads the band on vocals and orchestrations. Alongside him, Tarek Amr and Omar Abou Doma command the guitars. Mohamed El Sherbieny anchors the sound on bass. At the same time, Amir El-Saidi drives the music forward with punishing drums. Sherif Elias expands the sonic landscape on keyboards and synths. Together, SCARAB pushes its mythology further with a sound that remains both brutal and transcendent.
A Ritualistic EP with Global Impact
Each track functions as a ceremonial invocation. In particular, the band blends fearless precision with deep atmospheric layers. Therefore, the EP reinforces SCARAB’s role as pioneers of Egyptian extreme metal on a global scale.
Statement from SCARAB
“We are very happy to join forces with Brutal Records. This marks a new era for SCARAB, and we are looking forward to what we are going to be putting out to the world through Brutal Records. Let the magick begin!”
Upcoming Releases via Brutal Records SCARAB and Brutal Records are already preparing devastating new material for release:
Pre-save now: https://orcd.co/brut89678
EP Release: Transmutation of Fate – May 8, 2026
Tracklist:
Vow of the Sphinx (Abo El-Houl)
Hands from the Sun (Amon)
Epistle of Secrets (Creators of III)
Monarch of Violence (Oriasirius)
https://brutalrecords.com/product/transmutation-of-fate-cd/
NIGHT SPECTRE was forged in 2024, when a group of stubborn metalheads united with one goal: to unleash pure old-school heavy metal, burning with passion and true devotion. From the very beginning, the band’s vision was clear – to compose, rehearse, and record the strongest debut possible before stepping into the world. After relentless dedication and countless hours of hard work, NIGHT SPECTRE’s self-titled debut album is finally ready to be revealed.
Comprising eight tracks in 45 minutes, Night Spectre roars across the full spectrum of heavy metal, with straightforward songwriting channeling the essential roots of Iron Maiden, Judas Priest, and the NWOBHM scene through the U.S. steel of bands like Riot and Jag Panzer to the epic grandeur of Manowar, Bathory, and Manilla Road. At times, NIGHT SPECTRE’s attack – be it march, gallop, stomp, or surge – sounds like all those bands at once and then like nothing else entirely; to be sure, there’s some strange magick brewing in their cauldron. Which underlines how important that songwriting is, that what you bring to a tradition and then build upon is what actually makes such tradition so vital – and in this sense, NIGHT SPECTRE exude a wisdom far beyond their still-young years as a band. Lyrically, the album delves into themes of occult fantasies, historical heroes dying fighting, horror movies, and defiance of societal norms, all with an overarching atmosphere of classic swords & sorcery.
Completed by powerful production – gleaming and clear but not without blood or grit, highlighting the heroism and bravado so central to their sound – NIGHT SPECTRE’s self-titled debut is a bold first statement: delivered with reverence, under the band’s vision of raw, rebellious, and untamed HEAVY METAL
Line-up:
Lead Vocals : Tasos Molyviatis
Guitars : Thomas Stamatas
Guitars : Dimitris Diogos
Bass: Thanasis Loumos
Drums: Thodoris Piperidis
From Athens, Greece
Artwork:
Panos Sounas
Release date:
22nd May
Tracklist
1 Death Contract
2 The Maniac
3 Cheating the Fates
4 To die in the ancient Fire
5 Blades of Galvarino
6 Crossing the Abyss
7 Damnation of Memory
8 Night Spectre
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on red vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
GRAVEMASS
Genre: Extreme Death Metal/Black Metal
Location: Vancouver BC
For Fans of: Slayer,Venom, Morbid Angel, Watain and Napalm Death.
Emerging from the depth of the West Coast metal scene, Gravemass is a death metal behemoth forged from the collective fury of its veteran members. With members that reads like a who’s who of West Coast metal legends, GraveMass unites alumni from Zimmers Hole, Punch Drunk,3 Inches of Blood, Revocation, Just Cause, West of Hell, Savannah, Process and The Golers.
With decades of experience and a shared passion for sonic brutality, these metal stalwarts have conjured a sound that embodies the very essence of evil. Sinister, heavy riffs collide with death metal vocal power, unleashing a maelstrom of aural annihilation.
Their stage presence is a masterclass in intensity, a testament to their collective prowess. This is no mere band – it’s an assembly of warriors, united in their quest for sonic domination.
Prepare to succumb to the onslaught, as these west coast metal veterans unleash their evil, sinister sound upon the world. The masterclass in death metal has begun.
info@gravemass.com
https://gravemass.com
https://www.facebook.com/profile.php?id=61556695854887
Good
morning, The time has come! ISSUE 6 is seeing the moonlight
for the first time.
"IRON MAIDEN: BURNING AMBITION" verspricht
Kinoerlebnis der Extraklasse und unvergessliche Fanmomente ab 14. Mai nur im
Kino .Als die britischen Heavy-Metal-Legenden IRON MAIDEN 2025 mit den Feierlichkeiten zum 50-jährigen Bandjubiläum begannen, war bereits klar: Ein Jahr reicht dafür nicht aus! Nach der RUN FOR YOUR LIVES WORLD TOUR mit Stadionkonzerten und weltweit mehr als einer Million Ticketverkäufen folgen 2026 Festivalauftritte unter anderem bei Rock am Ring und Rock im Park sowie eine exklusive Deutschland-Headline-Show in Hannover.
Vorher steht aber noch ein ganz besonderes Highlight an, mit dem Fans sich auf den Festival- und Konzertsommer einstimmen können: Im Mai startet über Universal Pictures International (UPI) der Iron-Maiden-Dokumentarfilm “IRON MAIDEN: BURNING AMBITION“ in Kinos weltweit; Kinostart in Deutschland ist der 14. Mai. Der Kartenvorverkauf hat bereits begonnen.
Die Band. Die Fans. Der Film. “IRON MAIDEN: BURNING AMBITION” dokumentiert in Spielfilmlänge eine der legendärsten Reisen der Musikgeschichte in Form eines Kinoerlebnisses der Extraklasse: Fans können sich auf restauriertes und in dieser Form noch nie gesehenes Archivmaterial sowie eindrucksvolle visuelle Erzählkunst freuen – inklusive Klang in Konzertqualität. In enger Zusammenarbeit mit IRON MAIDEN unter der Regie von Malcolm Venville (“Churchill at War”) entstanden und von Dominic Freeman (“Spirits in the Forest – A Depeche Mode Film”) produziert, bietet der Film neben bisher unveröffentlichten Aufnahmen vor allem persönliche Einblicke von ehemaligen sowie aktuellen Bandmitgliedern und fängt dabei IRON MAIDENs visuelle Identität, wie wir sie von Albumcovern, Tourfotos oder Fanartikeln kennen, perfekt ein.
Erlebe die unglaubliche Geschichte von Steve Harris, Dave Murray, Adrian Smith, Bruce Dickinson und Nicko McBrain – zum ersten Mal in ihren eigenen Worten und sorgfältig kuratiert. “IRON MAIDEN: BURNING AMBITION” ist die erste vollständig autorisierte, mit Archivmaterial gespickte Kinochronik über 50 Jahre IRON MAIDEN, erzählt aus der Perspektive der Band selbst – mit all ihren Höhen und Tiefen und einem besonderen Fokus auf der unglaublichen Fan-Community, die die Briten seit ihren Anfangsjahren begleitet, oder, wie die Band es im Film ausdrückt: “Es ging immer um die Fans. Durch dick und dünn.” Der Film ehrt diese Gemeinschaft, die Kontinente und Generationen verbindet; eine gemeinsame Kultur, die über 50 Jahre hinweg gewachsen ist, und ein kulturelles Erbe, das weit über die Musik hinausgeht, indem es Fans auf der ganzen Welt verbindet.
Auch das legendäre Maskottchen EDDIE wurde dazu für die große Leinwand neu interpretiert: EDDIE-Filmsequenzen, die speziell für diese Dokumentation geschaffen wurden, würdigen das künstlerische Vermächtnis des EDDIE-Mythos im Kinoformat.
Neben ausführlichen Erzählungen der Band enthält “IRON MAIDEN: BURNING AMBITION” Kommentare prominenter Fans wie Javier Bardem (der die Band schon im Trailer als “die Götter des Metal” bezeichnet), Lars Ulrich und Chuck D, die jeweils über den Einfluss von IRON MAIDEN auf Musik, Kultur und Generationen von Fans weltweit sprechen. Das beeindruckende Filmposter-Artwork von Alberto “Akirant” Quirantes bietet einen ersten visuellen Einblick in die Dokumentation.
Der Film erscheint pünktlich zur nächsten Etappe von IRON MAIDENs zweijähriger RUN FOR YOUR LIVES WORLD TOUR und wird – schon bevor der Konzert- und Festivalsommer überhaupt angefangen hat – für gemeinsam erlebte, unvergessliche Fan-Momente in den Kinos sorgen.
Gegründet 1975 in East London, haben sich IRON MAIDEN zu einer der einflussreichsten und beständigsten Bands der Welt entwickelt. In den vergangenen 50 Jahren haben sie 17 Studioalben veröffentlicht, über 100 Millionen Platten verkauft und fast 2.500 Konzerte in 64 Ländern gegeben.
“IRON MAIDEN: BURNING AMBITION” – AB 14. MAI 2026 DEUTSCHLANDWEIT IM KINO!
ÜBER "IRON MAIDEN: BURNING AMBITION"
Regie: Malcolm Venville
Mit: Steve Harris, Dave Murray, Adrian Smith, Bruce Dickinson, Nicko McBrain, Janick Gers, Rod Smallwood, Javier Bardem, Lars Ulrich, Chuck D
Synopsis: Dank beispiellosem Zugang zu den offiziellen Bandarchiven zeichnet “IRON MAIDEN: BURNING AMBITION“ fünf Jahrzehnte einer der legendärsten Karrieren der Musikgeschichte nach. Mit Interviews mit der Band und Mitwirkenden wie Javier Bardem, Lars Ulrich und Chuck D bietet dieser mitreißende Film einen intimen Einblick in die kompromisslose Vision einer Band und ihre unerschütterliche Verbundenheit mit ihrer weltweiten Fangemeinde.
https://www.cmm-marketing.com/
News
PARTY SAN OPEN AIR :CELESTE P.S:O:A-Premiere! Wenn Celeste beim Party.San Metal Open Air 2026 die Bühne betreten, wird es düster, intensiv und kompromisslos. Die Franzosen verbinden Black Metal mit Hardcore-Wucht, drückendem Sludge und einer beklemmenden Atmosphäre, die sich langsam, aber unerbittlich aufbaut. Ihr Sound ist roh, chaotisch und gleichzeitig präzise – ein finsterer Strudel aus Lärm, Emotion und Druck. Wer extreme Musik jenseits klarer Genregrenzen schätzt, sollte sich diesen Auftritt vormerken.
IOTUNN P.S:O:A-Premiere! Beim P.S:O:A 2026 bringen Iotunn ihren epischen Extreme Metal erstmals auf diese Bühne – und das dürfte für viele zu einem der besonderen Momente des Wochenendes werden. Die Band verbindet wuchtige Riffs mit weitläufigen, atmosphärischen Klanglandschaften und erschafft Songs, die gleichermaßen kraftvoll wie majestätisch wirken. Getragen von der markanten Stimme von Jón Aldará entfaltet sich live ein Sound zwischen Melodie, Härte und großer Geste. Wer auf epischen Metal mit Tiefgang steht, sollte sich diesen Auftritt nicht entgehen lassen.
SCHIRENC plays PNGENT STENCH P.S:O:A-Premiere! Sobald Schirenc Plays Pungent Stench beim Party.San Metal Open Air 2026 auf die Bühne kommen, steht ein Stück Death-Metal-Geschichte im Mittelpunkt. Mastermind Martin Schirenc bringt die Klassiker der Kultband Pungent Stench noch einmal mit der rohen Wucht und dem schwarzen Humor auf die Bühne, die den Sound der Österreicher einst so besonders gemacht haben. Zwischen dreckigem Groove, bissigen Riffs und makabrem Charme wird schnell klar, warum diese Songs bis heute Kultstatus genießen. Umso besonderer: Es handelt sich dabei um einen der letzten Auftritte dieses Projekts, das sich spätestens zur Jahreswende auflösen wird – eine der wenigen Gelegenheiten, diese Kapitel der Extrem-Metal-Geschichte noch einmal live zu erleben.
http://www.party-san.de
After
the crushing digital release of 'HE WHO KILLS', extreme metal
warriors MONOLIYTH now unleash the album in its most tangible
forms.Following the recent vinyl edition, the record is now available worldwide on CD via Wormholedeath Records / Aural Musci Group. This is the definitive way to experience the album — a relentless slab of Australian death metal, forged for those who demand it physical, loud, and unapologetic.
Order & Stream Now
He Who Kills is available now on all major digital platforms and in physical formats through the following links:
https://orcd.co/hwkalbum
https://monoliythofficial.bigcartel.com/
www.auralwebstore.com/shop
Check out their videos:
https://youtu.be/P-VuI_Pzmk8
https://youtu.be/Ug-TkP9MGY0
https://youtu.be/uRE3Fv2qcHg
About Monoliyth:
Formed in 1998 by guitarist Mick Barr in Melbourne, MONOLIYTH has maintained a relentless dedication to extreme music across decades. Evolving from classic thrash to old-school death metal with hints of technical death, their music delivers aggressive, complex, and boundary-pushing compositions.
He Who Kills explores the darker side of humanity, focusing on the psychology of serial killers as a lens into depravity, rather than specific historical events. The album blends pounding rhythms, menacing instrumentation, unnerving tension, and cathartic release, fueled by guttural vocals and diminished harmonies. Drawing influence from thrash legends like Kreator, Metallica, Megadeth, and death metal icons such as Morbid Angel, Suffocation, and Death, MONOLIYTH crafts a sonic assault that is uniquely their own.
www.youtube.com/@MonoliythOfficial
www.facebook.com/Monoliyth
"DESTROYER" is the last track we
premiere from "MALEDICTI IN AETERNVM", the upcoming new
album by DEATH DIES.Audio track at: https://youtu.be/kJLrAMjrP9k
It's a blade that cuts through you, ferocious and gloomy. The only English-language song on the album, "Destroyer" represents the final step leading up to the release of "Maledicti In Aeternvm" scheduled for April 3rd.
This is DEATH DIES, this is "Maledicti In Aeternvm," a journey into the darkest depths of Black Metal, uncompromising extreme music in the name of the most ferocious and extremist Dark Art.
"Maledicti In Aeternvm" will be released on April 3rd on My Kingdom Music and is available for pre-order on LP, digipak CD, and Deluxe Edition at https://t.ly/O-Q7U
https://linktr.ee/mykingdommusic
https://www.facebook.com/DeathDiesLegione
Washington,
D.C. - Metalcore veterans, AGE OF RUIN, have released new single,
"FALLING." The song is the first fresh blood spilled by
Age of Ruin since last year's seminal, full-length album, NOTHINGMAN (a title that perfectly encapsulates both
the crushing bleakness of the human spirit and the exact Kelley Blue Book value
of their touring vessel, the Nothingvan). Manifesting without warning like a
collective auditory hallucination, this new track sees the band violently
regressing to their roots. It delivers the kind of punishing, primitive riffage
that will make anyone raised on Roots-era Sepultura or Kingdom of Lost
Souls-era Damnation FFO: In Flames, Soilwork, Killswitch Engage, and Gojira.
A.D. want to immediately start throwing elbows in a pottery store.
But it’s not just an exercise in neck-snapping brutality. As the despair boils over, the mood shifts from pitch-black bleakness to something suspiciously resembling optimism. When frontman Ben's haunting vocals bellow, “the lines begin to blur around me”—which in most other contexts would be a terrifying neurological symptom—it actually serves as a rare glimmer of hope. Just then, the mood shifts, like a thundering tempest leaving all of the elements of rebirth in it's wake. It’s sonic proof that even after all this time, a little bit of light is finally cracking through the Age of Ruin.
The official video for "Falling" is available at: https://www.youtube.com/watch?v=XjVvWz9LEC4
"Falling" was recorded at The Hell Room in northern Virginia and mixed and mastered by Will Beasley at The Bakery Studios in Richmond Virginia.
Released October 17, 2025, Nothingman is available.
Line-up:
Benjamin Swan - vocals
Christopher Fleming - bass
Daniel Fleming - guitar
Hendrik Osinga - drums
Casey Flanagan - guitar
Bio:
The exact location of the dawn of man has been a constant subject of debate. Some say it was Prometheus delivering fire, some say it was Franklin discovering electricity, most people say it’s when Lars met James…but everyone agrees: those were simply precursors. Throughout the age of enlightenment, the renaissance, the reformation era and beyond, mortals have tried to make sense of mankind's meaning on earth.
Most archaeologists believe that in the late 90's, a surge of lightning fast riffs, guttural screams, devastatingly bass tones, and the relentless pulverizing rhythm of drums unearthed a crucial piece of this puzzle...this ushered in what would be known as The Age of Ruin. Those who heard it, really dug it. But those who dug it found there is much more than the surface layers. Music filled with textures, themes, and tunings that go deeper than a James Cameron film unbound by budgets.
For over 20 years, Age of Ruin has been firing off a relentless string of releases. Even the busiest trash compactors could not keep up with the amount of crushing that Age of Ruin crams into a single album, and this is so…with Nothingman. They have consistently delivered a brutal barrage of the heaviest hits metal has heard. Why stop At the Gates, when you can break down the whole house with your music? Why get Entombed when you can breathe new life into the scene? Why let the years waste away when the Age of Ruin can answer all of these questions?
Age of Ruin has definitely paid their dues, earning every ounce of the heaviest crown one band could carry. Naturally, the tonal tenure of the AoRmy servicemen is not something that can be held onto forever...the constant axe-wielding and riff hurling has required numerous changing of the guard over the years; however, the core horsemen of the Age of Ruin (Benjamin Swan, and Daniel and Christopher Fleming) remain, along with Casey Flanagan and Hendrik Osinga, forging an amalgamation of devastation which would conjure a collection of songs that few, if any, houses could harness. Fortunately, under the tutelage and production of Sound-Sensei Mike Schleibaum (Darkest Hour), Age of Ruin would hone their tone in Mike's Riff Dojo, creating an undeniable masterpiece of metal.
https://www.facebook.com/thisistheageofruin
A brand new track from Australian death/thrash unit IN MALICE'S WAKE is now streaming. "BEYOND DEATH" is the second single off the band's long-awaited fifth studio album, THE PROFOUND DARKNESS.
For fans of : Slayer, Goatwhore, Testament, Morbid Angel, Vital Remains, Angelcorpse, and ABSU.
The premiere of "Beyond Death" comes via MetalInjection.net. Watch now at https://metalinjection.net/new-music/in-malices-wake-unleashes-new-single-beyond-death
The Profound Darkness is due out on May 1. Pre-order the album at www.inmaliceswake.com
Where previous albums have all progressively stepped downward into darker and more brutal territory over the years, The Profound Darkness conjures a demonic presence that feels closer than ever before. This album is an exploration of the darkness that awaits us all beyond the grave - a journey through the various forms that the great unknown may take, told through a collection of 9 carefully crafted stories.
An infernal blend of Death and Blackened Thrash metal, IN MALICE'S WAKE continue to prioritize crafting songs that stand the test of time - songs that speak with a haunting, iconic and truly recognizable voice.
IN MALICE'S WAKE calls the album a tribute to all the incredible people who have supported the band globally over the previous quarter of a century.
Tracklisting:
1) The Profound Darkness
2) Beyond Death
3) By Tongues of Demons
4) The Last Song
5) Numb to Paradise
6) Upon My Flesh
7) The Great Purifier
8) Away from the Light
9) The Darkness Below Us
The Profound Darkness was mixed by Chris Themelco at Monolith Studio in Melbourne, Australia and mastered by Plec Johansson at Panic Room Mastering. Artwork by Shaun Farrugia of IN MALICE'S WAKE.
Line-up:
Mark Farrugia - Drums
Shaun Farrugia - Vocals, Guitars
Karl Watterson - Bass
Leigh Bartley - Guitars
Bio:
IN MALICE'S WAKE are the unholy crossing of Death Metal, Thrash Metal and total darkness. Over two decades of savagery across countless stages and five studio albums have honed the band into the force it is today. Combining timeless songwriting with an infamously violent live show, IN MALICE'S WAKE have left a true impression throughout Australia and overseas.
IN MALICE'S WAKE have supported many of the greats, including TRIUMPH OF DEATH (CHE), POSSESSED (USA), BLOODBATH (SWE), DESTRUCTION (GER) and countless others. The haunting melodies and iconic songwriting are most present in the latest demonic opus - The Profound Darkness.
With release of this album, IN MALICE'S WAKE now extend their shadow to reach to an even greater audience, while celebrating this latest release with their incredible long-term supporter base.
https://www.facebook.com/inmaliceswake
Watch
the music video for "Misery" https://www.youtube.com/watch?v=QVdvHWBWnOkMisery is due out on June 4 through Bleeding Art Collective in partnership with Blood Blast Distribution. Pre-save the EP at https://myownwill.bfan.link/misery-ep
Tracklisting:
1) Misery
2) Rorshach
3) Forsaken
4) Phobos
MY OWN WILL hit the road in support of Misery with labelmates, NIGHTS OF MALICE. The Chaos & Misery Tour kicks off on June 4 in New Jersey.
Chaos & Misery Tour dates:
6/4 Clifton, NJ @ Dingbatz
6/5 Harrisburg, PA @ Capital City Music Hall
6/6 Salisbury, MD @ Lurking Class Skate Shop
6/9 Memphis, TN @ Growlers
6/10 Nashville, TN @ Cobra
6/11 Atlanta, GA @ Boggs Social & Supply
6/12 Warner Robins, GA @ The Reverb Room
6/13 Orlando, FL @ My Sisters House
6/14 Bradenton, FL @ Oscura
6/16 Lake Worth, FL @ Propaganda
6/17 Jacksonville, FL @ Hard Love
6/18 Pensacola, FL @ Handlebar
6/19 Spartanburg, SC @ Ground Zero
6/20 Chesapeake, VA @ Riffhouse Pub
Misery was engineered by Max Kushner and produced by Cody Steward and Max Kushner. The EP was mixed by Cody Steward and mastering and additional mixing by Christian Donaldson.
Bio:
MY OWN WILL is a death metal driven hardcore act from Southeastern Michigan, USA. The band has shared the stage with absolute titans such as Hatebreed, Cannibal Corpse, Nile, Suffocation, Bodysnatcher and Left To Suffer, as well as performing on events such as Michigan Metal Fest and Blue Ridge Rock Fest.
The band’s debut album Left To The Flies is a crushing example of the heft and groove that this band delivers live. The album saw three tracks featured on Spotify's prestigious Deathcore and Metalcore playlist pushing their brand of deathcore to thousands of new listeners. Set to release the new EP Misery through Bleeding Art Records/Blood Blast Distribution in June 2026, the band will be destroying stages across the United States kicking off with the ‘Chaos & Misery Tour’ alongside Bleeding Art label mates Nights Of Malice.
https://linktr.ee/MyOwnWill
Label: Independent ReleaseRelease date: April 7th 2026
Genre: Industrial Black/Death Metal
For fans of: Anaal Nathrakh | Morbid Angel | Hate Eternal | Dødheimsgard
Surrounded by a mindless swarm of vicious, vindictive, selfish parasites - consuming and destroying, stealing and defiling; gifted beauty and hungering only for filth. The stewards of Eden have become the vandals of creation - paying lip service to a senile, senseless god while they incinerate the world. My only dream for the future is the purging of the human infection and a return to the silent perfection, the lightless omnipotence of the void.
“Ravaging like locusts in season. Rendering down flesh and bone. Revel in death and the tearing with teeth…”
- Cellular Catharsis – The Machinist
Following in the scorched earth footsteps of their critically acclaimed second album, Contempt For Life, Manchester’s purveyors of harsh, bleak, mechanized extremity, The Machinist, are set to unleash a punishing new EP – the uncompromising onslaught of nihilistic venom that is Towers. The three blistering tracks included were written during the same creative invocations that gave birth to the Contempt For Life album but at that time had yet to find their final form. As such these songs, now fully armed and armoured, represent the last gasp of that unforgiving era in The Machinist’s constant evolution, an excoriating coda to the bitter blast of Contempt For Life before The Machinist reload and set their sights on fresh targets. It is time to enter the blasted wastelands of The Machinist once more and gaze upon the monument to desolation that is Towers…
“Annihilate man! Annihilate man! Annihilate man!”- Of Creation And Cancer – The Machinist
Towers begins with the harnessed chaos of ‘Sagittarius In Bloom’, The Machinist riding the winds of mayhem as only they can. But of course, history has taught us that this is one band that never just follow a simple, predictable path; the song slips into a passage of tranquil contrast, which is then shattered by an eruption of madness. Vast, choir like vocal melodies, extravagant flourishes of guitar – the mechanized clashes with the spiritual, dissonance takes up arms against musicality and a pervading, teeth-grinding intensity permeates all. ‘Sagittarius In Bloom’ is a complex, overwhelming, multifaceted beginning to this high velocity ride to the edge of everything. The jagged violence of ‘Of Creation And Cancer’ follows with demonic vocals and a ferocious display of outlandish musical weaponry. This is the sound of alien gods and cyborg war machines torn apart inside an insane threshing machine, while galloping rhythms carry us over vast disintegrating star systems. This is mind destroying stuff…and the most epic expression of musical extremism is still to come. Towers finishes with ‘Cellular Catharsis’, a constantly transforming anthem of despair and the total repudiation of existence that hurtles into the inferno of an exploding sun, blasting through solar flares in a blaze of defiant, burnt and blackened majesty. Towers brings together three tracks that could not be left behind, an eruption of fury that demanded to be heard.
“Beyond all hope and any thought of Salvation, I burn.”- Cellular Catharsis – The Machinist
Mixed and mastered by George Nerantzis (Abbath, Dark Funeral, Rotting Christ etc) Towers sounds dominant and impregnable – a howling storm of incomprehensible power. Completed by the evocative artwork of Duncan MacPherson (Extinction Of Mankind etc) Towers will be unleashed on April 7th and the walls of reality will shatter.
Line-up:
John T - Vocals, bass, synths, drum programming
Tobias Gray - Guitars
George Kal - Guitars
https://themachinistuk.wixsite.com/themachinistuk
https://www.facebook.com/TheMachinistUK
DYING VICTIMS PRODUCTIONS is proud to present the highly anticipated fifth album of Austria’s DEATHSTORM, CASCOPHONIES, on CD and vinyl LP formats.
A veritable institution by now, DEATHSTORM have been flying the flag of hate since 2010, releasing albums on such well-regarded labels as I Hate and High Roller as well as delivering The Gallows EP to DYING VICTIMS in 2015and later on, 2020s’ For Dread Shall Reign. With but the Swarming demo quietly released in 2022, the question still remains: does the DEATHSTORM still rage? You better fucking believe it!
Witness Cascophonies, DEATHSTORM’s long-awaited fifth album. Wasting no time whatsoever, the Austrians kick in and lay waste to all that lay before them. As always, the spectre of classic Kreator looms large over DEATHSTORM still – and why should it not, when you’re STILL doing deathtrash this devastating? – but with Cascophonies, the band bring forth a whole host of new ideas as twisted as the album’s title suggests. While there’s (many) moments that are DEATHSTORM at their fiercest and fastest yet, Cascophonies contorts through myriad corridors, all of them dizzying, but always with a clear trajectory. Hooks and heavy metal leads crop up amongst the hammering riffs, riffs, RIFFS! Tempos speed up and slow down, or slow down and speed up – or, quite often, speed up to hyperspeed! Moshes and marches are also among DEATHSTORM’s arsenal here, along with a deadly production that’s organically clear yet cutting like the sharpest razor. And at 29 lean ‘n’ mean minutes, the record makes you beg for more!
Ever wanna hear late ‘80s Slayer and Dark Angel filtered through a Teutonic thrash lens? DEATHSTORM bring it to you with Cascophonies!
Line-up:
Ferdinand Reinbacher - guitars
Marco Stebich - bass, vocals
Manuel Röxeis - drums
From Graz, Austria
Artwork:
Bvllmetalart
Release date:
22nd May
Tracklist1 Partially Devoured
2 Let this one be a Demon
3 Cease to Exist
4 Body in a Barrel
5 Horripilation
6 Mask of Sanity
7 Black Knife Night
8 Mount Eerie
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on olive green vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Listen to the EP on music services: https://push.fm/fl/mosfite-hominilupus
“Enemy” blasts out a very trash-influenced experience, complete with a style-staple guitar into that was left out in the single version, followed by “Brickslayer” moving into a little more traditional melodic metal territory and lyrics talking about a sad fate. The third song, ”Rules of War” switches on to a slower gear, teleporting the listener via the nineties with its grunge-flavors on to future, where AI has stopped the humankind from destroying itself – by destroying it first.
The fourth song, “Tanktop”, gets quite serious with a story about domestic violence, where in the end the victim is forced to act against the terror endured. The song is complex and multi-part in progressive style, with rhythmic tricks and time signature changes, while still retaining the drive of the previous songs.
The EP’s final song, ” 6ft Deep”, is a moody softer tune, which however also gets back to trash-y tempo by the end of it. All in all, the EP offers a versatile and nicely variation-rick package from the Finnish quartet bent to keep things honest and real!
The musical influences of Mosfite stem from New Wave Of British Heavy Metal, thrash metal and progressive rock and metal. They try to stay away from the modern, overproduced lifelessness, aiming to sound honest and big, yet dynamic and alive.
Tracklist
01. Enemy
02. Brickslayer
03. Rules of War
04. Tanktop
05. 6ft Deep
Lyricist: Antti Heikkinen
Composers: Petri Hietikko, Jukka Latikka, Sami Ulvi
Focus tracks: Enemy & Tanktop
Mosfite was established in 2021. The debut album Mosfite released in 2022.
Line up
Antti Heikkinen: vocals and guitar
Petri Hietikko: guitars and backing vocals
Jukka Latikka: bass
Sami Ulvi: drums
Recorded by: Antti Heikkinen
Mixed by: Juho Hämäläinen
Mastered by: Antti Heikkinen
Discography:
Si Vis Pacem (single, 2024)
Open Wide (single, 2023)
She’s a Machine (single, 2023)
Mosfite (album, Aug. 2022)
Garden (single, 2022)
https://www.facebook.com/mosfite
Forged through 20 years of evolution, this release delivers a dark,
atmospheric, ritual-driven death metal experience. SCARAB Egypt’s death metal
legends return with ritualistic riffs, cinematic orchestration, and crushing
aggression . SCARAB unleashes TRANSMUTATION OF FATE Brutal Records unleashes Transmutation of Fate, the new EP from Egypt’s legendary death metal force SCARAB. With this release, the band enters a new chapter under its global alliance with the iconic American label. As a result, SCARAB launches a devastating new era. Brutal Records now drives the band’s ancient sonic incantations through its international network.
The Rise of SCARAB in Egyptian Death Metal
SCARAB formed in 2006 and quickly earned a reputation for ferocity, atmosphere, and spiritual intensity. Over the years, the band refined a sound that stands apart. Moreover, SCARAB fuses uncompromising death metal with Middle Eastern and Egyptian mysticism. Because of this approach, the music creates a ritualistic experience that transcends borders, cultures, and belief systems. Crushing riffs collide with cinematic orchestrations. Meanwhile, relentless aggression channels ancient mythology into modern extreme metal.
Line up and Sonic Identity
Sammy Sayed leads the band on vocals and orchestrations. Alongside him, Tarek Amr and Omar Abou Doma command the guitars. Mohamed El Sherbieny anchors the sound on bass. At the same time, Amir El-Saidi drives the music forward with punishing drums. Sherif Elias expands the sonic landscape on keyboards and synths. Together, SCARAB pushes its mythology further with a sound that remains both brutal and transcendent.
A Ritualistic EP with Global Impact
Each track functions as a ceremonial invocation. In particular, the band blends fearless precision with deep atmospheric layers. Therefore, the EP reinforces SCARAB’s role as pioneers of Egyptian extreme metal on a global scale.
Statement from SCARAB
“We are very happy to join forces with Brutal Records. This marks a new era for SCARAB, and we are looking forward to what we are going to be putting out to the world through Brutal Records. Let the magick begin!”
Upcoming Releases via Brutal Records SCARAB and Brutal Records are already preparing devastating new material for release:
Pre-save now: https://orcd.co/brut89678
EP Release: Transmutation of Fate – May 8, 2026
Tracklist:
Vow of the Sphinx (Abo El-Houl)
Hands from the Sun (Amon)
Epistle of Secrets (Creators of III)
Monarch of Violence (Oriasirius)
https://brutalrecords.com/product/transmutation-of-fate-cd/
NIGHT SPECTRE was forged in 2024, when a group of stubborn metalheads united with one goal: to unleash pure old-school heavy metal, burning with passion and true devotion. From the very beginning, the band’s vision was clear – to compose, rehearse, and record the strongest debut possible before stepping into the world. After relentless dedication and countless hours of hard work, NIGHT SPECTRE’s self-titled debut album is finally ready to be revealed.
Comprising eight tracks in 45 minutes, Night Spectre roars across the full spectrum of heavy metal, with straightforward songwriting channeling the essential roots of Iron Maiden, Judas Priest, and the NWOBHM scene through the U.S. steel of bands like Riot and Jag Panzer to the epic grandeur of Manowar, Bathory, and Manilla Road. At times, NIGHT SPECTRE’s attack – be it march, gallop, stomp, or surge – sounds like all those bands at once and then like nothing else entirely; to be sure, there’s some strange magick brewing in their cauldron. Which underlines how important that songwriting is, that what you bring to a tradition and then build upon is what actually makes such tradition so vital – and in this sense, NIGHT SPECTRE exude a wisdom far beyond their still-young years as a band. Lyrically, the album delves into themes of occult fantasies, historical heroes dying fighting, horror movies, and defiance of societal norms, all with an overarching atmosphere of classic swords & sorcery.
Completed by powerful production – gleaming and clear but not without blood or grit, highlighting the heroism and bravado so central to their sound – NIGHT SPECTRE’s self-titled debut is a bold first statement: delivered with reverence, under the band’s vision of raw, rebellious, and untamed HEAVY METAL
Line-up:
Lead Vocals : Tasos Molyviatis
Guitars : Thomas Stamatas
Guitars : Dimitris Diogos
Bass: Thanasis Loumos
Drums: Thodoris Piperidis
From Athens, Greece
Artwork:
Panos Sounas
Release date:
22nd May
Tracklist1 Death Contract
2 The Maniac
3 Cheating the Fates
4 To die in the ancient Fire
5 Blades of Galvarino
6 Crossing the Abyss
7 Damnation of Memory
8 Night Spectre
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on red vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
GRAVEMASSGenre: Extreme Death Metal/Black Metal
Location: Vancouver BC
For Fans of: Slayer,Venom, Morbid Angel, Watain and Napalm Death.
Emerging from the depth of the West Coast metal scene, Gravemass is a death metal behemoth forged from the collective fury of its veteran members. With members that reads like a who’s who of West Coast metal legends, GraveMass unites alumni from Zimmers Hole, Punch Drunk,3 Inches of Blood, Revocation, Just Cause, West of Hell, Savannah, Process and The Golers.
With decades of experience and a shared passion for sonic brutality, these metal stalwarts have conjured a sound that embodies the very essence of evil. Sinister, heavy riffs collide with death metal vocal power, unleashing a maelstrom of aural annihilation.
Their stage presence is a masterclass in intensity, a testament to their collective prowess. This is no mere band – it’s an assembly of warriors, united in their quest for sonic domination.
Prepare to succumb to the onslaught, as these west coast metal veterans unleash their evil, sinister sound upon the world. The masterclass in death metal has begun.
info@gravemass.com
https://gravemass.com
https://www.facebook.com/profile.php?id=61556695854887
Good
morning, The time has come! ISSUE 6 is seeing the moonlight
for the first time.
And a first, a little explanation about this issue:
In this issue you will find something new for FEED THE BEAST and it will probably remain unique in this way – just like an introduction in general.
Naive as I was, my original plan was to fill just one double-page in the current issue with various statements about streaming in general and Spotify in particular.
Is streaming an option to support bands, if so, what will be left at the end of the year? Each message always started with the same standardised question:
“Shalom, for the next issue of “Feed the Beast”, I would like to dedicate one (or two) pages to our “favourite” streaming provider Spotify and the new technology.
I’m planning an overview of various bands from around the globe and what they earned in 2024, thanks to Spotify. I believe that bare figures are always a little more helpful than just saying “We don’t earn anything!”. What are your experiences with it?”
Some bands gave short answers, some got very detailed, quite a few bands didn’t respond at all, which is perfectly fine – and their records haven’t gone up in fire & smoke (yet).
As is my wont, the slightly longer answers evolved into slightly longer conversations, giving a slightly different perspective.
Don’t expect a universally valid, conclusive statement from me á la „Cancel your streaming subscription and only buy LPs!“.
Everyone has different reasons why or why not to use Spotify and the like.
I’m not trying to be a finger-wagging critic, although it might sound like that sometimes. I’m only ask questions ...
Conversations with these bands were conducted over a total of 56 pages.
ASHEN TOMB https://ashentomb.bandcamp.com/album/ashen-tomb
DEAD VOID https://deadvoid.bandcamp.com/album/volatile-forms
DROWNED https://drowned.bandcamp.com/
GREH https://grehmetal.bandcamp.com/music
JADE https://emperorjade.bandcamp.com/album/the-hidden-crypt-split-w-hallucinate
PREHISTORIC WAR CULT https://prehistoricwarcult.bandcamp.com/
TALES OF MIKE https://talesofmike.bandcamp.com/album/human-album-2025
And as a little bonus: I am including an envelope with each copy of Issue 6 containing several free Bandcamp download codes. These codes were provided by the respective bands, to whom I would like to express my sincere gratitude.
In this issue you will find something new for FEED THE BEAST and it will probably remain unique in this way – just like an introduction in general.
Naive as I was, my original plan was to fill just one double-page in the current issue with various statements about streaming in general and Spotify in particular.
Is streaming an option to support bands, if so, what will be left at the end of the year? Each message always started with the same standardised question:
“Shalom, for the next issue of “Feed the Beast”, I would like to dedicate one (or two) pages to our “favourite” streaming provider Spotify and the new technology.
I’m planning an overview of various bands from around the globe and what they earned in 2024, thanks to Spotify. I believe that bare figures are always a little more helpful than just saying “We don’t earn anything!”. What are your experiences with it?”
Some bands gave short answers, some got very detailed, quite a few bands didn’t respond at all, which is perfectly fine – and their records haven’t gone up in fire & smoke (yet).
As is my wont, the slightly longer answers evolved into slightly longer conversations, giving a slightly different perspective.
Don’t expect a universally valid, conclusive statement from me á la „Cancel your streaming subscription and only buy LPs!“.
Everyone has different reasons why or why not to use Spotify and the like.
I’m not trying to be a finger-wagging critic, although it might sound like that sometimes. I’m only ask questions ...
Conversations with these bands were conducted over a total of 56 pages.
ASHEN TOMB https://ashentomb.bandcamp.com/album/ashen-tomb
DEAD VOID https://deadvoid.bandcamp.com/album/volatile-forms
DROWNED https://drowned.bandcamp.com/
GREH https://grehmetal.bandcamp.com/music
JADE https://emperorjade.bandcamp.com/album/the-hidden-crypt-split-w-hallucinate
PREHISTORIC WAR CULT https://prehistoricwarcult.bandcamp.com/
TALES OF MIKE https://talesofmike.bandcamp.com/album/human-album-2025
And as a little bonus: I am including an envelope with each copy of Issue 6 containing several free Bandcamp download codes. These codes were provided by the respective bands, to whom I would like to express my sincere gratitude.
So dear reader, you will get free full lengths, splits, demos, yet
unreleased tracks or EPs by the following bands with every issue:
Piece
Feaces Christ
Dionysiaque
Jaehzorn
Manøver
Constrict
Phosphorus
Mirror of Deception
Chestcrush
Corrode
Narrat
Flesiabm
Hellburst
Smoke Weaver
Arcane Frost
Skardus
Prehistoric War Cult
WOID
Dungeon Keeper
Caustic Phlegm
Απέχθεια
I can not guarantee that every copy of issue 6 will get a code by every above mentioned band – once they're gone, they're gone. That's life.
The price for one copy of issue 6 is 3,50€ plus postage (Germany: 1,80€, worldwide 3,30€)
Piece
Feaces Christ
Dionysiaque
Jaehzorn
Manøver
Constrict
Phosphorus
Mirror of Deception
Chestcrush
Corrode
Narrat
Flesiabm
Hellburst
Smoke Weaver
Arcane Frost
Skardus
Prehistoric War Cult
WOID
Dungeon Keeper
Caustic Phlegm
Απέχθεια
I can not guarantee that every copy of issue 6 will get a code by every above mentioned band – once they're gone, they're gone. That's life.
The price for one copy of issue 6 is 3,50€ plus postage (Germany: 1,80€, worldwide 3,30€)
And now: Enough talk. Best regards Ipp
https://www.instagram.com/feedthebeast_fanzine/
ADVERSAM -"DAIMON"
Genre: Black Metal
For fans of: Emperor, Abigor, Immortal, Dark Funeral, Handful of Hate
Label : Masked Dead Records / Sulphur Music
Release date : March 28th 2025
Eleven years after their last album, the Turin-based ADVERSAM, a historical staple of the Italian Black Metal scene, returns with "Daimon".
Best known for their acclaimed 1999 debut "Animadverte" (Scarlet Records), ADVERSAM's force is all but spent: with "Daimon", the band confirms its ability to evolve a style rooted in classic Black Metal while constantly regenerating through modern and original insights.
The resulting sound is often suggestive in its expression, yet consistently fierce and visceral. Rhythmic speed remains the cornerstone of ADVERSAM's style, expertly balanced by atmospheric, gloomy synths and elevated by a meticulous technical attention to details.
Thematically, the lyrics of "Daimon" — inspired by the reflections of C.G. Jung and the intuitions of G. Rol — delve into the meaning of existence and the dark nature of humanity. The album questions the essence of evil and explores the vast potential of the mind and consciousness.
Premiering via Black Metal Promotion on 24/03 !
Sales Point:
A relevant name within the Italian Black Metal scene;
Their 1999 album "Animadverte" is an acclaimed one;
Classic Black Metal with modern and original insights;
Dramatic, suggestive, fierce and visceral;
Rhythmic speed balanced by atmospheric synths;
Technical attention to details;
Inspired by C.G. Jung and Gustavo Rol.
Line-Up:
Katharos - Voice
Asterion - Guitars
Tiorad - Guitars
The Cardinal - Bass
Essyllt - Synthesizers
Summum Algor – Drums
Artwork by Beatrixrain Art - IG: @beatrixrain.art
Recorded and mixed at Mkii Studio Recording, Turin, Italy
Drums recorded at Join This Order Studio, Turin, Italy
Mastering by Richard Corvinus at Corvin Studios, Glastonbury, UK
Lyrics written by Adversam, except “The Collapse Within” written by Helga Keturka
https://maskeddeadrecords.com/
https://www.facebook.com/adversam
The new album from Kentucky's Doom laden Sludge lords, HIGHGATE, is now streaming in full ahead of its official release date later this week.
For fans of: Grief, Primitive Man, Mizmor, Eyehategod and Rwake.
The band joined forces with Cvlt Nation for the exclusive world premiere of PROPHECIES OF ETERNAL HORROR! Listen now at https://cvltnation.com/highgate-prophecies-of-eternal-horror/
Emanating from the hills of Northern Kentucky, HIGHGATE unleash a Sludge filled, Doom laden yowl that speaks of years of struggle and despair. Prophecies Of Eternal Horror finds the dead bodies stacking to the sky as HIGHGATE grapple with global war atrocities, religious fanaticism and class warfare.
Track
listing
1. Terraforming Hell
2. Death Comes
3. At Paranoia's Poison Door
4. Deceiver
5. The Writhing Dawn
Prophecies Of Eternal Horror is set to be released on March 27 via Horror Pain Gore Death Productions.
Album pre-order links: https://ffm.to/highgate
HIGHGATE is:
Greg Brown - vocals
Steve Porter - battery & vocals
Jamie Porter - guitar, bass & vocals
www.highgatedoom.bandcamp.com
www.facebook.com/Highgatedoom
www.horrorpaingoredeath.com
www.facebook.com/horrorpaingoredeath
Montreal (QC) / Stockholm (SE) - After releasing two singles, "Welcome to Terror Corp" and "Hyperconverter" feat.Charlie Griffiths (ex-Haken), VOIDCHASER now unveils a third track, "RAIN / SOLAR WINDS." Clocking in at 6:34, it stands as both one of their most progressive and yet most sensitive compositions to date. Built on a simple chord progression, the song highlights the band’s ability to craft a rich and detailed musical universe that is increasingly becoming their signature. With ultra-technical passages, emotionally striking choruses, a cappella sections, guitar solos, and subtle nods that gamers will recognize, Voidchaser offers a deeper glimpse into forthcoming album, INTERSTELLAR I.
FFO: Devin Townsend, Haken, Dream Theater, Scar Symmetry, Ayreon, Pagan's Mind
The song is available on the usual streaming platform : https://www.youtube.com/watch?v=R6qPl54p7Ek
Interstellar I, the band's second full-length album, will be released on April 9.
Depicting themes of technological overreach, mass corruption and personal struggles related to identity, love and survival, the narrative unfolds within a vast, lore infused deep space universe. Interstellar I balances a dense and layered wall of sound with high-energy choruses and memorable melodies, where every moment serves the storytelling. Musically, the album brings to mind the style of Devin Townsend’s Ziltoid the Omniscient and Dream Theater’s Systematic Chaos, while reinterpreting those influences through Voidchaser’s own modern and distinctive sound, also drawing from classic foundations found in Deep Purple’s Machine Head and Black Sabbath’s Paranoid. With this release, Voidchaser returns with a level of maturity that defines their most ambitious and fully realized work to date.
On April 10th at Piranha Bar in Montreal, QC, Canada, Voidchaser will launch their new album, Interstellar I, performing it in its entirety in an exclusive live set, along with additional material. Omnivide and Jovian Storms will perform as special guests.
Pre-order
Interstellar I: https://voidchaser.bandcamp.com/album/interstellar-i-lp
Track Listing:
1. The Grand Design
2. Welcome to Terra Corp
3. Initiation Day
4. Hyperconverter
5. Anything for Love
6. Rain / Solar Winds
7. Ivory Tower
8. Renew
Credits:
Lyrics and Songwriting by Chad Bernatchez.
Production and Arrangements by Jici Lord-Gauthier.
Management and Booking by Jici Lord-Gauthier (Chaotic Good Music).
Mixed and Mastered by Jason Poulin.
Drums Recorded by David Lizotte.
Session keyboards by Mathieu Fiset.
Artwork by Sam Harwood.
Photography by Josh Kirschner (Kirschner Studios).
Line-Up:
Chad Bernatchez - Vocals, Guitar
Jici Lord-Gauthier - Guitar, Bass
Colin MacAndrew - Drums
Bio:
Based in Montreal and Stockholm, Voidchaser is a progressive metal band that quickly established itself as a band worth watching on both local and international stages. Formed in 2023, the band rapidly gained momentum through a steady stream of releases, earning attention from niche outlets such as The ProgSpace, Prog Magazine and Prog Sphere, alongside coverage from major metal media, including Metal Injection and Decibel Magazine.
In 2024, Voidchaser released their debut EP, Odyssey, followed by two standalone singles and their debut full-length album, Solace. Written as a single continuous 30-minute composition, Solace is a concept album set in an orbital dystopia, exploring themes of power, uncertainty and love. The release charted among the top metal albums on Apple Music and iTunes in Canada, Sweden, Norway and several other countries.
The band continued its momentum in 2025 with the release of Trust, an EP featuring guest appearances from Jim Grey of Caligula’s Horse and members of The Anchoret. That same year, the band embarked on its first international tour, performing 12 dates across Canada, the Netherlands, Germany, Denmark and Sweden, and sharing the stage with acts such as Vulkan, Threshold, Kingcrow, Nospūn, Omnivide and Ok Goodnight. Highlights included appearances at ProgPower Europe in the Netherlands and the inaugural ProgStorm Festival in Montréal, Canada.
In 2026, Voidchaser announced the upcoming release of Interstellar I, their second full-length record.
https://www.facebook.com/VoidchaserOfficial
First off, much anticipated, the last recording by ANUBI, seminal avantgarde black metal entity from Lithuania, that ceased to exist with a tragic death of its main mastermind Martynas Meškauskas, aka Lord Ominous, in spring of 2002, but before that four final tracks were written for a seven-inch record, which were finished only in 2022, so SIELŲ PIRKLYS EP is at long last ready in form of 7" picture disk.
Unique and historically significant document preserves the original, authentic vision with the core musical ideas, vocal parts, and visual artwork prepared before the fateful events, allowing four compositions sound exactly as the author intended - an expressive sonic narrative unites ritualistic darkness, mythological motifs, and unique musical language inseparable from ANUBI's unpredictable body of work, while release itself stands not only as the final missing fragment in a decade-long creative mosaic, but also as symbolic and highly artistic farewell, cementing the bond between the creator, his inner world, and legacy that has since become legendary.
For those who were there, and those who remained.
The opening track Kodas to check: https://www.youtube.com/watch?v=xAKIPCZj-Tc
Limited picture disk edition comes with a pro-printed fold-out cardboard lyric insert, available since February 2, 2026 at:
https://www.ledotakas.net/vinyl/7%22EP/ANUBI-Sielu-Pirklys-PICEP-20260202
https://ledotakas.bandcamp.com/album/siel-pirklys
And next, the vinyl edition of first LUCTUS full-length "JAUČIANT PABAIGĄ ARTI", also being in wait by the fans for a long time.
This belligerent black metal album was a cornerstone and defining release in LUCTUS discography, crystallizing and firmly establishing their sound and vision of that era. In summer of 2008, Kommander L. entered Latvia’s Phoenix Studio for the first time and, with the help of drummer Kingas, forged ten tracks. The recording, mixing, and mastering were handled by legendary Gints Lundbergs, who would later work on two more LUCTUS releases. The final track was recorded in Rome in collaboration with several well-known Italian industrial/power electronic artists. In winter of 2009, the album was released by Ledo Takas Records in digipak CD format. “Jaučiant pabaigą arti” [Feeling the end close drew a strict red line across Lithuanian metal landscape of its time – LUCTUS sound and identity became a manifesto of fierce and uncompromising Lithuanian black metal. It is a conceptual album in which Kommander L., speaking in first person, reflects on what the world would look like with only a few minutes left before its end: what would be worth preserving and what would be left behind, as it is precisely in the moment before death that what truly matters is revealed. This is not an album about the apocalypse itself, but about what would remain in its presence – some face death by acknowledging their weakness, others by giving meaning to their values, and Death, in the end, levels all things. Seventeen years later, LUCTUS current label Inferna Profundus Records has joined forces with Ledo Takas Records to co-release “Jaučiant pabaigą arti” on vinyl for the first time. The prophet of inevitable war returns!
G.Ž.R. track to check: https://www.youtube.com/watch?v=8FXEmGi1kaU
Special red/black/white swirl vinyl edition and standard black vinyl edition are available here:
https://www.ledotakas.net/vinyl/12%22LP/LUCTUS-Jauciant-pabaiga-arti-LPSW-20260313
https://www.ledotakas.net/vinyl/12%22LP/LUCTUS-Jauciant-pabaiga-arti-LP-20260313
and here: https://ledotakas.bandcamp.com/album/jau-iant-pabaig-arti
Genre
: Melodic
Black Metal
For fans of: Dissection, Unanimated, Lord Belial, Necrophobic.
Labels : Masked Dead Records / Sulphur Music
Release date : April 10th 2026
Aggression, frigid atmospheres, razor-sharp melodic tremolo picking, and galloping thrash rhythms: these are the foundation upon which Scythe Of Mephisto build their wall of sound. The architectural core of the compositions on "Till Life Do Us Part" relies on guitar harmonies that evoke a sense of majestic melancholy, often spiraling into sinister soundscapes. The percussion maintains an unrelenting assault of blast beats and sophisticated transitions, providing a rock-solid backbone, while the dry, piercing vocal performance cuts through the mix with precision.
Despite consisting of only three tracks, the songwriting on "Till Life Do Us Part" prioritizes memorable passages and triumphant crescendos over indiscriminate sonic violence. Ultimately, the synergy of these elements captures a distinct and recognizable aesthetic—one that remains both melodic and proudly extreme.
Following the tradition of legendary acts such as Dissection, Unanimated, Lord Belial, and Necrophobic, Scythe Of Mephisto channel the raw energy of the underground into "Till Life Do Us Part," balancing their heavy, aggressive Swedish black metal with atmospheric interludes and remarkable clean passages.
Sales Point:
Young line-up;
Swedish-style melodic Black Metal inspired by the genre’s pioneers;
For fans of Dissection, Unanimated, Lord Belial, Necrophobic;
Fast-paced yet featuring melodic openings and meticulous arrangements;
Monochrome artwork inspired by classic mid-to-late 90s covers
SCYTHE OF MEPHISTO is:
Qayin - Rhythmic guitar and vocals
Miasma Reaper - Lead guitar
Clavis Fatui - Bass, Drums and backvocals
Recorded, mixed and mastered by Nicolò Paracchini at "Nòva Studios" in Novara.
Artwork by Madveix
https://maskeddeadrecords.com/
https://www.facebook.com/Scytheofmephist
Black
metal -band MOURNIATY, hailing from Kouvola, Finland, releases
their first music video on Wednesday 25th of March. KYYNELTEN VIRTA
(STREAM OF TEARS) captures the cold essence of song exceptionally.
Reading the lyrics one realizes that there has never been a better time to
light some crosses on fire. The atmosphere is completed by the Art Center
Antares’ amphitheater and its cold stone walls.
The video was recorded during a cold February winter night and it was filmed & directed by Janne Hietanen of Saasta. The only true way to capture the essence of Mourniaty was to use black and white. The band is a three-piece on the video after guitarist Liekkiö was downed by the cold winter sickness of Finland.
Kyynelten Virta is from Mourniaty’s debut album MUSTA MAA, released via Inverse Records in November of 2025, available at https://linktr.ee/mourniaty
Watch Kyynelten virta music video: https://youtu.be/aZ8wnzG9mwg
Listen to the 'Musta maa' album on streaming services: https://push.fm/fl/mourniaty-musta-maa
Biography:
When you get fed up with Christianity and Paganism starts to arouse your interest, interesting things are often created. Sometimes this process needs an accelerant, which is exactly what happened when Karulainen and Metällinen found themselves to be merged in the same family tree. Now, what else would fresh, Finnish relatives do but make aggressive noises together? This gave an outlet for the music Karulainen had already been writing.
Finnish Mourniaty began its life as a smoldering project already in 2015. It burst into raging fire five years later, when situations in life permitted concentrating on music full-time. When bass player Tenho joined the group in 2022, Mourniaty finally became a real band instead of two men with backing tracks.
Karulainen describes Mourniaty’s music as black metal, which combines mid-tempo grooves and even symphonic arrangements combined with lyrics sung in both Finnish and English, which revolve around themes of Paganism and Anti-Christianity. The debut album, “Musta maa” (Black Earth), was released thru Inverse records on digital platforms and in cd-format in November of 2025. What a perfect soundtrack for the darkest season of the year
Track list:
01. Ajan saattama
02. Musta maa
03. All Your Lies
04. Aika Roudan
05. Shrines
06. Kyynelten virta
07. Seventh Seal
08. A Son of the Plague
09. Sodomia
10. Pyhä on valani
Mixed by Karulainen & Joona Rinne / Deep Noise Studios
Mastered by Saku Moilanen / Deep Noise Studios
Album cover by Karulainen
Line-up:
Metällinen - drums
Tenho - bass
Liekkiö - guitar
Karulainen - vocals & guitar
https://www.facebook.com/mourniaty
DYING VICTIMS PRODUCTIONS is proud to present the highly anticipated fourth album of Germany’s WITCHING HOUR, DESCENDING… WHERE TIME HAS CEASED TO EXIST, on CD and vinyl LP formats.
It’s been a long, strange trip for WITCHING HOUR. Formed in 2006 in the southwest of Germany, the band’s earliest work tended toward paradigmatic blackthrash, particularly the Teutonic iteration of it. And while releases have been patiently sparse during that time, they’ve been of uniformly high quality, all leading up to 2018’s pivotal third album, …And Silent Grief Shadows the Passing Moon. Here, WITCHING HOUR staked their claim as some of thrash metal’s strongest songwriters with a narrative flow that was almost dream-like and a sound quite elevated from their humble beginnings. A career highpoint, to be sure, but silence then ensued…
So it goes with WITCHING HOUR, patience is rewarded with their long-awaited fourth album, Descending… Where Time Has Ceased to Exist. Much like its towering predecessor, Descending… comprises five epic tracks (plus instrumental intro) and, this time, exceeds the length by two minutes for a total of 44: a journey indeed awaits. In fact, the band recorded, mixed, and mastered the album at Journey into Eternity Studios, which is owned by drummer Sascha Bastian.
Ancient metal mysticism is the atmosphere that cloaks WITCHING HOUR’s fourth album like ethereal chainmail. The grit of its predecessor has been slightly shined to a rustic gleam, of sorts, as the songwriting suitably grows more diversified and complex – and, even more uniquely, possessing a paradox of density and spaciousness. As each composition winds and wends on paths that are alternately mysterious, gloomy, and triumphant, the power-trio gallop with a confidence that’s compelling to the extreme; the narrative flow is more fluid than ever, drawing the listener deeper into the all-encompassing experience. That their riffing has grown even more (gloomily) melodic and the leads burn brighter than before simply underlines the band’s traditional metal foundations, particularly that of the NWOBHM.
To summarize and say that Descending… Where Time Has Ceased to Exist marries prog-rock structures to ancient heavy metal riffing & melody and draped in the atmosphere of pioneering German thrash and earliest black metal only explains half the brilliance of WITCHING HOUR at this juncture – but it’ll perhaps encourage you to begin that journey!
Line-up:
Jan Hirtz - Guitars, Vocals
Sascha Bastian - Drums
Marco Justinger - Bass, Guitars
From Saarland, Germany
Artwork:
Bvllmetalart
Release date:
22nd May
Tracklist
01 Descending
02 Where Time Has Ceased To Exist
03 Profane Resurrection Of A Presumed Dead
04 The Graves Yearn For The Dead
05 A Night Under A Crimson Moons Lament
06 And Then Came The Flames
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on dark green vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
http://www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Finnish
thrash metal band WHERE VICTIMS LIE released two promo CDs back
in 2003 and 2007 and after that went on a long hiatus. Now they're back and are
preparing to release a new EP "WHAT WAS LEFT BEHIND" on
April 22nd. Opening track and first single "PETTING A BURNING
DOG" is out now!
Listen to the single on music services : https://push.fm/fl/wherevictimslie-pabd
The track goes straight to the point from the very first notes and delivers an aggressive assault of sheer thrash metal revival! Rooted in the 80s, influenced by the 00s, but crafted with passion in the 20s. For fans of The Haunted, Testament, Kreator, Slayer and the likes.
Where Victims Lie:
Teijo Hakkola: vocals
Jarkko Petosalmi: guitar
J-V Hintikka: guitar
Herkko Huttunen: bass, backing vocals
Timo Häkkinen: drums
https://www.facebook.com/wherevictimslie
https://www.wherevictimslie.com/
GOLGOTHA – “HUBRIS”
Label: Abstract Emotions
Release date: April 24th 2026
Genre: Melodic Doom/Death Metal
For fans of: Candlemass | Novembers Doom | Paradise Lost | My Dying Bride
Held in the arms of comfort and love, surrounded by joy and affirmation, I had no expectation, nor understanding of failure and loss. I had no sense of my own true measure, or of the darknesses that lay so far below me, watching me with hungry eyes and endless patience. I flew higher, heedless and carefree, gathering happiness like an endless crop, a constant golden yield. And as the flames began to flicker along my wings I took them to be just another well-deserved adornment, another gift from a universe that loved me best. And when the fall came, it came fast. I spiralled into shadow, crashing into night…my heart, my mind, my spirit shattering on the rocks of reality. Toxicity and spite, rejection and grief, jealousy and hunger lapped at my feet like a bitter sea, as I lay on the cold, cruel shores of realisation…the scales rebalanced.
Following in the wake of their towering Spreading The Wings Of Hope album, Spain’s Golgotha have returned with the altogether darker hues and harsher, more rugged textures of Hubris. This is an album forged in the pitiless furnace of life; eight songs steeped in the struggle, turmoil and challenges that shape us, that make us human. Reflecting on their latest creation the band have emphatically stated, “these are not fictional stories, but fragments of real life turned into music”.
The album begins with first single, ‘A Simple Life’, opening with a brave, exposed vocal from María J. Lladó that focusses the attention, drawing the listener in before the full tide of Golgotha’s overwhelming sound crashes over them. The poignancy of emotion in this track, with its hypnotic refrain, flows like blood through every chord, every note. Elsewhere, the gargantuan, crawling riffs and huge, monstrous vocals of ‘Broken Toy’ open out into a reflective, melancholy melody – harsh vocals switching to Maria’s clear, emotive tones – as contrasts blend and entwine. Throughout Hubris these two sides of Golgotha, the forceful, bleak and blackened and the doomed, delicate beauty dance with each other in a deftly harmonious, disparate duality. ‘Too Late’ is deep, dark, slow motion death metal until a melodious chorus arrives, allowing a pale, gentle light into the black and a vibrant solo is a burst of flame in the cold murk. From ‘Blind’, in all its tarnished, faded majesty, like a funeral of kings, to the concluding ‘Intolerance’ – a musical conflict between the nobility of sorrow and the raw pain of grief – this is an album that lays bare its heart and shows all its scars. It will hollow you out, caressing your hidden anguish and drawing your wounds into the light.
“I became just an echo…”- Blind
To capture the real and vivid darkness of Hubris, Golgotha turned to producer Davide Billia (Antropofagus, Beheaded, Posthuman Abomination etc) and the band have described his contribution as “essential in shaping the power and character we wanted for this album”. Hubris will be released by Abstract Emotions on April 24th – another incredible chapter in the unfolding story of Golgotha.
Line-up:
Vicente J. Paya – Guitar/Keyboards/Vocals
Andrew Spinoza – Bass/Harsh Vocals
Rafel Garcies – Drums
María J. Lladó – Clean Vocals
Dan Garcia – Guitars
https://abstractemotions.com/en/
https://www.facebook.com/GolgothaOfficialBand
Milwaukee (WI) - New Blackened Death Metal entity, RELIC, has launched a stream of "IRON SACRAMENT," the second single from their forthcoming debut EP, CROWN OF FLIES!
"Iron
Sacrament" is available at https://www.youtube.com/watch?v=klxSrWh8jJQ
FFO: Belphegor, Sanguisuabogg, 200 Stab Wounds, Diocletian, Behemoth, Angelcorpse, Devourment, Dead Congregation, Immolation
Delivering Death Metal's dissonant punishing riffage with Black Metal's relentless chaotic speed. RELIC builds a new monument on the foundation of those that came before. Comprised of seasoned Milwaukee metal scene veterans with a history of making tight and focused music. Their debut EP, Crown Of Flies, is a blistering slab of Midwest 90s Blackend Death Metal worship. Delivered with malintent for its listeners. No frills, no scene drama, or gimmicks used by so many bands today. Pure underground Death Metal that is in your face and out for blood.
The EP's first single, "Scavengers Daughter," is available at
RELIC is:
Kevin Forsythe (Jungle Rot, Emblazoned) – Guitar / Bass
Jeff Plewa (Micawber, Emblazoned) – Vocals
Alex “Pulverizer” Pulvermacher (Decrescent, Emblazoned) – Drums
Vinny Alvarez (A Night At The Chalet, Slam Pig) - Guitar
Crown of Flies is out April 3 on CD and digital formats.
Pre-order: https://relicdm.bandcamp.com/album/crown-of-flies
Track Listing:
1. The Void Between Gods
2. Filth Of Rebirth
3. Scavengers Daughter
4. Iron Sactament
Credits:
Recorded at Belle City Sound in Racine WI, November 2025.
Produced by Chris Wisco.
Mixed and Mastered by Billy Diamond.
Album Cover
Logo Design by Christophe Szpajde
https://www.facebook.com/RELICDM
AVERTAT – “DEAD END LIFE”
Genre
: Death
Doom Metal
https://www.instagram.com/feedthebeast_fanzine/
ADVERSAM -"DAIMON"
Genre: Black MetalFor fans of: Emperor, Abigor, Immortal, Dark Funeral, Handful of Hate
Label : Masked Dead Records / Sulphur Music
Release date : March 28th 2025
Eleven years after their last album, the Turin-based ADVERSAM, a historical staple of the Italian Black Metal scene, returns with "Daimon".
Best known for their acclaimed 1999 debut "Animadverte" (Scarlet Records), ADVERSAM's force is all but spent: with "Daimon", the band confirms its ability to evolve a style rooted in classic Black Metal while constantly regenerating through modern and original insights.
The resulting sound is often suggestive in its expression, yet consistently fierce and visceral. Rhythmic speed remains the cornerstone of ADVERSAM's style, expertly balanced by atmospheric, gloomy synths and elevated by a meticulous technical attention to details.
Thematically, the lyrics of "Daimon" — inspired by the reflections of C.G. Jung and the intuitions of G. Rol — delve into the meaning of existence and the dark nature of humanity. The album questions the essence of evil and explores the vast potential of the mind and consciousness.
Premiering via Black Metal Promotion on 24/03 !
Sales Point:
A relevant name within the Italian Black Metal scene;
Their 1999 album "Animadverte" is an acclaimed one;
Classic Black Metal with modern and original insights;
Dramatic, suggestive, fierce and visceral;
Rhythmic speed balanced by atmospheric synths;
Technical attention to details;
Inspired by C.G. Jung and Gustavo Rol.
Line-Up:
Katharos - Voice
Asterion - Guitars
Tiorad - Guitars
The Cardinal - Bass
Essyllt - Synthesizers
Summum Algor – Drums
Artwork by Beatrixrain Art - IG: @beatrixrain.art
Recorded and mixed at Mkii Studio Recording, Turin, Italy
Drums recorded at Join This Order Studio, Turin, Italy
Mastering by Richard Corvinus at Corvin Studios, Glastonbury, UK
Lyrics written by Adversam, except “The Collapse Within” written by Helga Keturka
https://maskeddeadrecords.com/
https://www.facebook.com/adversam
The new album from Kentucky's Doom laden Sludge lords, HIGHGATE, is now streaming in full ahead of its official release date later this week.
For fans of: Grief, Primitive Man, Mizmor, Eyehategod and Rwake.
The band joined forces with Cvlt Nation for the exclusive world premiere of PROPHECIES OF ETERNAL HORROR! Listen now at https://cvltnation.com/highgate-prophecies-of-eternal-horror/
Emanating from the hills of Northern Kentucky, HIGHGATE unleash a Sludge filled, Doom laden yowl that speaks of years of struggle and despair. Prophecies Of Eternal Horror finds the dead bodies stacking to the sky as HIGHGATE grapple with global war atrocities, religious fanaticism and class warfare.
Track
listing1. Terraforming Hell
2. Death Comes
3. At Paranoia's Poison Door
4. Deceiver
5. The Writhing Dawn
Prophecies Of Eternal Horror is set to be released on March 27 via Horror Pain Gore Death Productions.
Album pre-order links: https://ffm.to/highgate
HIGHGATE is:
Greg Brown - vocals
Steve Porter - battery & vocals
Jamie Porter - guitar, bass & vocals
www.highgatedoom.bandcamp.com
www.facebook.com/Highgatedoom
www.horrorpaingoredeath.com
www.facebook.com/horrorpaingoredeath
Montreal (QC) / Stockholm (SE) - After releasing two singles, "Welcome to Terror Corp" and "Hyperconverter" feat.Charlie Griffiths (ex-Haken), VOIDCHASER now unveils a third track, "RAIN / SOLAR WINDS." Clocking in at 6:34, it stands as both one of their most progressive and yet most sensitive compositions to date. Built on a simple chord progression, the song highlights the band’s ability to craft a rich and detailed musical universe that is increasingly becoming their signature. With ultra-technical passages, emotionally striking choruses, a cappella sections, guitar solos, and subtle nods that gamers will recognize, Voidchaser offers a deeper glimpse into forthcoming album, INTERSTELLAR I.
FFO: Devin Townsend, Haken, Dream Theater, Scar Symmetry, Ayreon, Pagan's Mind
The song is available on the usual streaming platform : https://www.youtube.com/watch?v=R6qPl54p7Ek
Interstellar I, the band's second full-length album, will be released on April 9.
Depicting themes of technological overreach, mass corruption and personal struggles related to identity, love and survival, the narrative unfolds within a vast, lore infused deep space universe. Interstellar I balances a dense and layered wall of sound with high-energy choruses and memorable melodies, where every moment serves the storytelling. Musically, the album brings to mind the style of Devin Townsend’s Ziltoid the Omniscient and Dream Theater’s Systematic Chaos, while reinterpreting those influences through Voidchaser’s own modern and distinctive sound, also drawing from classic foundations found in Deep Purple’s Machine Head and Black Sabbath’s Paranoid. With this release, Voidchaser returns with a level of maturity that defines their most ambitious and fully realized work to date.
On April 10th at Piranha Bar in Montreal, QC, Canada, Voidchaser will launch their new album, Interstellar I, performing it in its entirety in an exclusive live set, along with additional material. Omnivide and Jovian Storms will perform as special guests.
Pre-order
Interstellar I: https://voidchaser.bandcamp.com/album/interstellar-i-lpTrack Listing:
1. The Grand Design
2. Welcome to Terra Corp
3. Initiation Day
4. Hyperconverter
5. Anything for Love
6. Rain / Solar Winds
7. Ivory Tower
8. Renew
Credits:
Lyrics and Songwriting by Chad Bernatchez.
Production and Arrangements by Jici Lord-Gauthier.
Management and Booking by Jici Lord-Gauthier (Chaotic Good Music).
Mixed and Mastered by Jason Poulin.
Drums Recorded by David Lizotte.
Session keyboards by Mathieu Fiset.
Artwork by Sam Harwood.
Photography by Josh Kirschner (Kirschner Studios).
Line-Up:
Chad Bernatchez - Vocals, Guitar
Jici Lord-Gauthier - Guitar, Bass
Colin MacAndrew - Drums
Bio:
Based in Montreal and Stockholm, Voidchaser is a progressive metal band that quickly established itself as a band worth watching on both local and international stages. Formed in 2023, the band rapidly gained momentum through a steady stream of releases, earning attention from niche outlets such as The ProgSpace, Prog Magazine and Prog Sphere, alongside coverage from major metal media, including Metal Injection and Decibel Magazine.
In 2024, Voidchaser released their debut EP, Odyssey, followed by two standalone singles and their debut full-length album, Solace. Written as a single continuous 30-minute composition, Solace is a concept album set in an orbital dystopia, exploring themes of power, uncertainty and love. The release charted among the top metal albums on Apple Music and iTunes in Canada, Sweden, Norway and several other countries.
The band continued its momentum in 2025 with the release of Trust, an EP featuring guest appearances from Jim Grey of Caligula’s Horse and members of The Anchoret. That same year, the band embarked on its first international tour, performing 12 dates across Canada, the Netherlands, Germany, Denmark and Sweden, and sharing the stage with acts such as Vulkan, Threshold, Kingcrow, Nospūn, Omnivide and Ok Goodnight. Highlights included appearances at ProgPower Europe in the Netherlands and the inaugural ProgStorm Festival in Montréal, Canada.
In 2026, Voidchaser announced the upcoming release of Interstellar I, their second full-length record.
https://www.facebook.com/VoidchaserOfficial
First off, much anticipated, the last recording by ANUBI, seminal avantgarde black metal entity from Lithuania, that ceased to exist with a tragic death of its main mastermind Martynas Meškauskas, aka Lord Ominous, in spring of 2002, but before that four final tracks were written for a seven-inch record, which were finished only in 2022, so SIELŲ PIRKLYS EP is at long last ready in form of 7" picture disk.
Unique and historically significant document preserves the original, authentic vision with the core musical ideas, vocal parts, and visual artwork prepared before the fateful events, allowing four compositions sound exactly as the author intended - an expressive sonic narrative unites ritualistic darkness, mythological motifs, and unique musical language inseparable from ANUBI's unpredictable body of work, while release itself stands not only as the final missing fragment in a decade-long creative mosaic, but also as symbolic and highly artistic farewell, cementing the bond between the creator, his inner world, and legacy that has since become legendary.
For those who were there, and those who remained.
The opening track Kodas to check: https://www.youtube.com/watch?v=xAKIPCZj-Tc
Limited picture disk edition comes with a pro-printed fold-out cardboard lyric insert, available since February 2, 2026 at:
https://www.ledotakas.net/vinyl/7%22EP/ANUBI-Sielu-Pirklys-PICEP-20260202
https://ledotakas.bandcamp.com/album/siel-pirklys
And next, the vinyl edition of first LUCTUS full-length "JAUČIANT PABAIGĄ ARTI", also being in wait by the fans for a long time.
This belligerent black metal album was a cornerstone and defining release in LUCTUS discography, crystallizing and firmly establishing their sound and vision of that era. In summer of 2008, Kommander L. entered Latvia’s Phoenix Studio for the first time and, with the help of drummer Kingas, forged ten tracks. The recording, mixing, and mastering were handled by legendary Gints Lundbergs, who would later work on two more LUCTUS releases. The final track was recorded in Rome in collaboration with several well-known Italian industrial/power electronic artists. In winter of 2009, the album was released by Ledo Takas Records in digipak CD format. “Jaučiant pabaigą arti” [Feeling the end close drew a strict red line across Lithuanian metal landscape of its time – LUCTUS sound and identity became a manifesto of fierce and uncompromising Lithuanian black metal. It is a conceptual album in which Kommander L., speaking in first person, reflects on what the world would look like with only a few minutes left before its end: what would be worth preserving and what would be left behind, as it is precisely in the moment before death that what truly matters is revealed. This is not an album about the apocalypse itself, but about what would remain in its presence – some face death by acknowledging their weakness, others by giving meaning to their values, and Death, in the end, levels all things. Seventeen years later, LUCTUS current label Inferna Profundus Records has joined forces with Ledo Takas Records to co-release “Jaučiant pabaigą arti” on vinyl for the first time. The prophet of inevitable war returns!
G.Ž.R. track to check: https://www.youtube.com/watch?v=8FXEmGi1kaU
Special red/black/white swirl vinyl edition and standard black vinyl edition are available here:
https://www.ledotakas.net/vinyl/12%22LP/LUCTUS-Jauciant-pabaiga-arti-LPSW-20260313
https://www.ledotakas.net/vinyl/12%22LP/LUCTUS-Jauciant-pabaiga-arti-LP-20260313
and here: https://ledotakas.bandcamp.com/album/jau-iant-pabaig-arti
Genre
: Melodic
Black MetalFor fans of: Dissection, Unanimated, Lord Belial, Necrophobic.
Labels : Masked Dead Records / Sulphur Music
Release date : April 10th 2026
Aggression, frigid atmospheres, razor-sharp melodic tremolo picking, and galloping thrash rhythms: these are the foundation upon which Scythe Of Mephisto build their wall of sound. The architectural core of the compositions on "Till Life Do Us Part" relies on guitar harmonies that evoke a sense of majestic melancholy, often spiraling into sinister soundscapes. The percussion maintains an unrelenting assault of blast beats and sophisticated transitions, providing a rock-solid backbone, while the dry, piercing vocal performance cuts through the mix with precision.
Despite consisting of only three tracks, the songwriting on "Till Life Do Us Part" prioritizes memorable passages and triumphant crescendos over indiscriminate sonic violence. Ultimately, the synergy of these elements captures a distinct and recognizable aesthetic—one that remains both melodic and proudly extreme.
Following the tradition of legendary acts such as Dissection, Unanimated, Lord Belial, and Necrophobic, Scythe Of Mephisto channel the raw energy of the underground into "Till Life Do Us Part," balancing their heavy, aggressive Swedish black metal with atmospheric interludes and remarkable clean passages.
Sales Point:
Young line-up;
Swedish-style melodic Black Metal inspired by the genre’s pioneers;
For fans of Dissection, Unanimated, Lord Belial, Necrophobic;
Fast-paced yet featuring melodic openings and meticulous arrangements;
Monochrome artwork inspired by classic mid-to-late 90s covers
SCYTHE OF MEPHISTO is:
Qayin - Rhythmic guitar and vocals
Miasma Reaper - Lead guitar
Clavis Fatui - Bass, Drums and backvocals
Recorded, mixed and mastered by Nicolò Paracchini at "Nòva Studios" in Novara.
Artwork by Madveix
https://maskeddeadrecords.com/
https://www.facebook.com/Scytheofmephist
Black
metal -band MOURNIATY, hailing from Kouvola, Finland, releases
their first music video on Wednesday 25th of March. KYYNELTEN VIRTA
(STREAM OF TEARS) captures the cold essence of song exceptionally.
Reading the lyrics one realizes that there has never been a better time to
light some crosses on fire. The atmosphere is completed by the Art Center
Antares’ amphitheater and its cold stone walls. The video was recorded during a cold February winter night and it was filmed & directed by Janne Hietanen of Saasta. The only true way to capture the essence of Mourniaty was to use black and white. The band is a three-piece on the video after guitarist Liekkiö was downed by the cold winter sickness of Finland.
Kyynelten Virta is from Mourniaty’s debut album MUSTA MAA, released via Inverse Records in November of 2025, available at https://linktr.ee/mourniaty
Watch Kyynelten virta music video: https://youtu.be/aZ8wnzG9mwg
Listen to the 'Musta maa' album on streaming services: https://push.fm/fl/mourniaty-musta-maa
Biography:
When you get fed up with Christianity and Paganism starts to arouse your interest, interesting things are often created. Sometimes this process needs an accelerant, which is exactly what happened when Karulainen and Metällinen found themselves to be merged in the same family tree. Now, what else would fresh, Finnish relatives do but make aggressive noises together? This gave an outlet for the music Karulainen had already been writing.
Finnish Mourniaty began its life as a smoldering project already in 2015. It burst into raging fire five years later, when situations in life permitted concentrating on music full-time. When bass player Tenho joined the group in 2022, Mourniaty finally became a real band instead of two men with backing tracks.
Karulainen describes Mourniaty’s music as black metal, which combines mid-tempo grooves and even symphonic arrangements combined with lyrics sung in both Finnish and English, which revolve around themes of Paganism and Anti-Christianity. The debut album, “Musta maa” (Black Earth), was released thru Inverse records on digital platforms and in cd-format in November of 2025. What a perfect soundtrack for the darkest season of the year
Track list:
01. Ajan saattama
02. Musta maa
03. All Your Lies
04. Aika Roudan
05. Shrines
06. Kyynelten virta
07. Seventh Seal
08. A Son of the Plague
09. Sodomia
10. Pyhä on valani
Mixed by Karulainen & Joona Rinne / Deep Noise Studios
Mastered by Saku Moilanen / Deep Noise Studios
Album cover by Karulainen
Line-up:
Metällinen - drums
Tenho - bass
Liekkiö - guitar
Karulainen - vocals & guitar
https://www.facebook.com/mourniaty
DYING VICTIMS PRODUCTIONS is proud to present the highly anticipated fourth album of Germany’s WITCHING HOUR, DESCENDING… WHERE TIME HAS CEASED TO EXIST, on CD and vinyl LP formats.
It’s been a long, strange trip for WITCHING HOUR. Formed in 2006 in the southwest of Germany, the band’s earliest work tended toward paradigmatic blackthrash, particularly the Teutonic iteration of it. And while releases have been patiently sparse during that time, they’ve been of uniformly high quality, all leading up to 2018’s pivotal third album, …And Silent Grief Shadows the Passing Moon. Here, WITCHING HOUR staked their claim as some of thrash metal’s strongest songwriters with a narrative flow that was almost dream-like and a sound quite elevated from their humble beginnings. A career highpoint, to be sure, but silence then ensued…
So it goes with WITCHING HOUR, patience is rewarded with their long-awaited fourth album, Descending… Where Time Has Ceased to Exist. Much like its towering predecessor, Descending… comprises five epic tracks (plus instrumental intro) and, this time, exceeds the length by two minutes for a total of 44: a journey indeed awaits. In fact, the band recorded, mixed, and mastered the album at Journey into Eternity Studios, which is owned by drummer Sascha Bastian.
Ancient metal mysticism is the atmosphere that cloaks WITCHING HOUR’s fourth album like ethereal chainmail. The grit of its predecessor has been slightly shined to a rustic gleam, of sorts, as the songwriting suitably grows more diversified and complex – and, even more uniquely, possessing a paradox of density and spaciousness. As each composition winds and wends on paths that are alternately mysterious, gloomy, and triumphant, the power-trio gallop with a confidence that’s compelling to the extreme; the narrative flow is more fluid than ever, drawing the listener deeper into the all-encompassing experience. That their riffing has grown even more (gloomily) melodic and the leads burn brighter than before simply underlines the band’s traditional metal foundations, particularly that of the NWOBHM.
To summarize and say that Descending… Where Time Has Ceased to Exist marries prog-rock structures to ancient heavy metal riffing & melody and draped in the atmosphere of pioneering German thrash and earliest black metal only explains half the brilliance of WITCHING HOUR at this juncture – but it’ll perhaps encourage you to begin that journey!
Line-up:
Jan Hirtz - Guitars, Vocals
Sascha Bastian - Drums
Marco Justinger - Bass, Guitars
From Saarland, Germany
Artwork:
Bvllmetalart
Release date:
22nd May
Tracklist01 Descending
02 Where Time Has Ceased To Exist
03 Profane Resurrection Of A Presumed Dead
04 The Graves Yearn For The Dead
05 A Night Under A Crimson Moons Lament
06 And Then Came The Flames
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on dark green vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
http://www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Finnish
thrash metal band WHERE VICTIMS LIE released two promo CDs back
in 2003 and 2007 and after that went on a long hiatus. Now they're back and are
preparing to release a new EP "WHAT WAS LEFT BEHIND" on
April 22nd. Opening track and first single "PETTING A BURNING
DOG" is out now!Listen to the single on music services : https://push.fm/fl/wherevictimslie-pabd
The track goes straight to the point from the very first notes and delivers an aggressive assault of sheer thrash metal revival! Rooted in the 80s, influenced by the 00s, but crafted with passion in the 20s. For fans of The Haunted, Testament, Kreator, Slayer and the likes.
Where Victims Lie:
Teijo Hakkola: vocals
Jarkko Petosalmi: guitar
J-V Hintikka: guitar
Herkko Huttunen: bass, backing vocals
Timo Häkkinen: drums
https://www.facebook.com/wherevictimslie
https://www.wherevictimslie.com/
GOLGOTHA – “HUBRIS”
Label: Abstract EmotionsRelease date: April 24th 2026
Genre: Melodic Doom/Death Metal
For fans of: Candlemass | Novembers Doom | Paradise Lost | My Dying Bride
Held in the arms of comfort and love, surrounded by joy and affirmation, I had no expectation, nor understanding of failure and loss. I had no sense of my own true measure, or of the darknesses that lay so far below me, watching me with hungry eyes and endless patience. I flew higher, heedless and carefree, gathering happiness like an endless crop, a constant golden yield. And as the flames began to flicker along my wings I took them to be just another well-deserved adornment, another gift from a universe that loved me best. And when the fall came, it came fast. I spiralled into shadow, crashing into night…my heart, my mind, my spirit shattering on the rocks of reality. Toxicity and spite, rejection and grief, jealousy and hunger lapped at my feet like a bitter sea, as I lay on the cold, cruel shores of realisation…the scales rebalanced.
Following in the wake of their towering Spreading The Wings Of Hope album, Spain’s Golgotha have returned with the altogether darker hues and harsher, more rugged textures of Hubris. This is an album forged in the pitiless furnace of life; eight songs steeped in the struggle, turmoil and challenges that shape us, that make us human. Reflecting on their latest creation the band have emphatically stated, “these are not fictional stories, but fragments of real life turned into music”.
The album begins with first single, ‘A Simple Life’, opening with a brave, exposed vocal from María J. Lladó that focusses the attention, drawing the listener in before the full tide of Golgotha’s overwhelming sound crashes over them. The poignancy of emotion in this track, with its hypnotic refrain, flows like blood through every chord, every note. Elsewhere, the gargantuan, crawling riffs and huge, monstrous vocals of ‘Broken Toy’ open out into a reflective, melancholy melody – harsh vocals switching to Maria’s clear, emotive tones – as contrasts blend and entwine. Throughout Hubris these two sides of Golgotha, the forceful, bleak and blackened and the doomed, delicate beauty dance with each other in a deftly harmonious, disparate duality. ‘Too Late’ is deep, dark, slow motion death metal until a melodious chorus arrives, allowing a pale, gentle light into the black and a vibrant solo is a burst of flame in the cold murk. From ‘Blind’, in all its tarnished, faded majesty, like a funeral of kings, to the concluding ‘Intolerance’ – a musical conflict between the nobility of sorrow and the raw pain of grief – this is an album that lays bare its heart and shows all its scars. It will hollow you out, caressing your hidden anguish and drawing your wounds into the light.
“I became just an echo…”- Blind
To capture the real and vivid darkness of Hubris, Golgotha turned to producer Davide Billia (Antropofagus, Beheaded, Posthuman Abomination etc) and the band have described his contribution as “essential in shaping the power and character we wanted for this album”. Hubris will be released by Abstract Emotions on April 24th – another incredible chapter in the unfolding story of Golgotha.
Line-up:
Vicente J. Paya – Guitar/Keyboards/Vocals
Andrew Spinoza – Bass/Harsh Vocals
Rafel Garcies – Drums
María J. Lladó – Clean Vocals
Dan Garcia – Guitars
https://abstractemotions.com/en/
https://www.facebook.com/GolgothaOfficialBand
Milwaukee (WI) - New Blackened Death Metal entity, RELIC, has launched a stream of "IRON SACRAMENT," the second single from their forthcoming debut EP, CROWN OF FLIES!
"Iron
Sacrament" is available at https://www.youtube.com/watch?v=klxSrWh8jJQFFO: Belphegor, Sanguisuabogg, 200 Stab Wounds, Diocletian, Behemoth, Angelcorpse, Devourment, Dead Congregation, Immolation
Delivering Death Metal's dissonant punishing riffage with Black Metal's relentless chaotic speed. RELIC builds a new monument on the foundation of those that came before. Comprised of seasoned Milwaukee metal scene veterans with a history of making tight and focused music. Their debut EP, Crown Of Flies, is a blistering slab of Midwest 90s Blackend Death Metal worship. Delivered with malintent for its listeners. No frills, no scene drama, or gimmicks used by so many bands today. Pure underground Death Metal that is in your face and out for blood.
The EP's first single, "Scavengers Daughter," is available at
RELIC is:
Kevin Forsythe (Jungle Rot, Emblazoned) – Guitar / Bass
Jeff Plewa (Micawber, Emblazoned) – Vocals
Alex “Pulverizer” Pulvermacher (Decrescent, Emblazoned) – Drums
Vinny Alvarez (A Night At The Chalet, Slam Pig) - Guitar
Crown of Flies is out April 3 on CD and digital formats.
Pre-order: https://relicdm.bandcamp.com/album/crown-of-flies
Track Listing:
1. The Void Between Gods
2. Filth Of Rebirth
3. Scavengers Daughter
4. Iron Sactament
Credits:
Recorded at Belle City Sound in Racine WI, November 2025.
Produced by Chris Wisco.
Mixed and Mastered by Billy Diamond.
Album Cover
Logo Design by Christophe Szpajde
https://www.facebook.com/RELICDM
AVERTAT – “DEAD END LIFE”
Genre
: Death
Doom MetalRelease
dates:
Digital - April 24thh, 2026
CD - May 29th, 2026
When Sebastian Görlach parted ways with DÉCEMBRE NOIR in the spring of 2024, the decision did not mark the end of his musical journey. Instead, it opened the space he needed for a creative new beginning – or rather, a return to the very essence of what had always drawn him to metal. With AVERTAT, the musician from Thuringia reconnects with his roots and the holistic songwriting approach that defined DÉCEMBRE NOIR.
While parallels to DÉCEMBRE NOIR are unmistakable, AVERTAT offers a distinctly different perspective on death‑doom. A key factor is the involvement of vocalist Enrico Langguth, who did not come from a metal background, even though his performance on “Dead End Life” suggests otherwise. His expressive, emotionally charged delivery adds a fresh dimension to the genre, while Sebastian Görlach contributes the deep growls, creating a dynamic interplay that amplifies the album’s emotional weight.
Apolaustic, the newly formed black metal band by former Stortregn vocalist/guitarist Romain Negro, have unveiled another official video from their debut full length "No Plenitude Without Suffering". This one is beautifully shot and goes well with the emotions in their music. No Clean Singing premiered it https://www.nocleansinging.com/2026/03/02/an-ncs-video-premiere-apolaustic-testimony-of-an-obsolescent-world/
CD - May 29th, 2026
When Sebastian Görlach parted ways with DÉCEMBRE NOIR in the spring of 2024, the decision did not mark the end of his musical journey. Instead, it opened the space he needed for a creative new beginning – or rather, a return to the very essence of what had always drawn him to metal. With AVERTAT, the musician from Thuringia reconnects with his roots and the holistic songwriting approach that defined DÉCEMBRE NOIR.
While parallels to DÉCEMBRE NOIR are unmistakable, AVERTAT offers a distinctly different perspective on death‑doom. A key factor is the involvement of vocalist Enrico Langguth, who did not come from a metal background, even though his performance on “Dead End Life” suggests otherwise. His expressive, emotionally charged delivery adds a fresh dimension to the genre, while Sebastian Görlach contributes the deep growls, creating a dynamic interplay that amplifies the album’s emotional weight.
Apolaustic, the newly formed black metal band by former Stortregn vocalist/guitarist Romain Negro, have unveiled another official video from their debut full length "No Plenitude Without Suffering". This one is beautifully shot and goes well with the emotions in their music. No Clean Singing premiered it https://www.nocleansinging.com/2026/03/02/an-ncs-video-premiere-apolaustic-testimony-of-an-obsolescent-world/
"The
film is both magnificent and haunting, harrowing and humbling. Its message
might be that humanity’s vaunted accomplishments will ultimately come to
nothing, and the earth will survive and triumph."
APOLAUSTIC - “NO PLENITUDE WITHOUT SUFFERING”
Genre - Melodic black/death
metal
For fans of - Dissection, Naglfar, Sacramentum, Unanimated,
Thulcandra, Stortregn, Dyssebeia
Apolaustic was formed by the former Stortregn vocalist/guitarist Romain Negro as an outlet for him to express his personal vision. At once scathing and stirring, the sharp, insistent riffs go hand in hand with elegant melodies that never outstay their welcome. The aggression and poignancy is beautifully managed with plenty of variations provided to highlight those emotions at the right times. After experiencing the turmoil of life, the aching pain in the melodies is all too palpable. "No Plenitude Without Suffering" is a heartfelt, meticulously put together, pristine-sounding debut from a veteran musician that is bound to stand the test of time if only on the basis of the sheer quality of melodies contained within.
Apolaustic was formed by the former Stortregn vocalist/guitarist Romain Negro as an outlet for him to express his personal vision. At once scathing and stirring, the sharp, insistent riffs go hand in hand with elegant melodies that never outstay their welcome. The aggression and poignancy is beautifully managed with plenty of variations provided to highlight those emotions at the right times. After experiencing the turmoil of life, the aching pain in the melodies is all too palpable. "No Plenitude Without Suffering" is a heartfelt, meticulously put together, pristine-sounding debut from a veteran musician that is bound to stand the test of time if only on the basis of the sheer quality of melodies contained within.
Line
up
Romain Negro (ex-Stortregn) - Vocals, Songwriting
Merlin Bogado (Dyssebeia) - Session Guitars & Bass
Nicolas Muller (Akiavel) - Session Drums
Cover artwork by Romain Negro
Track listing
Merlin Bogado (Dyssebeia) - Session Guitars & Bass
Nicolas Muller (Akiavel) - Session Drums
Cover artwork by Romain Negro
Track listing
1. Devouring the Past
2. Fragments from a Misty Journey
3. Testimony of an Obsolescent World
4. Shining Amidst the Lights
5. Smells Like Dead Autumn Fire
6. Black Flame Reviver
7. De Feu et de Cendre
8. Peregrination Towards Childhood Memories
https://www.facebook.com/transcendingobscurityrecords
2. Fragments from a Misty Journey
3. Testimony of an Obsolescent World
4. Shining Amidst the Lights
5. Smells Like Dead Autumn Fire
6. Black Flame Reviver
7. De Feu et de Cendre
8. Peregrination Towards Childhood Memories
https://www.facebook.com/transcendingobscurityrecords
Thank
you very much! Kunal Choksi Label Owner Transcending
Obscurity Mumbai, India
Perceptions
of Reality is an auditory exploration of consciousness, blending Groove and
Technical Death Metal with world music and each member’s distinctive artistic
vision. Built through a fully collaborative process, the album delivers a raw
yet melodic balance, seamlessly shifting between pummeling intensity and
expressive harmonies. Thematically, Perceptions of Reality is an invitation to
reflect on the fleeting nature of existence, a concept woven through
philosophical musings, personal experiences, and intricate storytelling. Each
track serves as a mirror, challenging the listener to question, explore, and
embrace their reality. With this release, Brinicle not only marks a new chapter
in their artistic evolution but also cements their place as an innovative force
in modern metal, pushing genre boundaries while staying true to their
underground roots.Hailing
from Bogotá, Colombia, Brinicle merges the raw power of Groove and Death Metal
with world music influences, creating a dynamic and thought-provoking sonic
experience. Their lyrics, deeply inspired by literature and philosophy, elevate
their music beyond mere aggression—offering listeners a journey through
introspection and existential reflection.
Brinicle’s
rhythmic foundation is built on groove-driven intensity and crushing death
metal ferocity, while their melodies and harmonies—woven through guitars,
vocals, and intricate instrumentation—flow seamlessly, shaped by the diverse
musical backgrounds of each member. This fusion results in a sound that is more
than just the sum of its parts—a visceral and cerebral experience that
challenges the listener to think, feel, and awaken.
www.facebook.com/BrinicleMetal
DYING VICTIMS PRODUCTIONS is proud to present a brand-new mini-album from Canada/Sweden’s SANDSTORM, DUNGEON OF DEATH, on CD and 12” vinyl formats.
Imagine three black-clad warriors galloping across the battlefield at full speed towards you, with weapons held high and the clash of thunder overhead… but instead of a swift, merciless death, what assaults you is the charming heavy metal of SANDSTORM!
SANDSTORM
was formed in 2017 by Swedish brothers Stevie Whiteless and Reptile Anderson,
and joined by Canadian drummer PJ “The Butcher” LaGriffe. Inspired by
underground Swedish metal, the NWOBHM, shining studs and black leather,
SANDSTORM are the perfect embodiment of what real HEAVY METAL is all about.
Ever
since the twin releases of Time to Strike (2019) and Desert Warrior (2021),
both released to international acclaim by DYING VICTIMS, true metallers have
been craving a new SANDSTORM record – and it seems that those prayers are about
to be answered with yet another mini-album, Dungeon of Death!
The
format is truly suiting to the power-trio, as their punchiness is amplified
further, giving an immediacy to their largely patient march & gallop.
Compared to its predecessors, Dungeon of Death sees SANDSTORM bringing out the
rock ‘n’ roll roots of ancient heavy metal even more than before. And when
paired with the cleaner production style – warm, vintage, and very nearly
time-traveled from 1982 – a certain mystical atmosphere arises from that
dungeon…and with it, medieval metal might! SANDSTORM bring you back to life –
tonight!
Line-up:
Reptile Anderson - Bass, Vocals
P.J. "The Butcher" La Griffe - Drums
Stevie Whiteless - Guitars, Vocals
From Sweden/Canada
P.J. "The Butcher" La Griffe - Drums
Stevie Whiteless - Guitars, Vocals
From Sweden/Canada
Artwork:
Johan
Bjorck
Release date:
Release date:
22nd
May
Tracklist
Tracklist
1
Dungeon of Death
2 Slave to Sin
3 Death after Life
4 Close Combat
5 Storm the Gate
6 The Bird
Release info:
3 Death after Life
4 Close Combat
5 Storm the Gate
6 The Bird
Release info:
Regular
edition on black vinyl, with insert, poster, sticker, post card and download
code.
Special edition on dark blue vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Special edition on dark blue vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Label: Xtreem MusicRelease date: April 23rd 2026
Genre: Thrash Metal
For fans of: Death Angel | Nuclear Assault | Voivod | Forbidden
Nobility degraded, nature disfigured…tooth and claw, blade and bullet, animal and war machine made one. Flesh and circuitry, bone and steel, fused and driven by a single terrifying purpose, an absolute need to kill and destroy. The party is over and the time for fun is finished; now the world must burn. Pain maddened, blood hungry, consumed with an undeniable need for vengeance – the wolf beast is unleashed!
Since 2010 the Turin based wolves of Ural have been blending full-force thrash metal with crossover adrenaline and a willingness to step outside the confining boundaries of genre. Three explosive full-length albums – Party With The Wolves, Just For Fun and most recently Psychoverse – along with a brace of EPs, have carved their name into the hearts of thrashers everywhere. Now the pack are ready to unveil their fourth album, their second for the renowned Xtreem Music label and their most ferocious and far reaching to date – Anthropic Genetic Involution!
Anthropic Genetic Involution’s opening track, ‘Extreme Paranoia’, delivers an array of Ural’s exceptional traits right off the bat – clear, powerful lead vocals, jagged, spikey riffs, touches of VoiVod-ian dissonance, outstanding, fluid solos…awesome elements hit you from every angle. Tracks like ‘God Of Lies’ encompass so much musical diversity in such a cohesive, finely honed form, delivering thrash at its freewheeling, expansive, creative best. As the album powers on through ‘Open Scars’ you can never be certain where Ural are going to take you; they’re always one step ahead and that ability to surprise keeps everything fresh and interesting. At the same time, a song like ‘Rat In A Cage’ is supremely satisfying, bringing together crossover adrenaline, inherent melody and accomplished songcraft, topping it all off with a searing solo of classic metal brilliance. In fact the lead guitar work throughout this album is simply brilliant! A real unexpected twist comes in the form of ‘Flat Black’ – a savage reinterpretation of a classic tune from jazz trombonist J.J. Johnson. Meanwhile an absolute highlight is the vehement, burning thrash attack of ‘Terror Eyes’, where complexity and ferocity entwine to stunning effect. Towards its conclusion ‘Terror Eyes’ finally breaks down into a great snarling riff with another amazing solo dancing in its flames, before tumbling straight into final track ‘…To Change Your Vision’; a grinding, atmospheric coda, a final act of measured riffing and tension as the Ural wolfpack head back to their lair once more.
By retaining the services of producer Davide Billia (Avulsed, Beheaded, Holycide etc), who harnessed the lightning of Ural’s Cyber Requiem EP and Psychoverse album, the band have captured the perfect sound for Anthropic Genetic Involution – sharp, crisp, clear and powerful. Ural have also kept up their successful working relationship with artist Luca SoloMacello (Elvenking, Pentagram, Wormwood etc) – who has created the most impactful Ural cover art yet! Anthropic Genetic Involution will be released by Xtreem Music on CD and digital formats on April 23rd and is set to be one of the most exciting and energized thrash releases of 2026.
Line-up:
Andrea Calviello - Vocals
Alex Gervasoni - Guitars
Luca Caci - Guitars
Stefano Cipriano Moliner - Bass
Filippo Torno - Drums
https://www.xtreemmusic.com/
https://www.facebook.com/URALWOLFTEAM/
Indonesian
Brutal Death Metal trio, MULTIWOMB, have unleashed their debut
full-length album ANATOMY OF GORELUST on Grave Island Records.
The album is a relentless 9-track statement of surgical brutality and
gore-driven extremity.FFO: Despondency,
Inveracity, Pyaemia
Stream
and/or purchase the album at the following locations:
https://multiwomb.bandcamp.com/album/anatomy-of-gorelust
https://www.graveislandrecords.com/multiwomb-anatomy-of-gorelust-2026
https://www.graveislandrecords.com/multiwomb-anatomy-of-gorelust-2026
Across
26 minutes of tightly executed devastation, the band delivers dense riff
structures, punishing drum work and deeply guttural vocals rooted firmly in the
traditions of classic brutal death metal. Rather than chasing trends, Multiwomb
focus on precision, impact and raw intensity.
The
album artwork was created by the legendary Jon Zig, known for his long
experience and strong visual identity in the brutal death metal scene.
Recorded
at Nada Rakta Chamber and Volcanic Studio, then mixed and mastered at Ultra
Organic Studio, the album balances clarity with aggression, allowing every riff
and blast to hit with calculated force. Each track feels like a deliberate
incision, sharp and surgical.
Conceptually,
Anatomy of Gorelust explores anatomical obsession and grotesque imagery, while
establishing Multiwomb’s identity within the international extreme underground.
The
band released the following statement concerning the album:
"Anatomy
of Gorelust is our debut full-length, and we approached it with a clear
intention to deliver brutal death metal in its purest and most obsessive form.
Every riff, every blast and every guttural passage was written to feel tight,
suffocating and surgical. This album defines who Multiwomb are. No trends, only
anatomical extremity and raw intensity."
Track
Listing:
1.
Blood Climax
2.
Labia Dismemberment
3.
Perverse Anatomy
4.
Womb Dissection
5.
Enema of Boiling Gore
6.
Placenta Cannibal Feast
7.
Semen Baptism Ceremony
8.
Necroslut Vivisection
9.
Impaled with Lust
Album
Credits:
Produced
by Multiwomb and Grave Island Records.
All
music and lyrics by Multiwomb.
Guitars,
bass and vocals recorded at Nada Rakta Chamber.
Drums
recorded at Volcanic Studio.
Mixed
and mastered at Ultra Organic Studio.
Artwork by Jon Zig.
Logo by Aghy R. Purakusuma.
Layout by Pavel Lapkouski
Artwork by Jon Zig.
Logo by Aghy R. Purakusuma.
Layout by Pavel Lapkouski
Line-up:
Gus
Donald – Vocals
Bintang
– Guitars & Bass
Rama
– Drums
https://multiwomb.bandcamp.com/
https://multiwomb.bandcamp.com/
Label: Road To MasochistRelease date: May 8th 2026
Genre: Progressive Post-Metal
For fans of: Mastodon | The Ocean | Baroness | Textures
Concluding their 9/10 review of Godlust, the full-length debut album from Isle Of Eigg based band, The Massacre Cave, Ave Noctum stated “This highly original album takes us on an energetic journey to other spheres, and I sense that there’s plenty more in this band’s tank.” Sadly, Godlust in fact proved to be The Massacre Cave’s epitaph – but Ave Noctum were not wrong in recognising a well of creative possibilities awaiting to be tapped. One half of The Massacre Cave have risen from the ashes of their previous project – multi-instrumentalist Joe Cormack and drummer Pete Colquhoun – with a new band that explores new territories, new depths of emotion…Electric Sun Defence. And the first Electric Sun Defence album is ready to be unveiled; the expansive, progressive, honest and intense, Estuary.
“Lyrically, the estuary becomes a metaphor for inevitability: the idea that all effort, motion, and resistance ultimately move toward the same end. Life isn’t framed as a clean, purposeful river, but as something far less controlled.”
- Joe Cormack
Opening with the introductory ‘Shimmer’, a sunrise of sound, a moment of light, Estuary moves gracefully into its title track. This remarkable piece, pivotal to the album as a whole, holds so much of what Electric Sun Defence are and what they have to offer. It captures geographical positioning, placing the listener on the water’s edge at the break of day, in an instant of tranquil reflection, before expanding and unfurling, breaking into effervescent life, becoming heavier, unrestrained, frenetic…introducing the contrasts and juxtapositions which lie at the album’s heart in a confluence of peace and anxiety. Each song that follows in the wake of ‘Estuary’ contains a myriad of different movements, drawing from a remarkable range of sonic colours, nothing is simple or singular in nature. There is more to each piece than seems reasonable or possible. ‘His Will’ begins in a measured, controlled fashion, the guitar adding spiralling reels, before sublime vocals lead us into floating textures and frantic rhythms – an ever-shifting complex architecture. There’s brilliantly realised up-tempo rock, with dancing riffs and a flickering solo; harsh, impassioned vocals and a final deft return to tranquillity. The aggressively titled ‘Choke Leper’ emerges through gentle, melodic progression before rich, heavy chords power through the stillness, riffs growing organically like roots and branches from their imposing stature. Darkness and light contrast, then combine, blending to create a third alternate state. ‘Phantom Limb Amputee’ is adventurous, dextrous…jumping, flailing, impossible to pin down; like a body overflowing with adrenaline that simply cannot rest or switch off until it finally collapses in exhaustion. And at album’s end we find ‘In Bestia’, where peace follows madness follows thoughtful introspection follows desperate anger and on and on and on. It’s hugely ambitious and also poignantly relatable, as we all recognise the weariness we feel as our emotions dance around our lonely, frightened core. The ending, when it comes, is abrupt. The sudden silence a powerful final effect.
“This reflects a worldview where existence is defined by constant adaptation - being knocked off course, responding to unexpected forces, and continuing regardless. In that sense, ‘Estuary’ isn’t a song about despair, but about acceptance: recognising the lack of control, finding meaning within it, and carrying both hope and grief toward the same horizon.”
- Joe Cormack
With Pete Colquhoun’s drums being recorded by Graeme Young (Dog Tired, DVNE etc), who also contributed his skills to Estuary’s deft and meticulous mix, and the mastering being handled by the renowned Alan Douches (Baroness, Mastodon, Cannibal Corpse etc) this album sounds little short of magnificent; each instrument possessing depth and immediacy and being given space to breathe, contribute and influence. Estuary will be released by Road To Masochist, a label that the band feel shares their ethos – “uncompromising, viscerally charged, and unafraid to sit in uncomfortable spaces.” Look for it on CD digipack and digital formats from May 8th and be prepared for something special – something challenging and rewarding in equal measure.
Line-up:
Joe Cormack – Vocals, guitar, bass, keys, and programming
Pete Colquhoun - Drums
https://roadtomasochist.co.uk/
https://linktr.ee/electricsundefence
THE MEDEA PROJECT – “AKKADIAN ARTEFACTS”
Label: BDB StudiosRelease date: April 20th 2026
Genre: Dark Ambient/Doom/Electronica
For fans of: Apollyon Sun | Tiamat | Coil | Ager Sonus
“Fading out, you drift into the light
“Fading out, you drift into the light
Caked in dust, this is where you’ll die
Of your wisdom, time will never know
Land of lost gods, this is where we go.”
-Babylon – The Medea Project
We walk through scarred ruins, bathed in the blood of sunset. The dust rises about our feet like swarms of infinitesimal devils, raging silently at our passage, our intrusion into their kingdom of loss. The weight of ages hangs heavy in the air, the taste of forgotten souls bitter upon our dry, cracked lips. Beneath our feet, below this broken ground lie the answers we have sought for so many years, wrapped in cerements of shadow and bound in words of forbidding and forgetting. It is time to descend and receive whatever gifts the Fates have prescribed for us.
Of your wisdom, time will never know
Land of lost gods, this is where we go.”
-Babylon – The Medea Project
We walk through scarred ruins, bathed in the blood of sunset. The dust rises about our feet like swarms of infinitesimal devils, raging silently at our passage, our intrusion into their kingdom of loss. The weight of ages hangs heavy in the air, the taste of forgotten souls bitter upon our dry, cracked lips. Beneath our feet, below this broken ground lie the answers we have sought for so many years, wrapped in cerements of shadow and bound in words of forbidding and forgetting. It is time to descend and receive whatever gifts the Fates have prescribed for us.
Following on from the raw, untrammelled passion and majesty of their Live At
Dingwalls release, The Medea Project are about to reveal yet another aspect of
their many faceted sound. They have offered up their children of the night,
their beautifully warped brood of songs, to Lucifer X (aka David Fox) of
industrial/anti-pop/noise band St. Lucifer, to do with as he wilt…and he has
handed back to them Akkadian Artefacts; five songs remixed, reimagined and reconfigured.
Reticent shades have been drawn from their places of hiding within these
layered compositions – and songs once known have become entrancing strangers.
Just as dark, just as dramatic but utterly transformed. Akkadian Artefacts is
an ambient, atmospheric shadow world, the other side of The Medea Project
mirror. From the lightless mausoleum of ‘Babylon (The Fall Of Akkadia), through
the melancholy, haunted dream state of ‘Ghosts In The Shell’, to the hard
electronics and shadows reshaped of ‘Cave Dweller’, these new visions are
spellbinding. Brett Minnie’s vocals have gained an additional power in their
new isolation and the strength of the lyrics really hits home; in their
fragmented state, removed from their natural surrounding structure they call
for a fresh appreciation. ‘The Drone Song (Desertion)’ holds you like a
flickering light in the void with no sense of time, space or self and
throughout final track, ‘Redacted’, you hardly dare to breathe – afraid of
breaking its still magic and attracting the gaze of forgotten gods, consumed in
their timeless ceremonies. This is the sound of the world ending, not in
nuclear fire, but in a quiet fading of the light.
“And still we dream in the desert’s night
“And still we dream in the desert’s night
on distant breeze in a lost yesterday.
The Desert Song – The Medea Project
Complete with artwork also conceived and created by Lucifer X, Akkadian Artefacts will be released on digital and limited-edition, hand-numbered CD formats on April 20th, by BDB Studios. Step through the veil and discover that all you knew is but a dream, your faith is built on shifting sands and nothing, nothing is what it seems…
“We are the gods of a dying sun
The Desert Song – The Medea Project
Complete with artwork also conceived and created by Lucifer X, Akkadian Artefacts will be released on digital and limited-edition, hand-numbered CD formats on April 20th, by BDB Studios. Step through the veil and discover that all you knew is but a dream, your faith is built on shifting sands and nothing, nothing is what it seems…
“We are the gods of a dying sun
We are the gods of a dying son
Here below in the world remain, where shadows come and shadows play.”
Reborn – The Medea Project
Line-up:
Brett Minnie - Guitars/Vocals
Pauline Silver - Drums & Percussion
All songs reimagined, deconstructed, reassembled and remixed by Lucifer X
https://medeaproject.com/
Here below in the world remain, where shadows come and shadows play.”
Reborn – The Medea Project
Line-up:
Brett Minnie - Guitars/Vocals
Pauline Silver - Drums & Percussion
All songs reimagined, deconstructed, reassembled and remixed by Lucifer X
https://medeaproject.com/
NEWS 21.3.2026
Lasst uns das Wochenende mit ein paar richtig satte und
deftige Metalklänge einläuten .
Aktuelle Reviews :
GLUTTONY – “ EULOGY TO BLASPHEMY”
ARCANE FROST – „NIGHT’S CAVALRY“
Noch mehr aktuelle Infos rund um den Globus findet ihr unter : https://www.facebook.com/mario.klein.961/ https://www.facebook.com/Undergroundfanzine
SORGSVART – „GARDAR OG GRENDE“
Veröffentlichungstermin: 01.05.2026
Formate: Digi-CD (PTCD37, Schattenpfade 055, EP 096-9) & Vinyl (EP 096-1)
Manche sind Virtuosen des Exzesses, andere sind Komponisten aus Notwendigkeit…
Am ersten Mai, wenn das Jahr sich wendet, wie es seit jeher geschieht, wird von SorgSvart das neue Album „Gardar og Grende“ veröffentlicht - geschaffen von einer Hand, einem Atemzug und einem Willen, geschmiedet in Einsamkeit und aus einem unabhängigen Geist.
SorgSvart, das ist das Ein-Mann-Projekt des Multiinstrumentalisten, Sängers und Komponisten Sorg, der dort beheimatet ist, wo Land, Wetter und Stille noch immer den Rhythmus des Lebens prägen. Aus Kvinnherad in Hordaland, unterhalb des Gletschers Folgefonna, erhebt sich seine einsame Stimme, die Stimme eines einsamen Komponisten, dessen Disziplin, strukturelle Klarheit und absolute Autorschaft ihm den Beinamen „Bauern-Mozart des Black Metals“ eingebracht haben. Nicht wegen des Spektakels, sondern wegen seiner vollkommenen Formbeherrschung, seines unermüdlichen Arbeitseifers und einer Hingabe zum Handwerk, die von der modernen Welt unberührt bleibt.
SorgSvart ist vielschichtig im Klang, aber eins im Geiste. Keine Gilde, keine Maschinerie, kein Marktchor steht dahinter, nur ein Mann bei der Arbeit, wie es einst üblich war. Der Künstler Sorg ist eine seltene Figur im zeitgenössischen Black Metal, ein Vollkomponist, der Stimme, Instrumente, Struktur und Vision ohne Vermittlung beherrscht. Seine Musik ist nicht industriell gefertigt. Sie ist komponiert, geduldig, unabhängig, beharrlich und frei von jeglichen Markteinflüssen.
Der Titel des Albums, „Gardar og Grende“, besteht aus Worten, die älter sind als der Wunsch nach Profit und Fortschritt: „Gardar“, das umzäunte Gehöft, mit Mühe und Not errichtet; „Grende“, die verstreuten Behausungen, nicht durch Regeln, sondern durch Verwandtschaft und Brauch verbunden. Gemeinsam beschreiben sie eine Welt, in der das Leben lokal, gemeinschaftlich und hart erkämpft war, in der der Mensch nicht über dem Land stand und es ausbeutete, sondern mit ihm verbunden war.
„Gardar og Grende“ entspringt der Sehnsucht nach dem alten Bauernleben Norwegens, dem Leben der kleinen Höfe mit gemeinsamer Arbeit, nach überliefertem Wissen und stiller Würde. Ein Leben ohne ferne Herren, in dem der Wert eines Menschen nicht allein am Ertrag, sondern an Fürsorge, Ausdauer und Zugehörigkeit gemessen wurde.
„Gardar og Grende“ schöpft aus norwegischer Volkstradition, düsteren akustischen Ritualen und dem strengen Geist des Black Metals, verweigert sich aber modernem Exzess und Hektik. Die Musik ist bewusst ungeschliffen - geformt von Atem, Holz, Saiten, Pfeife und Haut - und widersetzt sich der Glätte und Abstraktion zeitgenössischer Produktionsmöglichkeiten. Unter ihrem Klang regt sich ein stiller Widerstand gegen die Moderne: Eine Abkehr von Konsum, Kommerzialisierung und zentralisierter Kontrolle sowie eine bewusste Hinwendung zu Selbstversorgung, Tradition und bäuerlicher Würde. Dies ist keine propagierte Ideologie, sondern gelebte und in die Musik eingewobene Botschaft. Denn SorgSvart strebt nicht nach Aufmerksamkeit. Die Musik steht für Handwerk statt Produkt, Heimat statt Fortschritt und Freiheit in der Einfachheit.
„Gardar og Grende“ erscheint auf CD und Vinyl und würdigt das greifbare Artefakt - Musik, die man in Händen halten, ganz hören und weitergeben möchte. Diese Musik ist Heimat, der Gesang stiller Widerstand. SorgSvart ist eine Stimme aus den mächtigen Bergen und Fjorden von Kvinnherad, ehrlich und frei!
Künstlerbiografie:
Sorg ist ein norwegischer Multiinstrumentalist, ausgebildeter Volksmusiker, Sänger und Komponist aus Kvinnherad in Hordaland. Er tritt unter dem Namen SorgSvart auf. Aufgewachsen zwischen Bergen, Fjorden und dem Gletscher Folgefonna, ist seine Musik tief von der Landschaft, der ländlichen Tradition und der Sehnsucht nach dem alten norwegischen Bauernleben geprägt.
SorgSvart ist ein waschechtes Ein-Mann-Projekt, die komplette Musik wird von Sorg allein komponiert, aufgeführt und aufgenommen. Sie basiert auf hart erarbeiteter Handwerkskunst, einer antimodernen Überzeugung und der Ablehnung kommerziellen Überflusses. Inspiriert von norwegischer Volkstradition, düsteren Ritualen und der Härte des Black Metals, zeichnet sich sein Werk durch seine Langsamkeit, Bedachtsamkeit und unerschütterliche Unabhängigkeit aus.
Discography:
2002 - Norge (Demo)
2003 - Nattesvart (Demo)
2003 - Nordlys (Demo)
2004 - Fortapt fra Verden i Vakkert Selvmord (Demo)
2006 - Fortapt fra Verden i Vakkert Selvmord (Album)
2008 - Vikingtid og Anarki (Album)
2026 - Garder og Grende (Album)
www.pesttanz.com
www.schattenpfade.de/
www.einheit-produktionen.de
SorgSvart@gmail.com
www.instagram.com/SorgSvart_Noreg/
Remastered Reissue-Editionen von "CRITERIA FOR A BLACK WIDOW" und "CARNIVAL DIABLOS"
ab 17. April 2026 im Handel
earMUSIC setzt die Neuauflagen-Serie des ANNIHILATOR-Katalogs fort und veröffentlicht am 17. April 2026 neu remasterte Editionen der Spät-90er-Schlüsselwerke "Criteria For A Black Widow" (1999) und "Carnival Diablos" (2001).
Beide Studioalben erscheinen als schwarze 180g Doppelvinyl mit 45 RPM sowie als CD Digipak-Edition. Neben überarbeitetem Artwork enthalten die Editionen neue Liner Notes von Alex Milas (u. a. Metal Hammer UK), basierend auf einem exklusiv für diese Reissue-Reihe geführten Interview mit Jeff Waters.
1984 von Gitarrist und Mastermind Jeff Waters gegründet, gelten Annihilator bis heute als erfolgreichster Heavy-Metal-/Thrash-Metal-Export Kanadas und als eine der technisch versiertesten Bands des Genres. Nach dem Durchbruch mit "Alice In Hell" (1989) – längst ein Klassiker des Thrash Metal – führte Waters die Band durch wechselnde Trends, zahlreiche Besetzungswechsel und die Turbulenzen der 1990er, ohne dabei die charakteristische Mischung aus Präzision, Geschwindigkeit und Melodie aus den Augen zu verlieren.
Gegen Ende des Jahrzehnts befand sich die Band jedoch an einem Wendepunkt. Nach der experimentelleren Phase von "Remains" (1997) und inmitten einer sich wandelnden Metalszene begann Waters seinen Kurs zu überdenken. Ein Schlüsselmoment war ein Slayer-Gig in einem kleinen Club – eine Erinnerung daran, dass Metal von Intensität lebt, nicht von Trends.
Waters zog die Konsequenzen und führte Annihilator zurück zu ihren Wurzeln. Gemeinsam mit Randy Rampage (Gesang) und Ray Hartmann (Drums) sowie Gitarrist Dave Davis verzichtete er auf Studio-Exzesse und setzte stattdessen auf Geschwindigkeit, Schärfe und echte Drums. Das Ergebnis war "Criteria For A Black Widow" (1999), ein direktes, ungefiltertes Comeback-Statement.
Vom kompromisslosen Opener "Bloodbath" über den Fan-Favoriten "Back To The Palace" bis hin zum furiosen Titeltrack knüpft das Album wieder klar an die Thrash-Wurzeln der Band an und verbindet technische Finesse mit explosivem Riffing – eine typische Waters-Signatur. In einer Phase, in der klassischer Metal wieder an Boden gewann, stärkte das Album sowohl Selbstverständnis als auch Glaubwürdigkeit der Band.
Der neu entfachte Schwung setzte sich mit "Carnival Diablos" (2001) fort. Nach turbulenten Jahren brachte der Einstieg von Joe Comeau (ex-Overkill) zusätzliche Dynamik. Aufgenommen in den Watersound Studios in British Columbia, präsentiert "Carnival Diablos" eine Band in Bestform. Vom druckvollen Opener "Denied" bis zum düster-groovenden Titelstück verbindet das Album die Wucht klassischen Heavy Metals mit jener Präzision, die Annihilators Frühwerk auszeichnete. Es schlägt die Brücke zwischen Tradition und Neuerfindung und unterstreicht erneut Jeff Waters Rang als einer der herausragenden Songwriter des Thrash Metal.
Mit diesen Reissue-Editionen rücken zwei entscheidende Alben der Bandgeschichte erneut ins Rampenlicht. Alben, geprägt von Neuausrichtung, Widerstandskraft und einem erneuerten Bekenntnis zu purer Metal-Intensität.
Die remastered Editionen "Criteria For A Black Widow" & "Carnival Diablos" erscheinen am 17. April auf CD und LP.
https://www.earmusic.com/annihilator-reissues/
TÜRBÖWITCH haben soeben über TIME TO KILL RECORDS ihr drittes Album
“UNDER HAUNTED SKIES” veröffentlicht, das einen neuen Höhepunkt
im unaufhaltsamen Aufstieg der Band in der europäischen Underground-Szene
markiert. Als entscheidender Schritt nach vorne sowohl in Sachen Intensität als
auch Songwriting-Fokus schärft das Album jedes Element ihres Sounds zu einer
konzentrierten Explosion aus Geschwindigkeit, Aggression und Atmosphäre, wobei
sie ihrem kompromisslosen Ethos treu bleiben und gleichzeitig ihre klangliche
Identität erweitern.
Das Album zeigt TÜRBÖWITCH von ihrer beeindruckendsten Seite und verbindet black-metallische Wildheit mit einer düsteren, epischen Note. Verwurzelt in der rohen Brutalität und der punkigen Aggressivität von Bands wie Midnight, The Crown und Hellripper, schafft “Under Haunted Skies” einen Ausgleich zwischen Chaos und Präzision, wobei scharfe melodische Akzente den musikalischen Ansturm durchbrechen, ohne jemals dessen viszerale Wucht zu schmälern.
Getreu ihrem kompromisslosen Ethos kanalisieren TÜRBÖWITCH den Geist des Extreme Metal der 80er-Jahre durch ein modernes Gefühl der Unmittelbarkeit und liefern Songs, die schnell, dreckig und auf maximale Wirkung ausgelegt sind. Mit dem nun erhältlichen Album “Under Haunted Skies” bekräftigt die Band nicht nur ihren Ruf für explosive Live-Energie und kompromisslose Haltung, sondern präsentiert auch ihr bisher stimmigstes und wildestes Material: einen unheiligen Speed-Angriff, der weit über die Grenzen der Underground-Szene hinaus nachhallen wird.
Tracklist:
01 - Evoker of the Twilight
02 - Markoláb
03 - Under Haunted Skies
04 - Cult Mastery
05 - Ashbringer
06 - Highways of Death
07 - Ultimate Failure of Will
08 - When the World Crumbled
09 - Moshpit at the End of the Day
10 - Road to Resilience
Das Album "Under Haunted Skies" hier bestellen:
https://timetokillrecords.com/collections/turbowitch-under-haunted-skies
https://turbowitch666.bandcamp.com/album/under-haunted-skies
Über Türböwitch
TÜRBÖWITCH wurde 2016 in Budapest gegründet, ins Leben gerufen von Sänger Zslöd und Gitarrist Kommandante Klit als rohe, schnörkellose Hommage an die klangliche Wucht und den visuellen Wahnsinn des Extreme Metal der 80er-Jahre. Was als lustiges Nebenprojekt langjähriger Freunde begann, entwickelte sich schnell zu einer weitaus fokussierteren und engagierteren Band, die jedoch nie ihre ungefilterte Energie und Liebe zum Chaos verlor.
Im Laufe der Zeit wuchs TÜRBÖWITCH zu einer vollwertigen fünfköpfigen Live-Band heran. Ihre Diskografie begann 2016 mit einer Demo, gefolgt vom Debütalbum "Napalm to Posers" (2017), der EP "Beyond the Last Call" (2018) und ihrem zweiten Album "Fullmoon Liquorthropy", das Ende 2022 veröffentlicht wurde.
Musikalisch liefern TÜRBÖWITCH eine explosive Mischung aus der Aggressivität des frühen Thrash Metal, der Geschwindigkeit des Speed Metal und einer gehörigen Portion Punk-Attitüde: schnell, laut und vollkommen erbarmungslos.
Auf der Bühne hat die Band das Chaos bereits mit Kultbands aus aller Welt geteilt, darunter Abigail (JP), Mystifier (BR), Nuclear (CL), Blackevil (DE), Adversor (IT), Sexmag (PL), Necro Ritual (UK), Siberian Meat Grinder (RU), Deströyer 666 (AU) und Nunslaughter (US) und dabei stets alkoholgetriebene Energie sowie unerbittliche Lautstärke in den Pit gebracht.
Ihr Momentum erreichte im Juni 2024 einen neuen Höhepunkt, als sie das Finale des WACKEN METAL BATTLE Hungary gewannen und sich damit einen begehrten Platz beim legendären WACKEN OPEN AIR im August 2024 sicherten, wo sie auf der Bühne des größten Metal-Festivals der Welt ihren akustischen Angriff starteten.
Im März 2025 begaben sich TÜRBÖWITCH gemeinsam mit den schwedischen Heavy-Metal-Titanen Enforcer auf Tournee und brachten ihre explosive Live-Energie einem noch größeren europäischen Publikum näher.
Hoffnungslos süchtig nach schnellen Riffs, unheiligen Klängen und lauten Partys, gedeihen TÜRBÖWITCH weiterhin im Schmutz und der Wut der Underground-Metal-Szene.
Line-up:
Botond "Khäosz Bringer" Kasper – Schlagzeug, Vocals (Backing)
Péter "Mr. Fireball" Tóth – Gitarren (Rhythm), Vocals (Backing)
Valdemár "Välde" Volcsánszky – Bass
Zsolt "Kommandante Klit" Harsányi – Gitarren (Lead), Vocals (Backing)
Zsolt "Zslöd" Lédeczi – Vocals (Lead)
https://timetokillrecords.com/
https://www.facebook.com/timetokillrecords/
https://www.youtube.com/@turbowitch
https://www.facebook.com/turbowitch666
PARTY.SAN News:
GOREFUNEST P.S:O:A-Premiere! Gorefunest lassen den klassischen Sound der niederländischen Death-Metal-Legenden Gorefest wieder aufleben – roh, schwer und mit genau der richtigen Portion Old-School-Groove. Die Tribute-Band hat sich ganz der Frühphase von Gorefest verschrieben und bringt Songs der ersten Alben mit viel Respekt und ordentlich Druck auf die Bühne. Wer den schweren, düsteren Death Metal der frühen 90er liebt, kommt hier voll auf seine Kosten. Ein Pflichttermin für alle, die diesen Sound noch einmal live und laut erleben wollen.
MARDUK Seit über drei Jahrzehnten stehen Marduk für kompromisslosen schwedischen Black Metal: schnell, präzise und ohne Umwege. Mit Klassikern wie „Panzer Division Marduk“ oder „Wormwood“ hat sich die Band einen festen Platz in der Extrem-Metal-Geschichte erspielt. Live entfalten die Schweden eine rohe Intensität, die perfekt auf die Party.San-Bühne passt. Freut euch auf ein Set voller Raserei, Druck und Black Metal in seiner direktesten Form.
NAIL BY NAIL P.S:O:A-Premiere! Nail By Nail gehören zu den frischen Namen im Black Metal, die mit roher Energie und einem klaren Gespür für düstere Atmosphäre auf sich aufmerksam machen. Die Band verbindet klassische Raserei mit modernen Akzenten und entwickelt dabei einen eigenen, bissigen Sound. Live zeigt das Quintett, dass sie nicht nur im Underground für Gesprächsstoff sorgen. Wer auf neuen Black Metal mit Druck und Haltung steht, sollte Nail By Nail im Auge behalten.
https://www.party-san.de/
Tasmanian devils THE ABSOLUTION SEQUENCE have set an August 2026 release date for their highly-anticipated full-length album, DREAD CYCLE.
Following a string of EPs and singles, the album promises to be the band's most incendiary work yet. Slated for release via Bleeding Art Collective, with distribution by Blood Blast Distribution, Dread Cycle is set to solidify the band’s position as a premier name in contemporary technical death metal.
THE ABSOLUTION SEQUENCE is prepping fans for what's to come with the release of the official music video for the album's first single, "Ghost Mantra."
The band comments on the song's lyrical concept, "'Ghost Mantra' is all about being surrounded and taunted by the apparitions of our ancestors, and the
sacrifice of the lowly in order to maintain the status quo. What comes with these haunting feelings is the overwhelming presence of guilt, as we watch the poor die horribly and step over their bodies to see out our goals. 'Ghost Mantra' is a solemn bow to those who have suffered. A showing of respect and gratitude."
Watch the video now at https://www.youtube.com/watch?v=a3MW6H0Socw
Tracklisting:
1) Despotic Ruin (Diet of Worms)
2) Idols of Confraternity
3) Ghost Mantra
4) The Sordid Miasma
5) The Nightlight Sigil
6) Promethean Pilferage
7) A Mire Caked in Nativity
8) Grinding the Sphere
9) The Diary of the Emaciated
Dread Cycle was produced by Chris Themelco and mastered by the world-renowned Jens Bogren at Fascination Street Studios.
Line-up:
Stephen Cusato - Rhythm Guitar/Backing Vocals
Steven Mason - Rhythm Guitar
Alastair Boon - Bass/Backing Vocals
Luke Tucker - Lead Guitar
Nick Machin - Drums
Luke Sanderson - Drums
Shawn Wells - Lead Vocals
Bio:
Emerging from the isolated, unforgiving wilderness of Tasmania, THE ABSOLUTION SEQUENCE has carved out a unique identity within the Australian extreme metal scene. Their sound is a direct reflection of their homeland’s "dark isle" reputation—a place defined by a sinister history
and a cold, remote landscape that stands in stark contrast to the Australian mainland. The band has developed a signature style of Technical Death Metal that balances high-velocity musical prowess with a deeply immersive, atmospheric undertone. The band has earned a wide array of mainland and international support slots from Nile, Archspire, Thy Art is Murder to Psycroptic, Northlane, Make them Suffer and others. The also competed in the “GOOD THINGS 2022” Band Competition Victorian heats. Their proven consistent success in the Tasmanian Metal scene has garnered them a reputation as a reliable and sought after headlining act.
https://www.facebook.com/theabsolutionsequence
Hi
everybody, Petr from PARAT PRODUCTIONS, Czech Republic, here. I
have some news for you from my label. I’d like to announce that on March 27,
I’ll be releasing another project close to my heart on this label.
I love music from SCENERY, and I’m thrilled that Pařát Productions is also re-release the band’s third album out of four. The timing for this March is no coincidence; the original version was released in March 2006.
SCENERY – “CONTINUITY (AFTER TWENTY YEARS)”
Label: Pařát Productions
Style: Death-/Thrash Metal
For fans: DEATH, CYNIC, ATHEIST etc.
Type: Digipak + 16 page booklet
Release date: 27.3. 2026
The band originally self-released their first two albums on burned CDs, which is why the reissues by Pařát Productions were released in standard jewel box format. “Continuity” became SCENERY’s first recording under a record label in March 2006 and was released in a standard jewel box format; therefore, a digipak and bonus material were chosen for the re-release, which is sure to please both the band’s fans and CD collectors alike. The redesigned front cover of “Continuity” highlights the fact that this is a reissue after twenty years, and the sixteen-page booklet in both Czech and English, filled with memories, connects the band’s past with the present.
You can listen to full recording on the Pařát Productions YouTube channel https://www.youtube.com/watch?v=7AteI0cy7Y4&t=79s
Buy in Pařátshop https://paratshop.cz/produkt/scenery-continuity-after-twenty-years-3/
Australian death/thrash duo BATTLEGRAVE have unleashed the second single off their forthcoming third full-length, ENSLAVEMENT.
The music video for the band's newest assault, "Venom," is now streaming.
The band says it best when they describe the song as "venomous, fast acting and paralyzing." They continue to say, "It’s coming for your ears and it wants you dead! The song is a classic BATTLEGRAVE 2-minute head stomper about what the venom of some of Australia’s native toxic animals can do to the human body upon the infliction of a bite or sting. It’s a celebration of the magnificence of our countries fiercely dangerous but misunderstood fauna, delivered via a 10-tonne Death/Thrash/Crossover sledge hammer."
Listen to "Venom" now at https://www.youtube.com/watch?v=jJJzGQKG7jA
Enslavement is due out on April 10. Pre-order the album at https://battlegrave.bandcamp.com/album/enslavement
Watch the official music video for the album's first single, "Bonesaw" https://www.youtube.com/watch?v=1KC8DXjvBNU
Tracklisting:
1) Soul Chasm
2) There Is Only Death
3) Bonesaw
4) Eyes Of Enslavement
5) Venom
6) The Grand Machine Of Despair
7) Asylum
8) Marked By Evil
9) Under The Banner We March
10) US Outpost 31
The band's most devastating full-length release to date, Enslavement delivers 10 tracks of unbridled and vitriolic, death-laden thrash metal. This relentless barrage of calculated venom, intense riffing, and punishing rhythmic precision further cements the band's reputation for uncompromising extremity.
Lyrically tied to themes of violence and aggression, Enslavement weaves an interlocking narrative of a subterranean demon harvesting human souls to satiate its unending hunger. This conceptual core adds a sinister layer beneath the album's sonic brutality.
The album was recorded by Clint Patzel of BATTLEGRAVE, mixed by Tim Shearman and mastered by Logan Mader. Session drums by Robin Stone.
Line-up:
Rohan Buntine - Vocals, Lyrics
Clint Patzel - All Strings
Bio:
BATTLEGRAVE are a two-piece death/thrash project from Melbourne, Australia, formed in 2017 following the release of their debut demo track, “Mortar Fire,” which quickly generated strong underground buzz.
The duo followed with the EP To Hell with War (2017) and full-length albums Relics of a Dead Earth (2018) and Cavernous Depths (2022, via Bitter Loss Records), establishing a reputation for blending savage thrash intensity with punishing death metal weight. Their releases have received consistent acclaim across the global metal press and airplay on international radio platforms.
While primarily a studio-driven force, BATTLEGRAVE have also brought their music to the stage, recruiting respected musicians from Melbourne’s metal scene to deliver their blistering sound in a live setting.
Throughout their discography, the project has collaborated with world-class drummers including Kevin Talley, 66Samus, and most recently Robin Stone, further reinforcing the precision and power behind the band’s extreme sonic identity.
https://www.facebook.com/Battlegrave/
Release date : April 30, 2026
Genre : Black Metal
Origin: Toulouse/France
DURATION: 39:29
Label: Battlesk’rs Productions
Network Distributor: Ars Longa Vita Brevis
Tracklist:
1. Choose Your Destiny
2. I Have a Dream
3. You Failed (feat. Meyhnach)
4. Falling To Rise
5. To Those Who Forged Us
6. We Fight And We Protect
7. There Are No Safe Spaces
Line-up:
E. BerZerK : Vocals & Lyrical Propaganda
H. Hyskariioth : Bass
S. Evangelista : Guitars
Shamaanik B. : Drums
Active since 2002, the band serves as a spiritual vessel for its vocalist/founder Eklezjas’Tik Berzerk, alongside his acolytes Shamaanik B. (drums) and S. Evangelista (guitars/bass).
After branding the Underground with their first two albums, “Revelation” (2014) and “Satanic Resistance” (2019), MALHKEBRE resurfaced with a cassette in 2023, followed by an EP in 2025.
Each of these musical chalices revealed a new facet of the band — a progression toward the musical maturity now embodied at the core of “B.A.M.N.”, the new album set for release on April 30, 2026.
Heavier, darker, more ritualistic and declamatory, “B.A.M.N.” is a Gospel dripping with pain, violence, and rebellion. A Holy Word calling for the overthrow of old idols to establish a New Spiritual Order — music that forges new Black Metal dogmas upon the ruins of the old.
The cover artwork was created by Metastazis: "It's not part of the current Black Metal scene standard and we love it! It totally matches our vision of what we were looking for B.A.M.N. We don't follow any trends!"
"B.A.M.N." is not just another Black Metal album, but a record that restores the will to create at the very heart of the harshest musical orthodoxy.
Pre-orders: https://www.arslongavitabrevis.org
https://www.facebook.com/malhkebre
Label: Xtreem Music
Release date: May 21st 2026
Genre: Death Metal
For fans of: Incantation | Funebre | Asphyx | Bolt Thrower
Line-up: Tommi Grönqvist – All music and vocals
“As I closed the door behind me and descended the dripping steps by the light of my lone candle, I seemed to know the way; and though the candle sputtered with the stifling reek of the place, I felt singularly at home in the musty, charnel-house air.”
- The Tomb – H.P. Lovecraft
Tommi Grönqvist’s Desecresy has returned, back from the silent halls beneath the earth, with a ninth full length studio album of death metal in its truest form – not bound to the pursuit of feats of musical athleticism, not fixated on plumbing the depths of human perversion or creating anthems for the momentary pleasures of the pit. Desecresy’s music exists to weave dark, immersive atmosphere, to transport the listener to haunted tombs and ancient labyrinths on the shoulders of vast, soul shaking riffs, thick with the dust of centuries, while subterranean vocal exhortations intone the rites and rituals of a shadow world, the histories and desires of the restless dead. It is time to dream once more and follow Desecresy into the night, to learn The Secret Of Death…
The journey begins in the ‘Gorge Of The Dead’, as crawling, filth-encrusted riffs rise around you like cemetery mist, a cavernous voice rumbling from its tomb below your feet. Passages of lead guitar trace cold melodies through the night air and every element of sound serves the creation of atmosphere, drawing you in, ever deeper, the mundane world about you fading from perception. The flailing, gurgling, monstrous ‘It Appears In A Dream’ follows, the inhuman vocals like the speech of the dead – pronounced with rotting tongue and worm-eaten vocal cords. The aura of the grave hangs heavy as this music of the deceased and entombed unfurls – definitive, absolute death metal. Ravenous apparitions pursue you through the shuddering thunder of ‘Crypthymn’ with its glorious, necrosed bass rumble. ‘Rotting Ghouls’, sound and subject in perfect alignment, lumbers through a miasma of rot with corroding, collapsing riffs and drumbeats like hammers hitting the cold flesh of a carcass, building to a swirling cacophony of moonlight and madness, damp soil and terror. And it all ends in the layered film score atmosphere, bludgeoning riffs and fear-filled guitar motifs of ‘Vanishing Existence’ – a nightmarish epic and haunting conclusion to this mesmerising danse macabre. Desecresy’s ongoing odyssey through the realms of stygian gloom has uncovered new grim secrets and fresh depths of horror!
With all music, production and artwork arising solely from the creative spirit of Tommi Grönqvist, the Desecresy vision remains as fiercely focussed as ever - and with each release the results become more immersive, imposing and impressive. The Secret Of Death stands as the monolithic pinnacle of Grönqvist’s work to date. Xtreem Music remain his constant partner on this voyage of dread discovery and the renowned Spanish label will release The Secret Of Death on May 21st, on CD, 12” LP, cassette and digital formats. Be ready when the darkness calls...
https://www.xtreemmusic.com/
https://www.xtreemmusic.com/desecresy
Listen to the album on streaming services: https://push.fm/fl/hautajaisyo-surun-paino
The band's bassist Simo Pesonen also made a dungeon synth version 'Lyhyt matka luolaan' from the track 'Lyhyt matka hautaan' and it's available here: https://youtu.be/cwZZOa7cXfU
The
band talks about each of the tracks on the album.
01. Surun Paino (Weight of Sorrow). This was the last song we wrote for this album. The album had a different name before this, and the artwork was ready. However, the song was so good that we decided to use it as the title and opening track.
02. Maan Nielemä (Swallowed by Dirt). This song practically wrote itself. Sami and Teemu wrote it before practice and it was ready to go. It's a really brutal live song. It's Hautajaisyö at its best, which is why it's the first single.
03. Kuusi Kantajaa (Six Pallbearers). The song starts with the guitar, and then the others follow. There are great riffs and it's really catchy. At gigs, the audience has sung the choir parts. This song is very similar to our older song, "Revin Ihoni Rikki".
04. Kasvoton Kuljettaja (Faceless Driver). This was one of the last songs we wrote for this album, and we were still making changes to the arrangements a few days before recording. The song delves into death metal, and the lyrics were inspired by a nightmare that Janne's co-worker had.
05. Hetki Viimeinen (Last Moment). This was the first song we wrote for this album. We have played it live many times. When we recorded it, we decided to slow it down a bit, which made it nice and groovy.
06. Lyhyt Matka Hautaan (A Short Journey to the Grave). Sami wanted to create a song with more black metal elements. The result was a slightly different song with more arrangements. In the end, we got a good, brutal song that will be a crowd-pleaser at gigs. This song was initially called 'That Weird Song'.
07. Eloton (Lifeless). Originally, this was the first track on the album, but it ended up being placed later on. It's a really traditional Hautajaisyö song that could have been on our third album. A strong start with a good groove. We started our 10-year anniversary gigs with this song.
08. Haaskalinnut minut muistaa (Vultures will remember me). It's the second oldest song on the album, where we tried a slightly different arrangement. Once we were ready, this was the first song to find its place on the album. The grand, sorrow-filled ending is emphasised by the outro made by Sami.
Watch music video 'Kuusi Kantajaa': https://youtu.be/_69j7uQIkYs
Watch music video 'Maan nielemä': https://youtu.be/L4ygntH5stk
Track list:
01. Surun Paino
02. Maan Nielemä
03. Kuusi Kantajaa
04. Kasvoton Kuljettaja
05. Hetki Viimeinen
06. Lyhyt Matka Hautaan
07. Eloton
08. Haaskalinnut Minut Muistaa
Composed by Janne Partanen, Sami Lustig, Simo Pesonen & Teemu Roth
Lyrics by Janne Partanen
Production, recording & mixing: Sami Lustig
Mastering: Janne Tuikkala
Cover art by Minttu Koskinen
Line-up:
Janne Partanen: vocals
Sami Lustig: guitars
Simo Pesonen: bass
Teemu Roth: drums
https://linktr.ee/hautajaisyo
Atmospheric
black metal project ZORNHAU has released the visualizer for “I,”
the opening track of their forthcoming self-titled album. The track serves as a
first step into a descent into darkness and inner fire, introducing listeners
to a world of intensity and ritualistic atmosphere.
Rather than following a traditional narrative, Zornhau emphasizes immersion and transformation. The music unfolds as a continuous rite, demanding endurance, presence, and full engagement from the listener. “I” establishes the tone for the album’s journey, a voyage into shadow and introspection, where every note and texture draws the audience deeper into its ritualistic soundscape.
https://orcd.co/zornhau
New
single from CHAOS INSIGNIA ("Dark Gate Opened" feat.
Paul Tucker out from "CROWN OF THE INFERNAL CODE" album)
Chaos Insignia is a bestial black/death metal force forged in fire and ritualistic chaos. Blending savage black metal ferocity with crushing death metal density, the band channels technological occultism, apocalyptic visions, and infernal devotion into a relentless sonic assault. Formed with a clear intent to create uncompromising black/death metal, Chaos Insignia emerged from the underground with a sound rooted in the raw violence of classic war metal, yet sharpened by modern precision and atmosphere.
Their first full-length studio assault, Crown of the Infernal Code (released March 5th 2026), crystallizes the band’s dark vision into ten suffocating tracks, each featuring a special guest vocalist drawn from the realms of black metal and death metal. Forged as a true collaborative manifestation, the album unleashes one special guest featured on each track such as Themgoroth (ex. Dark Funeral, ex. Infernal) ; Ødemark, known as the vocalist of The 3rd Attempt, band formed by former members of Carpathian Forest; Heergott of Magoth; Paul Tucker of the legendary American black/death metal institution Sathanas; Ustumallagam of the Danish black metal cult Denial of God; Shadow of Black Altar; Obscurus of Marras; Hrafn of Thy Dying Light and Ulfarr; the legendary Narqath of Azaghal, one of the most well-known Finnish black metal bands; Morean of Dark Fortress.
https://www.facebook.com/profile.php?id=61576246572042
https://chaosinsignia.bandcamp.com
Label: Apocalyptic Witchcraft
Release date: April 24th 2026
Genre: Black/Folk Metal
For fans of: Primordial | Winterfylleth | Saor | Forefather
“Let warlocks grim an' wither'd hags
Tell how wi' you on ragweed nags
They skim the muirs an' dizzy crags
Wi' wicked speed;
And in kirk-yards renew their leagues,
Owre howket dead.”
- Robert Burns – Address To The Devil
Eight years on from their last album, The Forty Five, Scotland’s Cnoc An Tursa have returned with an evocative tribute to the history, the folklore, the unique magic of their homeland. With their characteristic blend of fierce black metal and traditional melodies they have conjured up a set of songs that bring together mourning and defiance, mystery and fear, pride and passion. It is rare for a band to return from years of silence with an album that represents a new creative peak in their story, but with A Cry For The Slain that is exactly what Cnoc An Tursa have achieved. Speaking about their aims with this album, the band have said,
"With this new album we feel like we are going back to our roots with a more guitar driven style and bringing back some of the folk elements musically and lyrically which was the original inspiration for the band."
And by looking back they have found the way forward, reigniting their fire and forging an album that will resonate through the years to come.
‘Na Fir Ghorma’ with its haunting guitar notes and sense of dignity and sorrow opens the door to A Cry For The Slain, ushering you into the furious opening blast of ‘The Caoineag’. Steeped in bardic tradition and storytelling this majestic track introduces the listener to a highland banshee who foretells death and tragedy and sings her laments beside the deep lochs and chill waterfalls. With the Caoineag’s song atmosphere rises like mountain mists, enshrouding and transporting while the captivating melodies conjured by Cnoc An Tursa lead us into a different world. ‘Cailleach And The Guardians Of The Seven Stones’ is a magnificent, sweeping tribute to the goddess of winter who shapes the landscape with her hammer, the ghost of Thin Lizzy’s ‘Emerald’ dancing in its Gaelic reels. A stunning guitar solo adorns the multifaceted track that captures the power, allure, mystery and terror of the blood thirsty ‘Baobhan Sith’, while the thundering energy of ‘Am Fear Liath Mòr’ takes you to the mountain passes of the Cairngorms, haunted by a giant presence…“I can hear the footsteps behind me, I can see the Big Grey Man”… And nestled amongst all the stories and ‘Address To The Devil’s epic dark poetry, we find first single, ‘Alba In My Heart’ – a pledge of allegiance, a song of devotion to Cnoc An Tursa’s beloved Scotland. There’s a raised fist and a strength of spirit in the blood stirring melodies and the rolling rhythms, in the riffs tumbling down like mountain streams. The authenticity of emotion in this song is undeniable. By the time ‘The Nine Maidens Of Dundee’ leads us down from the peaks once more, with a head full of dreams and a belief that magic may still exist in the less travelled glens of the northlands, the sheer power of Cnoc An Tursa’s return has become abundantly clear. A Cry For The Slain is a breathtaking album, a beacon burning in the night of mundane modernity, calling to those of us who want more than we’ve been sold.
With the intuitive mastering of Jaime Gomez Arellano (Paradise Lost, Primordial, Hexvessel etc) bringing depth and vigour to every note, A Cry For The Slain smoulders with sonic intensity and all the emotion and secrets of its narrative are captured in the evocative artwork of Olga Kann (Winteria, Withered Land, Ruadh etc) that adorns its cover. Apocalyptic Witchcraft will release this monumental album on April 24th and the defiant cry of Cnoc An Tursa will echo through the landscape once more.
“When thowes dissolve the snawy hoord,
An' float the jinglin icy-boord,
Then water-kelpies haunt the foord
By your direction,
An' nighted trav'lers are allur'd
To their destruction.”
- Robert Burns – Address To The Devil
Line-up:
Alan Buchan - Vocals
Rene McDonald Hill - Guitars, Keyboards
Bryan Hamilton - Drums
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/cnocantursa/
The Finnish melodic death/black metal band SE, JOSTA EI PUHUTA
are set to release their fourth studio album, SYVYYDEN PORTIT ON SAATAVA
AUKI, on 29 May 2026 via Inverse Records.
The second single 'Varis' is unleashed today and its accompanying music video can be seen here: https://youtu.be/xO47SsCQUJA
The band comments:
"Varis is the album’s Book of Revelation, an omen and a warning. This is a song where darkness does not creep in quietly: it is proclaimed. A menacing mid-tempo onslaught pulls the listener deep into language and imagery where hope is not a promise, but a trap. In this world, every sign has already been written, and every step takes you closer to what cannot be undone.
And behold, see those who have strayed twice over.
Like darkness itself, where fallen stars go to die.
Varis is not just a song, but a vision: blood-soaked wings, chaos carved from hatred, and a shadow-draped messenger building a ship on the waves without a lighthouse. The atmosphere remains dense and threatening, like a prophecy that no longer whispers, it demands. It does not invite the listener in. It commands.
Varis is cruel and beautiful at the same time: a blessing that feels like a curse. It is a praise of the leper’s beauty, and a hymn to the moment when the world turns against itself. When the sheep are led into a grave already dug, and no one even pretends to know what is right anymore.
Varis is a song where prophecy is born from fire and rage. Not to comfort, but to awaken. The time is near."
Listen to Varis single on streaming services: https://push.fm/fl/sjep-varis
Biography:
Se, josta ei puhuta is a metal band from Iisalmi. The band was founded in 2007.
That same year, the band recorded a four-track demo titled Se, josta ei puhuta and signed a recording contract with the Sound of Finland label in the spring of 2010. The album Ne, joista ei puhuta was released in May 2010.
In the spring of 2011, the band recorded their second studio album, Musta, kylmä, syvä ja samea (Black, cold, deep and murky), which was released by Spinefarm Records in November 2011.
In 2010 and 2011, Se, josta ei puhuta toured actively across Finnish venues. The band began preparations for a third album, which was, however, put on hold during the production phase in late 2012.
In 2022, as a result of the band's rebirth, the third album Gehenna was completed and released through Inverse Records. The lineup, which had remained unchanged until then, saw its first change when Jimi Myöhänen was chosen as the drummer following the release of the new album.
The band finished recording their fourth album Syvyyden portit on saatava auki- in the fall of 2025, and the album is scheduled to be released during 2026.
Over the years, the rawness of the band’s early HC punk and death metal has evolved into a more complex, black metal-influenced death metal, while still proudly maintaining the edginess of their early days.
Watch music video of first single 'Kuolemaa ei ole': https://youtu.be/T7tHrBma1YU
Track list:
1. Tulkoon valkeus
2. Myrsky
3. Varis
4. Kuolemaa ei ole
5. Pahuuden palavat nuolet
6. Syvyyden portit on saatava auki
7. Muinaiset jumalat kuuntelevat
8. Rituaali
9. Pimeys ja ikuinen yö
Composed & lyrics by Samu Männikkö
Mixed & mastered by Tore Stjerna (Necromorbus Studio)
Album cover art by Nicolas O
Line-up:
Samu Männikkö - Vocals
Harri Granqvist - Guitar
Heikki Matero - Guitar
Juho-Pekka Lappalainen - Bass
Jimi Myöhänen - Drums
https://linktr.ee/sejostaeipuhutaofficial
http://www.facebook.com/sejostaeipuhuta
Canadian band Goreworm blends elements of technical, melodic, and brutal death metal and somehow make it work. It might take a few listens to get the hang of their sound but it pays off in the end - it's some solid, challenging, and fascinating music. Two of their songs are currently streaming on the channel and there's a third one (an instrumental) also streaming on Bandcamp. Check them all out https://goreworm-label.bandcamp.com/album/miasmic-solitude
GOREWORM - “MIASMATIC SOLITUDE”
Genre
-
Technical/melodic/brutal death metal
For fans of - Arsis, Gorod, Xenosis, Fleshbore, Obscura
Canadian death metal band Goreworm mesh different death metal styles in a way that's both confounding and challenging. They're throwing technical, melodic, and brutal death metal elements into a high-speed blender—hardly the most conventional approach—and when the music still manages to sound so coherent, it warrants a closer listen. They seem to have coalesced the influences on an almost cellular level - the aural phantasmic entity emanating from the speakers sounds decidedly Goreworm even when constantly showing glimpses of different musical personalities. "Miasmic Solitude" is Goreworm's most evolved creation to date and it must be celebrated for its passionate and innovative take on the technical death metal style.
Line up
Robert Miller - Vocals
Jordan Estrela - Guitars
Brent Moerschfelder - Guitars/Bass
Robin Stone - Session Drums
Album Artwork by Leanna TenEycke
Track listing
1. Conjuring
2. Monuments to Murdering
3. The Enthralling Grave
4. Orbweaver
5. Amor Vincit Omnia
6. No Reprieve
7. Eve of Flagellation
8. Jarrell
9. Strelly
10. Miasmic Solitude
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/GorewormOfficial
Thank a ton once again! Cheers! Kunal Choksi Label Owner Transcending Obscurity
Wormholedeath
proudly welcomes Tokyo-based progressive extreme metal band BEYOND THE
VEIL to its roster. The international lineup, featuring members from
Japan, the United States, and the United Kingdom, has signed with the label for
the release of their upcoming album “OBLIVION.”
Formed in 2020 by DB Karma, Yoshihiro Yamaji, and Eric Fetterman, Beyond The Veil quickly established a distinctive identity within the extreme metal landscape. Keisuke Tsuboi joined the band in 2021 on bass and drums, and Dave Griffiths completed the current lineup on bass in 2025.
Their sound merges thrash, death metal, black metal, and blackgaze with elements of progressive rock, jazz, folk, and classical music. The result is music that moves between crushing intensity and reflective, melodic passages. Most compositions come from lead guitarist Yoshihiro Yamaji and keyboardist DB Karma, while vocalist and rhythm guitarist Eric Fetterman writes the English lyrics. DB Karma contributes the Japanese lyrics, and the rhythm section, Dave Griffiths and Keisuke Tsuboi, develops the band’s bass and drum arrangements.
Oblivion was built around a specific ambition: to drag the spirit of 1970s and '80s progressive rock into direct collision with modern extreme metal. To do it authentically, the band reached for the instruments that defined that era — Mellotron, Moog, and Chapman Stick — giving the record a texture and warmth that sets it apart from anything currently on the heavy music landscape. The songs are long by design. Beyond The Veil was not interested in compromise, and it shows.
Their influences read like a well-worn record collection: UK and Italian prog, Nordic and Asian prog, and a deep, foundational love for thrash, death, and black metal, particularly the output from before 2010. It's that combination, the old and the extreme, the delicate and the crushing, that gives Oblivion its character.
The band is already working on their next release, with a stated intent to evolve the format while keeping the philosophy intact: modern music made by people who genuinely revere the golden age of progressive rock.
Tracklist
1 Built on Sand
2 A Glimpse into Eternity
3 Reflection
4 Enigma
5 Collapse
6 Terminus
www.beyondtheveil.jp
Format: Digital CD / Physical CD / Vinyl
Label: Independent Release
Release date : april 24, 2026.
Genre : Thrash / Death / Metal
Distribution: Necktwister
Tracklist:
01 Storm
02 Poseidon
03 Mind Intrusion
04 Time Is A River And The Waters Are Red
05 Thief Of Dreams
06 Instinctive Dissonance
07 With Tears In My Eyes
08 Ancestral Rites
Poseydon was formed in 1992 by Alain De Block with the ambition to play a mix of Thrash and Death- metal.
The band’s playing style should appeal to fans of early Slayer, Sepultura, Testament and many more…
The band took a few years to grow but in 1995 the first recording took place.
A single ‘Thief of Dreams’ was recorded in the legendary Midas Studios and got released by Tessa Records in 1995 as part of a metal-compilation album ‘Detonation II”. This track showcased the bands ability to write dynamic songs and not to be afraid to include calm, almost tranquil elements, only to enforce the heavy hitting sequences even more. The band received great critiques for this first release, gathering the attention of the Belgian metal-scene.
This brought a lot more possibilities to the band, which meant playing a lot of live gigs and recording & release of the 4-track EP ‘With Tears In My Eyes’ in 1998. Again recorded in Midas Studios, the EP contains four fierce thrashing pieces of metal, which proved the band was growing and moving upwards in the Belgian metal-scene.
Although the band had gained momentum, the march of Poseydon was put to a halt… as Poseydon ceased to exist. Through the leaving of its frontman, Alain de Block decided to put Poseydon on hold.
But as the saying goes: blood is thicker than water! After a few years the aching started to arise to reboot Poseydon which lead to the reformation in 2007. Founding member Alain de Block & former guitarist Ward van Iseghem got together and started to reclaim the God of the sea. After a few years of rehearsing and looking for the right bandmembers, the band recorded its first full album titled ‘Cold World’ in 2011.
Although the album comprised mostly older unreleased work, it was a death-metal metal release in contrast to it earlier death/thrash releases. To support the album, Poseydon played everywhere as it could through the Flemish part of Belgium.
Unfortunately some line-up changes slowed the progress towards a new recording, but patience is a virtue!
After recording and mixing the songs without any pressure, Poseydon’s latest album ‘Masterpiece (in the mind of a serial killer)’, or ‘Masterpiece’ in short, was released in the beginning of September 2016.
Then, 7 years later the God of the Sea emerges with a new album entitled ‘Through The Gate Of Hatred And Aversion’. This time they went to Project Zero studios where Yarne Heylen (Carnation) recorded, mixed and mastered the tracks.
Since its first incarnation, the goal of Poseydon was, is and always will be to play energetic live-shows.
And now they are preparing themselves for the release of their third full-length album that will come out at the end of April 2026.
Line-Up:
Alain De Block (rhythm guitar, lead guitar, backing vocals)
Leander Karageorgos (rhythm guitar, lead guitar)
Jeroen Bonne (bass guitar, backing vocals)
Jef Boons (drums)
Tom Lenaerts (vocals
https://www.necktwister.com/
https://www.facebook.com/godoftheseaandmetal
Label: Comatose Music
Release date: march 20th 2026
Genre: Brutal /Slam Death Metal
For fans of: Slob | Traumatomy | Gorevent | Colpocleisis
The night’s work is done. He stands in silence, the sweat of exertion mingling with the blood that coats his face, hands and clothes. The passion, the anger, the lust and the excitement has all drained away, like pus from a lanced boil. It’s time to lift the floorboards and open the mausoleum…time to tip the latest faceless bundle of guts and gore, bone, bile and bruised flesh into the darkness; there to lie in the stench and the rot, in quiet communion with those who have gone before. At least she won’t be alone. They have each other…and the worms.
More than thirteen years on from the release of their horrifying debut album, Excruciating Intestinal Lacerations, the UK’s heaviest and sickest exponents of shocking brutality are back with a new assault on morality, enlightenment and good taste… Engorgement have returned, with They Rot Beneath Our Floor!
The nightmare begins with ‘Prelude To Your Dismemberment’, which leads us down a spiral staircase into darkness. We know that nothing good awaits us in that impenetrable murk, but locked in the dream sequence we cannot stop our descent…and as we reach the bottom step the world explodes. ‘Keep Festering’ erupts like a spray of arterial blood – pain, violence, animalistic vocals over bludgeoning riffs and mercilessly methodical drums. ‘Rot Beneath Our Floor’ follows with cataclysmic blasts, sluggish crawls through offal and deliberate, punching riffs – the different stages of slaughter and dissection delivered with a thrilling intensity. There’s no let up in this massacre, no islands of peace in the sea of carnage. ‘Watching Your Body Twitch’ delivers deep, deep grooves like hatchet wounds cut right to the bone, while the drum beats in ‘Resurrection’ fall with imperious, bone-breaking force. ‘Blunt Force Osteotomy’ leads us to the final exit – punishing to the last breath, to the last guttural exhortation of hate.
Nobody understands brutal death metal better than Floor Van Kuijk of Korpse, Sijjeel, Carnifloor and many more – and the Dutchman has mixed and mastered They Rot Beneath Our Floor at his GLDCHN Studios (Virulent Excision, Parasitic Infestation, Crimson Butchery etc). The results are gloriously repugnant - raw, bloody and pustulent beyond belief. Complete with suitably sickening artwork from Christian Castro, Engorgement’s new testament to mankind’s inhumanity will be unleashed by Comatose Music on March 20th. Your journey into the heart of darkness starts here…
Line-up:
Mitch Rider - Drums
Ricky Hill - Guitar
Stu Hine - Vocals
Richard Lynn – Bass/Backing Vocals
https://www.comatosemusic.com/
https://www.facebook.com/Engorgement
Polish
dark folk artist OLS has released a new video for “MARZEC”
(MARCH). Following the release of her fifth album “POŚWIATY”
last May via Pagan Records, this latest visual installment captures the cold,
stagnant "limbo" that exists between the death of winter and the
arrival of spring.
Watch the video for “marzec” here: https://youtu.be/v8GWaTUqLsE
Anna Maria Olchawa, the person behind Ols, said: “Marzec is my neofolk hypnosis. A simple motif, repeated in a loop, lulls the listener into a state of numbness, much like the feeling when our minds, worn down by a winter that has lasted too long, slip into apathy, discouragement, and a quiet, indifferent resignation.
“In the background, ghostly chimes can be heard, the faint clatter of hollow stems and weathered bones. This is how I hear March: moving slowly across the marshes, through the tangled hair of dead grasses. This is how its empty heart pulses. This is how barren, hollow dreams loop endlessly in the suspended space between death and new life. March is a limbo of blue and tawny emptiness, a mirror reflection of November in the still surfaces of wetlands.
“To capture the true spirit of March, I recorded the piece in March itself. The video was also filmed then, on the floodplains of the Dunajec River.”
The album "Poświaty" is available in a jewelcase CD format with a 20-page booklet that includes lyrics and translations. Thematically, the album “Poświaty” delves into the formative period between childhood and adulthood, exploring themes of personal mythology, the transformative power of love and the inevitable pain of loss.
https://www.pagan-records.com
https://www.facebook.com/paganrecords
https://www.facebook.com/Olsproject
Leeds (UK) - Progressive Death Metallers, COGNIZANCE, have partnered with Metal Injection for the video premiere of "A GAME OF PROLIFERATION," the second single from forthcoming album, IN LIGHT, NO SHAPE. Get in on it at:
https://metalinjection.net/new-music/cognizance-streams-steamrolling-new-single-a-game-of-proliferation
Following 2024’s critically acclaimed LP Phantazein, COGNIZANCE return with In Light, No Shape May 1 on Willowtip Records!
Four LPs deep and a slew of EPs behind them, COGNIZANCE show no signs of restraining the pace of unrelenting inventive riffs and razor-sharp grooves. In Light, No Shape is a masterful Progressive Death Metal opus, rich in texture and atmospheric detail, delivering everything long-time listeners crave while channeling the mid-90s technical extremity of Death, Extol, and Meshuggah. This time, the band deliberately fractures the conventions of modern extreme production, opting instead for a more organic and visceral mix that sharpens the defining traits of their work.
In Light, No Shape marks the first lineup shift in a decade, as the band sharpen from a quintet to a quartet with founding guitarist Alex Baillie stepping forward as vocalist while retaining guitar duties, following the 2023 departure of founding vocalist Henry “Big Mac” Pryce.
“This record is a defining milestone for us. Taking on vocals has pushed us to re-engineer how we experiment with the blend of elements in our sound, unlocking new creative pathways to compliment the core identity of the band. What you will hear are four dudes all adding their flavours to the melting pot to create a body of work that felt completely natural to us.”
- Alex Baillie (Vocals/Guitar)
Pre-order:
https://bit.ly/inlightnoshape-willowtip
https://cognizance.bandcamp.com/album/in-light-no-shape
Track
Listing:
1. Transient Fixations
2. Inflection Chants
3. A Game of Proliferation
4. Chasm
5. Vertical Illusion
6. A Reconfiguration
7. Witness Marks
8. Subterranean Incantation
9. Induced Contortions
10. The Zone
Credits:
Mix and Master by Ronnie Björnström (AEON, BLOOD RED THRONE).
Artwork by Jef Whitehead (NAILS, LEVIATHAN).
Produced by Alex Baillie and Apostolis Karydis.
Photography by Nadine Geuter.
Line-up:
Alex Baillie - Guitar/Vocals
Apostolis Karydis - Guitar
Chris Binns - Bass
David Diepold - Drums
https://www.willowtip.com/home.aspx
https://www.facebook.com/cognizanceband
FFO: Iron Maiden, Iced Earth, Judas Priest, Megadeth, Testament
A music video for the album's first single - "TELL ME WHY" - is available at: https://www.youtube.com/watch?v=XjetYq_v_bY
Musically, Sins of Shadows draws from the energy of the NWOBHM (Iron Maiden, Saxon), the ambition of progressive and power metal (Symphony X, Iced Earth), and heavier bands like Megadeth or Testament. Their twin-guitar harmonies, echoing Thin Lizzy, bring a touch of warmth and nostalgia to a sound that remains both personal and timeless. In short, the Sins of Shadows sound burns with modern intensity and a passion that ignites on every stage.
Pre-order: https://sinsofshadows.bandcamp.com/album/the-last-frontier
Track
Listing:
1- The Void
2- The Last Frontier
3- Walls of Past
4-Tell me Why
5- Rise Again
6- Prologue
7- As Darkness Falls
8- The End of the Road
9- One Last Journey
Credits:
All music and lyrics by Nicolas Jacon.
Mixed and Mastered by Sebastien Normand at Aedonia Productions.
Artwork by Aleh.
Line-up:
Nicolas Jacon: All Guitars
Sebastien Normand: Bass
Rodolphe Plachesi: Drums
Featured vocals by Tasos Lazaris
Bio:
After releasing two EPs, Sins of Shadows (2014) and Today's the Day (2016), the duo was joined by bassist Sebastien Normand (Esquys, ex-Nepenthys) in 2018, leading to the recording of their first full-length album, The Master's Way. That album set the tone for the band's blend of heavy and progressive influences.
With drummer Rodolphe Plachesi joining soon after, the band released Imperium, featuring Eric Casteglia as guest vocalist. Entirely self-produced like all their work, Imperium took a more conceptual and introspective direction, drawing inspiration from the philosophical writings of Spinoza and Frédéric Lordon.
https://www.facebook.com/sinsofshadows
Label: Apocalyptic Witchcraft
Release date: april 17th 2026
Genre: Blackened Death Metal
For fans of: Mayhem | Gorguts | Anaal Nathrakh | Morbid Angel
As the head of respected label Apocalyptic Witchcraft, Conor Droney is exposed to a mountain of new, extreme music on a daily basis – he’s not a man who is easily impressed. However, upon hearing the uniquely challenging sounds of Australian blackened death metal entity Hebephrenique’s Decathexis album – released in Australia last year through Gutter Prince Cabal and Brilliant Emperor Records – he knew he had to help spread this plague to an international audience. The band were promptly signed to Apocalyptic Witchcraft and a cassette and digital release of the tumultuous Decathexis is now upon us.
“Australia has long produced some of the finest bands in extreme music, and Hebephrenique were one of the best discoveries I made last year” Droney commented. “I can’t wait for the rest of the extreme metal community to experience Decathexis.”
Decathexis begins with ‘Stasis’, a passage through the veil, an admittance into the strange, unnerving otherness of Hebephrenique. The layers of existence part at your touch and each step takes you deeper into darkness, farther from the light and from all you know and understand. There is movement, sound, a shifting in the shadows…and then ‘Visions Of Magdalene’ comes crashing into life – jarring, angular, dissonance and destruction, strange, disjointed melodies clambering like crippled spiders over a framework of steel madness. And within this vortex a voice; completely in command of its distorted environment, comfortable in this mangled confluence of impossibilities. The vocals act as a focal point, Kris Wolf a ringmaster in this circus of chaos, as songs shift into different dimensions, each one more unsettling than the last; incendiary intensity giving way to fractured dreams. Each element of the Hebephrenique sound seems to work independently, following its own path, patterns and realities…yet they are pinned together, thrashing wildly against impediment and restraint, painting sonic images of cruel, strange beauty. From the forceful, serrated riffs of ‘I, Adverse’ to the leaping, irrepressible energy of ‘To Inflict Or Nurture’ nothing can be held in place. This music is liquid silver – constantly evolving and transforming – building worlds and tearing them down in the blink of an eye. Concluding, title track – ‘Decathexis’ – begins as colossal, strident death metal which then splits and splinters before slipping beneath still, dark waters, falling down magnificent descending chords, deeper and deeper. It’s a profoundly affecting experience and when silence finally returns Hebephrenique leaves you stunned and changed.
Meticulously mixed by Brendan Auld (Idle Ruin, Malignant Aura, Resin Tomb etc) and mastered by the in-demand Brad Boatwright (Corrosion Of Conformity, Devourment, Obituary etc) Decathexis has been gifted a clarity to its chaos and nuance to its power, imbuing it with the power to shock, surprise and bewilder with every listen. Look for its coming on April 17th from Apocalyptic Witchcraft – a label whom the band are proud to be associated with…
"We are extremely excited to be working with Apocalyptic Witchcraft...It's humbling to be a part of such a strong roster."
Line-up:
Jack Greenhill - Guitars, Bass, Keyboards
Kris Wolf - Vocals
Leo Graae - Drums
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/apocalypticwitchcraftrecordings
https://www.facebook.com/hebephrenique
Label: Meuse Music Records
Release date: april 3rd 2026
Genre: Doom / Death Metal
For fans of: Saturnus | Lake Of Tears | Ennui | Novembers Doom
“It has been twenty months of recording, dialogue, collapse, collaboration, despair, destruction, and renewal — our beloved eternal spiral of chaos, light, fog, and certainty that, as always, almost consumed us.”
- SolNegre
Spain’s Solnegre first stepped from the obscuring shadows in 2022, although the band’s roots stretch much further back into the proud history of Spanish doom/death metal than that, with members having played pivotal roles in the development of Helevorn and Golgotha over previous decades. Yet, since the release of SolNegre’s debut album – The Spiral Labyrinth – the past has become an irrelevance, with the music of SolNegre needing no reference points or validations; it stands alone in dark, monumental solitude. And now the second full length album from SolNegre is about to be unveiled, an album that encompasses everything that epic, melodic, emotive doom/death can be, defining the genre at its most expansive and creative. Welcome to Anthems for The Grand Collapse…
“I remember being the rain for you.”
- ‘The Axiom / Song For The Inert Part II
Anthems For The Grand Collapse begins with ‘The Axiom / Song For The Inert Part II’, a moment of calm, of fragile stillness that is shattered by an eruption of anguish. Conflicting and contrasting emotions are captured in vast chords, a magnificent guitar solo and deep, desperate vocals. It is impossible to listen to this music at a distance, from outside the darkness. It draws you into the emotional storm, casting you adrift upon the tumultuous seas of life, at the mercy of the ebb and flow of the tides of passion. This one song is a staggering structure, a pure reflection of the towering emotions that dwarf and break us all. ‘The Hollow Inside’, a driving, powerful track, then carries us deeper into the night, moving through many spaces and territories, so much to grasp and explore. The music, its vital vibrancy, inspires a search for meaning, but the perfect balance between universality and personal intimacy dictates that the meaning you find in these words and sounds will be yours and yours alone. In ‘For All That Could Have Been’ beautiful introspection is rent apart by dark, collapsing riffs and formidable vocals – the pain and emotion almost too raw to witness, an immaculate marriage between exquisite artifice and agonized reality. And then, ‘In The Stillness Of The Womb’ seems to stop the world from turning, as a wonderful female vocal snatches your breath away in a truly unforgettable moment. The careful sequencing of the album leads us, finally, into ‘A Path Of Aloneness (I & II)’ with a sense of arrival at an inevitable conclusion. ‘A Path Of Aloneness...’ is a stunning piece which brings together so much of what is truly great about SolNegre and Anthems For The Grand Collapse – it’s majesty and solemnity, its subtle guitar melodies and searing solo, its lyrical reflections on the diverse moments of life – and the silence that falls after its sudden ending seems to be another, secret part of the listening experience.
“If you are afraid, sit next to me. I will be watching the fire.”
- The Hollow Inside
Recorded at Diorama Sound in Mallorca, which the band describe as their ‘shelter’, the production and mix of Anthems For The Grand Collapse are superb. From the resonance of the drums to the lacerating edge of the vocals, everything is exactly how it should be and you can hear and appreciate every element of SolNegre’s sound, individually brilliant but working together to create an even greater whole. Anthems For The Grand Collapse will be released on CD and digital formats by Meuse Music Records on April 3rd, with the CD also comprising SolNegre’s 2024 EP Annihilation Of The Self. Completed by the enthralling artwork of Hans Trasid (Aara, Cuttered Flesh, Phobetor etc) Anthems For The Grand Collapse is an album that will speak to the deepest chambers of your heart.
“I still struggle to explain why we do this; I only know that what we create with such pain and such passion - countless evenings with numbed hands and a mind set ablaze - resonates with those who listen to SolNegre or read these words.”
- SolNegre
Line-up:
Ûkh – Vocals
Gebre – Bass & Keys
Rigel – Guitars
Tom – Drums
Additional musicians – the Collapse Minstrels:
Mike Le Rosetti – Guitar solos on ‘The Axiom / Song for the Inert Part II’
Pedro Inglés – Interlude vocals on ‘The Hollow Inside’
Gadea es Ineseta – Vocals on ‘In the Stillness of the Womb’
Núria Luis – Violins on ‘In the Stillness of the Womb’
Edu – Guitar solo on ‘A Path of Aloneness II’
Carmen Jaime – Vocals on ‘A Path of Aloneness II’
https://www.meusemusicrecords.eu/
https://www.facebook.com/meusemusicrecords/
https://www.solnegreband.com/
https://www.facebook.com/SolNegreDoom
Aktuelle Reviews :
GLUTTONY – “ EULOGY TO BLASPHEMY”
ARCANE FROST – „NIGHT’S CAVALRY“
Noch mehr aktuelle Infos rund um den Globus findet ihr unter : https://www.facebook.com/mario.klein.961/ https://www.facebook.com/Undergroundfanzine
SORGSVART – „GARDAR OG GRENDE“
Veröffentlichungstermin: 01.05.2026Formate: Digi-CD (PTCD37, Schattenpfade 055, EP 096-9) & Vinyl (EP 096-1)
Manche sind Virtuosen des Exzesses, andere sind Komponisten aus Notwendigkeit…
Am ersten Mai, wenn das Jahr sich wendet, wie es seit jeher geschieht, wird von SorgSvart das neue Album „Gardar og Grende“ veröffentlicht - geschaffen von einer Hand, einem Atemzug und einem Willen, geschmiedet in Einsamkeit und aus einem unabhängigen Geist.
SorgSvart, das ist das Ein-Mann-Projekt des Multiinstrumentalisten, Sängers und Komponisten Sorg, der dort beheimatet ist, wo Land, Wetter und Stille noch immer den Rhythmus des Lebens prägen. Aus Kvinnherad in Hordaland, unterhalb des Gletschers Folgefonna, erhebt sich seine einsame Stimme, die Stimme eines einsamen Komponisten, dessen Disziplin, strukturelle Klarheit und absolute Autorschaft ihm den Beinamen „Bauern-Mozart des Black Metals“ eingebracht haben. Nicht wegen des Spektakels, sondern wegen seiner vollkommenen Formbeherrschung, seines unermüdlichen Arbeitseifers und einer Hingabe zum Handwerk, die von der modernen Welt unberührt bleibt.
SorgSvart ist vielschichtig im Klang, aber eins im Geiste. Keine Gilde, keine Maschinerie, kein Marktchor steht dahinter, nur ein Mann bei der Arbeit, wie es einst üblich war. Der Künstler Sorg ist eine seltene Figur im zeitgenössischen Black Metal, ein Vollkomponist, der Stimme, Instrumente, Struktur und Vision ohne Vermittlung beherrscht. Seine Musik ist nicht industriell gefertigt. Sie ist komponiert, geduldig, unabhängig, beharrlich und frei von jeglichen Markteinflüssen.
Der Titel des Albums, „Gardar og Grende“, besteht aus Worten, die älter sind als der Wunsch nach Profit und Fortschritt: „Gardar“, das umzäunte Gehöft, mit Mühe und Not errichtet; „Grende“, die verstreuten Behausungen, nicht durch Regeln, sondern durch Verwandtschaft und Brauch verbunden. Gemeinsam beschreiben sie eine Welt, in der das Leben lokal, gemeinschaftlich und hart erkämpft war, in der der Mensch nicht über dem Land stand und es ausbeutete, sondern mit ihm verbunden war.
„Gardar og Grende“ entspringt der Sehnsucht nach dem alten Bauernleben Norwegens, dem Leben der kleinen Höfe mit gemeinsamer Arbeit, nach überliefertem Wissen und stiller Würde. Ein Leben ohne ferne Herren, in dem der Wert eines Menschen nicht allein am Ertrag, sondern an Fürsorge, Ausdauer und Zugehörigkeit gemessen wurde.
„Gardar og Grende“ schöpft aus norwegischer Volkstradition, düsteren akustischen Ritualen und dem strengen Geist des Black Metals, verweigert sich aber modernem Exzess und Hektik. Die Musik ist bewusst ungeschliffen - geformt von Atem, Holz, Saiten, Pfeife und Haut - und widersetzt sich der Glätte und Abstraktion zeitgenössischer Produktionsmöglichkeiten. Unter ihrem Klang regt sich ein stiller Widerstand gegen die Moderne: Eine Abkehr von Konsum, Kommerzialisierung und zentralisierter Kontrolle sowie eine bewusste Hinwendung zu Selbstversorgung, Tradition und bäuerlicher Würde. Dies ist keine propagierte Ideologie, sondern gelebte und in die Musik eingewobene Botschaft. Denn SorgSvart strebt nicht nach Aufmerksamkeit. Die Musik steht für Handwerk statt Produkt, Heimat statt Fortschritt und Freiheit in der Einfachheit.
„Gardar og Grende“ erscheint auf CD und Vinyl und würdigt das greifbare Artefakt - Musik, die man in Händen halten, ganz hören und weitergeben möchte. Diese Musik ist Heimat, der Gesang stiller Widerstand. SorgSvart ist eine Stimme aus den mächtigen Bergen und Fjorden von Kvinnherad, ehrlich und frei!
Künstlerbiografie:
Sorg ist ein norwegischer Multiinstrumentalist, ausgebildeter Volksmusiker, Sänger und Komponist aus Kvinnherad in Hordaland. Er tritt unter dem Namen SorgSvart auf. Aufgewachsen zwischen Bergen, Fjorden und dem Gletscher Folgefonna, ist seine Musik tief von der Landschaft, der ländlichen Tradition und der Sehnsucht nach dem alten norwegischen Bauernleben geprägt.
SorgSvart ist ein waschechtes Ein-Mann-Projekt, die komplette Musik wird von Sorg allein komponiert, aufgeführt und aufgenommen. Sie basiert auf hart erarbeiteter Handwerkskunst, einer antimodernen Überzeugung und der Ablehnung kommerziellen Überflusses. Inspiriert von norwegischer Volkstradition, düsteren Ritualen und der Härte des Black Metals, zeichnet sich sein Werk durch seine Langsamkeit, Bedachtsamkeit und unerschütterliche Unabhängigkeit aus.
Discography:
2002 - Norge (Demo)
2003 - Nattesvart (Demo)
2003 - Nordlys (Demo)
2004 - Fortapt fra Verden i Vakkert Selvmord (Demo)
2006 - Fortapt fra Verden i Vakkert Selvmord (Album)
2008 - Vikingtid og Anarki (Album)
2026 - Garder og Grende (Album)
www.pesttanz.com
www.schattenpfade.de/
www.einheit-produktionen.de
SorgSvart@gmail.com
www.instagram.com/SorgSvart_Noreg/
Remastered Reissue-Editionen von "CRITERIA FOR A BLACK WIDOW" und "CARNIVAL DIABLOS"
ab 17. April 2026 im Handel
earMUSIC setzt die Neuauflagen-Serie des ANNIHILATOR-Katalogs fort und veröffentlicht am 17. April 2026 neu remasterte Editionen der Spät-90er-Schlüsselwerke "Criteria For A Black Widow" (1999) und "Carnival Diablos" (2001).
Beide Studioalben erscheinen als schwarze 180g Doppelvinyl mit 45 RPM sowie als CD Digipak-Edition. Neben überarbeitetem Artwork enthalten die Editionen neue Liner Notes von Alex Milas (u. a. Metal Hammer UK), basierend auf einem exklusiv für diese Reissue-Reihe geführten Interview mit Jeff Waters.
1984 von Gitarrist und Mastermind Jeff Waters gegründet, gelten Annihilator bis heute als erfolgreichster Heavy-Metal-/Thrash-Metal-Export Kanadas und als eine der technisch versiertesten Bands des Genres. Nach dem Durchbruch mit "Alice In Hell" (1989) – längst ein Klassiker des Thrash Metal – führte Waters die Band durch wechselnde Trends, zahlreiche Besetzungswechsel und die Turbulenzen der 1990er, ohne dabei die charakteristische Mischung aus Präzision, Geschwindigkeit und Melodie aus den Augen zu verlieren.
Gegen Ende des Jahrzehnts befand sich die Band jedoch an einem Wendepunkt. Nach der experimentelleren Phase von "Remains" (1997) und inmitten einer sich wandelnden Metalszene begann Waters seinen Kurs zu überdenken. Ein Schlüsselmoment war ein Slayer-Gig in einem kleinen Club – eine Erinnerung daran, dass Metal von Intensität lebt, nicht von Trends.
Waters zog die Konsequenzen und führte Annihilator zurück zu ihren Wurzeln. Gemeinsam mit Randy Rampage (Gesang) und Ray Hartmann (Drums) sowie Gitarrist Dave Davis verzichtete er auf Studio-Exzesse und setzte stattdessen auf Geschwindigkeit, Schärfe und echte Drums. Das Ergebnis war "Criteria For A Black Widow" (1999), ein direktes, ungefiltertes Comeback-Statement.
Vom kompromisslosen Opener "Bloodbath" über den Fan-Favoriten "Back To The Palace" bis hin zum furiosen Titeltrack knüpft das Album wieder klar an die Thrash-Wurzeln der Band an und verbindet technische Finesse mit explosivem Riffing – eine typische Waters-Signatur. In einer Phase, in der klassischer Metal wieder an Boden gewann, stärkte das Album sowohl Selbstverständnis als auch Glaubwürdigkeit der Band.
Der neu entfachte Schwung setzte sich mit "Carnival Diablos" (2001) fort. Nach turbulenten Jahren brachte der Einstieg von Joe Comeau (ex-Overkill) zusätzliche Dynamik. Aufgenommen in den Watersound Studios in British Columbia, präsentiert "Carnival Diablos" eine Band in Bestform. Vom druckvollen Opener "Denied" bis zum düster-groovenden Titelstück verbindet das Album die Wucht klassischen Heavy Metals mit jener Präzision, die Annihilators Frühwerk auszeichnete. Es schlägt die Brücke zwischen Tradition und Neuerfindung und unterstreicht erneut Jeff Waters Rang als einer der herausragenden Songwriter des Thrash Metal.
Mit diesen Reissue-Editionen rücken zwei entscheidende Alben der Bandgeschichte erneut ins Rampenlicht. Alben, geprägt von Neuausrichtung, Widerstandskraft und einem erneuerten Bekenntnis zu purer Metal-Intensität.
Die remastered Editionen "Criteria For A Black Widow" & "Carnival Diablos" erscheinen am 17. April auf CD und LP.
https://www.earmusic.com/annihilator-reissues/
TÜRBÖWITCH haben soeben über TIME TO KILL RECORDS ihr drittes Album
“UNDER HAUNTED SKIES” veröffentlicht, das einen neuen Höhepunkt
im unaufhaltsamen Aufstieg der Band in der europäischen Underground-Szene
markiert. Als entscheidender Schritt nach vorne sowohl in Sachen Intensität als
auch Songwriting-Fokus schärft das Album jedes Element ihres Sounds zu einer
konzentrierten Explosion aus Geschwindigkeit, Aggression und Atmosphäre, wobei
sie ihrem kompromisslosen Ethos treu bleiben und gleichzeitig ihre klangliche
Identität erweitern.Das Album zeigt TÜRBÖWITCH von ihrer beeindruckendsten Seite und verbindet black-metallische Wildheit mit einer düsteren, epischen Note. Verwurzelt in der rohen Brutalität und der punkigen Aggressivität von Bands wie Midnight, The Crown und Hellripper, schafft “Under Haunted Skies” einen Ausgleich zwischen Chaos und Präzision, wobei scharfe melodische Akzente den musikalischen Ansturm durchbrechen, ohne jemals dessen viszerale Wucht zu schmälern.
Getreu ihrem kompromisslosen Ethos kanalisieren TÜRBÖWITCH den Geist des Extreme Metal der 80er-Jahre durch ein modernes Gefühl der Unmittelbarkeit und liefern Songs, die schnell, dreckig und auf maximale Wirkung ausgelegt sind. Mit dem nun erhältlichen Album “Under Haunted Skies” bekräftigt die Band nicht nur ihren Ruf für explosive Live-Energie und kompromisslose Haltung, sondern präsentiert auch ihr bisher stimmigstes und wildestes Material: einen unheiligen Speed-Angriff, der weit über die Grenzen der Underground-Szene hinaus nachhallen wird.
Tracklist:
01 - Evoker of the Twilight
02 - Markoláb
03 - Under Haunted Skies
04 - Cult Mastery
05 - Ashbringer
06 - Highways of Death
07 - Ultimate Failure of Will
08 - When the World Crumbled
09 - Moshpit at the End of the Day
10 - Road to Resilience
Das Album "Under Haunted Skies" hier bestellen:
https://timetokillrecords.com/collections/turbowitch-under-haunted-skies
https://turbowitch666.bandcamp.com/album/under-haunted-skies
Über Türböwitch
TÜRBÖWITCH wurde 2016 in Budapest gegründet, ins Leben gerufen von Sänger Zslöd und Gitarrist Kommandante Klit als rohe, schnörkellose Hommage an die klangliche Wucht und den visuellen Wahnsinn des Extreme Metal der 80er-Jahre. Was als lustiges Nebenprojekt langjähriger Freunde begann, entwickelte sich schnell zu einer weitaus fokussierteren und engagierteren Band, die jedoch nie ihre ungefilterte Energie und Liebe zum Chaos verlor.
Im Laufe der Zeit wuchs TÜRBÖWITCH zu einer vollwertigen fünfköpfigen Live-Band heran. Ihre Diskografie begann 2016 mit einer Demo, gefolgt vom Debütalbum "Napalm to Posers" (2017), der EP "Beyond the Last Call" (2018) und ihrem zweiten Album "Fullmoon Liquorthropy", das Ende 2022 veröffentlicht wurde.
Musikalisch liefern TÜRBÖWITCH eine explosive Mischung aus der Aggressivität des frühen Thrash Metal, der Geschwindigkeit des Speed Metal und einer gehörigen Portion Punk-Attitüde: schnell, laut und vollkommen erbarmungslos.
Auf der Bühne hat die Band das Chaos bereits mit Kultbands aus aller Welt geteilt, darunter Abigail (JP), Mystifier (BR), Nuclear (CL), Blackevil (DE), Adversor (IT), Sexmag (PL), Necro Ritual (UK), Siberian Meat Grinder (RU), Deströyer 666 (AU) und Nunslaughter (US) und dabei stets alkoholgetriebene Energie sowie unerbittliche Lautstärke in den Pit gebracht.
Ihr Momentum erreichte im Juni 2024 einen neuen Höhepunkt, als sie das Finale des WACKEN METAL BATTLE Hungary gewannen und sich damit einen begehrten Platz beim legendären WACKEN OPEN AIR im August 2024 sicherten, wo sie auf der Bühne des größten Metal-Festivals der Welt ihren akustischen Angriff starteten.
Im März 2025 begaben sich TÜRBÖWITCH gemeinsam mit den schwedischen Heavy-Metal-Titanen Enforcer auf Tournee und brachten ihre explosive Live-Energie einem noch größeren europäischen Publikum näher.
Hoffnungslos süchtig nach schnellen Riffs, unheiligen Klängen und lauten Partys, gedeihen TÜRBÖWITCH weiterhin im Schmutz und der Wut der Underground-Metal-Szene.
Line-up:
Botond "Khäosz Bringer" Kasper – Schlagzeug, Vocals (Backing)
Péter "Mr. Fireball" Tóth – Gitarren (Rhythm), Vocals (Backing)
Valdemár "Välde" Volcsánszky – Bass
Zsolt "Kommandante Klit" Harsányi – Gitarren (Lead), Vocals (Backing)
Zsolt "Zslöd" Lédeczi – Vocals (Lead)
https://timetokillrecords.com/
https://www.facebook.com/timetokillrecords/
https://www.youtube.com/@turbowitch
https://www.facebook.com/turbowitch666
PARTY.SAN News:GOREFUNEST P.S:O:A-Premiere! Gorefunest lassen den klassischen Sound der niederländischen Death-Metal-Legenden Gorefest wieder aufleben – roh, schwer und mit genau der richtigen Portion Old-School-Groove. Die Tribute-Band hat sich ganz der Frühphase von Gorefest verschrieben und bringt Songs der ersten Alben mit viel Respekt und ordentlich Druck auf die Bühne. Wer den schweren, düsteren Death Metal der frühen 90er liebt, kommt hier voll auf seine Kosten. Ein Pflichttermin für alle, die diesen Sound noch einmal live und laut erleben wollen.
MARDUK Seit über drei Jahrzehnten stehen Marduk für kompromisslosen schwedischen Black Metal: schnell, präzise und ohne Umwege. Mit Klassikern wie „Panzer Division Marduk“ oder „Wormwood“ hat sich die Band einen festen Platz in der Extrem-Metal-Geschichte erspielt. Live entfalten die Schweden eine rohe Intensität, die perfekt auf die Party.San-Bühne passt. Freut euch auf ein Set voller Raserei, Druck und Black Metal in seiner direktesten Form.
NAIL BY NAIL P.S:O:A-Premiere! Nail By Nail gehören zu den frischen Namen im Black Metal, die mit roher Energie und einem klaren Gespür für düstere Atmosphäre auf sich aufmerksam machen. Die Band verbindet klassische Raserei mit modernen Akzenten und entwickelt dabei einen eigenen, bissigen Sound. Live zeigt das Quintett, dass sie nicht nur im Underground für Gesprächsstoff sorgen. Wer auf neuen Black Metal mit Druck und Haltung steht, sollte Nail By Nail im Auge behalten.
https://www.party-san.de/
Tasmanian devils THE ABSOLUTION SEQUENCE have set an August 2026 release date for their highly-anticipated full-length album, DREAD CYCLE.
Following a string of EPs and singles, the album promises to be the band's most incendiary work yet. Slated for release via Bleeding Art Collective, with distribution by Blood Blast Distribution, Dread Cycle is set to solidify the band’s position as a premier name in contemporary technical death metal.
THE ABSOLUTION SEQUENCE is prepping fans for what's to come with the release of the official music video for the album's first single, "Ghost Mantra."
The band comments on the song's lyrical concept, "'Ghost Mantra' is all about being surrounded and taunted by the apparitions of our ancestors, and the
sacrifice of the lowly in order to maintain the status quo. What comes with these haunting feelings is the overwhelming presence of guilt, as we watch the poor die horribly and step over their bodies to see out our goals. 'Ghost Mantra' is a solemn bow to those who have suffered. A showing of respect and gratitude."
Watch the video now at https://www.youtube.com/watch?v=a3MW6H0Socw
Tracklisting:
1) Despotic Ruin (Diet of Worms)
2) Idols of Confraternity
3) Ghost Mantra
4) The Sordid Miasma
5) The Nightlight Sigil
6) Promethean Pilferage
7) A Mire Caked in Nativity
8) Grinding the Sphere
9) The Diary of the Emaciated
Dread Cycle was produced by Chris Themelco and mastered by the world-renowned Jens Bogren at Fascination Street Studios.
Line-up:
Stephen Cusato - Rhythm Guitar/Backing Vocals
Steven Mason - Rhythm Guitar
Alastair Boon - Bass/Backing Vocals
Luke Tucker - Lead Guitar
Nick Machin - Drums
Luke Sanderson - Drums
Shawn Wells - Lead Vocals
Bio:
Emerging from the isolated, unforgiving wilderness of Tasmania, THE ABSOLUTION SEQUENCE has carved out a unique identity within the Australian extreme metal scene. Their sound is a direct reflection of their homeland’s "dark isle" reputation—a place defined by a sinister history
and a cold, remote landscape that stands in stark contrast to the Australian mainland. The band has developed a signature style of Technical Death Metal that balances high-velocity musical prowess with a deeply immersive, atmospheric undertone. The band has earned a wide array of mainland and international support slots from Nile, Archspire, Thy Art is Murder to Psycroptic, Northlane, Make them Suffer and others. The also competed in the “GOOD THINGS 2022” Band Competition Victorian heats. Their proven consistent success in the Tasmanian Metal scene has garnered them a reputation as a reliable and sought after headlining act.
https://www.facebook.com/theabsolutionsequence
Hi
everybody, Petr from PARAT PRODUCTIONS, Czech Republic, here. I
have some news for you from my label. I’d like to announce that on March 27,
I’ll be releasing another project close to my heart on this label. I love music from SCENERY, and I’m thrilled that Pařát Productions is also re-release the band’s third album out of four. The timing for this March is no coincidence; the original version was released in March 2006.
SCENERY – “CONTINUITY (AFTER TWENTY YEARS)”
Label: Pařát Productions
Style: Death-/Thrash Metal
For fans: DEATH, CYNIC, ATHEIST etc.
Type: Digipak + 16 page booklet
Release date: 27.3. 2026
The band originally self-released their first two albums on burned CDs, which is why the reissues by Pařát Productions were released in standard jewel box format. “Continuity” became SCENERY’s first recording under a record label in March 2006 and was released in a standard jewel box format; therefore, a digipak and bonus material were chosen for the re-release, which is sure to please both the band’s fans and CD collectors alike. The redesigned front cover of “Continuity” highlights the fact that this is a reissue after twenty years, and the sixteen-page booklet in both Czech and English, filled with memories, connects the band’s past with the present.
You can listen to full recording on the Pařát Productions YouTube channel https://www.youtube.com/watch?v=7AteI0cy7Y4&t=79s
Buy in Pařátshop https://paratshop.cz/produkt/scenery-continuity-after-twenty-years-3/
Australian death/thrash duo BATTLEGRAVE have unleashed the second single off their forthcoming third full-length, ENSLAVEMENT.
The music video for the band's newest assault, "Venom," is now streaming.
The band says it best when they describe the song as "venomous, fast acting and paralyzing." They continue to say, "It’s coming for your ears and it wants you dead! The song is a classic BATTLEGRAVE 2-minute head stomper about what the venom of some of Australia’s native toxic animals can do to the human body upon the infliction of a bite or sting. It’s a celebration of the magnificence of our countries fiercely dangerous but misunderstood fauna, delivered via a 10-tonne Death/Thrash/Crossover sledge hammer."
Listen to "Venom" now at https://www.youtube.com/watch?v=jJJzGQKG7jA
Enslavement is due out on April 10. Pre-order the album at https://battlegrave.bandcamp.com/album/enslavement
Watch the official music video for the album's first single, "Bonesaw" https://www.youtube.com/watch?v=1KC8DXjvBNU
Tracklisting:
1) Soul Chasm
2) There Is Only Death
3) Bonesaw
4) Eyes Of Enslavement
5) Venom
6) The Grand Machine Of Despair
7) Asylum
8) Marked By Evil
9) Under The Banner We March
10) US Outpost 31
The band's most devastating full-length release to date, Enslavement delivers 10 tracks of unbridled and vitriolic, death-laden thrash metal. This relentless barrage of calculated venom, intense riffing, and punishing rhythmic precision further cements the band's reputation for uncompromising extremity.
Lyrically tied to themes of violence and aggression, Enslavement weaves an interlocking narrative of a subterranean demon harvesting human souls to satiate its unending hunger. This conceptual core adds a sinister layer beneath the album's sonic brutality.
The album was recorded by Clint Patzel of BATTLEGRAVE, mixed by Tim Shearman and mastered by Logan Mader. Session drums by Robin Stone.
Line-up:
Rohan Buntine - Vocals, Lyrics
Clint Patzel - All Strings
Bio:
BATTLEGRAVE are a two-piece death/thrash project from Melbourne, Australia, formed in 2017 following the release of their debut demo track, “Mortar Fire,” which quickly generated strong underground buzz.
The duo followed with the EP To Hell with War (2017) and full-length albums Relics of a Dead Earth (2018) and Cavernous Depths (2022, via Bitter Loss Records), establishing a reputation for blending savage thrash intensity with punishing death metal weight. Their releases have received consistent acclaim across the global metal press and airplay on international radio platforms.
While primarily a studio-driven force, BATTLEGRAVE have also brought their music to the stage, recruiting respected musicians from Melbourne’s metal scene to deliver their blistering sound in a live setting.
Throughout their discography, the project has collaborated with world-class drummers including Kevin Talley, 66Samus, and most recently Robin Stone, further reinforcing the precision and power behind the band’s extreme sonic identity.
https://www.facebook.com/Battlegrave/
Release date : April 30, 2026
Genre : Black Metal
Origin: Toulouse/France
DURATION: 39:29
Label: Battlesk’rs Productions
Network Distributor: Ars Longa Vita Brevis
Tracklist:
1. Choose Your Destiny
2. I Have a Dream
3. You Failed (feat. Meyhnach)
4. Falling To Rise
5. To Those Who Forged Us
6. We Fight And We Protect
7. There Are No Safe Spaces
Line-up:
E. BerZerK : Vocals & Lyrical Propaganda
H. Hyskariioth : Bass
S. Evangelista : Guitars
Shamaanik B. : Drums
Active since 2002, the band serves as a spiritual vessel for its vocalist/founder Eklezjas’Tik Berzerk, alongside his acolytes Shamaanik B. (drums) and S. Evangelista (guitars/bass).
After branding the Underground with their first two albums, “Revelation” (2014) and “Satanic Resistance” (2019), MALHKEBRE resurfaced with a cassette in 2023, followed by an EP in 2025.
Each of these musical chalices revealed a new facet of the band — a progression toward the musical maturity now embodied at the core of “B.A.M.N.”, the new album set for release on April 30, 2026.
Heavier, darker, more ritualistic and declamatory, “B.A.M.N.” is a Gospel dripping with pain, violence, and rebellion. A Holy Word calling for the overthrow of old idols to establish a New Spiritual Order — music that forges new Black Metal dogmas upon the ruins of the old.
The cover artwork was created by Metastazis: "It's not part of the current Black Metal scene standard and we love it! It totally matches our vision of what we were looking for B.A.M.N. We don't follow any trends!"
"B.A.M.N." is not just another Black Metal album, but a record that restores the will to create at the very heart of the harshest musical orthodoxy.
Pre-orders: https://www.arslongavitabrevis.org
https://www.facebook.com/malhkebre
Label: Xtreem MusicRelease date: May 21st 2026
Genre: Death Metal
For fans of: Incantation | Funebre | Asphyx | Bolt Thrower
Line-up: Tommi Grönqvist – All music and vocals
“As I closed the door behind me and descended the dripping steps by the light of my lone candle, I seemed to know the way; and though the candle sputtered with the stifling reek of the place, I felt singularly at home in the musty, charnel-house air.”
- The Tomb – H.P. Lovecraft
Tommi Grönqvist’s Desecresy has returned, back from the silent halls beneath the earth, with a ninth full length studio album of death metal in its truest form – not bound to the pursuit of feats of musical athleticism, not fixated on plumbing the depths of human perversion or creating anthems for the momentary pleasures of the pit. Desecresy’s music exists to weave dark, immersive atmosphere, to transport the listener to haunted tombs and ancient labyrinths on the shoulders of vast, soul shaking riffs, thick with the dust of centuries, while subterranean vocal exhortations intone the rites and rituals of a shadow world, the histories and desires of the restless dead. It is time to dream once more and follow Desecresy into the night, to learn The Secret Of Death…
The journey begins in the ‘Gorge Of The Dead’, as crawling, filth-encrusted riffs rise around you like cemetery mist, a cavernous voice rumbling from its tomb below your feet. Passages of lead guitar trace cold melodies through the night air and every element of sound serves the creation of atmosphere, drawing you in, ever deeper, the mundane world about you fading from perception. The flailing, gurgling, monstrous ‘It Appears In A Dream’ follows, the inhuman vocals like the speech of the dead – pronounced with rotting tongue and worm-eaten vocal cords. The aura of the grave hangs heavy as this music of the deceased and entombed unfurls – definitive, absolute death metal. Ravenous apparitions pursue you through the shuddering thunder of ‘Crypthymn’ with its glorious, necrosed bass rumble. ‘Rotting Ghouls’, sound and subject in perfect alignment, lumbers through a miasma of rot with corroding, collapsing riffs and drumbeats like hammers hitting the cold flesh of a carcass, building to a swirling cacophony of moonlight and madness, damp soil and terror. And it all ends in the layered film score atmosphere, bludgeoning riffs and fear-filled guitar motifs of ‘Vanishing Existence’ – a nightmarish epic and haunting conclusion to this mesmerising danse macabre. Desecresy’s ongoing odyssey through the realms of stygian gloom has uncovered new grim secrets and fresh depths of horror!
With all music, production and artwork arising solely from the creative spirit of Tommi Grönqvist, the Desecresy vision remains as fiercely focussed as ever - and with each release the results become more immersive, imposing and impressive. The Secret Of Death stands as the monolithic pinnacle of Grönqvist’s work to date. Xtreem Music remain his constant partner on this voyage of dread discovery and the renowned Spanish label will release The Secret Of Death on May 21st, on CD, 12” LP, cassette and digital formats. Be ready when the darkness calls...
https://www.xtreemmusic.com/
https://www.xtreemmusic.com/desecresy
Listen to the album on streaming services: https://push.fm/fl/hautajaisyo-surun-paino
The band's bassist Simo Pesonen also made a dungeon synth version 'Lyhyt matka luolaan' from the track 'Lyhyt matka hautaan' and it's available here: https://youtu.be/cwZZOa7cXfU
The
band talks about each of the tracks on the album.01. Surun Paino (Weight of Sorrow). This was the last song we wrote for this album. The album had a different name before this, and the artwork was ready. However, the song was so good that we decided to use it as the title and opening track.
02. Maan Nielemä (Swallowed by Dirt). This song practically wrote itself. Sami and Teemu wrote it before practice and it was ready to go. It's a really brutal live song. It's Hautajaisyö at its best, which is why it's the first single.
03. Kuusi Kantajaa (Six Pallbearers). The song starts with the guitar, and then the others follow. There are great riffs and it's really catchy. At gigs, the audience has sung the choir parts. This song is very similar to our older song, "Revin Ihoni Rikki".
04. Kasvoton Kuljettaja (Faceless Driver). This was one of the last songs we wrote for this album, and we were still making changes to the arrangements a few days before recording. The song delves into death metal, and the lyrics were inspired by a nightmare that Janne's co-worker had.
05. Hetki Viimeinen (Last Moment). This was the first song we wrote for this album. We have played it live many times. When we recorded it, we decided to slow it down a bit, which made it nice and groovy.
06. Lyhyt Matka Hautaan (A Short Journey to the Grave). Sami wanted to create a song with more black metal elements. The result was a slightly different song with more arrangements. In the end, we got a good, brutal song that will be a crowd-pleaser at gigs. This song was initially called 'That Weird Song'.
07. Eloton (Lifeless). Originally, this was the first track on the album, but it ended up being placed later on. It's a really traditional Hautajaisyö song that could have been on our third album. A strong start with a good groove. We started our 10-year anniversary gigs with this song.
08. Haaskalinnut minut muistaa (Vultures will remember me). It's the second oldest song on the album, where we tried a slightly different arrangement. Once we were ready, this was the first song to find its place on the album. The grand, sorrow-filled ending is emphasised by the outro made by Sami.
Watch music video 'Kuusi Kantajaa': https://youtu.be/_69j7uQIkYs
Watch music video 'Maan nielemä': https://youtu.be/L4ygntH5stk
Track list:
01. Surun Paino
02. Maan Nielemä
03. Kuusi Kantajaa
04. Kasvoton Kuljettaja
05. Hetki Viimeinen
06. Lyhyt Matka Hautaan
07. Eloton
08. Haaskalinnut Minut Muistaa
Composed by Janne Partanen, Sami Lustig, Simo Pesonen & Teemu Roth
Lyrics by Janne Partanen
Production, recording & mixing: Sami Lustig
Mastering: Janne Tuikkala
Cover art by Minttu Koskinen
Line-up:
Janne Partanen: vocals
Sami Lustig: guitars
Simo Pesonen: bass
Teemu Roth: drums
https://linktr.ee/hautajaisyo
Atmospheric
black metal project ZORNHAU has released the visualizer for “I,”
the opening track of their forthcoming self-titled album. The track serves as a
first step into a descent into darkness and inner fire, introducing listeners
to a world of intensity and ritualistic atmosphere.Rather than following a traditional narrative, Zornhau emphasizes immersion and transformation. The music unfolds as a continuous rite, demanding endurance, presence, and full engagement from the listener. “I” establishes the tone for the album’s journey, a voyage into shadow and introspection, where every note and texture draws the audience deeper into its ritualistic soundscape.
https://orcd.co/zornhau
New
single from CHAOS INSIGNIA ("Dark Gate Opened" feat.
Paul Tucker out from "CROWN OF THE INFERNAL CODE" album)Chaos Insignia is a bestial black/death metal force forged in fire and ritualistic chaos. Blending savage black metal ferocity with crushing death metal density, the band channels technological occultism, apocalyptic visions, and infernal devotion into a relentless sonic assault. Formed with a clear intent to create uncompromising black/death metal, Chaos Insignia emerged from the underground with a sound rooted in the raw violence of classic war metal, yet sharpened by modern precision and atmosphere.
Their first full-length studio assault, Crown of the Infernal Code (released March 5th 2026), crystallizes the band’s dark vision into ten suffocating tracks, each featuring a special guest vocalist drawn from the realms of black metal and death metal. Forged as a true collaborative manifestation, the album unleashes one special guest featured on each track such as Themgoroth (ex. Dark Funeral, ex. Infernal) ; Ødemark, known as the vocalist of The 3rd Attempt, band formed by former members of Carpathian Forest; Heergott of Magoth; Paul Tucker of the legendary American black/death metal institution Sathanas; Ustumallagam of the Danish black metal cult Denial of God; Shadow of Black Altar; Obscurus of Marras; Hrafn of Thy Dying Light and Ulfarr; the legendary Narqath of Azaghal, one of the most well-known Finnish black metal bands; Morean of Dark Fortress.
https://www.facebook.com/profile.php?id=61576246572042
https://chaosinsignia.bandcamp.com
Label: Apocalyptic WitchcraftRelease date: April 24th 2026
Genre: Black/Folk Metal
For fans of: Primordial | Winterfylleth | Saor | Forefather
“Let warlocks grim an' wither'd hags
Tell how wi' you on ragweed nags
They skim the muirs an' dizzy crags
Wi' wicked speed;
And in kirk-yards renew their leagues,
Owre howket dead.”
- Robert Burns – Address To The Devil
Eight years on from their last album, The Forty Five, Scotland’s Cnoc An Tursa have returned with an evocative tribute to the history, the folklore, the unique magic of their homeland. With their characteristic blend of fierce black metal and traditional melodies they have conjured up a set of songs that bring together mourning and defiance, mystery and fear, pride and passion. It is rare for a band to return from years of silence with an album that represents a new creative peak in their story, but with A Cry For The Slain that is exactly what Cnoc An Tursa have achieved. Speaking about their aims with this album, the band have said,
"With this new album we feel like we are going back to our roots with a more guitar driven style and bringing back some of the folk elements musically and lyrically which was the original inspiration for the band."
And by looking back they have found the way forward, reigniting their fire and forging an album that will resonate through the years to come.
‘Na Fir Ghorma’ with its haunting guitar notes and sense of dignity and sorrow opens the door to A Cry For The Slain, ushering you into the furious opening blast of ‘The Caoineag’. Steeped in bardic tradition and storytelling this majestic track introduces the listener to a highland banshee who foretells death and tragedy and sings her laments beside the deep lochs and chill waterfalls. With the Caoineag’s song atmosphere rises like mountain mists, enshrouding and transporting while the captivating melodies conjured by Cnoc An Tursa lead us into a different world. ‘Cailleach And The Guardians Of The Seven Stones’ is a magnificent, sweeping tribute to the goddess of winter who shapes the landscape with her hammer, the ghost of Thin Lizzy’s ‘Emerald’ dancing in its Gaelic reels. A stunning guitar solo adorns the multifaceted track that captures the power, allure, mystery and terror of the blood thirsty ‘Baobhan Sith’, while the thundering energy of ‘Am Fear Liath Mòr’ takes you to the mountain passes of the Cairngorms, haunted by a giant presence…“I can hear the footsteps behind me, I can see the Big Grey Man”… And nestled amongst all the stories and ‘Address To The Devil’s epic dark poetry, we find first single, ‘Alba In My Heart’ – a pledge of allegiance, a song of devotion to Cnoc An Tursa’s beloved Scotland. There’s a raised fist and a strength of spirit in the blood stirring melodies and the rolling rhythms, in the riffs tumbling down like mountain streams. The authenticity of emotion in this song is undeniable. By the time ‘The Nine Maidens Of Dundee’ leads us down from the peaks once more, with a head full of dreams and a belief that magic may still exist in the less travelled glens of the northlands, the sheer power of Cnoc An Tursa’s return has become abundantly clear. A Cry For The Slain is a breathtaking album, a beacon burning in the night of mundane modernity, calling to those of us who want more than we’ve been sold.
With the intuitive mastering of Jaime Gomez Arellano (Paradise Lost, Primordial, Hexvessel etc) bringing depth and vigour to every note, A Cry For The Slain smoulders with sonic intensity and all the emotion and secrets of its narrative are captured in the evocative artwork of Olga Kann (Winteria, Withered Land, Ruadh etc) that adorns its cover. Apocalyptic Witchcraft will release this monumental album on April 24th and the defiant cry of Cnoc An Tursa will echo through the landscape once more.
“When thowes dissolve the snawy hoord,
An' float the jinglin icy-boord,
Then water-kelpies haunt the foord
By your direction,
An' nighted trav'lers are allur'd
To their destruction.”
- Robert Burns – Address To The Devil
Line-up:
Alan Buchan - Vocals
Rene McDonald Hill - Guitars, Keyboards
Bryan Hamilton - Drums
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/cnocantursa/
The Finnish melodic death/black metal band SE, JOSTA EI PUHUTA
are set to release their fourth studio album, SYVYYDEN PORTIT ON SAATAVA
AUKI, on 29 May 2026 via Inverse Records. The second single 'Varis' is unleashed today and its accompanying music video can be seen here: https://youtu.be/xO47SsCQUJA
The band comments:
"Varis is the album’s Book of Revelation, an omen and a warning. This is a song where darkness does not creep in quietly: it is proclaimed. A menacing mid-tempo onslaught pulls the listener deep into language and imagery where hope is not a promise, but a trap. In this world, every sign has already been written, and every step takes you closer to what cannot be undone.
And behold, see those who have strayed twice over.
Like darkness itself, where fallen stars go to die.
Varis is not just a song, but a vision: blood-soaked wings, chaos carved from hatred, and a shadow-draped messenger building a ship on the waves without a lighthouse. The atmosphere remains dense and threatening, like a prophecy that no longer whispers, it demands. It does not invite the listener in. It commands.
Varis is cruel and beautiful at the same time: a blessing that feels like a curse. It is a praise of the leper’s beauty, and a hymn to the moment when the world turns against itself. When the sheep are led into a grave already dug, and no one even pretends to know what is right anymore.
Varis is a song where prophecy is born from fire and rage. Not to comfort, but to awaken. The time is near."
Listen to Varis single on streaming services: https://push.fm/fl/sjep-varis
Biography:
Se, josta ei puhuta is a metal band from Iisalmi. The band was founded in 2007.
That same year, the band recorded a four-track demo titled Se, josta ei puhuta and signed a recording contract with the Sound of Finland label in the spring of 2010. The album Ne, joista ei puhuta was released in May 2010.
In the spring of 2011, the band recorded their second studio album, Musta, kylmä, syvä ja samea (Black, cold, deep and murky), which was released by Spinefarm Records in November 2011.
In 2010 and 2011, Se, josta ei puhuta toured actively across Finnish venues. The band began preparations for a third album, which was, however, put on hold during the production phase in late 2012.
In 2022, as a result of the band's rebirth, the third album Gehenna was completed and released through Inverse Records. The lineup, which had remained unchanged until then, saw its first change when Jimi Myöhänen was chosen as the drummer following the release of the new album.
The band finished recording their fourth album Syvyyden portit on saatava auki- in the fall of 2025, and the album is scheduled to be released during 2026.
Over the years, the rawness of the band’s early HC punk and death metal has evolved into a more complex, black metal-influenced death metal, while still proudly maintaining the edginess of their early days.
Watch music video of first single 'Kuolemaa ei ole': https://youtu.be/T7tHrBma1YU
Track list:
1. Tulkoon valkeus
2. Myrsky
3. Varis
4. Kuolemaa ei ole
5. Pahuuden palavat nuolet
6. Syvyyden portit on saatava auki
7. Muinaiset jumalat kuuntelevat
8. Rituaali
9. Pimeys ja ikuinen yö
Composed & lyrics by Samu Männikkö
Mixed & mastered by Tore Stjerna (Necromorbus Studio)
Album cover art by Nicolas O
Line-up:
Samu Männikkö - Vocals
Harri Granqvist - Guitar
Heikki Matero - Guitar
Juho-Pekka Lappalainen - Bass
Jimi Myöhänen - Drums
https://linktr.ee/sejostaeipuhutaofficial
http://www.facebook.com/sejostaeipuhuta
Canadian band Goreworm blends elements of technical, melodic, and brutal death metal and somehow make it work. It might take a few listens to get the hang of their sound but it pays off in the end - it's some solid, challenging, and fascinating music. Two of their songs are currently streaming on the channel and there's a third one (an instrumental) also streaming on Bandcamp. Check them all out https://goreworm-label.bandcamp.com/album/miasmic-solitude
GOREWORM - “MIASMATIC SOLITUDE”
Genre
-
Technical/melodic/brutal death metalFor fans of - Arsis, Gorod, Xenosis, Fleshbore, Obscura
Canadian death metal band Goreworm mesh different death metal styles in a way that's both confounding and challenging. They're throwing technical, melodic, and brutal death metal elements into a high-speed blender—hardly the most conventional approach—and when the music still manages to sound so coherent, it warrants a closer listen. They seem to have coalesced the influences on an almost cellular level - the aural phantasmic entity emanating from the speakers sounds decidedly Goreworm even when constantly showing glimpses of different musical personalities. "Miasmic Solitude" is Goreworm's most evolved creation to date and it must be celebrated for its passionate and innovative take on the technical death metal style.
Line up
Robert Miller - Vocals
Jordan Estrela - Guitars
Brent Moerschfelder - Guitars/Bass
Robin Stone - Session Drums
Album Artwork by Leanna TenEycke
Track listing
1. Conjuring
2. Monuments to Murdering
3. The Enthralling Grave
4. Orbweaver
5. Amor Vincit Omnia
6. No Reprieve
7. Eve of Flagellation
8. Jarrell
9. Strelly
10. Miasmic Solitude
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/GorewormOfficial
Thank a ton once again! Cheers! Kunal Choksi Label Owner Transcending Obscurity
Wormholedeath
proudly welcomes Tokyo-based progressive extreme metal band BEYOND THE
VEIL to its roster. The international lineup, featuring members from
Japan, the United States, and the United Kingdom, has signed with the label for
the release of their upcoming album “OBLIVION.”Formed in 2020 by DB Karma, Yoshihiro Yamaji, and Eric Fetterman, Beyond The Veil quickly established a distinctive identity within the extreme metal landscape. Keisuke Tsuboi joined the band in 2021 on bass and drums, and Dave Griffiths completed the current lineup on bass in 2025.
Their sound merges thrash, death metal, black metal, and blackgaze with elements of progressive rock, jazz, folk, and classical music. The result is music that moves between crushing intensity and reflective, melodic passages. Most compositions come from lead guitarist Yoshihiro Yamaji and keyboardist DB Karma, while vocalist and rhythm guitarist Eric Fetterman writes the English lyrics. DB Karma contributes the Japanese lyrics, and the rhythm section, Dave Griffiths and Keisuke Tsuboi, develops the band’s bass and drum arrangements.
Oblivion was built around a specific ambition: to drag the spirit of 1970s and '80s progressive rock into direct collision with modern extreme metal. To do it authentically, the band reached for the instruments that defined that era — Mellotron, Moog, and Chapman Stick — giving the record a texture and warmth that sets it apart from anything currently on the heavy music landscape. The songs are long by design. Beyond The Veil was not interested in compromise, and it shows.
Their influences read like a well-worn record collection: UK and Italian prog, Nordic and Asian prog, and a deep, foundational love for thrash, death, and black metal, particularly the output from before 2010. It's that combination, the old and the extreme, the delicate and the crushing, that gives Oblivion its character.
The band is already working on their next release, with a stated intent to evolve the format while keeping the philosophy intact: modern music made by people who genuinely revere the golden age of progressive rock.
Tracklist
1 Built on Sand
2 A Glimpse into Eternity
3 Reflection
4 Enigma
5 Collapse
6 Terminus
www.beyondtheveil.jp
Format: Digital CD / Physical CD / VinylLabel: Independent Release
Release date : april 24, 2026.
Genre : Thrash / Death / Metal
Distribution: Necktwister
Tracklist:
01 Storm
02 Poseidon
03 Mind Intrusion
04 Time Is A River And The Waters Are Red
05 Thief Of Dreams
06 Instinctive Dissonance
07 With Tears In My Eyes
08 Ancestral Rites
Poseydon was formed in 1992 by Alain De Block with the ambition to play a mix of Thrash and Death- metal.
The band’s playing style should appeal to fans of early Slayer, Sepultura, Testament and many more…
The band took a few years to grow but in 1995 the first recording took place.
A single ‘Thief of Dreams’ was recorded in the legendary Midas Studios and got released by Tessa Records in 1995 as part of a metal-compilation album ‘Detonation II”. This track showcased the bands ability to write dynamic songs and not to be afraid to include calm, almost tranquil elements, only to enforce the heavy hitting sequences even more. The band received great critiques for this first release, gathering the attention of the Belgian metal-scene.
This brought a lot more possibilities to the band, which meant playing a lot of live gigs and recording & release of the 4-track EP ‘With Tears In My Eyes’ in 1998. Again recorded in Midas Studios, the EP contains four fierce thrashing pieces of metal, which proved the band was growing and moving upwards in the Belgian metal-scene.
Although the band had gained momentum, the march of Poseydon was put to a halt… as Poseydon ceased to exist. Through the leaving of its frontman, Alain de Block decided to put Poseydon on hold.
But as the saying goes: blood is thicker than water! After a few years the aching started to arise to reboot Poseydon which lead to the reformation in 2007. Founding member Alain de Block & former guitarist Ward van Iseghem got together and started to reclaim the God of the sea. After a few years of rehearsing and looking for the right bandmembers, the band recorded its first full album titled ‘Cold World’ in 2011.
Although the album comprised mostly older unreleased work, it was a death-metal metal release in contrast to it earlier death/thrash releases. To support the album, Poseydon played everywhere as it could through the Flemish part of Belgium.
Unfortunately some line-up changes slowed the progress towards a new recording, but patience is a virtue!
After recording and mixing the songs without any pressure, Poseydon’s latest album ‘Masterpiece (in the mind of a serial killer)’, or ‘Masterpiece’ in short, was released in the beginning of September 2016.
Then, 7 years later the God of the Sea emerges with a new album entitled ‘Through The Gate Of Hatred And Aversion’. This time they went to Project Zero studios where Yarne Heylen (Carnation) recorded, mixed and mastered the tracks.
Since its first incarnation, the goal of Poseydon was, is and always will be to play energetic live-shows.
And now they are preparing themselves for the release of their third full-length album that will come out at the end of April 2026.
Line-Up:
Alain De Block (rhythm guitar, lead guitar, backing vocals)
Leander Karageorgos (rhythm guitar, lead guitar)
Jeroen Bonne (bass guitar, backing vocals)
Jef Boons (drums)
Tom Lenaerts (vocals
https://www.necktwister.com/
https://www.facebook.com/godoftheseaandmetal
Label: Comatose MusicRelease date: march 20th 2026
Genre: Brutal /Slam Death Metal
For fans of: Slob | Traumatomy | Gorevent | Colpocleisis
The night’s work is done. He stands in silence, the sweat of exertion mingling with the blood that coats his face, hands and clothes. The passion, the anger, the lust and the excitement has all drained away, like pus from a lanced boil. It’s time to lift the floorboards and open the mausoleum…time to tip the latest faceless bundle of guts and gore, bone, bile and bruised flesh into the darkness; there to lie in the stench and the rot, in quiet communion with those who have gone before. At least she won’t be alone. They have each other…and the worms.
More than thirteen years on from the release of their horrifying debut album, Excruciating Intestinal Lacerations, the UK’s heaviest and sickest exponents of shocking brutality are back with a new assault on morality, enlightenment and good taste… Engorgement have returned, with They Rot Beneath Our Floor!
The nightmare begins with ‘Prelude To Your Dismemberment’, which leads us down a spiral staircase into darkness. We know that nothing good awaits us in that impenetrable murk, but locked in the dream sequence we cannot stop our descent…and as we reach the bottom step the world explodes. ‘Keep Festering’ erupts like a spray of arterial blood – pain, violence, animalistic vocals over bludgeoning riffs and mercilessly methodical drums. ‘Rot Beneath Our Floor’ follows with cataclysmic blasts, sluggish crawls through offal and deliberate, punching riffs – the different stages of slaughter and dissection delivered with a thrilling intensity. There’s no let up in this massacre, no islands of peace in the sea of carnage. ‘Watching Your Body Twitch’ delivers deep, deep grooves like hatchet wounds cut right to the bone, while the drum beats in ‘Resurrection’ fall with imperious, bone-breaking force. ‘Blunt Force Osteotomy’ leads us to the final exit – punishing to the last breath, to the last guttural exhortation of hate.
Nobody understands brutal death metal better than Floor Van Kuijk of Korpse, Sijjeel, Carnifloor and many more – and the Dutchman has mixed and mastered They Rot Beneath Our Floor at his GLDCHN Studios (Virulent Excision, Parasitic Infestation, Crimson Butchery etc). The results are gloriously repugnant - raw, bloody and pustulent beyond belief. Complete with suitably sickening artwork from Christian Castro, Engorgement’s new testament to mankind’s inhumanity will be unleashed by Comatose Music on March 20th. Your journey into the heart of darkness starts here…
Line-up:
Mitch Rider - Drums
Ricky Hill - Guitar
Stu Hine - Vocals
Richard Lynn – Bass/Backing Vocals
https://www.comatosemusic.com/
https://www.facebook.com/Engorgement
Polish
dark folk artist OLS has released a new video for “MARZEC”
(MARCH). Following the release of her fifth album “POŚWIATY”
last May via Pagan Records, this latest visual installment captures the cold,
stagnant "limbo" that exists between the death of winter and the
arrival of spring.Watch the video for “marzec” here: https://youtu.be/v8GWaTUqLsE
Anna Maria Olchawa, the person behind Ols, said: “Marzec is my neofolk hypnosis. A simple motif, repeated in a loop, lulls the listener into a state of numbness, much like the feeling when our minds, worn down by a winter that has lasted too long, slip into apathy, discouragement, and a quiet, indifferent resignation.
“In the background, ghostly chimes can be heard, the faint clatter of hollow stems and weathered bones. This is how I hear March: moving slowly across the marshes, through the tangled hair of dead grasses. This is how its empty heart pulses. This is how barren, hollow dreams loop endlessly in the suspended space between death and new life. March is a limbo of blue and tawny emptiness, a mirror reflection of November in the still surfaces of wetlands.
“To capture the true spirit of March, I recorded the piece in March itself. The video was also filmed then, on the floodplains of the Dunajec River.”
The album "Poświaty" is available in a jewelcase CD format with a 20-page booklet that includes lyrics and translations. Thematically, the album “Poświaty” delves into the formative period between childhood and adulthood, exploring themes of personal mythology, the transformative power of love and the inevitable pain of loss.
https://www.pagan-records.com
https://www.facebook.com/paganrecords
https://www.facebook.com/Olsproject
Leeds (UK) - Progressive Death Metallers, COGNIZANCE, have partnered with Metal Injection for the video premiere of "A GAME OF PROLIFERATION," the second single from forthcoming album, IN LIGHT, NO SHAPE. Get in on it at:
https://metalinjection.net/new-music/cognizance-streams-steamrolling-new-single-a-game-of-proliferation
Following 2024’s critically acclaimed LP Phantazein, COGNIZANCE return with In Light, No Shape May 1 on Willowtip Records!
Four LPs deep and a slew of EPs behind them, COGNIZANCE show no signs of restraining the pace of unrelenting inventive riffs and razor-sharp grooves. In Light, No Shape is a masterful Progressive Death Metal opus, rich in texture and atmospheric detail, delivering everything long-time listeners crave while channeling the mid-90s technical extremity of Death, Extol, and Meshuggah. This time, the band deliberately fractures the conventions of modern extreme production, opting instead for a more organic and visceral mix that sharpens the defining traits of their work.
In Light, No Shape marks the first lineup shift in a decade, as the band sharpen from a quintet to a quartet with founding guitarist Alex Baillie stepping forward as vocalist while retaining guitar duties, following the 2023 departure of founding vocalist Henry “Big Mac” Pryce.
“This record is a defining milestone for us. Taking on vocals has pushed us to re-engineer how we experiment with the blend of elements in our sound, unlocking new creative pathways to compliment the core identity of the band. What you will hear are four dudes all adding their flavours to the melting pot to create a body of work that felt completely natural to us.”
- Alex Baillie (Vocals/Guitar)
Pre-order:
https://bit.ly/inlightnoshape-willowtip
https://cognizance.bandcamp.com/album/in-light-no-shape
Track
Listing:1. Transient Fixations
2. Inflection Chants
3. A Game of Proliferation
4. Chasm
5. Vertical Illusion
6. A Reconfiguration
7. Witness Marks
8. Subterranean Incantation
9. Induced Contortions
10. The Zone
Credits:
Mix and Master by Ronnie Björnström (AEON, BLOOD RED THRONE).
Artwork by Jef Whitehead (NAILS, LEVIATHAN).
Produced by Alex Baillie and Apostolis Karydis.
Photography by Nadine Geuter.
Line-up:
Alex Baillie - Guitar/Vocals
Apostolis Karydis - Guitar
Chris Binns - Bass
David Diepold - Drums
https://www.willowtip.com/home.aspx
https://www.facebook.com/cognizanceband
FFO: Iron Maiden, Iced Earth, Judas Priest, Megadeth, Testament
A music video for the album's first single - "TELL ME WHY" - is available at: https://www.youtube.com/watch?v=XjetYq_v_bY
Musically, Sins of Shadows draws from the energy of the NWOBHM (Iron Maiden, Saxon), the ambition of progressive and power metal (Symphony X, Iced Earth), and heavier bands like Megadeth or Testament. Their twin-guitar harmonies, echoing Thin Lizzy, bring a touch of warmth and nostalgia to a sound that remains both personal and timeless. In short, the Sins of Shadows sound burns with modern intensity and a passion that ignites on every stage.
Pre-order: https://sinsofshadows.bandcamp.com/album/the-last-frontier
Track
Listing:1- The Void
2- The Last Frontier
3- Walls of Past
4-Tell me Why
5- Rise Again
6- Prologue
7- As Darkness Falls
8- The End of the Road
9- One Last Journey
Credits:
All music and lyrics by Nicolas Jacon.
Mixed and Mastered by Sebastien Normand at Aedonia Productions.
Artwork by Aleh.
Line-up:
Nicolas Jacon: All Guitars
Sebastien Normand: Bass
Rodolphe Plachesi: Drums
Featured vocals by Tasos Lazaris
Bio:
After releasing two EPs, Sins of Shadows (2014) and Today's the Day (2016), the duo was joined by bassist Sebastien Normand (Esquys, ex-Nepenthys) in 2018, leading to the recording of their first full-length album, The Master's Way. That album set the tone for the band's blend of heavy and progressive influences.
With drummer Rodolphe Plachesi joining soon after, the band released Imperium, featuring Eric Casteglia as guest vocalist. Entirely self-produced like all their work, Imperium took a more conceptual and introspective direction, drawing inspiration from the philosophical writings of Spinoza and Frédéric Lordon.
https://www.facebook.com/sinsofshadows
Label: Apocalyptic WitchcraftRelease date: april 17th 2026
Genre: Blackened Death Metal
For fans of: Mayhem | Gorguts | Anaal Nathrakh | Morbid Angel
As the head of respected label Apocalyptic Witchcraft, Conor Droney is exposed to a mountain of new, extreme music on a daily basis – he’s not a man who is easily impressed. However, upon hearing the uniquely challenging sounds of Australian blackened death metal entity Hebephrenique’s Decathexis album – released in Australia last year through Gutter Prince Cabal and Brilliant Emperor Records – he knew he had to help spread this plague to an international audience. The band were promptly signed to Apocalyptic Witchcraft and a cassette and digital release of the tumultuous Decathexis is now upon us.
“Australia has long produced some of the finest bands in extreme music, and Hebephrenique were one of the best discoveries I made last year” Droney commented. “I can’t wait for the rest of the extreme metal community to experience Decathexis.”
Decathexis begins with ‘Stasis’, a passage through the veil, an admittance into the strange, unnerving otherness of Hebephrenique. The layers of existence part at your touch and each step takes you deeper into darkness, farther from the light and from all you know and understand. There is movement, sound, a shifting in the shadows…and then ‘Visions Of Magdalene’ comes crashing into life – jarring, angular, dissonance and destruction, strange, disjointed melodies clambering like crippled spiders over a framework of steel madness. And within this vortex a voice; completely in command of its distorted environment, comfortable in this mangled confluence of impossibilities. The vocals act as a focal point, Kris Wolf a ringmaster in this circus of chaos, as songs shift into different dimensions, each one more unsettling than the last; incendiary intensity giving way to fractured dreams. Each element of the Hebephrenique sound seems to work independently, following its own path, patterns and realities…yet they are pinned together, thrashing wildly against impediment and restraint, painting sonic images of cruel, strange beauty. From the forceful, serrated riffs of ‘I, Adverse’ to the leaping, irrepressible energy of ‘To Inflict Or Nurture’ nothing can be held in place. This music is liquid silver – constantly evolving and transforming – building worlds and tearing them down in the blink of an eye. Concluding, title track – ‘Decathexis’ – begins as colossal, strident death metal which then splits and splinters before slipping beneath still, dark waters, falling down magnificent descending chords, deeper and deeper. It’s a profoundly affecting experience and when silence finally returns Hebephrenique leaves you stunned and changed.
Meticulously mixed by Brendan Auld (Idle Ruin, Malignant Aura, Resin Tomb etc) and mastered by the in-demand Brad Boatwright (Corrosion Of Conformity, Devourment, Obituary etc) Decathexis has been gifted a clarity to its chaos and nuance to its power, imbuing it with the power to shock, surprise and bewilder with every listen. Look for its coming on April 17th from Apocalyptic Witchcraft – a label whom the band are proud to be associated with…
"We are extremely excited to be working with Apocalyptic Witchcraft...It's humbling to be a part of such a strong roster."
Line-up:
Jack Greenhill - Guitars, Bass, Keyboards
Kris Wolf - Vocals
Leo Graae - Drums
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/apocalypticwitchcraftrecordings
https://www.facebook.com/hebephrenique
Label: Meuse Music RecordsRelease date: april 3rd 2026
Genre: Doom / Death Metal
For fans of: Saturnus | Lake Of Tears | Ennui | Novembers Doom
“It has been twenty months of recording, dialogue, collapse, collaboration, despair, destruction, and renewal — our beloved eternal spiral of chaos, light, fog, and certainty that, as always, almost consumed us.”
- SolNegre
Spain’s Solnegre first stepped from the obscuring shadows in 2022, although the band’s roots stretch much further back into the proud history of Spanish doom/death metal than that, with members having played pivotal roles in the development of Helevorn and Golgotha over previous decades. Yet, since the release of SolNegre’s debut album – The Spiral Labyrinth – the past has become an irrelevance, with the music of SolNegre needing no reference points or validations; it stands alone in dark, monumental solitude. And now the second full length album from SolNegre is about to be unveiled, an album that encompasses everything that epic, melodic, emotive doom/death can be, defining the genre at its most expansive and creative. Welcome to Anthems for The Grand Collapse…
“I remember being the rain for you.”
- ‘The Axiom / Song For The Inert Part II
Anthems For The Grand Collapse begins with ‘The Axiom / Song For The Inert Part II’, a moment of calm, of fragile stillness that is shattered by an eruption of anguish. Conflicting and contrasting emotions are captured in vast chords, a magnificent guitar solo and deep, desperate vocals. It is impossible to listen to this music at a distance, from outside the darkness. It draws you into the emotional storm, casting you adrift upon the tumultuous seas of life, at the mercy of the ebb and flow of the tides of passion. This one song is a staggering structure, a pure reflection of the towering emotions that dwarf and break us all. ‘The Hollow Inside’, a driving, powerful track, then carries us deeper into the night, moving through many spaces and territories, so much to grasp and explore. The music, its vital vibrancy, inspires a search for meaning, but the perfect balance between universality and personal intimacy dictates that the meaning you find in these words and sounds will be yours and yours alone. In ‘For All That Could Have Been’ beautiful introspection is rent apart by dark, collapsing riffs and formidable vocals – the pain and emotion almost too raw to witness, an immaculate marriage between exquisite artifice and agonized reality. And then, ‘In The Stillness Of The Womb’ seems to stop the world from turning, as a wonderful female vocal snatches your breath away in a truly unforgettable moment. The careful sequencing of the album leads us, finally, into ‘A Path Of Aloneness (I & II)’ with a sense of arrival at an inevitable conclusion. ‘A Path Of Aloneness...’ is a stunning piece which brings together so much of what is truly great about SolNegre and Anthems For The Grand Collapse – it’s majesty and solemnity, its subtle guitar melodies and searing solo, its lyrical reflections on the diverse moments of life – and the silence that falls after its sudden ending seems to be another, secret part of the listening experience.
“If you are afraid, sit next to me. I will be watching the fire.”
- The Hollow Inside
Recorded at Diorama Sound in Mallorca, which the band describe as their ‘shelter’, the production and mix of Anthems For The Grand Collapse are superb. From the resonance of the drums to the lacerating edge of the vocals, everything is exactly how it should be and you can hear and appreciate every element of SolNegre’s sound, individually brilliant but working together to create an even greater whole. Anthems For The Grand Collapse will be released on CD and digital formats by Meuse Music Records on April 3rd, with the CD also comprising SolNegre’s 2024 EP Annihilation Of The Self. Completed by the enthralling artwork of Hans Trasid (Aara, Cuttered Flesh, Phobetor etc) Anthems For The Grand Collapse is an album that will speak to the deepest chambers of your heart.
“I still struggle to explain why we do this; I only know that what we create with such pain and such passion - countless evenings with numbed hands and a mind set ablaze - resonates with those who listen to SolNegre or read these words.”
- SolNegre
Line-up:
Ûkh – Vocals
Gebre – Bass & Keys
Rigel – Guitars
Tom – Drums
Additional musicians – the Collapse Minstrels:
Mike Le Rosetti – Guitar solos on ‘The Axiom / Song for the Inert Part II’
Pedro Inglés – Interlude vocals on ‘The Hollow Inside’
Gadea es Ineseta – Vocals on ‘In the Stillness of the Womb’
Núria Luis – Violins on ‘In the Stillness of the Womb’
Edu – Guitar solo on ‘A Path of Aloneness II’
Carmen Jaime – Vocals on ‘A Path of Aloneness II’
https://www.meusemusicrecords.eu/
https://www.facebook.com/meusemusicrecords/
https://www.solnegreband.com/
https://www.facebook.com/SolNegreDoom
NEWS 15.3.2026
Da
Sontags eh bloß ein Tag ist ,an dem man eigendlich nur noch
abscheisst , gibt es heute mal wieder ein bissel was an neuem
zerstörerischem Material , welches ihr heute gleich mal abchecken
solltet .
Reviews
VOR DIE HUNDE – „WELTMARKTFÜHRER BEFIELT WIR (ENT)FOLGEN!“ HAMMER
Noch mehr aktuelle Infos rund um den Globus findet ihr unter : https://www.facebook.com/mario.klein.961/ https://www.facebook.com/Undergroundfanzine
PARTY.SAN News:
DEATH WORSHIP
P.S:O:A-Premiere! Death Worship schlagen mit unerbittlicher musikalischer Gewalt zu. Das deutsch-kanadische War-Metal-Kommando entfesselt ein chaotisches Inferno aus rasenden Blasts, kreischenden Klampfen und apokalyptischer Atmosphäre – roh, kompromisslos und absolut zerstörerisch. Hier trifft okkulter Wahnsinn auf militante Klanggewalt, ohne Rücksicht auf Verluste. Euch erwartet eine Frontalattacke aus Lärm und Finsternis!
MOONSPELL
P.S:O:A-Premiere! 2026 entfalten Moonspell ihre dunkle Magie erstmalig auf der Bühne des P.S:O:As. Seit den 90ern stehen die Portugiesen für eine einzigartige Mischung aus Gothic Metal, okkulter Atmosphäre und hymnischer Melancholie – getragen von der charismatischen Stimme von Frontmann Fernando Ribeiro. Zwischen majestätischen Klassikern wie „Alma Mater“ und düster-bombastischen Epen entsteht eine Klangwelt, die gleichermaßen unter die Haut geht und zum Mitfiebern einlädt.
PANZERFAUST
Mit epischen Spannungsbögen und rauer Klanggewalt verwandeln Panzerfaust das Infield des Party.San Metal Open Airs 2026 in eine düstere Zeremonie. Wenn die vierköpfige Band die Bühne betritt, zieht ein frostig-nihilistischer Klangorkan auf, der euch unmittelbar in seinen Sog reißt. Die kanadische Formation steht für kompromisslosen Black Metal voller Schwärze, Beklemmung und hypnotischer Intensität – eindringlich, melodisch und unerbittlich. Freut euch auf ein Ritual, das noch lange nach dem letzten Akkord in euren Köpfen nachhallen wird.
http://www.party-san.de
Highly
regarded as a revelation of the Romanian Black Metal scene, MAUNA SOL,
announces its long-awaited debut album. Titled "THE CALLING",
it will be released in the spring of this year in collaboration with Loud Rage
Music. More details, as well as the first single taken from "The
Calling", will be revealed soon.
Mauna Sol is a post-black metal band from Brașov, Romania, formed in 2019 by five musicians who sought to channel their diverse musical backgrounds and inner darkness through black metal.
While their sound is rooted in traditional extreme metal, the music is built around a short tale written by George, the band's frontman. Each song explores specific parts of this narrative, shifting between raw intensity and melancholic nuances, enriching the dynamic range of their sound.
Lyrically, the songs give voice to a self-imposed hermit. He recounts his journey toward personal rebirth through a 'suicide of identity' - a grueling process set within a hostile desert, where the old self must be shed to allow for the new.
https://linktr.ee/loudragemusic
https://www.facebook.com/maunasolband/
Swedish gothic rock band SCHEITAN has released a new video for the track, “EVERY LITTLE THING”, taken from their new album “WINE FOR A TORMENTED SOUL”, which was released in December last year via The Circle Music.
Watch "Every Little Thing": https://www.youtube.com/watch?v=B8mZ0ZNqCRY
Scheitan's Pierre Tornkvist said: “It´s a very dark track, lyrically it speaks of life being totally pointless in the end, as absolutely every little thing around us withers and dies. Visually, I tried to find something that could match this, the children playing with a total unawareness of the truth of the world is truly matching the lyrical concept of the song, together with the devil lurking in the shadows…”
The video and album release follows the band's live slot on Swedish state-controlled radio P4. Their song “A Kiss of Death” was played on P4 throughout the week of December 15–19, with the band performing it live at the radio studio later on December 19th. More details: https://www.sverigesradio.se/artikel/scheitan-besjunger-doden-slapper-gotisk-rock-pa-svenska
Pierre shared the inspiration behind the album, "The title 'Wine
For a Tormented Soul' comes from what music can mean to people who run into
hardship in life. Music is my therapy, it is my best friend in dark times. The
last 10 years have been a bumpy road with one of my best friends passing away
too early as well as my father leaving us from one day to another. Some of the
songs have been presented to people as singles, with the upcoming album you can
hear them in the context of an album, and also listen to them in a non-digital
format such as vinyl which I think is the best way to do it. We will try to
come out and play these new songs for you as much as we can."
Order "Wine For a Tormented Soul" via The Circle Music: https://thecirclemusic.gr/product-category/the-circle-releases/?filter_artist-name=scheitan
"Wine For a Tormented Soul" follows Scheitan's 2024 album "Songs for the Gothic People" (The Circle Music) and their return after a 24-year hiatus. Having formed in 1996 by Pierre Törnkvist, Scheitan began with black metal roots but evolved to define their current gothic rock sound and continue to build on their sound. Their previous albums, including 1999's "Nemesis" (Century Media) have garnered a reputation as hidden gems within the genre.
https://thecirclemusic.gr/
https://www.facebook.com/The-Circle-Music-109161897443413/
https://www.scheitan.se/
https://www.facebook.com/scheitanofficial
Label: Comatose Music
Release date: april 3rd 2026
Genre: Slam/Brutal Death Metal
For fans of: Devourment | Kraanium | Vulvectomy | Korpse
With the world teetering on the brink of absolute destruction, what we need is a hero – or even better, four of them – and with serendipitous good fortune, out of the great white north come Canadian secret agents of slam, Crème Flesh! Returning after the successful 2023 operation: Casablumpkin, they are licensed to blast, brutalize and wield pornographic puns like deadly weapons! All too often in the world of extreme music an offensive song title or a humorous soundbite is used to disguise a spectacular lack of musical ability…but not with Crème Flesh. With these maniacs you can laugh, be offended and get blown to bits by some of the most severely savage brutal death metal you will ever hear, executed with clinical precision. Your mission, if you choose to accept it, is to survive the ten tracks of bowel-rupturing, cranium crushing brutality that is…For Your Ass Only!
Beginning with the crisp, accomplished assault of ‘Field Of Creams’, For Your Ass Only quickly demonstrates just how deadly serious the music behind its over the top song titles really is. The riffs are impeccable, the vocals beyond monstrous, the drumming superbly skilled and the tempo shifts from a mid-paced, bone splintering grind to insane, frenzied velocities navigated with a slick, deceptive nonchalance. ‘Lake Flaccid’ begins with a carefully selected quote from the film Lake Placid before unleashing a landslide of punishing heaviness, while ‘Sleepless On Cialis’ is the kind of groove heavy pit anthem, grotesquely adorned in spurts of wanton aggression, that is designed for live violence. From the crawling beast that is ‘The Gapes Of Wrath’ to the twisted insanity of ‘Jagged Little Penis’, For Your Ass Only is utterly relentless - reaching a cataclysmic climax with ‘Whores Of Perception’, where thick, pustulant riffs collide with a rhythm that’s as infected as it is infectious. It’s one hell of a conclusion to an album that’s a masterclass in slamming, brutal death metal. Come for the jokes but stay for Crème Flesh’s unquestionable massive killing capacity.
Complete with a sound that combines intimidating muscle and shocking clarity, thanks to producer Geoff Hodsman (Human Compost, Apegod etc) and brilliantly realised artwork courtesy of Krag (Paroxsihzem, Nuclearhammer etc), For Your Ass Only will begin its assignment of subversion and devastation on April 3rd, under the command of Comatose Music. This press release will self-destruct in five seconds…
Line-up:
Matt Hilden - Vocals
Rory Kennedy - Bass
Sophokles Theodoru - Guitar
Allen L. - Drums
https://www.comatosemusic.com/
https://www.facebook.com/Cremeflesh
FFO: Thy Art Is Murder, Fit
For An Autopsy, Cattle Decapitation
The official video for "No One Jokes at God" is available at: https://www.youtube.com/watch?v=h9x0khecQyE
"No One Jokes at God" explores the struggles of the millennial generation, dealing with faith, fate, and the search for hope in dark times. It's about finding strength in vulnerability, acknowledging the pain of the past, and recognising that no one is immune to hardship - and that it is in these moments of despair that we turn to something greater, and no one dares to joke about the existence of God.
The story begins 2022 when The Modern Age Slavery embarked on an new exciting adventure, a trilogy of pieces of art in the death-metal scenario. The band idea is to portray human self-imposed slavery along three different eras in men’s history. Indeed, 2023 album, 1901 | The First Mother released via Fireflash Records / Atomic Fire - represented the very first chapter of the trilogy. The album concept was inspired by writers and philosophers belonging to the so-called “modern age,” 1901 being the year in which Queen Victoria
passed away.
That brings us to the second chapter of the trilogy, 1969 | No One Jokes at God, recalling the symbolic beginning of the hipster culture at Woodstock and the rapid switch of equality ideals to the actual worldwide decay that has inevitably followed.
The EP was produced by The Modern Age Slavery with engineering duties undertaken by the band’s guitar player, Luca Cocconi, along with Simone Sighinolfi (who took care also of mixing and mastering at Audiocore Studio, near Parma, Italy) and will be accompanied by two videos, the aforermentioned title track, "No One Jokes at God" being the first.
The second single/video, "The War Within," will be released on April 10.
The 1969 | No One Jokes at God EP is targeted for a Fall 2026 release.
Credits:
Music: Recording, mixing and mastering by Luca Cocconi e Simone Sighinolfi at Audiocore Studio.
Video filmed and edited by Videocore Productions.
Guest appearance on drums: Davide Tomadini.
Cover art by Ludovico Cioffi.
Line-up:
Giovanni Berselli - Vocals
Luca Cocconi - Rhythm Guitar
Ludovico Cioffi - Lead Guitar
Mirco Bennati - Bass
Federico Leone - Drums
Bio:
Emerging amidst a sea of deathcore, Italy’s THE MODERN AGE SLAVERY separated themselves from therest with their visceral sense of the genre. Coming equipped with grinding blast beats, merciless brutal
vocals and slaughtering rapid-fire double bass patterns their sound developed and became increasingly unique over time. After the release of their demo, which was chosen as “Demo of the Month” by Rock Hard
Germany, they got signed to Napalm Records.
Then, thanks to significant acclaim from the metal world, THE MODERN AGE SLAVERY extensively toured across Europe both as headliners and as supporting act, along with CANNIBAL CORPSE, DYING FETUS, OBSCURA, MALEVOLENT CREATION, VOMITORY. The band
Also played selected shows with FLESHGOD APOCALYPSE, SEPULTURA, DECAPITATED, SUICIDE SILENCEand many more.
The release of the second album -Requiem For Us All- pushed their death metal war machine one step forward, this time with a fierce mix of blazingly fast drumming, technical riffing, epic atmospheres, and
crushing groove. Listed as the best metal album of the year by MetalSucks, it brought the band on tour again with bands, such as GORGOROTH, VITAL REMAINS, HYPOCRISY, plus many gigs on national soil. Their last full-length album -Stygian- represented a new chapter in the sound of the band, introducing blackmetal riffing, keyboards, atmospheres, and orchestral elements.
Owing to such efforts, the band got once again acclaimed around Europe, co-headlining shows with INGESTED and supporting VADER and ENTOMBED A.D. Before the pandemic, they shared stages with
JINJER, DECAPITATED, INCITE, and they are currently hitting the road again, having played in big festivals with SLIPKNOT, SABATON, BEHEMOTH, and many more.
https://www.facebook.com/tmasofficial/
Label: Ardua Music
Release date: april 24th 2026
Genre: Doom/Stoner Metal
For fans of: High On Fire | Kyuss | Orange Goblin | Desert Storm
“Something unknown, something unforeseen, something unspeakable lives below – and it lives to destroy…”
- promotional text for the 1977 film, Shockwaves
You’ve lost count of the drinks and lost sight of the path you were walking. Your eyes won’t focus, but the world seems to be burning and there’s a voice speaking from the other side of the flames…telling you it’s time to die.
Hailing from Mechelen, Belgium and featuring one ex and one current member of doom legends Marche Funèbre, Witch Piss have been brewing their potent blend of dark, stoner metal since 2022. It’s a brew they call Mississippi Goat Worship and there’s witchcraft and venom lurking in the sediment that swirls in that pitch black elixir. A self-titled EP released in the spring of 2023 turned heads, as did brain melting live shows with the likes of Your Highness, Belzebong and The Obsessed – but now the story really begins, with the heady, heavy, hypnotic delights of debut full length album, The Devil Doesn’t Burn!
The gates of delirium open onto ‘Black Tongue Driven’, with its towering midnight riffs, a rhythm section like thunder and vocals with a rough, drunken drawl, shot through with menace. Grooves dig deep into the black earth, breaking through into the realms of the dead. There’s a loose, devil may care feel to the Witch Piss sound, but it’s bathed in sweat and the stench of possession and carrying something sinister in its back pocket. By the time ‘Bad Juju’ arrives through the pale grey light of dawn, with a half-forgotten night of madness trailing in its wake, you’re captured and committed; happy to let the rolling tide of guitars carry you away on riffs thick enough to bear the load. There’s a fierce energy to ‘Wolf Cries Boy’, driving you through the shadows, smoke, firelight and voodoo whispers. It makes you headbang until the world spins and you see drug dealing devils dancing in your brain. The spell never breaks as the album unfurls; heavy metal bombast and desert rock dreams laughing in the face of doom. ‘Catelyn’s Broken Hope’ is a highlight amongst an array of peaks – an unstoppable battering ram shot through with a deep, melancholic rumble, with a killer chorus and a starburst of firework lead. When the end arrives with ‘Rubicon River’ you realise that while you were lost in the haze Witch Piss were carrying you past the point of no return…and now there’s no way back. But then who wants to come back from a trip like this?
Recorded live in the studio at Motormusic Recording Studios and produced, engineered, mixed and mastered by Chiaran Verheyden, who also brought the Witch Piss EP to doomed, stoned and devastating life, The Devil Doesn’t Burn sounds rich, thick and textured – a lead weight monolith wreathed in smoke and dust. Completed by the distinctive artwork of Luca ‘Solo Macello’ Martinotti (Pentagram, Sahg, Baest etc) The Devil Doesn’t Burn will be released by Ardua Music, on CD and exclusive black vinyl LP, on April 24th. The LP will also be available as a splatter vinyl, only from the band and on marble vinyl from Necktwister Records. Be ready to lose your mind and sell your soul to Witch Piss!
Line-up:
Peter Egberghs · Vocals
Andoni Lombide Carreton · Guitars
Stijn Georges Moens · Guitars, backing vocals
Wouter Veeckmans · Bass, backing grunts
Dennis Lefebvre · Drums
Guest vocals on ‘Wolf Cries Boy’ and ‘The Devil Doesn’t Burn’ by Ben Baert (Your Highness)
https://www.arduamusic.com/
https://www.facebook.com/WitchPiss
Finnish melodic death metal band DEADVOID INC. released their debut album CHAPTERS on March 13, 2026 via Inverse Records. Operating across the Mikkeli–Jyväskylä–Helsinki region, the band was formed in early 2025.
The band’s debut album combines heavy riffs, melancholic melodies, and technical musicianship into an intense musical experience. Chapters dives into the darker layers of the human psyche while still leaving room for a glimmer of hope.
Listen to the album on streaming services: https://push.fm/fl/deadvoid-inc-chapters
Guitarist Tuomas Torikka describes the album as follows:
“Chapters takes the listener on a journey through tragic mental landscapes and human destinies. The music evokes a wide range of emotions — aggression, deep hatred, and also moments that may bring tears to the eyes. At the same time, a small spark of hope remains present. Each song has been carefully composed, forming a multidimensional soundscape where melancholy and beauty intertwine with aggressive power. The lyrics leave room for identification and personal interpretation.”
Vocalist Jonne “Monni” Saarinen says the lyrics are largely based on the band members’ personal experiences:
“The lyrics mainly revolve around our own life experiences. At times we deal with painful
memories from childhood, and in the next moment we move into themes of adult self-reflection. The subjects are heavy, but we also wanted to include the small spark of hope that Tuomas mentioned.”
With Chapters, Deadvoid Inc. delivers an intense and emotional debut that combines a heavy sound with strong emotional depth.
Deadvoid Inc. – Upcoming Shows
March 28, 2026 – Wilhelm Public House, Mikkeli (Album Release Show)
April 18, 2026 – Bar Base, Helsinki
June 13, 2026 – Bar Lepakkomies, Helsinki
Biography:
Deadvoid Inc. is a Finnish melodic death metal band that blends elements ranging from classical music to extreme metal, creating an energetic, technically skilled, and
completely distinctive musical entity.
D-inc was formed in early 2025 when longtime acquaintances Jonne Saarinen (vocals) and Tuomas Torikka (composition & guitar) decided to build something new in the midst of everything old. The album was completed in its entirety, and prior to its release, guitarist Jami Honkala and bassist Ville Heino—both heavily involved in the making
of the record—joined the band.
This lineup of seasoned professionals in their field brings a fresh new subgenre to the airwaves, unlike anything you’ve heard before. Energetic songs, catchy grand melodies, furious riffs, and heart-wrenching slow sections are here to show everyone what Deadvoid Inc. is all about.
The band released their debut album Chapters in March 2026.
Track
list:
1. Grounding The Unreal
2. Not Worth Living
3. Ashes And Forgiveness
4. The Wounds
5. The Frame
6. The Dawn Of Day
7. Drowned In Pain
8. Begins With Love
Line-up:
Vocals: Jonne Saarinen
Guitars: Tuomas Torikka
Bass: Ville Mikkola
Drums: Tino Jäntti
Cover art by Kai Kolima
https://www.facebook.com/deadvoidinc
Kyiv (UA) - HOSTILE CONSUMING RAPTURE, the debut full-length album from Ukrainian brutal death metal trio, SECTARIAN DEFACEMENT, will be released April 6 on Grave Island Records.
FFO: Cryptopsy, Devourment, Brodequin, Deeds of Flesh
A playthrough video for the album's first single, "Sectarian Ritual (Appalling Oath)," is available at https://www.youtube.com/watch?v=WOb4lF52psI
Following their EP Chaotic Demiurge, the band pushes their sound further with a heavier and more focused approach. The album delivers raw, aggressive brutal death metal with elements of technical riffing, grinding intensity and groove-driven sections that keep the songs tight and memorable. Instead of following the polished “slamcore” trend, Sectarian Defacement deliver something far more extreme and brutal. The sound is raw, heavy and direct, hitting with the force of a blunt weapon.
Lyrically, Sectarian Defacement also touch on darker historical themes, including crimes of the Soviet regime.
If you are into truly heavy and uncompromising brutal death metal, Hostile Consuming Rapture is a release you should not ignore. Sectarian Defacement prove themselves as a band with real intensity and a
strong identity.
The members share their thoughts about the forthcoming album:
"As a composer, I wanted to create not only aggressive and extremely heavy music, but also combine a brutal sound with more groovy and catchy elements. It would be cool to create something unique, something that would be different from the oversaturated crowd of similar sounding bands, and have its own recognizable SD branded style." - Nazar (guitar/vocals)
"As a soundman, I wanted to create a unique mix, that would not sound like all those 'slamcore' mixes. No offense to bands that do trendy overproduced mixes, but I wanted to hear something both modern and brutal. My take was to give Old school slam’s sound it’s logical modernization. Main influences were - Supply of Flesh Came Just in Time by Craniotomy, Goresoaked Clinical Accidents by Aborted Fetus, Tortured Whole and Homicidal Ecstasy by Sanguisugabogg, and Dissect, Molest, Ingest by Amputated." - Anton (bass)
"I am happy to be able to talk to the audience through our music, and I really enjoy the fact that we are one of the few bands who talk about crimes of soviet union, particularly it is really important for western listeners to hear the truth. We tried our best to make the music sound interesting, in my opinion we managed to do it, and we will continue doing it in future." - Viktor (drums)
Hostile Consuming Rapture will be available from Grave Island Records on CD, vinyl, and digital formats.
Pre-order:
https://www.graveislandrecords.com/sectariandefacement-hostileconsumingrapture
https://sectariandefacement.bandcamp.com/album/hostile-consuming-rapture
Track Listing:
1. Intro
2. Sectarian Ritual (Appalling Oath)
3. Mob Justice
4. Mental Putrefaction
5. Corrosion Spread
6. Hostile Consuming Rapture
7. Puddle of Gore
8. Dismal Liturgy
9. Famine 33
10. Suttee (Defeated Sanity Cover)
Album Credits:
Produced by Sectarian Defacement and Grave Island Records.
All music and lyrics by Sectarian Defacement.
Mixed and mastered by Ostrovskyi Anton.
Artwork by Felipe Froeder.
Line-up:
Nazar - Guitars and Vocals
Viktor - Drums
Anton - Bass Guitar
https://www.graveislandrecords.com/
https://www.facebook.com/profile.php?id=61576693025503
GORE
FORCE 5 – “ANNUS PORCUS OINKUS”
Genre: Deathmetal
Release date: April 11, 2026
Location: Belgium
For fans of: Gutalax, Goregasm, new school deathmetal
Belgian Deathmetal outfit GORE FORCE 5 return with their new album “ANNUS PORCUS OINKUS.” Packed with gravity blasts, grotesque grooves and the band’s trademark silly humor, the album delivers in your face colorful artwork while pushing the band’s sound into heavier, faster but still familiar territory.
7 tracks of head-first frontal assault from Belgium.
The album will be released on April 11, 2026 on all major streaming platforms, with a physical release planned during Smyrna Deathfest (NL).
The album artwork and the single “ADVANCED CRIPPLE SHAMING” will be released online and on streaming platforms tomorrow March 13th.
https://www.facebook.com/profile.php?id=100061038615621
Release date: 28.02.2026
Location: United States
FFO: Windir, Taake,Woods of Ypres
Bio:
Ozark Shaman is a one man black metal band from the shadowy fringes of Ozark, Missouri. Brad Nailling handles all instruments and production while the music features his wife Madeleine Nailling on viola.
Blending raw black metal aggression with electronic synth and atmospheric folk elements the musical themes explore spirituality, cosmicism, war, history, and human struggle while highlighted by the banjo as the core folk element, delivered in Scruggs-style picking.
https://ozarkshaman.bandcamp.com/
https://www.facebook.com/OzarkShaman
Watch the music video: https://youtu.be/Tyki39YSvxI
In the story, a mythical creature known as Kade looks down from a cliff at the devastated planet while bombs continue to strike its surface over and over again. The few remaining survivors hide underground whenever red warning lights appear, returning briefly to the surface when a green signal indicates that the danger has momentarily passed.
A passion for fantasy, science fiction, and post-apocalyptic themes forms the basis for the collaboration between the Ruoska singer Patrik Mennander and the music video director Henrik Mennander. They wanted to create a cinematic, or rather "short film" narrative, but since this is a kind of comeback for the band, it was also good to introduce them within the video.
Ruoska tours this spring and summer around Finland to celebrate the new album.
Listen to "Kade" album on music streaming services : https://push.fm/fl/ruoska-kade
Tracklist
1. Rampa ja sokea
2. Kettingit
3. Ihtiriekko
4. Silti syntinen
5. Ohjenuora
6. Kade
7. Ikirouta
8. Piruja
9. Loppu
10. Sarkajaakko
11. Runno
Focus tracks: Kettingit, Ohjenuora, Piruja
Ruoska:
Patrik Mennander (Vocals)
Samuli Rimmi (Guitar, Backing Vocals)
Miika Kokkola (Bass, Backing Vocals)
Teemu Karppinen (Drums)
https://www.facebook.com/ruoskaband
https://ruoska.bandcamp.com
It's only for their fifth album that this deserving and rather overlooked US band got a record deal. Xenosis are playing prog/tech death metal and they have been increasingly experimenting with their music. On their latest album "Hermetic Transmutation", one can even hear influences of dissonant as well as brutal death metal. Watch their newly released official video at https://www.youtube.com/watch?v=_uSEFSqRQ4Q
XENOSIS - “HERMETIC TRANSMUTATION”
Genre
-
Progressive/technical death metal
For fans of - Death, Atheist, Gorguts, Evilyn, Mors Verum
US progressive/technical death metal Xenosis have been at it for years, honing their craft with each album and showcasing a flair for experimentation too. On their fifth full-length album, "Hermetic Transmutation", they retain their core sound as they elaborate on both the progressive and technical aspects, even borrowing elements of brutal death metal and dissonant death metal to achieve that. The influences are finely integrated into their ever throbbing, busy music, never seeming forced and instead adding meaningful variation to their intense sound. The music's persistent groove belies its highly intricate quality; there's just so much happening while you're busy bobbing your head, tapping your feet, or rolling on the floor. After years of toiling, Xenosis have created a delightfully engrossing album that is bound to confound, tantalize, and ultimately satiate fans of this kind of music.
Line up
Sal Bova - Vocals
Gary Marotta - Drums
Kenny Bullard - Guitar
Keith Benway - Guitar
Travers Kenney - Bass
Artwork by Graphic Nightmare
Track listing
1. Sentient Shapes
2. Prolapsed Twin Entombment
3. Spore Whore
4. Engravings for Dyslexic Clairvoyants
5. Rapid Metamorphosis
6. Sea of Teeth
7. Altar of the Hound
8. No Longer Human
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/xenosisband
Thank a ton once again! Cheers! Kunal Choksi Label Owner Transcending Obscurity
Genre : Abyssal Death Metal / Black Death Metal
FFO : Behemoth, Hate, Dead Congregation
Release date : April 10 2026
Origin: France
Duration: 33min14
Label: Les Acteurs de L’Ombre Productions
Network Distributor: Season of Mist / Plastic Head
Digital Distributor: The Orchard
Line-up:
Stéphan Petitjan – Vocals, guitar
Théo Langlois – Bass, backing vocals
Jérémy Tronyo – Guitar, backing vocals
Nathan Faure – Drums, percussion
Tracklist:
1. Nese Ende
2. Okean
3. Mireborn
4. Ube
5. The Descent
6. Horror Squid
7. The Brine Seal
8. Mariana Tomb
After the release of “Cult of Uzura” last year, SKAPHOS will already return in 2026 with “The Descent”, a new album revisiting the band’s early works.
The record will feature four tracks from “Bathyscaphe” and four others from “Thooi,” the band’s first two albums. For the occasion, these songs have been re-recorded, reworked, and fully remixed, offering a new immersion into the abyssal universe of SKAPHOS.
SKAPHOS is a French Abyssal Death Metal band formed in 2018 and signed to Transcending Obscurity Records.
The band has released three albums :
Bathyscaphe (2020), Thooï (2022) and Cult of Uzura (2025), merging the eerie dissonances of Black Metal with the sheer heaviness of Death Metal.
« Skaphos is the perfect candidate to combine Black and Death Metal in a very violent way » – Acta Infernalis
Renowned for their harrowing, ritualistic live shows, Skaphos has performed in over 20 countries, touring across Europe and Asia with legendary acts such as I Am Morbid, Vader, Marduk, Suffocation, Belphegor, Batushka and Vomitory.
Their abyssal universe extends beyond the stage, with evocative music videos and the short film La Litanie des Flots (2022). They are currently working on a full-length film, Aurores Noires, scheduled for April 10 2026.
A few days after the release of its new album “The Descent,” Skaphos will hit the European roads to promote it live.
Pre-orders: https://lesacteursdelombre.net/product-category/preorders
https://www.facebook.com/skaphosofficiel
Origin: Finland
Style: Depressive Black Metal
Formed in: 2020
Released on: Downfall Records
Line-up:
Non: Guitar, Bass, Vocals
Mors: Drums
Bio
Musta Suru (roughly translates as “black sorrow”) is a two‑man Depressive Black Metal band, founded around 2020 in Tampere, Finland.
We both have a background in black metal bands, and everything began after a rehearsal of another project, when we decided to stay behind and jam.
We continued playing together, and eventually we had several songs taking shape — that’s how Musta Suru was founded.
The band name came to us very naturally, just like our songs do.
From the very beginning we found a shared musical language and mindset.
Our music deals with pain, death, sorrow and all the difficult, unpleasant aspects of human existence — this is our way of releasing difficult emotions. Music is for us both a passion and a form of therapy.
https://www.downfallrecords.com/musta-suru-fi/
Label: Independent Release
Release date: april 7th 2026
Genre: Industrial Black/Death Metal
For fans of: Anaal Nathrakh | Morbid Angel | Hate Eternal | Dødheimsgard
Surrounded by a mindless swarm of vicious, vindictive, selfish parasites - consuming and destroying, stealing and defiling; gifted beauty and hungering only for filth. The stewards of Eden have become the vandals of creation - paying lip service to a senile, senseless god while they incinerate the world. My only dream for the future is the purging of the human infection and a return to the silent perfection, the lightless omnipotence of the void.
“Ravaging like locusts in season. Rendering down flesh and bone. Revel in death and the tearing with teeth…”- Cellular Catharsis – The Machinist
Following in the scorched earth footsteps of their critically acclaimed second album, Contempt For Life, Manchester’s purveyors of harsh, bleak, mechanized extremity, The Machinist, are set to unleash a punishing new EP – the uncompromising onslaught of nihilistic venom that is Towers. The three blistering tracks included were written during the same creative invocations that gave birth to the Contempt For Life album but at that time had yet to find their final form. As such these songs, now fully armed and armoured, represent the last gasp of that unforgiving era in The Machinist’s constant evolution, an excoriating coda to the bitter blast of Contempt For Life before The Machinist reload and set their sights on fresh targets. It is time to enter the blasted wastelands of The Machinist once more and gaze upon the monument to desolation that is Towers…
“Annihilate man! Annihilate man! Annihilate man!”- Of Creation And Cancer – The Machinist
Towers begins with the harnessed chaos of ‘Sagittarius In Bloom’, The Machinist riding the winds of mayhem as only they can. But of course, history has taught us that this is one band that never just follow a simple, predictable path; the song slips into a passage of tranquil contrast, which is then shattered by an eruption of madness. Vast, choir like vocal melodies, extravagant flourishes of guitar – the mechanized clashes with the spiritual, dissonance takes up arms against musicality and a pervading, teeth-grinding intensity permeates all. ‘Sagittarius In Bloom’ is a complex, overwhelming, multifaceted beginning to this high velocity ride to the edge of everything. The jagged violence of ‘Of Creation And Cancer’ follows with demonic vocals and a ferocious display of outlandish musical weaponry. This is the sound of alien gods and cyborg war machines torn apart inside an insane threshing machine, while galloping rhythms carry us over vast disintegrating star systems. This is mind destroying stuff…and the most epic expression of musical extremism is still to come. Towers finishes with ‘Cellular Catharsis’, a constantly transforming anthem of despair and the total repudiation of existence that hurtles into the inferno of an exploding sun, blasting through solar flares in a blaze of defiant, burnt and blackened majesty. Towers brings together three tracks that could not be left behind, an eruption of fury that demanded to be heard.
“Beyond all hope and any thought of Salvation, I burn.”- Cellular Catharsis – The Machinist
Mixed and mastered by George Nerantzis (Abbath, Dark Funeral, Rotting Christ etc) Towers sounds dominant and impregnable – a howling storm of incomprehensible power. Completed by the evocative artwork of Duncan MacPherson (Extinction Of Mankind etc) Towers will be unleashed on April 7th and the walls of reality will shatter.
Line-up:
John T - Vocals, bass, synths, drum programming
Tobias Gray - Guitars
George Kal - Guitars
https://www.facebook.com/TheMachinistUK
Indiana death metal crew PROTRUSION is streaming their debut album, THE LAST SUPPURATION, ahead of it's release later this week.
This exclusive premiere comes via the Jimmy from the Block YouTube channel. Listen now at https://www.youtube.com/watch?v=5GFcnqcNZ3U
PROTRUSION guitarist / vocalist Colin Foster comments on the album.
"Once people hear The Last Suppuration I have no doubt that they will easily recognize our various old-school influences, but we have blended things in such a new and detailed way that makes me believe that they will remember us."
Extremely Rotten Productions and Unholy Domain will release the vinyl edition of The Last Suppuration this spring. The album will be out March 13 on cassette via Unholy Domain (Europe) and Iron Fortress Records (North America) and CD through Sevared Records. US fans can order the cassette from Iron Fortress Records.
The band will release the album digitally at https://protrusion.bandcamp.com/
Pre-order the CD at https://protrusion.bandcamp.com/
Forged in filth and steeped in the fetid atmosphere of early ’90s extremity, the album is a festering monument to the genre’s most savage traditions.
Tracklist:
1) Confined to Anguish
2) Accursed Skin
3) Exhumer’s Romance
4) Morbid Mortality
5) Boiled at Birth
6) Slugs of Decadence
7) Scorned Vengeance
8) Sacrament
9) The Last Suppuration
10) Anthropophilic Anomaly
Album artwork by Jon Zig.
Bio:
PROTRUSION are a death metal band from Lafayette, Indiana consisting of former and current members of underground acts such as Gorgasm, Sarcophagy, Human Filleted and Found Hanging. Inspired by classic Morrisound death metal recordings and other underground favorites of the early 90s, PROTRUSION have harvested a sound both new and familiar to fans of the more archaic and cryptic characteristics of early death metal.
In March 2023, PROTRUSION released a three track self-titled demo that was met with positive reception. They then went on to unleash carnage upon the attendees of many shows and festivals, including those such as the final Chicago Domination Fest in 2023 and Slam Dakota Death Fest in 2025. On January 20th, 2026 PROTRUSION announced the release details for their upcoming debut album titled: The Last Suppuration, and is set to be released on March 13th, 2026. The time of suppuration is upon us.
PROTRUSION is:
Colin Foster - Guitar / Vocals
Kyle Christman - Guitar
John Elston - Bass
Kevin Baum - Drums
https://extremelyrottenprod.com/
https://www.facebook.com/Protrusiondeath/
Neoclassical
pioneers ATARAXIA continue the journey toward their landmark 30th
studio album with their second single and video, “LLAWARRA”.
Following the release of the first single “Sylfaera” earlier this year,
“Llawarra” dives deeper into the Mediterranean’s mystical roots and the
universal concept of cosmic regeneration.
Watch the video: https://www.youtube.com/watch?v=gVAaZHPotWQ
Stream the track: https://thecirclemusic.lnk.to/Llawarra
The band said:
“This song unveils archaic Mediterranean hierogamic rites, the sacred marriage (from the Greek hieròs gámos, "sacred marriage") between two deities, between a king and a priestess, or between two spiritually prepared humans, aimed at cosmic regeneration and rebirth and harmony between earth and heaven, embodied on our plane by two human consciousnesses. The boundaries between the divine and the human are transcended to create a circle of ever-flowing sacred energy. The text uses ancient symbols such as the ibis, the fish, the bee, the cave, water, milk, fire, dance, the sphere, the lotus, the Elysian sun, bread, the womb, and the heart.
“The video shows rites from different cultures across the continents united by this primal purpose. The focus is often on female figures who embody the creative energy that in the Greco-Roman culture, we call Aphrodite-Venus. In other cultures we find Inanna, Astarte, Isis, Turando, Xochiquetzal, Radha, Rati, Lakhsmi, Freya, Yoruba, Benzaiten.”
The track features the addition of Katerina Gerakari on spoken vocals, Alessia Baraldi on back vocals and Gregorio Bellodi on low and tin whistles, further enriching the album's dark folk and ritual atmosphere.
“Llawarra” is taken from the forthcoming album “SYLFAERA THE FAIR”, which completes the epic trilogy begun with “Pomegranate” and “Centaurea”. The album will be available in three distinct physical formats via The Circle Music. Options include a high-quality Digi CD, a Turquoise LP limited to 400 copies, and a Deluxe Black Box embossed in silver, limited to only 100 copies. The box set features exclusive silver vinyl, a "Travelling Stone" ritual artefact, a 16-page booklet, and a personal message from the band.
Pre-order: https://thecirclemusic.gr/product-category/distributed-stuff/?filter_artist-name=ataraxia&products-per-page=all
Watch previously released video to “Sylfaera”: https://www.youtube.com/watch?v=3oQasXY_R5w
Tracklist:
1. Alabaster
2. Breanwinn
3. Alqua
4. Sylfaera
5. Silvertine
6. Loona
7. Llawarra
8. Muirreann (CD Bonus Track)
9. Ojos Sagrados
10. Crowea
https://linktr.ee/thecirclemusic
https://www.youtube.com/@atarassxia
http://www.ataraxia.net/
https://www.facebook.com/AtaraxiaFB
Where comics and metal meet…Jesse Lemons, the multi-faceted mad scientist behind the very prolific one-man band CRANIAL RAT INFESTATION is flexing his creative muscles and entering into the realm of comics with the upcoming serial, Evan Torn.
A dark and twisted revenge thriller, Evan Torn follows the tale of a kidnapping victim left brutally mutilated after his wealthy father refuses to pay his ransom. Betrayed, broken and reborn as a masked vigilante. Evan Thorne sets out on a mission to hunt down those who destroyed him. His quest leads to the discovery that survival can cost more than flesh.
Preview Evan Torn https://evantornpreview.thecomicseries.com/comics/1
Evan Torn official synopsis:
When the kindhearted son of a rich, sleazy defense attorney is kidnapped and held for ransom, his father, William Thorne, refuses to pay. The kidnappers send a message—in the form of flesh.
Still, William says no.
Piece by piece, Evan Thorne is taken apart, his father leaving him to die. When Evan’s mother, Anna, discovers the unpaid ransom, she is horrified. She blackmails her husband with his own criminal dealings and forces his hand. Evan is brought home alive—but shattered, hollowed out, and forever changed.
Cast aside by the man who abandoned him, Evan chooses a new purpose: revenge. He hunts down everyone who helped rip him apart, fully embracing the name Evan Torn.
A story this intense demands a soundtrack. This is where CRANIAL RAT INFESTATION steps in. Struck by a lightning bolt of musical inspiration while penning the comic, Lemons picked up his guitar and laid down a collection of wildly eclectic tracks of progressive, djent-tinged deathcore titled Scorned. Torn. Mourn. Reborn. - The Misadventures, Death and Rebirth of Evan Torn. Listeners can expect an explosive dose of metal that expands upon the Evan Torn story with violent grace.
The EP will be released digitally and on limited-run CD. A bonus edition will the available (25 copies only) with a fifth track, titled "Forlorn."
Scorned
Torn
Mourn
Reborn (instrumental)
Forlorn (Bonus track on limited-edition CD only)
Both the comic and EP are set for a May 2026 release.
About CRANIAL RAT INFESTATION:
CRANIAL RAT INFESTATION is the brainchild of Jesse Lemons, a one-man collision of heavy metal, industrial chaos, and raw emotion. Every scream, riff, and mix comes straight from his home studio — no band, no budget, no limits.
The project began over a decade ago, when Jesse wrote a batch of melodic deathcore songs with no lyrics, no vocals, and no idea what they’d become. Life took a hard turn — grief, addiction, silence — and the music sat untouched for years. When he returned, clean and clear-headed, he found himself collaborating with his younger self, finishing what they started together.
Now, CRANIAL RAT INFESTATION exists somewhere between past and present — where rage meets reflection, and noise becomes therapy. Each release blends heaviness with atmosphere, brutality with vulnerability. It’s not about touring or fame; it’s about craft, catharsis, and creation for its own sake — proof that you can rebuild from ruin and still make something that screams.
CRANIAL RAT INFESTATION is
Jesse Lemons - Everything
Evan Torn credits
Created and written by Jesse Lee Lemons
Lettering and design by Jesse Lee Lemons
www.youtube.com/@lemonsartco
https://www.youtube.com/@CranialRatInfestation
https://linktr.ee/Eldritch_failures
For fans of : Cannibal Corpse, Cryptopsy, Deeds Of Flesh, Deicide, Dying Fetus, Morbid Angel, Nile, Pyrexia, Severe Torture and Suffocation.
Formed back in 1992 in Spain, Caustic return with a devastating force of Death Metal after years of silence. The band unleashes their long awaited fourth full-length album Inner Deflagration, a crushing statement of intent and evolution, merging relentlessly brutal Death Metal riffs with a powerful groove and a strong old school Death Metal essence.
Caustic balance raw aggression and refined songwriting, delivering a merciless listening experience from start to finish, packed with neck-breaking rhythms, savage vocals. Inner Deflagration spews forth ten tracks of uncompromising intensity, an explosive production designed for headbanging, mosh pits, and pure sonic annihilation!
Listen to the single "Dead Mind Job" at https://www.youtube.com/watch?v=IoXnZAURB5o
Pre-order the CD for only $10 at https://shop.horrorpaingoredeath.com/products/caustic-inner-deflagration-cd
Tracklisting:
1. Dead Mind Job
2. Sleeping On Adrenaline
3. A Vortex Darkly
4. Inner Deflagration
5. Mato En Mi Tiempo Libre
6. Stab It Until You Make It
7. Speak Of The Dead
8. Mestres De L'assassinat
9. Rotten King
10. Maggots
www.youtube.com/user/horrorpaingoredeath/videos
www.facebook.com/horrorpaingoredeath
CULTIST – “SPIRITUAL ATROPHY”
Label: Awakening Records /
Futhark Records
Release date: march 20th 2026
Genre: Death Metal
For fans of: Morbid Angel | Vastum | Vomitory | Sulphur Aeon
The words squirm and writhe upon the page, like a cold nest of serpents exposed to the dawn light. Each character twisting and changing, unwilling to be held to a form or meaning…and then they lock and my eyes scan across the lines and secrets rise like mist and bleed into my eyes. Too late to look away, too late, too late. My sanity crumbles as the path of fire materialises before me. Things no one should know fill my mind, whispers of wickedness beyond understanding. This is what I sought, craved, what I thought I desired beyond everything. But I am too weak a vessel for this ancient truth. My soul is extinguished, my spirit atrophied, I am hollow and empty. A lich condemned to darkness.
Hailing from Calgary, Canada, Cultist are purveyors of ugly, disturbing death metal, taking graveyard dirt and headbanging rhythms and infusing them with the essence of warped, interstellar madness and a dusting of ancient rites and forgotten spells. Mystification zine praised their 2022 debut album, Manic Despair, for its ‘righteous, punishing aggression’ and ‘brutally thrashed death metal cruelty’, looking forward to what the future might bring for this band who balanced that instinctive hook-laden heaviness with dizzying, otherworldly aesthetics so adeptly. Well the future is now and the time for conjecture is over…Cultist are back, with their new album – Spiritual Atrophy!
Opening with the atmospheric intro of ‘Divination Whispers’ with its sense of brooding menace, slowly building tension and a desperate need for release, Spiritual Atrophy then explodes into the ripping death metal attack of ‘Coursing Between Worlds’ – its adrenaline overload peppered with savage bursts of lead guitar, like snarls of barbed wire. From here Cultist take us riding on the winds of madness through a collapsing universe. From the nervous energy of ‘Neophyte’ to the constantly contorting ‘Ascension’, refusing to settle into a predictable furrow, blasting into different dimensions and adorned in a glorious, howling guest guitar solo from Scott Oliphant, Spiritual Atrophy is raw and rampant in attack, characterful and sophisticated in thought and construction. The collision of old school filth with vicious blades of progression, along with a dramatic triple vocal attack gives Cultist the ability to carve out a place of their own in the ever more crowded extreme music scene. While songs like ‘False Prophet’ and the epic onslaught of ‘Spiritual Atrophy’ may be direct, deadly and violent they are also loaded with high impact moments of quality songcraft, making it nigh on impossible to turn away from the bewildering intensity of this voyage through hellscapes and nightmares.
Thanks in no small part to the recording and mixing skills of Scott Oliphant (Dying Remains, Snakepit etc) and the mastering magic of Rolando Rodas (Smoulder, Rites Of Thy Deringolade, Dire Omen etc), Spiritual Atrophy is armed with the perfect thick and bloody sound – ineffable and devastating. This is death metal from beyond the black…the last gasp of dying worlds and the stench of open graves. Awakening Records will open the gates of the Cultist crypt, unleashing Spiritual Atrophy on CD and digital formats, on March 20th with a special vinyl edition to follow from Futhark Records in late April, early May. Prepare for all hell to be unleashed!
Line-up:
Vanessa Grossberndt – Bass/Vocals
Betzi Poitras – Guitar/Vocals
Jim Petigo – Drums/Vocals
Guest lead guitar solo on Ascension by Scott Oliphant
https://www.facebook.com/AwakeningRecordsCN/
https://futharkrecords.com
https://www.facebook.com/cultistcanada
Riyl: The Gathering, Long Distance Calling, Anathema, Katatonia
The second full-length album entitled “Atropine” from Stuttgart-based dark rock outfit Astraya will be released on 24 April 2026 via These Hands Melt.
Since their 2019 debut EP “Black Awakening”, Astraya has carved out a reputation for a "handmade" wall of sound that balances dreamlike longing with unrelenting rage. Vast moments of calm are built only to be torn down unexpectedly, demanding the listener’s full emotional commitment. Their music is a blend of dark rock, metal and doom, and is defined by the ethereal, classically influenced vocals of Melina Abele, which pierce through the band's heavy atmosphere like sun rays through black clouds.
With their new album “Atropine”, the band explores human fragility, fate and time. The title track has a deeply mystical atmosphere, exploring the very moment of death and the idea that one’s fate may already be predetermined. This underlying theme runs throughout the entire record. “A Theory of Time” approaches our existence from a more scientific and philosophical perspective, analysing the nature of being and our place within the greater structure of time. Furthermore, the album reflects on humanity and its failings: addiction in “Valley of the Damned”, war in “In The Pale Glow of Torches” and “In Devotion”, and trauma in “Descendant of a Dead Man” and “Lighthouse”. Amid the album’s pervasive melancholy, the first single “A Spark Within” stands out as a small but powerful glimmer of hope. Through its dark sound, the music reinforces and amplifies the themes expressed in the lyrics.
“Atropine” was produced and mixed by the band's own Tim Suske, with mastering handled by Roland Böffgen at Hard Drive Sounds Studio. The haunting cover artwork was created by Katja Schocke.
Tracklist:
1. A Spark Within
2. Lighthouse
3. In Devotion
4. A Theory Of Time
5. Descendant of a Dead Man
6. Valley Of The Damned Pt. 1
7. In The Pale Glow Of Torches
8. Arrival
9. Valley Of The Damned Pt. 2
10. Atropine
All songs written and performed by ASTRAYA
Except experimental flute performance on Atropine by Yael Su
Astraya are:
Melina Abele: Vocals
Benny Gölz: Guitar
Tim Suske: Guitar
Tobias Hänsel: Bass
Klaus Wintermayr: Drums
https://www.facebook.com/astrayaband
Montreal (QC) / Stockholm (SE) - After the progressive rock and metal community was shaken by his departure from Haken earlier this year, VOIDCHASER release their new single, "HYPERCONVERTER," featuring guitarist Charlie Griffiths, marking his first release since parting ways with the iconic prog metal act. Fans of Haken and Tiktaalika will be thrilled to discover this new Voidchaser track, a 7:27 epic and the band’s heaviest and most progressive song to date. This second single from their upcoming album Interstellar I pushes into darker, more technical and unpredictable territory.
FFO: Devin Townsend, Haken, Dream Theater, Scar Symmetry, Ayreon, Pagan's Mind
A lyric video for the track is available at https://www.youtube.com/watch?v=jADgIRsYfPA
Interstellar I, the band's second full-length album, will be released on April 9.
Depicting themes of technological overreach, mass corruption and personal struggles related to identity, love and survival, the narrative unfolds within a vast, lore infused deep space universe. Interstellar I balances a dense and layered wall of sound with high-energy choruses and memorable melodies, where every moment serves the storytelling. Musically, the album brings to mind the style of Devin Townsend’s Ziltoid the Omniscient and Dream Theater’s Systematic Chaos, while reinterpreting those influences through Voidchaser’s own modern and distinctive sound, also drawing from classic foundations found in Deep Purple’s Machine Head and Black Sabbath’s Paranoid. With this release, Voidchaser returns with a level of maturity that defines their most ambitious and fully realized work to date.
On April 10th at Piranha Bar in Montreal, QC, Canada, Voidchaser will launch their new album, Interstellar I, performing it in its entirety in an exclusive live set, along with additional material. Omnivide and Jovian Storms will perform as special guests. More details at https://www.voidchaser.net/
Pre-order
Interstellar I: https://voidchaser.bandcamp.com/album/interstellar-i-lp
Track Listing:
1. The Grand Design
2. Welcome to Terra Corp
3. Initiation Day
4. Hyperconverter
5. Anything for Love
6. Rain / Solar Winds
7. Ivory Tower
8. Renew
Credits:
Lyrics and Songwriting by Chad Bernatchez.
Production and Arrangements by Jici Lord-Gauthier.
Management and Booking by Jici Lord-Gauthier (Chaotic Good Music).
Mixed and Mastered by Jason Poulin.
Drums Recorded by David Lizotte.
Session keyboards by Mathieu Fiset.
Artwork by Sam Harwood.
Photography by Josh Kirschner (Kirschner Studios).
Line-Up:
Chad Bernatchez - Vocals, Guitar
Jici Lord-Gauthier - Guitar, Bass
Colin MacAndrew - Drums
Bio:
Based in Montreal and Stockholm, Voidchaser is a progressive metal band that quickly established itself as a band worth watching on both local and international stages. Formed in 2023, the band rapidly gained momentum through a steady stream of releases, earning attention from niche outlets such as The ProgSpace, Prog Magazine and Prog Sphere, alongside coverage from major metal media, including Metal Injection and Decibel Magazine.
In 2024, Voidchaser released their debut EP, Odyssey, followed by two standalone singles and their debut full-length album, Solace. Written as a single continuous 30-minute composition, Solace is a concept album set in an orbital dystopia, exploring themes of power, uncertainty and love. The release charted among the top metal albums on Apple Music and iTunes in Canada, Sweden, Norway and several other countries.
The band continued its momentum in 2025 with the release of Trust, an EP featuring guest appearances from Jim Grey of Caligula’s Horse and members of The Anchoret. That same year, the band embarked on its first international tour, performing 12 dates across Canada, the Netherlands, Germany, Denmark and Sweden, and sharing the stage with acts such as Vulkan, Threshold, Kingcrow, Nospūn, Omnivide and Ok Goodnight. Highlights included appearances at ProgPower Europe in the Netherlands and the inaugural ProgStorm Festival in Montréal, Canada.
In 2026, Voidchaser announced the upcoming release of Interstellar I, their second full-length record.
https://www.facebook.com/VoidchaserOfficial
FFO: Imperial Triumphant, Deathspell Omega, Krallice, Ulcerate, Portal, and the absolute heat death of the universe.
The album's first single, "First Blood," has been premiered by Toilet ov Hell. A dissonant death metal meat-slab that dissolves and mutates into a blackened, transcendent collapse, click to stream it at: https://toiletovhell.com/exclusive-track-premiere-voidthrone-first-blood/
Structured as a three-part cosmic death ritual, Dreaming Rat follows a triptych of parallel arcs: a solar system burning through its lifespan, a civilization collapsing under its own complexity, and a parasite replicating itself across language, culture, and flesh. The band trades some of the prior atmospheric murk for a more immediate, frenetic mix—closer, sharper, and meaner.
Vocalist Zhenya Frolov delivers his most insane performance yet, retching through death-metal lows, black-metal shrieks, and ritualistic howls as the album spirals toward extinction. The listener is invited to drift calmly and unflinching through the maelstrom, like the dreaming rat on the album’s cover.
Dreaming Rat will be released on May 8.
Pre-order: https://voidthrone.bandcamp.com/album/dreaming-rat
Track
Listing:
Arc 2 - The vital present. A universe, a civilization, an idea flourishing into a promised infinity.
1. II-I. Homeless Animal
2. II-II. Morbid Seagull
3. II-III. Ren Omega
Arc 1 - The hopeful past. A maelstrom of violence and optimism.
4. I-I. Bergen
5. I-II. Dreaming Rat
6. I-III. First Blood
Arc 3 - The silent future. An extinguished, lonely death of the physical, spiritual, and cognitive.
7. III-I. Surfing the Abyss
8. III-II. The Dying Squid
9. III-III. Worm Spiral
Credits:
Produced / Mixed / Mastered by Ronald Foodsack (Voidthrone).
Masters: 24-bit / 44.1 kHz; vinyl premaster on request.
Album Art: Kiri Yu
Line-up:
Zhenya Frolov - Vocals, Japanese Otamatone
Ron - Guitar, Jaw Harp
Gavin Brooks - Fretless and Fretted Bass, Acoustic Guitar, Guitar Solos
Josh Keifer - Drums, Vibraslap, Didgeridoo, Spoons
Bio:
Hailing from the rain-soaked muck of the Pacific Northwest, Voidthrone crafts dissonant blackened death metal that is as belligerent as it is meticulously arranged. Intentionally disorienting and feral, their unconventional music has evolved from the raw Spiritual War Tactics (2016) and the avant-garde churn of Kur (2018) to the sharpened, atmospheric density of 2022’s Metaphysical Degradation.
Discography:
Dreaming Rat (May 8, 2026)
Metaphysical Degradation (2022)
Kur (2018)
Spiritual War Tactics (2016)
https://www.facebook.com/voidthrone
Format: Digital CD /
Physical CD / Vinyl
Label: Independent Release
Distribution: Necktwister
Tracklist:
01 Storm
02 Poseidon
03 Mind Intrusion
04 Time Is A River And The Waters Are Red
05 Thief Of Dreams
06 Instinctive Dissonance
07 With Tears In My Eyes
08 Ancestral Rites
Poseydon was formed in 1992 by Alain De Block with the ambition to play a mix of Thrash and Death- metal.
The band’s playing style should appeal to fans of early Slayer, Sepultura, Testament and many more…
The band took a few years to grow but in 1995 the first recording took place.
A single ‘Thief of Dreams’ was recorded in the legendary Midas Studios and got released by Tessa Records in 1995 as part of a metal-compilation album ‘Detonation II”. This track showcased the bands ability to write dynamic songs and not to be afraid to include calm, almost tranquil elements, only to enforce the heavy hitting sequences even more. The band received great critiques for this first release, gathering the attention of the Belgian metal-scene.
This brought a lot more possibilities to the band, which meant playing a lot of live gigs and recording & release of the 4-track EP ‘With Tears In My Eyes’ in 1998. Again recorded in Midas Studios, the EP contains four fierce thrashing pieces of metal, which proved the band was growing and moving upwards in the Belgian metal-scene.
Although the band had gained momentum, the march of Poseydon was put to a halt… as Poseydon ceased to exist. Through the leaving of its frontman, Alain de Block decided to put Poseydon on hold.
But as the saying goes: blood is thicker than water! After a few years the aching started to arise to reboot Poseydon which lead to the reformation in 2007. Founding member Alain de Block & former guitarist Ward van Iseghem got together and started to reclaim the God of the sea. After a few years of rehearsing and looking for the right bandmembers, the band recorded its first full album titled ‘Cold World’ in 2011.
Although the album comprised mostly older unreleased work, it was a death-metal metal release in contrast to it earlier death/thrash releases. To support the album, Poseydon played everywhere as it could through the Flemish part of Belgium.
Unfortunately some line-up changes slowed the progress towards a new recording, but patience is a virtue!
After recording and mixing the songs without any pressure, Poseydon’s latest album ‘Masterpiece (in the mind of a serial killer)’, or ‘Masterpiece’ in short, was released in the beginning of September 2016.
Then, 7 years later the God of the Sea emerges with a new album entitled ‘Through The Gate Of Hatred And Aversion’. This time they went to Project Zero studios where Yarne Heylen (Carnation) recorded, mixed and mastered the tracks.
Since its first incarnation, the goal of Poseydon was, is and always will be to play energetic live-shows.
And now they are preparing themselves for the release of their third full-length album that will come out at the end of April 2026.
Line-Up:
Alain De Block (rhythm guitar, lead guitar, backing vocals)
Leander Karageorgos (rhythm guitar, lead guitar)
Jeroen Bonne (bass guitar, backing vocals)
Jef Boons (drums)
Tom Lenaerts (vocals)
https://www.necktwister.com/
Kansas-based
death metal horde UNMERCIFUL has announced string of US tour
dates in support of their latest release, DEVOURING DARKNESS. The
trek will center around the band's inaugural performance at the 2026 Maryland
Deathfest.
The "INFERNALLY CONQUERING TOUR 2026" will feature a new lineup that includes the recently announced addition of James "Freight Train" Lee (ex-Origin) on vocals. Lee’s unmistakable intensity and legacy within extreme metal make this collaboration a historic moment for both the band and fans alike.
Confirmed dates are as follows:
5/20 - Chicago, IL @ Cobra Lounge
5/21 - Detroit, MI @ The Sanctuary
5/22 - TBA
5/23 - Clifton, NJ @ Dingbatz
5/24 - Baltimore, MD @ Maryland Deathfest
5/25 - Harrisburg, PA @ Capital Music Hall
5/26 - Lakewood, OH @ Mercury Music Lounge
5/27 - Indianapolis, IN @ State Street
5/28 - Kansas City, MO @ Warehouse on Broadway
UNMERCIFUL 2026 live lineup is:
Jeremy Turner- guitar/ vocals
Clint Appelhanz- guitar/ vocals
James “Freight Train” Lee- vocals
Andy Vincent- drums
Steve Giddens- bass
Devouring Darkness, marks a new era of relentless violence and sonic brutality! With ten tracks of scorching intensity and distorted vengeance, the album is filled with blistering blast beats, intricate kick drum patterns, and destructive riffing.
Devouring Darkness is out now on CD, digital, and vinyl formats on Willowtip Records.
Devouring Darkness sees the return of longtime member Jeremy Turner to guitar and introduces Josh Riley as the band’s new vocalist, further intensifying the group’s punishing sound.
The album was engineered and produced by Clinton Appelhanz at Waveworks Studio, with mastering handled by the legendary Alan Douches (Cannibal Corpse, Hate Eternal, etc.). Artwork by Santiago Francisco Jaramillo.
https://willowtip.bandcamp.com/
www.facebook.com/officialunmerciful
DECIPHER - ΘΕΛΗΜΑ (THELEMA)
Genre - Black Metal
For fans of - Emperor, Yoth Iria, Bolzer, Lucifer's Child, Varathron, Necromantia, Ravencult, Dodsferd
Decipher released a sublime album in "Arcane Paths to Resurrection", which was steely and composed, enriched with melodic undertones. It was the timeless kind of black metal that was largely inspired by the classic black metal bands and yet didn't sound too dated. Two years later, the Greeks return with a new opus, elaborating on the music forged on that album, adding better nuance and structure to the songs whilst retaining the sound and appeal. Allowed better expression, the songs are comparatively longer and have a narrative quality to them without straying too far from the core sound. The riffs are drenched in emotions without being overtly melodic as the music marches ahead resolutely with its steely demeanour. This is the kind of black metal that gets its priorities straight - with the right focus on riffs, feeling, intensity, and passion.
Lineup
Kostas Gerochristos (Lucifer's Child) - Guitars and vocals
Kostas Ragiadakos (Dephosphorous) - Bass
Nodas Chatzopoulos - Drums
Artwork by Artem Grigoryev (Dödsrit, Nightbringer)
Track listing
1. Return to Naught
2. The Black March
3. Seven Scars
4. Bound to the Wheel
5. Hail Death
6. Towards Renaissance
7. Litany
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/decipherbandgr
Thank you very much! Kunal Choksi Label Owner Transcending Obscurity
IRON SLUG – “DECEIT AND MISERY”
Reviews
VOR DIE HUNDE – „WELTMARKTFÜHRER BEFIELT WIR (ENT)FOLGEN!“ HAMMER
Noch mehr aktuelle Infos rund um den Globus findet ihr unter : https://www.facebook.com/mario.klein.961/ https://www.facebook.com/Undergroundfanzine
PARTY.SAN News:DEATH WORSHIP
P.S:O:A-Premiere! Death Worship schlagen mit unerbittlicher musikalischer Gewalt zu. Das deutsch-kanadische War-Metal-Kommando entfesselt ein chaotisches Inferno aus rasenden Blasts, kreischenden Klampfen und apokalyptischer Atmosphäre – roh, kompromisslos und absolut zerstörerisch. Hier trifft okkulter Wahnsinn auf militante Klanggewalt, ohne Rücksicht auf Verluste. Euch erwartet eine Frontalattacke aus Lärm und Finsternis!
MOONSPELL
P.S:O:A-Premiere! 2026 entfalten Moonspell ihre dunkle Magie erstmalig auf der Bühne des P.S:O:As. Seit den 90ern stehen die Portugiesen für eine einzigartige Mischung aus Gothic Metal, okkulter Atmosphäre und hymnischer Melancholie – getragen von der charismatischen Stimme von Frontmann Fernando Ribeiro. Zwischen majestätischen Klassikern wie „Alma Mater“ und düster-bombastischen Epen entsteht eine Klangwelt, die gleichermaßen unter die Haut geht und zum Mitfiebern einlädt.
PANZERFAUST
Mit epischen Spannungsbögen und rauer Klanggewalt verwandeln Panzerfaust das Infield des Party.San Metal Open Airs 2026 in eine düstere Zeremonie. Wenn die vierköpfige Band die Bühne betritt, zieht ein frostig-nihilistischer Klangorkan auf, der euch unmittelbar in seinen Sog reißt. Die kanadische Formation steht für kompromisslosen Black Metal voller Schwärze, Beklemmung und hypnotischer Intensität – eindringlich, melodisch und unerbittlich. Freut euch auf ein Ritual, das noch lange nach dem letzten Akkord in euren Köpfen nachhallen wird.
http://www.party-san.de
Highly
regarded as a revelation of the Romanian Black Metal scene, MAUNA SOL,
announces its long-awaited debut album. Titled "THE CALLING",
it will be released in the spring of this year in collaboration with Loud Rage
Music. More details, as well as the first single taken from "The
Calling", will be revealed soon.Mauna Sol is a post-black metal band from Brașov, Romania, formed in 2019 by five musicians who sought to channel their diverse musical backgrounds and inner darkness through black metal.
While their sound is rooted in traditional extreme metal, the music is built around a short tale written by George, the band's frontman. Each song explores specific parts of this narrative, shifting between raw intensity and melancholic nuances, enriching the dynamic range of their sound.
Lyrically, the songs give voice to a self-imposed hermit. He recounts his journey toward personal rebirth through a 'suicide of identity' - a grueling process set within a hostile desert, where the old self must be shed to allow for the new.
https://linktr.ee/loudragemusic
https://www.facebook.com/maunasolband/
Swedish gothic rock band SCHEITAN has released a new video for the track, “EVERY LITTLE THING”, taken from their new album “WINE FOR A TORMENTED SOUL”, which was released in December last year via The Circle Music.
Watch "Every Little Thing": https://www.youtube.com/watch?v=B8mZ0ZNqCRY
Scheitan's Pierre Tornkvist said: “It´s a very dark track, lyrically it speaks of life being totally pointless in the end, as absolutely every little thing around us withers and dies. Visually, I tried to find something that could match this, the children playing with a total unawareness of the truth of the world is truly matching the lyrical concept of the song, together with the devil lurking in the shadows…”
The video and album release follows the band's live slot on Swedish state-controlled radio P4. Their song “A Kiss of Death” was played on P4 throughout the week of December 15–19, with the band performing it live at the radio studio later on December 19th. More details: https://www.sverigesradio.se/artikel/scheitan-besjunger-doden-slapper-gotisk-rock-pa-svenska
Pierre shared the inspiration behind the album, "The title 'Wine
For a Tormented Soul' comes from what music can mean to people who run into
hardship in life. Music is my therapy, it is my best friend in dark times. The
last 10 years have been a bumpy road with one of my best friends passing away
too early as well as my father leaving us from one day to another. Some of the
songs have been presented to people as singles, with the upcoming album you can
hear them in the context of an album, and also listen to them in a non-digital
format such as vinyl which I think is the best way to do it. We will try to
come out and play these new songs for you as much as we can."Order "Wine For a Tormented Soul" via The Circle Music: https://thecirclemusic.gr/product-category/the-circle-releases/?filter_artist-name=scheitan
"Wine For a Tormented Soul" follows Scheitan's 2024 album "Songs for the Gothic People" (The Circle Music) and their return after a 24-year hiatus. Having formed in 1996 by Pierre Törnkvist, Scheitan began with black metal roots but evolved to define their current gothic rock sound and continue to build on their sound. Their previous albums, including 1999's "Nemesis" (Century Media) have garnered a reputation as hidden gems within the genre.
https://thecirclemusic.gr/
https://www.facebook.com/The-Circle-Music-109161897443413/
https://www.scheitan.se/
https://www.facebook.com/scheitanofficial
Label: Comatose MusicRelease date: april 3rd 2026
Genre: Slam/Brutal Death Metal
For fans of: Devourment | Kraanium | Vulvectomy | Korpse
With the world teetering on the brink of absolute destruction, what we need is a hero – or even better, four of them – and with serendipitous good fortune, out of the great white north come Canadian secret agents of slam, Crème Flesh! Returning after the successful 2023 operation: Casablumpkin, they are licensed to blast, brutalize and wield pornographic puns like deadly weapons! All too often in the world of extreme music an offensive song title or a humorous soundbite is used to disguise a spectacular lack of musical ability…but not with Crème Flesh. With these maniacs you can laugh, be offended and get blown to bits by some of the most severely savage brutal death metal you will ever hear, executed with clinical precision. Your mission, if you choose to accept it, is to survive the ten tracks of bowel-rupturing, cranium crushing brutality that is…For Your Ass Only!
Beginning with the crisp, accomplished assault of ‘Field Of Creams’, For Your Ass Only quickly demonstrates just how deadly serious the music behind its over the top song titles really is. The riffs are impeccable, the vocals beyond monstrous, the drumming superbly skilled and the tempo shifts from a mid-paced, bone splintering grind to insane, frenzied velocities navigated with a slick, deceptive nonchalance. ‘Lake Flaccid’ begins with a carefully selected quote from the film Lake Placid before unleashing a landslide of punishing heaviness, while ‘Sleepless On Cialis’ is the kind of groove heavy pit anthem, grotesquely adorned in spurts of wanton aggression, that is designed for live violence. From the crawling beast that is ‘The Gapes Of Wrath’ to the twisted insanity of ‘Jagged Little Penis’, For Your Ass Only is utterly relentless - reaching a cataclysmic climax with ‘Whores Of Perception’, where thick, pustulant riffs collide with a rhythm that’s as infected as it is infectious. It’s one hell of a conclusion to an album that’s a masterclass in slamming, brutal death metal. Come for the jokes but stay for Crème Flesh’s unquestionable massive killing capacity.
Complete with a sound that combines intimidating muscle and shocking clarity, thanks to producer Geoff Hodsman (Human Compost, Apegod etc) and brilliantly realised artwork courtesy of Krag (Paroxsihzem, Nuclearhammer etc), For Your Ass Only will begin its assignment of subversion and devastation on April 3rd, under the command of Comatose Music. This press release will self-destruct in five seconds…
Line-up:
Matt Hilden - Vocals
Rory Kennedy - Bass
Sophokles Theodoru - Guitar
Allen L. - Drums
https://www.comatosemusic.com/
https://www.facebook.com/Cremeflesh
FFO: Thy Art Is Murder, Fit
For An Autopsy, Cattle DecapitationThe official video for "No One Jokes at God" is available at: https://www.youtube.com/watch?v=h9x0khecQyE
"No One Jokes at God" explores the struggles of the millennial generation, dealing with faith, fate, and the search for hope in dark times. It's about finding strength in vulnerability, acknowledging the pain of the past, and recognising that no one is immune to hardship - and that it is in these moments of despair that we turn to something greater, and no one dares to joke about the existence of God.
The story begins 2022 when The Modern Age Slavery embarked on an new exciting adventure, a trilogy of pieces of art in the death-metal scenario. The band idea is to portray human self-imposed slavery along three different eras in men’s history. Indeed, 2023 album, 1901 | The First Mother released via Fireflash Records / Atomic Fire - represented the very first chapter of the trilogy. The album concept was inspired by writers and philosophers belonging to the so-called “modern age,” 1901 being the year in which Queen Victoria
passed away.
That brings us to the second chapter of the trilogy, 1969 | No One Jokes at God, recalling the symbolic beginning of the hipster culture at Woodstock and the rapid switch of equality ideals to the actual worldwide decay that has inevitably followed.
The EP was produced by The Modern Age Slavery with engineering duties undertaken by the band’s guitar player, Luca Cocconi, along with Simone Sighinolfi (who took care also of mixing and mastering at Audiocore Studio, near Parma, Italy) and will be accompanied by two videos, the aforermentioned title track, "No One Jokes at God" being the first.
The second single/video, "The War Within," will be released on April 10.
The 1969 | No One Jokes at God EP is targeted for a Fall 2026 release.
Credits:
Music: Recording, mixing and mastering by Luca Cocconi e Simone Sighinolfi at Audiocore Studio.
Video filmed and edited by Videocore Productions.
Guest appearance on drums: Davide Tomadini.
Cover art by Ludovico Cioffi.
Line-up:
Giovanni Berselli - Vocals
Luca Cocconi - Rhythm Guitar
Ludovico Cioffi - Lead Guitar
Mirco Bennati - Bass
Federico Leone - Drums
Bio:
Emerging amidst a sea of deathcore, Italy’s THE MODERN AGE SLAVERY separated themselves from therest with their visceral sense of the genre. Coming equipped with grinding blast beats, merciless brutal
vocals and slaughtering rapid-fire double bass patterns their sound developed and became increasingly unique over time. After the release of their demo, which was chosen as “Demo of the Month” by Rock Hard
Germany, they got signed to Napalm Records.
Then, thanks to significant acclaim from the metal world, THE MODERN AGE SLAVERY extensively toured across Europe both as headliners and as supporting act, along with CANNIBAL CORPSE, DYING FETUS, OBSCURA, MALEVOLENT CREATION, VOMITORY. The band
Also played selected shows with FLESHGOD APOCALYPSE, SEPULTURA, DECAPITATED, SUICIDE SILENCEand many more.
The release of the second album -Requiem For Us All- pushed their death metal war machine one step forward, this time with a fierce mix of blazingly fast drumming, technical riffing, epic atmospheres, and
crushing groove. Listed as the best metal album of the year by MetalSucks, it brought the band on tour again with bands, such as GORGOROTH, VITAL REMAINS, HYPOCRISY, plus many gigs on national soil. Their last full-length album -Stygian- represented a new chapter in the sound of the band, introducing blackmetal riffing, keyboards, atmospheres, and orchestral elements.
Owing to such efforts, the band got once again acclaimed around Europe, co-headlining shows with INGESTED and supporting VADER and ENTOMBED A.D. Before the pandemic, they shared stages with
JINJER, DECAPITATED, INCITE, and they are currently hitting the road again, having played in big festivals with SLIPKNOT, SABATON, BEHEMOTH, and many more.
https://www.facebook.com/tmasofficial/
Label: Ardua MusicRelease date: april 24th 2026
Genre: Doom/Stoner Metal
For fans of: High On Fire | Kyuss | Orange Goblin | Desert Storm
“Something unknown, something unforeseen, something unspeakable lives below – and it lives to destroy…”
- promotional text for the 1977 film, Shockwaves
You’ve lost count of the drinks and lost sight of the path you were walking. Your eyes won’t focus, but the world seems to be burning and there’s a voice speaking from the other side of the flames…telling you it’s time to die.
Hailing from Mechelen, Belgium and featuring one ex and one current member of doom legends Marche Funèbre, Witch Piss have been brewing their potent blend of dark, stoner metal since 2022. It’s a brew they call Mississippi Goat Worship and there’s witchcraft and venom lurking in the sediment that swirls in that pitch black elixir. A self-titled EP released in the spring of 2023 turned heads, as did brain melting live shows with the likes of Your Highness, Belzebong and The Obsessed – but now the story really begins, with the heady, heavy, hypnotic delights of debut full length album, The Devil Doesn’t Burn!
The gates of delirium open onto ‘Black Tongue Driven’, with its towering midnight riffs, a rhythm section like thunder and vocals with a rough, drunken drawl, shot through with menace. Grooves dig deep into the black earth, breaking through into the realms of the dead. There’s a loose, devil may care feel to the Witch Piss sound, but it’s bathed in sweat and the stench of possession and carrying something sinister in its back pocket. By the time ‘Bad Juju’ arrives through the pale grey light of dawn, with a half-forgotten night of madness trailing in its wake, you’re captured and committed; happy to let the rolling tide of guitars carry you away on riffs thick enough to bear the load. There’s a fierce energy to ‘Wolf Cries Boy’, driving you through the shadows, smoke, firelight and voodoo whispers. It makes you headbang until the world spins and you see drug dealing devils dancing in your brain. The spell never breaks as the album unfurls; heavy metal bombast and desert rock dreams laughing in the face of doom. ‘Catelyn’s Broken Hope’ is a highlight amongst an array of peaks – an unstoppable battering ram shot through with a deep, melancholic rumble, with a killer chorus and a starburst of firework lead. When the end arrives with ‘Rubicon River’ you realise that while you were lost in the haze Witch Piss were carrying you past the point of no return…and now there’s no way back. But then who wants to come back from a trip like this?
Recorded live in the studio at Motormusic Recording Studios and produced, engineered, mixed and mastered by Chiaran Verheyden, who also brought the Witch Piss EP to doomed, stoned and devastating life, The Devil Doesn’t Burn sounds rich, thick and textured – a lead weight monolith wreathed in smoke and dust. Completed by the distinctive artwork of Luca ‘Solo Macello’ Martinotti (Pentagram, Sahg, Baest etc) The Devil Doesn’t Burn will be released by Ardua Music, on CD and exclusive black vinyl LP, on April 24th. The LP will also be available as a splatter vinyl, only from the band and on marble vinyl from Necktwister Records. Be ready to lose your mind and sell your soul to Witch Piss!
Line-up:
Peter Egberghs · Vocals
Andoni Lombide Carreton · Guitars
Stijn Georges Moens · Guitars, backing vocals
Wouter Veeckmans · Bass, backing grunts
Dennis Lefebvre · Drums
Guest vocals on ‘Wolf Cries Boy’ and ‘The Devil Doesn’t Burn’ by Ben Baert (Your Highness)
https://www.arduamusic.com/
https://www.facebook.com/WitchPiss
Finnish melodic death metal band DEADVOID INC. released their debut album CHAPTERS on March 13, 2026 via Inverse Records. Operating across the Mikkeli–Jyväskylä–Helsinki region, the band was formed in early 2025.
The band’s debut album combines heavy riffs, melancholic melodies, and technical musicianship into an intense musical experience. Chapters dives into the darker layers of the human psyche while still leaving room for a glimmer of hope.
Listen to the album on streaming services: https://push.fm/fl/deadvoid-inc-chapters
Guitarist Tuomas Torikka describes the album as follows:
“Chapters takes the listener on a journey through tragic mental landscapes and human destinies. The music evokes a wide range of emotions — aggression, deep hatred, and also moments that may bring tears to the eyes. At the same time, a small spark of hope remains present. Each song has been carefully composed, forming a multidimensional soundscape where melancholy and beauty intertwine with aggressive power. The lyrics leave room for identification and personal interpretation.”
Vocalist Jonne “Monni” Saarinen says the lyrics are largely based on the band members’ personal experiences:
“The lyrics mainly revolve around our own life experiences. At times we deal with painful
memories from childhood, and in the next moment we move into themes of adult self-reflection. The subjects are heavy, but we also wanted to include the small spark of hope that Tuomas mentioned.”
With Chapters, Deadvoid Inc. delivers an intense and emotional debut that combines a heavy sound with strong emotional depth.
Deadvoid Inc. – Upcoming Shows
March 28, 2026 – Wilhelm Public House, Mikkeli (Album Release Show)
April 18, 2026 – Bar Base, Helsinki
June 13, 2026 – Bar Lepakkomies, Helsinki
Biography:
Deadvoid Inc. is a Finnish melodic death metal band that blends elements ranging from classical music to extreme metal, creating an energetic, technically skilled, and
completely distinctive musical entity.
D-inc was formed in early 2025 when longtime acquaintances Jonne Saarinen (vocals) and Tuomas Torikka (composition & guitar) decided to build something new in the midst of everything old. The album was completed in its entirety, and prior to its release, guitarist Jami Honkala and bassist Ville Heino—both heavily involved in the making
of the record—joined the band.
This lineup of seasoned professionals in their field brings a fresh new subgenre to the airwaves, unlike anything you’ve heard before. Energetic songs, catchy grand melodies, furious riffs, and heart-wrenching slow sections are here to show everyone what Deadvoid Inc. is all about.
The band released their debut album Chapters in March 2026.
Track
list:1. Grounding The Unreal
2. Not Worth Living
3. Ashes And Forgiveness
4. The Wounds
5. The Frame
6. The Dawn Of Day
7. Drowned In Pain
8. Begins With Love
Line-up:
Vocals: Jonne Saarinen
Guitars: Tuomas Torikka
Bass: Ville Mikkola
Drums: Tino Jäntti
Cover art by Kai Kolima
https://www.facebook.com/deadvoidinc
Kyiv (UA) - HOSTILE CONSUMING RAPTURE, the debut full-length album from Ukrainian brutal death metal trio, SECTARIAN DEFACEMENT, will be released April 6 on Grave Island Records.
FFO: Cryptopsy, Devourment, Brodequin, Deeds of Flesh
A playthrough video for the album's first single, "Sectarian Ritual (Appalling Oath)," is available at https://www.youtube.com/watch?v=WOb4lF52psI
Following their EP Chaotic Demiurge, the band pushes their sound further with a heavier and more focused approach. The album delivers raw, aggressive brutal death metal with elements of technical riffing, grinding intensity and groove-driven sections that keep the songs tight and memorable. Instead of following the polished “slamcore” trend, Sectarian Defacement deliver something far more extreme and brutal. The sound is raw, heavy and direct, hitting with the force of a blunt weapon.
Lyrically, Sectarian Defacement also touch on darker historical themes, including crimes of the Soviet regime.
If you are into truly heavy and uncompromising brutal death metal, Hostile Consuming Rapture is a release you should not ignore. Sectarian Defacement prove themselves as a band with real intensity and a
strong identity.
The members share their thoughts about the forthcoming album:
"As a composer, I wanted to create not only aggressive and extremely heavy music, but also combine a brutal sound with more groovy and catchy elements. It would be cool to create something unique, something that would be different from the oversaturated crowd of similar sounding bands, and have its own recognizable SD branded style." - Nazar (guitar/vocals)
"As a soundman, I wanted to create a unique mix, that would not sound like all those 'slamcore' mixes. No offense to bands that do trendy overproduced mixes, but I wanted to hear something both modern and brutal. My take was to give Old school slam’s sound it’s logical modernization. Main influences were - Supply of Flesh Came Just in Time by Craniotomy, Goresoaked Clinical Accidents by Aborted Fetus, Tortured Whole and Homicidal Ecstasy by Sanguisugabogg, and Dissect, Molest, Ingest by Amputated." - Anton (bass)
"I am happy to be able to talk to the audience through our music, and I really enjoy the fact that we are one of the few bands who talk about crimes of soviet union, particularly it is really important for western listeners to hear the truth. We tried our best to make the music sound interesting, in my opinion we managed to do it, and we will continue doing it in future." - Viktor (drums)
Hostile Consuming Rapture will be available from Grave Island Records on CD, vinyl, and digital formats.
Pre-order:https://www.graveislandrecords.com/sectariandefacement-hostileconsumingrapture
https://sectariandefacement.bandcamp.com/album/hostile-consuming-rapture
Track Listing:
1. Intro
2. Sectarian Ritual (Appalling Oath)
3. Mob Justice
4. Mental Putrefaction
5. Corrosion Spread
6. Hostile Consuming Rapture
7. Puddle of Gore
8. Dismal Liturgy
9. Famine 33
10. Suttee (Defeated Sanity Cover)
Album Credits:
Produced by Sectarian Defacement and Grave Island Records.
All music and lyrics by Sectarian Defacement.
Mixed and mastered by Ostrovskyi Anton.
Artwork by Felipe Froeder.
Line-up:
Nazar - Guitars and Vocals
Viktor - Drums
Anton - Bass Guitar
https://www.graveislandrecords.com/
https://www.facebook.com/profile.php?id=61576693025503
GORE
FORCE 5 – “ANNUS PORCUS OINKUS”Genre: Deathmetal
Release date: April 11, 2026
Location: Belgium
For fans of: Gutalax, Goregasm, new school deathmetal
Belgian Deathmetal outfit GORE FORCE 5 return with their new album “ANNUS PORCUS OINKUS.” Packed with gravity blasts, grotesque grooves and the band’s trademark silly humor, the album delivers in your face colorful artwork while pushing the band’s sound into heavier, faster but still familiar territory.
7 tracks of head-first frontal assault from Belgium.
The album will be released on April 11, 2026 on all major streaming platforms, with a physical release planned during Smyrna Deathfest (NL).
The album artwork and the single “ADVANCED CRIPPLE SHAMING” will be released online and on streaming platforms tomorrow March 13th.
https://www.facebook.com/profile.php?id=100061038615621
Release date: 28.02.2026
Location: United States
FFO: Windir, Taake,Woods of Ypres
Bio:
Ozark Shaman is a one man black metal band from the shadowy fringes of Ozark, Missouri. Brad Nailling handles all instruments and production while the music features his wife Madeleine Nailling on viola.
Blending raw black metal aggression with electronic synth and atmospheric folk elements the musical themes explore spirituality, cosmicism, war, history, and human struggle while highlighted by the banjo as the core folk element, delivered in Scruggs-style picking.
https://ozarkshaman.bandcamp.com/
https://www.facebook.com/OzarkShaman
Watch the music video: https://youtu.be/Tyki39YSvxI
In the story, a mythical creature known as Kade looks down from a cliff at the devastated planet while bombs continue to strike its surface over and over again. The few remaining survivors hide underground whenever red warning lights appear, returning briefly to the surface when a green signal indicates that the danger has momentarily passed.
A passion for fantasy, science fiction, and post-apocalyptic themes forms the basis for the collaboration between the Ruoska singer Patrik Mennander and the music video director Henrik Mennander. They wanted to create a cinematic, or rather "short film" narrative, but since this is a kind of comeback for the band, it was also good to introduce them within the video.
Ruoska tours this spring and summer around Finland to celebrate the new album.
Listen to "Kade" album on music streaming services : https://push.fm/fl/ruoska-kade
Tracklist1. Rampa ja sokea
2. Kettingit
3. Ihtiriekko
4. Silti syntinen
5. Ohjenuora
6. Kade
7. Ikirouta
8. Piruja
9. Loppu
10. Sarkajaakko
11. Runno
Focus tracks: Kettingit, Ohjenuora, Piruja
Ruoska:
Patrik Mennander (Vocals)
Samuli Rimmi (Guitar, Backing Vocals)
Miika Kokkola (Bass, Backing Vocals)
Teemu Karppinen (Drums)
https://www.facebook.com/ruoskaband
https://ruoska.bandcamp.com
It's only for their fifth album that this deserving and rather overlooked US band got a record deal. Xenosis are playing prog/tech death metal and they have been increasingly experimenting with their music. On their latest album "Hermetic Transmutation", one can even hear influences of dissonant as well as brutal death metal. Watch their newly released official video at https://www.youtube.com/watch?v=_uSEFSqRQ4Q
XENOSIS - “HERMETIC TRANSMUTATION”
Genre
-
Progressive/technical death metalFor fans of - Death, Atheist, Gorguts, Evilyn, Mors Verum
US progressive/technical death metal Xenosis have been at it for years, honing their craft with each album and showcasing a flair for experimentation too. On their fifth full-length album, "Hermetic Transmutation", they retain their core sound as they elaborate on both the progressive and technical aspects, even borrowing elements of brutal death metal and dissonant death metal to achieve that. The influences are finely integrated into their ever throbbing, busy music, never seeming forced and instead adding meaningful variation to their intense sound. The music's persistent groove belies its highly intricate quality; there's just so much happening while you're busy bobbing your head, tapping your feet, or rolling on the floor. After years of toiling, Xenosis have created a delightfully engrossing album that is bound to confound, tantalize, and ultimately satiate fans of this kind of music.
Line up
Sal Bova - Vocals
Gary Marotta - Drums
Kenny Bullard - Guitar
Keith Benway - Guitar
Travers Kenney - Bass
Artwork by Graphic Nightmare
Track listing
1. Sentient Shapes
2. Prolapsed Twin Entombment
3. Spore Whore
4. Engravings for Dyslexic Clairvoyants
5. Rapid Metamorphosis
6. Sea of Teeth
7. Altar of the Hound
8. No Longer Human
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/xenosisband
Thank a ton once again! Cheers! Kunal Choksi Label Owner Transcending Obscurity
Genre : Abyssal Death Metal / Black Death Metal
FFO : Behemoth, Hate, Dead Congregation
Release date : April 10 2026
Origin: France
Duration: 33min14
Label: Les Acteurs de L’Ombre Productions
Network Distributor: Season of Mist / Plastic Head
Digital Distributor: The Orchard
Line-up:
Stéphan Petitjan – Vocals, guitar
Théo Langlois – Bass, backing vocals
Jérémy Tronyo – Guitar, backing vocals
Nathan Faure – Drums, percussion
Tracklist:
1. Nese Ende
2. Okean
3. Mireborn
4. Ube
5. The Descent
6. Horror Squid
7. The Brine Seal
8. Mariana Tomb
After the release of “Cult of Uzura” last year, SKAPHOS will already return in 2026 with “The Descent”, a new album revisiting the band’s early works.
The record will feature four tracks from “Bathyscaphe” and four others from “Thooi,” the band’s first two albums. For the occasion, these songs have been re-recorded, reworked, and fully remixed, offering a new immersion into the abyssal universe of SKAPHOS.
SKAPHOS is a French Abyssal Death Metal band formed in 2018 and signed to Transcending Obscurity Records.
The band has released three albums :
Bathyscaphe (2020), Thooï (2022) and Cult of Uzura (2025), merging the eerie dissonances of Black Metal with the sheer heaviness of Death Metal.
« Skaphos is the perfect candidate to combine Black and Death Metal in a very violent way » – Acta Infernalis
Renowned for their harrowing, ritualistic live shows, Skaphos has performed in over 20 countries, touring across Europe and Asia with legendary acts such as I Am Morbid, Vader, Marduk, Suffocation, Belphegor, Batushka and Vomitory.
Their abyssal universe extends beyond the stage, with evocative music videos and the short film La Litanie des Flots (2022). They are currently working on a full-length film, Aurores Noires, scheduled for April 10 2026.
A few days after the release of its new album “The Descent,” Skaphos will hit the European roads to promote it live.
Pre-orders: https://lesacteursdelombre.net/product-category/preorders
https://www.facebook.com/skaphosofficiel
Origin: Finland
Style: Depressive Black Metal
Formed in: 2020
Released on: Downfall Records
Line-up:
Non: Guitar, Bass, Vocals
Mors: Drums
Bio
Musta Suru (roughly translates as “black sorrow”) is a two‑man Depressive Black Metal band, founded around 2020 in Tampere, Finland.
We both have a background in black metal bands, and everything began after a rehearsal of another project, when we decided to stay behind and jam.
We continued playing together, and eventually we had several songs taking shape — that’s how Musta Suru was founded.
The band name came to us very naturally, just like our songs do.
From the very beginning we found a shared musical language and mindset.
Our music deals with pain, death, sorrow and all the difficult, unpleasant aspects of human existence — this is our way of releasing difficult emotions. Music is for us both a passion and a form of therapy.
https://www.downfallrecords.com/musta-suru-fi/
Label: Independent ReleaseRelease date: april 7th 2026
Genre: Industrial Black/Death Metal
For fans of: Anaal Nathrakh | Morbid Angel | Hate Eternal | Dødheimsgard
Surrounded by a mindless swarm of vicious, vindictive, selfish parasites - consuming and destroying, stealing and defiling; gifted beauty and hungering only for filth. The stewards of Eden have become the vandals of creation - paying lip service to a senile, senseless god while they incinerate the world. My only dream for the future is the purging of the human infection and a return to the silent perfection, the lightless omnipotence of the void.
“Ravaging like locusts in season. Rendering down flesh and bone. Revel in death and the tearing with teeth…”- Cellular Catharsis – The Machinist
Following in the scorched earth footsteps of their critically acclaimed second album, Contempt For Life, Manchester’s purveyors of harsh, bleak, mechanized extremity, The Machinist, are set to unleash a punishing new EP – the uncompromising onslaught of nihilistic venom that is Towers. The three blistering tracks included were written during the same creative invocations that gave birth to the Contempt For Life album but at that time had yet to find their final form. As such these songs, now fully armed and armoured, represent the last gasp of that unforgiving era in The Machinist’s constant evolution, an excoriating coda to the bitter blast of Contempt For Life before The Machinist reload and set their sights on fresh targets. It is time to enter the blasted wastelands of The Machinist once more and gaze upon the monument to desolation that is Towers…
“Annihilate man! Annihilate man! Annihilate man!”- Of Creation And Cancer – The Machinist
Towers begins with the harnessed chaos of ‘Sagittarius In Bloom’, The Machinist riding the winds of mayhem as only they can. But of course, history has taught us that this is one band that never just follow a simple, predictable path; the song slips into a passage of tranquil contrast, which is then shattered by an eruption of madness. Vast, choir like vocal melodies, extravagant flourishes of guitar – the mechanized clashes with the spiritual, dissonance takes up arms against musicality and a pervading, teeth-grinding intensity permeates all. ‘Sagittarius In Bloom’ is a complex, overwhelming, multifaceted beginning to this high velocity ride to the edge of everything. The jagged violence of ‘Of Creation And Cancer’ follows with demonic vocals and a ferocious display of outlandish musical weaponry. This is the sound of alien gods and cyborg war machines torn apart inside an insane threshing machine, while galloping rhythms carry us over vast disintegrating star systems. This is mind destroying stuff…and the most epic expression of musical extremism is still to come. Towers finishes with ‘Cellular Catharsis’, a constantly transforming anthem of despair and the total repudiation of existence that hurtles into the inferno of an exploding sun, blasting through solar flares in a blaze of defiant, burnt and blackened majesty. Towers brings together three tracks that could not be left behind, an eruption of fury that demanded to be heard.
“Beyond all hope and any thought of Salvation, I burn.”- Cellular Catharsis – The Machinist
Mixed and mastered by George Nerantzis (Abbath, Dark Funeral, Rotting Christ etc) Towers sounds dominant and impregnable – a howling storm of incomprehensible power. Completed by the evocative artwork of Duncan MacPherson (Extinction Of Mankind etc) Towers will be unleashed on April 7th and the walls of reality will shatter.
Line-up:
John T - Vocals, bass, synths, drum programming
Tobias Gray - Guitars
George Kal - Guitars
https://www.facebook.com/TheMachinistUK
Indiana death metal crew PROTRUSION is streaming their debut album, THE LAST SUPPURATION, ahead of it's release later this week.
This exclusive premiere comes via the Jimmy from the Block YouTube channel. Listen now at https://www.youtube.com/watch?v=5GFcnqcNZ3U
PROTRUSION guitarist / vocalist Colin Foster comments on the album.
"Once people hear The Last Suppuration I have no doubt that they will easily recognize our various old-school influences, but we have blended things in such a new and detailed way that makes me believe that they will remember us."
Extremely Rotten Productions and Unholy Domain will release the vinyl edition of The Last Suppuration this spring. The album will be out March 13 on cassette via Unholy Domain (Europe) and Iron Fortress Records (North America) and CD through Sevared Records. US fans can order the cassette from Iron Fortress Records.
The band will release the album digitally at https://protrusion.bandcamp.com/
Pre-order the CD at https://protrusion.bandcamp.com/
Forged in filth and steeped in the fetid atmosphere of early ’90s extremity, the album is a festering monument to the genre’s most savage traditions.
Tracklist:1) Confined to Anguish
2) Accursed Skin
3) Exhumer’s Romance
4) Morbid Mortality
5) Boiled at Birth
6) Slugs of Decadence
7) Scorned Vengeance
8) Sacrament
9) The Last Suppuration
10) Anthropophilic Anomaly
Album artwork by Jon Zig.
Bio:
PROTRUSION are a death metal band from Lafayette, Indiana consisting of former and current members of underground acts such as Gorgasm, Sarcophagy, Human Filleted and Found Hanging. Inspired by classic Morrisound death metal recordings and other underground favorites of the early 90s, PROTRUSION have harvested a sound both new and familiar to fans of the more archaic and cryptic characteristics of early death metal.
In March 2023, PROTRUSION released a three track self-titled demo that was met with positive reception. They then went on to unleash carnage upon the attendees of many shows and festivals, including those such as the final Chicago Domination Fest in 2023 and Slam Dakota Death Fest in 2025. On January 20th, 2026 PROTRUSION announced the release details for their upcoming debut album titled: The Last Suppuration, and is set to be released on March 13th, 2026. The time of suppuration is upon us.
PROTRUSION is:
Colin Foster - Guitar / Vocals
Kyle Christman - Guitar
John Elston - Bass
Kevin Baum - Drums
https://extremelyrottenprod.com/
https://www.facebook.com/Protrusiondeath/
Neoclassical
pioneers ATARAXIA continue the journey toward their landmark 30th
studio album with their second single and video, “LLAWARRA”.
Following the release of the first single “Sylfaera” earlier this year,
“Llawarra” dives deeper into the Mediterranean’s mystical roots and the
universal concept of cosmic regeneration.Watch the video: https://www.youtube.com/watch?v=gVAaZHPotWQ
Stream the track: https://thecirclemusic.lnk.to/Llawarra
The band said:
“This song unveils archaic Mediterranean hierogamic rites, the sacred marriage (from the Greek hieròs gámos, "sacred marriage") between two deities, between a king and a priestess, or between two spiritually prepared humans, aimed at cosmic regeneration and rebirth and harmony between earth and heaven, embodied on our plane by two human consciousnesses. The boundaries between the divine and the human are transcended to create a circle of ever-flowing sacred energy. The text uses ancient symbols such as the ibis, the fish, the bee, the cave, water, milk, fire, dance, the sphere, the lotus, the Elysian sun, bread, the womb, and the heart.
“The video shows rites from different cultures across the continents united by this primal purpose. The focus is often on female figures who embody the creative energy that in the Greco-Roman culture, we call Aphrodite-Venus. In other cultures we find Inanna, Astarte, Isis, Turando, Xochiquetzal, Radha, Rati, Lakhsmi, Freya, Yoruba, Benzaiten.”
The track features the addition of Katerina Gerakari on spoken vocals, Alessia Baraldi on back vocals and Gregorio Bellodi on low and tin whistles, further enriching the album's dark folk and ritual atmosphere.
“Llawarra” is taken from the forthcoming album “SYLFAERA THE FAIR”, which completes the epic trilogy begun with “Pomegranate” and “Centaurea”. The album will be available in three distinct physical formats via The Circle Music. Options include a high-quality Digi CD, a Turquoise LP limited to 400 copies, and a Deluxe Black Box embossed in silver, limited to only 100 copies. The box set features exclusive silver vinyl, a "Travelling Stone" ritual artefact, a 16-page booklet, and a personal message from the band.
Pre-order: https://thecirclemusic.gr/product-category/distributed-stuff/?filter_artist-name=ataraxia&products-per-page=all
Watch previously released video to “Sylfaera”: https://www.youtube.com/watch?v=3oQasXY_R5w
Tracklist:
1. Alabaster
2. Breanwinn
3. Alqua
4. Sylfaera
5. Silvertine
6. Loona
7. Llawarra
8. Muirreann (CD Bonus Track)
9. Ojos Sagrados
10. Crowea
https://linktr.ee/thecirclemusic
https://www.youtube.com/@atarassxia
http://www.ataraxia.net/
https://www.facebook.com/AtaraxiaFB
Where comics and metal meet…Jesse Lemons, the multi-faceted mad scientist behind the very prolific one-man band CRANIAL RAT INFESTATION is flexing his creative muscles and entering into the realm of comics with the upcoming serial, Evan Torn.
A dark and twisted revenge thriller, Evan Torn follows the tale of a kidnapping victim left brutally mutilated after his wealthy father refuses to pay his ransom. Betrayed, broken and reborn as a masked vigilante. Evan Thorne sets out on a mission to hunt down those who destroyed him. His quest leads to the discovery that survival can cost more than flesh.
Preview Evan Torn https://evantornpreview.thecomicseries.com/comics/1
Evan Torn official synopsis:
When the kindhearted son of a rich, sleazy defense attorney is kidnapped and held for ransom, his father, William Thorne, refuses to pay. The kidnappers send a message—in the form of flesh.
Still, William says no.
Piece by piece, Evan Thorne is taken apart, his father leaving him to die. When Evan’s mother, Anna, discovers the unpaid ransom, she is horrified. She blackmails her husband with his own criminal dealings and forces his hand. Evan is brought home alive—but shattered, hollowed out, and forever changed.
Cast aside by the man who abandoned him, Evan chooses a new purpose: revenge. He hunts down everyone who helped rip him apart, fully embracing the name Evan Torn.
A story this intense demands a soundtrack. This is where CRANIAL RAT INFESTATION steps in. Struck by a lightning bolt of musical inspiration while penning the comic, Lemons picked up his guitar and laid down a collection of wildly eclectic tracks of progressive, djent-tinged deathcore titled Scorned. Torn. Mourn. Reborn. - The Misadventures, Death and Rebirth of Evan Torn. Listeners can expect an explosive dose of metal that expands upon the Evan Torn story with violent grace.
The EP will be released digitally and on limited-run CD. A bonus edition will the available (25 copies only) with a fifth track, titled "Forlorn."
Scorned
Torn
Mourn
Reborn (instrumental)
Forlorn (Bonus track on limited-edition CD only)
Both the comic and EP are set for a May 2026 release.
About CRANIAL RAT INFESTATION:
CRANIAL RAT INFESTATION is the brainchild of Jesse Lemons, a one-man collision of heavy metal, industrial chaos, and raw emotion. Every scream, riff, and mix comes straight from his home studio — no band, no budget, no limits.
The project began over a decade ago, when Jesse wrote a batch of melodic deathcore songs with no lyrics, no vocals, and no idea what they’d become. Life took a hard turn — grief, addiction, silence — and the music sat untouched for years. When he returned, clean and clear-headed, he found himself collaborating with his younger self, finishing what they started together.
Now, CRANIAL RAT INFESTATION exists somewhere between past and present — where rage meets reflection, and noise becomes therapy. Each release blends heaviness with atmosphere, brutality with vulnerability. It’s not about touring or fame; it’s about craft, catharsis, and creation for its own sake — proof that you can rebuild from ruin and still make something that screams.
CRANIAL RAT INFESTATION is
Jesse Lemons - Everything
Evan Torn credits
Created and written by Jesse Lee Lemons
Lettering and design by Jesse Lee Lemons
www.youtube.com/@lemonsartco
https://www.youtube.com/@CranialRatInfestation
https://linktr.ee/Eldritch_failures
For fans of : Cannibal Corpse, Cryptopsy, Deeds Of Flesh, Deicide, Dying Fetus, Morbid Angel, Nile, Pyrexia, Severe Torture and Suffocation.
Formed back in 1992 in Spain, Caustic return with a devastating force of Death Metal after years of silence. The band unleashes their long awaited fourth full-length album Inner Deflagration, a crushing statement of intent and evolution, merging relentlessly brutal Death Metal riffs with a powerful groove and a strong old school Death Metal essence.
Caustic balance raw aggression and refined songwriting, delivering a merciless listening experience from start to finish, packed with neck-breaking rhythms, savage vocals. Inner Deflagration spews forth ten tracks of uncompromising intensity, an explosive production designed for headbanging, mosh pits, and pure sonic annihilation!
Listen to the single "Dead Mind Job" at https://www.youtube.com/watch?v=IoXnZAURB5o
Pre-order the CD for only $10 at https://shop.horrorpaingoredeath.com/products/caustic-inner-deflagration-cd
Tracklisting:1. Dead Mind Job
2. Sleeping On Adrenaline
3. A Vortex Darkly
4. Inner Deflagration
5. Mato En Mi Tiempo Libre
6. Stab It Until You Make It
7. Speak Of The Dead
8. Mestres De L'assassinat
9. Rotten King
10. Maggots
www.youtube.com/user/horrorpaingoredeath/videos
www.facebook.com/horrorpaingoredeath
CULTIST – “SPIRITUAL ATROPHY”
Label: Awakening Records /
Futhark RecordsRelease date: march 20th 2026
Genre: Death Metal
For fans of: Morbid Angel | Vastum | Vomitory | Sulphur Aeon
The words squirm and writhe upon the page, like a cold nest of serpents exposed to the dawn light. Each character twisting and changing, unwilling to be held to a form or meaning…and then they lock and my eyes scan across the lines and secrets rise like mist and bleed into my eyes. Too late to look away, too late, too late. My sanity crumbles as the path of fire materialises before me. Things no one should know fill my mind, whispers of wickedness beyond understanding. This is what I sought, craved, what I thought I desired beyond everything. But I am too weak a vessel for this ancient truth. My soul is extinguished, my spirit atrophied, I am hollow and empty. A lich condemned to darkness.
Hailing from Calgary, Canada, Cultist are purveyors of ugly, disturbing death metal, taking graveyard dirt and headbanging rhythms and infusing them with the essence of warped, interstellar madness and a dusting of ancient rites and forgotten spells. Mystification zine praised their 2022 debut album, Manic Despair, for its ‘righteous, punishing aggression’ and ‘brutally thrashed death metal cruelty’, looking forward to what the future might bring for this band who balanced that instinctive hook-laden heaviness with dizzying, otherworldly aesthetics so adeptly. Well the future is now and the time for conjecture is over…Cultist are back, with their new album – Spiritual Atrophy!
Opening with the atmospheric intro of ‘Divination Whispers’ with its sense of brooding menace, slowly building tension and a desperate need for release, Spiritual Atrophy then explodes into the ripping death metal attack of ‘Coursing Between Worlds’ – its adrenaline overload peppered with savage bursts of lead guitar, like snarls of barbed wire. From here Cultist take us riding on the winds of madness through a collapsing universe. From the nervous energy of ‘Neophyte’ to the constantly contorting ‘Ascension’, refusing to settle into a predictable furrow, blasting into different dimensions and adorned in a glorious, howling guest guitar solo from Scott Oliphant, Spiritual Atrophy is raw and rampant in attack, characterful and sophisticated in thought and construction. The collision of old school filth with vicious blades of progression, along with a dramatic triple vocal attack gives Cultist the ability to carve out a place of their own in the ever more crowded extreme music scene. While songs like ‘False Prophet’ and the epic onslaught of ‘Spiritual Atrophy’ may be direct, deadly and violent they are also loaded with high impact moments of quality songcraft, making it nigh on impossible to turn away from the bewildering intensity of this voyage through hellscapes and nightmares.
Thanks in no small part to the recording and mixing skills of Scott Oliphant (Dying Remains, Snakepit etc) and the mastering magic of Rolando Rodas (Smoulder, Rites Of Thy Deringolade, Dire Omen etc), Spiritual Atrophy is armed with the perfect thick and bloody sound – ineffable and devastating. This is death metal from beyond the black…the last gasp of dying worlds and the stench of open graves. Awakening Records will open the gates of the Cultist crypt, unleashing Spiritual Atrophy on CD and digital formats, on March 20th with a special vinyl edition to follow from Futhark Records in late April, early May. Prepare for all hell to be unleashed!
Line-up:
Vanessa Grossberndt – Bass/Vocals
Betzi Poitras – Guitar/Vocals
Jim Petigo – Drums/Vocals
Guest lead guitar solo on Ascension by Scott Oliphant
https://www.facebook.com/AwakeningRecordsCN/
https://futharkrecords.com
https://www.facebook.com/cultistcanada
Riyl: The Gathering, Long Distance Calling, Anathema, Katatonia
The second full-length album entitled “Atropine” from Stuttgart-based dark rock outfit Astraya will be released on 24 April 2026 via These Hands Melt.
Since their 2019 debut EP “Black Awakening”, Astraya has carved out a reputation for a "handmade" wall of sound that balances dreamlike longing with unrelenting rage. Vast moments of calm are built only to be torn down unexpectedly, demanding the listener’s full emotional commitment. Their music is a blend of dark rock, metal and doom, and is defined by the ethereal, classically influenced vocals of Melina Abele, which pierce through the band's heavy atmosphere like sun rays through black clouds.
With their new album “Atropine”, the band explores human fragility, fate and time. The title track has a deeply mystical atmosphere, exploring the very moment of death and the idea that one’s fate may already be predetermined. This underlying theme runs throughout the entire record. “A Theory of Time” approaches our existence from a more scientific and philosophical perspective, analysing the nature of being and our place within the greater structure of time. Furthermore, the album reflects on humanity and its failings: addiction in “Valley of the Damned”, war in “In The Pale Glow of Torches” and “In Devotion”, and trauma in “Descendant of a Dead Man” and “Lighthouse”. Amid the album’s pervasive melancholy, the first single “A Spark Within” stands out as a small but powerful glimmer of hope. Through its dark sound, the music reinforces and amplifies the themes expressed in the lyrics.
“Atropine” was produced and mixed by the band's own Tim Suske, with mastering handled by Roland Böffgen at Hard Drive Sounds Studio. The haunting cover artwork was created by Katja Schocke.
Tracklist:1. A Spark Within
2. Lighthouse
3. In Devotion
4. A Theory Of Time
5. Descendant of a Dead Man
6. Valley Of The Damned Pt. 1
7. In The Pale Glow Of Torches
8. Arrival
9. Valley Of The Damned Pt. 2
10. Atropine
All songs written and performed by ASTRAYA
Except experimental flute performance on Atropine by Yael Su
Astraya are:
Melina Abele: Vocals
Benny Gölz: Guitar
Tim Suske: Guitar
Tobias Hänsel: Bass
Klaus Wintermayr: Drums
https://www.facebook.com/astrayaband
Montreal (QC) / Stockholm (SE) - After the progressive rock and metal community was shaken by his departure from Haken earlier this year, VOIDCHASER release their new single, "HYPERCONVERTER," featuring guitarist Charlie Griffiths, marking his first release since parting ways with the iconic prog metal act. Fans of Haken and Tiktaalika will be thrilled to discover this new Voidchaser track, a 7:27 epic and the band’s heaviest and most progressive song to date. This second single from their upcoming album Interstellar I pushes into darker, more technical and unpredictable territory.
FFO: Devin Townsend, Haken, Dream Theater, Scar Symmetry, Ayreon, Pagan's Mind
A lyric video for the track is available at https://www.youtube.com/watch?v=jADgIRsYfPA
Interstellar I, the band's second full-length album, will be released on April 9.
Depicting themes of technological overreach, mass corruption and personal struggles related to identity, love and survival, the narrative unfolds within a vast, lore infused deep space universe. Interstellar I balances a dense and layered wall of sound with high-energy choruses and memorable melodies, where every moment serves the storytelling. Musically, the album brings to mind the style of Devin Townsend’s Ziltoid the Omniscient and Dream Theater’s Systematic Chaos, while reinterpreting those influences through Voidchaser’s own modern and distinctive sound, also drawing from classic foundations found in Deep Purple’s Machine Head and Black Sabbath’s Paranoid. With this release, Voidchaser returns with a level of maturity that defines their most ambitious and fully realized work to date.
On April 10th at Piranha Bar in Montreal, QC, Canada, Voidchaser will launch their new album, Interstellar I, performing it in its entirety in an exclusive live set, along with additional material. Omnivide and Jovian Storms will perform as special guests. More details at https://www.voidchaser.net/
Pre-order
Interstellar I: https://voidchaser.bandcamp.com/album/interstellar-i-lpTrack Listing:
1. The Grand Design
2. Welcome to Terra Corp
3. Initiation Day
4. Hyperconverter
5. Anything for Love
6. Rain / Solar Winds
7. Ivory Tower
8. Renew
Credits:
Lyrics and Songwriting by Chad Bernatchez.
Production and Arrangements by Jici Lord-Gauthier.
Management and Booking by Jici Lord-Gauthier (Chaotic Good Music).
Mixed and Mastered by Jason Poulin.
Drums Recorded by David Lizotte.
Session keyboards by Mathieu Fiset.
Artwork by Sam Harwood.
Photography by Josh Kirschner (Kirschner Studios).
Line-Up:
Chad Bernatchez - Vocals, Guitar
Jici Lord-Gauthier - Guitar, Bass
Colin MacAndrew - Drums
Bio:
Based in Montreal and Stockholm, Voidchaser is a progressive metal band that quickly established itself as a band worth watching on both local and international stages. Formed in 2023, the band rapidly gained momentum through a steady stream of releases, earning attention from niche outlets such as The ProgSpace, Prog Magazine and Prog Sphere, alongside coverage from major metal media, including Metal Injection and Decibel Magazine.
In 2024, Voidchaser released their debut EP, Odyssey, followed by two standalone singles and their debut full-length album, Solace. Written as a single continuous 30-minute composition, Solace is a concept album set in an orbital dystopia, exploring themes of power, uncertainty and love. The release charted among the top metal albums on Apple Music and iTunes in Canada, Sweden, Norway and several other countries.
The band continued its momentum in 2025 with the release of Trust, an EP featuring guest appearances from Jim Grey of Caligula’s Horse and members of The Anchoret. That same year, the band embarked on its first international tour, performing 12 dates across Canada, the Netherlands, Germany, Denmark and Sweden, and sharing the stage with acts such as Vulkan, Threshold, Kingcrow, Nospūn, Omnivide and Ok Goodnight. Highlights included appearances at ProgPower Europe in the Netherlands and the inaugural ProgStorm Festival in Montréal, Canada.
In 2026, Voidchaser announced the upcoming release of Interstellar I, their second full-length record.
https://www.facebook.com/VoidchaserOfficial
FFO: Imperial Triumphant, Deathspell Omega, Krallice, Ulcerate, Portal, and the absolute heat death of the universe.
The album's first single, "First Blood," has been premiered by Toilet ov Hell. A dissonant death metal meat-slab that dissolves and mutates into a blackened, transcendent collapse, click to stream it at: https://toiletovhell.com/exclusive-track-premiere-voidthrone-first-blood/
Structured as a three-part cosmic death ritual, Dreaming Rat follows a triptych of parallel arcs: a solar system burning through its lifespan, a civilization collapsing under its own complexity, and a parasite replicating itself across language, culture, and flesh. The band trades some of the prior atmospheric murk for a more immediate, frenetic mix—closer, sharper, and meaner.
Vocalist Zhenya Frolov delivers his most insane performance yet, retching through death-metal lows, black-metal shrieks, and ritualistic howls as the album spirals toward extinction. The listener is invited to drift calmly and unflinching through the maelstrom, like the dreaming rat on the album’s cover.
Dreaming Rat will be released on May 8.
Pre-order: https://voidthrone.bandcamp.com/album/dreaming-rat
Track
Listing:Arc 2 - The vital present. A universe, a civilization, an idea flourishing into a promised infinity.
1. II-I. Homeless Animal
2. II-II. Morbid Seagull
3. II-III. Ren Omega
Arc 1 - The hopeful past. A maelstrom of violence and optimism.
4. I-I. Bergen
5. I-II. Dreaming Rat
6. I-III. First Blood
Arc 3 - The silent future. An extinguished, lonely death of the physical, spiritual, and cognitive.
7. III-I. Surfing the Abyss
8. III-II. The Dying Squid
9. III-III. Worm Spiral
Credits:
Produced / Mixed / Mastered by Ronald Foodsack (Voidthrone).
Masters: 24-bit / 44.1 kHz; vinyl premaster on request.
Album Art: Kiri Yu
Line-up:
Zhenya Frolov - Vocals, Japanese Otamatone
Ron - Guitar, Jaw Harp
Gavin Brooks - Fretless and Fretted Bass, Acoustic Guitar, Guitar Solos
Josh Keifer - Drums, Vibraslap, Didgeridoo, Spoons
Bio:
Hailing from the rain-soaked muck of the Pacific Northwest, Voidthrone crafts dissonant blackened death metal that is as belligerent as it is meticulously arranged. Intentionally disorienting and feral, their unconventional music has evolved from the raw Spiritual War Tactics (2016) and the avant-garde churn of Kur (2018) to the sharpened, atmospheric density of 2022’s Metaphysical Degradation.
Discography:
Dreaming Rat (May 8, 2026)
Metaphysical Degradation (2022)
Kur (2018)
Spiritual War Tactics (2016)
https://www.facebook.com/voidthrone
Format: Digital CD /
Physical CD / VinylLabel: Independent Release
Distribution: Necktwister
Tracklist:
01 Storm
02 Poseidon
03 Mind Intrusion
04 Time Is A River And The Waters Are Red
05 Thief Of Dreams
06 Instinctive Dissonance
07 With Tears In My Eyes
08 Ancestral Rites
Poseydon was formed in 1992 by Alain De Block with the ambition to play a mix of Thrash and Death- metal.
The band’s playing style should appeal to fans of early Slayer, Sepultura, Testament and many more…
The band took a few years to grow but in 1995 the first recording took place.
A single ‘Thief of Dreams’ was recorded in the legendary Midas Studios and got released by Tessa Records in 1995 as part of a metal-compilation album ‘Detonation II”. This track showcased the bands ability to write dynamic songs and not to be afraid to include calm, almost tranquil elements, only to enforce the heavy hitting sequences even more. The band received great critiques for this first release, gathering the attention of the Belgian metal-scene.
This brought a lot more possibilities to the band, which meant playing a lot of live gigs and recording & release of the 4-track EP ‘With Tears In My Eyes’ in 1998. Again recorded in Midas Studios, the EP contains four fierce thrashing pieces of metal, which proved the band was growing and moving upwards in the Belgian metal-scene.
Although the band had gained momentum, the march of Poseydon was put to a halt… as Poseydon ceased to exist. Through the leaving of its frontman, Alain de Block decided to put Poseydon on hold.
But as the saying goes: blood is thicker than water! After a few years the aching started to arise to reboot Poseydon which lead to the reformation in 2007. Founding member Alain de Block & former guitarist Ward van Iseghem got together and started to reclaim the God of the sea. After a few years of rehearsing and looking for the right bandmembers, the band recorded its first full album titled ‘Cold World’ in 2011.
Although the album comprised mostly older unreleased work, it was a death-metal metal release in contrast to it earlier death/thrash releases. To support the album, Poseydon played everywhere as it could through the Flemish part of Belgium.
Unfortunately some line-up changes slowed the progress towards a new recording, but patience is a virtue!
After recording and mixing the songs without any pressure, Poseydon’s latest album ‘Masterpiece (in the mind of a serial killer)’, or ‘Masterpiece’ in short, was released in the beginning of September 2016.
Then, 7 years later the God of the Sea emerges with a new album entitled ‘Through The Gate Of Hatred And Aversion’. This time they went to Project Zero studios where Yarne Heylen (Carnation) recorded, mixed and mastered the tracks.
Since its first incarnation, the goal of Poseydon was, is and always will be to play energetic live-shows.
And now they are preparing themselves for the release of their third full-length album that will come out at the end of April 2026.
Line-Up:
Alain De Block (rhythm guitar, lead guitar, backing vocals)
Leander Karageorgos (rhythm guitar, lead guitar)
Jeroen Bonne (bass guitar, backing vocals)
Jef Boons (drums)
Tom Lenaerts (vocals)
https://www.necktwister.com/
Kansas-based
death metal horde UNMERCIFUL has announced string of US tour
dates in support of their latest release, DEVOURING DARKNESS. The
trek will center around the band's inaugural performance at the 2026 Maryland
Deathfest.The "INFERNALLY CONQUERING TOUR 2026" will feature a new lineup that includes the recently announced addition of James "Freight Train" Lee (ex-Origin) on vocals. Lee’s unmistakable intensity and legacy within extreme metal make this collaboration a historic moment for both the band and fans alike.
Confirmed dates are as follows:
5/20 - Chicago, IL @ Cobra Lounge
5/21 - Detroit, MI @ The Sanctuary
5/22 - TBA
5/23 - Clifton, NJ @ Dingbatz
5/24 - Baltimore, MD @ Maryland Deathfest
5/25 - Harrisburg, PA @ Capital Music Hall
5/26 - Lakewood, OH @ Mercury Music Lounge
5/27 - Indianapolis, IN @ State Street
5/28 - Kansas City, MO @ Warehouse on Broadway
UNMERCIFUL 2026 live lineup is:
Jeremy Turner- guitar/ vocals
Clint Appelhanz- guitar/ vocals
James “Freight Train” Lee- vocals
Andy Vincent- drums
Steve Giddens- bass
Devouring Darkness, marks a new era of relentless violence and sonic brutality! With ten tracks of scorching intensity and distorted vengeance, the album is filled with blistering blast beats, intricate kick drum patterns, and destructive riffing.
Devouring Darkness is out now on CD, digital, and vinyl formats on Willowtip Records.
Devouring Darkness sees the return of longtime member Jeremy Turner to guitar and introduces Josh Riley as the band’s new vocalist, further intensifying the group’s punishing sound.
The album was engineered and produced by Clinton Appelhanz at Waveworks Studio, with mastering handled by the legendary Alan Douches (Cannibal Corpse, Hate Eternal, etc.). Artwork by Santiago Francisco Jaramillo.
https://willowtip.bandcamp.com/
www.facebook.com/officialunmerciful
DECIPHER - ΘΕΛΗΜΑ (THELEMA)
Genre - Black MetalFor fans of - Emperor, Yoth Iria, Bolzer, Lucifer's Child, Varathron, Necromantia, Ravencult, Dodsferd
Decipher released a sublime album in "Arcane Paths to Resurrection", which was steely and composed, enriched with melodic undertones. It was the timeless kind of black metal that was largely inspired by the classic black metal bands and yet didn't sound too dated. Two years later, the Greeks return with a new opus, elaborating on the music forged on that album, adding better nuance and structure to the songs whilst retaining the sound and appeal. Allowed better expression, the songs are comparatively longer and have a narrative quality to them without straying too far from the core sound. The riffs are drenched in emotions without being overtly melodic as the music marches ahead resolutely with its steely demeanour. This is the kind of black metal that gets its priorities straight - with the right focus on riffs, feeling, intensity, and passion.
Lineup
Kostas Gerochristos (Lucifer's Child) - Guitars and vocals
Kostas Ragiadakos (Dephosphorous) - Bass
Nodas Chatzopoulos - Drums
Artwork by Artem Grigoryev (Dödsrit, Nightbringer)
Track listing
1. Return to Naught
2. The Black March
3. Seven Scars
4. Bound to the Wheel
5. Hail Death
6. Towards Renaissance
7. Litany
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/decipherbandgr
Thank you very much! Kunal Choksi Label Owner Transcending Obscurity
IRON SLUG – “DECEIT AND MISERY”
Label: Road To MasochistRelease date: march 27th 2026
Genre: Doom/Sludge Metal
For fans of: Black Sabbath |Goatsnake | Saint Vitus | Electric Wizard
Formed in Kent in 2022, a murky, anguished blight upon the so-called ‘Garden Of England’, Iron Slug have become an established presence on the UK’s doom scene. With a single-minded sense of intent and an array of irresistible riffs they have pounded their way into the consciousness of those drawn to the low, slow and oppressive. After two coruscating EPs – 2024s Debauched And Bored and Unrepentant Grin – both warmly received by fans and critics alike, the band are now ready to unveil their full-length debut of unrepentant doom. Featuring five mammoth tracks of backbreaking heaviness that each seem to stretch out into eternity, but at the same time never feel a second too long, Deceit And Misery has arrived.
The album begins with the seething, menacing guitars of ‘A Calming Turmoil’, the song gathering itself in a slow building of purpose, before settling into a relentless, methodical groove. When the strong, imposing vocals arrive their measured, melodic timbre adds a sense of gravitas that just increases the momentous weight of the music. ‘Love Retires Under Night’ descends in an avalanche of Sabbath-style riffing and gradually digs down deeper into the darkness than Iron Slug’s progenitors ever delved. This is raw, sludge-touched doom, stripped of all artifice, flayed to the bone and bleeding bitter emotion; its hypnotic, grinding heaviness carrying you to the indistinct boundaries between the waking world and the void of dreamless sleep. First single, ‘Graceless Bodies’ and the stunning ‘Die The Same’ follow, both lifted to new heights by superb vocal performances – steeped in soulful melody and a hint of the desert’s endless dust. All of which leads us beneath the hammer of ‘Ritualistic Feeding’, a bleak, shuddering leviathan of a track whose every chord, drum beat and fiercely enunciated syllable is delivered with meaning and might. Deceit And Misery is a bellowed statement of intent, a giant stride taken and a revelation of both immediate power and burgeoning potential. Iron Slug have arrived, in no uncertain terms.
Produced by long-term collaborator Jason Frye (Allfather, Jøtnarr, Erth Altr etc), Deceit And Misery sounds gritty and textured, tactile yet abrasive and imbued with rich depth of spirit. Meanwhile, the intensity of emotion generated by the unrelenting songs and fiercely focussed performances has been perfectly captured in the striking artwork of Black Crow White (Death Island, Extinction A.D., Nuclear Desolation etc). Iron Slug have created a raw, hard-hitting album that connects deeply with the essence of doom and when it hits the streets on March 27th via Road To Masochist, on 12” vinyl and CD formats, the impact will be seismic.
Line-up:
Will Rayner - Guitar/Lead Vocals
Will Bond - Drums/Backing Vocals
https://roadtomasochist.co.uk
Three
visions... one sound. Embrace the unknown!With these words, we introduced "IN
SORROW'S REQUIEM" the new work by Tuscan Doomsters MOTUS
TENEBRAE. Today, the unknown is revealed, and we do so through the first song from the album, "Endless Buildings", whose video, created by Solar Sphere Multimedia, is available at https://youtu.be/94oexbCeV28
Luis McFadden tells us about the song: "The central theme that unifies these visions is the Existential Concrete Labyrinth: an eternal interior metropolis where the individual is crushed by monumental structures that reflect his own emptiness.
In this narrative, the exterior and the interior merge... the endless buildings are simultaneously psychic prisons and monuments to alienation. There is no longer a distinction between the cold stone of the city and the silence of the soul. It is the portrait of a humanity that, in an attempt to build its own progress, has constructed a geometry of abandonment in which God is dead, nature is a faded memory, and the only thing that remains is the echo of one's own footsteps in corridors that lead nowhere".
With "In Sorrow's Requiem", MOTUS TENEBRAE rise again, stronger, darker and deeper than ever with a music which does not leave indifferent those who live for sounds dear to Paradise Lost, My Dying Bride, Sentenced, Katatonia.!
The album will be released in CD, LP (black and marble gold vinyl) & digital on May 8th, and it's available for Pre-order at https://t.ly/AyAM7
https://linktr.ee/mykingdommusic
https://www.facebook.com/MotusTenebraeOfficial
The new album from The Scalar Process is here and it's tremendous. It's as if they've attained a different kind of consciousness and everything is now done from a higher level. Their prog/tech death metal exudes a unique aura. Watch their new official video at https://www.youtube.com/watch?v=_hwoecPrlJ8
It's one of our most anticipated releases this year!
THE SCALAR PROCESS - “AGNOMYSTICISM”
Genre
-
Progressive/technical death metalFor fans of - Fallujah, The Zenith Passage, Rivers Of Nihil
French progressive/technical death metal band The Scalar Process showed a lot of promise on their debut album as a young band. It took them five years to come up with a follow up album and the progress on it is simply staggering. The music seems to have taken an ethereal form, soaring above and raining down thundering riffs followed by shards of piercing melodies. The alternating showers ensure the music doesn't overwhelm with either blasting or mellow parts, maintaining an elegant balance that keeps you trapped in a dreamlike state throughout its duration. "Agnomysticism" is a highly accomplished album, virtually flawless in all ways, that takes the sound of the band forward and elevates it beyond the ordinary.
Line up
Eloi Nicod - Guitar / Composition / Production
Mathieu Lefevre - Vocals / Lyrics
Lucas Martinez - Guitar
Vincent Amar - Bass
Thomas Giroud - Drums
Guest
Andy Thomas (Rivers of Nihil) clean vocals on Incessant Continuum
Justin Mckinney (The Zenith Passage) guitar solo on Illness
Artwork made by Celest.C
Track listing
1. Physical Conquest
2. Far From The Flesh
3. Incessant Continuum
4. Illness
5. Affluent Marea
6. A Breathing Moment
7. Agnomysticism
8. Lack Of Colors
9. Sigil
10. In A Light Frame
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/TheScalarProcess
Thank a ton once again! Cheers! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
LAVADOME
PRODUCTIONS
presents DEPRAVATUS CHRISTIANIS SACRIS, the second full-length
album from Chilean death/black metal band BLASART. Arriving
almost eighteen years after the band’s debut and following several EP releases,
the album marks Blasart's most focused and uncompromising statement to date;
driven by sheer creativity and vision to say the least.For fans of: old Morbid Angel, Dead Congregation, Satyricon, Misþyrming...
Rooted in Chile’s extreme metal underground, Blasart merges the density of death metal with black metal violence and ambience. Thematically, Depravatus Christianis Sacris confronts Christian sacramental structures through inversion.
Best regards, Jan Lavadome Productions
https://lavadome.bandcamp.com/
https://www.facebook.com/lavadome
DEAD
SERIOUS,
a 90’s Bay Area-style Thrash Metal band is coming out with its 1st new
single in 30+ years called “NOT DEAD NOT SERIOUS’’!Thrash metal band Dead Serious is releasing a new single worldwide on the 7th of March 2026, on all streaming services.
The new song comes with an official lyric video on https://www.youtube.com/watch?v=Mk1aoJCFQ7E
Mixing done by Francis Snebbout at Oakwood Recordings.
Mastering done by Alan Douches at West West Side Music.
“As we were preparing ourselves for the first live shows, inspiration started taking over fairly quick in the process. We started mixing rehearsals up with the old material, and short jam sessions to come up with new ideas. Not Dead Not Serious quickly came out of those sessions, and after receiving a lot of positive feedback from playing this track live, we decided to record and release it as a single.’’
“Not Dead Not Serious” is the first single of the band in 32 years!
"This single is our ultimate statement to the outside world that we’re still alive and kicking, and ready to take on the next chapter in this story, all while upholding our biggest goal, which is to have fun, and not take things all too serious.
Present Line-Up:
Gunther 'Gunny' Popple: bassguitar
Jan 'Jay' van der Poorten: guitar
Xavier Weekers: drums
Jan Schepens: guitar
William Lawson: vocals
https://www.facebook.com/DeadSeriousBelgium
Kentucky's Doom laden Sludge lords, HIGHGATE, have released "DEATH COMES," the second single from forthcoming album, Prophecies of Eternal Horror! Stream it now on Bandcamp and YouTube.
For fans of : Grief, Primitive Man, Mizmor, Eyehategod and Rwake.
Emanating from the hills of Northern Kentucky, HIGHGATE unleash a Sludge filled, Doom laden yowl that speaks of years of struggle and despair. Prophecies Of Eternal Horror finds the dead bodies stacking to the sky as HIGHGATE grapple with global war atrocities, religious fanaticism and class warfare.
HIGHGATE previously shared the album's first single, "AT PARANOIA’S POISON DOOR." The song is described as a blackened-doom battle cry against an overreaching government that wants us too scared to think or act for ourselves. The lyrical refrain of “crawl to your masters” speaks to the song's theme of government capability to brainwash citizens into cowering boot-lickers. Stream the song now at https://www.youtube.com/watch?v=_CQJ2x6vwHc
Track
listing:1. Terraforming Hell
2. Death Comes
3. At Paranoia's Poison Door
4. Deceiver
5. The Writhing Dawn
Prophecies Of Eternal Horror is set to be released on March 27.
Album pre-order links: https://ffm.to/highgate
HIGHGATE is:
Greg Brown - vocals
Steve Porter - battery & vocals
Jamie Porter - guitar, bass & vocals
www.facebook.com/horrorpaingoredeath
www.highgatedoom.bandcamp.com
www.facebook.com/Highgatedoom
NEWS 6.3.2026
HELLFIRE OVER ILSENBURG PART IV am 21.03.2026
restlos ausverkauft – der Hellbollwerk e.V. dankt der Metal-Community.Das Hellfire Over Ilsenburg Part IV am 21.03.2026 im Haus der Vereine in Ilsenburg ist restlos ausverkauft. Der veranstaltende Hellbollwerk e.V. zeigt sich überaus erfreut über die starke Resonanz und bedankt sich ausdrücklich bei den Metal-Fans aus der Region sowie bei den zahlreichen Unterstützern von außerhalb. Auf der Bühne stehen 2026: Boeneshakers, Compressor, Here I Vanish, Zeit und Faces Of Fear.
Insbesondere Svenner, Vorstandsvorsitzender und Initiator des Hellfire Over Ilsenburg, betont die Bedeutung dieses Erfolges für den Verein:
„Ein ausverkauftes Haus ist für uns als ehrenamtlich arbeitender Verein keine Selbstverständlichkeit. Es bestätigt unsere Arbeit und zeigt, dass die Metal-Szene im Harz und darüber hinaus lebendig und solidarisch ist. Wir sind sehr dankbar für diesen großartigen Support.“
Beim diesjährigen Hellfire Over Ilsenburg wird es nicht nur musikalisch heiß hergehen – auch für das leibliche Wohl ist gesorgt. Direkt vor der Location erwartet die Besucherinnen und Besucher ein rustikaler Bratwurstgrill, der in passender Atmosphäre deftige Stärkung bietet. So können sich alle Gäste vor oder zwischen den Shows mit frisch Gegrilltem versorgen und gestärkt in einen unvergesslichen Abend starten.
Am 21.03.2026 erwartet das Publikum im Haus der Vereine (Mühlenstraße 14, 38871 Ilsenburg) ein intensiver Konzertabend. Einlass ist um 17:00 Uhr, Beginn um 18:00 Uhr.
Weitere Infos erhaltet ihr hier https://www.facebook.com/events/9043203712395264
Im Rahmen der Veranstaltung werden zudem die ersten Bands für das Hellfire Over Ilsenburg 2027 offiziell bekanntgegeben.
Sonderaktion im Vorverkauf: Early-Bird-Preis für Blasting The Mountains 2026
Anlässlich des ausverkauften Abends hat der Hellbollwerk e.V. eine besondere Vorverkaufsaktion geplant. Am 21.03.2026 gilt für das BLASTING THE MOUNTAINS FEST am 14.11.2026 in Ilsenburg noch einmal der Early-Bird-Preis: 39,90 Euro statt regulär 44,90 Euro – ausschließlich am 21.03.2026.
Das sogenannte „Nabu-Bird“-Ticket pausiert an diesem Tag. Für 24 Stunden erhalten Interessierte die Möglichkeit, Tickets erneut zum vergünstigten Early-Bird-Tarif zu erwerben.
Die vergünstigten Tickets sind sowohl vor Ort beim Hellfire Over Ilsenburg Part IV als auch online erhältlich, sodass auch Fans, die nicht persönlich teilnehmen können, von der Aktion profitieren.
Die Sonderaktion gilt ausschließlich am 21.03.2026. Ab dem 22.03.2026 wird wieder der reguläre Vorverkaufspreis angewendet.
Alle Infos zum Blasting The Mountains Fest erhaltet ihr auch hier: https://www.facebook.com/events/9043203712395264
Weitere Veranstaltungen: Das EXTREME ÄTTÄCK VIII in Magdeburg
Bereits am 29.05.2026 veranstaltet der Hellbollwerk e.V. die achte Ausgabe des „Extreme Ättäck“ in der Factory Magdeburg. Im Factory Club spielen an diesem Tag: EinsAchtZich, Akantophis, Menerra
Im Anschluss sind eine Dark Friday Veranstaltung sowie eine School Of Rock geplant. Besucher des Konzertes erhalten freien Eintritt zu den nachfolgenden Programmpunkten. Der Vorverkauf für das Extreme Ättäck VIII startet in Kürze.
Weitere Infos erhaltet ihr hier https://www.facebook.com/events/1487779266102050
Mit dem ausverkauften Hellfire Over Ilsenburg Part IV am 21.03.2026 und den weiteren geplanten Events, Extreme Ättäck VIII am 29.05.2026 sowie dem Festival Blasting The Mountains Fest am 14.11.2026 unterstreicht der Hellbollwerk e.V. erneut seine Rolle als engagierter Kulturträger in der regionalen und überregionalen Metal-Szene. Das ehrenamtliche Engagement des Vereins sowie die kontinuierliche Unterstützung durch die Fans bilden die Grundlage für eine nachhaltige und lebendige Veranstaltungsarbeit im Harz.
https://www.instagram.com/hellbollwerk_ev
https://www.facebook.com/Hellbollwerk
Vielen Dank für eure Unterstützung und euren Einsatz für regionale Kultur!
Liebe Grüße aus Ilsenburg Euer Hellbollwerk e.V. – David Siegmund / 2ter Vorsitzender Presse & Öffentlichkeitsarbeit
Lautenfeyn verbinden die rohe Wucht von E-Gitarre, Bass
und Drums mit den archaischen Klängen von Cello und Drehleier. Drei
Sänger*innen verleihen dem Sound besondere Tiefe und sorgen für kraftvolle
Mehrstimmigkeit sowie wechselnde Klangfarben. So entsteht unverwechselbarer,
deutschsprachiger Folk-Metal zwischen ausgelassener Partystimmung und epischen
Momenten voller Freiheitsdrang – mal dreckig und direkt, mal episch und
getragen.Die Räuberbande singt von Freiheit, die weh tut, und von Rebellion, die Würde trägt. Mit “Verdammt und vergessen” bringen Lautenfeyn, die die Mittelalterszene im Sturm erobern, am 6. März 2026 ihr brandneues Mini-Album heraus. Die Band erzählt von Menschen, die sich weigern, gebrochen zu werden, gekleidet in melodischem Folk-Metal mit rockigem Biss.
Analog zu ihren Bühnen-Personas steht für Lautenfeyn das fahrende Volk im Zentrum ihrer Kunst – Räuber und Träumer, Gaukler und Gejagte, jene, die im Schatten der Ordnung ihre eigenen Regeln finden. Ihre Geschichten sind roh und widersprüchlich. Ihre Welt ist schmutzig, wild und glühend vor Leben. Doch gerade in dieser Ungezähmtheit liegt ihre Wahrheit und ihre Freiheit.
“Verdammt und vergessen” ist ein Epos von Aufbruch, Kampf, Verlust, Erinnerung und Schicksal. Das, was auf der Bühne mit Schweiß, Humor und Schmutz beginnt, endet in einer mythischen Dimension: Im Wind, der die Lieder und Legenden weiterträgt. Die Bande spielt mit dem Kontrast zwischen Rohheit und Erhabenheit, zwischen Tavernenkrach und Tragödie. Ihre Figuren sind keine Helden – sie sind Spiegel. In ihnen erkennen wir den Teil von uns, der mehr vom Leben verlangt, der brennt, fällt, blutet – und lachend weiterzieht. Zwischen Folk, Rock, Metal, Mythos und Räuberpoesie erschaffen sie eine Welt, in der Schmerz zu Stolz wird und jede Narbe eine Geschichte singt.
Jeder Song beleuchtet eine andere Facette von Freiheit: Vom Übermut der Gaukler (“Das fahrende Volk”), über den Stolz des Geächteten (“Vogelfrey”), bis hin zur Verzweiflung und Geschwisterschaft der Verdammten (“Verdammt und vergessen”). “Stille Weis Lieder” öffnet die empfindsame Seite dieser Welt, in der die Rebellion aus Schmerz erwächst, während “Kettenbrecher” zum Räuberschwur ruft, zum Mut, das eigene Schicksal selbst zu lenken. Im Schlussstück “Excalibur” wird aus der Legende des Königs Artus das Sinnbild für all das, was in den Räuberliedern verborgen lag: Die Sinnsuche und der Drang, die Ordnung so mitzugestalten, dass sie das ewige Feuer im Menschen nicht erstickt.
2024 gegründet, machte die Bande, bestehend aus Oliver Oppermann (Gesang, Gitarren, Irish Bouzouki), Saskia Schrand (Gesang, Cello, Drehleier, Klavier, Blockflöte) und Angelique Roehse (Gesang, Bass, Gitarre), bereits 2025 mit Auftritten auf dem Sternenklang Festival und dem Mittelalterlich Phantasie Spectaculum auf sich aufmerksam. Die neue Platte “Verdammt und Vergessen” ist gerade frisch erschienen und wird direkt von einer Reihe Release-Shows in Niedersachsen begleitet. Darüber hinaus kann man Lautenfeyn diesen Sommer auf mehreren Mittelalter-Festivals live erleben. Im Oktober folgt eine deutschlandweite Support-Tour für Mythemia.
https://www.facebook.com/profile.php?id=61566630875283
Wir sind DISTORTED AURA, 2024 in Berlin
gegründet. Unser Klang und Stil haben ihre Wurzeln im Old School Death Metal,
stark inspiriert von dessen verschiedenen Richtungen. Entombed, Death, Morbid
Angel, frühe Sepultura lassen sich hören, ebenso wie Einflüsse vom Thrash Metal
und mal ein Touch vom Black Metal, die manche Stellen färben.Die Texte reflektieren beispielsweise sowohl psychische Abgründe (verzerrte Aura!) und sonstige düstere Allgemeinheiten des Genres, als auch setzen sie sich ohne Floskeln mit dem Menschsein auseinander.
Wir veröffentlichen unsere erste Demo „FIRST DISTORTION“ am 13. März, und sind weiter am Werk, bereit, Auren auf der Bühne zu verzerren und fleißig an der Erweiterung unserer Setlist.
Line up
Ben: Drums
Evgheni: Bass
Rubén: Vocals und Gitarren
distortedaura.official@gmail.com
https://distorted-aura.bandcamp.com/album/first-distortion-demo
DEVOUR THE SUN - "CHAPTER II - SATYAMEVA JAYATE"
Label: Thunder From The East Productions
VÖ-Datum: 06.02.2026
Formate: Tape (MC)/Digital
Fast 5 Jahre nach ihrer Demo „Chapter I – A lesson in Self-Control and Devotion” veröffentlicht das deutsche Black-Metal-Duo „Devour The Sun” sein erstes Album in voller Länge „Chapter II – Satyameva Jayate”.
Zwischen 2023 und 2025 fertiggestellt, beenden Devour The Sun ihre musikalische und lyrische Reise durch das klassische hinduistische Epos „Ramayana“, gehüllt in eine Mischung aus Black Metal, Death Metal und Dunkelheit.
Teil II des Konzeptwerks erweist sich musikalisch und philosophisch als weitaus tiefgründiger als die vorherige Veröffentlichung.
Tracklist1. Mantra
2. A Passage Through The Ocean
3. The Siege of Lanka
4. Ravana's Fall
5. Coronation
6. Lava-Kusha
7. The Consecration
8. Mantra
(Spielzeit 34:15)
Line-Up
C - Drums, Vocals
F - Guitars, Bass, Synths
Discography
Chapter I - A Lesson in Self-control and Devotion (EP, 2021)
https://devourthesun.bandcamp.com/album/chapter-ii-satyameva-jayate
https://www.metal-archives.com/bands/Devour_the_Sun/3540495426
https://www.instagram.com/devour_the_sun_dbm/
Label: Comatose MusicRelease date: march 20th 2026
Genre: Brutal /Slam Death Metal
For fans of: Slob | Traumatomy | Gorevent | Colpocleisis
The night’s work is done. He stands in silence, the sweat of exertion mingling with the blood that coats his face, hands and clothes. The passion, the anger, the lust and the excitement has all drained away, like pus from a lanced boil. It’s time to lift the floorboards and open the mausoleum…time to tip the latest faceless bundle of guts and gore, bone, bile and bruised flesh into the darkness; there to lie in the stench and the rot, in quiet communion with those who have gone before. At least she won’t be alone. They have each other…and the worms.
More than thirteen years on from the release of their horrifying debut album, Excruciating Intestinal Lacerations, the UK’s heaviest and sickest exponents of shocking brutality are back with a new assault on morality, enlightenment and good taste… Engorgement have returned, with They Rot Beneath Our Floor!
The nightmare begins with ‘Prelude To Your Dismemberment’, which leads us down a spiral staircase into darkness. We know that nothing good awaits us in that impenetrable murk, but locked in the dream sequence we cannot stop our descent…and as we reach the bottom step the world explodes. ‘Keep Festering’ erupts like a spray of arterial blood – pain, violence, animalistic vocals over bludgeoning riffs and mercilessly methodical drums. ‘Rot Beneath Our Floor’ follows with cataclysmic blasts, sluggish crawls through offal and deliberate, punching riffs – the different stages of slaughter and dissection delivered with a thrilling intensity. There’s no let up in this massacre, no islands of peace in the sea of carnage. ‘Watching Your Body Twitch’ delivers deep, deep grooves like hatchet wounds cut right to the bone, while the drum beats in ‘Resurrection’ fall with imperious, bone-breaking force. ‘Blunt Force Osteotomy’ leads us to the final exit – punishing to the last breath, to the last guttural exhortation of hate.
Nobody understands brutal death metal better than Floor Van Kuijk of Korpse, Sijjeel, Carnifloor and many more – and the Dutchman has mixed and mastered They Rot Beneath Our Floor at his GLDCHN Studios (Virulent Excision, Parasitic Infestation, Crimson Butchery etc). The results are gloriously repugnant - raw, bloody and pustulent beyond belief. Complete with suitably sickening artwork from Christian Castro, Engorgement’s new testament to mankind’s inhumanity will be unleashed by Comatose Music on March 20th. Your journey into the heart of darkness starts here…
Line-up:
Mitch Rider - Drums
Ricky Hill - Guitar
Stu Hine - Vocals
Richard Lynn – Bass/Backing Vocals
https://www.comatosemusic.com/
https://www.facebook.com/Engorgement
New Jersey-based, Melodic Death/Thrash Band, LEGIONARY, have released new album, NEVER-ENDING QUEST FOR PURPOSE. Music and merch below!
FFO: Kreator, Iced Earth, Into Eternity, Mutiny Within, Control Denied
Multi-instrumental, composer, and founder, Frank D'Erasmo had this to say about the album:
"This new album is a continuation of the path we took on our last EP, Prison Realm. For fans of that EP, this new album is in that style again, but on steroids! Things sound heavier, more epic, and more massive on this album. All of the same guys from the last release have returned, including vocalist Chris Clancy (As I Lay Dying, Invictus, Mutiny Within) and lead guitarist Tony Barhoum (Chaos Sanctuary, Condition Critical), but the big addition this time around was mix engineer, Mike Low. Things have never sounded this BIG on a Legionary release!"
Track
Listing:1. Sentenced to a Life of Chronic Guilt
2. If the Judges Became the Judged
3. Never-Ending Quest for Purpose
4. Controllers of Perception
5. Story Without Closure
Lineup:
Frank D’Erasmo: Rhythm Guitars, Drums, Bass
Tony Barhoum: Lead Guitars
Chris Clancy: Vocals
Guest Violin Solo on "Story Without Closure": Ben Karas
Engineer: Ben Karas
Mixed/Mastered by: Mike Low
All Music & Lyrics written by Frank D'Erasmo
Album art: Mark Cooper
Bio:
Legionary is a melodic death/thrash metal band, that originated in NYC, but now mostly operates out of New Jersey. Legionary once played live regularly, but is currently a one man band headed by mastermind Frank D'Erasmo (Drums/Rhythm Guitar). Frank uses the services of the best metal musicians he can find, and is currently dedicated to just doing studio projects at the moment. Legionary has several releases, mostly EPs, but now has two albums under its belt with this latest release!
https://www.facebook.com/Legionaryband/
Genre : Black MetalFor fans of: Emperor, Abigor, Immortal, Dark Funeral, Handful of Hate.
Labels : Masked Dead Records / Sulphur Music
Release date : March 28th 2025
Eleven years after their last album, the Turin-based ADVERSAM, a historical staple of the Italian Black Metal scene, returns with "Daimon".
Best known for their acclaimed 1999 debut "Animadverte" (Scarlet Records), ADVERSAM's force is all but spent: with "Daimon", the band confirms its ability to evolve a style rooted in classic Black Metal while constantly regenerating through modern and original insights.
The resulting sound is often suggestive in its expression, yet consistently fierce and visceral. Rhythmic speed remains the cornerstone of ADVERSAM's style, expertly balanced by atmospheric, gloomy synths and elevated by a meticulous technical attention to details.
Thematically, the lyrics of "Daimon" — inspired by the reflections of C.G. Jung and the intuitions of G. Rol — delve into the meaning of existence and the dark nature of humanity. The album questions the essence of evil and explores the vast potential of the mind and consciousness.
Premiering via Black Metal Promotion on 24/03 !
Sales Point:
A relevant name within the Italian Black Metal scene;
Their 1999 album "Animadverte" is an acclaimed one;
Classic Black Metal with modern and original insights;
Dramatic, suggestive, fierce and visceral;
Rhythmic speed balanced by atmospheric synths;
Technical attention to details;
Inspired by C.G. Jung and Gustavo Rol.
Line-Up:
Katharos - Voice
Asterion - Guitars
Tiorad - Guitars
The Cardinal - Bass
Essyllt - Synthesizers
Summum Algor - Drums
Artwork by Beatrixrain Art - IG: @beatrixrain.art
Recorded and mixed at Mkii Studio Recording, Turin, Italy
Drums recorded at Join This Order Studio, Turin, Italy
Mastering by Richard Corvinus at Corvin Studios, Glastonbury, UK
Lyrics written by Adversam, except “The Collapse Within” written by Helga Keturka
https://maskeddeadrecords.com/
https://www.facebook.com/adversam
Veripellot is a study of war, grief, and the dark sides of humanity. The themes rise from the band members’ personal experiences, collective traumas, and a shared interest in the events of their home region and its war history. The album is, on one hand, a memorial writing for fallen friends, and on the other, a glimpse into the horrors of the Finnish Civil War. On Veripellot, the rough thunder of war resounds — and at times an oppressive stillness.
Veripellot consists of nine distinct tracks. Musically, the album is a step forward for the band — groovier, yet straightforwardly uncompromising. Progressive elements have also been brought into the mix.
Listen to the album on music services : https://push.fm/fl/karelianwarcry-veripellot
Discography:
Demo '04 (2004)
Kylmä rautainen (Album, 2005)
Verinen taival, päättymätön tie (Album, 2010)
Minun aikani (Single, 2020)
Mielen rutto (Single, 2026)
Horisontit (Single, 2026)
Veripellot (2026)
Line-up:
A. O. Heiskanen - Drums
J. H. Järvinen - Vocals
J. T. Kousa - Guitars
S. P. Ukkonen - Bass
Tracklist01. Mielen rutto - FI3FC2553701
02. Joukkohauta - FI3FC2553702
03. Veripellot - FI3FC2553703
04. Horisontit - FI3FC2553704
05. Unholan tuntemattomat - FI3FC2553705
06. Vihasuru - FI3FC2553706
07. Lanka - FI3FC2553707
08. Tanne Ost - FI3FC2553708
09. Saattokellot - FI3FC2553709
Focus tracks: Tanne Ost, Mielen rutto, Horisontit
https://linktr.ee/Karelian_Warcry
Label: Awakening RecordsRelease date: march 20th 2026
Genre: Death Metal
For fans of: Paganizer| Putrevore | Vomitory | Torture Division
This was wrong…roles reversed, the world inversed. He was the night hunter, the self-appointed king of the darkness, the defiler and destroyer. Yet here he lay, bound and broken, while an entity even his warped and fractured sanity could not accept drew from him the screams he so loved to hear from others. Bleeding and begging for the end, he was a poor excuse for a monster after all.
“Even though we can be the worst monsters ourselves, there can always be, out there, something intangible and ethereal, ready to raise the limits of horror even more.”- Necrogore
After two blistering EPs of corpse-grinding extremity – 2023s Digging From Below and 2024s Ancestral Abhorrence – Italy’s deadliest death metal export, Necrogore, are ready to unleash their long-awaited full-length debut album. Featuring a nightmarish array of lyrical horrors and an army of glorious, flesh-hungry riffs, Ectoplasmic Rape Phenomena is formed from the very essence of classic death metal. This is the album that Necrogore fans have been hoping and praying to their twisted idols for – nothing less than total death metal annihilation!
After a suitably unnerving intro, a presage of the horror and darkness to come, Ectoplasmic Rape Phenomena erupts into violent life with the thick, snarling guitars of ‘Raptured, Tortured And Chained’. With its imperious, merciless vocal presence, feral ferocity and chaos unbound this is music that was spawned before the altars of the undead Swedish gods of death! From the lurching monstrosity of ‘Offered To The Dead’ to the wild violence of ‘Leeches On My Dick’ this is not a musical experience of countless nuances and subtleties. It does not leave you pondering its infinite lyrical and musical permutations – it simply tears you apart. Fires up that chainsaw guitar and rips you to shreds. As Sodom once famously proclaimed – the saw is the law! The rabid brutality of songs like ‘Mediumistic Intercession’, the blasting, battering, howling horror, is breathtaking…but these cacophonies of savagery are all layered upon a steel skeleton of accomplished song construction – there is method within this madness. Be it the Slayerized riffs of ‘One Foot In The Grave’, spiralling down into that final black hole, or the majestic malevolence and decay of ‘Sulphureal Morbid Corpse’, Necrogore have combined chilling atmosphere and sickening rot to forge classic death metal anthems imbued with a dark, addictive power. Concluding with a masterful interpretation of the theme from ‘The Texas Chainsaw Massacre 2’ by Jerry Lambert, feeding the original into a meatgrinder of distortion, Ectoplasmic Rape Phenomena is an album of absolute bestial magnificence!
With additional guitars from Gorement’s Patrick Fernlund on the haunting procession of ‘Sulphureal Morbid Corpse’ and some exquisitely horrific cover artwork from the revered Paolo Girardi (Revocation, Depravity, The Black Dahlia Murder etc), Ectoplasmic Rape Phenomena will be unleashed by Awakening Records on March 20th. Be prepared for a death metal assault beyond your wildest nightmares!
Line-up:
Lucas – Bass/Vocals
Alex – Guitar/Backing Vocals
Chris – Drums
Guest guitar on Sulphureal Morbid Corpse by Patrik Fernlund
https://www.facebook.com/AwakeningRecordsCN/
https://linktr.ee/necrogore
Melodic Black Metal from Italy : HERUKA: new preview unveiled from “LIVE IN ROME” – Peisithanatos out now .
Anticipation is building for “Live in Rome”: Heruka have just revealed a brand-new preview from their upcoming live album. The chosen track is “Peisithanatos”, originally featured on their latest studio release “Panacea”, a record entirely sung in Italian that further strengthened the band’s expressive power and distinctive identity.
“Live in Rome” captures the raw intensity and sonic impact of a one-hour celebratory set, recorded to mark the band’s 25th anniversary. The performance was conceived as a journey through their entire discography, featuring material spanning from their early beginnings to their most recent works.
Streaming: https://song.link/mn73p9qrgbnnb
Tracklist1. Intro
2. Zoryas - Emho’s Army
3. Amsarctra - Nekrom’s Rescue
4. Indarno
5. No Sun Dared Pass Our Windows
6. Takar - The Enigma
7. Peisithanatos
8. Chailosis - The Revelation
9. Spleen
10. Francis Bacon
11. Let No One Be Saved
12. Coisomo - Deception’s End
The album will be released on March 10, 2026 via Rude Awakening Records, in a limited vinyl edition and digital format across all major streaming platforms.
A must-have release for longtime fans and for anyone eager to experience the power and depth of one of Italy’s longest-standing and most consistent underground metal acts.
https://linktr.ee/herukaproject
https://linktr.ee/rudeawakeningrecords
DIATRIBES
– Dominating the Extreme Metal ApocalypseGenre: Extreme Metal / Modern Death Metal
Emerging from the extreme metal Brazilian underground, DIATRIBES is a ruthless and uncompromising force driven by sheer aggression, sonic violence, and modern extreme heaviness. The band has forged a brutal identity defined by crushing guitar work, relentless rhythmic assaults, and ferocious vocal intensity, positioning DIATRIBES as a commanding presence in today’s extreme metal scene.
DIATRIBES has completed the recording of its debut full-length album. The release delivers 13 devastating tracks of modern extreme metal, pushing intensity, darkness, and sonic weight to their limits. Every song reflects the band’s obsessive commitment to power, clarity, and professional-level production.
Designed for fans of extreme metal, death metal, modern death metal, and aggressive heavy music, DIATRIBES is entering an active album promotion campaign, positioning this release for maximum visibility within the international metal underground and beyond.
DIATRIBES is ready to unleash a release built for impact, confrontation, and lasting domination in the global metal scene.
Diatribes reveals “Hostility Within”, the first sonic assault from the highly anticipated album 'Degenerate' https://www.youtube.com/watch?v=fCc81cEYqvQ
https://orcd.co/brut89676
Symphonic
black metal project SUPERIOR RAGE has officially unveiled the music
video for "ASMODEUS BACCHIC", a standout track from
their EP IN MEMORIAM. The release marks a significant milestone:
the band's very first official music video, and a testament to their artistic
evolution and growing collaborative ambitions.What started as a raw rehearsal-studio recording in a "covid-style" video format has been transformed into a fully realized visual experience, produced by Volume Agency and made possible through a key partnership with WHD. The result is a striking, atmospheric piece that follows a mysterious masked character through a deeply personal inner journey, inviting viewers to lose themselves in the tension between chaos and introspection that defines Superior Rage's sound.
The making of In Memoriam saw the project expand its creative circle, bringing in session musicians who infused the record with a new sense of vitality and pulse, a marked departure from the colder, more minimal synth-driven textures of earlier releases. That same energy flows through "Asmodeus Bacchic," both sonically and visually.
About In Memoriam
In Memoriam is not merely a look backward — it is a definitive statement of renewal. The EP features re-recorded classics alongside two brand-new, previously unreleased tracks: "The Death of the Red Dragon" and "Soleright". Together, they deliver a focused, immersive experience that speaks equally to longtime followers of atmospheric black metal and curious newcomers discovering Superior Rage for the first time.
Stream "In Memoriam": https://music.imusician.pro/a/Ka8prwKe
About SUPERIOR RAGE
SUPERIOR RAGE began in 2006, delivering raw black metal with atmospheric, dark, and symphonic tones. The core lineup features Superior Rage (vocals, synths), Pagan Fury (guitars, synths), and Hyemens Kaiser Tszar (bass).
The first demo (2008) earned strong national reviews, followed by Through Infinity (2010), a mix of unreleased tracks and new material. Between 2010 and 2011, the project released several live recordings with temporary session musicians.
In 2011, SUPERIOR RAGE shifted toward symphonic black metal with III. Two Fire Eternal EPs followed, covering classic black metal songs—first in their original style, then in an ambient approach.
In 2012 the lineup expanded, producing new online recordings, additional covers, and a remake of “The Night of Rains.” The project paused in 2014, briefly resurfacing in 2017 with a new version of “Indecent Condition.”
SUPERIOR RAGE returned in 2022 with the single Boobs Explosions. This led to Anthology, a 2024 collection of re-recorded key tracks, including a new prog-influenced take on “Cuore Sincero.”
In 2025, the promo Back to the Crypt introduced two re-recorded tracks and a new song, “Soleright,” with four session members. The EP In Memoriam followed, adding a new version of “Asmodeus Bacchic” and the unreleased “Death of the Red Dragon.”
The current line-up features the core vision of Superior Rage (music, lyrics, synth & bass) alongside a powerful contingent of session musicians:
Baelithiel (vocals & lyrics)
Maikon (drums)
Nemorion (guitars on “Indecent Condition” and “Soleright”)
Hrafnagud (guitars on “The Night of Rains”, “Asmodeus Bacchic”, “The Death of the Red Dragon”)
Tracklist:
01. Indecent Condition
02. Asmodeus Bacchic
03. The Night of Rains
04. Soleright
05. The Death of the Red Dragon
superiorrageraw@gmail.com
www.youtube.com/@SuperiorRageRawchannel
www.facebook.com/rawsuperiorrage
Label: Apocalyptic WitchcraftRelease date: march 13th 2026
Genre: Black Metal/Crust Punk
For fans of: Venom | Exploited | Midnight | Extreme Noise Terror
We’re careering to the end now, pedal to the metal and picking up speed with every turn around the sun; humanity clambering over itself to reach the landfill of shit, bones and misery where it belongs. Some will weep their way to our mass, open grave, capturing their final pathetic moments on the cracked screens of the devices that have eaten their souls. And some will howl in the flames of destruction…drink, fight and bleed their way to oblivion. The end of days will be their best of days as they grind glass into society’s rotten face. Nihilistic and defiant, venomous and violent – no cause, no cares, no code of conduct – the streets belong to the satanic scum punks!
Four years on from their cranium crushing third album, Hammer The Bastards, Manchester’s feral kings of the underworld – Wolfbastard – have returned, armed with the turbo charged belligerence of new album Satanic Scum Punks! Opening track ‘It’s Fucking Dark’ begins with a strange, tarnished majesty before a riotous punk riff tears out its throat and a raucous cry of ‘Fuck Off!’ sends us hurtling into the darkness. There’s no respite, no acoustic interludes or moments of atmospheric reflection, just ultra-aggressive punk riffs with a jagged black metal blade concealed inside them. ‘Let The Bastards Burn’ leaves you in no doubt that Wolfbastard won’t just let the bastards burn, they’ll be starting the fire, adding any accelerant that comes to hand and kicking any escapees back into the flames. The ripping, addictive black mayhem of first single ‘Hail Satan Kurwa’ is a breathtaking rush of full force blast and ‘F.O.T.D.’ is the kind of song that would headbutt you for breathing. There is no weakening of the ice and dirt, fire and thunder assault as Satanic Scum Punks progresses; from the devil may care, feet first into the abyss adrenaline of ‘Drink For Hell’ to the body breaking ‘Manic Street Creatures’ this album just hits harder and harder. And finally it ends just where it began, with a spittle-flecked ‘fuck off’, before collapsing back into the gutter.
Now with the backing of a powerhouse new label, champions of the underground Apocalyptic Witchcraft, the filth, fury, malice and menace of Wolfbastard will be spread like a disfiguring plague. Satanic Scum Punks will be unleashed on March 13th and available on limited edition vinyl, digipak CD, Cassette and digital formats. Be ready for wanton destruction and drunken devastation – expect no mercy here.
Line-up:
Dez – Guitar/Vocals
Si Fox - Bass
Dave Buchan - Drums
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/dbeatblackmetal
DYING VICTIMS PRODUCTIONS is proud to present DEMON SPELL’S highly anticipated debut album, BLESSED BE THE DARK, on CD and vinyl LP formats.
After the cursed EP Evil Nights in 2024, the coven of DEMON SPELL returns, unleashing a vision of dark, occult heavy metal born from dust, bone, and shadow. Appropriately titled Blessed Be the Dark, the Italians’ debut album is a descent into ritual fire and ancient doom, where the echoes of the grave sing once more. This is music for disciples of the timeless art of darkness.
With Blessed Be the Dark, DEMON SPELL deepen their devotion to a shadowed form of heavy metal rooted in the classic tradition yet veiled in occult and arcane tones, all performance with a provocative theatrical presence. Wholly untouched by modernity, their sound draws from the primordial essence of early heavy metal; one can imagine the cutoff year at 1985, or perhaps earlier. The record presents a more mature and refined vision of the band’s sound as first displayed on the quick-hitting Evil Nights, here exploring darker, more occult atmospheres while also offering raw, energetic passages that bring moments of levity and drive.
Listening to DEMON SPELL in full-length form feels like entering an endless Sabbath, where past and present dissolve and the flame never dies. Blessed Be the Dark stands as a testament to heavy metal as ceremony—timeless, solemn, and possessed by the Spirit of the Night.
Line-up:Riccardo Liberti - Bass
Dario Casabona - Drums
Francesco Bauso - Guitars
Federico Fano - Vocals
From Catania, Italy
Artwork:
Francesco Bauso
Release date:
24th April
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Colored edition on beige vinyl, with insert, poster, sticker, post card and download code.
Special edition on cloudy blue/grey vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
Tracklist
1 As Lucifer smiles
2 Hexes and Horrors
3 Curse of the Undead
4 High on Sacrifice
5 The Tolling
6 Dive the Hellfire
7 Premonitions
8 Blessed be the Dark
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
For fans of: In The Woods..., early Katatonia, Anathema, Woods Of Desolation
“Memories in Fade” is now available for pre-orders here: https://pestrecords.bandcamp.com/album/urluk-memories-in-fade
“Memories in Fade” expands the band’s black-doom foundation with layers of ’90s alternative rock, ambient textures and neo-folk influences, creating a complex yet cohesive sonic narrative. Unlike conventional song structures, the album seeks a storytelling quality, where each track contributes to a broader, immersive experience while remaining grounded in the project’s artistic identity.
Throughout the album, clean vocals and intense screaming alternate, complementing a diverse palette of riffs that shift from melancholic and brooding to sharp and dynamic. The mood is consistently dark and enveloping, reflecting both personal introspection and the uncertainties of contemporary life. The result is a record that feels cinematic in scope, balancing heaviness and subtlety in equal measure.
Recorded with meticulous attention to atmosphere and texture, “Memories in Fade” represents URLUK’s ongoing exploration of emotional depth within extreme metal. The band continues to intertwine local identity, narrative sensibility, and musical experimentation, offering listeners a journey that is both intimate and expansive.
The first single “Angles of Hauntology” is now streaming here:Tracklist:
01. Angles of Hauntology
02. Lying There
03. Yesterday’s Letters
04. Liminal Vortices
05. The Last Watch
URLUK was formed in July 2020 in Lombardy, Italy. The band’s name refers to a nocturnal bird of prey native to the region, reflecting a strong connection to its territory, an element also expressed visually through booklet photographs taken by the members themselves. Their sound, defined as black doom melancholic metal, merges black metal and doom into a dark and melancholic sonic landscape.
The lineup has remained unchanged since the beginning: M. (screaming and clean vocals, drums; formerly in Black Oath 2006–2010) and U. (clean vocals, guitars, bass, and lyrics), ensuring a coherent and recognizable identity.
The debut EP, “Loss” (2022), released via Black Mass Prayer and later reissued by Depressive Illusion Records, explores the theme of loss as a condition of profound human vulnerability.
The first full-length album, “More” (2023), released by Remparts Productions, represents a natural evolution. Conceptually centered on melancholy as the enduring aftermath of loss, the album expands the band’s sound, from ’90s black metal and doom to ambient and subtle folk influences, while featuring guest contributions from Carlo Altobelli (Vision Deprived, Camposanto, ex-Moral Values), Giovanni (Mindful of Pripyat, Corporal Raid, Henoa), and Luxitan (ex-Gosforth).
Work on a new album began at the end of 2023. Conceived as a sonic journey through memory and dreamlike dimensions, the record blends ’90s alternative rock, ambient, hauntology, neo-folk, and black metal within a vision described as ALT B/L/A/C/K/. Recorded at Orion Recording Studios between 2025 and early 2026, and featuring Francesco Cucinotta (Felis Catus, Sinoath), the album marks a further step in the band’s ongoing artistic evolution.
https://www.facebook.com/pestrecords
https://www.facebook.com/metalordierec
https://www.facebook.com/urlukofficial
The video features guitarist Chris Ramusiewicz shredding through his parts on "Metempsychosis." Watch now at https://www.youtube.com/watch?v=G2tCWxwipQA
Vocalist John Leblanc comments on the song, which he calls the "core statement of the album."
It’s the track where everything shifts from what is happening to me to what is happening through me.
Metempsychosis is not a cute spiritual idea here. It’s a brutal, continuous process. The soul persists across lifetimes, but not in a sentimental way. It persists through reconstruction, through collapse, through the repeated loss of form. It’s endurance through transformation.
A key layer for me is this. Ideas move the way souls move. They don’t just appear. They transfer. They are inherited. They go dormant. They reawaken. They show up inside someone like a realization, but they may have been traveling through bloodlines, culture, trauma, resilience, and repetition for generations.
This is not passive. It’s evolutionary. Each cycle reshapes what it carries forward. The self is not a fixed object. It’s a changing vessel. The essential nature persists, but the expression changes, sometimes violently.
The chorus fragments because language breaks at the edge of this understanding. The more I try to explain it, the less accurate it becomes. What remains is recognition. Ego fades. Boundaries dissolve. Self becomes pattern. Awareness becomes primary.
This song means: I’m not the origin of who I am. I’m part of a continuum. My life is not a standalone story. It’s one iteration in a larger transmission.
Metempsychosis is due out April 3. Pre-order the album at https://gravebornma.bandcamp.com/album/metempsychosis
Tracklist:1) Embers of Existence
2) The Archaea Paradox
3) Temporal Sands
4) Idols of Bone
5) Paralogs
6) Metempsychosis
7) River of the Eternal Mind
8) Epistatic Drift
9) Legacy of Light
10) The Maw of Recursion
11) Orthologs
In the five years since the release of 2021's Transmigrator, GRAVEBORN has been meticulously crafting their newest magnum opus - an 11-track concept album about continuity in the face of collapse.
Throughout the course of Metempsychosis, GRAVEBORN challenges themselves and the listener to stare into an internal and external abyss. Moving from inner psychological fracture to societal and species-wide decline, the album rejects narratives of tragedy or triumph, treating destruction as a necessary mechanism of transmission. Metempsychosis asks one question and refuses to soften the answer- what remains when everything else is gone?
Line-Up:
Reggie Lewis - Bass
Jesse Blanchette - Guitars
Chris Ramusiewicz - Guitars
John LeBlanc - Vocals
Marc Brennan - Drums
Bio:
Formed in 2013 in Boston, MA, Graveborn serves up an ethereally heavy strain of progressive death metal. Over the last decade, they have released 4 albums (Samsara (2014), Seeds Of Life (2016), The Athenaeum (2018) and Transmigrator (2021)) and performed throughout the Northeast US with the likes of Fallujah, Rivers of Nihil, Cognitive, Ghost Bath, Ov Sulfur, and others. Graveborn weaves the themes of self-evolution and introspection through their lyrics, and embodies this ethos in their collaborations.
After over 5 years since their last album, Transmigrator, Graveborn returns with their 5th full length album, Metempsychosis, set to release on April 3, 2026. Combining the odd-time aggression and dissonant ferocity of bands like Car Bomb, The Tony Danza Tapdance Extravaganza, and Ion Dissonance with the ethereal melodicism and riff worship of bands like Fallujah, Rivers of Nihil, and Kardashev, Graveborn stand apart from the crowd.
www.facebook.com/gravebornma
Stream the title track and lead single, "BOILED AT BIRTH" at https://protrusion.bandcamp.com/
Extremely Rotten Productions and Unholy Domain will release the vinyl edition of The Last Suppuration this spring. The album will be out March 13 on cassette via Unholy Domain (Europe) and Iron Fortress Records (North America) and CD through Sevared Records. US fans can order the cassette from Iron Fortress Records.
The band will release the album digitally at https://protrusion.bandcamp.com/
Tracklist:1) Confined to Anguish
2) Accursed Skin
3) Exhumer’s Romance
4) Morbid Mortality
5) Boiled at Birth
6) Slugs of Decadence
7) Scorned Vengeance
8) Sacrament
9) The Last Suppuration
10) Anthropophilic Anomaly
Album artwork by Jon Zig.
Bio:
PROTRUSION are a death metal band from Lafayette, Indiana consisting of former and current members of underground acts such as Gorgasm, Sarcophagy, Human Filleted and Found Hanging. Inspired by classic Morrisound death metal recordings and other underground favorites of the early 90s, PROTRUSION have harvested a sound both new and familiar to fans of the more archaic and cryptic characteristics of early death metal.
In March 2023, PROTRUSION released a three track self-titled demo that was met with positive reception. They then went on to unleash carnage upon the attendees of many shows and festivals, including those such as the final Chicago Domination Fest in 2023 and Slam Dakota Death Fest in 2025. On January 20th, 2026 PROTRUSION announced the release details for their upcoming debut album titled: The Last Suppuration, and is set to be released on March 13th, 2026. The time of suppuration is upon us.
PROTRUSION is:
Colin Foster - Guitar / Vocals
Kyle Christman - Guitar
John Elston - Bass
Kevin Baum - Drums
https://extremelyrottenprod.com/
https://www.facebook.com/Protrusiondeath/
HORRIFIC VISIONS – “REMNANTS OF ATROPHY”
Label: Comatose MusicRelease date: may 22nd 2026
Genre: Brutal Death Metal
For fans of: Bludgeoned | Stabbing | Brodequin | Disgorge
Grey skies and black earth, a pallor of sickness hanging over a rotten world. The wasted remains of civilisation, of mankind’s dreams and ambitions, lie mouldering beneath a cold sludge of ash and decay. New forms of warped, suppurating life squirm in entangled, mindless masses; nothing but pustulent worms driven by hunger, aggression and lust. Evolution has stumbled and fallen, never to rise again. The future is the present – this diseased sea of parasitic consumption and death…the repugnant remnants of life’s atrophy.
Twelve years on from their initial spawning in Texas’ ever-fertile breeding grounds of brutality, Horrific Visions are finally set to unleash their full-length debut album of shocking violence and colossal carnage. After two decimating EPs - Enlightenment Through Excruciating Torture (2022) and Monopoly On Violence (2024) - the time has come to stare into the dead eyes of Remnants Of Atrophy!
The album opens with the disorientating, spinning riffs of ‘Malnutrition’, inspiring visions of skin stretched across protruding bone to the point of tearing. Fired by depravation and desperation this track collapses into nerve-grating sounds, before reforming into a shape of pure evil; a huge riff of monstrous heaviness, inhuman vehemence and bone grinding malice. From this point there is no way back. Through the terrifying focus and precision of ‘Deranged Perversion’ to the aptly entitled and utterly barbaric ‘Primal Regression’, on to the reanimated, unhinged and unstoppable ‘Enlightenment Through Excruciating Torture’…God alone knows what clarity of vision awaits anyone subjected to this process of torment and rabid dismemberment…with the final, deftly executed process of extermination being applied by the album’s title track – ‘Remnants Of Atrophy’ – a sonic atrocity invoked by hellish vocals, a rhythm section as tight as a torniquet and guitars conjuring riffs like vengeful djinn. This debut album from Horrific Visions is a gift to the demented and the black of heart – one that has been well worth the wait.
Mixed and mastered by guitarist Mason Vickers at Rocker House Studios, Remnants Of Atrophy possesses a blistering intensity and a raw, serrated edge; it sounds like a deadly weapon, wielded with vicious intent. The final nightmarish touch has been applied by infamous artist John Zig (Aborted Fetus, Deeds Of Flesh, Defeated Sanity etc), enfolding this barrage of brutal death metal in a shroud of bleak, unnerving imagery. Remnants Of Atrophy will be released by Comatose Music on May 22nd…indiscriminate bloodshed and mass destruction await!
Line-up:
Rene Martinez – Drums
Chris Rossmeier - Guitar
Mason Vickers - Guitar
Cody Hancock - Bass
Conrad Heinemeyer - Vocals
https://www.comatosemusic.com/
https://www.facebook.com/hvsabd/
Milwaukee (WI) - A new Blackened Death Metal entity has formed. Featuring veterans of the Milwaukee metal scene, RELIC is set to release debut EP, CROWN OF FLIES, April 3 on CD and digital formats.
FFO: Belphegor, Sanguisuabogg, 200 Stab Wounds, Diocletian, Behemoth, Angelcorpse, Devourment, Dead Congregation, Immolation
The EP's first single, "SCAVENGERS DAUGHTER," is streaming now at https://www.youtube.com/watch?v=JHYByItCdFE, as well as on https://relicdm.bandcamp.com/track/scavengers-daughter
Delivering Death Metal's dissonant punishing riffage with Black Metal's relentless chaotic speed. RELIC builds a new monument on the foundation of those that came before. Comprised of seasoned Milwaukee metal scene veterans with a history of making tight and focused music. Their debut EP, Crown Of Flies, is a blistering slab of Midwest 90s Blackend Death Metal worship. Delivered with malintent for its listeners. No frills, no scene drama, or gimmicks used by so many bands today. Pure underground Death Metal that is in your face and out for blood.
RELIC
is:Kevin Forsythe (Jungle Rot, Emblazoned) – Guitar / Bass
Jeff Plewa (Micawber, Emblazoned) – Vocals
Alex “Pulverizer” Pulvermacher (Decrescent, Emblazoned) – Drums
Vinny Alvarez (A Night At The Chalet, Slam Pig) - Guitar
Pre-order: https://relicdm.bandcamp.com/album/crown-of-flies
Track Listing:
1. The Void Between Gods
2. Filth Of Rebirth
3. Scavengers Daughter
4. Iron Sactament
Credits:
Recorded at Belle City Sound in Racine WI, November 2025.
Produced by Chris Wisco.
Mixed and Mastered by Billy Diamond.
Album Cover: Sant V. Schreiber
Logo Design by Christophe Szpajde
https://www.facebook.com/RELICDM
One
month left until the release of "MALEDICTI IN AETERNVM",
just a few hours to the presentation of the first single (out March 5th), and DEATH
DIES welcome as their new bass player Wally Ache, well-known and
talented musician in the Italian metal scene.Here's what he said:
"What ties me to this band is mainly that I've been a fan of their music since their first cry, and then I had the opportunity to share the stage with Demian and Samael in the MATER A CLIVIS IMPERAT ensemble, of which I'm still a member. I bring a solid, dark and incisive fretless bass to the project, with my usual attention to dynamics.
Death dies, fretless remains!".
His debut took place at the Italian Metal Alliance, a festival in Cremona, where DEATH DIES performed some tracks from "Maledicti In Aeternvm" too.
The album promises to be the purest essence of Black Metal, where light and hope have no home. This is DEATH DIES, this is "Maledicti In Aeternvm", a journey into the darkest depths of Black Metal.
"Maledicti In Aeternvm", out on April 3rd, is now available to pre-order in LP, digipakCD and Deluxe Edition from the following: https://t.ly/O-Q7U
https://linktr.ee/mykingdommusic
https://www.facebook.com/DeathDiesLegione
Wormholedeath
Records welcomes ZORNHAU for the release of the project’s self-titled
debut album, a single, uninterrupted work built as a passage through darkness
and inner fire.Conceived as one continuous movement, Zornhau rejects fragmentation. The album unfolds without pause, drawing the listener into a sustained descent that demands focus and endurance. It is not a collection of tracks, but a complete ritual. Each movement dissolves into the next, collapsing boundaries and summoning a stark, primal atmosphere.
Zornhau is the vision of Hvitramn, who handles all instruments and vocals. The project centers on immersion and transformation rather than narrative structure. The music moves with intent, guided by atmosphere and tension. It invites presence. And it requires submission. This is a voyage inward.
With its signing to Wormholedeath, Zornhau steps into a wider international arena while maintaining a clear artistic direction. The debut stands as a statement of identity — uncompromising, cohesive, and fully committed to its form.
Tracklist:
I
II
III
IV
V
VI
VII
VIII
Pre-save "Zornhau": https://orcd.co/zornhau
www.youtube.com/@Zornhau-o4b
https://zornhau1.bandcamp.com/album/zornhau
AVERTAT
– “DEAD END LIFE “Genre : Death Doom Metal
Release dates: Digital - April 24thh, 2026 / CD - May 29th, 2026
When Sebastian Görlach parted ways with DÉCEMBRE NOIR in the spring of 2024, the decision did not mark the end of his musical journey. Instead, it opened the space he needed for a creative new beginning – or rather, a return to the very essence of what had always drawn him to metal. With AVERTAT, the musician from Thuringia reconnects with his roots and the holistic songwriting approach that defined DÉCEMBRE NOIR.
While parallels to DÉCEMBRE NOIR are unmistakable, AVERTAT offers a distinctly different perspective on death‑doom. A key factor is the involvement of vocalist Enrico Langguth, who did not come from a metal background, even though his performance on “Dead End Life” suggests otherwise. His expressive, emotionally charged delivery adds a fresh dimension to the genre, while Sebastian Görlach contributes the deep growls, creating a dynamic interplay that amplifies the album’s emotional weight
https://www.facebook.com/profile.php?id=61583501705970
WHIRLWIND was originally conceived as a studio-project by Mark Wild, from Körgull The Exterminator among other extreme metal bands, to satisfy his will to make a classic heavy metal album, a style that changed his life during his childhood – influenced mostly by ‘80s German metal bands like early Running Wild, early Helloween, Accept, Heaven’s Gate, Gravestone, Tyrant, Grave Digger, Steeler, and Stormwitch among others, but also all kinds of classic heavy metal like Mercyful Fate, Manowar, Iron Maiden, and Judas Priest.
In 2022, WHIRLWIND released their debut album, 1714, marking the band’s beginning. WHIRLWIND also established a live lineup to bring their songs to life onstage, with musicians from other known bands, like Redshark, joining as permanent members of the band. The album immediately generated a big buzz in the underground scene and led them to perform at some of the best-known festivals in Spain like Pounding Metal Fest and Skulls of Metal, alongside such bands as Visigoth, Attic, Omen, Tentation, Mindless Sinner, Witchtower, IRON CURTAIN, and Phantom Spell.
Now arrives WHIRLWIND’s second album, 1640. Like its predecessor, the album is focused on historical and epic episodes of their homeland; specifically, this album revolves around the Thirty Years War that took place around Europe and the inner conflicts within Spain. Musically, WHIRLWIND deliver a masterclass in cruising, classy Teutonic metal, running from more traditional-minded mid-tempo stompers to surging, up-tempo gallops of glory. Riff and lead form a lethal tandem, balancing both energy and color, while the rhythm section stays locked in no matter the dynamic. The production, too, of 1640 honors the mid ‘80s with authenticity – underground in spirit, Big League in execution. All told, the album is true heavy metal for true heavy metal people: no more, but definitely no less. By the blood in their veins, WHIRLWIND are marching to victory, ready to explode.
Line-up:Jordi Julió - Drums
Artur Julió - Guitars (lead)
Héctor Llauradó - Vocals
Mark Wild - Guitars (rhythm)
Philip Graves - Bass
From Barcelona, Spain
Release date:
24th April
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Colored edition on red vinyl, with insert, poster, sticker, post card and download code.
Special edition on cloudy red/grey vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
Tracklist
1 Intro - 1640
2 Days of Doom
3 Rage of the Conqueror
4 Winds of Ash and Dust
5 Lese Majesty - Corpus de Sang
6 Through Fire and Blood
7 Ready to Explode
8 By The Blood In Our Veins
9 Marching to Victory
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Label: Comatose MusicRelease date: march 6th 2026
Genre: Brutal Death Metal
For fans of: Brodequin | Deeds Of Flesh | Enmity | Liturgy
Rising through the countless layers of the inferno, through an eternity of screams and tears, pleas and regret, he brings his message from the unfathomable depths of darkness and flame. Such is his form, his dark abyssal presence, that sanity crumbles beneath the gaze of his multitudinous eyes…and his words of desolation turn flesh to liquid. The abject creatures that have gathered to receive his malediction cower in awe, before falling from madness to destruction. Worshippers become sacrifices as the forgotten king delivers his sermon to the lambs…
A new entity from the depths of the death metal underground has emerged, a baleful presence stepping forth from the shadows to deliver judgement without mercy. Hailing from Chile, Sermon To The Lambs are set to unleash the soul-shaking savagery of their debut, self titled album. Opening with ‘Crowned King Of Worms’, guitars rise around you like a cloud of venomous winged insects while a voice of undead malevolence roars from the heart of the swarm. Masterfully entwining slow, hypnotic passages that dance with a sinuous, serpentine wickedness and explosions of rabid speed and fury, Sermon To The Lambs begin to disassemble your reality. The eponymous title track follows with imperious power and subjugating force - it hits hard with an iron fist, threatening to separate skin from flesh and flesh from bone - and that tangible sense of unquestionable domination permeates the whole of this formidably impressive first album. From ‘Maximum Apostasy’, which beguiles with an atmosphere of dust and sacrilege before bringing forth absolute annihilation that sets the blood on fire, to ‘Flagrum Taxillatum’, a spiralling descent into the depths of perdition, this album just gets stronger and stronger as it progresses; more vivid, inventive and excruciating in its torments. The final two tracks – ‘God Spat And The Man Was Done’ and ‘Clergy’s Malevolence’, both colossal outpourings of death, appear as twin-headed devils, reprised as bonus tracks featuring guest vocals from Jeff Page of Manifestations. Sermon To The Lambs is magnificently unforgiving, an eruption of crawling horrors from a tortured, broken earth.
Sermon To The Lambs’ first offering of blasphemic brutality will be brought into the light on March 6th by the masters of malignancy and pain, Comatose Music. Given teeth and claws by the skilled mixing and mastering of the band’s own Victor Araneda, who has also worked with the likes of In Asymmetry, First Degree Murder and Supreme Banishment, Sermon To The Lambs sounds vicious and uncontrollable. Adorned in the stunning artwork of Par Olofsson (Winds Of Plague, Unleashed, Thy Art Is Murder) this album is set to leave its indelible mark, a suppurating wound, on the global death metal scene.
Line-up:
Richard Aguayo - Vocals
Mauro M. - Guitar/Bass
Victor Araneda - Drums
https://www.comatosemusic.com/
https://www.facebook.com/Sermontothelambs
VILE DESOLATION – “ANNIHILATING THE CONSCIOUSNESS”
Label: Comatose MusicRelease date: may 8th 2026
Genre: Brutal Death Metal
For fans of: Suffocation | Anthropophagus Depravity | Beheaded | Molested Divinity
All I have known, all I have done, seen, given, taken, loved and destroyed, all that I am…begins to crumble into dust. My mind drifts like smoke on the evening air, a twilight ghost escaping into the void and leaving me a fractured, empty shell. I am wiped clean, alone and untethered in a cold, uncaring darkness. And then they find me, sensing a vacant vessel. I am defenceless as the nightmares pour into the abandoned rooms within the palace of my skull. I have become a playground for the impious spirits of seething chaos who feed upon my fear. I am nothing but desperate, endless terror.
From the ever-fertile spawning grounds of East Java, Indonesia comes another monstrous entry into the annals of brutal death metal – Vile Desolation! Drawing on their extensive experience in an array of bands from the Indonesian scene, the members of Vile Desolation have created a debut album of titanic, shocking power. Annihilating The Consciousness is brutal death metal at its absolute, horrifying best – and Vile Desolation are already apex predators of this most extreme musical landscape.
Opening with the bruising, bludgeoning force of ‘Veiled In Obscurity’, a grotesque amalgam of shuddering hammer blows, white hot blasts, discordant tones and an atmosphere of evil, Annihilating The Consciousness erupts with unbelievable intensity and never steps back from the brink of wild, untamed chaos beyond reason and morality. From the wicked technicality and lightless crevasses of pestilential bass rumblings of ‘Whispers Through The Shadowed Gates’ to the dimension of pain haunted by otherworldly entities and incomprehensible violence that is ‘Labyrinth Of Torment’, Annihilating The Consciousness delivers with fearsome dexterity and shattering impact. A magnificent trilogy of insanity lurks at the album’s heart – ‘Dementia’s Embrace’, ‘Eyes Of Madness’ and ‘Eternal Lunacy’ – which serve up complexity and carnage in a compelling and consuming fashion. The guitars carve intricate patterns into your defenceless flesh while the vocals are a heart-shaking subterranean roar as the confusion and desperation of the decaying mind are brought to unnerving life. There is simply no weak point on this devastating debut from Vile Desolation. These songs are not random acts of violence; they are carefully planned, vividly imagined and meticulously executed. After the shattering conclusion of ‘Sanctified In Ashes’ you’ll understand that you have experienced one of the best brutal death metal albums that 2026 will have to offer.
Mixed and mastered at Endless Gruesome Studio and bedecked in the bleak artwork of Timbul Cahyono (Monstrosity, Terrorizer, Witchburner etc) Annihilating The Consciousness will march forth under the bloodstained banner of Comatose Music on May 8th. Kiss goodbye to your sanity; Vile Desolation are coming and madness follows in their wake.
Line-up:
Yudha - Vocals
Hendika - Guitar/Bass
Rama – Drums
https://www.comatosemusic.com/
https://www.facebook.com/viledesolation/
Hailing from Gießen, Germany’s LYNX formed in 2020 and promptly released their first single, Grey Man, on 7” vinyl that same year. The following year, the band released their debut album, Watcher of Skies, on the well-regarded No Remorse Records. The record received due acclaim for its modern recasting of ‘70s hard rock in the orbit of Thin Lizzy, Deep Purple, and Blue Öyster Cult.
Of especial note was the addition of Amy Zine in 2022 as vocalist and synth player, expanding LYNX to a quintet. In 2025, original vocalist & guitarist Marvin Kiefer left the band, and one Janni (Eyemaster, ex-Speedbreaker) joined as vocalist & guitarist. In November of that year, the band entered Fat & Holy Studio to record their second full-length.
Recorded live, Trinity of Suns is the “now” sound of LYNX – and one that’s still authentically, powerfully old. That addition of Zine has proven fruitful, for she takes on the majority of the vocals across the album, giving the record a tender-yet-tough touch that deepens the quintet’s already estimable dynamics. To that, LYNX focused on expanding their strengths – longer tracks, more varied songwriting, and nuanced arrangements – rendering Trinity of Suns a kaleidoscopic song cycle steeped in the ‘70s. For sure, they can still rock as hard as anyone, but with increasingly deft pacing – both in when to pull back (and push forward) as well more-emphatic folk embellishments – the moody emotion that’s been simmering in the LYNX sound all along truly takes flight. The shift from Marvin to Amy, coupled with the decision to record live, gives Trinity of Suns a remarkably fresh touch.
LYNX draw from a deep well – the golden era of rock and metal to early proto-metal acts, progressive rock legends such as Genesis and Pink Floyd to early blues- and folk-infused hard rock – and what they bring up is veritable gold. Bask in the glow of Trinity of Suns!
Line-up:Amy Zine – Vocals, Synthesizer
Tim Künz – Guitar, Synthesizer
Ioannis Athanasiadis – Guitar
Phil Helm – Bass
Franz Fesel - Drums
From Gießen, Germany
Artwork:
Lena Richter
Release date:
24th April
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Colored edition on opaque orange vinyl, with insert, poster, sticker, post card and download code.
Special edition on light-blue & yellow galaxy vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
Tracklist
1 Voyager
2 Oppressive Season
3 Trinity of Suns
4 Parhelia_Interlude
5 Stranger Sign In The Sky
6 Seven Days of Darkness
7 Island Universe
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Musically, Aschen offers a harrowing exploration of dynamic tension. While the DNA of black metal remains clear, the band naturally weaves through diverse styles, characterized by constant rhythmic shifts, moving seamlessly from suffocating doom-laden passages to relentless blast beats, devastating riffage, harmonizing raw aggression with haunting, melodic textures and emotional depth, evoking a spectrum of intensity that transcends the typical "grim" tropes of the genre. Lyrically, Aschen carves its own path. While the band utilizes English, they also pay homage to their heritage by singing in Basque, their ancestral mother tongue. Breaking away from traditional satanic or pagan themes, the band’s narrative explores the human psyche’s inability to confront its own internal fractures. Their poetry reflects how this individual downfall resonates through a decaying society and a suffering natural world. The album artwork, created by Mikel Telletxea, visually reflects this concept. An endless labyrinth shaped like overlapping fingerprints floats between the macrocosm and the microcosm. It represents a search without a clear exit: inward, outward, and always unresolved.
Formed in 2022 by Mikel Telletxea (vocals, guitar, programming), Aschen originally began as a collaboration with bassist Igor Valle. Following the underground success of their self-titled 2023 demo, the lineup evolved with the addition of Atauzz (Korkut, Kurkuma, 2Sonte) on bass.
This partnership solidified the band’s vision, leading them to Atala Studios in Spain (Infest, Willis Drummond) in August 2025 to record their debut full-length. To ensure a world-class sonic assault, the album was mastered by the legendary Toni Lindgren at Fascination Street Studios in Sweden—the sonic architect behind heavyweights like Dimmu Borgir, Katatonia, and Kreator.
Tracklist01-Sasi Santuaren Amiltzea
02-From the Depths of Decay
03-Azken Arbolak
04-Buried Name
05-Black Hounds of Justice
06-The Never Ending Search
07-The Forsaken Redeemer
08-The Last Glow
09-Amal
www.youtube.com/@aschenband
www.facebook.com/people/Aschen/61556623060502
A
cry of pain rises from CHALICE OF SUFFERING'S album "THE
RAVEN CRIES ONE LAST TIME". It is the first track from the album, "Fading
Memories", a song that explores the depths of human despair through their
Funeral Doom Metal!Listen to it on YouTube at : https://youtu.be/8qSrrESdiTI
With it CHALICE OF SUFFERING introduces us into a world of depression, sadness and grief, into a very atmospheric, emotional and at the same time extreme universe full of pain, but painted with tinges totally rich in melancholy and despair. They convey emotions of loss rather than just heaviness, to crafting a deeply intense and bleak musical experience that explores the depths of human desperation through their distinctive Funeral Doom Metal sound with Death vibes incorporating instruments like bagpipes, flutes and keyboards and employing a mix of deep death growls and grim spoken word passages.
"The Raven Cries One Last Time" with the amazing artwork realized by the talented artist and graphic designer Gogo Melone (www.gogomelone.com), will be released next March 20th, 2026 on My Kingdom Music and it is absolutely ready to aim high for the genre throne in terms of intensity, personality and emotion.
Let suffering become your only friend.
Pre-Order at : https://t.ly/yjV6x
https://www.facebook.com/ChaliceOfSuffering
Jetzt wird es enge! So ganz langsam neigt sich
unser Vorrat an unserer aktuellen „Klolektüre „dem Ende zu. Wer es bisher noch
nicht gecheckt hat, dass wir schon wieder mit neuem „geistig anspruchsvollem
„Material aus dem metallischen Underground am Start sind, sollte sich langsam
mal ranhalten, um sich eins der letzten Heftchen noch „an Land zu ziehen“ . Bestellungen bitte nur an fatalunderground_leo@freenet.de
FATAL UNDERGROUND FANZINE NR.60
A5
107 Seiten
s./w. kopiert
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Interviews :
SCHATTENLEGION MAGAZIN
DEPRESSION
ARCHAIC THORN
HEREZA
FALSE MUTATION
ASHTAR
+ Scene Made Interviews
+ Best of the ground
+ Jede Menge Lesestoff
+ Von Metalfan zu Metalfan
+ Live Berichte
+ Terror aus dem Underground
+ Der Ultimative Lauschangriff
+ Metallisches aus ostdeutschen Jugendzeiten Part 4
!!!SUPPORT THE REAL UNDERGROUND!!!
HELLYSH - „HEXENKÄSSEL“
Noch mehr aktuelle Infos rund um den Globus findet ihr unter : https://www.facebook.com/mario.klein.961/ https://www.facebook.com/Undergroundfanzine/
The official video for the album's first single, "Witness Marks," is available at: https://www.youtube.com/watch?v=LOhAHuT2zE8
Four LPs deep and a slew of EPs behind them, COGNIZANCE show no signs of restraining the pace of unrelenting inventive riffs and razor-sharp grooves. In Light, No Shape is a masterful Progressive Death Metal opus, rich in texture and atmospheric detail, delivering everything long-time listeners crave while channeling the mid-90s technical extremity of Death, Extol, and Meshuggah. This time, the band deliberately fractures the conventions of modern extreme production, opting instead for a more organic and visceral mix that sharpens the defining traits of their work.
In Light, No Shape marks the first lineup shift in a decade, as the band sharpen from a quintet to a quartet with founding guitarist Alex Baillie stepping forward as vocalist while retaining guitar duties, following the 2023 departure of founding vocalist Henry “Big Mac” Pryce.
“This record is a defining milestone for us. Taking on vocals has pushed us to re-engineer how we experiment with the blend of elements in our sound, unlocking new creative pathways to compliment the core identity of the band. What you will hear are four dudes all adding their flavours to the melting pot to create a body of work that felt completely natural to us.”- Alex Baillie (Vocals/Guitar)
Pre-order:
https://bit.ly/inlightnoshape-willowtip
https://cognizance.bandcamp.com/album/in-light-no-shape
Track
Listing:1. Transient Fixations
2. Inflection Chants
3. A Game of Proliferation
4. Chasm
5. Vertical Illusion
6. A Reconfiguration
7. Witness Marks
8. Subterranean Incantation
9. Induced Contortions
10. The Zone
Credits:
Mix and Master by Ronnie Björnström (AEON, BLOOD RED THRONE).
Artwork by Jef Whitehead (NAILS, LEVIATHAN).
Produced by Alex Baillie and Apostolis Karydis.
Photography by Nadine Geuter.
Line-up:
Alex Baillie - Guitar/Vocals
Apostolis Karydis - Guitar
Chris Binns - Bass
David Diepold - Drums
https://www.facebook.com/willowtip
https://www.facebook.com/cognizanceband
Label: Xtreem MusicRelease date: april 30th 2026
Genre: Death Metal
For fans of: Bolt Thrower | Morbid Angel | Asphyx | Sulphur Aeon
“Neither age nor submersion has corroded the pristine grandeur of this awful fane—for fane indeed it must be—and today after thousands of years it rests untarnished and inviolate in the endless night and silence of an ocean chasm.”-The Temple – H.P. Lovecraft
Titanic Russian death metal force, Grond, have returned and are ready, once again, to take us down to the depths of the ocean, beyond the reach of light. An ambitious and imaginative concept album entwining the story of decorated First World War German U-boat commander, Otto Eduard Weddigen, with H.P. Lovecraft’s chilling tale of subaquatic madness from which the album takes its name, The Temple is a heavyweight masterpiece of atmosphere and devastating death metal. It’s been ten long years since the last Grond album, Worship The Kraken’, with only the 2019 split release with Graceless – Endless Spiral Of Terror – to break the silence of a decade; but The Temple has been more than worth the wait and will have fans welcoming the band home like the proverbial prodigal sons.
‘Rotten Himmel’ begins the process of submersion, immediately drawing the listener into the darkness beneath the waves and introducing the superb lead guitar work which plays such a pivotal role throughout the album to come. From this opening sequence Grond’s grip upon us is unbreakable and there is no turning back, no escape until the final desolate tones of ‘Dark Solitude Of The Sea’. Everything about this album feels huge – from the towering riffs to the earthshaking drums and the bass infused with the weight of worlds. And then there is the colossal voice of founder member, Kist; each reverberating roar seeming to emit from the throat of an ancient monstrosity of staggering scale. Between the gargantuan vocal exhortations and the intimidating riffs the lead guitar works its magic, conjuring claustrophobic horror in ‘Pour Le Merite’, bringing a haunting madness to ‘U29’ with its strange, liquid melodies and screaming through the smoke and fire of ‘Dreadnought’… The Temple just gets better and better as it progresses, with ‘Radiant Fury’ bringing you to your knees before the power of ancient gods, helpless before their grotesque majesty, as elemental, vertiginous chaos resolves into irresistible, utterly satisfying riffs and chord sequences. Title track, ‘The Temple’, is a sanity destroying, lurching monstrosity – both regal and shockingly violent – while ‘Dark Solitude Of The Sea’ is a superb conclusion, bringing together all the dark secrets, howling madness, desperation and death that has come before in great, seething riffs, enticing melodies and an atmosphere to drown in…
Xtreem Music will release The Temple on April 30th, on CD and digital formats, featuring stunning artwork created by Daemorph (Aborted Fetus, Avulsed, Holycide etc). Follow Grond into the black, to discover the unseen mysteries that lie in the stygian gloom of the ocean floor.
Line-up:
Void - Guitar
Kist - Vocals
Sarghas - Bass
Kadath - Drums
https://www.xtreemmusic.com/
https://www.facebook.com/grondrus
Australian death/thrash unit IN MALICE'S WAKE have shared the first single off their long-awaited fifth studio album, THE PROFOUND DARKNESS.
For fans of : Slayer, Goatwhore, Testament, Morbid Angel, Vital Remains, Angelcorpse, and ABSU.
Watch the official music video for "Numb to Paradise" at https://www.youtube.com/watch?v=XV0B5IFruSI
The Profound Darkness is due out on May 1. Pre-order the album at www.inmaliceswake.com
Where previous albums have all progressively stepped downward into darker and more brutal territory over the years, The Profound Darkness conjures a demonic presence that feels closer than ever before. This album is an exploration of the darkness that awaits us all beyond the grave - a journey through the various forms that the great unknown may take, told through a collection of 9 carefully crafted stories.
An infernal blend of Death and Blackened Thrash metal, IN MALICE'S WAKE continue to prioritize crafting songs that stand the test of time - songs that speak with a haunting, iconic and truly recognizable voice.
IN MALICE'S WAKE calls the album a tribute to all the incredible people who have supported the band globally over the previous quarter of a century.
Tracklisting:
1) The Profound Darkness
2) Beyond Death
3) By Tongues of Demons
4) The Last Song
5) Numb to Paradise
6) Upon My Flesh
7) The Great Purifier
8) Away from the Light
9) The Darkness Below Us
The Profound Darkness was mixed by Chris Themelco at Monolith Studio in Melbourne, Australia and mastered by Plec Johansson at Panic Room Mastering. Artwork by Shaun Farrugia of IN MALICE'S WAKE.
Line-up:
Mark Farrugia - Drums
Shaun Farrugia - Vocals, Guitars
Karl Watterson - Bass
Leigh Bartley – Guitars
Bio:
IN MALICE'S WAKE are the unholy crossing of Death Metal, Thrash Metal and total darkness. Over two decades of savagery across countless stages and five studio albums have honed the band into the force it is today. Combining timeless songwriting with an infamously violent live show, IN MALICE'S WAKE have left a true impression throughout Australia and overseas.
IN MALICE'S WAKE have supported many of the greats, including TRIUMPH OF DEATH (CHE), POSSESSED (USA), BLOODBATH (SWE), DESTRUCTION (GER) and countless others. The haunting melodies and iconic songwriting are most present in the latest demonic opus - The Profound Darkness.
With release of this album, IN MALICE'S WAKE now extend their shadow to reach to an even greater audience, while celebrating this latest release with their incredible long-term supporter base.
https://www.facebook.com/inmaliceswake
Genre
: Progressive
Doom/ Post MetalRelease date: march 20th, 2026
Baptized with a name derived from astrophysical theories about dark matter and black holes, THE HOLEUM was formed in 2014 in Alicante, Spain. Founded by former members of NahemaH, Demised, quantumXperience, Hela, Neptunian Sun, and Priest of Dawn, the quintet set out to push the boundaries of heavy music and to intensify the emotional impact of darkness in sound. Their concept is both cosmic and sonic: “THE HOLEUM is related to the dark matter that forms the black holes in the universe. THE HOLEUM is not a black hole, but black holes are formed by The Holeum. That is the idea from which we extract our concept – we are a sonic and cosmic vision of the sublime.
With their third album “Ensis” (2025), the band continues its journey through experimental metal, death doom, melodic metal, and post-metal. This work is more than a continuation – it is a condensation and expansion of their previous soundscape. “Ensis” reveals itself as finely nuanced, challenging, yet at the same time profoundly sensitive and multifaceted. The songs unfold like cosmic landscapes where heaviness and melancholy meet subtle emotionality. The intensity remains palpable, but it is complemented by a deeper sensitivity that draws the listener into a fragile balance between harshness and delicacy. “Ensis” is an album that demands and touches at once – a work that makes the complexity of human existence audible in the mirror of the universe.
https://www.facebook.com/theholeum/
Hailing
from the heart of Finland, the masters of melodic death metal, NOUMENA,
are making their long-awaited return. Their new single, "KUOLEMANKELLO"
(THE DEATHWATCH BEETLE), is an intense, atmospheric, and catchy strike
that sets the stage for the band’s upcoming seventh studio album.After a period of silence dedicated to honing their craft, Noumena has returned with a refined sound that captures the band's core essence: a unique blend of Northern melancholy and relentless energy. Composer and guitarist Tuukka Tuomela is thrilled with the result:
"It’s a classic Noumena track with catchy melodies, striking riffs, and a hook-filled chorus. Growing into epic proportions, the song is a perfect choice for the first single from our upcoming full-length album."
"Kuolemankello" continues Noumena’s tradition of powerful storytelling. The track dives deep into 18th-century Finland, specifically the era known as The Great Wrath (isoviha in Finnish) – a brutal period of
Russian occupation marked by widespread atrocities and historical suffering. The song’s title refers to the "Deathwatch Beetle," a wood-boring insect whose ticking sound was historically seen as an omen of impending death. Lyricist Hannu Savolainen sheds light on the dark theme:
"In folklore, the 'Kuolemankello' has been seen as an omen of death. In this story, the beetle ticking inside the wooden walls warns of a grim fate. The song is set during the savage era of The Great Wrath in 1700s Finland. However, even in this mournful tale, there is a small glimmer of hope, as is often the case in Noumena’s songs."
The single offers a first taste of Noumena’s seventh album, scheduled for release in August. The long-standing veterans of the Finnish metal scene prove they are as formidable as ever – the clock is ticking, and Noumena’s time is now.
Listen to the single on music services : https://push.fm/fl/noumena-kuolemankello
Watch the lyric video: https://youtu.be/AjjFqUh3paI
Noumena is a Finnish melodic death metal band formed in 1998 in Ähtäri, Finland. Known for combining melancholic melodies, heavy riffs and atmospheric soundscapes, Noumena draws from the Scandinavian death metal tradition while adding touches of Nordic melancholy and emotion.
Over their more than 25-year career, Noumena has released six full-length albums — including Pride/Fall (2002), Absence (2005), Anatomy of Life (2006), Death Walks With Me (2013), Myrrys (2017) and Anima (2020) — steadily evolving their sound while retaining their core identity.
Noumena has over 130 live shows history, the band has toured in Finland, Central Europe, Japan and China. They have shared the stages with acts like Insomnium, Beast in Black, Moonsorrow and many others
Line-up
Antti Haapanen – growls
Suvi Uura – vocals
Markus Hirvonen – guitars, vocals
Ville Lamminaho – guitars, mandolin, vocals
Tuukka Tuomela – guitars
Hannu Savolainen – bass
Ilkka Unnbom – drums
https://www.youtube.com/@noumenaofficial
https://www.facebook.com/Noumenaband
Formed in 2016, Portugal’s TOXIKULL have established themselves as one of the most unrelenting forces in the European heavy metal scene. Known for a high-energy blend of traditional heavy metal and speed metal, the band is rooted in the classic ‘80s spirit but delivers it with an aggressive, contemporary edge.
After building a strong reputation through explosive live shows and uncompromising attitude, TOXIKULL solidified their status with the release of 2019’s Cursed and Punished and 2024’s critically acclaimed Under the Southern Light. Their momentum continued to build with the 2025 release of the live album Echoes of the Arena, a testament to their live power that crashed into the Portuguese Top 100 music charts.
Now arrives TOXIKULL’s hotly anticipated fourth full-length, Turbulence, the band's highly anticipated third full-length album. Turbulence represents a maturity in the quartet’s songwriting, blending the raw aggression of speed metal with the melodic grandeur of classic heavy metal. An album forged in fire and resistance, exploring themes of inner struggle and the unconquerable spirit of the metal warrior, the 10-song / 39-minute record bursts at the seams with electricity and excitement, continuing the arena-ready swagger of its predecessor proudly. From the high-octane opener “Midnight Fire” to the bountiful anthemic choruses, Turbulence proves that TOXIKULL arenot just paying homage to the past; they are forging the future of traditional steel – bigger, bolder, and better than before. With a production that cuts like a blade (courtesy of Jamie Gomez Arellano, who’s worked with Ghost, Mayhem, Opeth, Behemoth, Angel Witch, Moonspell, and many others) and a performance tighter than ever, this album is a call to arms for maniacs worldwide.
For those who somehow slept on Under the Southern Light, TOXIKULL carry the noble torch of Judas Priest, WASP, Accept, and Manowar but with a distinctly southern European flair. "We raise our chalices to the all the Toxikheads, the believers, the dreamers, and those who keep the eternal flame of heavy metal burning,” state the band, “this record is dedicated to you. It is your passion that fuels our engine and makes this journey possible. Turbulence stands as a testament to our journey, proof that every scar can be turned into art, and every struggle into power – to the lessons learned and to the people who were the catalyst for the themes of this record.
Line-up:
Lex Thunder - Vocals, Guitar
Michael Blade - Lead Guitar
Infernando - Bass
Tommy 666 - Drums
From Lisbon, Portugal
Artwork:
Mario López
Release date:
24th April
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Colored edition on red vinyl, with insert, poster, sticker, post card and download code.
Special edition on blue/black marbled vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
Tracklist
1 Midnight Fire
2 Turbulence
3 Dragon Magic
4 Blessed By The Night
5 Dying Star
6 Strike Again
7 Hard To Break
8 Burning Spark
9 King of the Hammer
10 Flames of Glory
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Label: Fighter RecordsRelease date: march 12th 2026
Genre: Heavy Metal
For fans of: Iron Maiden | Cloven Hoof | Greyhawk | Visigoth
We came in search of legends, following in the footsteps of fallen heroes. We have crossed nameless, storm-tossed oceans and seas of sand beneath a merciless sun. Through snow shrouded mountain passes and forests that seemed to swallow the world we have marched undaunted. And now, with steel in hand we take the final step, through the shadowgate into the realm of the Obsidian King. The darkness enfolds us and as our spirits tremble the only sound is the beating of titanic wings…
With a searing riff and a lung-bursting scream the listener is catapulted into the world of the Obsidian King, the debut full length album from Canadian heavy metal force Ravenspell! Opening track ‘God The Watcher’ is a breathless introduction to this revelatory band; steeped in classic metal atmosphere, adorned in beautifully fluid guitar leads and masterfully combining metallic power and sumptuous melodies. ‘Onwards We March’ follows with its driving riffs and rhythms and already there can be no doubt that this is a band, an album, that will speak to every true metal heart. As it progresses Obsidian King just seems to get stronger and stronger, drawing us ever deeper into its magnificent twilight world. At the album’s heart we find tracks like ‘Obsidian Wing’ with its superlative, unforgettable melodic chorus rising out of pure, thunderous metal; the thrilling charge of the adrenalized ‘Hellstorm’ and the metal masterpiece that is ‘Raise Hell’ – featuring some fantastic interplay between roared vocals and gleaming shards of lead work. Then at the Obsidian King’s conclusion we find the grandeur of ‘Atilla’, a truly epic song that moves through superb classical guitar parts, doom-touched riffs, cascading drums, stunning solos and instrumental sections that seem to open up vast vistas of the imagination…it’s a glorious metal creation and a fitting finish to an album of breathtaking quality.
Mixed and mastered by David Lizotte (Ültra Raptör, Saccage etc), Obsidian King benefits from a textured, organic sound that captures the blood, sweat, passion and belief of the musicians who have crafted it. In this age of fakery, imitation and flexible truths this album stands tall as something real and vital, a work of substance. Completed by the haunting artwork of renowned Canadian artist Carl Lavoie, Obsidian King will be released by Fighter Records on March 12th, on CD, 12” LP, Cassette and digital formats and the speed and melody, character and fire of Ravenspell will be felt around the metal world. Join the Black Feather Legion and be there at the start of a legend.
Line-up:
Alisander The Seer - Lead Vocals
Ravok Blackwing - Guitars/Backing Vocals
Corvax Crowhammer - Bass
Volpale The Ravenous - Drums
https://www.fighter-records.com/
https://www.facebook.com/ravenspellofficial
Polish
atmospheric black/epic doom metal solo project DIVINE SOVEREIGN has
released the lyric video for “ENSHRINED KIND,” a defining track
from the album AUTAXIA CHRONICLES: DAWN OF A NEW AGE, out in
digital format and on CD.“Enshrined Kind” marks the moment where Divine Sovereign fully shaped the narrative core of the project. What began as a distant vision of galactic conflict shifted toward a more grounded and human question: why do uprisings fail, and what force is strong enough to unite people when shared culture and history are not?
"The Lyric video for that song is like a milestone in my musical endeavors, sort of cementing this first chapter," says Divine Sovereign, "beginning of, hopefully, a long journey that's ahead of me."
The inspiration came from the revolt of Spartacus, the largest slave uprising in ancient Rome. Nearly 100,000 rebels rose together, only to fall apart from internal division. Their defeat sparked a key idea behind Autaxia Chronicles: what would it take for such a rebellion to succeed?
The answer was belief.
Centuries after Spartacus, Christianity spread through the Roman Empire and became its state religion. “Enshrined Kind” reflects this turning point—not as an account of an organized faith, but as its earliest formation. Under oppression, faith emerges in fragments: shared stories, half-remembered parables, and the idea of a chosen people. Slowly, belief becomes a bond stronger than blood or origin.
The track captures unity at its rawest stage. Not doctrine. Not structure. Just belief beginning to take shape—and already powerful enough to change history.
Stream Autaxia Chronicles:Dawn Of A New Age: https://orcd.co/acdna
Order the CD: www.auralwebstore.com/shop
Previous releases:
https://youtu.be/H-nrTx5V274
https://youtu.be/kFzMo-r5i9I
About Divine Sovereign
Founded in 2023 by multi-instrumentalist and vocalist Cezary Rochnowski, Divine Sovereign draws inspiration from the likes of Ethereal Shroud, Panopticon, and Atlantean Kodex. The project crafts epic, narrative-driven compositions set in the world of Autaxia, a planet where advanced beings unearth the remnants of a once-thriving civilization. Through intricate songwriting and atmospheric intensity, Divine Sovereign explores the duality of faith—its power to liberate and its potential to enslave.
www.facebook.com/DivineSovereign
Symphonic metal band MEMOIRA has released a new four-song EP, DOLLMAKER. The release brings together the band’s recent single releases and a new version of Queen’s iconic song The Show Must Go On.
The idea of a Queen cover has been in the band’s mind for several years. The themes and atmosphere of the song were felt to be a natural part of Memoira’s own musical and lyrical world.
“The
idea of doing a version of the song came about back in 2022, and I’ve probably
had it in my mind for even longer. It’s a bit crazy, because the song is so
beloved, so this version will definitely stir up emotions. The song is very
important to us, and we feel it has a lot of similarities to our music and
lyricalthemes,” says the band’s keyboardist Lassi Nuolivaara.
The Dollmaker EP brings together Memoira's recent releases into a cohesive whole. The band released a music video for the EP's title track, Dollmaker, on January 15, which featured the song in its entirety for the first time. The single edit of the song was released late last year.
Listen to the EP on music services : https://push.fm/fl/memoira-dollmaker
Tracklist
1. Dollmaker
2. Cryonic Heart
3. Emerald Eyes
4. The Show Must Go On
Written/Lyrics/Arranged: Memoira
Except track #4 Written/Lyrics/Arranged by Brian May/Freddie Mercury/John Deacon/Roger Taylor
Memoira is known for its combination of symphonic metal and strong melodies, where a modern metal sound meets a cinematic and emotional expression. Dollmaker continues the band's line, offering both familiar and new tones to the band's sound.
Memoira is a symphonic metal band from Finland formed in 2007. Known for it's big atmospheric and epic sound, Memoira combines dynamic melodic metal and symphonic ethereal orchestrations into one, consistent flow of storytelling.
On it's 15- year journey before the latest line-up changes, the band has released three albums and seven singles worldwide.
With the current lineup, which has been active since 2023, and Krista Astrid Schröter as their vocalist, the band has already released three singles (Cryonic Heart 2024, Emerald Eyes 2024 and Dollmaker 2025), each of which has brought the band more listeners and streams. The renewed lineup has also brought a whole new energy to the band's stage performance and image, which has already been noticed among fans.
Line-Up
Krista Astrid Schröter – Vocals
Lassi Nuolivaara – Keyboards & Piano
Serdar Ilter – Guitars
Niko Laaksonen – Bass
Kimmo Puhakka – Drums
https://www.youtube.com/@MemoiraOfficial
https://www.memoiraofficial.com/
https://www.facebook.com/MemoiraOfficial
Expect less and your life is forfeit. FATE’S HAND draw first sword!
The tourdates are as follows:
10/04/2026 Turock, Essen, Germany (Dying Victims Attack vol.4)
17/04/2026 Metal Cave, Warsaw, Poland (+Dominance, Cursed Darkness)
18/04/2026 Club Sny, Cracow, Poland (+Dominance, Instant Death)
It was but 2021 when FATE’S HAND quietly emerged with their self-titled debut EP. Downplaying their membership, the Australians nevertheless possessed a wealth of veteran experience, with members hailing from such heavyweights as StarGazer and Mongrels Cross among others. As FATE’S HAND, they deftly drew from the primordial well of Northern lore and attacked in a savage foray of traditionalist heavy metal. In a word, Fate’s Hand was both old and new, surprising and unsurpassed.
Now flexing those same muscles across a full-length, FATE’S HAND at last arrive with their debut album, almost-too-perfectly titled Steel, Fire and Ice. With swords drawn and teeth bared, on "Steel, Fire and Ice" do FATE’S HAND sing an ode to victories on the physical and metaphysical battlefield.
Whereas the Aussies’ debut EP totaled four songs, their debut album doubles that; as such, it more boldly and brazenly displays the full fathom of their powers and prowess. And like that EP, on "Steel, Fire and Ice" does visceral melody grasp tightly on the spear of classic heavy metal, hearkening to the genre’s progenitors and – in the same breath – taunting, daring the very same gods.
Streaming link: https://www.youtube.com/watch?v=R7nzqd7RMWk
Singles:
https://www.youtube.com/watch?v=6jVebjb-R9U
https://www.youtube.com/watch?v=KPfN4kLuRfo
https://www.youtube.com/watch?v=NrnMT5d89V4
Bloodied but unbowed, FATE’S HAND’s songwriting goes to more epic lengths whilst remaining urgent and impassioned, stoicism and bravado colliding headlong for a timeless sturm and drang that engages ever more as the album plays on to its penultimate conclusion. High drama as heavy metal, still surprising and unsurpassed!
FATE’S HAND keep the torch lit for fans of Judas Priest, King Diamond, Destruction, and Bathory. Turn the lights down and play it loud – glory to the brave with Steel, Fire and Ice!
https://www.facebook.com/fateshandofficial
Video link: https://www.youtube.com/watch?v=Kc5w5uQn9e4&list=RDKc5w5uQn9e4
Since their formation, Justify have made a name for themselves in the scene in a very short time. They have already shared the stage with international greats such as Bütcher and Megaton Sword and torn down clubs and festivals in Hamburg, Monheim, Flörsheim, Essen, and Oberhausen, among others. Their reputation: uncompromising, energetic, authentic.
With singles such as “Erase Them All”, “No Mercy Killers” and “Left Behind” the band showed early on where they were headed: forward—without regard for losses. With their album “Shadows of Agony” released in spring 2026, the band cemented a manifesto of hardness that finally establis-
hed Justify as a fixture a major player in the young German thrash scene.
Justify stands for pure, honest thrash metal, played with unbridled passion and the unshakeable energy of the Ruhr region. Anyone who has seen them live knows that this is nothing less than the true spirit of heavy metal.
Hungarian
Black Metal one-man band MERCULISTARYA unleashed its debut album "ÁRADÓ
FÁJDALOM A TŰNŐDÉS MEDRÉBEN" after a two decades-long waiting, in
conspiracy with Pest Records and Metal Ör Die Records this February 20th."Áradó fájdalom a tűnődés medrében" is the deeply personal and emotional work of Árpád Szenti, known from his work in bands like Thy Catafalque, Ahriman, Athame or Damnation, and is now available here https://pestrecords.bandcamp.com/ and here https://pestrecords.limitedrun.com/.
About the album:
"Áradó fájdalom a tűnődés medrében is a concept album, each song connected, each meaning intertwined, forming a single immersive narrative. It follows a thorn‑ridden path of struggle, fear, disappointment, madness, resignation, and death, contrasted against the vastness of nature, its elemental force, its mysticism, and the unseen dimensions that pulse beneath reality.
This album is a fragment of my soul. Through MERCULISTARYA, I unearthed emotions and energies that could not have surfaced through any other form of expression.
MERCULISTARYA is a long‑standing personal vision, a vessel through which my inner world takes musical form. Rooted in the darker currents of old‑school Black Metal, it draws from the place where the genre first spoke to me. The earliest foundations were laid in 2002, when the songs began to take shape, guided by dreams, shadows, and the subconscious landscapes that inspired both the music and the lyrics.
Despite years of obstacles, the album was first recorded in 2009 but remained unreleased as my focus shifted toward the bands in which I served as drummer (Athame, Ahriman, Sentio Ergo Sum, Damnation, Fagyhamu, Voidshrine, and Thy Catafalque). MERCULISTARYA was set aside, waiting for its moment.
In 2024, with renewed experience and a stronger technical foundation, I chose to resurrect the material and re‑record the entire work. This final version is the true realization of what the project was always meant to be." Árpád Szenti
https://www.facebook.com/metalordierec
https://www.facebook.com/pestrecords
https://www.facebook.com/profile.php?id=61586009559697
Indonesian Brutal Death Metal trio, MULTIWOMB, will unleash their debut full-length album ANATOMY OF GORELUST, on March 23 via Grave Island Records. The album is a relentless 9-track statement of surgical brutality and gore-driven extremity.
FFO: Despondency, Inveracity, Pyaemia
Across 26 minutes of tightly executed devastation, the band delivers dense riff structures, punishing drum work and deeply guttural vocals rooted firmly in the traditions of classic brutal death metal. Rather than chasing trends, Multiwomb focus on precision, impact and raw intensity.
The album artwork was created by the legendary Jon Zig, known for his long experience and strong visual identity in the brutal death metal scene.
Recorded at Nada Rakta Chamber and Volcanic Studio, then mixed and mastered at Ultra Organic Studio, the album balances clarity with aggression, allowing every riff and blast to hit with calculated force. Each track feels like a deliberate incision, sharp and surgical.
Conceptually, Anatomy of Gorelust explores anatomical obsession and grotesque imagery, while establishing Multiwomb’s identity within the international extreme underground.
Stream album track "Placenta Cannibal Feast" at: https://www.youtube.com/watch?v=J99gfZSUthY
The band released the following statement concerning the album:
"Anatomy of Gorelust is our debut full-length, and we approached it with a clear intention to deliver brutal death metal in its purest and most obsessive form. Every riff, every blast and every guttural passage was written to feel tight, suffocating and surgical. This album defines who Multiwomb are. No trends, only anatomical extremity and raw intensity."
Pre-order:
https://www.graveislandrecords.com/multiwomb-anatomy-of-gorelust-2026
https://multiwomb.bandcamp.com/album/anatomy-of-gorelust
Track
Listing:1. Blood Climax
2. Labia Dismemberment
3. Perverse Anatomy
4. Womb Dissection
5. Enema of Boiling Gore
6. Placenta Cannibal Feast
7. Semen Baptism Ceremony
8. Necroslut Vivisection
9. Impaled with Lust
Album Credits:
Produced by Multiwomb and Grave Island Records.
All music and lyrics by Multiwomb.
Guitars, bass and vocals recorded at Nada Rakta Chamber.
Drums recorded at Volcanic Studio.
Mixed and mastered at Ultra Organic Studio.
Artwork by Jon Zig.
Logo by Aghy R. Purakusuma.
Layout by Pavel Lapkouski
Line-up:
Gus Donald – Vocals
Bintang – Guitars & Bass
Rama – Drums
https://www.graveislandrecords.com/
https://multiwomb.bandcamp.com/
Label: Throne Of Lies RecordsRelease date: january 10th 2026
Genre: Blackened Doom/Death Metal
For fans of: 1914 | Woods Of Ypres | Katatonia | Fear Of God
I lie in a sea of dreams, the substance of my life flowing around me in tattered stories – the triumphs and tragedies, such as they were, my great loves, lies, betrayals and sins, they all swim before my empty, unblinking eyes. Were they really all as inconsequential as they seem now to my still heart? Did it all mean so pitifully little? Perspective changes when the clamour of your breathing has ceased. None of it mattered then, none of it matters now in this cold bed of worms – with the earth above and a grave beneath…
The Earth Above, A Grave Beneath is the fourth full length album from Louisville, Kentucky sextet The Promise Of Plague – a band that draw inspiration from across the metal spectrum, fusing diverse elements into a dark and powerfully distinct sound. Nearly a decade on from their first EP, Sleepwalking Into Armageddon, the band’s experience and accomplished musicianship can be heard in every note of the bravely creative The Earth Above, A Grave Beneath. Opening in savage fashion with ‘Vomit Running Through My Veins’, The Promise Of Plague slam you back in your seat before the song uncoils itself, shifting between moods and tempos, adding melodic guitar lines and rich atmosphere, driven forward by a visceral vocal presence. This opening sets the tone for what is to follow…expect the unexpected, be prepared for every song to possess its own individual character, but with an emotional weight and depth that anchors the band’s sound as they explore. From the emotive darkness and haunted landscapes of ‘Dead Mistake’, via the varied vocal interplay of ‘One Line Poem’, to the album’s title track, with its guitar motifs with deep, deep roots that speak in a universal voice; there are a myriad of treasures to uncover in The Promise Of Plague’s musical darkness. The venomous black metal heart of ‘My World Is Better, Darker’ beats slower as it reaches its end and slips into the epic ‘Of Sorrow’ – resounding chords, wearied marches across windswept hills, jagged riffs, frantic velocities, raw, impassioned screams – they are all here, all part of the great tapestry of this momentous song. And then? Then we celebrate our passage through the night with a brutal reworking of Quiet Riot’s headbanging classic, ‘Metal Health’! Twisted into The Promise Of Plague’s form, it provides a triumphant conclusion to this harrowing but rewarding album.
Recorded and mixed by Chris Leffler (Stonecutters etc) and mastered by Overload drummer Todd Hawkins, The Earth Above, A Grave Beneath has the strength, dexterity and clarity of sound to bring the best out of The Promise Of Plague’s diverse and adventurous creativity. Completed by the evocative cover artwork of the band’s own Jerry Barksdale (who also supplied the visual elements for many albums by death metal veterans Abominant) The Earth Above, A Grave Beneath will be released by Throne Of Lies Records on March 10th…prepare for a voyage into the stygian depths of the soul.
Line-up:
JD Hall – Vocals
Joanie Michele – Vocals
Jerry Barksdale – Guitars
Sam Pedneau – Guitars
Phil Garrett – Bass
Jim Huggins – Drums
*additional guest guitars by Chris Leffler
https://www.facebook.com/thepromiseofplague
Finnish
extreme metal band SAASTA has released the second single "THE
ENVY" from their upcoming album "CESSPOOL"
to be released on May 8th 2026.In every person’s life there are moments when death’s cold call feels more comforting than the pain of continuing to live. Sometimes the only thing standing in the way of that final passage is cowardice.
The Envy is a merciless depiction of the weakest moments in an individual’s life. In those moments, existence feels like nothing more than the maintenance and feeding of a personal, earthly hell. A person sinks into the deepest depths of despair, where hope does not appear as light, but hangs by fragile, fraying threads, always on the verge of breaking.
The Envy expressed in the song is not directed at material possessions or worldly achievements, but at death itself — at total peace and the absence of pain. It is a mindset in which even worms seem freer and more human than a breathing, suffering person.
The purpose of The Envy is not to romanticize self-destruction, but to strip it of all glamour and false shine. It is ugly, desolate, and raw. In its world, holiness smells of rot.
Musically, The Envy is both fresh and distinctly original Saasta. Painfully heavy and stripped-down death metal meets black metal riffs that twist familiar icons into distorted forms. The Finnish lyrics add their own harsh character to the song, reinforcing its message in a way that is both beautiful and unsettling.
Watch the music video (content warning): https://youtu.be/0yF5UrgcnjE
Listen to the single on music services : https://push.fm/fl/saasta-theenvy
Saasta is an extreme metal band from Kotka, Finland. Formed in 2020 the band combines the mercilessness of black and death metal, with the more subtle nuances of doom. The combination is dark and groovy metal with its own distinctive sound, where strong lyrical expression meets raw energy. Saasta is known for their intense stage presence and uncompromising effort.
Line up
Vocals – Leevi Kärsämä
Guitar – Topias Jokipii
Bass Guitar – Janne Hietanen
Drums – Jimi Lahtinen
https://www.saastaofficial.com/
https://www.facebook.com/saastaofficial
The band released one of their most epic tracks, 'THE WAY OF THE VOICE', today, and it is available on all major streaming platforms: https://push.fm/fl/inthraced-the-way
The band comments:
"One of the most epic tracks on the album. The Elder Scrolls V: Skyrim is strongly present in this one. This was the final song completed for the album, finished just before the recording sessions began."
Biography:
Inthraced is a Finnish metal band founded in 2011, blending melodic intensity with cosmic darkness to forge a distinct and powerful soundscape. Their early releases, “The New Awakening” (2012) and “The Rising Chaos” (2014), set the foundation for their rise, further amplified by the 2019 single “Interstellar.”
In 2022, the band was reborn with a new guitarist and bassist, igniting the creative fire behind their debut album “Constellation Zero” — an epic and ambitious journey that carries the listener to the very edges of the universe.
Listen
to the first single 'Neon Frontiers': https://push.fm/fl/inthraced-neon-frontiersListen to the second single 'The Black Star': https://push.fm/fl/inthraced-black-star
Track list:
01. The Revenant
02. Neon Frontiers
03. The Black Star
04. Darkest Chest
05. Constellation Zero
06. The Way Of The Voice
07. Lost Divinity
Mixed by Janne Korpela JK mixing studios Finland
Mastered by Mika Jussila @ Finnvox studios Finland
Cover art by Robert H, Holo Dreamz
Line-up:
Tommi Takkunen - Guitar & Vocals
Mirko Byman - Guitar
Eetu Kovapohja - Bass
Antti Ikonen - Drums
https://www.facebook.com/Inthraced
Bestial death horde PIG'S BLOOD are going scorched earth with their inaugural release under the Dark Descent Records banner.
DESTROYING THE SPIRIT sees the band reach a new level of relentless, blackened brutality. An unholy barrage of volcanic riffing and abyssal hostility, Destroying the Spirit is violence incarnate.
The band has launched a stream of the album's closing track "STRIKEFORCE OF ISOLATE WILL." Listen now at: https://www.youtube.com/watch?v=w9xeLa0ifG8
Destroying the Spirit is set for release on April 24 on digital, CD and vinyl (standard black and yellow/oxblood variants).
www.darkdescentrecords.com/shop
www.ddmsuo.eu
https://darkdescentrecords.bandcamp.com/album/destroying-the-spirit
Hailing from Milwaukee, PIG’S BLOOD have spent the last decade-plus unleashing their unrepentant strain of death metal upon the underground. While often grouped under the banner of war metal, their sound stretches far beyond any single label.
Drawing from the raw, militant fury of bands like Revenge and Blasphemy, PIG’S BLOOD fuses that chaotic savagery with a backbone indebted to early ’90s American legends such as Deicide, Order from Chaos, and Incantation.
The result is a malformed yet deliberate hybrid—bludgeoning battle hymns delivered with a sharp, serrated edge. Through sheer force and conviction, PIG’S BLOOD continue carving out their own brutal stronghold within the death metal underground.
Track
list:1. Standing in Depravity
2. Destroying the Spirit
3. Tartarean Infection
4. Power to Stop It
5. Rabid Dogs
6. Satanic Hammer of Justice
7. Aftermath
8. Commitment to Death
9. Ravenous Hellslaught
10. Strikeforce of Isolate Will
PIG'S BLOOD is:
Bubba Nitz - Bass
Chris Ellis - Vocals
Brian Serzynski - Drums
Mike Gamm - Guitars
Paul Mirenda - Guitars
www.darkdescentrecords.com
https://www.facebook.com/commandmoreblood/
Baltimore
Black Metallers, NIXIL, and Portland Black/Death quartet, DROUTH,
have collaborated on a scathing split release, titled TOWARD DEAD TEMPLES!
The album will be released April 24 on vinyl, cassette tape, and digital
formats.FFO: Enslaved, Ludicra, Blut Aus Nord, Altar of Plagues, Dawn, Black Curse, Ulcerate, Spectral Wound, Weakling, Sacramentum, Schammasch, Watain, The Ruins of Beverast
Toilet ov Hell has premiered the official video for the album's first single, a Nixil track titled "NEVER RISE AGAIN."
Get in on it at: https://toiletovhell.com/exclusive-video-premiere-nixils-never-rise-again/
The bands have each released a statement concerning their respective contributions to Toward Dead Temples, as follows:
Nixil: “Our contributions to Toward Dead Temples explore the spiritual depth of death and isolation. Through the use of imagery representative of the crumbling edifice of christo-fascism, we strive to push toward the eradication of the oppressor in all its manifestations. Sonically, this album marks a point of transition for us, beginning a deep dive into darker waters on a quest for stranger, more unsettling discordance. We are thrilled to be joining forces with our friends in Drouth to present this anthem of defiance against the crushing weight of impending dictatorship - until all tyrants and their temples fall.”
Drouth: “Originally recorded during The Teeth of Time sessions in late 2023, 'Cathartes Aura' and 'The Outer Church' stand on their own by representing both the past and future of Drouth. We are proud to share this release with our friends in Nixil and join them in spreading sonic misery throughout the West Coast this May.”
Nixil and Drouth will embark on the Toward Dead Temples West Coast Tour 2026 in May. Tour dates are as follows:
May 7: Seattle, WA - Neumos (Northwest Terror Fest)
May 8: Eugene, OR - John Henry's
May 9: Redding, CA - The Dip
May 10: Sacramento, CA - Cafe Colonial
May 12: Los Angeles, CA - The Moroccan Lounge
May 13: San Diego, CA - Tower Bar
May 14: Palmdale, CA - Transplants Brewing
May 15: Santa Rosa, CA - Arlene Francis Center
May 16: Eureka, CA - Savage Henry Comedy Club
May 17: Portland, OR - The High Water Mark
Track Listing:
1. Never Rise Again [Nixil]
2. Bloody Footprints on the Path of Bones [Nixil]
3. I Am Not Here [Nixil]
4. Cathartes Aura [Drouth]
5. The Outer Church [Drouth]
Credits:
Nixil:
All songs written and recorded by Nixil.
Recorded and mixed by J. Robbins at The Magpie Cage Recording Studio
magpiecage.com.
Mastered by James Plotkin, plotkinworks.com.
Artwork for Nixil by Ash Nix.
A. - Vocals
S.G. - Guitar
A.B. - Guitar, backing vocals
A.R. - Bass, backing vocals
Drums on Toward Dead Temples - M.T.
Drouth:
All songs by Drouth.
Recorded & mixed by Billy Anderson at Hallowed Halls & Everything Hz, Portland, Ore. MMXXIII-IV.
Mastered by Justin Weis at trakworx.com, South SF, CA.
Layout & Artwork for Drouth by Matt Stikker.
Matt Stikker - Guitar, Vocals, Lyrics
John Edwards - Guitar, Vocals
Patrick Fiorentino - Drums
Matt Solis - Bass, Vocals
Viola on “The Outer Church” by Eva Vonne
https://www.facebook.com/drouthpdx
https://www.facebook.com/nixilnothing
Pagan
Records has announced a stunning new reissue of "AS THE FLAME
WITHERS", the monumental debut full-length album from Greek black
metal titans YOTH IRIA. Out now, this definitive edition
celebrates the album that reignited the spirit of the '90s occult scene.Originally released in 2021, “As The Flame Withers” is a collaboration between two of the most influential figures in Greek extreme metal: Jim Mutilator (founding member of Rotting Christ and Varathron) and The Magus (Necromantia, ex-Rotting Christ). Together, they created an amalgam of dark, diabolical, and majestic music, a fresh look into the Hellenic occult sound that they pioneered decades ago, balanced with a fierce vision for the future.
This 2026 pressing is strictly limited to 300 copies and features:
12" 180g Smoked Splatter Vinyl
Deluxe Gatefold Sleeve
Printed Insert
Order: https://www.pagan-records.com/en_GB/p/YOTH-IRIA-As-The-Flame-Withers-LP-SMOKED-SPLATTER/14972
Listen to the album online: https://youtu.be/l878SoA1QGU?si=FZV0LhWpg73Ppfhk
The band represents the DNA of Greek black metal. Jim Mutilator was the first bassist and founding member of Rotting Christ, appearing on the genre-defining "Thy Mighty Contract", as well as a founding member of Varathron, performing on the classic "His Majesty at the Swamp". The Magus, a formidable composer and lyricist, shaped the "Hellenic sound" through Necromantia and collaborations with Thou Art Lord and Rotting Christ.
While "As The Flame Withers" remains a cornerstone of their discography, Yoth Iria continues to evolve. Following the departure of The Magus in 2023 to focus on his solo project, Jim Mutilator has led the band into a prolific new chapter.
In late 2024, the band released their critically acclaimed sophomore album, "Blazing Inferno" (via Edged Circle Productions), featuring new vocalist Rustam Shakirzyanov (aka "He"). Building on this momentum, Yoth Iria recently announced a major milestone: signing with Metal Blade Records. The band is currently in the studio working on their third full-length album, scheduled for release in Spring 2026.
Fans can catch Yoth Iria’s intense live ritual across Europe throughout 2026, including a confirmed appearance at Mystic Festival in Poland.
Tracklist:
1. The Great Hunter
2. Yoth Iria
3. Hermetic Code
4. The Mantis
5. The Red Crown Turns Black
6. Unborn, Undead, Eternal
7. Tyrants
8. The Luciferian
https://www.pagan-records.com
https://www.facebook.com/paganrecords
DEFECT DESIGNER – “DEPRESSANTS”
For fans of : Diskord, Februus, Demilich, Contrastic, Swelling Repulsion, Disharmonic Orchestra
Defect Designer have kept progressing with each album and they seem to have reached the acme with this one. It's wildly diverse and refreshing while retaining their core sound; it's a marvel how they continue to remain death metal or keep reverting to it after unabashedly exploring various sounds and imbibe influences from so many unrelated and unexpected styles. No song is redundant or sounding too similar at this point; they have something or the other hidden in it, often towards the end. This is decidedly their most ambitious album and they've outdone themselves on this one to offer a singular, exhilarating experience for the true prog-minded fans of the style. With the music on "Depressants" being as colourful as the Ian Miller artwork, it is anything but what the album title suggests - that's just the classic tongue-in-cheek Defect Designer for you.
Line up
Dmitry Sukhinin (Diskord) - Guitars, vocals, music, lyrics
Martin Storm-Olsen - Bass, vocals, lyrics, sound engineering
Eugene Ryabchenko (Fleshgod Apocalypse) - Drums
Artwork by Ian Miller (Ulthar)
Track listing
1. Daily Dose of Gloom
2. Butterfly Juice Straws
3. Repeated Aversive Stimuli Inducer
4. Carte Blanche
5. Expiration Deferral Request Denied
6. Scorching The Rival Pogonomyrmex Burrows
7. Body Count Of My Cow Tail
8. I Heard Robespierre Screamed Like A Bitch
9. Peons Before My Drabbing Wings
10. As The Terracotta Dust Settles
11. Awaiting The Return Of The Golden Age
12. The Inevitable Mad Composite
13. Wrong Future Forecast
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/defectdesigner1
Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
Label: Independent ReleaseRelease date: march 1st 2026
Back in the late 1980s Toranaga were one of the prime movers on the UK thrash metal scene, leading the pack alongside the likes of Sabbat, Onslaught and Xentrix. Two acclaimed albums – Bastard Ballads, released on Peaceville Records and God’s Gift, released on Chrysalis Records – and live shows with an array of legendary bands including Manowar, Venom and Saxon, should have seen Toranaga rising to dizzying heights. However, fate and misfortune intervened and the band slipped into a lengthy hiatus. There was a brief rebirth under the name The Bastard Son Of Toranaga, with the punishing Righteous Retribution album emerging in 2013, but this incarnation soon dissolved. It was 2024 before a new Toranaga line-up was unveiled, under the name Toranaga UK; lead, as ever, by indefatigable vocalist Mark Duffy. A superb EP, A New Order, was released in 2025 and Toranaga UK are not about to retreat quietly back into the darkness. Since their return the band has toured with Onslaught, Xentrix and Riot City and performed at prestigious festivals like Headbangers Open Air, Helicon and HRH Spring Break – and underlining the fact that they are here to stay, Toranaga UK are starting 2026 with a bang, unleashing explosive new single, ‘Crash And Burn’!
“You’ll see the fire raging when we light the fuse!”
Built upon crisp, incisive riffing that cuts like a blade, with Mark Duffy’s distinctive vocals leading the charge – the power, range, accuracy and character of his voice undiminished – ‘Crash And Burn’ is another finely crafted song that shows just how much Toranaga UK have to offer. Measured, controlled, performed with masterful poise, ‘Crash And Burn’ builds to a fierce conclusion. There’s a depth of melody, the kind of songcraft that only comes with experience, some stunning lead guitar work and an incendiary chorus. Steeped in the roots and traditions of the band, but also driving forwards with a force and intensity that never looks back, ‘Crash And Burn’ is a great addition to the proud Toranaga legacy and a torch lighting the way to exciting times to come.
“It’s your turn to crash and burn!”
Produced and mixed by composer Steve Kilpatrick, known for his work on feature films and BBC dramas as well as the Toranaga UK EP, A New Order, ‘Crash And Burn’ sounds bright and vibrant while packing a heavyweight punch and some vicious teeth. For fans of cultured thrash and hard-hitting metal Toranaga UK are the band you’ve been looking for – and there’s no better place to start than with ‘Crash And Burn’, with its high impact artwork, specially designed by band drummer Toby Wallace. Look for the ‘Crash And Burn’ single on all major digital music platforms from March 1st and expect to see Toranaga UK on festival stages throughout 2026…the hammer to the skull is about to fall again!
Line up:
Mark Duffy - Vocals
Liam Mulpetre – Guitars
Josh Goldie - Guitars
Toby Wallace – Drums
Richard Donay - Bass
https://www.youtube.com/@ToranagaUKBand
https://www.facebook.com/ToranagaUK
The second single and music video, 'ETERNAL EQUATION' is unleashed today and it's available on streaming services: https://push.fm/fl/sumofseven-eternal
“Eternal Equation represents a significant turning point in the narrative of our concept album. Musically, it is the album’s most unconventional track, yet at the same time one of its strongest in terms of atmosphere. Marko’s vocal performance and Harri’s guitar solos form the emotional core of the song and represent the peak of their expressive range. The track dives deep into melancholic depths, from which an unexpected realization ultimately emerges.
In the story, the transition toward the final act has begun, but the destination has not yet been reached. Eternal Equation portrays a moment of consciousness where struggle ceases and understanding begins. It is a story of a mind that has witnessed eras repeat, mistakes return, and purpose erode—until all that remains is a question at the core of existence.", tells Ari Lempinen
Listen to the first single 'Supreme': https://push.fm/fl/sumofseven-supreme
Track
list:01. I Think, I Am
02. Supreme
03. Everlasting
04. Shattered Symmetry part 1
05. Shattered Symmetry part 2
06. Regeneration
07. Eternal Equation
08. Perpetual Ascencion
09. Wonder
Composed, lyrics and arranged by Ari Lempinen, Esa Lempinen, Rasmus Raassina, Miika Erkkilä, Marko Loukamaa, Harri Annala
Mixed & mastered by Tommi Kujala
Album cover by Ari Lempinen
Line-up:
Ari Lempinen - Guitar, vocals & backing vocals
Harri Annala - Guitar
Rasmus Raassina - Drums
Miika Erkkilä - Basso, backing vocals
Esa Lempinen - Keyboards, backing vocals
Marko Loukamaa - Vocals
https://www.sumofsevenofficial.com
https://www.facebook.com/sumofsevenofficial
Guitarist/composer Tuomas Torikka comments:
“Melodically, the song moves through deeply melancholic and minor-key atmospheres. It incorporates elements ranging from classical piano music to a more pop-oriented direction, without ever losing the band’s distinctive sound. The choruses open up an entirely new sonic landscape, yet despite its raw intensity, the overall theme of the song remains very dark. The lyrics were inspired by a tragic case in which a young Finnish girl lost her life as a result of prolonged abuse by her parents. At the same time, the song also offers a point of connection for those who have, in one way or another, fallen through the cracks of society or live in loneliness — people who are too often seen merely as numbers in statistics.”
Biography:
Deadvoid Inc. is a Finnish melodic death metal band that blends elements ranging from classical music to extreme metal, creating an energetic, technically skilled, and
completely distinctive musical entity.
D-inc was formed in early 2025 when longtime acquaintances Jonne Saarinen (vocals) and Tuomas Torikka (composition & guitar) decided to build something new in the midst of everything old. The album was completed in its entirety, and prior to its release, guitarist Jami Honkala and bassist Ville Heino—both heavily involved in the making
of the record—joined the band.
This lineup of seasoned professionals in their field brings a fresh new subgenre to the airwaves, unlike anything you’ve heard before. Energetic songs, catchy grand melodies, furious riffs, and heart-wrenching slow sections are here to show everyone what Deadvoid Inc. is all about.
The band will release their debut album in March 2026.
Track
list:1. Grounding The Unreal
2. Not Worth Living
3. Ashes And Forgiveness
4. The Wounds
5. The Frame
6. The Dawn Of Day
7. Drowned In Pain
8. Begins With Love
Cover art by Kai Kolima
Line-up:
Vocals: Jonne Saarinen
Guitars: Tuomas Torikka
Bass: Ville Mikkola
Drums: Tino Jäntti
https://www.facebook.com/deadvoidinc
For
fans of :Grief,
Primitive Man, Mizmor, Eyehategod and Rwake Emanating from the hills of Northern Kentucky, HIGHGATE unleash a Sludge filled, Doom laden yowl that speaks of years of struggle and despair. Prophecies Of Eternal Horror finds the dead bodies stacking to the sky as HIGHGATE grapple with global war atrocities, religious fanaticism and class warfare.
HIGHGATE has shared the album's first single, "At Paranoia’s Poison Door." The song is described as a blackened-doom battle cry against an overreaching government that wants us too scared to think or act for ourselves. The lyrical refrain of “crawl to your masters” speaks to the song's theme of government capability to brainwash citizens into cowering boot-lickers.
Stream the song now at https://www.youtube.com/watch?v=_CQJ2x6vwHc
Track listing:
1. Terraforming Hell
2. Death Comes
3. At Paranoia's Poison Door
4. Deceiver
5. The Writhing Dawn
Prophecies Of Eternal Horror is set to be released on March 27.
HIGHGATE is:
Greg Brown - vocals
Steve Porter - battery & vocals
Jamie Porter - guitar, bass & vocals
www.facebook.com/horrorpaingoredeath
www.horrorpaingoredeath.com
www.facebook.com/Highgatedoom
Look and listen at: https://www.youtube.com/watch?v=E_TqluC0ssM
FFO: Kreator, Iced Earth, Into Eternity, Mutiny Within, Control Denied
Multi-instrumental, composer, and founder, Frank D'Erasmo had this to say about the forthcoming album:
"This new album is a continuation of the path we took on our last EP, Prison Realm. For fans of that EP, this new album is in that style again, but on steroids! Things sound heavier, more epic, and more massive on this album. All of the same guys from the last release have returned, including vocalist Chris Clancy (As I Lay Dying, Invictus, Mutiny Within) and lead guitarist Tony Barhoum (Chaos Sanctuary, Condition Critical), but the big addition this time around was mix engineer, Mike Low. Things have never sounded this BIG on a Legionary release!"
Never-Ending Quest for Purpose will be released on March 6.
Pre-order: https://legionary.bandcamp.com/album/never-ending-quest-for-purpose-albumVisit the Legionary Store at: https://www.bonfire.com/store/legionary-1/
Track Listing:
1. Sentenced to a Life of Chronic Guilt
2. If the Judges Became the Judged
3. Never-Ending Quest for Purpose
4. Controllers of Perception
5. Story Without Closure
Lineup:
Frank D’Erasmo: Rhythm Guitars, Drums, Bass
Tony Barhoum: Lead Guitars
Chris Clancy: Vocals
Guest Violin Solo on "Story Without Closure": Ben Karas
Engineer: Ben Karas
Mixed/Mastered by: Mike Low
All Music & Lyrics written by Frank D'Erasmo
Album art: Mark Cooper
Bio:
Legionary is a melodic death/thrash metal band, that originated in NYC, but now mostly operates out of New Jersey. Legionary once played live regularly, but is currently a one man band headed by mastermind Frank D'Erasmo (Drums/Rhythm Guitar). Frank uses the services of the best metal musicians he can find, and is currently dedicated to just doing studio projects at the moment. Legionary has several releases, mostly EPs, but now has two albums under its belt with this latest release!
https://www.facebook.com/Legionaryband/
The
Finnish Death metal band HAUTAJAISYÖ are set to release their
fifth album 'SURUN PAINO' on March 20th 2026 via Inverse Records.
The second single 'KUUSI KANTAJAA' is unleashed today and music
video can be seen here: https://youtu.be/_69j7uQIkYs The music video differs from the official single in that it features guest appearances by the Jumalaudat choir and cameos from Finnish metal bands: Surujuhla, Messiah Paratroops, Defiled Serenity, Kituma, Vahinkolapsi, and Chordae Exitium.
Janne Partanen comments the single:
" 'Kuusi Kantajaa' has been a hit with audiences from the moment it was first performed live. As the audience shouts along with the choir, the song is taken to a new level. This song has a similar feel to our older hit, 'Revin Ihoni Rikki', but only time will tell if it will be as popular."
Listen to Kuusi Kantajaa single on streaming services: https://push.fm/fl/hautajaisyo-kuusi-kantajaa
Watch music video of the first single 'Maan nielemä': https://youtu.be/L4ygntH5stk
Track list:
01. Surun Paino
02. Maan Nielemä
03. Kuusi Kantajaa
04. Kasvoton Kuljettaja
05. Hetki Viimeinen
06. Lyhyt Matka Hautaan
07. Eloton
08. Haaskalinnut Minut Muistaa
Composed by Janne Partanen, Sami Lustig, Simo Pesonen & Teemu Roth
Lyrics by Janne Partanen
Production, recording & mixing: Sami Lustig
Mastering: Janne Tuikkala
Cover art by Minttu Koskinen
Line-up:
Janne Partanen: vocals
Sami Lustig: guitars
Simo Pesonen: bass
Teemu Roth: drums
https://linktr.ee/hautajaisyo
CULTIST – “SPIRITUAL ATROPHY”
Label: Awakening Records / Futhark RecordsRelease date: march 20th 2026
Genre: Death Metal
For fans of: Morbid Angel | Vastum | Vomitory | Sulphur Aeon
The words squirm and writhe upon the page, like a cold nest of serpents exposed to the dawn light. Each character twisting and changing, unwilling to be held to a form or meaning…and then they lock and my eyes scan across the lines and secrets rise like mist and bleed into my eyes. Too late to look away, too late, too late. My sanity crumbles as the path of fire materialises before me. Things no one should know fill my mind, whispers of wickedness beyond understanding. This is what I sought, craved, what I thought I desired beyond everything. But I am too weak a vessel for this ancient truth. My soul is extinguished, my spirit atrophied, I am hollow and empty. A lich condemned to darkness.
Hailing from Calgary, Canada, Cultist are purveyors of ugly, disturbing death metal, taking graveyard dirt and headbanging rhythms and infusing them with the essence of warped, interstellar madness and a dusting of ancient rites and forgotten spells. Mystification zine praised their 2022 debut album, Manic Despair, for its ‘righteous, punishing aggression’ and ‘brutally thrashed death metal cruelty’, looking forward to what the future might bring for this band who balanced that instinctive hook-laden heaviness with dizzying, otherworldly aesthetics so adeptly. Well the future is now and the time for conjecture is over…Cultist are back, with their new album – Spiritual Atrophy!
Opening with the atmospheric intro of ‘Divination Whispers’ with its sense of brooding menace, slowly building tension and a desperate need for release, Spiritual Atrophy then explodes into the ripping death metal attack of ‘Coursing Between Worlds’ – its adrenaline overload peppered with savage bursts of lead guitar, like snarls of barbed wire. From here Cultist take us riding on the winds of madness through a collapsing universe. From the nervous energy of ‘Neophyte’ to the constantly contorting ‘Ascension’, refusing to settle into a predictable furrow, blasting into different dimensions and adorned in a glorious, howling guest guitar solo from Scott Oliphant, Spiritual Atrophy is raw and rampant in attack, characterful and sophisticated in thought and construction. The collision of old school filth with vicious blades of progression, along with a dramatic triple vocal attack gives Cultist the ability to carve out a place of their own in the ever more crowded extreme music scene. While songs like ‘False Prophet’ and the epic onslaught of ‘Spiritual Atrophy’ may be direct, deadly and violent they are also loaded with high impact moments of quality songcraft, making it nigh on impossible to turn away from the bewildering intensity of this voyage through hellscapes and nightmares.
Thanks in no small part to the recording and mixing skills of Scott Oliphant (Dying Remains, Snakepit etc) and the mastering magic of Rolando Rodas (Smoulder, Rites Of Thy Deringolade, Dire Omen etc), Spiritual Atrophy is armed with the perfect thick and bloody sound – ineffable and devastating. This is death metal from beyond the black…the last gasp of dying worlds and the stench of open graves. Awakening Records will open the gates of the Cultist crypt, unleashing Spiritual Atrophy on CD and digital formats, on March 20th with a special vinyl edition to follow from Futhark Records in late April, early May. Prepare for all hell to be unleashed!
Line-up:
Vanessa Grossberndt – Bass/Vocals
Betzi Poitras – Guitar/Vocals
Jim Petigo – Drums/Vocals
Guest lead guitar solo on Ascension by Scott Oliphant
https://www.facebook.com/AwakeningRecordsCN/
https://futharkrecords.com
https://www.facebook.com/cultistcanada
Extreme
metal force STALWART presents the official guitar and bass
playthrough video for “THROUGH THE DEAD EYES,” originally
released in 2024 and now reintroduced to highlight the technical precision and
compositional depth of one of the band’s most punishing tracks.The playthrough offers fans and musicians a view of the powerful performance details that define Stalwart’s sound, showcasing the band’s discipline, precision, and uncompromising artistic vision to a wider audience.
About Tempvs Edax Rervm
Stalwart's latest album, Tempvs Edax Rervm, delves into the inexorable power of time, exploring themes of fading identity and inevitable decay as "heaven and earth have switched places." The album distills the band's essence—groove-driven riffs, intricate rhythms, and atmospheric layers—into a heavier, darker, and more focused continuation of their intense metal legacy.
Stream the album: https://orcd.co/teralbum
Previous videos:
https://youtu.be/biyuFljFGTQ
https://youtu.be/No_nn9kzzVg
https://youtu.be/mIzbuU9ZbBE
About Stalwart
Formed in 1999 in Saint Petersburg, Russia, Stalwart has built a reputation in the extreme metal scene with a distinctive blend of death, thrash, groove, and progressive metal — combining crushing riffs, intricate rhythms, and atmospheric layers. Over their career, they’ve released six full-length albums through labels including Fono, Soyuz/MetalAgen, CD-Maximum, Metallism, and PRC Music, with four albums produced by the renowned Wiesławski brothers (Vader, Decapitated, Behemoth) at Hertz Studio, Poland. Stalwart has shared stages with Behemoth, Kataklysm, Vader, Amon Amarth, Primal Fear, Finntroll, and Carnifex, performing across Russia, Ukraine, Finland, Estonia, and Germany.
After a hiatus starting in 2019, the band returns with their seventh album, Tempvs Edax Rervm, out early 2026 via WormHoleDeath Records, promising crushing grooves, complex rhythms, relentless blast beats, and immersive atmospheres — a new chapter in Stalwart’s evolution.
www.youtube.com/@stalwart.metalband
Blackened
atmospheric death metal project FROSTMORNER has unveiled the
official visualizer for "DEMIURGE," the latest offering
from the acclaimed debut album ORBITAL KAOS, out now via
Wormholedeath.Ambitious in both scope and vision, "Demiurge" is a track that dares to ask one of existence's questions: what if the universe itself was born from music? Drawing on the ancient philosophical archetype of the Demiurge, the primordial creator of all things, Frostmorner weaves a cinematic narrative in which musical creation and cosmic birth are one and the same. The Demiurge composes. The music plays. And from that music, a universe erupts into being.
The vision is epic and majestic, with imagery that captures the vastness of the cosmos and the immense power of music.
In the final act, the narrative shifts to the universe’s end—evoking the death of a star and the return to singularity.
Orbital Kaos is a collection of self-contained worlds, each track its own standalone entity, orbiting a single, unifying force: Kaos. Not chaos as disorder, but Kaos as the primordial state from which all things emerge.
Stream "Orbital Kaos" now: https://orcd.co/orbitalkaos
Previously released: "Gorgone" https://youtu.be/43VTbW89Hyc
About Frostmorner
Hailing from Sicilian roots, Mario began the Frostmorner journey in 2019. After evolving from a collaborative effort into a solo powerhouse, Frostmorner has carved out a distinct niche in the Blackened Atmospheric Death Metal landscape. Handling all duties from guitars and drums to artwork and design, Frostmorner represents the ultimate DIY spirit in extreme metal, earning acclaim from fanzines and radio stations worldwide.
www.youtube.com/@frostmorner
www.facebook.com/FrostmornerMusicOfficial
Label: Independent Release
Release date: february 27th 2026
Genre: Melodic Death Metal
For fans of: Insomnium | Amon Amarth | Omnium Gatherum | Wolfheart
Conflict is a constant, resurfacing long after the moment has passed - moving through history and war, and settling within oneself. Struggle appears in many forms, from external confrontation to internal collapse, blurring the line between memory, myth, and lived experience. Battles are fought not only on the battlefield, but in thought, instinct, and endurance, leaving marks that shape identity over time… until resilience - the ability to persist, to adapt, and to continue forward while carrying the weight of what came before - becomes the measure of what we endure.
The first nascent ideas that would grow into the formidable entity that is Mývalyĭr appeared during the pandemic, with isolated musicians exchanging fledgling musical concepts, before finally finding its identity and solidifying its purpose in 2023. Mývalyĭr are steeped in the forms and aesthetics of melodic death metal, but they also draw on folk traditions and orchestral stylings, incorporating violin, cello and traditional instruments like the nyckelharpa to bring additional depth and layers to their sound, sending roots deeper into musical history, long past the apocryphal birth of metal. After releasing two singles – ‘Reign’ and ‘Recollection’ – in late 2025, Mývalyĭr are now ready to present their debut full length album. A concept album that explores the idea of the eternal conflict, both within and without, that shapes us and runs through every aspect of our history and culture. The Past Tales is a staggering beginning to the story of Mývalyĭr…
Opening track, ‘Requiem’, is a gateway to the world of Mývalyĭr, a rite of passage through which the listener is transported and transformed, before being plunged into the dark waters of ‘Recollection’. Dense, layered and fierce, with cataclysmic drums, keyboards dancing between the steel-clad guitars and vocals with real bestial menace, ‘Recollection’ is comprised of a multitude of musical chapters. The sense of drama is immense, the melody lines superb…and we have only just begun to make our way through this expansive narrative. The measured and powerful ‘Reign’ is next, imbued with an air of tragedy that twists between the riffs like a cold mist, the harsh vocals a revelation – demonstrating just how evocative and effective this style of delivery can be. Enthroned at the heart of the album, the epic ‘The Past Tales Part 1’ is magnificent from the first note – with haunting melody lines, bloodied riffs and a cinematic feel, as if a curtain is being drawn back to reveal something vast and breathtaking. Beautiful female vocals add a weight of melancholy as “the battle rages on” and a superbly atmospheric conclusion flows directly into ‘The Past Tales Part 2’; an epilogue to Part 1, but tumultuous and emotionally overwhelming in its own right, with superb touches of violin. ‘The Mighty Never Fall’ then grabs you in an iron fist of death metal, immediate, engaging and irresistible, before ‘Renascence’ provides a majestic conclusion, a march from the war-torn kingdom of The Past Tales, back into the light of reality…the vivid, visceral landscape of Mývalyĭr’s creation slowly fading from perception, leaving you with an ache - a need to return.
Adorned in the striking artwork of Felipe Machado Franco (Blind Guardian, Iced Earth, Rhapsody Of Fire etc) and mixed and mastered by Janne Lunnas (Boreal Grave, Shade Of Sorrow etc) The Past Tales is the complete package – a thrilling, immersive listening experience that will never let you go. Your voyage begins on February 27th…
Line-up:
Dale Pountney – Bass
Kai Boyce – Lead Guitar
Stephen Wilkinson – Drums
Joe Clayton – Guitar/Backing Vocals
Natalie Fluess – Keyboards/Violin/Cello/Nyckelharpa/Backing Vocals
Kain – Vocals
https://www.facebook.com/myvalyir
The full album, Depravatus Christianis Sacris, consists of nine tracks of sacred inversion and sonic aggression. It took 18 years for Blasart to release its sophomore album but it's coming. Beware.
“Supplicia Absolutum Numinis Iram” is now streaming:
https://youtu.be/Emrssqhl1K0
https://lavadome.bandcamp.com/album/depravatus-christianis-sacris
Tracklist:1. Depravatus Christianis Sacris
2. Venenum Immersionem Ritual
3. Violatio Mortem illius Nazareni
4. Ritus Impositionis Sacrilega
5. Supplicia Absolutum Numinis Iram
6. Mors Extrema Imminentia
7. Vocatio Sanctis Phallus
8. Luxuriosa Promiscua Unio Carnalis Magnarum
9. Ecclesia Ardere
All music composed by Eduardo Vera
Drums recorded by Pablo Clares (DM6 Recording Studio)
Mixed and mastered by Carlos Fuentes (Estudio Sonido Origen)
Artwork: Luciana Nedelea
Design & layout: Eliseo Pena
Line-up:
Carlo Giaquinta – Vocals
Eduardo Vera – Guitars
Felipe Rodríguez – Guitars
Krayt – Bass
C.I.R.R. – Drums
https://store.lavadome.org
https://facebook.com/lavadome
https://www.facebook.com/blasartchile
Release date : February 20, 2026
Genre : Melodic Black Metal
For fans of: MGLA, Misþyrming, Forteresse, Regarde les hommes tomber, etc...
Origin: France
Duration: 31min48
Label: Les Acteurs de L’Ombre Productions
Network Distributor: Season of Mist / Plastic Head
Digital Distributor: The Orchard
Credits
Vocals : Diffamie / Thomas Deffrasnes
Guitar : Thomas Deffrasnes
Bass : Clément Joly
Drums : Robin Grabmann
GALIBOT invokes “Barbara”
“Euch’Mau Noir bis”, the fully recomposed and re-recorded debut album by Galibot, is now available on streaming platforms as well as in physical format via the shop of Les Acteurs de l'ombre Productions !
But before that, the band chose to give a foretaste by unveiling the track “Barbara” on Atmospheric Black Metal Albums.
Barbara — or Saint Barbara, patron saint of miners — is invoked here by GALIBOT in a song that is both spiritual and visceral.
Black punk in its verses, then more clerical and grandiose in its choruses, “Barbara” draws you into a deep descent, somewhere between rage and solemnity.
“Euch’Mau Noir bis” was recorded, mixed, and mastered at Minotaure Studio under the direction of Julien Baquero.
GALIBOT is a melodic black metal band — but it is also the name given to children who were sent to work in the mines of northern France. And for good reason, as the quintet hails from there.
Initiated in 2023 by Thomas, Agathe and Clément, the project, initially a studio project, aims to establish a parallel between the raw and visceral dark matter that is coal and black metal music. Wallers-Arenberg, the name of the town where the project was born and which bears the scars of the mining industry, was the demo for what was still only a trio.
In 2024, “Euch’mau Noir” — “The Black Devil” in Ch’ti — was released, an album portraying the North as the devil’s cradle, a harsh and infernal land.
At the beginning of 2026, GALIBOT invites you to (re)discover this work in a fully reimagined version: “Euch’mau Noir bis”, scheduled for release on Friday, February 20, 2026, via Les Acteurs de l'Ombre Productions.
This new edition revisits the imagery of the North, a land of dark legends and human tragedies. It brings forth miners shaped by the pits, villages scarred by disasters, and a multiculturalism whose ink stains the pages of Zola.
The six original tracks return transfigured through new arrangements, accompanied by a completely reworked mix and mastering at Minotaure Studio, delivering an even more massive sonic impact.
The tracklist is expanded with the return of “Schlamms”, an emblematic track from their demo, now entirely recomposed and re-recorded, and fully integrated into the definitive version of their debut album.
“Euch’mau Noir bis” was recorded, mixed, and mastered at Minotaure Studio under the direction of Julien Baquero.
Pre-orders are now open for the various editions of the album, which also features a complete visual overhaul by Tryfar, further reinforcing the project’s dark and assertive identity.
Tracklist:
1. Les galibots
2. Cheval de fosse
3. Courrières
4. Barbara
5. Les nords
6. Terre d’euch mau
7. Le Galibot
8. Schlamms
https://lesacteursdelombre.net/product-category/bands/galibot
https://www.youtube.com/@Galibotband
https://www.facebook.com/GalibotBand/
NEWS 21.2.2026
Mit ihrer neuen Single „CONCRETE CROWN“ setzen
GAIA’S LAMENT ein klares Zeichen gegen die fortschreitende und
teils rücksichtslose Verdrängung der Natur durch den Menschen. Der Titel steht
dabei für ein starkes Bild: eine Krone aus Beton – Häuser, Straßen und Städte
–, die der Erde aufgezwungen wird, so dass sie kaum noch Zeit hat, sich zu
erholen.
Dieser Konflikt spiegelt sich auch im Sound wider: kraftvolle, düstere und zugleich atmosphärische Momente erzeugen eine spürbare Leere und Verzweiflung – fast schon ein Hilferuf. Gleichzeitig wird die Botschaft aber zum Ende hin hoffnungsvoll: Mit neuer Stärke und durch die Menschen, die hinschauen und handeln, findet die Natur Wege zurück.
https://www.instagram.com/gaias_lament_official
Am 28.03.2025 veröffentlichten die deutschen Sludge-Doom-Punker KAVRILA ihre EP „HERETICS I“ und feierten dies im Juni mit einer Releaseshow in der Hamburger Wellenschmiede.
Genau von dieser Show gibt es jetzt ein intensives Livevideo.
Die Band dazu:
„Unsere erste komplette Live-Aufnahme überhaupt. Kavrila - Live at Die Wellenschmiede. Eine sehr exklusive Release-Show unserer neuesten EP Heretics I, die am 21. Juni letzten Jahres in der Wellenschmiede in Hamburg stattfand. Wir hätten uns nicht dazu entschieden, dieses Ding zu veröffentlichen, wenn es nicht das eingefangen hätte, worum es bei einer Kavrila-Show geht – ein dreckiges, ehrliches, kathartisches und authentisches Dokument, das die Energie und den Ansatz dieser Band in voller Intensität transportiert.
Danke an flo Schwarz für das großartige grafische editing und grading!“
Hier könnt ihr „Kavrila - Live at Die Wellenschmiede“ sehen und natürlich hören: https://youtu.be/y0IUuR5Tt6g
https://www.facebook.com/kavrilaband/
TÜRBÖWITCH – “UNDER HAUNTED SKIES”
Vö: 20.03.2026
Label: Time To Kill Records
Die ungarischen Speed-/Thrash-Metal-Maniacs TÜRBÖWITCH haben soeben ihr drittes Album "Under Haunted Skies" angekündigt, das am 20. März 2026 über Time To Kill Records erscheinen wird.
Das neue Album markiert einen entscheidenden Schritt nach vorne für die Band aus Budapest, die damit ihre kompromisslose Haltung und ihre unerbittliche Live-Energie, die ihnen einen sehr guten Ruf in der europäischen Underground-Szene eingebracht haben, weiter verfeinert. Mit "Under Haunted Skies" liefern TÜRBÖWITCH ihr bisher fokussiertestes und wildestes Material: eine geballte Ladung massiver Riffs, halsbrecherischer Tempi und instinktiver Dringlichkeit.
Das Album hat seine Wurzeln im Blackened Speed-Thrash und schöpft aus der rohen Wildheit und punkigen Aggression von Bands wie Midnight, der messerscharfen Thrash-Präzision von The Crown und dem dunklen melodischen Drive von Hellripper, wobei es sich dennoch eine klar erkennbare Persönlichkeit bewahrt. Melodische Akzente durchbrechen das gezielte Chaos und verleihen dem Album Tiefe und Charakter, ohne jemals die viszerale Wirkung der Band zu schmälern.
Getreu ihrem kompromisslosen Ethos kanalisieren TÜRBÖWITCH den Geist des Extreme Metal der 80er-Jahre durch ein modernes Gefühl der Unmittelbarkeit und liefern Songs, die schnell, dreckig und auf maximale Wirkung ausgelegt sind. Mit Time To Kill Records als Partner für die Veröffentlichung von "Under Haunted Skies" ist die Band bereit, ihren unheiligen Speed-Angriff einem breiteren Publikum zugänglich zu machen, während sie gleichzeitig fest in der rücksichtslosen Intensität verwurzelt bleibt, die sie seit ihren Anfängen auszeichnet.
Über TÜRBÖWITCH
TÜRBÖWITCH wurde 2016 in Budapest gegründet, ins Leben gerufen von Sänger Zslöd und Gitarrist Kommandante Klit als rohe, schnörkellose Hommage an die klangliche Wucht und den visuellen Wahnsinn des Extreme Metal der 80er-Jahre. Was als lustiges Nebenprojekt langjähriger Freunde begann, entwickelte sich schnell zu einer weitaus fokussierteren und engagierteren Band, die jedoch nie ihre ungefilterte Energie und Liebe zum Chaos verlor. Im Laufe der Zeit wuchs TÜRBÖWITCH zu einer vollwertigen fünfköpfigen Live-Band heran. Ihre Diskografie begann 2016 mit einer Demo, gefolgt vom Debütalbum "Napalm to Posers" (2017), der EP "Beyond the Last Call" (2018) und ihrem zweiten Album "Fullmoon Liquorthropy", das Ende 2022 veröffentlicht wurde. Musikalisch liefern TÜRBÖWITCH eine explosive Mischung aus der Aggressivität des frühen Thrash Metal, der Geschwindigkeit des Speed Metal und einer gehörigen Portion Punk-Attitüde: schnell, laut und vollkommen erbarmungslos. Auf der Bühne hat die Band das Chaos bereits mit Kultbands aus aller Welt geteilt, darunter Abigail (JP), Mystifier (BR), Nuclear (CL), Blackevil (DE), Adversor (IT), Sexmag (PL), Necro Ritual (UK), Siberian Meat Grinder (RU), Deströyer 666 (AU) und Nunslaughter (US) und dabei stets alkoholgetriebene Energie sowie unerbittliche Lautstärke in den Pit gebracht. Ihr Momentum erreichte im Juni 2024 einen neuen Höhepunkt, als sie das Finale des WACKEN METAL BATTLE Hungary gewannen und sich damit einen begehrten Platz beim legendären WACKEN OPEN AIR im August 2024 sicherten, wo sie auf der Bühne des größten Metal-Festivals der Welt ihren akustischen Angriff starteten. Im März 2025 begaben sich TÜRBÖWITCH gemeinsam mit den schwedischen Heavy-Metal-Titanen Enforcer auf Tournee und brachten ihre explosive Live-Energie einem noch größeren europäischen Publikum näher. Hoffnungslos süchtig nach schnellen Riffs, unheiligen Klängen und lauten Partys, gedeihen TÜRBÖWITCH weiterhin im Schmutz und der Wut der Underground-Metal-Szene.
Line-up:
Botond "Khäosz Bringer" Kasper – Schlagzeug, Vocals (Backing)
Péter "Mr. Fireball" Tóth – Gitarren (Rhythm), Vocals (Backing)
Valdemár "Välde" Volcsánszky – Bass
Zsolt "Kommandante Klit" Harsányi – Gitarren (Lead), Vocals (Backing)
Zsolt "Zslöd" Lédeczi – Vocals (Lead)
https://www.facebook.com/turbowitch666
ENSLAVEMENT delivers 10 tracks of unbridled and vitriolic, death-laden thrash metal. This relentless barrage of calculated venom, intense riffing, and punishing rhythmic precision further cements the band's reputation for uncompromising extremity.
Lyrically tied to themes of violence and aggression, Enslavement weaves an interlocking narrative of a subterranean demon harvesting human souls to satiate its unending hunger. This conceptual core adds a sinister layer beneath the album's sonic brutality.
Fans can experience a sample of what's to come with the album's first single, "Bonesaw." The band comments on the song, "‘Bonesaw’ delivers an aural assault on the listener, with all the power of a screwdriver plunged into the eardrum. Delving into the world of dismemberment the track lyrically focuses on the evolution of medical tools in forensic pathology and features razor sharp riffage, a chaotic drum performance, two skin ripping solos and a vocal attack aimed directly for the jugular. Prepare to be taken apart piece by piece with the bonesaw."
Enslavement is due out on April 10. Pre-order the album at https://battlegrave.bandcamp.com/album/enslavement
The album was recorded by Clint Patzel of BATTLEGRAVE, mixed by Tim Shearman and mastered by Logan Mader. Session drums by Robin Stone.
Tracklisting:
1) Soul Chasm
2) There Is Only Death
3) Bonesaw
4) Eyes Of Enslavement
5) Venom
6) The Grand Machine Of Despair
7) Asylum
8) Marked By Evil
9) Under The Banner We March
10) US Outpost 31
Line-up:
Rohan Buntine - Vocals, Lyrics
Clint Patzel - All Strings
Bio:
BATTLEGRAVE are a two-piece death/thrash project from Melbourne, Australia, formed in 2017 following the release of their debut demo track, “Mortar Fire,” which quickly generated strong underground buzz.
The duo followed with the EP To Hell with War (2017) and full-length albums Relics of a Dead Earth (2018) and Cavernous Depths (2022, via Bitter Loss Records), establishing a reputation for blending savage thrash intensity with punishing death metal weight. Their releases have received consistent acclaim across the global metal press and airplay on international radio platforms.
While primarily a studio-driven force, BATTLEGRAVE have also brought their music to the stage, recruiting respected musicians from Melbourne’s metal scene to deliver their blistering sound in a live setting.
Throughout their discography, the project has collaborated with world-class drummers including Kevin Talley, 66Samus, and most recently Robin Stone, further reinforcing the precision and power behind the band’s extreme sonic identity.
https://www.facebook.com/Battlegrave/
IMBOLC - "SETTE CORNICI DI PURIFICAZIONE"
Genre : Melodic Black Metal
Labels : Masked Dead Records / Sulphur Music
Release date : February 27th 2025
IMBOLC third album "Sette Cornici di Purificazione" displays a sound and stuye that ranges from classic up-tempo Melodic Black Metal to passages featuring classical-acoustic guitars, very often supported by synths inspired by '70s and '90s horror films, with a surprising result of various influences in a pretty much old school formula.
The riffing is still a powerful backbone of the IMBOLC sound, supported by a notable melancholy and, musically speaking, a mixture of second-wave Melodic Black Metal and Post-Black Metal in the vein of Agalloch and first-era Satyricon. The themes are once again centered on inner suffering, the discomfort of everyday life and the worthlessness of human beings, once again with references to old school horror cinema.
IMBOLC line-up features members of the notable Occult Black Metal band Darkend, along with relevant italian Death Metal bands such as Demiurgon and Unbirth.
Sales Point:
The artwork is inspired by the film "The Masque of the Red Death" (1964, Roger Corman). Drawn by Maira Pedroni (http://www.mairapedroni.art/)
Old-school Melodic Black Metal style, primarly second-wave;
Reminiscent of first-era Satyricon and Agalloch, but not strictly;
Influenced by 70's-90's horror movies;
With members of Darkend, Demiurgon and Unbirth
https://maskeddeadrecords.com/
https://www.facebook.com/Imbolcoriginal
Listen to “In Perfect Stillness”: https://youtu.be/2yqzJSjE3Uc
“In Perfect Stillness” is available in the following formats:
CD Digipack (Limited to 300 copies): 3-panels, including a 12-page booklet.
LP Dark Green Vinyl (Limited to 200 copies): Includes a 12-page 30x30cm booklet.
Digital
“In Perfect Stillness” features guests Sarah Fielding (Darkest Era) on “My Tomb Beneath The Tide”, along with John Wilson (Piano) and Raul Andueza (Cello) on the track “Footsteps II”. Domhain and Chris Fielding produced the album. Engineered and mixed by Chris Fielding at Foel Studio, and mastered by Mike Lamb.
Pre-order now via These Hands Melt: https://ffm.bio/domhain
Following the success of their “Nimue” EP and 2024 appearance at Fortress Festival, the quartet’s first full-length effort marks a shift in perspective. Moving away from the purely mythological themes of their earlier work, the new record explores the human connection to the land, specifically the tension between our species and the natural world, and the concept of death as a return to the earth rather than a finality.
The band will showcase the new album live at their album launch show on Saturday, March 7th, at The Voodoo in Belfast, Northern Ireland.
Hailing from Northern Ireland and consisting of four experienced musicians from the Irish metal scene, Domhain is a quartet that blends an emotional mix of post-black metal, blackgaze, and atmospheric black metal, featuring distinctive vocal harmonies and cello. Their debut EP, the three-song EP “Nimue” (October 2023), showcased their long-form songs filled with myths and remembrances, featured guest cello by Jo Quail and was recorded at Foel Studio with Chris Fielding (Conan, Primordial).
Following their debut, they released the split EP, “Of Pine and Oak” (May 2025), with labelmates Ephemeral, which the band described as "an ode to nature".
Domhain's powerful live show has garnered significant attention, notably at Fortress Festival 2024, where Kerrang! praised their set as “something bracingly original about their specific black metal blend: a sound that you can drift off into even in a live setting” and that “they already have the material to become giants of the genre”.
Tracklist:
1. Una Tarra Ci Hé
2. Talamh Lom
3. Footsteps II
4. In Perfect Stillness
5. My Tomb Beneath the Tide
Domhain are:
Andy Ennis - Vocals & bass guitar
Anaïs Chareyre-Méjan - Drums, vocals & cello
Nathan Irvine - Guitars
Ashley Irwin - Guitars & backing vocals
https://thesehandsmelt.shop/
https://www.facebook.com/these.hands.melt
https://www.facebook.com/Domhain.band/
SLOWLY
WE ROT #27
is in the works!
Adverts & compilation CD slots available for reservation!
Deadline for promo submission, adverts and compilation booking: 30th of April 2026
Please find below some details on SWR#27:
A4 size
glossy paper
old school black & white
English written
professional print
+ Free Compilation CD!
genres featured: Heavy, Thrash, Progressive, Power, Death, Grind, Black, Gothic, Symphonic, Doom, Dark Metal and the likes
check out previous issues here: https://slowlywerot.limitedrun.com/
Bands / labels / agencies ask for affordable advert rates, compilation CD reservations info and promo submission info.
Guidelines for compilation CD reservation:
please email first and ask for availability and rates
traditional & extreme metal only (above-listed genres)
only good quality recordings (no rehearsal sound, no live recordings)
Deadline for promo submission & advert booking: 30th of April 2026!
Issue 26 and previous issues available here: https://slowlywerot.limitedrun.com/
Thanks for your support!
Finnish melodic death metal band CROWEN released a new EP 'THROUGH THE DYING MIST' on February 20th 2026 via Inverse Records.
Listen to Through the Dying Mist EP on streaming services: https://push.fm/fl/crowen-through-ep
The Finnish death metal band Crowen’s third EP Through the Dying Mist paints a dark and mysterious journey where death and darkness walk side by side with human suffering.
The lyrics wander along the borders of shadows and twilight, where the ghosts of the past live alongside reality. The whole release combines storytelling with melancholic depth, creating a wistful and dark atmosphere. It is a journey into the beyond, where hope and destruction intertwine with metallic power and beauty.
Vocalist-songwriter Esa Uusimaa describes the finished EP as something different from what he initially envisioned. Sensitivity has entered the interpretation as a new element: “The songs transformed from relentless blast beats into something more restrained, melancholic, and mournful. Minor-key melodies run throughout the EP. Clean vocals are something new for me musically, since I’ve been a growler all my life. After a couple of listens, even my own ear got used to them. They allow for powerful choruses and make the overall sound more emotional in its minor-key atmosphere. They also gave me a fresh perspective on songwriting,” Uusimaa explains.
Crowen began as Esa Uusimaa’s solo project. In 2025, Crowen grew stronger with the addition of lead guitarist Sami Sandberg, bringing a new dimension to the songs on the forthcoming Through the Dying Mist EP. The two musicians go back years, having played together in Rain Of Acid.
Watch
'Ember Wraith' music video: https://youtu.be/0N_QWg4VI-w
Watch 'The Unwritten End' music video: https://youtu.be/GhGC64KsVr0
Watch 'I Am The Sorrow' lyric video: https://youtu.be/nhEBOEWh3Uw
Track list:
01. Ember Wraith
02. Line of Silence
03. I Am The Sorrow
04. The Unwritten End
Composed, lyrics, recorded, mixed & produced by Esa Uusimaa.
Mastered by Ville Hautaluoma
EP cover by Jussi Virtanen
EP Line-up:
Esa Uusimaa – vocals, guitars, keyboards
Sami Sandberg – guitars, lead guitar
Tuomas Saukkonen – bass
http://crowenofficial.net
https://www.facebook.com/CrowenOfficial
Label: Ardua Music
Release date: february 27th 2026
Genre: Melodic Doom Metal
For fans of: The Gathering | The 3rd And The Mortal | Inborn Suffering | Katatonia
Taking their name from the Norse goddess of death, Spanish voyagers through realms of shadow and sorrow, Hela, formed in Elche, Spain in 2012. They quickly made their mark on the doom metal scene with their well-received debut album, Broken Cross, which was picked up for a vinyl release by the respected Svart Records. Their star continued to rise with their second and third albums – Death May Die and Vegvísir – their sound developing in a natural and organic way. Trends and fashions have always been meaningless to Hela, with their reputation being based on honesty of expression and a palpable passion for the music they create. The global pandemic ushered in a period of silence from Hela, with the personal changes of circumstance that life tends to bring following in its wake…but the time for their reawakening has come. With new vocalist Raquel Navarro adding her sublime, dreaming tones to the band’s most emotive music to date, Hela are poised to present A Reign To Conquer.
Opening track, ‘Vessel To Nowhere’, begins in forbidding fashion, with dark, cold and powerful chords before engaging melodies and warmly human vocals open up that daunting exterior. Portentous narrative passages lend weight, while the lead guitar takes hold of your heart in an ascending spiral of emotion. ‘The Infinite Tower’ introduces a lightness, an ethereal feel as superb guitar lines flit like ghosts between the dreaming passages and storm-tossed, turbulent passions. A captivating piece, from the pinnacle of this tower you can gaze out across a landscape painted in the muted colours of dusk…and with each track we fall a little deeper into Hela’s embrace. ‘Crystal Bridge’ speaks in a universal language, connecting with the listener at a fundamental level beyond words as its wistful melancholy and bittersweet reflections build to an overwhelmingly powerful chorus. There is a sense of journeying through this album, of onward movement, as we walk, drift, float, stumble and soar through the cascading guitars of ‘Emerald Mirror’, the waltz through emptiness and memories of ‘Architect Of Disorder’ to arrive at the towering conclusion of ‘Nomad’…only to find that the journey continues – the restless nomad wandering the dusty paths of the world for eternity, with only the ghosts of lost loves for company. Hela have continued to grow, to subtly transform, to follow where their hearts and their music lead them…and A Reign To Conquer is a work of beauty that could only have been achieved through that open authenticity and untarnished integrity.
Recorded at the Red Records studio in Alicante, with Jose Franciso Rojo and mixed by the band’s own Julian Velasco, A Reign To Conquer was then mastered by Dan Swano whose touch has dusted albums by so many acclaimed artists with magic; from Barren Earth to Hypocrisy, Novembers Doom to Novembre…the list is practically endless. The result is an album of rare vitality and potency, an all-encompassing presence that holds the attention effortlessly. Adorned, as always, in the evocative imagery of Deadsign, A Reign To Conquer will be released by the highly regarded Ardua Music on CD digipak and digital formats and by Tormo Records on limited edition vinyl on February 27th. If you have yet to discover the fragility and power of Hela then now is the time. If you are a seasoned traveller, then welcome back to the road that never ends…
Line-up:
Raquel Navarro · Vocals
Julián Velasco · Guitars, fx
Tano Giménez · Bass
Miguel Fernández · Drums
https://www.arduamusic.com/
https://www.tormorecords.com/en/
https://www.helaband.com/
https://www.facebook.com/Helaband/
Emerging
from the unholy metal grounds of the Norwegian west coast, EVIG NATT
proudly announces the worldwide release of their cinematic new masterpiece, VAKETIMEN,
out today.
Deeply rooted in the atmospheric traditions of their homeland, Evig Natt, featuring former members of metal legends Einherjer and Enslaved, expands the horizons of the genre. Vaketimen is an evocative journey through "Orchestral Gothic Doom Metal," a sound that is as aggressive as it is subtle, and as noisy as it is beautiful.
Following the success of their self-titled 2016 release, which saw the band touring from Belgium to Japan, Vaketimen represents a refined evolution. The album balances crushing riffs with elegant, slow-burning arrangements, creating a tension-filled landscape of melody and earned darkness. Drawing inspiration from icons like Anathema, My Dying Bride, and Swallow The Sun, Evig Natt blends progressive elements with black metal intensity to create something truly unique.
Vaketimen is available now on all digital platforms: https://orcd.co/vaketimen
The album has already generated significant buzz with four powerful singles and music videos:
https://youtu.be/BpL5w49vpjE
https://youtu.be/jGkC4-dh29g
https://youtu.be/XN-6jDi2_G8
https://youtu.be/qSUEaUzN874
About EVIG NATT :
Formed in 2003 in Karmøy, western Norway, EVIG NATT began as a studio project by vocalist Kirsten Jørgensen and bassist Stein Sund, later joined by drummer Harald Magne Revheim. The band released their acclaimed debut I Am Silence in 2007 via Omvina Records, followed by Darkland in 2010 on Black Bards, earning international praise and features in magazines such as Metal Hammer and Scream. Their self-titled third album arrived in 2016 and led to tours across Europe and Japan.
Musically, EVIG NATT sit at the crossroads of gothic doom, progressive metal, and black metal, with influences ranging from Anathema and My Dying Bride to Swallow The Sun and The Provenance. Members have also been connected to Norwegian metal pillars Einherjer and Enslaved, further grounding the band in the country’s heavy legacy.
With Vaketimen, EVIG NATT sound focused, mature, and unafraid to let the music breathe. This is not about excess. It’s about atmosphere, emotion, and the long shadow that lingers after the final note.
Evig Natt is:
Kirsten Jørgensen: Vocals
Stein Sund: Vocals and bass
Arne Marton Tangjerd: Guitar
Ruben Osnes: Guitar
Tom Andre Enge: Drums
www.youtube.com/user/EvigNatt1
www.facebook.com/evignattofficial
The new release of Devenial Verdict has completely re-recorded exploring the band's roots before they started sounding completely like they do now. It essentially means that this is more of the "pure death metal" stuff - punchy, catchy, and with a good dose of the Morbid Angel sound.
It's easy to discern the more dissonant and atmospheric influences seeping in their music (which are synonymous with the band's sound now) and all in all, it's a fun release that should appeal more to the straightforward death metal fans. Listen to one of the songs at https://www.youtube.com/watch?v=7xKGx3_rt1k
DEVENIAL VERDICT – “OLD BLOOD - FRESH WOUNDS”
For
fans of
- Morbid Angel, Obituary, Ulcerate, Dysgnostic, Crown of Madness, Mithras
"This release celebrates the 20th anniversary of Devenial Verdict. We wanted to update some of our older songs on this EP; these songs mark some of the most important musical moments of us as a band. We have the first instances of dissonance in our music and the seeds of our melancholic and atmospheric leanings; we have brutal passages and rare instances of melody. It was really eye opening to realise that all the influences were there all along! Some of these songs have never been properly released and exist only as live videos captured at our shows.
We wanted to add Soulthirst EP to this release since 2026 marks the 10 year anniversary for that release. Soulthirst functions as the bridge between all of our older material and our current sound, which we fully unleashed on Ash Blind in 2022."
Line up
Okko Tolvanen - Drums
Sebastian Frigren - Guitars, backing vocals
Antti Poutanen - Bass, backing vocals
Riku Saressalo - Vocals
Artwork by Niilas Nissilä
Track listing
1. Rituals of Ignorance
2. Swarms of the Mindless
3. Elysium
4. The Unborn God
5. Thrones
6. Fall of Faith
7. Sun Hammer
8. The Corinthian
9. Despoiler
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/DevenialVerdict
Thank you very much! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
Sweden’s
Darkest Ritual Has Begun: MINDISTRY Ignite Hellfire With ‘HEMSÖKT’.
Emerging from the industrial shadows of Gothenburg, Mindistry return with their
first single of 2026, Hemsökt, a ferocious collision of mechanical riffs,
occult symbolism, and psychological descent.
Blending the crushing intensity of Rammstein, the militant precision of Marilyn Manson, and the cybernetic aggression of Ministry, Mindistry carve their own scorched path through the industrial metal landscape.
Hemsökt, Swedish for “haunted”, is exactly that. A possession. A descent. A ritual set to distortion and steel.
Built on grinding riffs, infernal rhythms, and hauntingly melodic vocal hooks, the track fuses occultism, hellfire imagery, and themes of mental unraveling into something both brutally raw and disturbingly catchy. The Swedish lyrics paint visions of cold hands guiding the innocent into darkness, unholy psalms whispered in dead tongues, and an eternal dance in sulfur and flame. It’s theatrical. It’s oppressive. It’s addictive.
The single also marks a defining moment for the band, their first release as a full lineup featuring Gustaf (guitar & vocals), Dan the Man (bass), and Marko (drums). The chemistry is undeniable. The sound is tighter, heavier, and more menacing than ever.
As the lead single from their upcoming EP OKKULT, due later this year, Hemsökt sets the tone for what’s coming: industrial metal rooted in ritual, atmosphere, and raw human darkness.
This isn’t just a song.
It’s an invitation.
Join the ritual. Become part of the undying and the everdead. Enter Hemsökt.
Biography
Brace yourself for a sonic onslaught from the heart of Gothenburg, Sweden. Mindistry is your gateway to the fusion of industrial metal and relentless thrash riffs, all wrapped in a cutting-edge modern sound. Dive into the depths of existential turmoil with our dark, introspective lyrics that explore the spectrum of life, death, and everything in between. Founded in 2019 by Gustaf Hammarin, Mindistry is a one-man powerhouse where Gustaf serves as the driving force behind the songwriting, rhythm guitar, and vocals. Influenced by the likes of Raubtier and Sabaton, Mindistry promises an elec
https://www.facebook.com/Mindistry/
PHASMA – “PURGATORY”
For
fans of -
Mgla, Dying Fetus, Crypts of Despair, Kriegsmaschine, Psycroptic
Greek band Phasma are attempting to meld influences ranging from black metal to brutal death metal and everything in between. The music effortlessly oscillates from sharp black metal riffs to pummelling death metal blasts with matching vocal styles, and even toss in a breakdown or two in the middle. It’s something that doesn’t seem to work on paper and yet they manage to make it sound cohesive and convincing enough, with songwriting that's elaborate and well thought out to warrant songs lasting beyond mere novelty quick-listen length. Every song seems like an extension if not an improvisation over the previous one, as the band unfurls dimensions within the sound that they have concocted. Bands playing a mix of styles isn't uncommon but to intermingle influences of such disparate, almost contrasting styles is fascinating and remarkable especially when they have high replay value and lasting appeal. Like it or not, Phasma are here to stay.
Lineup
Jason Athanasiadis (Kawir) - Guitars and songwriting
Luis Ferre (Gravecarver) - Vocals and lyrics
Bill Nanos (Dead Conregation) - Drums
George Markantonis - Bass
Album cover by George Angelis
Merch design by CVSPE
Track listing
1. I
2. II
3. III
4. IV
5. V
6. VI
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/PhasmaProject
Thank you very much! Kunal Choksi Label Owner Transcending Obscurity
Tour dates are as follows:
April 30 - San Diego, CA - The Banshee*
May 1 - Long Beach, CA - Que Sera*
May 2 - Los Angeles, CA - Zebulon
May 3 - Atascadero, CA - Dark Nectar
May 4 - Sacramento, CA - Cafe Colonial*
May 5 - Oakland, CA - Thee Stork Club*
May 9 - Seattle, WA - Nuemos (Northwest Terror Fest)
*Dates with GIGAN
Willowtip Records released BARREN PATH debut album, GRIEVING, last year on Halloween. The album is available on CD, vinyl, and digital formats. Stream/Purchase below.
Track
Listing:
1. Whimpering Echo
2. Subversion record
3. Primordial Black
4. No Geneva
5. Isolation Wound
6. The Insufferable Weight
7. Relinquish
8. The Unreliable Narrator
9. Celestial Bleeding
10. Lunar Tear
11. Horizonless
12. In the End… The Gift is Death
Line-up:
Takafumi Matsubara : Guitar
Bryan Fajardo : Drums
Mitchell Luna: Vocals
Rory Kobzina : Guitar
Mauro Cordoba: Bass
https://www.facebook.com/willowtip
https://www.facebook.com/people/Barren-Path/61579110541664/
Finnish
modern melodic death metal band VOLUCRINE are set to release
their fifth album via Inverse Records later in 2026.
The first single, 'GOLEM', is released today, and its music video is available here: https://youtu.be/bb9rVOdwLwo
The band's mastermind Jupe Velin comments:
" After the great volcano erupted, the world was left barren and empty. The earth was covered in petrified magma and the air was heavy with ash. As if by a miracle, however, something in the gray mist moved. The boulders and cobblestones rattled and grinded as they piled up on top of each other. They climbed towards the sky, slowly twisting into a spine. The wind helped the sand draw its expression, the clay bound its limbs together. Assembled from the fragments of a bygone world, its cold shell began to resemble a human, but one without a purpose. Even though it didn’t know which way to go, two things were certain: It had a melting heart and a burning desire to live.
As a composition, GOLEM was built up from the, perhaps even a little bit folk-inspired, guitar melody heard in the chorus. When you add Volucrine’s typical riff texture and a crushing verse, the result is a surgical strike in song form that can be proudly presented as the first single from the upcoming album. The lyrics are addressed to those who sometimes feel that life takes away more than it gives. I would like to remind them that navigating through a void without a view requires guts and strength of character. Even there, you might find new life."
Listen to Golem on streaming services: https://push.fm/fl/volucrine-golem
Biography:
VOLUCRINE are a Finnish alternative metal collective, who released their debut album in 2011. Four albums, two EP’s and countless live shows later, the band's personal style has been honed to its peak, still emphasizing bold testing of boundaries within their genre. The band has a strong focuson their lyrics, which, due to their deeply personal nature, give Volucrine’s music a human voice.
After the ETNA LP (Inverse Records 2024), which garnered a lot of positive attention worldwide, the band is finally ready to present new material from their upcoming album, which will be released in the fall. With the theme of rebirth, we can expect the unexpected from this album as a great circle is closed.
Line-up:
Jupe Velin - Vocals
Joni Kyynäräinen - Bass
Jani Aalto - Drums
Marko Orava - Guitar
Erik Lindroos – Guitar
https://www.facebook.com/volucrineband
Listen to the single on music services : https://push.fm/fl/sdf-crownofstars
From Southern Finland's gray landscapes rises SUPERDEATHFLAME, the Style-Masters-of-Metal ready to conquer the world with our mature and melodic music that catches the ear. Founded in 2007 and released two full length albums and a batch of singles and EP. Their songs are made for listener, no bullshit. The songs are hard, every piece tells a real story of life. The foundation, the Four Pillars of our Metal are Rock-solid guitar riffs and punchy drumbeats colored with flowing synths and world class choruses that are infectiously catchy. Superdeathflame is building their music with an increasingly determined focus to make every song sound simple and easy to a listener. Not forgetting multidimensional interpretation in the lyrics, that gives the depth to the songs.
https://www.facebook.com/superdeathflame/
Label: Xtreem Music
Release date: april 23rd 2026
Genre: Thrash Metal
For fans of: Death Angel | Nuclear Assault | Voivod | Forbidden
Nobility degraded, nature disfigured…tooth and claw, blade and bullet, animal and war machine made one. Flesh and circuitry, bone and steel, fused and driven by a single terrifying purpose, an absolute need to kill and destroy. The party is over and the time for fun is finished; now the world must burn. Pain maddened, blood hungry, consumed with an undeniable need for vengeance – the wolf beast is unleashed!
Since 2010 the Turin based wolves of Ural have been blending full-force thrash metal with crossover adrenaline and a willingness to step outside the confining boundaries of genre. Three explosive full-length albums – Party With The Wolves, Just For Fun and most recently Psychoverse – along with a brace of EPs, have carved their name into the hearts of thrashers everywhere. Now the pack are ready to unveil their fourth album, their second for the renowned Xtreem Music label and their most ferocious and far reaching to date – Anthropic Genetic Involution!
Anthropic Genetic Involution’s opening track, ‘Extreme Paranoia’, delivers an array of Ural’s exceptional traits right off the bat – clear, powerful lead vocals, jagged, spikey riffs, touches of VoiVod-ian dissonance, outstanding, fluid solos…awesome elements hit you from every angle. Tracks like ‘God Of Lies’ encompass so much musical diversity in such a cohesive, finely honed form, delivering thrash at its freewheeling, expansive, creative best. As the album powers on through ‘Wasteland’ you can never be certain where Ural are going to take you; they’re always one step ahead and that ability to surprise keeps everything fresh and interesting. At the same time, a song like ‘Rat In A Cage’ is supremely satisfying, bringing together crossover adrenaline, inherent melody and accomplished songcraft, topping it all off with a searing solo of classic metal brilliance. In fact the lead guitar work throughout this album is simply brilliant! A real unexpected twist comes in the form of ‘Flat Black’ – a savage reinterpretation of a classic tune from jazz trombonist J.J. Johnson. Meanwhile an absolute highlight is the vehement, burning thrash attack of ‘Terror Eyes’, where complexity and ferocity entwine to stunning effect. Towards its conclusion ‘Terror Eyes’ finally breaks down into a great snarling riff with another amazing solo dancing in its flames, before tumbling straight into final track ‘…To Change Your Vision’; a grinding, atmospheric coda, a final act of measured riffing and tension as the Ural wolfpack head back to their lair once more.
By retaining the services of producer Davide Billia (Avulsed, Beheaded, Holy Terror etc), who harnessed the lightning of Ural’s Cyber Requiem EP and Psychoverse album, the band have captured the perfect sound for Anthropic Genetic Involution – sharp, crisp, clear and powerful. Ural have also kept up their successful working relationship with artist Luca SoloMacello (Elvenking, Pentagram, Wormwood etc) – who has created the most impactful Ural cover art yet! Anthropic Genetic Involution will be released by Xtreem Music on CD and digital formats on April 23rd and is set to be one of the most exciting and energized thrash releases of 2026.
Line-up:
Andrea Calviello - Vocals
Alex Gervasoni - Guitars
Luca Caci - Guitars
Stefano Cipriano Moliner - Bass
Filippo Torno - Drums
https://www.xtreemmusic.com/
https://www.facebook.com/URALWOLFTEAM/
MEK NA VER - "NOCTIVAGA"
Genre
: Atmospheric
Black Metal
Labels : Masked Dead Records / Sulphur Music
Release date : February 27th 2025
MEK NA VER is the parallel dimension, the invisible and astral realm where only the deepest sensations dwell, the feelings words cannot describe, the unseen. It is the place where pain, regret, and abandonment arise and exist in pure form, without the need for definitions.
With a line-up featuring members of the legendary Symphonic Black Metal band OPERA IX and ex-ABORYM, this second album titled "Noctivaga" is a must-listen for every hard-core fans of the genre. More specifically, Atmospheric music in the vein of Saor and the Northern Silence releases, with a strong backbone of second wave Black Metal.
This album is a descending journey into witch-related mournings, an ontological widowhood, the radical rejection of linear time and light. Through witchy archetypes, it explores the stages of the disintegration of the veil.
The artwork, painted by Dipsas Dianaria (vocalist) herself, depicts a wintery landscape inhabitated by an owl; a perfect depiction of the album's atmospheres and symphonies: cold, sheer and magical.
Steeped in an esoteric folklore of decadence, "Noctivaga" is an invitation to lose yourself in the call of the dark.
Sales point:
For fans of Saor and the Northern Silence catalog;
Strong second wave Black Metal backbone;
With members of OPERA IX and ex-ABORYM;
Symphonic sound; cold, sheer and magical;
Witchy, esoteric folklore themed.
Tracklist:
1. Silenzio d'Incanto e Fiele
2. Strix - Elegia Lunae
3. Strige - Altar of Unspoken Vows
4. Strigae - Canticum Nihilitatis (il Canto del Nulla)
5. Strigoi - In Nihilum
6. Ascensio Astrae (tra le Stelle) [Feat. Federico Sanna on vocals]
7. Sabbat - Vespera Ultima
Line-up:
Dipsas Dianara (Opera IX) – Vocals, Bass, Songwriting
Thomas A. (ex-Aborym) – Guitars
Andrea S. – Drums
Emanuele T. (Opera IX) – Synths & Keyboards
https://maskeddeadrecords.com/
https://www.facebook.com/MekNaVer
Where previous albums have all progressively stepped downward into darker and more brutal territory over the years, The Profound Darkness conjures a demonic presence that feels closer than ever before. This album is an exploration of the darkness that awaits us all beyond the grave - a journey through the various forms that the great unknown may take, told through a collection of 9 carefully crafted stories.
An infernal blend of Death and Blackened Thrash metal, IN MALICE'S WAKE continue to prioritize crafting songs that stand the test of time - songs that speak with a haunting, iconic and truly recognizable voice.
IN MALICE'S WAKE calls the album a tribute to all the incredible people who have supported the band globally over the previous quarter of a century.
The Profound Darkness is due out on May 1.
Tracklisting:
1) The Profound Darkness
2) Beyond Death
3) By Tongues of Demons
4) The Last Song
5) Numb to Paradise
6) Upon My Flesh
7) The Great Purifier
8) Away from the Light
9) The Darkness Below Us
The Profound Darkness was mixed by Chris Themelco at Monolith Studio in Melbourne, Australia and mastered by Plec Johansson at Panic Room Mastering. Artwork by Shaun Farrugia of IN MALICE'S WAKE.
Line-up:
Mark Farrugia - Drums
Shaun Farrugia - Vocals, Guitars
Karl Watterson - Bass
Leigh Bartley - Guitars
Bio:
IN MALICE'S WAKE are the unholy crossing of Death Metal, Thrash Metal and total darkness. Over two decades of savagery across countless stages and five studio albums have honed the band into the force it is today. Combining timeless songwriting with an infamously violent live show, IN MALICE'S WAKE have left a true impression throughout Australia and overseas.
IN MALICE'S WAKE have supported many of the greats, including TRIUMPH OF DEATH (CHE), POSSESSED (USA), BLOODBATH (SWE), DESTRUCTION (GER) and countless others. The haunting melodies and iconic songwriting are most present in the latest demonic opus - The Profound Darkness.
With release of this album, IN MALICE'S WAKE now extend their shadow to reach to an even greater audience, while celebrating this latest release with their incredible long-term supporter base.
https://www.facebook.com/inmaliceswake
EL
MUERTO,
the Netherlands' one-man Black/Death Metal project, has released the official
video for "LICH KING," a track from debut EP, LOST
AND AMSTERDAMNED!
FFO: Opeth, Immortal, Emperor, Mgla, Death
Look and listen at: https://www.youtube.com/watch?v=g2sSm-aqquI
El Muerto was born in the depths of personal crisis, a raw and unflinching document of depression, trauma, and the desire to disappear. Conceived as a final message from an artist who had lost the will to live, each track captures a chapter of that darkness. But this record is no longer a goodbye. It’s proof that even in the shadows, something can still survive.
El Muerto is the alter ego of a multi-instrumentalist whose journey spans continents, from the underground metal scene of Mexico (Sekhmet) to experimental projects in Australia (Conscious Comma), now anchored in the Dutch landscape. With Lost and Amsterdamned, he delivers a fiercely collaborative black/death metal EP shaped by the frostbitten influence of Immortal, the grim atmosphere of Darkthrone and Mgła, and the progressive shadows of Opeth and Emperor.
Driven by guitar-forward compositions and visceral vocals, the record balances old-school extremity with cinematic vision. Each track is both a personal exorcism and a descent into archetypal horror, as described by below by El Muerto.
"Enthroned in the Tower of Shadows (The Witch)" – A theatrical black metal tale of the witch-queen reigning from a tower of obsidian. Ritualistic, grand, and venomously lyrical, it reads like folklore soaked in blood and fire. Betrayal, treason and lies.
"Ghosts of Torment" – An inner war against unseen forces. This track is a descent into madness where haunting spirits represent trauma, anxiety, and mental illness. Dissonant and despairing, it’s a song about being torn from within—and haunted from without.
"Lich King" – A blighted anthem of death’s dominion. With imagery of skeletal monarchs and ruined worlds, it’s a march into the void, full of oppressive riffing and funereal dread.
"A Song for Ran" – A melancholic invocation of the Norse sea goddess, casting despair into the sea’s cold embrace. Melodic and mournful, it drifts between surrender and transcendence beneath crashing waves and whispered death. Where the final rest in the most peaceful as well.
"Blood Crypt" – The EP’s most venomous moment: a burial rite soaked in bile and loathing. A brutal poem of closure through decay, it turns memory into rot, laying ghosts to rest in a cathedral of scorn."Wolves of Den Haag" – Inspired by the real-life cannibalistic murder of Dutch statesman Johan de Witt in 1672, this track uses historical horror to reflect modern betrayal and societal rage. Gnarled riffs and spectral tension echo through The Hague’s ghost-soaked streets.
Each song speaks in the language of metal, but beneath the corpse paint and distortion lies something deeply human—anguish, defiance, and ultimately, release.
Each of these songs reflects personal trauma through the lens of myth, horror, and metal’s harshest language turning lived experience into sonic ritual. Lost and Amsterdamned no longer marks an ending. It is a violent testament of survival, memory, and transformation. A cathartic howl from the pit—and the sound of someone crawling out of it.
The album's rhythm section features guest musicians from international metal acts, such as downunder's Norse and Europe's Adarrak.
Mixed by the legendary Tomas Skogsberg of Sunlight Studios in Sweden and mastered by Ricardo Botello. Recorded in studios across the Netherlands.
Track Listing:
1. Enthroned in the Tower of Shadows (The Witch)
2. Ghosts of Torment
3. Lich King
4. A Song for Ran
5. Blood Crypt
6. Wolves of Den Haag
Credits:
Produced by Ricardo Botello
Mixed by Tomas Skogsberg in Sunlight Studios, Stockholm, Sweden.
Mastered by Stefan Brown from Abbey Road Studios.
All artwork created by Francisco Torres Beltrán
Line-up:
Ricardo Botello - Guitars, Vocals, Piano
Zigor Munoz - Bass (except "Ghosts of Torment")
Tommaso Tani - Bass on "Ghosts of Torment"
Robin Stone - Drums
Bio:
El Muerto is the alter ego of a multi-instrumentalist, Ricardo Botello, who has made the Dutch landscape his creative home for the past years. His musical journey spans continents, from his work with the Mexican project Sekhmet to time spent with Australia’s Conscious Comma.
Now unveiling his debut EP, Lost in Amsterdamned, El Muerto presents a collaborative effort that features a dynamic cast of guest musicians.
https://elmuerto2.bandcamp.com/album/lost-and-amsterdamned
Finnish
melodic death metal act OBSCURE FATE is about to release their
debut album 'SHADES OF A DYING WORLD' on March 27th 2026 via
Inverse Records.
The third single 'VALHALLA' is unleashed today and it's available here: https://push.fm/fl/obscure-fate-valhalla
The band comments:
" The song "Valhalla" has a straightforward theme: the Vikings' military campaign and the promise of entry into Valhalla. Structurally, it is a conventional song whose catchiness comes from its rhythm and perhaps even its cheerful-sounding melody."
Biography:
Obscure Fate was originally formed in 2008 in Paltamo, Finland, as the solo project of guitarist and songwriter Kaleva Kovalainen. In 2009, drummer Jari Keränen and bassist Petri Möttönen joined, giving the songs their first real band form. Shortly after, guitarist Joni Moisanen and vocalist Tapio Möttönen became official members, and together the group arranged dozens of tracks for full band performances. From the very beginning, Tapio handled the lyrics, with Petri contributing to the song Spectral Exile.
The current lineup was completed in 2019 when bassist Antti Möttönen replaced Petri. Musically, Obscure Fate is rooted in traditional melodic death metal, though elements of thrash and classic heavy metal also find their way into the band’s sound. Kaleva’s prolific songwriting provided a strong foundation for the band, while the lyrics explore themes of social criticism, fictional storytelling, and inner struggles.
In 2021, Obscure Fate released their first EP. Recording sessions for their debut full-length album began soon after, but due to various setbacks the process turned into a long and seemingly endless project. Finally, in April 2025, the band reached the final stages of completing the album, marking an important milestone in their journey. The debut album 'Shades of a Dying World' is set to be released in March 2026 via Inverse Records.
Track list:
01. Shadows of the Past
02. Beyond Pain
03. Turn To Dust
04. Spectral Exile
05. Age of Delusion
06. Shade of the Destruction
07. Reign of Madness
08. Valhalla
09. Spirit of Vengeance
10. Poison Throne
11. Eksyneiden Jumala
Album cover by Jarno Lahti
Mixed by Tero "TeeCee" Kinnunen
Mastered by Mika Jussila, Finnvox Studiot Oy
Line-up:
Kaleva Kovalainen, Guitars
Tapio Möttönen, Vocals
Jari Keränen, Drums
Joni Moisanen, Guitars, Backing Vocals
Antti Möttönen, Bass
https://obscurefate.net
https://www.facebook.com/ObscureFateBand
THE HOLEUM – “ENSIS “
Genre
: Progressive
Doom/ Post Metal
Release dates: March 20th, 2026
Baptized with a name derived from astrophysical theories about dark matter and black holes, THE HOLEUM was formed in 2014 in Alicante, Spain. Founded by former members of NahemaH, Demised, quantumXperience, Hela, Neptunian Sun, and Priest of Dawn, the quintet set out to push the boundaries of heavy music and to intensify the emotional impact of darkness in sound. Their concept is both cosmic and sonic: “THE HOLEUM is related to the dark matter that forms the black holes in the universe. THE HOLEUM is not a black hole, but black holes are formed by The Holeum. That is the idea from which we extract our concept – we are a sonic and cosmic vision of the sublime.”
With their third album “Ensis” (2025), the band continues its journey through experimental metal, death doom, melodic metal, and post-metal. This work is more than a continuation – it is a condensation and expansion of their previous soundscape. “Ensis” reveals itself as finely nuanced, challenging, yet at the same time profoundly sensitive and multifaceted. The songs unfold like cosmic landscapes where heaviness and melancholy meet subtle emotionality. The intensity remains palpable, but it is complemented by a deeper sensitivity that draws the listener into a fragile balance between harshness and delicacy. “Ensis” is an album that demands and touches at once – a work that makes the complexity of human existence audible in the mirror of the universe.
https://www.facebook.com/theholeum/
SERPENTHEIR is a Gdańsk-based
experimental metal project rooted in symphonic black and melodic death metal.
With a versatile discography of 4.5 albums, including the phantasmagorical
'Hypernature's Vines' and the dreaming, ethereal 'Oneirism', the project
attempts to answer sonic questions like, 'What happens when you fuse groove
metal with symphonic black metal?' and 'How would a journey from Industrial to
the Baroque unfold?'.
FFO: Thy Catafalque, Samael, Tiamat, Arcturus, Ihsahn, The Kovenant.
Their compositions are often unstable, feisty, and temperamental. The combination of a drum machine with melodic riffs under massive layers of synths creates an effect of oversaturated, mechanically-conducted extremity.
Short bio
Serpentheir has undergone a metamorphosis through a mostly solitary decade of geographic shifts and creative defiance. Conceived by Maurizio Pullman (aka Dr. Caligula), the project has meticulously built a 4.5-album discography—from the cold echoes of the 2017 EP 'Undertones of Yore' and the grueling "meta" struggle of the 'Protracting the States Invariant' era, to the prolific one-year from-sketch-to-release experiment 'Shadow People', which has reignited the nearly smoldered out creative process.
Now based back in Gdańsk, the project has finally shed its one-man skin. The fold has expanded to include a full lineup of dedicated composers, pushing the project’s musical horizons further with the promise to never become complacent and always strive to evolve.
With the 2026 release of 'IRIDESCENCE' and the band finally hitting the stage, another chapter of mechanically-conducted extremity begins.
https://www.youtube.com/channel/UCkaZAhgnDSm9l6gPBdBxiig
https://serpentheir.net
https://www.facebook.com/serpentheir
product, where the genres bounce between folk metal and melodic death metal. Although the song is full of tempo, the song also includes a bit of atmosphere through clean guitars and an accordion. The songwriting is really maxed out, and there is no lack of mood at all! "The Great Feast" is also a sample of what Wooden Shadow's upcoming second full-length album has to offer.
Listen to 'The Great Feast' single on all major streaming platforms: https://push.fm/fl/wooden-shadow-feast
From year 2020 onwards, the first demo (Meaning of Wonders) also started a new project. Wooden Shadow is the solo project of Jeremia Ponto from Ylöjärvi, where the genres vary between melodic styles in the form of different formats. As a rule, founder Ponto writes his compositions based on melodic death metal, but there are also combinations of folk and melodic black metal. Jeremia Ponto, 25, describes his solo project: "Ever since I started making my first compositions, I had in mind to write diverse music that fits the colors of my project itself. Let the people, who find my music
to listen to decide for themselves what my genre represents. I define my music as "melodic metal" because it feels more realistic to me as a composer."
Line-up:
Jeremia Ponto - All instruments
https://woodenshadow.bandcamp.com
Dear
Friends in the Press and Media worldwide, We’re happy to announce our
partnership with Chilean bestial goregrind morgue-stalkers MORS.VOID.DISCIPLINE
and announce their pulverizing debut album "TXKETH)ËKÉ",
coming on March 13 2026 on LP, CD and MC formats and pre-orderable now via all
our channels.
Leading up to the gruesome release, legendary extreme metal blog No Clean Singing have premiered the song “Sanguinem In Anum Caprae Putrescentis Eiaculans“ claiming that the band’s music is “all inhuman, it’s all unhinged, it’s all hideously toxic. And it’s exhilarating, muscle-moving, well-structured and perversely addictive.“ - you can check out the feature and song https://www.nocleansinging.com/2026/02/16/an-ncs-premiere-mors-void-discipline-sanguinem-in-anum-caprae-putrescentis-eiaculans/
MORS.VOID.DISCIPLINE emerge from the bottomless dungeons of South America's extreme metal underground with their debut full-length monstrosity "Txketh)ëké", a twenty-minute obfuscation of terror-spawning bestial war metal destruction swathed in the flesh-eating violence and maggot-infested putridity of 90's goregrind. Cryptic and malignant beyond thresholds comprehensible to man, "Txketh)ëké" projects forth a cancerous aural perversion in which the war-mongering assaults of Blasphemy collide with early Carcass' mangled and deconstructed sonic butchery. Its astonishing hideousness and violence are not only shaped by its unequivocal descendancy, but further complexed by the peculiar antediluvian and occult aura historically permeating Chile's underground scene, as well as by the band's enigmatic inner workings and imagination harvesting perversions from beyond the reach of sanity. Slithering coils of vomitous, pitchshifted vocals proclaim the unutterable in arcane tongues long forgotten by men, regurgitating a noxious mass from within a hellish cauldron of dissonant, nuclear vice, and invoking absolute adherence and submission to a cult of death and darkness untouched by any light. The album's title is an anagram of words related to Solomon's demonology and multicultural esoteric warfare, and the band's concept and lyrics metastasize within the terrorscape as a deranged worship of evil reclaiming sacrifice through the destruction of human anatomy. Few crafts conglomerate in human mind as entities so committed to cruelty and devoted to destruction as this one, yet MORS.VOID.DISCIPLINE endure as yet another inscrutable product of an unrivaled scene whose isolation, remoteness and purity remain undying vectors for unparalleled world-building and musical transformation.
"Txketh)ëké" is slated for a March 13 2026 release on LP, CD and MC formats worldwide via Sentient Ruin, all of which are pre-orderable now via all our channels.
Sincerely, Sentient Ruin
https://sentientruin.com/bands#/morsvoiddiscipline
https://sentientruin.com/releases/morsvoiddiscipline-txkethk
Listen to the album in full via Black Metal Promotion: https://youtu.be/C2bjSTdNkF4?si=nqD42kmiQ-vVVRNz
“Daemonosophia”, the follow-up to “Βυσσοδομώντας”, is still available to order in CD and vinyl formats, along with a limited luxurious box set and merch bundles: https://thecirclemusic.gr/product-category/the-circle-releases/?filter_artist-name=the-magus
Pre-save the album on digital platforms: https://thecirclemusic.lnk.to/Daemonosophia
The Magus previously explained that the new album delivers a more aggressive and dynamic sound than the first album, “Βυσσοδομώντας”, while keeping the devouring dark atmosphere the project’s music is known for. The album's sound has some unexpected and diabolically diverse moments that will make listeners feel uneasy.
According to The Magus, “The new album is a journey to Demonhood. The Truth lies Below not Above. The Six are Three. The Unholy Trinity. The Three are One. The Absolute. The Infernal pact.
“Musically, it is more edgy and vengeful. More aggressive and dynamic. Still theatrical and horrifying in nature, hellish and complex in performance. And as always there are these diabolically diverse moments that will surprise and will make you feel unease...but Lucifer has many names and many faces. In some parts, collaboration with top-level musicians and vocalists was deemed necessary to achieve maximum impact.”
"Daemonospohia" is pulsating Darkness in all its beauty and all its horror. A beacon of Luciferian Black Metal for Extraordinary People.”
For the album cover art, The Magus collaborated with Mexican artist Nestor Avalos, known for his work with numerous bands, including Exodus, Deicide and Rotting Christ. The artwork is an Infernal Triptych that portrays six infernal entities: Lucifer/Samael, Leviathan/Tiamat, and Belial/Satan. Nestor created a majestic painting of infernal wisdom and occult meanings, giving prominence to the Luciferian tradition and the music of the album.
Tracklist:
0. Pater Noster
1. Pseudoprophetae
2. Daemonosophia
3. The six in three is all One
4. The Era of Lucifer Rising- A Luciferian interpretation of the THOU ART LORD classic
5. Magia Obscura
6. Amelia
7. The Chapel of Iniquities
8. The Pact
9. La Llorona Negra
The Magus was formed in 2022, following the dissolution of the legendary Greek black metal band Necromantia, which The Magus co-founded. He decided to end Necromantia after the death of his bandmate Baron Blood in 2019, releasing a final album, “To the Depths We Descend”, in 2021 as a tribute. A seminal figure in the extreme scene, The Magus’s storied history includes playing a pivotal role in the early days of Rotting Christ and co-founding the cult project Thou Art Lord alongside Sakis Tolis. For this new project, The Magus continues his legacy of uncompromising Luciferian Black Metal, bringing in long-time collaborators El on guitars and Maelstrom on drums to push the boundaries of the Hellenic sound.
https://linktr.ee/thecirclemusic
https://linktr.ee/themagus666
IRON SLUG – “DECEIT AND MISERY”
Label: Road To Masochist
Release date: march 27th 2026
Genre: Doom/Sludge Metal
For fans of: Black Sabbath |Goatsnake | Saint Vitus | Electric Wizard
Formed in Kent in 2022, a murky, anguished blight upon the so-called ‘Garden Of England’, Iron Slug have become an established presence on the UK’s doom scene. With a single-minded sense of intent and an array of irresistible riffs they have pounded their way into the consciousness of those drawn to the low, slow and oppressive. After two coruscating EPs – 2024s Debauched And Bored and Unrepentant Grin – both warmly received by fans and critics alike, the band are now ready to unveil their full-length debut of unrepentant doom. Featuring five mammoth tracks of backbreaking heaviness that each seem to stretch out into eternity, but at the same time never feel a second too long, Deceit And Misery has arrived.
The album begins with the seething, menacing guitars of ‘A Calming Turmoil’, the song gathering itself in a slow building of purpose, before settling into a relentless, methodical groove. When the strong, imposing vocals arrive their measured, melodic timbre adds a sense of gravitas that just increases the momentous weight of the music. ‘Love Retires Under Night’ descends in an avalanche of Sabbath-style riffing and gradually digs down deeper into the darkness than Iron Slug’s progenitors ever delved. This is raw, sludge-touched doom, stripped of all artifice, flayed to the bone and bleeding bitter emotion; its hypnotic, grinding heaviness carrying you to the indistinct boundaries between the waking world and the void of dreamless sleep. First single, ‘Graceless Bodies’ and the stunning ‘Die The Same’ follow, both lifted to new heights by superb vocal performances – steeped in soulful melody and a hint of the desert’s endless dust. All of which leads us beneath the hammer of ‘Ritualistic Feeding’, a bleak, shuddering leviathan of a track whose every chord, drum beat and fiercely enunciated syllable is delivered with meaning and might. Deceit And Misery is a bellowed statement of intent, a giant stride taken and a revelation of both immediate power and burgeoning potential. Iron Slug have arrived, in no uncertain terms.
Produced by long-term collaborator Jason Frye (Allfather, Jøtnarr, Erth Altr etc), Deceit And Misery sounds gritty and textured, tactile yet abrasive and imbued with rich depth of spirit. Meanwhile, the intensity of emotion generated by the unrelenting songs and fiercely focussed performances has been perfectly captured in the striking artwork of Black Crow White (Death Island, Extinction A.D., Nuclear Desolation etc). Iron Slug have created a raw, hard-hitting album that connects deeply with the essence of doom and when it hits the streets on March 27th via Road To Masochist, on 12” vinyl and CD formats, the impact will be seismic.
Line-up:
Will Rayner - Guitar/Lead Vocals
Will Bond - Drums/Backing Vocals
https://roadtomasochist.co.uk
https://www.facebook.com/ironslugdoom/
Label: Nyctophobic Records
Release date: march 27th 2026
Genre: Post Rock/Grunge
For fans of: Alice In Chains | Tool | Nirvana
“Sometimes you have to go back to go forward…”
…the words of Final Coil frontman Phil Stiles that can be found in the sleeve notes of the band’s latest creation, the 1994 EP. Over the last eight years Leicester-based band Final Coil have released a titanic conceptual trilogy of albums – Persistence Of Memory, The World We Left Behind For Others and The World We Inherited. Each one of these albums was an incredible, visionary piece of work, garnering critical acclaim from across the world and, with each release, Final Coil’s stature has grown. From humble beginnings in Leicester’s clubs they have moved on to major festivals, European headline shows, appearances with major artists and features in renowned print magazines. The band’s next grand endeavour is already well underway, their creative ambition never sated, but first, after years of meticulous work on nuanced, multifaceted conceptual pieces, with deeply personal yet universally relatable lyrical messages, it’s time for Final Coil to reconnect with those early days; to channel the sweat and volume that remain an integral part of their live performances into a new studio collection of raw power; to go back to go forward.
For Final Coil going back means looking back to a musical era which ignited the creative spirit of their youthful selves; a time when Alice In Chains were riding high in the Billboard charts with Jar Of Flies, Nine Inch Nails had just unveiled the harrowing Downward Spiral, Nirvana played their final gig, Pink Floyd embarked on their last world tour and Machine Head roared into life changing the metal scene forever with their Burn Your Eyes debut…1994.
1994 begins with the snarling, jagged riffs of ‘Instant Fix’ and you can instantly feel the energy, vibrancy and joy in this propulsive track. This is the sound of a band unleashed, with a kaleidoscope of influences and inspirations brought into brilliantly vivid focus – raw touches of Hawkwind’s space rock infused with the spirit of grunge and assailed by the fury of metal and punk. It’s exhilarating stuff and there’s no let up as the band charge on into ‘Narcissist’, a live favourite that could never quite find a suitable recorded home before now.
‘Playing Games’ is an irresistible fusion of melody, muscle and metallic riffs with an unforgettable chorus and ‘Woke’ is a hugely infectious climax, radiating attitude and effervescence, with a brilliant vocal performance from Phil Stiles. Performing all the drum tracks on the 1994 EP is Irish drummer Graham Hopkins, who recorded three albums with Therapy? - as well as being part of My Little Funhouse and touring with Snow Patrol - and his powerful, vivacious style helps to rekindle their early fire in Final Coil and infuse this set of songs with enthusiasm and electrifying adrenaline. Final Coil frontman Phil Stiles has revealed that Therapy?’s Semi-Detached album is a huge personal favourite and Hopkins’ performance on that record made him the absolute first choice behind the kit when plans for 1994 were hatched.
1994 is fun, but it’s not playing around. Even in this unshackled, raucous form, Final Coil’s sheer class shines through and there’s no hiding the song writing skills and musical dexterity of these pieces. Upon its March 27th release through Nyctophobic Records, 1994 is destined to become a watershed moment in Final Coil’s ever-evolving career
Line-up:
Phil Stiles - Lead Vocals, Rhythm Guitar and Lead Guitar
Richard Awdry - Lead Guitar, Rhythm Guitar and Vocals
Jola Stiles - Bass Guitar
Drums performed by Graham Hopkins
https://www.finalcoil.com/
https://www.facebook.com/finalcoil/
FFO: Swallow the Sun, Anathema, Woods of Ypres, Novembers Doom, Draconian
Orchid Throne consists solely of Nicholas Bonsanto (Lör, Empress, Helianthus, Barren) who performs the music, as well as producing, mixing and mastering the album.
After nearly 17 years of playing supporting roles in various bands, Nicholas Bonsanto (Lör, Empress, Helianthus, Barren) is proud to make his debut as a solo artist as the man behind Orchid Throne. Bonsanto not only wrote and performed all of the music for Buried in Black, but also produced, mixed, and mastered the album.
While not a concept album, Buried in Black weaves themes of anxiety, depression, fear of death, and the search for life’s meaning throughout its lyrics. The title describes both the music itself and the feelings that Bonsanto has kept buried within for years. It may sound bleak, but what is buried in black will be set free and brought to light on January 9.
“This album is a long time coming for me,” said Bonsanto. “For more than a decade, I collected little recordings of ideas in the hope that one day they’d be useful. I could not be more proud of myself for how the album came out and for all of the things I have learned along the way.”
Bonsanto's Musical Journey to Buried in Black:
“As a musician performing in bands since I was 16, people who know me have seen me play a supportive role, and hear my musical contributions to my bands. But not everyone knows that I have always dreamed of releasing a record of my own. I am passionate about all kinds of music, and while I love playing in my current bands, doom metal is a big love that I long felt like I had no outlet for.
“While I’ve honed my songwriting abilities over the years, I began this project with zero knowledge of how to produce a record on my own. I introduced Orchid Throne to the world one year ago on my birthday with only one song done. Over the past year, I have finished writing, recording, and producing my entire debut record. I have finally achieved this goal and it's even better than I ever imagined it could be. It means so much to me to get this out there, to truly reflect who I am as an artist, and I’m already excited to create more.”
Track
Listing:
1. Dreamworld
2. Ephemerality
3. What Defines us
4. Moonlight Revelry
5. Guilt
6. Breath of Autumn
7. With Promise
Credits:
Album artwork painted by Ryan Gassaway.
Music and Lyrics written by Nick Bonsanto.
Produced, Mixed and Mastered by Nick Bonsanto.
All instruments performed by Nick Bonsanto.
Flute on “Breath of Autumn” and “With Promise” performed by Mary Beck.
Orchid Throne is:
Nicholas Bonsanto - All instruments.
Bio:
Orchid Throne is a Melodic Doom Metal one-man band created by Nicholas Bonsanto (Lör, Empress, Helianthus, Barren) based out of Baltimore, Maryland. Orchid Throne is set to release its debut full-length album on January 9, 2026, titled Buried in Black. The album features a spellbinding variety of dark, heavy, and emotional material that beckons you to fall into the endless black. Drawing influence from a range of sounds such as melodic death metal, black metal, progressive rock, and folk, Orchid Throne is music from the heart for fellow souls who need
it most.
https://linktr.ee/orchidthrone
Newcastle,
UK; 13 February 2026: The team behind Fortress Festival and Reaper Agency UK
has announced a brand-new event, TYNEBOUND, set to take place in
the North East of England. Following the success of the sold-out Fortress
Festival editions in Scarborough, this new gathering brings a focused curation
of raw and atmospheric black metal to Newcastle.
The event will be held across two days on 5-6 SEPTEMBER at ANARCHY BREW CO. To mark the first edition, Anarchy Brew Co. will release a curated range of limited brews, including a specially commissioned Fortress IPA.
The first four bands have been confirmed for the inaugural edition of Tynebound. Across two unforgiving days in early September, bands will summon everything from primitive raw black metal to bleak, expansive atmospheres, performed in close quarters and at full volume. This is music rooted in isolation, anger, and landscape - the kind that belongs in the North.
Finnish melodic black metal act MOONLIGHT SORCERY will return to the UK for an exclusive performance as the Sunday headliner. This follows their appearance at Fortress Festival last year and marks a rare opportunity to see the band live.
Joining them are Czech black metal veterans INFERNO, known for their shift from primitive roots to avant-garde, mind-altering compositions. The line-up also features the elusive ARISTARCHOS, surfacing for a rare live appearance, and Scottish black metal group CNOC AN TURSA, who will perform material from their long-awaited new album, A Cry For The Slain, which blends black metal with evocative Gaelic melodies as tales of banshees, giants, dragons and ancient legends are brought roaring to life.
With a focus on providing an intense, close-quarters experience, capacity for Tynebound is strictly limited to 500 guests. Tickets are available now via the Reaper Agency UK Big Cartel store.
Secure your entry: https://reaperagencyuk.bigcartel.com/product/fortress-presents-tynebound-weekend-ticket
https://www.facebook.com/events/1222788999277609/
https://www.facebook.com/ReaperAgencyUK
FFO: Devin Townsend, Haken, Dream Theater, Scar Symmetry, Ayreon, Pagan's Mind
The new single serves as the perfect entry point into Voidchaser’s lore infused deep space concept album, showcasing a dense and layered wall of sound paired with massive and memorable choruses.
Interstellar I, the band's second full-length album, will be released on April 9.
Depicting themes of technological overreach, mass corruption and personal struggles related to identity, love and survival, the narrative unfolds within a vast, lore infused deep space universe. Interstellar I balances a dense and layered wall of sound with high-energy choruses and memorable melodies, where every moment serves the storytelling. Musically, the album brings to mind the style of Devin Townsend’s Ziltoid the Omniscient and Dream Theater’s Systematic Chaos, while reinterpreting those influences through Voidchaser’s own modern and distinctive sound, also drawing from classic foundations found in Deep Purple’s Machine Head and Black Sabbath’s Paranoid. With this release, Voidchaser returns with a level of maturity that defines their most ambitious and fully realized work to date.
On April 10th at Piranha Bar in Montreal, QC, Canada, Voidchaser will launch their new album, Interstellar I, performing it in its entirety in an exclusive live set, along with additional material. Omnivide and Jovian Storms will perform as special guests.
Pre-order
Interstellar I: https://voidchaser.bandcamp.com/album/interstellar-i-lp
Track Listing:
1. The Grand Design
2. Welcome to Terra Corp
3. Initiation Day
4. Hyperconverter
5. Anything for Love
6. Rain / Solar Winds
7. Ivory Tower
8. Renew
Credits:
Lyrics and Songwriting by Chad Bernatchez.
Production and Arrangements by Jici Lord-Gauthier.
Management and Booking by Jici Lord-Gauthier (Chaotic Good Music).
Mixed and Mastered by Jason Poulin.
Drums Recorded by David Lizotte.
Session keyboards by Mathieu Fiset.
Artwork by Sam Harwood.
Photography by Josh Kirschner (Kirschner Studios).
Line-Up:
Chad Bernatchez - Vocals, Guitar
Jici Lord-Gauthier - Guitar, Bass
Colin MacAndrew - Drums
Bio:
Based in Montreal and Stockholm, Voidchaser is a progressive metal band that quickly established itself as a band worth watching on both local and international stages. Formed in 2023, the band rapidly gained momentum through a steady stream of releases, earning attention from niche outlets such as The ProgSpace, Prog Magazine and Prog Sphere, alongside coverage from major metal media, including Metal Injection and Decibel Magazine.
In 2024, Voidchaser released their debut EP, Odyssey, followed by two standalone singles and their debut full-length album, Solace. Written as a single continuous 30-minute composition, Solace is a concept album set in an orbital dystopia, exploring themes of power, uncertainty and love. The release charted among the top metal albums on Apple Music and iTunes in Canada, Sweden, Norway and several other countries.
The band continued its momentum in 2025 with the release of Trust, an EP featuring guest appearances from Jim Grey of Caligula’s Horse and members of The Anchoret. That same year, the band embarked on its first international tour, performing 12 dates across Canada, the Netherlands, Germany, Denmark and Sweden, and sharing the stage with acts such as Vulkan, Threshold, Kingcrow, Nospūn, Omnivide and Ok Goodnight. Highlights included appearances at ProgPower Europe in the Netherlands and the inaugural ProgStorm Festival in Montréal, Canada.
In 2026, Voidchaser announced the upcoming release of Interstellar I, their second full-length record.
https://www.voidchaser.net/
NEWS 13.2.2026Dieser Konflikt spiegelt sich auch im Sound wider: kraftvolle, düstere und zugleich atmosphärische Momente erzeugen eine spürbare Leere und Verzweiflung – fast schon ein Hilferuf. Gleichzeitig wird die Botschaft aber zum Ende hin hoffnungsvoll: Mit neuer Stärke und durch die Menschen, die hinschauen und handeln, findet die Natur Wege zurück.
https://www.instagram.com/gaias_lament_official
Am 28.03.2025 veröffentlichten die deutschen Sludge-Doom-Punker KAVRILA ihre EP „HERETICS I“ und feierten dies im Juni mit einer Releaseshow in der Hamburger Wellenschmiede.
Genau von dieser Show gibt es jetzt ein intensives Livevideo.
Die Band dazu:
„Unsere erste komplette Live-Aufnahme überhaupt. Kavrila - Live at Die Wellenschmiede. Eine sehr exklusive Release-Show unserer neuesten EP Heretics I, die am 21. Juni letzten Jahres in der Wellenschmiede in Hamburg stattfand. Wir hätten uns nicht dazu entschieden, dieses Ding zu veröffentlichen, wenn es nicht das eingefangen hätte, worum es bei einer Kavrila-Show geht – ein dreckiges, ehrliches, kathartisches und authentisches Dokument, das die Energie und den Ansatz dieser Band in voller Intensität transportiert.
Danke an flo Schwarz für das großartige grafische editing und grading!“
Hier könnt ihr „Kavrila - Live at Die Wellenschmiede“ sehen und natürlich hören: https://youtu.be/y0IUuR5Tt6g
https://www.facebook.com/kavrilaband/
TÜRBÖWITCH – “UNDER HAUNTED SKIES”
Vö: 20.03.2026Label: Time To Kill Records
Die ungarischen Speed-/Thrash-Metal-Maniacs TÜRBÖWITCH haben soeben ihr drittes Album "Under Haunted Skies" angekündigt, das am 20. März 2026 über Time To Kill Records erscheinen wird.
Das neue Album markiert einen entscheidenden Schritt nach vorne für die Band aus Budapest, die damit ihre kompromisslose Haltung und ihre unerbittliche Live-Energie, die ihnen einen sehr guten Ruf in der europäischen Underground-Szene eingebracht haben, weiter verfeinert. Mit "Under Haunted Skies" liefern TÜRBÖWITCH ihr bisher fokussiertestes und wildestes Material: eine geballte Ladung massiver Riffs, halsbrecherischer Tempi und instinktiver Dringlichkeit.
Das Album hat seine Wurzeln im Blackened Speed-Thrash und schöpft aus der rohen Wildheit und punkigen Aggression von Bands wie Midnight, der messerscharfen Thrash-Präzision von The Crown und dem dunklen melodischen Drive von Hellripper, wobei es sich dennoch eine klar erkennbare Persönlichkeit bewahrt. Melodische Akzente durchbrechen das gezielte Chaos und verleihen dem Album Tiefe und Charakter, ohne jemals die viszerale Wirkung der Band zu schmälern.
Getreu ihrem kompromisslosen Ethos kanalisieren TÜRBÖWITCH den Geist des Extreme Metal der 80er-Jahre durch ein modernes Gefühl der Unmittelbarkeit und liefern Songs, die schnell, dreckig und auf maximale Wirkung ausgelegt sind. Mit Time To Kill Records als Partner für die Veröffentlichung von "Under Haunted Skies" ist die Band bereit, ihren unheiligen Speed-Angriff einem breiteren Publikum zugänglich zu machen, während sie gleichzeitig fest in der rücksichtslosen Intensität verwurzelt bleibt, die sie seit ihren Anfängen auszeichnet.
Über TÜRBÖWITCH
TÜRBÖWITCH wurde 2016 in Budapest gegründet, ins Leben gerufen von Sänger Zslöd und Gitarrist Kommandante Klit als rohe, schnörkellose Hommage an die klangliche Wucht und den visuellen Wahnsinn des Extreme Metal der 80er-Jahre. Was als lustiges Nebenprojekt langjähriger Freunde begann, entwickelte sich schnell zu einer weitaus fokussierteren und engagierteren Band, die jedoch nie ihre ungefilterte Energie und Liebe zum Chaos verlor. Im Laufe der Zeit wuchs TÜRBÖWITCH zu einer vollwertigen fünfköpfigen Live-Band heran. Ihre Diskografie begann 2016 mit einer Demo, gefolgt vom Debütalbum "Napalm to Posers" (2017), der EP "Beyond the Last Call" (2018) und ihrem zweiten Album "Fullmoon Liquorthropy", das Ende 2022 veröffentlicht wurde. Musikalisch liefern TÜRBÖWITCH eine explosive Mischung aus der Aggressivität des frühen Thrash Metal, der Geschwindigkeit des Speed Metal und einer gehörigen Portion Punk-Attitüde: schnell, laut und vollkommen erbarmungslos. Auf der Bühne hat die Band das Chaos bereits mit Kultbands aus aller Welt geteilt, darunter Abigail (JP), Mystifier (BR), Nuclear (CL), Blackevil (DE), Adversor (IT), Sexmag (PL), Necro Ritual (UK), Siberian Meat Grinder (RU), Deströyer 666 (AU) und Nunslaughter (US) und dabei stets alkoholgetriebene Energie sowie unerbittliche Lautstärke in den Pit gebracht. Ihr Momentum erreichte im Juni 2024 einen neuen Höhepunkt, als sie das Finale des WACKEN METAL BATTLE Hungary gewannen und sich damit einen begehrten Platz beim legendären WACKEN OPEN AIR im August 2024 sicherten, wo sie auf der Bühne des größten Metal-Festivals der Welt ihren akustischen Angriff starteten. Im März 2025 begaben sich TÜRBÖWITCH gemeinsam mit den schwedischen Heavy-Metal-Titanen Enforcer auf Tournee und brachten ihre explosive Live-Energie einem noch größeren europäischen Publikum näher. Hoffnungslos süchtig nach schnellen Riffs, unheiligen Klängen und lauten Partys, gedeihen TÜRBÖWITCH weiterhin im Schmutz und der Wut der Underground-Metal-Szene.
Line-up:
Botond "Khäosz Bringer" Kasper – Schlagzeug, Vocals (Backing)
Péter "Mr. Fireball" Tóth – Gitarren (Rhythm), Vocals (Backing)
Valdemár "Välde" Volcsánszky – Bass
Zsolt "Kommandante Klit" Harsányi – Gitarren (Lead), Vocals (Backing)
Zsolt "Zslöd" Lédeczi – Vocals (Lead)
https://www.facebook.com/turbowitch666
ENSLAVEMENT delivers 10 tracks of unbridled and vitriolic, death-laden thrash metal. This relentless barrage of calculated venom, intense riffing, and punishing rhythmic precision further cements the band's reputation for uncompromising extremity.
Lyrically tied to themes of violence and aggression, Enslavement weaves an interlocking narrative of a subterranean demon harvesting human souls to satiate its unending hunger. This conceptual core adds a sinister layer beneath the album's sonic brutality.
Fans can experience a sample of what's to come with the album's first single, "Bonesaw." The band comments on the song, "‘Bonesaw’ delivers an aural assault on the listener, with all the power of a screwdriver plunged into the eardrum. Delving into the world of dismemberment the track lyrically focuses on the evolution of medical tools in forensic pathology and features razor sharp riffage, a chaotic drum performance, two skin ripping solos and a vocal attack aimed directly for the jugular. Prepare to be taken apart piece by piece with the bonesaw."
Enslavement is due out on April 10. Pre-order the album at https://battlegrave.bandcamp.com/album/enslavement
The album was recorded by Clint Patzel of BATTLEGRAVE, mixed by Tim Shearman and mastered by Logan Mader. Session drums by Robin Stone.
Tracklisting: 1) Soul Chasm
2) There Is Only Death
3) Bonesaw
4) Eyes Of Enslavement
5) Venom
6) The Grand Machine Of Despair
7) Asylum
8) Marked By Evil
9) Under The Banner We March
10) US Outpost 31
Line-up:
Rohan Buntine - Vocals, Lyrics
Clint Patzel - All Strings
Bio:
BATTLEGRAVE are a two-piece death/thrash project from Melbourne, Australia, formed in 2017 following the release of their debut demo track, “Mortar Fire,” which quickly generated strong underground buzz.
The duo followed with the EP To Hell with War (2017) and full-length albums Relics of a Dead Earth (2018) and Cavernous Depths (2022, via Bitter Loss Records), establishing a reputation for blending savage thrash intensity with punishing death metal weight. Their releases have received consistent acclaim across the global metal press and airplay on international radio platforms.
While primarily a studio-driven force, BATTLEGRAVE have also brought their music to the stage, recruiting respected musicians from Melbourne’s metal scene to deliver their blistering sound in a live setting.
Throughout their discography, the project has collaborated with world-class drummers including Kevin Talley, 66Samus, and most recently Robin Stone, further reinforcing the precision and power behind the band’s extreme sonic identity.
https://www.facebook.com/Battlegrave/
IMBOLC - "SETTE CORNICI DI PURIFICAZIONE"
Genre : Melodic Black MetalLabels : Masked Dead Records / Sulphur Music
Release date : February 27th 2025
IMBOLC third album "Sette Cornici di Purificazione" displays a sound and stuye that ranges from classic up-tempo Melodic Black Metal to passages featuring classical-acoustic guitars, very often supported by synths inspired by '70s and '90s horror films, with a surprising result of various influences in a pretty much old school formula.
The riffing is still a powerful backbone of the IMBOLC sound, supported by a notable melancholy and, musically speaking, a mixture of second-wave Melodic Black Metal and Post-Black Metal in the vein of Agalloch and first-era Satyricon. The themes are once again centered on inner suffering, the discomfort of everyday life and the worthlessness of human beings, once again with references to old school horror cinema.
IMBOLC line-up features members of the notable Occult Black Metal band Darkend, along with relevant italian Death Metal bands such as Demiurgon and Unbirth.
Sales Point:
The artwork is inspired by the film "The Masque of the Red Death" (1964, Roger Corman). Drawn by Maira Pedroni (http://www.mairapedroni.art/)
Old-school Melodic Black Metal style, primarly second-wave;
Reminiscent of first-era Satyricon and Agalloch, but not strictly;
Influenced by 70's-90's horror movies;
With members of Darkend, Demiurgon and Unbirth
https://maskeddeadrecords.com/
https://www.facebook.com/Imbolcoriginal
Listen to “In Perfect Stillness”: https://youtu.be/2yqzJSjE3Uc
“In Perfect Stillness” is available in the following formats:
CD Digipack (Limited to 300 copies): 3-panels, including a 12-page booklet.
LP Dark Green Vinyl (Limited to 200 copies): Includes a 12-page 30x30cm booklet.
Digital
“In Perfect Stillness” features guests Sarah Fielding (Darkest Era) on “My Tomb Beneath The Tide”, along with John Wilson (Piano) and Raul Andueza (Cello) on the track “Footsteps II”. Domhain and Chris Fielding produced the album. Engineered and mixed by Chris Fielding at Foel Studio, and mastered by Mike Lamb.
Pre-order now via These Hands Melt: https://ffm.bio/domhain
Following the success of their “Nimue” EP and 2024 appearance at Fortress Festival, the quartet’s first full-length effort marks a shift in perspective. Moving away from the purely mythological themes of their earlier work, the new record explores the human connection to the land, specifically the tension between our species and the natural world, and the concept of death as a return to the earth rather than a finality.
The band will showcase the new album live at their album launch show on Saturday, March 7th, at The Voodoo in Belfast, Northern Ireland.
Hailing from Northern Ireland and consisting of four experienced musicians from the Irish metal scene, Domhain is a quartet that blends an emotional mix of post-black metal, blackgaze, and atmospheric black metal, featuring distinctive vocal harmonies and cello. Their debut EP, the three-song EP “Nimue” (October 2023), showcased their long-form songs filled with myths and remembrances, featured guest cello by Jo Quail and was recorded at Foel Studio with Chris Fielding (Conan, Primordial).
Following their debut, they released the split EP, “Of Pine and Oak” (May 2025), with labelmates Ephemeral, which the band described as "an ode to nature".
Domhain's powerful live show has garnered significant attention, notably at Fortress Festival 2024, where Kerrang! praised their set as “something bracingly original about their specific black metal blend: a sound that you can drift off into even in a live setting” and that “they already have the material to become giants of the genre”.
Tracklist: 1. Una Tarra Ci Hé
2. Talamh Lom
3. Footsteps II
4. In Perfect Stillness
5. My Tomb Beneath the Tide
Domhain are:
Andy Ennis - Vocals & bass guitar
Anaïs Chareyre-Méjan - Drums, vocals & cello
Nathan Irvine - Guitars
Ashley Irwin - Guitars & backing vocals
https://thesehandsmelt.shop/
https://www.facebook.com/these.hands.melt
https://www.facebook.com/Domhain.band/
SLOWLY
WE ROT #27
is in the works!Adverts & compilation CD slots available for reservation!
Deadline for promo submission, adverts and compilation booking: 30th of April 2026
Please find below some details on SWR#27:
A4 size
glossy paper
old school black & white
English written
professional print
+ Free Compilation CD!
genres featured: Heavy, Thrash, Progressive, Power, Death, Grind, Black, Gothic, Symphonic, Doom, Dark Metal and the likes
check out previous issues here: https://slowlywerot.limitedrun.com/
Bands / labels / agencies ask for affordable advert rates, compilation CD reservations info and promo submission info.
Guidelines for compilation CD reservation:
please email first and ask for availability and rates
traditional & extreme metal only (above-listed genres)
only good quality recordings (no rehearsal sound, no live recordings)
Deadline for promo submission & advert booking: 30th of April 2026!
Issue 26 and previous issues available here: https://slowlywerot.limitedrun.com/
Thanks for your support!
Finnish melodic death metal band CROWEN released a new EP 'THROUGH THE DYING MIST' on February 20th 2026 via Inverse Records.
Listen to Through the Dying Mist EP on streaming services: https://push.fm/fl/crowen-through-ep
The Finnish death metal band Crowen’s third EP Through the Dying Mist paints a dark and mysterious journey where death and darkness walk side by side with human suffering.
The lyrics wander along the borders of shadows and twilight, where the ghosts of the past live alongside reality. The whole release combines storytelling with melancholic depth, creating a wistful and dark atmosphere. It is a journey into the beyond, where hope and destruction intertwine with metallic power and beauty.
Vocalist-songwriter Esa Uusimaa describes the finished EP as something different from what he initially envisioned. Sensitivity has entered the interpretation as a new element: “The songs transformed from relentless blast beats into something more restrained, melancholic, and mournful. Minor-key melodies run throughout the EP. Clean vocals are something new for me musically, since I’ve been a growler all my life. After a couple of listens, even my own ear got used to them. They allow for powerful choruses and make the overall sound more emotional in its minor-key atmosphere. They also gave me a fresh perspective on songwriting,” Uusimaa explains.
Crowen began as Esa Uusimaa’s solo project. In 2025, Crowen grew stronger with the addition of lead guitarist Sami Sandberg, bringing a new dimension to the songs on the forthcoming Through the Dying Mist EP. The two musicians go back years, having played together in Rain Of Acid.
Watch
'Ember Wraith' music video: https://youtu.be/0N_QWg4VI-wWatch 'The Unwritten End' music video: https://youtu.be/GhGC64KsVr0
Watch 'I Am The Sorrow' lyric video: https://youtu.be/nhEBOEWh3Uw
Track list:
01. Ember Wraith
02. Line of Silence
03. I Am The Sorrow
04. The Unwritten End
Composed, lyrics, recorded, mixed & produced by Esa Uusimaa.
Mastered by Ville Hautaluoma
EP cover by Jussi Virtanen
EP Line-up:
Esa Uusimaa – vocals, guitars, keyboards
Sami Sandberg – guitars, lead guitar
Tuomas Saukkonen – bass
http://crowenofficial.net
https://www.facebook.com/CrowenOfficial
Label: Ardua MusicRelease date: february 27th 2026
Genre: Melodic Doom Metal
For fans of: The Gathering | The 3rd And The Mortal | Inborn Suffering | Katatonia
Taking their name from the Norse goddess of death, Spanish voyagers through realms of shadow and sorrow, Hela, formed in Elche, Spain in 2012. They quickly made their mark on the doom metal scene with their well-received debut album, Broken Cross, which was picked up for a vinyl release by the respected Svart Records. Their star continued to rise with their second and third albums – Death May Die and Vegvísir – their sound developing in a natural and organic way. Trends and fashions have always been meaningless to Hela, with their reputation being based on honesty of expression and a palpable passion for the music they create. The global pandemic ushered in a period of silence from Hela, with the personal changes of circumstance that life tends to bring following in its wake…but the time for their reawakening has come. With new vocalist Raquel Navarro adding her sublime, dreaming tones to the band’s most emotive music to date, Hela are poised to present A Reign To Conquer.
Opening track, ‘Vessel To Nowhere’, begins in forbidding fashion, with dark, cold and powerful chords before engaging melodies and warmly human vocals open up that daunting exterior. Portentous narrative passages lend weight, while the lead guitar takes hold of your heart in an ascending spiral of emotion. ‘The Infinite Tower’ introduces a lightness, an ethereal feel as superb guitar lines flit like ghosts between the dreaming passages and storm-tossed, turbulent passions. A captivating piece, from the pinnacle of this tower you can gaze out across a landscape painted in the muted colours of dusk…and with each track we fall a little deeper into Hela’s embrace. ‘Crystal Bridge’ speaks in a universal language, connecting with the listener at a fundamental level beyond words as its wistful melancholy and bittersweet reflections build to an overwhelmingly powerful chorus. There is a sense of journeying through this album, of onward movement, as we walk, drift, float, stumble and soar through the cascading guitars of ‘Emerald Mirror’, the waltz through emptiness and memories of ‘Architect Of Disorder’ to arrive at the towering conclusion of ‘Nomad’…only to find that the journey continues – the restless nomad wandering the dusty paths of the world for eternity, with only the ghosts of lost loves for company. Hela have continued to grow, to subtly transform, to follow where their hearts and their music lead them…and A Reign To Conquer is a work of beauty that could only have been achieved through that open authenticity and untarnished integrity.
Recorded at the Red Records studio in Alicante, with Jose Franciso Rojo and mixed by the band’s own Julian Velasco, A Reign To Conquer was then mastered by Dan Swano whose touch has dusted albums by so many acclaimed artists with magic; from Barren Earth to Hypocrisy, Novembers Doom to Novembre…the list is practically endless. The result is an album of rare vitality and potency, an all-encompassing presence that holds the attention effortlessly. Adorned, as always, in the evocative imagery of Deadsign, A Reign To Conquer will be released by the highly regarded Ardua Music on CD digipak and digital formats and by Tormo Records on limited edition vinyl on February 27th. If you have yet to discover the fragility and power of Hela then now is the time. If you are a seasoned traveller, then welcome back to the road that never ends…
Line-up:
Raquel Navarro · Vocals
Julián Velasco · Guitars, fx
Tano Giménez · Bass
Miguel Fernández · Drums
https://www.arduamusic.com/
https://www.tormorecords.com/en/
https://www.helaband.com/
https://www.facebook.com/Helaband/
Emerging
from the unholy metal grounds of the Norwegian west coast, EVIG NATT
proudly announces the worldwide release of their cinematic new masterpiece, VAKETIMEN,
out today.Deeply rooted in the atmospheric traditions of their homeland, Evig Natt, featuring former members of metal legends Einherjer and Enslaved, expands the horizons of the genre. Vaketimen is an evocative journey through "Orchestral Gothic Doom Metal," a sound that is as aggressive as it is subtle, and as noisy as it is beautiful.
Following the success of their self-titled 2016 release, which saw the band touring from Belgium to Japan, Vaketimen represents a refined evolution. The album balances crushing riffs with elegant, slow-burning arrangements, creating a tension-filled landscape of melody and earned darkness. Drawing inspiration from icons like Anathema, My Dying Bride, and Swallow The Sun, Evig Natt blends progressive elements with black metal intensity to create something truly unique.
Vaketimen is available now on all digital platforms: https://orcd.co/vaketimen
The album has already generated significant buzz with four powerful singles and music videos:
https://youtu.be/BpL5w49vpjE
https://youtu.be/jGkC4-dh29g
https://youtu.be/XN-6jDi2_G8
https://youtu.be/qSUEaUzN874
About EVIG NATT :
Formed in 2003 in Karmøy, western Norway, EVIG NATT began as a studio project by vocalist Kirsten Jørgensen and bassist Stein Sund, later joined by drummer Harald Magne Revheim. The band released their acclaimed debut I Am Silence in 2007 via Omvina Records, followed by Darkland in 2010 on Black Bards, earning international praise and features in magazines such as Metal Hammer and Scream. Their self-titled third album arrived in 2016 and led to tours across Europe and Japan.
Musically, EVIG NATT sit at the crossroads of gothic doom, progressive metal, and black metal, with influences ranging from Anathema and My Dying Bride to Swallow The Sun and The Provenance. Members have also been connected to Norwegian metal pillars Einherjer and Enslaved, further grounding the band in the country’s heavy legacy.
With Vaketimen, EVIG NATT sound focused, mature, and unafraid to let the music breathe. This is not about excess. It’s about atmosphere, emotion, and the long shadow that lingers after the final note.
Evig Natt is:
Kirsten Jørgensen: Vocals
Stein Sund: Vocals and bass
Arne Marton Tangjerd: Guitar
Ruben Osnes: Guitar
Tom Andre Enge: Drums
www.youtube.com/user/EvigNatt1
www.facebook.com/evignattofficial
The new release of Devenial Verdict has completely re-recorded exploring the band's roots before they started sounding completely like they do now. It essentially means that this is more of the "pure death metal" stuff - punchy, catchy, and with a good dose of the Morbid Angel sound.
It's easy to discern the more dissonant and atmospheric influences seeping in their music (which are synonymous with the band's sound now) and all in all, it's a fun release that should appeal more to the straightforward death metal fans. Listen to one of the songs at https://www.youtube.com/watch?v=7xKGx3_rt1k
DEVENIAL VERDICT – “OLD BLOOD - FRESH WOUNDS”
For
fans of
- Morbid Angel, Obituary, Ulcerate, Dysgnostic, Crown of Madness, Mithras"This release celebrates the 20th anniversary of Devenial Verdict. We wanted to update some of our older songs on this EP; these songs mark some of the most important musical moments of us as a band. We have the first instances of dissonance in our music and the seeds of our melancholic and atmospheric leanings; we have brutal passages and rare instances of melody. It was really eye opening to realise that all the influences were there all along! Some of these songs have never been properly released and exist only as live videos captured at our shows.
We wanted to add Soulthirst EP to this release since 2026 marks the 10 year anniversary for that release. Soulthirst functions as the bridge between all of our older material and our current sound, which we fully unleashed on Ash Blind in 2022."
Line up
Okko Tolvanen - Drums
Sebastian Frigren - Guitars, backing vocals
Antti Poutanen - Bass, backing vocals
Riku Saressalo - Vocals
Artwork by Niilas Nissilä
Track listing
1. Rituals of Ignorance
2. Swarms of the Mindless
3. Elysium
4. The Unborn God
5. Thrones
6. Fall of Faith
7. Sun Hammer
8. The Corinthian
9. Despoiler
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/DevenialVerdict
Thank you very much! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
Sweden’s
Darkest Ritual Has Begun: MINDISTRY Ignite Hellfire With ‘HEMSÖKT’.
Emerging from the industrial shadows of Gothenburg, Mindistry return with their
first single of 2026, Hemsökt, a ferocious collision of mechanical riffs,
occult symbolism, and psychological descent.Blending the crushing intensity of Rammstein, the militant precision of Marilyn Manson, and the cybernetic aggression of Ministry, Mindistry carve their own scorched path through the industrial metal landscape.
Hemsökt, Swedish for “haunted”, is exactly that. A possession. A descent. A ritual set to distortion and steel.
Built on grinding riffs, infernal rhythms, and hauntingly melodic vocal hooks, the track fuses occultism, hellfire imagery, and themes of mental unraveling into something both brutally raw and disturbingly catchy. The Swedish lyrics paint visions of cold hands guiding the innocent into darkness, unholy psalms whispered in dead tongues, and an eternal dance in sulfur and flame. It’s theatrical. It’s oppressive. It’s addictive.
The single also marks a defining moment for the band, their first release as a full lineup featuring Gustaf (guitar & vocals), Dan the Man (bass), and Marko (drums). The chemistry is undeniable. The sound is tighter, heavier, and more menacing than ever.
As the lead single from their upcoming EP OKKULT, due later this year, Hemsökt sets the tone for what’s coming: industrial metal rooted in ritual, atmosphere, and raw human darkness.
This isn’t just a song.
It’s an invitation.
Join the ritual. Become part of the undying and the everdead. Enter Hemsökt.
Biography
Brace yourself for a sonic onslaught from the heart of Gothenburg, Sweden. Mindistry is your gateway to the fusion of industrial metal and relentless thrash riffs, all wrapped in a cutting-edge modern sound. Dive into the depths of existential turmoil with our dark, introspective lyrics that explore the spectrum of life, death, and everything in between. Founded in 2019 by Gustaf Hammarin, Mindistry is a one-man powerhouse where Gustaf serves as the driving force behind the songwriting, rhythm guitar, and vocals. Influenced by the likes of Raubtier and Sabaton, Mindistry promises an elec
https://www.facebook.com/Mindistry/
PHASMA – “PURGATORY”
For
fans of -
Mgla, Dying Fetus, Crypts of Despair, Kriegsmaschine, PsycropticGreek band Phasma are attempting to meld influences ranging from black metal to brutal death metal and everything in between. The music effortlessly oscillates from sharp black metal riffs to pummelling death metal blasts with matching vocal styles, and even toss in a breakdown or two in the middle. It’s something that doesn’t seem to work on paper and yet they manage to make it sound cohesive and convincing enough, with songwriting that's elaborate and well thought out to warrant songs lasting beyond mere novelty quick-listen length. Every song seems like an extension if not an improvisation over the previous one, as the band unfurls dimensions within the sound that they have concocted. Bands playing a mix of styles isn't uncommon but to intermingle influences of such disparate, almost contrasting styles is fascinating and remarkable especially when they have high replay value and lasting appeal. Like it or not, Phasma are here to stay.
Lineup
Jason Athanasiadis (Kawir) - Guitars and songwriting
Luis Ferre (Gravecarver) - Vocals and lyrics
Bill Nanos (Dead Conregation) - Drums
George Markantonis - Bass
Album cover by George Angelis
Merch design by CVSPE
Track listing
1. I
2. II
3. III
4. IV
5. V
6. VI
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/PhasmaProject
Thank you very much! Kunal Choksi Label Owner Transcending Obscurity
Tour dates are as follows:
April 30 - San Diego, CA - The Banshee*
May 1 - Long Beach, CA - Que Sera*
May 2 - Los Angeles, CA - Zebulon
May 3 - Atascadero, CA - Dark Nectar
May 4 - Sacramento, CA - Cafe Colonial*
May 5 - Oakland, CA - Thee Stork Club*
May 9 - Seattle, WA - Nuemos (Northwest Terror Fest)
*Dates with GIGAN
Willowtip Records released BARREN PATH debut album, GRIEVING, last year on Halloween. The album is available on CD, vinyl, and digital formats. Stream/Purchase below.
Track
Listing:1. Whimpering Echo
2. Subversion record
3. Primordial Black
4. No Geneva
5. Isolation Wound
6. The Insufferable Weight
7. Relinquish
8. The Unreliable Narrator
9. Celestial Bleeding
10. Lunar Tear
11. Horizonless
12. In the End… The Gift is Death
Line-up:
Takafumi Matsubara : Guitar
Bryan Fajardo : Drums
Mitchell Luna: Vocals
Rory Kobzina : Guitar
Mauro Cordoba: Bass
https://www.facebook.com/willowtip
https://www.facebook.com/people/Barren-Path/61579110541664/
Finnish
modern melodic death metal band VOLUCRINE are set to release
their fifth album via Inverse Records later in 2026. The first single, 'GOLEM', is released today, and its music video is available here: https://youtu.be/bb9rVOdwLwo
The band's mastermind Jupe Velin comments:
" After the great volcano erupted, the world was left barren and empty. The earth was covered in petrified magma and the air was heavy with ash. As if by a miracle, however, something in the gray mist moved. The boulders and cobblestones rattled and grinded as they piled up on top of each other. They climbed towards the sky, slowly twisting into a spine. The wind helped the sand draw its expression, the clay bound its limbs together. Assembled from the fragments of a bygone world, its cold shell began to resemble a human, but one without a purpose. Even though it didn’t know which way to go, two things were certain: It had a melting heart and a burning desire to live.
As a composition, GOLEM was built up from the, perhaps even a little bit folk-inspired, guitar melody heard in the chorus. When you add Volucrine’s typical riff texture and a crushing verse, the result is a surgical strike in song form that can be proudly presented as the first single from the upcoming album. The lyrics are addressed to those who sometimes feel that life takes away more than it gives. I would like to remind them that navigating through a void without a view requires guts and strength of character. Even there, you might find new life."
Listen to Golem on streaming services: https://push.fm/fl/volucrine-golem
Biography:
VOLUCRINE are a Finnish alternative metal collective, who released their debut album in 2011. Four albums, two EP’s and countless live shows later, the band's personal style has been honed to its peak, still emphasizing bold testing of boundaries within their genre. The band has a strong focuson their lyrics, which, due to their deeply personal nature, give Volucrine’s music a human voice.
After the ETNA LP (Inverse Records 2024), which garnered a lot of positive attention worldwide, the band is finally ready to present new material from their upcoming album, which will be released in the fall. With the theme of rebirth, we can expect the unexpected from this album as a great circle is closed.
Line-up:
Jupe Velin - Vocals
Joni Kyynäräinen - Bass
Jani Aalto - Drums
Marko Orava - Guitar
Erik Lindroos – Guitar
https://www.facebook.com/volucrineband
Listen to the single on music services : https://push.fm/fl/sdf-crownofstars
From Southern Finland's gray landscapes rises SUPERDEATHFLAME, the Style-Masters-of-Metal ready to conquer the world with our mature and melodic music that catches the ear. Founded in 2007 and released two full length albums and a batch of singles and EP. Their songs are made for listener, no bullshit. The songs are hard, every piece tells a real story of life. The foundation, the Four Pillars of our Metal are Rock-solid guitar riffs and punchy drumbeats colored with flowing synths and world class choruses that are infectiously catchy. Superdeathflame is building their music with an increasingly determined focus to make every song sound simple and easy to a listener. Not forgetting multidimensional interpretation in the lyrics, that gives the depth to the songs.
https://www.facebook.com/superdeathflame/
Label: Xtreem MusicRelease date: april 23rd 2026
Genre: Thrash Metal
For fans of: Death Angel | Nuclear Assault | Voivod | Forbidden
Nobility degraded, nature disfigured…tooth and claw, blade and bullet, animal and war machine made one. Flesh and circuitry, bone and steel, fused and driven by a single terrifying purpose, an absolute need to kill and destroy. The party is over and the time for fun is finished; now the world must burn. Pain maddened, blood hungry, consumed with an undeniable need for vengeance – the wolf beast is unleashed!
Since 2010 the Turin based wolves of Ural have been blending full-force thrash metal with crossover adrenaline and a willingness to step outside the confining boundaries of genre. Three explosive full-length albums – Party With The Wolves, Just For Fun and most recently Psychoverse – along with a brace of EPs, have carved their name into the hearts of thrashers everywhere. Now the pack are ready to unveil their fourth album, their second for the renowned Xtreem Music label and their most ferocious and far reaching to date – Anthropic Genetic Involution!
Anthropic Genetic Involution’s opening track, ‘Extreme Paranoia’, delivers an array of Ural’s exceptional traits right off the bat – clear, powerful lead vocals, jagged, spikey riffs, touches of VoiVod-ian dissonance, outstanding, fluid solos…awesome elements hit you from every angle. Tracks like ‘God Of Lies’ encompass so much musical diversity in such a cohesive, finely honed form, delivering thrash at its freewheeling, expansive, creative best. As the album powers on through ‘Wasteland’ you can never be certain where Ural are going to take you; they’re always one step ahead and that ability to surprise keeps everything fresh and interesting. At the same time, a song like ‘Rat In A Cage’ is supremely satisfying, bringing together crossover adrenaline, inherent melody and accomplished songcraft, topping it all off with a searing solo of classic metal brilliance. In fact the lead guitar work throughout this album is simply brilliant! A real unexpected twist comes in the form of ‘Flat Black’ – a savage reinterpretation of a classic tune from jazz trombonist J.J. Johnson. Meanwhile an absolute highlight is the vehement, burning thrash attack of ‘Terror Eyes’, where complexity and ferocity entwine to stunning effect. Towards its conclusion ‘Terror Eyes’ finally breaks down into a great snarling riff with another amazing solo dancing in its flames, before tumbling straight into final track ‘…To Change Your Vision’; a grinding, atmospheric coda, a final act of measured riffing and tension as the Ural wolfpack head back to their lair once more.
By retaining the services of producer Davide Billia (Avulsed, Beheaded, Holy Terror etc), who harnessed the lightning of Ural’s Cyber Requiem EP and Psychoverse album, the band have captured the perfect sound for Anthropic Genetic Involution – sharp, crisp, clear and powerful. Ural have also kept up their successful working relationship with artist Luca SoloMacello (Elvenking, Pentagram, Wormwood etc) – who has created the most impactful Ural cover art yet! Anthropic Genetic Involution will be released by Xtreem Music on CD and digital formats on April 23rd and is set to be one of the most exciting and energized thrash releases of 2026.
Line-up:
Andrea Calviello - Vocals
Alex Gervasoni - Guitars
Luca Caci - Guitars
Stefano Cipriano Moliner - Bass
Filippo Torno - Drums
https://www.xtreemmusic.com/
https://www.facebook.com/URALWOLFTEAM/
MEK NA VER - "NOCTIVAGA"
Genre
: Atmospheric
Black MetalLabels : Masked Dead Records / Sulphur Music
Release date : February 27th 2025
MEK NA VER is the parallel dimension, the invisible and astral realm where only the deepest sensations dwell, the feelings words cannot describe, the unseen. It is the place where pain, regret, and abandonment arise and exist in pure form, without the need for definitions.
With a line-up featuring members of the legendary Symphonic Black Metal band OPERA IX and ex-ABORYM, this second album titled "Noctivaga" is a must-listen for every hard-core fans of the genre. More specifically, Atmospheric music in the vein of Saor and the Northern Silence releases, with a strong backbone of second wave Black Metal.
This album is a descending journey into witch-related mournings, an ontological widowhood, the radical rejection of linear time and light. Through witchy archetypes, it explores the stages of the disintegration of the veil.
The artwork, painted by Dipsas Dianaria (vocalist) herself, depicts a wintery landscape inhabitated by an owl; a perfect depiction of the album's atmospheres and symphonies: cold, sheer and magical.
Steeped in an esoteric folklore of decadence, "Noctivaga" is an invitation to lose yourself in the call of the dark.
Sales point:
For fans of Saor and the Northern Silence catalog;
Strong second wave Black Metal backbone;
With members of OPERA IX and ex-ABORYM;
Symphonic sound; cold, sheer and magical;
Witchy, esoteric folklore themed.
Tracklist:
1. Silenzio d'Incanto e Fiele
2. Strix - Elegia Lunae
3. Strige - Altar of Unspoken Vows
4. Strigae - Canticum Nihilitatis (il Canto del Nulla)
5. Strigoi - In Nihilum
6. Ascensio Astrae (tra le Stelle) [Feat. Federico Sanna on vocals]
7. Sabbat - Vespera Ultima
Line-up:
Dipsas Dianara (Opera IX) – Vocals, Bass, Songwriting
Thomas A. (ex-Aborym) – Guitars
Andrea S. – Drums
Emanuele T. (Opera IX) – Synths & Keyboards
https://maskeddeadrecords.com/
https://www.facebook.com/MekNaVer
Where previous albums have all progressively stepped downward into darker and more brutal territory over the years, The Profound Darkness conjures a demonic presence that feels closer than ever before. This album is an exploration of the darkness that awaits us all beyond the grave - a journey through the various forms that the great unknown may take, told through a collection of 9 carefully crafted stories.
An infernal blend of Death and Blackened Thrash metal, IN MALICE'S WAKE continue to prioritize crafting songs that stand the test of time - songs that speak with a haunting, iconic and truly recognizable voice.
IN MALICE'S WAKE calls the album a tribute to all the incredible people who have supported the band globally over the previous quarter of a century.
The Profound Darkness is due out on May 1.
Tracklisting:
1) The Profound Darkness
2) Beyond Death
3) By Tongues of Demons
4) The Last Song
5) Numb to Paradise
6) Upon My Flesh
7) The Great Purifier
8) Away from the Light
9) The Darkness Below Us
The Profound Darkness was mixed by Chris Themelco at Monolith Studio in Melbourne, Australia and mastered by Plec Johansson at Panic Room Mastering. Artwork by Shaun Farrugia of IN MALICE'S WAKE.
Line-up:
Mark Farrugia - Drums
Shaun Farrugia - Vocals, Guitars
Karl Watterson - Bass
Leigh Bartley - Guitars
Bio:
IN MALICE'S WAKE are the unholy crossing of Death Metal, Thrash Metal and total darkness. Over two decades of savagery across countless stages and five studio albums have honed the band into the force it is today. Combining timeless songwriting with an infamously violent live show, IN MALICE'S WAKE have left a true impression throughout Australia and overseas.
IN MALICE'S WAKE have supported many of the greats, including TRIUMPH OF DEATH (CHE), POSSESSED (USA), BLOODBATH (SWE), DESTRUCTION (GER) and countless others. The haunting melodies and iconic songwriting are most present in the latest demonic opus - The Profound Darkness.
With release of this album, IN MALICE'S WAKE now extend their shadow to reach to an even greater audience, while celebrating this latest release with their incredible long-term supporter base.
https://www.facebook.com/inmaliceswake
EL
MUERTO,
the Netherlands' one-man Black/Death Metal project, has released the official
video for "LICH KING," a track from debut EP, LOST
AND AMSTERDAMNED! FFO: Opeth, Immortal, Emperor, Mgla, Death
Look and listen at: https://www.youtube.com/watch?v=g2sSm-aqquI
El Muerto was born in the depths of personal crisis, a raw and unflinching document of depression, trauma, and the desire to disappear. Conceived as a final message from an artist who had lost the will to live, each track captures a chapter of that darkness. But this record is no longer a goodbye. It’s proof that even in the shadows, something can still survive.
El Muerto is the alter ego of a multi-instrumentalist whose journey spans continents, from the underground metal scene of Mexico (Sekhmet) to experimental projects in Australia (Conscious Comma), now anchored in the Dutch landscape. With Lost and Amsterdamned, he delivers a fiercely collaborative black/death metal EP shaped by the frostbitten influence of Immortal, the grim atmosphere of Darkthrone and Mgła, and the progressive shadows of Opeth and Emperor.
Driven by guitar-forward compositions and visceral vocals, the record balances old-school extremity with cinematic vision. Each track is both a personal exorcism and a descent into archetypal horror, as described by below by El Muerto.
"Enthroned in the Tower of Shadows (The Witch)" – A theatrical black metal tale of the witch-queen reigning from a tower of obsidian. Ritualistic, grand, and venomously lyrical, it reads like folklore soaked in blood and fire. Betrayal, treason and lies.
"Ghosts of Torment" – An inner war against unseen forces. This track is a descent into madness where haunting spirits represent trauma, anxiety, and mental illness. Dissonant and despairing, it’s a song about being torn from within—and haunted from without.
"Lich King" – A blighted anthem of death’s dominion. With imagery of skeletal monarchs and ruined worlds, it’s a march into the void, full of oppressive riffing and funereal dread.
"A Song for Ran" – A melancholic invocation of the Norse sea goddess, casting despair into the sea’s cold embrace. Melodic and mournful, it drifts between surrender and transcendence beneath crashing waves and whispered death. Where the final rest in the most peaceful as well.
"Blood Crypt" – The EP’s most venomous moment: a burial rite soaked in bile and loathing. A brutal poem of closure through decay, it turns memory into rot, laying ghosts to rest in a cathedral of scorn."Wolves of Den Haag" – Inspired by the real-life cannibalistic murder of Dutch statesman Johan de Witt in 1672, this track uses historical horror to reflect modern betrayal and societal rage. Gnarled riffs and spectral tension echo through The Hague’s ghost-soaked streets.
Each song speaks in the language of metal, but beneath the corpse paint and distortion lies something deeply human—anguish, defiance, and ultimately, release.
Each of these songs reflects personal trauma through the lens of myth, horror, and metal’s harshest language turning lived experience into sonic ritual. Lost and Amsterdamned no longer marks an ending. It is a violent testament of survival, memory, and transformation. A cathartic howl from the pit—and the sound of someone crawling out of it.
The album's rhythm section features guest musicians from international metal acts, such as downunder's Norse and Europe's Adarrak.
Mixed by the legendary Tomas Skogsberg of Sunlight Studios in Sweden and mastered by Ricardo Botello. Recorded in studios across the Netherlands.
Track Listing:
1. Enthroned in the Tower of Shadows (The Witch)
2. Ghosts of Torment
3. Lich King
4. A Song for Ran
5. Blood Crypt
6. Wolves of Den Haag
Credits:
Produced by Ricardo Botello
Mixed by Tomas Skogsberg in Sunlight Studios, Stockholm, Sweden.
Mastered by Stefan Brown from Abbey Road Studios.
All artwork created by Francisco Torres Beltrán
Line-up:
Ricardo Botello - Guitars, Vocals, Piano
Zigor Munoz - Bass (except "Ghosts of Torment")
Tommaso Tani - Bass on "Ghosts of Torment"
Robin Stone - Drums
Bio:
El Muerto is the alter ego of a multi-instrumentalist, Ricardo Botello, who has made the Dutch landscape his creative home for the past years. His musical journey spans continents, from his work with the Mexican project Sekhmet to time spent with Australia’s Conscious Comma.
Now unveiling his debut EP, Lost in Amsterdamned, El Muerto presents a collaborative effort that features a dynamic cast of guest musicians.
https://elmuerto2.bandcamp.com/album/lost-and-amsterdamned
Finnish
melodic death metal act OBSCURE FATE is about to release their
debut album 'SHADES OF A DYING WORLD' on March 27th 2026 via
Inverse Records. The third single 'VALHALLA' is unleashed today and it's available here: https://push.fm/fl/obscure-fate-valhalla
The band comments:
" The song "Valhalla" has a straightforward theme: the Vikings' military campaign and the promise of entry into Valhalla. Structurally, it is a conventional song whose catchiness comes from its rhythm and perhaps even its cheerful-sounding melody."
Biography:
Obscure Fate was originally formed in 2008 in Paltamo, Finland, as the solo project of guitarist and songwriter Kaleva Kovalainen. In 2009, drummer Jari Keränen and bassist Petri Möttönen joined, giving the songs their first real band form. Shortly after, guitarist Joni Moisanen and vocalist Tapio Möttönen became official members, and together the group arranged dozens of tracks for full band performances. From the very beginning, Tapio handled the lyrics, with Petri contributing to the song Spectral Exile.
The current lineup was completed in 2019 when bassist Antti Möttönen replaced Petri. Musically, Obscure Fate is rooted in traditional melodic death metal, though elements of thrash and classic heavy metal also find their way into the band’s sound. Kaleva’s prolific songwriting provided a strong foundation for the band, while the lyrics explore themes of social criticism, fictional storytelling, and inner struggles.
In 2021, Obscure Fate released their first EP. Recording sessions for their debut full-length album began soon after, but due to various setbacks the process turned into a long and seemingly endless project. Finally, in April 2025, the band reached the final stages of completing the album, marking an important milestone in their journey. The debut album 'Shades of a Dying World' is set to be released in March 2026 via Inverse Records.
Track list:
01. Shadows of the Past
02. Beyond Pain
03. Turn To Dust
04. Spectral Exile
05. Age of Delusion
06. Shade of the Destruction
07. Reign of Madness
08. Valhalla
09. Spirit of Vengeance
10. Poison Throne
11. Eksyneiden Jumala
Album cover by Jarno Lahti
Mixed by Tero "TeeCee" Kinnunen
Mastered by Mika Jussila, Finnvox Studiot Oy
Line-up:
Kaleva Kovalainen, Guitars
Tapio Möttönen, Vocals
Jari Keränen, Drums
Joni Moisanen, Guitars, Backing Vocals
Antti Möttönen, Bass
https://obscurefate.net
https://www.facebook.com/ObscureFateBand
THE HOLEUM – “ENSIS “
Genre
: Progressive
Doom/ Post MetalRelease dates: March 20th, 2026
Baptized with a name derived from astrophysical theories about dark matter and black holes, THE HOLEUM was formed in 2014 in Alicante, Spain. Founded by former members of NahemaH, Demised, quantumXperience, Hela, Neptunian Sun, and Priest of Dawn, the quintet set out to push the boundaries of heavy music and to intensify the emotional impact of darkness in sound. Their concept is both cosmic and sonic: “THE HOLEUM is related to the dark matter that forms the black holes in the universe. THE HOLEUM is not a black hole, but black holes are formed by The Holeum. That is the idea from which we extract our concept – we are a sonic and cosmic vision of the sublime.”
With their third album “Ensis” (2025), the band continues its journey through experimental metal, death doom, melodic metal, and post-metal. This work is more than a continuation – it is a condensation and expansion of their previous soundscape. “Ensis” reveals itself as finely nuanced, challenging, yet at the same time profoundly sensitive and multifaceted. The songs unfold like cosmic landscapes where heaviness and melancholy meet subtle emotionality. The intensity remains palpable, but it is complemented by a deeper sensitivity that draws the listener into a fragile balance between harshness and delicacy. “Ensis” is an album that demands and touches at once – a work that makes the complexity of human existence audible in the mirror of the universe.
https://www.facebook.com/theholeum/
SERPENTHEIR is a Gdańsk-based
experimental metal project rooted in symphonic black and melodic death metal.
With a versatile discography of 4.5 albums, including the phantasmagorical
'Hypernature's Vines' and the dreaming, ethereal 'Oneirism', the project
attempts to answer sonic questions like, 'What happens when you fuse groove
metal with symphonic black metal?' and 'How would a journey from Industrial to
the Baroque unfold?'.FFO: Thy Catafalque, Samael, Tiamat, Arcturus, Ihsahn, The Kovenant.
Their compositions are often unstable, feisty, and temperamental. The combination of a drum machine with melodic riffs under massive layers of synths creates an effect of oversaturated, mechanically-conducted extremity.
Short bio
Serpentheir has undergone a metamorphosis through a mostly solitary decade of geographic shifts and creative defiance. Conceived by Maurizio Pullman (aka Dr. Caligula), the project has meticulously built a 4.5-album discography—from the cold echoes of the 2017 EP 'Undertones of Yore' and the grueling "meta" struggle of the 'Protracting the States Invariant' era, to the prolific one-year from-sketch-to-release experiment 'Shadow People', which has reignited the nearly smoldered out creative process.
Now based back in Gdańsk, the project has finally shed its one-man skin. The fold has expanded to include a full lineup of dedicated composers, pushing the project’s musical horizons further with the promise to never become complacent and always strive to evolve.
With the 2026 release of 'IRIDESCENCE' and the band finally hitting the stage, another chapter of mechanically-conducted extremity begins.
https://www.youtube.com/channel/UCkaZAhgnDSm9l6gPBdBxiig
https://serpentheir.net
https://www.facebook.com/serpentheir
product, where the genres bounce between folk metal and melodic death metal. Although the song is full of tempo, the song also includes a bit of atmosphere through clean guitars and an accordion. The songwriting is really maxed out, and there is no lack of mood at all! "The Great Feast" is also a sample of what Wooden Shadow's upcoming second full-length album has to offer.
Listen to 'The Great Feast' single on all major streaming platforms: https://push.fm/fl/wooden-shadow-feast
From year 2020 onwards, the first demo (Meaning of Wonders) also started a new project. Wooden Shadow is the solo project of Jeremia Ponto from Ylöjärvi, where the genres vary between melodic styles in the form of different formats. As a rule, founder Ponto writes his compositions based on melodic death metal, but there are also combinations of folk and melodic black metal. Jeremia Ponto, 25, describes his solo project: "Ever since I started making my first compositions, I had in mind to write diverse music that fits the colors of my project itself. Let the people, who find my music
to listen to decide for themselves what my genre represents. I define my music as "melodic metal" because it feels more realistic to me as a composer."
Line-up:
Jeremia Ponto - All instruments
https://woodenshadow.bandcamp.com
Dear
Friends in the Press and Media worldwide, We’re happy to announce our
partnership with Chilean bestial goregrind morgue-stalkers MORS.VOID.DISCIPLINE
and announce their pulverizing debut album "TXKETH)ËKÉ",
coming on March 13 2026 on LP, CD and MC formats and pre-orderable now via all
our channels.Leading up to the gruesome release, legendary extreme metal blog No Clean Singing have premiered the song “Sanguinem In Anum Caprae Putrescentis Eiaculans“ claiming that the band’s music is “all inhuman, it’s all unhinged, it’s all hideously toxic. And it’s exhilarating, muscle-moving, well-structured and perversely addictive.“ - you can check out the feature and song https://www.nocleansinging.com/2026/02/16/an-ncs-premiere-mors-void-discipline-sanguinem-in-anum-caprae-putrescentis-eiaculans/
MORS.VOID.DISCIPLINE emerge from the bottomless dungeons of South America's extreme metal underground with their debut full-length monstrosity "Txketh)ëké", a twenty-minute obfuscation of terror-spawning bestial war metal destruction swathed in the flesh-eating violence and maggot-infested putridity of 90's goregrind. Cryptic and malignant beyond thresholds comprehensible to man, "Txketh)ëké" projects forth a cancerous aural perversion in which the war-mongering assaults of Blasphemy collide with early Carcass' mangled and deconstructed sonic butchery. Its astonishing hideousness and violence are not only shaped by its unequivocal descendancy, but further complexed by the peculiar antediluvian and occult aura historically permeating Chile's underground scene, as well as by the band's enigmatic inner workings and imagination harvesting perversions from beyond the reach of sanity. Slithering coils of vomitous, pitchshifted vocals proclaim the unutterable in arcane tongues long forgotten by men, regurgitating a noxious mass from within a hellish cauldron of dissonant, nuclear vice, and invoking absolute adherence and submission to a cult of death and darkness untouched by any light. The album's title is an anagram of words related to Solomon's demonology and multicultural esoteric warfare, and the band's concept and lyrics metastasize within the terrorscape as a deranged worship of evil reclaiming sacrifice through the destruction of human anatomy. Few crafts conglomerate in human mind as entities so committed to cruelty and devoted to destruction as this one, yet MORS.VOID.DISCIPLINE endure as yet another inscrutable product of an unrivaled scene whose isolation, remoteness and purity remain undying vectors for unparalleled world-building and musical transformation.
"Txketh)ëké" is slated for a March 13 2026 release on LP, CD and MC formats worldwide via Sentient Ruin, all of which are pre-orderable now via all our channels.
Sincerely, Sentient Ruin
https://sentientruin.com/bands#/morsvoiddiscipline
https://sentientruin.com/releases/morsvoiddiscipline-txkethk
Listen to the album in full via Black Metal Promotion: https://youtu.be/C2bjSTdNkF4?si=nqD42kmiQ-vVVRNz
“Daemonosophia”, the follow-up to “Βυσσοδομώντας”, is still available to order in CD and vinyl formats, along with a limited luxurious box set and merch bundles: https://thecirclemusic.gr/product-category/the-circle-releases/?filter_artist-name=the-magus
Pre-save the album on digital platforms: https://thecirclemusic.lnk.to/Daemonosophia
The Magus previously explained that the new album delivers a more aggressive and dynamic sound than the first album, “Βυσσοδομώντας”, while keeping the devouring dark atmosphere the project’s music is known for. The album's sound has some unexpected and diabolically diverse moments that will make listeners feel uneasy.
According to The Magus, “The new album is a journey to Demonhood. The Truth lies Below not Above. The Six are Three. The Unholy Trinity. The Three are One. The Absolute. The Infernal pact.
“Musically, it is more edgy and vengeful. More aggressive and dynamic. Still theatrical and horrifying in nature, hellish and complex in performance. And as always there are these diabolically diverse moments that will surprise and will make you feel unease...but Lucifer has many names and many faces. In some parts, collaboration with top-level musicians and vocalists was deemed necessary to achieve maximum impact.”
"Daemonospohia" is pulsating Darkness in all its beauty and all its horror. A beacon of Luciferian Black Metal for Extraordinary People.”
For the album cover art, The Magus collaborated with Mexican artist Nestor Avalos, known for his work with numerous bands, including Exodus, Deicide and Rotting Christ. The artwork is an Infernal Triptych that portrays six infernal entities: Lucifer/Samael, Leviathan/Tiamat, and Belial/Satan. Nestor created a majestic painting of infernal wisdom and occult meanings, giving prominence to the Luciferian tradition and the music of the album.
Tracklist: 0. Pater Noster
1. Pseudoprophetae
2. Daemonosophia
3. The six in three is all One
4. The Era of Lucifer Rising- A Luciferian interpretation of the THOU ART LORD classic
5. Magia Obscura
6. Amelia
7. The Chapel of Iniquities
8. The Pact
9. La Llorona Negra
The Magus was formed in 2022, following the dissolution of the legendary Greek black metal band Necromantia, which The Magus co-founded. He decided to end Necromantia after the death of his bandmate Baron Blood in 2019, releasing a final album, “To the Depths We Descend”, in 2021 as a tribute. A seminal figure in the extreme scene, The Magus’s storied history includes playing a pivotal role in the early days of Rotting Christ and co-founding the cult project Thou Art Lord alongside Sakis Tolis. For this new project, The Magus continues his legacy of uncompromising Luciferian Black Metal, bringing in long-time collaborators El on guitars and Maelstrom on drums to push the boundaries of the Hellenic sound.
https://linktr.ee/thecirclemusic
https://linktr.ee/themagus666
IRON SLUG – “DECEIT AND MISERY”
Label: Road To MasochistRelease date: march 27th 2026
Genre: Doom/Sludge Metal
For fans of: Black Sabbath |Goatsnake | Saint Vitus | Electric Wizard
Formed in Kent in 2022, a murky, anguished blight upon the so-called ‘Garden Of England’, Iron Slug have become an established presence on the UK’s doom scene. With a single-minded sense of intent and an array of irresistible riffs they have pounded their way into the consciousness of those drawn to the low, slow and oppressive. After two coruscating EPs – 2024s Debauched And Bored and Unrepentant Grin – both warmly received by fans and critics alike, the band are now ready to unveil their full-length debut of unrepentant doom. Featuring five mammoth tracks of backbreaking heaviness that each seem to stretch out into eternity, but at the same time never feel a second too long, Deceit And Misery has arrived.
The album begins with the seething, menacing guitars of ‘A Calming Turmoil’, the song gathering itself in a slow building of purpose, before settling into a relentless, methodical groove. When the strong, imposing vocals arrive their measured, melodic timbre adds a sense of gravitas that just increases the momentous weight of the music. ‘Love Retires Under Night’ descends in an avalanche of Sabbath-style riffing and gradually digs down deeper into the darkness than Iron Slug’s progenitors ever delved. This is raw, sludge-touched doom, stripped of all artifice, flayed to the bone and bleeding bitter emotion; its hypnotic, grinding heaviness carrying you to the indistinct boundaries between the waking world and the void of dreamless sleep. First single, ‘Graceless Bodies’ and the stunning ‘Die The Same’ follow, both lifted to new heights by superb vocal performances – steeped in soulful melody and a hint of the desert’s endless dust. All of which leads us beneath the hammer of ‘Ritualistic Feeding’, a bleak, shuddering leviathan of a track whose every chord, drum beat and fiercely enunciated syllable is delivered with meaning and might. Deceit And Misery is a bellowed statement of intent, a giant stride taken and a revelation of both immediate power and burgeoning potential. Iron Slug have arrived, in no uncertain terms.
Produced by long-term collaborator Jason Frye (Allfather, Jøtnarr, Erth Altr etc), Deceit And Misery sounds gritty and textured, tactile yet abrasive and imbued with rich depth of spirit. Meanwhile, the intensity of emotion generated by the unrelenting songs and fiercely focussed performances has been perfectly captured in the striking artwork of Black Crow White (Death Island, Extinction A.D., Nuclear Desolation etc). Iron Slug have created a raw, hard-hitting album that connects deeply with the essence of doom and when it hits the streets on March 27th via Road To Masochist, on 12” vinyl and CD formats, the impact will be seismic.
Line-up:
Will Rayner - Guitar/Lead Vocals
Will Bond - Drums/Backing Vocals
https://roadtomasochist.co.uk
https://www.facebook.com/ironslugdoom/
Label: Nyctophobic RecordsRelease date: march 27th 2026
Genre: Post Rock/Grunge
For fans of: Alice In Chains | Tool | Nirvana
“Sometimes you have to go back to go forward…”
…the words of Final Coil frontman Phil Stiles that can be found in the sleeve notes of the band’s latest creation, the 1994 EP. Over the last eight years Leicester-based band Final Coil have released a titanic conceptual trilogy of albums – Persistence Of Memory, The World We Left Behind For Others and The World We Inherited. Each one of these albums was an incredible, visionary piece of work, garnering critical acclaim from across the world and, with each release, Final Coil’s stature has grown. From humble beginnings in Leicester’s clubs they have moved on to major festivals, European headline shows, appearances with major artists and features in renowned print magazines. The band’s next grand endeavour is already well underway, their creative ambition never sated, but first, after years of meticulous work on nuanced, multifaceted conceptual pieces, with deeply personal yet universally relatable lyrical messages, it’s time for Final Coil to reconnect with those early days; to channel the sweat and volume that remain an integral part of their live performances into a new studio collection of raw power; to go back to go forward.
For Final Coil going back means looking back to a musical era which ignited the creative spirit of their youthful selves; a time when Alice In Chains were riding high in the Billboard charts with Jar Of Flies, Nine Inch Nails had just unveiled the harrowing Downward Spiral, Nirvana played their final gig, Pink Floyd embarked on their last world tour and Machine Head roared into life changing the metal scene forever with their Burn Your Eyes debut…1994.
1994 begins with the snarling, jagged riffs of ‘Instant Fix’ and you can instantly feel the energy, vibrancy and joy in this propulsive track. This is the sound of a band unleashed, with a kaleidoscope of influences and inspirations brought into brilliantly vivid focus – raw touches of Hawkwind’s space rock infused with the spirit of grunge and assailed by the fury of metal and punk. It’s exhilarating stuff and there’s no let up as the band charge on into ‘Narcissist’, a live favourite that could never quite find a suitable recorded home before now.
‘Playing Games’ is an irresistible fusion of melody, muscle and metallic riffs with an unforgettable chorus and ‘Woke’ is a hugely infectious climax, radiating attitude and effervescence, with a brilliant vocal performance from Phil Stiles. Performing all the drum tracks on the 1994 EP is Irish drummer Graham Hopkins, who recorded three albums with Therapy? - as well as being part of My Little Funhouse and touring with Snow Patrol - and his powerful, vivacious style helps to rekindle their early fire in Final Coil and infuse this set of songs with enthusiasm and electrifying adrenaline. Final Coil frontman Phil Stiles has revealed that Therapy?’s Semi-Detached album is a huge personal favourite and Hopkins’ performance on that record made him the absolute first choice behind the kit when plans for 1994 were hatched.
1994 is fun, but it’s not playing around. Even in this unshackled, raucous form, Final Coil’s sheer class shines through and there’s no hiding the song writing skills and musical dexterity of these pieces. Upon its March 27th release through Nyctophobic Records, 1994 is destined to become a watershed moment in Final Coil’s ever-evolving career
Line-up:
Phil Stiles - Lead Vocals, Rhythm Guitar and Lead Guitar
Richard Awdry - Lead Guitar, Rhythm Guitar and Vocals
Jola Stiles - Bass Guitar
Drums performed by Graham Hopkins
https://www.finalcoil.com/
https://www.facebook.com/finalcoil/
FFO: Swallow the Sun, Anathema, Woods of Ypres, Novembers Doom, Draconian
Orchid Throne consists solely of Nicholas Bonsanto (Lör, Empress, Helianthus, Barren) who performs the music, as well as producing, mixing and mastering the album.
After nearly 17 years of playing supporting roles in various bands, Nicholas Bonsanto (Lör, Empress, Helianthus, Barren) is proud to make his debut as a solo artist as the man behind Orchid Throne. Bonsanto not only wrote and performed all of the music for Buried in Black, but also produced, mixed, and mastered the album.
While not a concept album, Buried in Black weaves themes of anxiety, depression, fear of death, and the search for life’s meaning throughout its lyrics. The title describes both the music itself and the feelings that Bonsanto has kept buried within for years. It may sound bleak, but what is buried in black will be set free and brought to light on January 9.
“This album is a long time coming for me,” said Bonsanto. “For more than a decade, I collected little recordings of ideas in the hope that one day they’d be useful. I could not be more proud of myself for how the album came out and for all of the things I have learned along the way.”
Bonsanto's Musical Journey to Buried in Black:
“As a musician performing in bands since I was 16, people who know me have seen me play a supportive role, and hear my musical contributions to my bands. But not everyone knows that I have always dreamed of releasing a record of my own. I am passionate about all kinds of music, and while I love playing in my current bands, doom metal is a big love that I long felt like I had no outlet for.
“While I’ve honed my songwriting abilities over the years, I began this project with zero knowledge of how to produce a record on my own. I introduced Orchid Throne to the world one year ago on my birthday with only one song done. Over the past year, I have finished writing, recording, and producing my entire debut record. I have finally achieved this goal and it's even better than I ever imagined it could be. It means so much to me to get this out there, to truly reflect who I am as an artist, and I’m already excited to create more.”
Track
Listing:1. Dreamworld
2. Ephemerality
3. What Defines us
4. Moonlight Revelry
5. Guilt
6. Breath of Autumn
7. With Promise
Credits:
Album artwork painted by Ryan Gassaway.
Music and Lyrics written by Nick Bonsanto.
Produced, Mixed and Mastered by Nick Bonsanto.
All instruments performed by Nick Bonsanto.
Flute on “Breath of Autumn” and “With Promise” performed by Mary Beck.
Orchid Throne is:
Nicholas Bonsanto - All instruments.
Bio:
Orchid Throne is a Melodic Doom Metal one-man band created by Nicholas Bonsanto (Lör, Empress, Helianthus, Barren) based out of Baltimore, Maryland. Orchid Throne is set to release its debut full-length album on January 9, 2026, titled Buried in Black. The album features a spellbinding variety of dark, heavy, and emotional material that beckons you to fall into the endless black. Drawing influence from a range of sounds such as melodic death metal, black metal, progressive rock, and folk, Orchid Throne is music from the heart for fellow souls who need
it most.
https://linktr.ee/orchidthrone
Newcastle,
UK; 13 February 2026: The team behind Fortress Festival and Reaper Agency UK
has announced a brand-new event, TYNEBOUND, set to take place in
the North East of England. Following the success of the sold-out Fortress
Festival editions in Scarborough, this new gathering brings a focused curation
of raw and atmospheric black metal to Newcastle.The event will be held across two days on 5-6 SEPTEMBER at ANARCHY BREW CO. To mark the first edition, Anarchy Brew Co. will release a curated range of limited brews, including a specially commissioned Fortress IPA.
The first four bands have been confirmed for the inaugural edition of Tynebound. Across two unforgiving days in early September, bands will summon everything from primitive raw black metal to bleak, expansive atmospheres, performed in close quarters and at full volume. This is music rooted in isolation, anger, and landscape - the kind that belongs in the North.
Finnish melodic black metal act MOONLIGHT SORCERY will return to the UK for an exclusive performance as the Sunday headliner. This follows their appearance at Fortress Festival last year and marks a rare opportunity to see the band live.
Joining them are Czech black metal veterans INFERNO, known for their shift from primitive roots to avant-garde, mind-altering compositions. The line-up also features the elusive ARISTARCHOS, surfacing for a rare live appearance, and Scottish black metal group CNOC AN TURSA, who will perform material from their long-awaited new album, A Cry For The Slain, which blends black metal with evocative Gaelic melodies as tales of banshees, giants, dragons and ancient legends are brought roaring to life.
With a focus on providing an intense, close-quarters experience, capacity for Tynebound is strictly limited to 500 guests. Tickets are available now via the Reaper Agency UK Big Cartel store.
Secure your entry: https://reaperagencyuk.bigcartel.com/product/fortress-presents-tynebound-weekend-ticket
https://www.facebook.com/events/1222788999277609/
https://www.facebook.com/ReaperAgencyUK
FFO: Devin Townsend, Haken, Dream Theater, Scar Symmetry, Ayreon, Pagan's Mind
The new single serves as the perfect entry point into Voidchaser’s lore infused deep space concept album, showcasing a dense and layered wall of sound paired with massive and memorable choruses.
Interstellar I, the band's second full-length album, will be released on April 9.
Depicting themes of technological overreach, mass corruption and personal struggles related to identity, love and survival, the narrative unfolds within a vast, lore infused deep space universe. Interstellar I balances a dense and layered wall of sound with high-energy choruses and memorable melodies, where every moment serves the storytelling. Musically, the album brings to mind the style of Devin Townsend’s Ziltoid the Omniscient and Dream Theater’s Systematic Chaos, while reinterpreting those influences through Voidchaser’s own modern and distinctive sound, also drawing from classic foundations found in Deep Purple’s Machine Head and Black Sabbath’s Paranoid. With this release, Voidchaser returns with a level of maturity that defines their most ambitious and fully realized work to date.
On April 10th at Piranha Bar in Montreal, QC, Canada, Voidchaser will launch their new album, Interstellar I, performing it in its entirety in an exclusive live set, along with additional material. Omnivide and Jovian Storms will perform as special guests.
Pre-order
Interstellar I: https://voidchaser.bandcamp.com/album/interstellar-i-lpTrack Listing:
1. The Grand Design
2. Welcome to Terra Corp
3. Initiation Day
4. Hyperconverter
5. Anything for Love
6. Rain / Solar Winds
7. Ivory Tower
8. Renew
Credits:
Lyrics and Songwriting by Chad Bernatchez.
Production and Arrangements by Jici Lord-Gauthier.
Management and Booking by Jici Lord-Gauthier (Chaotic Good Music).
Mixed and Mastered by Jason Poulin.
Drums Recorded by David Lizotte.
Session keyboards by Mathieu Fiset.
Artwork by Sam Harwood.
Photography by Josh Kirschner (Kirschner Studios).
Line-Up:
Chad Bernatchez - Vocals, Guitar
Jici Lord-Gauthier - Guitar, Bass
Colin MacAndrew - Drums
Bio:
Based in Montreal and Stockholm, Voidchaser is a progressive metal band that quickly established itself as a band worth watching on both local and international stages. Formed in 2023, the band rapidly gained momentum through a steady stream of releases, earning attention from niche outlets such as The ProgSpace, Prog Magazine and Prog Sphere, alongside coverage from major metal media, including Metal Injection and Decibel Magazine.
In 2024, Voidchaser released their debut EP, Odyssey, followed by two standalone singles and their debut full-length album, Solace. Written as a single continuous 30-minute composition, Solace is a concept album set in an orbital dystopia, exploring themes of power, uncertainty and love. The release charted among the top metal albums on Apple Music and iTunes in Canada, Sweden, Norway and several other countries.
The band continued its momentum in 2025 with the release of Trust, an EP featuring guest appearances from Jim Grey of Caligula’s Horse and members of The Anchoret. That same year, the band embarked on its first international tour, performing 12 dates across Canada, the Netherlands, Germany, Denmark and Sweden, and sharing the stage with acts such as Vulkan, Threshold, Kingcrow, Nospūn, Omnivide and Ok Goodnight. Highlights included appearances at ProgPower Europe in the Netherlands and the inaugural ProgStorm Festival in Montréal, Canada.
In 2026, Voidchaser announced the upcoming release of Interstellar I, their second full-length record.
https://www.voidchaser.net/
THRONEHAMMER kündigen neues Album „SLAY | KILL | ERASE“
an / Tour im Oktober 2026 .Das von Fans und Medien gleichermaßen gefeierte Doom-Kommando THRONEHAMMER hat sein nächstes Album angekündigt!
„Slay | Kill | Erase“, der Nachfolger von „Kingslayer“ (2023), soll noch in diesem Jahr erscheinen und verspricht Großes!
Die Band um Sängerin Kat Shevil Gilham wird im Oktober 2026 auf Tour gehen, um die neuen Songs live zu präsentieren und eine Spur der Verwüstung zu hinterlassen:
01.10.2026 Berlin – Neue Zukunft
02.10.2026 Hamburg – Bambi Galore
03.10.2026 Oldenburg – MTS Records
04.10.2026 Dresden – Chemiefabrik
05.10.2026 Leipzig – Werk 2
06.10.2026 Hannover – Cafe Glocksee
07.10.2026 Kassel – Goldgrube
08.10.2026 Bochum – Trompete
09.10.2026 München – Keep It Low (Festival)
https://link.supremechaos.de/kingslayer/
https://www.facebook.com/THRONEHAMMER
DYED IN GREY – “HARBINGER”
Release date: 23.01.2026
Location: United States
FFO: Opeth, Rivers Of Nihil
Lineup:
Adam Edgemont - Guitars
Paul Loew - Bass
Matt Graff - Drums
Andres Arcentales - Vocals
Bio:
Dyed In Grey is a New York based progressive metal band blending precise technical musicianship, jazz-fusion inspired harmony, and emotionally charged songwriting. Their sound bridges polyrhythmic metal, atmospheric guitar work, and dynamic interplay between melody and heaviness.
Their latest album ''Harbinger'' delivers an explosive blend of razor-sharp technicality and haunting atmosphere. Packed with shifting time signatures, and emotionally charged vocals, the album pushes the bands signature style into darker, more immersive territory. For fans of bold storytelling and uncompromising musicianship, Harbinger marks Dyed in Greys most ambitious and gripping release yet.
https://www.facebook.com/DyedInGrey/
Created in the year 2024 (in Gex, France) in homage to the U-BOOT submariners. Passionate about Black Metal and the underwater history of the 39/45 era.
Combine Black Metal and U-Boote. A perfect match.
One Man Band recorded in a garage with minimalist equipment. Devoured by passion, TOMBEAUX DE FER took the waves of darkness to immerse itself in the virulent and vehement sound
https://adipocere-records.sumupstore.com/
https://tombeauxdefer.bandcamp.com/
Label: Xtreem MusicRelease date: may 7th 2026
Genre: Thrash Metal
For fans of: Kreator | Sodom | Destruction | Hypnosia
Beneath the thin veneer of civilisation, the flesh of our society has begun to rot. Resentment and anger boil the blood and the luxuries of charity and empathy have been cast aside – violated and torn. Humanity’s predatory instincts rise as the illusion of law and order’s protective shield is shattered and violence seethes in streets choked with filth and desperation. Those who have always harboured secret passions for cruelty and domination sense that their time is near. A new age of savagery is upon us…
…and the perfect soundtrack to these turbulent, bloodthirsty days can be found in the devastating sound of Polish thrashers Abuser! Formed in Wrocław, Poland, in 2018, Abuser were driven, right from the start, to deliver relentless, aggressive thrash metal that captured the spirit of the genre’s raw and frenzied formative years. After a well-received 2019 demo the band’s forward momentum was temporarily derailed as they were forced to search for a new drummer, but now – with a solid line-up and the support of Xtreem Music behind them, Abuser are ready to unleash their ferocious debut album - Blood Marks!
Beginning with ‘Cry Of The Innocent’, Blood Marks delivers a rush of adrenaline as Abuser take things straight to the very brink of chaos. Riffs are delivered with a palpable purpose and intent and the domineering drumming and snarled vocals infuse this whirlwind of aggression with a primal fire. This is thrash for those dedicated to the hardest and fastest, as ‘Suspended In Torture’ makes abundantly clear with its raw intensity and wild guitar solos like flailing barbed wire. No ballads, no unwanted experimental forays into milder territories, just teeth-grinding crunch and the kind of velocities that dare you to try and headbang along. Songs like ‘Painbringer’ recall those feelings of shock and awe that accompanied your first listen to Kreator’s ‘Ripping Corpse’ or Destruction’s ‘Bestial Invasion’ – glorious insanity! ‘Abuser’ is the perfect choice for an eponymous anthem - an irresistible and addictive track – and there’s no let-up, no compromise as ‘Witnessing Madness’ takes us on a breathless, frantic, headlong race to the end with its blistering riffs and screaming solos. Blood Marks is the epitome of unwavering, rampaging thrash metal intensity from start to finish. A masterpiece of mayhem!
Xtreem Music will release Blood Marks on CD and digital formats on May 7th and the seismic shocks will be felt throughout the thrash metal scene. A new ‘Riot Of Violence’ has begun!
Line-up:
Paweł Dominiak - guitar & vocals
Michał Kotwicki - bass guitar & riot vocals
Albert Matuszny - guitar & riot vocals
Jakub Klimkiewicz - drums & riot vocals
https://www.xtreemmusic.com/
https://www.facebook.com/abuserthrash
BLACK RABBIT – “WARREN OF NECROSIS”
Format: Digital CD-EP / Physical CD-EPLabel: Independent Release
For fans of : Lamb of God, Slayer, Kataklysm, Baest, Carcass and so on……
Tracklist:
01. Initium Finis
02. Apprehension
03. Null and Void
04. Insurrection…Liberation
Black Rabbit is a concept-driven death metal band from Apeldoorn that seamlessly interweaves brute force and aggression with profound themes and a compelling visual presentation.
The band consists of five musical forces with diverse influences, who together create a dynamic, ruthless but refined sound.
With energetic live shows full of theatrical visuals and an intense light spectacle, Black Rabbit takes their audience into a narrative world of darkness and mystery.
Black Rabbit made their first impact with the release of their debut EP and single in 2020, laying the foundation for their unfolding story of darkness and transformation. This path continued with the first full-length chapter of their legend: ‘Hypnosomnia’ (2023) — an album exploring the boundaries of consciousness and dream manipulation. Building upon that, ‘Chronolysis’(2025) delved deeper into the human psyche — a sensory descent into the horror of sleep paralysis. These releases elevated the band to new heights, leading to performances in renowned venues such as Patronaat, Iduna, and even the Brabanthallen, while sharing stages with giants like Baest, Vader, Exhorder, and Pestilence.
Where ‘Hypnosomnia’ and ‘Chronolysis’ unravelled the tactics and techniques of the entity known as Black Rabbit, their upcoming newest EP ‘Warren of Necrosis’ dives into his inception — revealing the sacrifice, betrayal, and blasphemous devotion that transformed man into myth.
Beyond the music, Black Rabbit manifests its concept through a complete artistic universe. Each release is accompanied by handcrafted artwork, stage design, and visual storytelling that deepen the immersion.
On stage, Black Rabbit embraces the role of prophets of the myth — cloaked in ritual garb, surrounded by candlelight and relics of their creation. Their performance is not merely a show, but a sermon; not entertainment, but invocation.
With ‘Warren of Necrosis’, Black Rabbit opens the gates to the beginning of its own legend — a descent into the roots of corruption, identity, and transcendence. It’s a record that does more than tell a story; it creates a world — one that breathes, mutates, and devours. Once you enter the Warren, there is no return…
BLACK RABBIT is:
Vocals: Nino Thomas
Guitar: Jelle Brekelmans
Guitar: Hidde Hofland
Drums: Koen van der Voet
Bassguitar: Thijs Mulder
https://www.facebook.com/OfficialBlackRabbit
Label: Meuse Music RecordsRelease date: april 3rd 2026
Genre: Doom / Death Metal
For fans of: Saturnus | Lake Of Tears | Ennui | Novembers Doom
“It has been twenty months of recording, dialogue, collapse, collaboration, despair, destruction, and renewal — our beloved eternal spiral of chaos, light, fog, and certainty that, as always, almost consumed us.”- SolNegre
Spain’s Solnegre first stepped from the obscuring shadows in 2022, although the band’s roots stretch much further back into the proud history of Spanish doom/death metal than that, with members having played pivotal roles in the development of Helevorn and Golgotha over previous decades. Yet, since the release of SolNegre’s debut album – The Spiral Labyrinth – the past has become an irrelevance, with the music of SolNegre needing no reference points or validations; it stands alone in dark, monumental solitude. And now the second full length album from SolNegre is about to be unveiled, an album that encompasses everything that epic, melodic, emotive doom/death can be, defining the genre at its most expansive and creative. Welcome to Anthems for The Grand Collapse…
“I remember being the rain for you.”- ‘The Axiom / Song For The Inert Part II
Anthems For The Grand Collapse begins with ‘The Axiom / Song For The Inert Part II’, a moment of calm, of fragile stillness that is shattered by an eruption of anguish. Conflicting and contrasting emotions are captured in vast chords, a magnificent guitar solo and deep, desperate vocals. It is impossible to listen to this music at a distance, from outside the darkness. It draws you into the emotional storm, casting you adrift upon the tumultuous seas of life, at the mercy of the ebb and flow of the tides of passion. This one song is a staggering structure, a pure reflection of the towering emotions that dwarf and break us all. ‘The Hollow Inside’, a driving, powerful track, then carries us deeper into the night, moving through many spaces and territories, so much to grasp and explore. The music, its vital vibrancy, inspires a search for meaning, but the perfect balance between universality and personal intimacy dictates that the meaning you find in these words and sounds will be yours and yours alone. In ‘For All That Could Have Been’ beautiful introspection is rent apart by dark, collapsing riffs and formidable vocals – the pain and emotion almost too raw to witness, an immaculate marriage between exquisite artifice and agonized reality. And then, ‘In The Stillness Of The Womb’ seems to stop the world from turning, as a wonderful female vocal snatches your breath away in a truly unforgettable moment. The careful sequencing of the album leads us, finally, into ‘A Path Of Aloneness (I & II)’ with a sense of arrival at an inevitable conclusion. ‘A Path Of Aloneness...’ is a stunning piece which brings together so much of what is truly great about SolNegre and Anthems For The Grand Collapse – it’s majesty and solemnity, its subtle guitar melodies and searing solo, its lyrical reflections on the diverse moments of life – and the silence that falls after its sudden ending seems to be another, secret part of the listening experience.
“If you are afraid, sit next to me. I will be watching the fire.”- The Hollow Inside
Recorded at Diorama Sound in Mallorca, which the band describe as their ‘shelter’, the production and mix of Anthems For The Grand Collapse are superb. From the resonance of the drums to the lacerating edge of the vocals, everything is exactly how it should be and you can hear and appreciate every element of SolNegre’s sound, individually brilliant but working together to create an even greater whole. Anthems For The Grand Collapse will be released on CD and digital formats by Meuse Music Records on April 3rd, with the CD also comprising SolNegre’s 2024 EP Annihilation Of The Self. Completed by the enthralling artwork of Hans Trasid (Aara, Cuttered Flesh, Phobetor etc) Anthems For The Grand Collapse is an album that will speak to the deepest chambers of your heart.
“I still struggle to explain why we do this; I only know that what we create with such pain and such passion - countless evenings with numbed hands and a mind set ablaze - resonates with those who listen to SolNegre or read these words.”- SolNegre
Line-up:
Ûkh – Vocals
Gebre – Bass & Keys
Rigel – Guitars
Tom – Drums
Additional musicians – the Collapse Minstrels:
Mike Le Rosetti – Guitar solos on ‘The Axiom / Song for the Inert Part II’
Pedro Inglés – Interlude vocals on ‘The Hollow Inside’
Gadea es Ineseta – Vocals on ‘In the Stillness of the Womb’
Núria Luis – Violins on ‘In the Stillness of the Womb’
Edu – Guitar solo on ‘A Path of Aloneness II’
Carmen Jaime – Vocals on ‘A Path of Aloneness II’
https://www.meusemusicrecords.eu/
https://www.facebook.com/meusemusicrecords/
https://www.solnegreband.com/
https://www.facebook.com/SolNegreDoom
The release documents their performance at the Rome Carnage Extreme Fest held at Defrag in Rome, an incendiary night in which the band revisited their entire discography. The setlist was conceived as a true journey through the different artistic phases of HERUKA, performed with a power and cohesion that testify to the band’s outstanding form after 25 years of activity.
"Live in Rome" delivers the raw sonic impact of the concert — relentless riffs and pounding rhythms — transforming the event into a definitive portrait of HERUKA’s live dimension.
Below is the visualizer for "Indarno", one of the most intense moments of the show: https://youtu.be/r3CxPeuW0H8
Tracklist:1. Intro
2. Zoryas - Emho’s Army
3. Amsarctra - Nekrom’s Rescue
4. Indarno
5. No Sun Dared Pass Our Windows
6. Takar - The Enigma
7. Peisithanatos
8. Chailosis - The Revelation
9. Spleen
10. Francis Bacon
11. Let No One Be Saved
12. Coisomo - Deception’s End
The release is scheduled for March 10, 2026, via Rude Awakening Records, available as a limited vinyl edition and digitally on all major platforms.
https://linktr.ee/rudeawakeningrecords
https://linktr.ee/herukaproject
FFO: Psychotic Waltz, Mekong Delta, Sieges Even…
More than 25 years after its original 1997 release, Romanian cult Prog Thrash band PSYCHO SYMPHONY brings back Silent Fall. Remastered and reimagined, the album is now available again—and for the first time pressed on CD via Loud Rage Music. Recorded in Romania during a burst of creative intensity and progressive spirit, it continues to resonate with fans worldwide.
Band members share their enthusiasm about the reissue: “For us, ‘Silent Fall’ was never just a debut—it was a statement. An experiment in pushing boundaries, blending aggression with atmosphere, and searching for something honest and uniquely our own within the noise. Though born in a time and place where resources were limited, the vision was always clear.
This re-release is more than nostalgia. It’s a way to bring the music to new ears, to give it the sound it always deserved, and to honor the path we started. With a careful remastering and artwork based on the haunting paintings of Étienne Sándorfi, this edition breathes new life into the dust-covered soul of the original.
Thank you to everyone who believed in this album—then and now.”
Rude Awakening Records proudly takes care of digital distribution for “Silent Fall”, which will be available on February 6th on all the main providers, while physical copies can already be ordered through Loud Rage Music and Rude Awakening Records as well.
A visualizer for “Shadowed with Life” is now available: https://youtu.be/z4fKkI_ABHg
Tracklist:1. The King
2. Temptations
3. The Temple of Delight
4. Over the Walls
5. Shadowed with Life
6. Bloodthirsty Desires
7. Reality Falls Asleep I & II
https://linktr.ee/rudeawakeningrecords
NECROGORE – “ECTOPLASMIC RAPE PHENOMENA”
Label: Awakening Records
Release date: march 20th 2026
Genre: Death Metal
For fans of: Paganizer| Putrevore | Vomitory | Torture Division
This was wrong…roles reversed, the world inversed. He was the night hunter, the self-appointed king of the darkness, the defiler and destroyer. Yet here he lay, bound and broken, while an entity even his warped and fractured sanity could not accept drew from him the screams he so loved to hear from others. Bleeding and begging for the end, he was a poor excuse for a monster after all.
“Even though we can be the worst monsters ourselves, there can always be, out there, something intangible and ethereal, ready to raise the limits of horror even more.”- Necrogore
After two blistering EPs of corpse-grinding extremity – 2023s Digging From Below and 2024s Ancestral Abhorrence – Italy’s deadliest death metal export, Necrogore, are ready to unleash their long-awaited full-length debut album. Featuring a nightmarish array of lyrical horrors and an army of glorious, flesh-hungry riffs, Ectoplasmic Rape Phenomena is formed from the very essence of classic death metal. This is the album that Necrogore fans have been hoping and praying to their twisted idols for – nothing less than total death metal annihilation!
After a suitably unnerving intro, a presage of the horror and darkness to come, Ectoplasmic Rape Phenomena erupts into violent life with the thick, snarling guitars of ‘Raptured, Tortured And Chained’. With its imperious, merciless vocal presence, feral ferocity and chaos unbound this is music that was spawned before the altars of the undead Swedish gods of death! From the lurching monstrosity of ‘Offered To The Dead’ to the wild violence of ‘Leeches On My Dick’ this is not a musical experience of countless nuances and subtleties. It does not leave you pondering its infinite lyrical and musical permutations – it simply tears you apart. Fires up that chainsaw guitar and rips you to shreds. As Sodom once famously proclaimed – the saw is the law! The rabid brutality of songs like ‘Mediumistic Intercession’, the blasting, battering, howling horror, is breathtaking…but these cacophonies of savagery are all layered upon a steel skeleton of accomplished song construction – there is method within this madness. Be it the Slayerized riffs of ‘One Foot In The Grave’, spiralling down into that final black hole, or the majestic malevolence and decay of ‘Sulphureal Morbid Corpse’, Necrogore have combined chilling atmosphere and sickening rot to forge classic death metal anthems imbued with a dark, addictive power. Concluding with a masterful interpretation of the theme from ‘The Texas Chainsaw Massacre 2’ by Jerry Lambert, feeding the original into a meatgrinder of distortion, Ectoplasmic Rape Phenomena is an album of absolute bestial magnificence!
With additional guitars from Gorement’s Patrick Fernlund on the haunting procession of ‘Sulphureal Morbid Corpse’ and some exquisitely horrific cover artwork from the revered Paolo Girardi (Revocation, Depravity, The Black Dahlia Murder etc), Ectoplasmic Rape Phenomena will be unleashed by Awakening Records on March 20th. Be prepared for a death metal assault beyond your wildest nightmares!
Line-up:
Lucas – Bass/Vocals
Alex – Guitar/Backing Vocals
Chris – Drums
Guest guitar on Sulphureal Morbid Corpse by Patrik Fernlund
https://www.facebook.com/AwakeningRecordsCN/
https://linktr.ee/necrogore
The Finnish dark metal band Horizon of AEONS are set to release their debut album, TIMELESS FORMS OF DESOLATION, on 29 May 2026 via Inverse Records.
The single 'KAIROS', is unleashed today and it's available on all essential streaming services: https://push.fm/fl/horizon-of-aeons-kairos
The band comments:
"The lyrics deal with the concept of deep time. The vastness of the universe challenges human perspective. Our collective cosmic history shapes the eternal harmony of our souls. We are part of the ever-flowing stream of humanity’s consciousness. Musically, this song is more up-tempo and contains unique elements compared to other Horizon of Aeons songs. It is a perfect opening track as it gives the album a good kickstart with the blasting double bass on the drums. The outro is a piece of text spoken by our technician and co-producer Kristian Kipinoinen. This text is handled more closely in the song “1846 (The Ones Beneath)”."
Biography:
Horizon of Aeons is a gothic dark metal band founded in 2024, bringing together seasoned musicians from the Finnish metal scene. The band consists of Miska Lehtivuori (vocals, guitar), Ville Pekkala (guitar), Pekka Venho (bass), and Pekka Jokela (drums). These members have a rich history of playing together in various bands (Fall of the Leafe, Ablaze in Hatred, Searing Meadow, Mormânt De Snagov, Leaflet, Jackie’s Land), which laid the foundation for their cohesive and powerful sound.
Horizon of Aeons’ musical influences are as diverse as the members’ extensive backgrounds in the metal scene. Each member brings a wealth of experience from their previous bands, contributing to the band’s unique sound.
Together, these musicians create a sound that is both intense and melodic, drawing from a wide array of metal subgenres. Their influences span across various styles, allowing them to craft a distinctive musical identity that is uniquely their own. This blend of experience and inspiration results in a sound that is both familiar and innovative, pushing the boundaries of gothic dark metal.
Themes and Lyrics
Horizon of Aeons’ lyrics delve deeply into the dark and complex concept of time and its relentless progression. Their songs often explore the infinite future contrasted with the finite past, creating a haunting and introspective atmosphere. The band masterfully weaves themes of existence and memory into their music, painting vivid pictures of a world where time is both a creator and a destroyer.
In addition, Horizon of Aeons touches on themes of cosmic forces, often using esoteric and mystical imagery. They explore the inherent inclinations of humanity, the seductive nature of sin, and the purifying power of darkness. This adds a layer of depth to their music, as they challenge conventional beliefs and embrace the darker aspects of existence.
Overall, the band’s lyrics are a profound exploration of time, existence, and the human condition, offering listeners a journey through the infinite and the ephemeral.
Debut Release
Horizon of Aeons’ debut album titled Timeless Forms of Desolation is set to be released through Inverse Records in 2026. Their first single, Haunting Presence, is already available on all digital platforms, showcasing a tantalizing preview of their dark, atmospheric sound through a condensed single edit.
Track
list: 1. Kairos
2. Aedis Tenebrae
3. Ghosts Transcending
4. Devilish Mist of Deformed
5. 1846 (The Ones Beneath)
6. Until the Darkness Claims Us
7. Spectral Echoes
8. Haunting Presence
Album cover by Miska Lehtivuori
Line-up:
Miska Lehtivuori – Vocals, Guitars
Ville Pekkala – Guitars
Pekka Venho – Bass
Pekka Jokela – Drums
https://www.facebook.com/horizonofaeons
VOIDSPIRE – “VACANT TOWERS”
Release
date:
28.11.2025Location: Norway
FFO: Black Curse, Fossilization, Dead Congregation
Lineup:
Waadeland – Vocals
Guitar Langaas - Drums
Halvorsen – Backing Vocals
Guitar Granum - Bass
Bio:
Born from the cold and ancient mountains of Norway, Voidspire emerges with a debut forged in bleak atmospheres and cavernous death metal intensity. "Vacant Towers" presents four crushing tracks that channel endless sorrow, spiraling chaos, and suffocating darkness.
Featuring members of Ruun, Horrifier, Celestial Scourge, Dizmal, and more, Voidspire combines relentless brutality with thick, oppressive ambience—crafting a sound that feels both ancient and feral.
https://eu.chaos-records.com/
https://www.facebook.com/people/Voidspire/
EVIG
NATT’s music is aggressive but subtle, noisy yet beautiful, a maelstrom of
symphonic darkness that could only be described as Orchestral Gothic Doom
Metal. From the unholy metal grounds of Karmøy, west Norway, this band follows
in the footsteps of Einherjer and Enslaved, featuring ex-band members of both.EVIG NATT was started as a studio project in 2003 by vocalist Kirsten Jørgensen and bassist Stein Sund. Soon after that, EVIG NATT recruited drummer Harald Magne Revheim.
In 2006, EVIG NATT signed with Omvina Records and released their highly acclaimed debut album «I Am Silence» in early 2007.
EVIG NATT added Oskar Naley on vocals, Ruben Osnes, and Arne Marton Tangjerd on guitars for the recording of their darker and heavier second offering. After signing with Black Bards in 2009, “Darkland” was released to raving reviews in April 2010. This alliance saw EVIG NATT featured in national magazines worldwide, including Metal Hammer and Scream.
EVIG NATT released their third self-titled album «Evig Natt» on March 19th, 2016, and off the back of that got to tour countries such as Belgium and Japan.
EVIG NATT’s sound is unique, blending everything from progressive metal to black metal, and incorporates inspiration from bands like Anathema, My Dying Bride, Swallow The Sun, and The Provenance. This is a band to keep an eye out for!
Evig Natt is:
Kirsten Jørgensen: Vocals
Stein Sund: Vocals and bass
Arne Marton Tangjerd: Guitar
Ruben Osnes: Guitar
Tom Andre Enge: Session drummer
www.youtube.com/user/EvigNatt1
www.facebook.com/evignattofficial
For fans of : Dying Fetus, Disgorge, Devourment, Gore Lord, Dead Infection, Cannibal Corpse, CBT, Spasm, Lymphatic Phlegm and old Carcass.
Following up on 2024's Macerated & Liquified, Gore Machine unleash ten more brutal Goregrinding and Slamming Death Metal cuts, focused on Darwinian and bizarre deaths from history.
Listen to the single "Shish Kabobs" at https://www.youtube.com/watch?v=Rzx6wS4FARo
Pre-order the CD for only $10 at https://shop.horrorpaingoredeath.com/products/gore-machine-congealed-and-foaming-cd
Pre-order the Digital Download for only $6.66 at https://hpgd.bandcamp.com/album/congealed-and-foaming
Tracklisting:1. Shish Kabobs
2. Road Safety Certification
3. Stunt Double
4. Brain Drain
5. Unplugged
6. Crusher
7. Dirt Devil
8. Lawn Care
9. Camping
10. Undercover
www.youtube.com/user/horrorpaingoredeath/videos
www.horrorpaingoredeath.com
www.facebook.com/horrorpaingoredeath
The first single 'KUOLEMAA EI OLE', accompanied by a music video, is released today and can be seen here: https://youtu.be/T7tHrBma1YU
The band comments:
"Kuolemaa ei ole is a declaration of rebirth and the fracture of consciousness. That which remains unspoken opens a gateway to unseen realms, where the end is not an ending but a transition. The song simmers beneath the surface, shifting in intensity as if an ancient force were awakening within a body long believed to be dead.
Interwoven guitar harmonies guide the listener from one layer to another, creating a tense yet unexpectedly warm atmosphere. Resurrection does not occur through light, but through darkness, where the old self is abandoned and a new form is born.
For this reason, Kuolemaa ei ole is a natural choice as the album’s first release. It is a beginning, but also a reminder of eternity. The song functions as a ritual in which the concept of death is stripped of its meaning. What remains is movement, continuation, and an endless cycle. We have seen the light, we have risen from the dead, this eternity is but a blink of an eye in the vastness of eternities."
Listen to the single on streaming services: https://push.fm/fl/sjep-kuolemaa
Biography:
Se, josta ei puhuta is a metal band from Iisalmi. The band was founded in 2007.
That same year, the band recorded a four-track demo titled Se, josta ei puhuta and signed a recording contract with the Sound of Finland label in the spring of 2010. The album Ne, joista ei puhuta was released in May 2010.
In the spring of 2011, the band recorded their second studio album, Musta, kylmä, syvä ja samea (Black, cold, deep and murky), which was released by Spinefarm Records in November 2011.
In 2010 and 2011, Se, josta ei puhuta toured actively across Finnish venues. The band began preparations for a third album, which was, however, put on hold during the production phase in late 2012.
In 2022, as a result of the band's rebirth, the third album Gehenna was completed and released through Inverse Records. The lineup, which had remained unchanged until then, saw its first change when Jimi Myöhänen was chosen as the drummer following the release of the new album.
The band finished recording their fourth album Syvyyden portit on saatava auki- in the fall of 2025, and the album is scheduled to be released during 2026.
Over the years, the rawness of the band’s early HC punk and death metal has evolved into a more complex, black metal-influenced death metal, while still proudly maintaining the edginess of their early days.
Track list: 1. Tulkoon valkeus
2. Myrsky
3. Varis
4. Kuolemaa ei ole
5. Pahuuden palavat nuolet
6. Syvyyden portit on saatava auki
7. Muinaiset jumalat kuuntelevat
8. Rituaali
9. Pimeys ja ikuinen yö
Composed & lyrics by Samu Männikkö
Mixed & mastered by Tore Stjerna (Necromorbus Studio)
Album cover art by Nicolas O
Line-up:
Samu Männikkö - Vocals
Harri Granqvist - Guitar
Heikki Matero - Guitar
Juho-Pekka Lappalainen - Bass
Jimi Myöhänen - Drums
http://www.facebook.com/sejostaeipuhuta
Label: Apocalyptic WitchcraftRelease date: february 13th 2026
Genre: Depressive Rock / Atmospheric Black Metal
For fans of: Lifelover | Katatonia | Apati | Joyless
City dwellers have all sensed the life, the power, the autonomous identity of their home. They understand, on some deeply buried level, that it is more than a collection of buildings and intersecting streets…it is an entity beyond its elements, a tarnished, hungry god with a character that changes with the setting of the sun and the flickering into life of the street lights and neon signs. They know there is another world, a darkly different reality that lies behind a thin veil of perception; held in check only by a silently agreed refusal to believe in its existence. But a glimpse from the corner of the eye, a movement in the shadows not rejected and quickly forgotten and the door to that other city begins to stand ajar. And with Askdrömmar, Frozen Ocean are holding that door open and beckoning you inside…
For more than twenty years Frozen Ocean has brought us a staggering array of musical gifts; journeys that have taken us from the depths of space to the worlds of Tove Jansson’s literary creations, from Norse mythology to complex internal landscapes – riding on the wings of cold black metal and textured ambience – dramatic and visionary works. Now Vaarwel, the creative spirit behind the Frozen Ocean name, has returned with another sonic dream to ignite our imaginations and transport us to new dimensions. A work that draws inspiration from the writing of John Ajvide Lindqvist and the music of Lifelover, with lyrics written entirely in Swedish that communicate on a level beyond language. Askdrömmar leads us through a gallery of images, of haunting vignettes, to a destination unique to each soul that listens.
We enter the world of Askdrömmar along the moon road, ‘Mångata’ – both frightening and fascinating in equal measure. Vaarwel’s grim voice rasps over the dark, richly melodic music, a superlative demonstration of the power of black metal vocals at their most emotive. Already the light behind you is but a pinprick in the distance as the city begins to swallow you. The melodic, gothic doom inflections of ‘Bortkastade dödsrunor’ draw you deeper still and it becomes clear that these songs are creating an environment as well as a narrative and atmosphere – listening to Askdrömmar is to explore the secret streets of this dark urban domain. As you reach ‘Jag sover’ you are haunted by the city, surrounded by it, consumed by it, lost in its labyrinthine heart. The melancholy melodies twist through the night time world and the chosen language of presentation with its harsh poetry invokes imagery while avoiding definite definition. The liquid keys of ‘I lyktornas sken’ move between the pools of light that punctuate the blackness, creating unfathomable depths and innumerable layers, possessing the power to hypnotise and enthral. From the sinuous lament of ‘Köttkvarn’ with its bewitching despair, through the frantic fear of ‘Långt lopp genom mörkret’ to the beautiful, humbling conclusion of ‘Brunkebergstunneln’, Vaarwel has created nothing less than magic. Askdrömmar is the most powerful and affecting Frozen Ocean work to date – and that is some achievement.
Adorned in the superbly atmospheric artwork of Mosaeye Art (The Hearth Of Discordia, Shiningstar, Pyre etc), Askdrömmar will be unveiled by Apocalyptic Witchcraft on February 13th on CD digipak, cassette and digital formats, as well as an exclusive, extremely limited boxed set. Prepare to pass through the veil and wander through your darkest dreams…
Line-up:
Vaarwel – Vocals, guitars, bass, e-bow, keys, lyrics and music
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/frozenoceanrus
"WALLACHIAN
EMPEROR",
the debut album of the Romanian Black Metal project SKADIN is out
now and is available in digital format (for the moment) via Loud Rage Music: https://loudragemusic.bandcamp.com/album/skadin-wallachian-emperorHailing from Tulcea, SKADIN delivers a harsh and confrontational form of Black Metal that merges raw electronics with punk-driven aggression. Rather than leaning on folklore, romanticism, or historical narratives, SKADIN draws inspiration from the oppressive darkness of the Carpathian space, emphasizing tension, authority, and menace.
"Wallachian Emperor" is shaped by a sense of medieval fear and control, favoring rigid structures and abrasive textures over atmosphere or nostalgia. The result is an uncompromising debut that positions SKADIN as a project focused on dominance and unease rather than tradition.
https://linktr.ee/loudragemusic
https://skadin.bandcamp.com/
"Kitörve süllyedés" is streaming here: https://youtu.be/NdQEDC94g64
About the new single: "This composition was inspired by a sad event. The death of my grandfather. The title also symbolizes that while the deceased body sinks underground, the soul breaks out of its prison and becomes free. In the entire story of the album, it is a processing of a death that inflicts new wounds on the soul of our protagonist." Árpád Szenti
The album "Áradó fájdalom a tűnődés medrében" is the deeply personal and emotional work of Árpád Szenti, known from his work in bands like Thy Catafalque, Ahriman, Athame or Damnation, and is available for pre-order here: https://pestrecords.bandcamp.com/
About the album:
"Áradó fájdalom a tűnődés medrében is a concept album, each song connected, each meaning intertwined, forming a single immersive narrative. It follows a thorn‑ridden path of struggle, fear, disappointment, madness, resignation, and death, contrasted against the vastness of nature, its elemental force, its mysticism, and the unseen dimensions that pulse beneath reality.
This album is a fragment of my soul. Through MERCULISTARYA, I unearthed emotions and energies that could not have surfaced through any other form of expression.
MERCULISTARYA is a long‑standing personal vision, a vessel through which my inner world takes musical form. Rooted in the darker currents of old‑school Black Metal, it draws from the place where the genre first spoke to me. The earliest foundations were laid in 2002, when the songs began to take shape, guided by dreams, shadows, and the subconscious landscapes that inspired both the music and the lyrics.
Despite years of obstacles, the album was first recorded in 2009 but remained unreleased as my focus shifted toward the bands in which I served as drummer (Athame, Ahriman, Sentio Ergo Sum, Damnation, Fagyhamu, Voidshrine, and Thy Catafalque). MERCULISTARYA was set aside, waiting for its moment.
In 2024, with renewed experience and a stronger technical foundation, I chose to resurrect the material and re‑record the entire work. This final version is the true realization of what the project was always meant to be." Árpád Szenti
https://www.facebook.com/pestrecords
https://www.facebook.com/metalordierec
https://www.facebook.com/profile.php?id=61586009559697
Basque
black metal unit ASCHEN has released a haunting lyric video for
their latest track, "THE LAST GLOW." The song is a
standout piece from their upcoming debut album, THE NEVER ENDING SEARCH,
set to be unleashed on March 13, 2026.“The Last Glow” paints a world after the sun’s death, where humanity survives by feeding a single flame that slowly consumes everything, until only the self remains. The flame becomes a metaphor for human dissatisfaction: endless, devouring, and only resolved through inner transformation.
Founded in 2022 by Mikel Telletxea (vocals, guitar, programming), Aschen has grown from a solo vision into a powerful creative partnership with the addition of bassist Atauzz (Korkut, Kurkuma, 2Sonte).
The duo recorded the debut at Atala Studios in Spain, ensuring the project’s raw energy was captured with precision. To achieve a massive, professional finish, the album was mastered by Toni Lindgren at the world-renowned Fascination Street Studios in Sweden—the same hands behind the sound of heavyweights like Dimmu Borgir, Katatonia, and Kreator.
The Sound of Aschen
Aschen’s approach to black metal is both aggressive and expansive. By blending traditional frost-bitten roots with doom-laden atmosphere and technical blast beats, the band creates a soundscape that is as melodic as it is punishing. Lyrically, they bridge the gap between English and Basque, exploring themes of psychological fracture and environmental decay that go far beyond standard genre tropes.
www.youtube.com/@aschenband
www.facebook.com/people/Aschen/61556623060502
Label: Awakening Records / Futhark RecordsRelease date: march 20th 2026
Genre: Death Metal
For fans of: Morbid Angel | Vastum | Vomitory | Sulphur Aeon
The words squirm and writhe upon the page, like a cold nest of serpents exposed to the dawn light. Each character twisting and changing, unwilling to be held to a form or meaning…and then they lock and my eyes scan across the lines and secrets rise like mist and bleed into my eyes. Too late to look away, too late, too late. My sanity crumbles as the path of fire materialises before me. Things no one should know fill my mind, whispers of wickedness beyond understanding. This is what I sought, craved, what I thought I desired beyond everything. But I am too weak a vessel for this ancient truth. My soul is extinguished, my spirit atrophied, I am hollow and empty. A lich condemned to darkness.
Hailing from Calgary, Canada, Cultist are purveyors of ugly, disturbing death metal, taking graveyard dirt and headbanging rhythms and infusing them with the essence of warped, interstellar madness and a dusting of ancient rites and forgotten spells. Mystification zine praised their 2022 debut album, Manic Despair, for its ‘righteous, punishing aggression’ and ‘brutally thrashed death metal cruelty’, looking forward to what the future might bring for this band who balanced that instinctive hook-laden heaviness with dizzying, otherworldly aesthetics so adeptly. Well the future is now and the time for conjecture is over…Cultist are back, with their new album – Spiritual Atrophy!
Opening with the atmospheric intro of ‘Divination Whispers’ with its sense of brooding menace, slowly building tension and a desperate need for release, Spiritual Atrophy then explodes into the ripping death metal attack of ‘Coursing Between Worlds’ – its adrenaline overload peppered with savage bursts of lead guitar, like snarls of barbed wire. From here Cultist take us riding on the winds of madness through a collapsing universe. From the nervous energy of ‘Neophyte’ to the constantly contorting ‘Ascension’, refusing to settle into a predictable furrow, blasting into different dimensions and adorned in a glorious, howling guest guitar solo from Scott Oliphant, Spiritual Atrophy is raw and rampant in attack, characterful and sophisticated in thought and construction. The collision of old school filth with vicious blades of progression, along with a dramatic triple vocal attack gives Cultist the ability to carve out a place of their own in the ever more crowded extreme music scene. While songs like ‘False Prophet’ and the epic onslaught of ‘Spiritual Atrophy’ may be direct, deadly and violent they are also loaded with high impact moments of quality songcraft, making it nigh on impossible to turn away from the bewildering intensity of this voyage through hellscapes and nightmares.
Thanks in no small part to the recording and mixing skills of Scott Oliphant (Dying Remains, Snakepit etc) and the mastering magic of Rolando Rodas (Smoulder, Rites Of Thy Deringolade, Dire Omen etc), Spiritual Atrophy is armed with the perfect thick and bloody sound – ineffable and devastating. This is death metal from beyond the black…the last gasp of dying worlds and the stench of open graves. Awakening Records will open the gates of the Cultist crypt, unleashing Spiritual Atrophy on CD and digital formats, on March 20th with a special vinyl edition to follow from Futhark Records in late April, early May. Prepare for all hell to be unleashed!
Line-up:
Vanessa Grossberndt – Bass/Vocals
Betzi Poitras – Guitar/Vocals
Jim Petigo – Drums/Vocals
Guest lead guitar solo on Ascension by Scott Oliphant
https://www.facebook.com/AwakeningRecordsCN/
https://futharkrecords.com
https://www.facebook.com/cultistcanada
No
Masks Left Standing: SCREAMS OF TRANQUILITY Deliver a Cold
Reckoning from the Austrian Alp .
For fans of : Death, Obituary, and Morbid Angel, A Borrowed Name delivers a cold, unforgiving reckoning, a reminder that some masks don’t fall… they rot.
Forged in the cold isolation of the Austrian Alps, Screams Of Tranquility return with “A BORROWED NAME,” a merciless melodic death metal strike that refuses abstraction, comfort, or emotional escape routes. This is not a song built on metaphor or melancholy, it is a confrontation, sharp-edged and deliberate, aimed straight at betrayal, self-deception, and the quiet cowardice of avoiding truth.
Driven by razor-cut melodic death metal riffs, crushing rhythmic weight, and icy atmospheric layers, A Borrowed Name balances brutality with surgical precision. The guitars tear through the mix with controlled violence, while the vocals arrive like a verdict, accusatory, unflinching, and stripped of sentimentality. There is no release here, no false sense of healing, only clarity.
Lyrically,
the track dismantles hollow identities and borrowed masks. It targets those who
chase validation, dodge accountability, and replace honesty with beautifully
wrapped lies. The recurring line “Never been more than a borrowed name” becomes
both accusation and epitaph, the collapse of a persona built entirely on
denial.
Where previous material like Crimson Hallows leaned into symbolism and deeper lore, A Borrowed Name stands as Screams Of Tranquility’s most direct and human statement to date. Raw, personal, and intentionally uncomfortable, the song exposes what happens when silence is chosen over truth and comfort is valued over consequence.
This is melodic death metal without romanticism or safe distance.
No mercy for self-deception.
No refuge in silence.
Biography
"Screams Of Tranquility" stands as the dynamic brainchild led by the gifted Marc P. Prohaska, a 29-year-old musician based in the idyllic foothills of the Austrian Alps in Upper Austria. This captivating project delves deep into the narratives of a society marred by excess, laying bare its hypocrisies, collective folly, and the gradual erosion of humanity.
Marc's musical palette is a vibrant fusion of influences, melding Scandinavian melodic death, American thrash, and hints of black metal. With deft craftsmanship, he intertwines pulsating rhythms and intricate orchestrations, weaving a spellbinding tapestry of sound.
From his beginnings as a musician at the age of 18, Marc has explored diverse musical avenues, ranging from pop-punk to rock and metal cover bands. However, it was through the emergence of Screams Of Tranquility that his artistic vision truly blossomed. In 2019, Marc graduated as a recording, mixing, and mastering engineer from HOFA College, now operating his own successful mixing and mastering business as a freelancer.
While Screams Of Tranquility is a solo endeavor, questions about the absence of additional band members only underscore Marc's proficiency and the effectiveness of his approach to "running SOT as if it were a fully occupied band." His unwavering dedication and skill shine through in every aspect of his work.
For those in search of authentic, meticulously crafted music that transcends the confines of mainstream melodic death metal, replete with searing leads, impassioned vocals, and profound thematic depth, Screams Of Tranquility stands as a beacon of artistic excellence worthy of exploration.
https://www.facebook.com/ScreamsOfTranquility
Egypt’s
death metal legends return with ritualistic riffs, cinematic orchestration, and
crushing aggression.
Brutal Records unleashes Transmutation of Fate, the new EP from Egypt’s legendary death metal force SCARAB. With this release, the band enters a new chapter under its global alliance with the iconic American label. As a result, SCARAB launches a devastating new era. Brutal Records now drives the band’s ancient sonic incantations through its international network.
The Rise of SCARAB in Egyptian Death Metal
SCARAB formed in 2006 and quickly earned a reputation for ferocity, atmosphere, and spiritual intensity. Over the years, the band refined a sound that stands apart. Moreover, SCARAB fuses uncompromising death metal with Middle Eastern and Egyptian mysticism. Because of this approach, the music creates a ritualistic experience that transcends borders, cultures, and belief systems. Crushing riffs collide with cinematic orchestrations. Meanwhile, relentless aggression channels ancient mythology into modern extreme metal.
Lineup and Sonic Identity
Sammy Sayed leads the band on vocals and orchestrations. Alongside him, Tarek Amr and Omar Abou Doma command the guitars. Mohamed El Sherbieny anchors the sound on bass. At the same time, Amir El-Saidi drives the music forward with punishing drums. Sherif Elias expands the sonic landscape on keyboards and synths. Together, SCARAB pushes its mythology further with a sound that remains both brutal and transcendent.
A Ritualistic EP with Global Impact
Each track functions as a ceremonial invocation. In particular, the band blends fearless precision with deep atmospheric layers. Therefore, the EP reinforces SCARAB’s role as pioneers of Egyptian extreme metal on a global scale.
Statement from SCARAB
“We are very happy to join forces with Brutal Records. This marks a new era for SCARAB, and we are looking forward to what we are going to be putting out to the world through Brutal Records. Let the magick begin!”
Upcoming Releases via Brutal Records SCARAB and Brutal Records are already preparing devastating new material for release:
Transmutation of Fate (EP – May 8th, 2026) A metaphysical journey through destiny, transformation, and awakening, delivered through dark, atmospheric, and ritual-driven death metal.
Blinding the Masses [Reincarnated] (LP – July 31th, 2026) A brutal reimagining of SCARAB’s debut album—heavier, sharper, and reborn for a new generation of extreme metal devotees.
The Ritual Begins This signing represents more than a business agreement—it is an awakening. With Brutal Records’ global reach and SCARAB’s uncompromising vision, the coming releases will expand the band’s
https://brutalrecords.com/release/scarab-transmutation-of-fate/
https://orcd.co/brut89677
Label: Abstract Emotions
Release date: april 24th 2026
Genre: Melodic Doom/Death Metal
For fans of: Candlemass | Novembers Doom | Paradise Lost | My Dying Bride
Held in the arms of comfort and love, surrounded by joy and affirmation, I had no expectation, nor understanding of failure and loss. I had no sense of my own true measure, or of the darknesses that lay so far below me, watching me with hungry eyes and endless patience. I flew higher, heedless and carefree, gathering happiness like an endless crop, a constant golden yield. And as the flames began to flicker along my wings I took them to be just another well-deserved adornment, another gift from a universe that loved me best. And when the fall came, it came fast. I spiralled into shadow, crashing into night…my heart, my mind, my spirit shattering on the rocks of reality. Toxicity and spite, rejection and grief, jealousy and hunger lapped at my feet like a bitter sea, as I lay on the cold, cruel shores of realisation…the scales rebalanced.
Following in the wake of their towering Spreading The Wings Of Hope album, Spain’s Golgotha have returned with the altogether darker hues and harsher, more rugged textures of Hubris. This is an album forged in the pitiless furnace of life; eight songs steeped in the struggle, turmoil and challenges that shape us, that make us human. Reflecting on their latest creation the band have emphatically stated, “these are not fictional stories, but fragments of real life turned into music”.
The album begins with first single, ‘A Simple Life’, opening with a brave, exposed vocal from María J. Lladó that focusses the attention, drawing the listener in before the full tide of Golgotha’s overwhelming sound crashes over them. The poignancy of emotion in this track, with its hypnotic refrain, flows like blood through every chord, every note. Elsewhere, the gargantuan, crawling riffs and huge, monstrous vocals of ‘Broken Toy’ open out into a reflective, melancholy melody – harsh vocals switching to Maria’s clear, emotive tones – as contrasts blend and entwine. Throughout Hubris these two sides of Golgotha, the forceful, bleak and blackened and the doomed, delicate beauty dance with each other in a deftly harmonious, disparate duality. ‘Too Late’ is deep, dark, slow motion death metal until a melodious chorus arrives, allowing a pale, gentle light into the black and a vibrant solo is a burst of flame in the cold murk. From ‘Blind’, in all its tarnished, faded majesty, like a funeral of kings, to the concluding ‘Intolerance’ – a musical conflict between the nobility of sorrow and the raw pain of grief – this is an album that lays bare its heart and shows all its scars. It will hollow you out, caressing your hidden anguish and drawing your wounds into the light.
“I became just an echo…”- Blind
To capture the real and vivid darkness of Hubris, Golgotha turned to producer Davide Billia (Antropofagus, Beheaded, Posthuman Abomination etc) and the band have described his contribution as “essential in shaping the power and character we wanted for this album”. Hubris will be released by Abstract Emotions on April 24th – another incredible chapter in the unfolding story of Golgotha.
Line-up:
Vicente J. Paya – Guitar/Keyboards/Vocals
Andrew Spinoza – Bass/Harsh Vocals
Rafel Garcies – Drums
María J. Lladó – Clean Vocals
Dan Garcia – Guitars
https://abstractemotions.com/en/
https://www.facebook.com/abstractemotions1995
https://www.facebook.com/GolgothaOfficialBand
TARDIGRADE INFERNO continue their streak of rolling out new music head of the release of the band's third studio album, HUSH. The official music video from these charming dark cabaret metal adepts, "Deadly Fairytales" is out now.
Watch "Deadly Fairytales" at https://www.youtube.com/watch?v=3tiq0aj0J94
Hush is a compelling result of TARDIGRADE INFERNO’s evolving signature style and the sheer power of their live performance. What truly defines the band is the experience the listener gets at their live shows, the thoughtful songwriting, the ironic lyricism, and the striking, highly aesthetic visuals. In June 2025, TARDIGRADE INFERNO released an atmospheric and emotional live album Made In Hell that captures their ferocious performance and their connection with the audience. Hush blends all of these strengths with an authentic sound delivered with studio precision.
Hush is due out March 5 on CD, digital and four exclusive vinyl editions. Pre-order the album at https://tr.ee/TiHush
Tracklist:
1. The Final Show
2. Hide 'n' Seek
3. Deadly Fairytales
4. All In your Head
5. Dead Fish Smile
6. Subatomic Heist
7. I.C.D.
8. Goor
9. Hush
10. Hypograph
11. I Am Eternal
Hush naturally picks up where 2023's Burn the Circus left off. At the beginning you hear the crackling of a circus burning down. A surviving radio plays a mournful melody that opens a grand show amid the ashes. Like a massive blazing phoenix, TARDIGRADE INFERNO opens its wings with elemental force. It sweeps away what remains and reclaiming its place at the center of attention.
The gorgeous Darya Rorria uses her flexible contralto to tell stories that are anything but cheerful. Her expressive vocals pulse with the music. They tease sharply, flow lyrically, spread in a soft velvet hush, and fade into a tragic whisper. They soar through tense passages and then glide back down into a low, intimate tone. The lyrics are charged to the point of electric crackling, just as one expects from the TARDIGRADE INFERNO.
Their trademark keyboards sound even more retro-futuristic, paying tribute to the classic horror movies of the past. The guitar acts like the wildest creature in the prairie with it's fury clothed in the polished frock coat of a respectable gentleman. The bass has the “AWESOME” knob turned to 100%. The drums are emotional, dynamic, and alive. Altogether it creates a familiar yet more sincere and revealing sound. The music becomes almost visible, almost tangible.
TARDIGRADE INFERNO have always paid special attention to the visual side of their art - from stage costumes and characters to their album covers. The cover for Hush was created by artist Milena Kress in a dark-aesthetic style. This is the band's first experience with analog painting - the piece is oil on canvas. It conveys the anxiety and emotional intensity that mirror the album’s lyrics. It’s also the first time the band’s mascot, the Tardigrade, is absent from the cover. It symbolizes a kind of coming-of-age. The toys have been left behind in the nursery.
Mixing, mastering, and production were handled by Vladimir Lehtinen, who has been working with the band continuously since the release of The Worst of Me EP. Vladimir helped the band capture their live energy without losing the studio polish of their recordings.
TARDIGRADE INFERNO is:
Darya Rorria - vocals
Alexander Pavlovich - guitars, keys
Maxim Belekhov - bass
Andrew Drew - drums
https://www.facebook.com/tardigradeinfernomusic/
SERMON TO THE LAMBS – “SERMON TO THE LAMBS”
Label: Comatose Music
Release date: march 6th 2026
Genre: Brutal Death Metal
For fans of: Brodequin | Deeds Of Flesh | Enmity | Liturgy
Rising through the countless layers of the inferno, through an eternity of screams and tears, pleas and regret, he brings his message from the unfathomable depths of darkness and flame. Such is his form, his dark abyssal presence, that sanity crumbles beneath the gaze of his multitudinous eyes…and his words of desolation turn flesh to liquid. The abject creatures that have gathered to receive his malediction cower in awe, before falling from madness to destruction. Worshippers become sacrifices as the forgotten king delivers his sermon to the lambs…
A new entity from the depths of the death metal underground has emerged, a baleful presence stepping forth from the shadows to deliver judgement without mercy. Hailing from Chile, Sermon To The Lambs are set to unleash the soul-shaking savagery of their debut, self titled album. Opening with ‘Crowned King Of Worms’, guitars rise around you like a cloud of venomous winged insects while a voice of undead malevolence roars from the heart of the swarm. Masterfully entwining slow, hypnotic passages that dance with a sinuous, serpentine wickedness and explosions of rabid speed and fury, Sermon To The Lambs begin to disassemble your reality. The eponymous title track follows with imperious power and subjugating force - it hits hard with an iron fist, threatening to separate skin from flesh and flesh from bone - and that tangible sense of unquestionable domination permeates the whole of this formidably impressive first album. From ‘Maximum Apostasy’, which beguiles with an atmosphere of dust and sacrilege before bringing forth absolute annihilation that sets the blood on fire, to ‘Flagrum Taxillatum’, a spiralling descent into the depths of perdition, this album just gets stronger and stronger as it progresses; more vivid, inventive and excruciating in its torments. The final two tracks – ‘God Spat And The Man Was Done’ and ‘Clergy’s Malevolence’, both colossal outpourings of death, appear as twin-headed devils, reprised as bonus tracks featuring guest vocals from Jeff Page of Manifestations. Sermon To The Lambs is magnificently unforgiving, an eruption of crawling horrors from a tortured, broken earth.
Sermon To The Lambs’ first offering of blasphemic brutality will be brought into the light on March 6th by the masters of malignancy and pain, Comatose Music. Given teeth and claws by the skilled mixing and mastering of the band’s own Victor Araneda, who has also worked with the likes of In Asymmetry, First Degree Murder and Supreme Banishment, Sermon To The Lambs sounds vicious and uncontrollable. Adorned in the stunning artwork of Par Olofsson (Winds Of Plague, Unleashed, Thy Art Is Murder) this album is set to leave its indelible mark, a suppurating wound, on the global death metal scene.
Line-up:
Richard Aguayo - Vocals
Mauro M. - Guitar/Bass
Victor Araneda – Drums
https://www.comatosemusic.com/
https://www.facebook.com/Sermontothelambs
MUERTO - “ECLIPSED REALMS”
For
fans of
- Amenra, Emptiness, (early) Opera IX, Deathspell Omega
Genre - Black metal with doom metal elements
There is something about the rawness of emotions expressed in their pure, undiluted form and that's probably what's most appealing about this release. Against the backdrop of harrowing, plaintive music are the hollow echoes of an aggrieved, possessed-sounding woman, adding more malice to the music than anything possibly contrived. Over here is something dark, unseemly, insidious if only by being so naturally real and relatable. The intriguing doom-laden black metal music throbs and twists with a firm grip of the atmosphere pressing down on the listener like a hand to the throat. Muerto's disarmingly direct delivery, masterful juggling of various emotions in an aura of suffocating darkness, and their refreshing rawness in a time of overly processed music make them a band worthy of your attention.
Line up
Penelope Matamoros - Vocals & Bass
Juan Mondragon (Necronos, ex-Castleumbra) - Guitars
Eddel Jared - Drums
Artwork by Ricardo González
Track listing
1. Serpentine Echoes
2. Veil of Desolation
3. Burning Shadows
4. Wilderness
5. Decay
6. Radiance
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/muertoband
Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
"Dreaming Song to You" is the emotional core of Horizon Line, a track described as a journey through the spirit of exploration. Driven by solid song structures, showcased by unflinching guitar virtuosity, and anchored by a truly standout vocal performance, this ballad is your ticket aboard a metaphorical motorcycle ride deep into your own emotions.
Previous video:
https://youtu.be/MNJ8yRlY6PQ
https://www.youtube.com/watch?v=POIgeyGhvY8
THE SOUND: REAL VINTAGE, MODERN CRUSH
Thunder Rising delivers a sound intimate to those who live and die by the sacred riff, having perfectly distilled the rich essence of the late '70s and '80s. This isn't theoretical appreciation; it's deep-cut knowledge, forged by the band's history, which includes production work with Italian heavyweights like Firehouse and prog titans Arachnes during that very era. Their signature style, self-dubbed "Real Vintage," is an expertly crafted fusion of heavy rock power and melodic sophistication that draws equally from the crushing, organ-drenched riffage reminiscent of prime Deep Purple and Rainbow, and the soaring, arena-ready vocal hooks and melodic sensibilities that dominated the era, channeling the spirit of bands like Journey and Boston. Crucially, this authenticity isn't achieved through cheap digital imitation. Thunder Rising deploys a devastating arsenal of TRUE VINTAGE GEAR—including Hammond organs, classic Fender guitars, and genuine Marshall stacks—all paired with modern, cutting-edge recording techniques. The result is a sound that is both POWERFULLY VINTAGE and CRYSTAL CLEAR, showcasing the band's deep experience delivered with uncompromising modern clarity.
www.thunder-rising.com
www.facebook.com/thunderrising
1. Endless Buildings
2. Solitude
3. The Dark Machine
4. Desolate Place
5. Fragments
6. In Sorrow's Requiem
7. Pulvere Sacro
8. Love Damned Of Dead
9. Shelter Me
10. End Begun
The album will be released in CD, LP (black and marble gold vinyl) & digital and it's available for PRE-ORDER at https://t.ly/AyAM7
It's been almost 10 years since their last album "Deathrising" and MOTUS TENEBRAE return to make their voice heard in the most powerful, dark and full of pathos way possible with a new album that treasures the legacy of that work, enriching it with new nuances and atmospheres, creating their most mature, most emotional and most decadent work in their 25 years of career.
With "In Sorrow's Requiem", MOTUS TENEBRAE rise again, stronger, darker and deeper than ever with a music which does not leave indifferent those who live for sounds dear to Paradise Lost, My Dying Bride, Sentenced, Katatonia.!
Three visions... one sound. Embrace the unknown!
https://linktr.ee/mykingdommusic
https://www.facebook.com/MotusTenebraeOfficial
Originally released in 2021 through Northern Silence Productions, “Elegieën”
established itself as a landmark in the post-black evolution, defined by its
blunt, ferocious, and euphoric attitude paired with consistently inspired
songwriting. Now, five years after its initial arrival, the album is finally
being presented on the format for which it was originally intended.
The limited-edition reissue is pressed on transparent green vinyl and includes a printed insert. Mastered for the format by Dennis Blomberg with design and layout by tryfar, the records are expected to ship in mid-to-late February.
Pre-order “Noctambulist I: Elegieën”: https://thesehandsmelt.shop/products/noctambulist-i-elegieen-lp
The band commented:
"Conceived at the dawn of a global pandemic, shelved for a year, born into a locked-down world; Noctambulist I: Elegieën has been marred by delay time and again. Now, upon its fifth anniversary, Noctambulist are proud and relieved to finally offer our debut record on vinyl through the efforts and grace of These Hands Melt. Finally pressed on the medium for which it was destined, we hope you can fully experience the fruits of our labour anew. Even five years down the road, the songs in this collection still ring true. At least to us, they do".
Noctambulist are an atmospheric post-black metal outfit from Tilburg, the Netherlands. Formed in 2015 between housemates J.D. Kaye, Sam C.A. and Mitchell Scheerder, they set out to create a hard-hitting, melancholic style of black metal that draws inspiration from other genres such as post-rock, shoegaze, new wave and post-punk. Noctambulist stand for contrasts. Serotonin summits and strung-out canyons. The empty and the grandiose. The beautiful and the appalling.
After defining their sound and completing the lineup with guitarists Tristan Tabbers and Stef Heesakkers, they released their full-length debut “Noctambulist I: Elegieën” via Northern Silence Productions. Their second album, “Noctambulist II: De Droom”, was released through These Hands Melt in February 2025, and saw the band dive deeper into post-punk and shoegaze influences while retaining the fierceness of their debut record Elegiëen
Noctambulist are
J.D. Kaye – Vocals & Guitar
Stef Heesakkers – Guitar
Tristan Tabbers – Guitar
Sam C.A. – Bass
Mitchell Scheerder - Drums
https://thesehandsmelt.shop/
https://www.facebook.com/these.hands.melt
https://www.facebook.com/Noctambulistband
HELA – “A REIGN TO CONQUER”
Label: Ardua Music
Release date: february 27th 2026
Genre: Melodic Doom Metal
For fans of: The Gathering | The 3rd And The Mortal | Inborn Suffering | Katatonia
Taking their name from the Norse goddess of death, Spanish voyagers through realms of shadow and sorrow, Hela, formed in Elche, Spain in 2012. They quickly made their mark on the doom metal scene with their well-received debut album, Broken Cross, which was picked up for a vinyl release by the respected Svart Records. Their star continued to rise with their second and third albums – Death May Die and Vegvísir – their sound developing in a natural and organic way. Trends and fashions have always been meaningless to Hela, with their reputation being based on honesty of expression and a palpable passion for the music they create. The global pandemic ushered in a period of silence from Hela, with the personal changes of circumstance that life tends to bring following in its wake…but the time for their reawakening has come. With new vocalist Raquel Navarro adding her sublime, dreaming tones to the band’s most emotive music to date, Hela are poised to present A Reign To Conquer.
Opening track, ‘Vessel To Nowhere’, begins in forbidding fashion, with dark, cold and powerful chords before engaging melodies and warmly human vocals open up that daunting exterior. Portentous narrative passages lend weight, while the lead guitar takes hold of your heart in an ascending spiral of emotion. ‘The Infinite Tower’ introduces a lightness, an ethereal feel as superb guitar lines flit like ghosts between the dreaming passages and storm-tossed, turbulent passions. A captivating piece, from the pinnacle of this tower you can gaze out across a landscape painted in the muted colours of dusk…and with each track we fall a little deeper into Hela’s embrace. ‘Crystal Bridge’ speaks in a universal language, connecting with the listener at a fundamental level beyond words as its wistful melancholy and bittersweet reflections build to an overwhelmingly powerful chorus. There is a sense of journeying through this album, of onward movement, as we walk, drift, float, stumble and soar through the cascading guitars of ‘Emerald Mirror’, the waltz through emptiness and memories of ‘Architect Of Disorder’ to arrive at the towering conclusion of ‘Nomad’…only to find that the journey continues – the restless nomad wandering the dusty paths of the world for eternity, with only the ghosts of lost loves for company. Hela have continued to grow, to subtly transform, to follow where their hearts and their music lead them…and A Reign To Conquer is a work of beauty that could only have been achieved through that open authenticity and untarnished integrity.
Recorded at the Red Records studio in Alicante, with Jose Franciso Rojo and mixed by the band’s own Julian Velasco, A Reign To Conquer was then mastered by Dan Swano whose touch has dusted albums by so many acclaimed artists with magic; from Barren Earth to Hypocrisy, Novembers Doom to Novembre…the list is practically endless. The result is an album of rare vitality and potency, an all-encompassing presence that holds the attention effortlessly. Adorned, as always, in the evocative imagery of Deadsign, A Reign To Conquer will be released by the highly regarded Ardua Music on CD digipak and digital formats and by Tormo Records on limited edition vinyl on February 27th. If you have yet to discover the fragility and power of Hela then now is the time. If you are a seasoned traveller, then welcome back to the road that never ends…
Line-up:
Raquel Navarro · Vocals
Julián Velasco · Guitars, fx
Tano Giménez · Bass
Miguel Fernández · Drums
https://www.arduamusic.com/
https://www.tormorecords.com/en/
https://www.helaband.com/
https://www.facebook.com/Helaband/
Belgian
extreme black metal act YHWH presents their latest lyric video
for the track “MURDERER OF ILLUSIONS”, a relentless outpouring of
nihilistic fury rooted in hatred for mankind and the mental suffering born from
human stupidity. The song confronts the collapse of ego, hope, and human
certainty, unfolding as a journey through despair, misanthropy, and the destruction
of every illusion, delivered through a harsh and uncompromising soundscape that
mirrors its lyrical intensity.
With “Murderer of Illusions”, YHWH solidifies their place at the forefront of extreme black metal, merging philosophical depth with uncompromising aggression.
“Murderer of Illusions” is a track taken from the band's EP Khatha, out now via Wormholedeath
Stream Khatha: https://orcd.co/khathaep
Previous video Hell on Earth (The Root of All Evil): https://youtu.be/FjTY5SyNqvg
Formed in 2024, YHWH is a Belgian/Thai black metal band. All music is composed by Schem HaMephorash and her sister C. Bones, with S.M. Goat Ritual joining in June. Following their debut EP Tetragrammaton (April 2025, Wormholedeath), the band now unleashes the second chapter: Khatha. Prepare for the doom.
www.youtube.com/@thetrueyhwh
https://thetrueyhwh.bandcamp.com
“Horisontit” is a strong cross-section of Karelian Warcry’s music. At the heart of the track is a forward-rolling armoured train, and a mid-section rising to majestic heights observes the horizon from a bird’s-eye perspective. The lyrics are a cathartic journey to a liminal point where everything falls apart in your hands, yet there is nothing to do but keep moving forward. Vocal tracks originally intended as demo vocals remained on the final recording, dictated by death.
Listen to the single on music services : https://push.fm/fl/karelianwarcry-horisontit
The work of Veripellot album took shape over the years 2010–2024, nearly coming to a halt following the death of the band’s founding member, vocalist-guitarist M.I. Mikkonen. Veripellot became a composite, uniting Karelian Warcry’s two different line-ups and the pandemonium of the entire timespan.
Veripellot is a study of war, grief, and the dark sides of humanity. The themes rise from the band members’ personal experiences, collective traumas, and a shared interest in the events of their home region and its war history. The album is, on one hand, a memorial writing for fallen friends, and on the other, a glimpse into the horrors of the Finnish Civil War. On Veripellot, the rough thunder of war resounds — and at times an oppressive stillness.
Veripellot consists of nine distinct tracks. Musically, the album is a step forward for the band — groovier, yet straightforwardly uncompromising. Progressive elements have also been brought into the mix.
Discography:
Demo '04 (2004)
Kylmä rautainen (Album, 2005)
Verinen taival, päättymätön tie (Album, 2010)
Minun aikani (Single, 2020)
Line-up:
A. O. Heiskanen - Drums
J. H. Järvinen - Vocals
J. T. Kousa - Guitars
S. P. Ukkonen - Bass
https://linktr.ee/Karelian_Warcry
Style: Death/doom metal
Type: CD standard jewel box + 16 page booklet
Release date: 30.1. 2026
Here is my second release this year. It is very close to my heart. This re-release is being released as a gift for the 50th birthday of flutist Valda from DISSOLVING OF PRODIGY, a very good friend of mine.
DISSOLVING OF PRODIGY was a Czech doom metal band that existed between 1993 and 2013. It is one of the world's most respected Czech doom metal bands. When René "Fusaty" Krystyn, frontman and founder of DISSOLVING OF PRODIGY, died of cardiac arrest in September 2013 at the age of only 39, his band also physically died.
After Fusaty's death, Petr Herdron, owner of Pařát Productions, decided to spread the musical legacy of his good friend's band around the world. As a result, over the past 10+ years, almost all of the band's recordings have been reissued not only on CD with new graphic booklets, but also on LP´s and MC´s.
"Štvanice" is the last studio album by DISSOLVING OF PRODIGY from 2008. Following its release on vinyl (2014) and audio cassette (2021), it is now time for the first CD re-release, which, unlike the original, is being released in a larger print run with the ambition of reaching collectors around the world. Since the original CD version was released as a digipak, re-release is presented in a standard jewel box with the original sound.
Bonus material on this re-release includes part of Fusaty's music archive – a song that was never completed.
"Štvanice" will be released FIRST TIME ON CD STANDARD JEWEL BOX 30.1. by Pařát Productions. You can order them at https://paratshop.cz/produkt/dissolving-of-prodigy-stvanice-re-release-2026/
You can listen to full recording on https://www.youtube.com/watch?v=cSVdupnusrI
In the five years since the release of 2021's Transmigrator, GRAVEBORN has been meticulously crafting their newest magnum opus - an 11-track concept album about continuity in the face of collapse.
Throughout the course of Metempsychosis, GRAVEBORN challenges themselves and the listener to stare into an internal and external abyss. Moving from inner psychological fracture to societal and species-wide decline, the album rejects narratives of tragedy or triumph, treating destruction as a necessary mechanism of transmission. Metempsychosis asks one question and refuses to soften the answer- what remains when everything else is gone?
Hear part of this journey with the album's new single and final track, "Orthologs." Watch the lyric video now at
Vocalist John Leblanc describes the track as the album's closing statement - a reflection on consciousness as continuity, and the nature of self-evolution.
"'Orthologs' is about what survives after annihilation, not as hope, but as function. It’s evolution under pressure. Forced transformation. The essential self persists, but the form changes radically. I don’t return to who I was. I don’t heal into the old shape. I become something else because survival requires it. Like orthologous genes, the structure diverges, but the core purpose remains intact. This isn’t triumphant. It’s real. It’s not a victory lap. It’s the moment after the maw, when something still stands. Not because it’s unbroken, but because it adapted.
This song means: continuity is not comfort. Continuity is persistence. I am changed. I am not whole. But something essential still functions, still moves forward, still exists.
Not healed.
Not restored.
Still here.
And that is enough."
Metempsychosis is due out April 3. Pre-order the album at https://gravebornma.bandcamp.com/album/metempsychosis
Tracklist:
1) Embers of Existence
2) The Archaea Paradox
3) Temporal Sands
4) Idols of Bone
5) Paralogs
6) Metempsychosis
7) River of the Eternal Mind
8) Epistatic Drift
9) Legacy of Light
10) The Maw of Recursion
11) Orthologs
Line-Up:
Reggie Lewis - Bass
Jesse Blanchette - Guitars
Chris Ramusiewicz - Guitars
John LeBlanc - Vocals
Marc Brennan - Drums
Bio:
Formed in 2013 in Boston, MA, Graveborn serves up an ethereally heavy strain of progressive death metal. Over the last decade, they have released 4 albums (Samsara (2014), Seeds Of Life (2016), The Athenaeum (2018) and Transmigrator (2021)) and performed throughout the Northeast US with the likes of Fallujah, Rivers of Nihil, Cognitive, Ghost Bath, Ov Sulfur, and others. Graveborn weaves the themes of self-evolution and introspection through their lyrics, and embodies this ethos in their collaborations.
After over 5 years since their last album, Transmigrator, Graveborn returns with their 5th full length album, Metempsychosis, set to release on April 3, 2026. Combining the odd-time aggression and dissonant ferocity of bands like Car Bomb, The Tony Danza Tapdance Extravaganza, and Ion Dissonance with the ethereal melodicism and riff worship of bands like Fallujah, Rivers of Nihil, and Kardashev, Graveborn stand apart from the crowd.
www.facebook.com/gravebornma
Extreme
metal veterans STALWART unveil the lyric video
for “SACRIFICE", a track taken from their 7th
album, "TEMPVS EDAX RERVM", out now via
Wormholedeath.
“Sacrifice” blends the existential dread with Stalwart’s trademark intensity. The track digs into the fear of being forgotten, following a lone figure wandering through a city that no longer sees him. Stalwart pushes the track into darker territory with lyrics that confront memory, guilt, and the weight of a past scorched by loss. It’s a raw look at a man fighting the silence that threatens to erase him, carried by the band’s signature mix of death, thrash, groove, and prog brutality.
The video premiered on Headbangers Australia: https://www.headbangersaustralia.com/
About Tempvs Edax Rervm
Stalwart's Tempvs Edax Rervm delves into the inexorable power of time, exploring themes of fading identity and inevitable decay as "heaven and earth have switched places." The album distills the band's essence—groove-driven riffs, intricate rhythms, and atmospheric layers—into a heavier, darker, and more focused continuation of their intense, precise metal sound.
Stream the album: https://orcd.co/teralbum
Previous video:
https://youtu.be/biyuFljFGTQ
https://youtu.be/No_nn9kzzVg
About Stalwart
Formed in 1999 in Saint Petersburg, Russia, Stalwart has built a reputation in the extreme metal scene with a distinctive blend of death, thrash, groove, and progressive metal — combining crushing riffs, intricate rhythms, and atmospheric layers. Over their career, they’ve released six full-length albums through labels including Fono, Soyuz/MetalAgen, CD-Maximum, Metallism, and PRC Music, with four albums produced by the renowned Wiesławski brothers (Vader, Decapitated, Behemoth) at Hertz Studio, Poland. Stalwart has shared stages with Behemoth, Kataklysm, Vader, Amon Amarth, Primal Fear, Finntroll, and Carnifex, performing across Russia, Ukraine, Finland, Estonia, and Germany.
After a hiatus starting in 2019, the band returns with their seventh album, Tempvs Edax Rervm, out early 2026 via WormHoleDeath Records, promising crushing grooves, complex rhythms, relentless blast beats, and immersive atmospheres — a new chapter in Stalwart’s evolution.
www.youtube.com/@stalwart.metalband
www.facebook.com/stalwartmetal
CRÈME FLESH – “FOR YOUR ASS ONLY”
Label: Comatose Music
Release date: april 3rd 2026
Genre: Slam/Brutal Death Metal
For fans of: Devourment | Kraanium | Vulvectomy | Korpse
With the world teetering on the brink of absolute destruction, what we need is a hero – or even better, four of them – and with serendipitous good fortune, out of the great white north come Canadian secret agents of slam, Crème Flesh! Returning after the successful 2023 operation: Casablumpkin, they are licensed to blast, brutalize and wield pornographic puns like deadly weapons! All too often in the world of extreme music an offensive song title or a humorous soundbite is used to disguise a spectacular lack of musical ability…but not with Crème Flesh. With these maniacs you can laugh, be offended and get blown to bits by some of the most severely savage brutal death metal you will ever hear, executed with clinical precision. Your mission, if you choose to accept it, is to survive the ten tracks of bowel-rupturing, cranium crushing brutality that is…For Your Ass Only!
Beginning with the crisp, accomplished assault of ‘Field Of Creams’, For Your Ass Only quickly demonstrates just how deadly serious the music behind its over the top song titles really is. The riffs are impeccable, the vocals beyond monstrous, the drumming superbly skilled and the tempo shifts from a mid-paced, bone splintering grind to insane, frenzied velocities navigated with a slick, deceptive nonchalance. ‘Lake Flaccid’ begins with a carefully selected quote from the film Lake Placid before unleashing a landslide of punishing heaviness, while ‘Sleepless On Cialis’ is the kind of groove heavy pit anthem, grotesquely adorned in spurts of wanton aggression, that is designed for live violence. From the crawling beast that is ‘The Gapes Of Wrath’ to the twisted insanity of ‘Jagged Little Penis’, For Your Ass Only is utterly relentless - reaching a cataclysmic climax with ‘Whores Of Perception’, where thick, pustulant riffs collide with a rhythm that’s as infected as it is infectious. It’s one hell of a conclusion to an album that’s a masterclass in slamming, brutal death metal. Come for the jokes but stay for Crème Flesh’s unquestionable massive killing capacity.
Complete with a sound that combines intimidating muscle and shocking clarity, thanks to producer Geoff Hodsman (Human Compost, Apegod etc) and brilliantly realised artwork courtesy of Krag (Paroxsihzem, Nuclearhammer etc), For Your Ass Only will begin its assignment of subversion and devastation on April 3rd, under the command of Comatose Music. This press release will self-destruct in five seconds…
Line-up:
Matt Hilden - Vocals
Rory Kennedy - Bass
Sophokles Theodoru - Guitar
Allen L. - Drums
https://www.comatosemusic.com/
MORS VERUM – “CANVAS”
For
fans of - Gorguts, Morbid
Angel, Norse, Ulcerate, Saevus Finis
Forward-thinking Canadian band Mors Verum are giving their own interpretation to the death metal style, creating music that is simultaneously dissonant, progressive, and atmospheric. They've removed the shackles of the otherwise linear and niche style and have allowed their music to explore different realms whilst retaining the death metal sound along with its sharp dissonant edge. The result is absolutely riveting, with the music constantly alternating between throbbing discordant blasts and soothing passages, traversing worlds hitherto unexplored. The experience feels at once liberating and cathartic, as though having achieved epiphany after constant, dogged exploration. The lengthier song lengths never feel tedious either as the band embarks on their newfound path with relative ease and confidence. On "Canvas", they have adopted a fascinating approach to the style, one that is beautifully tempered yet adventurous enough to excite.
Tracklisting
1. Bloodied Teeth 04:19
2. Your Apocalypse 07:10
3. Serenade 05:30
4. Canvas 07:00
5. Mortal 06:37
Official release date - February 6th, 2026
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/morsverumband
Cheers! Kunal Choksi Label Owner Transcending Obscurity
Format: Digital CD /
Physical CD
Label: Independent Release
Style : Epic / Symphonic / Metal
For fans of : Epica, Kamelot, Nightwish, Delain, After Forever, Within Temptation, Serenity, Xandria, Rhapsody of Fire, Two Steps From Hell, Fleshgod Apocalypse, Symphony X and such….
This new album is the second full-length album from this Dutch band that offers us an excellent form of symphonic metal. The release date is February 6, 2026, and thealbum will be released as an Independent Release.
Tracklist:
01. The Moon, the Sun and the Stars
02. The Force of Nature
03. Lessons in Life(Are for Free)
04. Come into My World
05. Your Ultimate Joy
06. I Thought You Were on My Side
07. Don’t Wake Up the Dead
08. Monsters in My Head
09. Two Hearts
10. Run with the Wolves
11. What Goes Up Must Come Down
12. Eyes Will Glow
Much can be said about Dutch epic symphonic metalers Epinikion, but their story certainly is unique.
Hailing from the Netherlands, former athletes Renate de Boer and Robert Tangerman initially started an ambitious project to write a rockopera album.
With no musical background to speak of, but with incredible talent, inspiration, and sheer will, the critically acclaimed debut Inquisition came to life.
Epinikion is a ‘hymne for the winner’. In Ancient Greece the heroic stories of athletes were sung in an epinikion after their victories at major events. A fitting band name for musicians rising from the ashes of their former sports careers, as reflected by the phoenix in the band’s logo.
From the very beginning Epinikion combined heavy guitar riffs with subtle progressive and heavy metal influences, complimented with harmonic and bombastic orchestral lines. With their new music, the band takes it a step further, blending each bandmember’s musical influences and creativity into a unique and refreshing sound.
Epinikion is ready to unleash their upcoming new album The Force of Nature upon the world.
Mixed and mastered by Jacob Hansen, and featuring artwork from Giannis Nakos, the album reflects the band’s conscious decision to commit and go big, and it promises to be a blast of a successor to their debut…
Line-Up:
Robert Tangerman: guitar
Renate de Boer: keyboards
Rutger Klijn: bassguitar
Maarten Jungschläger: guitar
Kimberley Jongen: vocals
Michal Gis: drums
https://www.facebook.com/epinikion
Label: Throne Of Lies Records
Release date: january 10th 2026
Genre: Blackened Doom/Death Metal
For fans of: 1914 | Woods Of Ypres | Katatonia | Fear Of God
I lie in a sea of dreams, the substance of my life flowing around me in tattered stories – the triumphs and tragedies, such as they were, my great loves, lies, betrayals and sins, they all swim before my empty, unblinking eyes. Were they really all as inconsequential as they seem now to my still heart? Did it all mean so pitifully little? Perspective changes when the clamour of your breathing has ceased. None of it mattered then, none of it matters now in this cold bed of worms – with the earth above and a grave beneath…
The Earth Above, A Grave Beneath is the fourth full length album from Louisville, Kentucky sextet The Promise Of Plague – a band that draw inspiration from across the metal spectrum, fusing diverse elements into a dark and powerfully distinct sound. Nearly a decade on from their first EP, Sleepwalking Into Armageddon, the band’s experience and accomplished musicianship can be heard in every note of the bravely creative The Earth Above, A Grave Beneath. Opening in savage fashion with ‘Vomit Running Through My Veins’, The Promise Of Plague slam you back in your seat before the song uncoils itself, shifting between moods and tempos, adding melodic guitar lines and rich atmosphere, driven forward by a visceral vocal presence. This opening sets the tone for what is to follow…expect the unexpected, be prepared for every song to possess its own individual character, but with an emotional weight and depth that anchors the band’s sound as they explore. From the emotive darkness and haunted landscapes of ‘Dead Mistake’, via the varied vocal interplay of ‘One Line Poem’, to the album’s title track, with its guitar motifs with deep, deep roots that speak in a universal voice; there are a myriad of treasures to uncover in The Promise Of Plague’s musical darkness. The venomous black metal heart of ‘My World Is Better, Darker’ beats slower as it reaches its end and slips into the epic ‘Of Sorrow’ – resounding chords, wearied marches across windswept hills, jagged riffs, frantic velocities, raw, impassioned screams – they are all here, all part of the great tapestry of this momentous song. And then? Then we celebrate our passage through the night with a brutal reworking of Quiet Riot’s headbanging classic, ‘Metal Health’! Twisted into The Promise Of Plague’s form, it provides a triumphant conclusion to this harrowing but rewarding album.
Recorded and mixed by Chris Leffler (Stonecutters etc) and mastered by Overload drummer Todd Hawkins, The Earth Above, A Grave Beneath has the strength, dexterity and clarity of sound to bring the best out of The Promise Of Plague’s diverse and adventurous creativity. Completed by the evocative cover artwork of the band’s own Jerry Barksdale (who also supplied the visual elements for many albums by death metal veterans Abominant) The Earth Above, A Grave Beneath will be released by Throne Of Lies Records on March 10th…prepare for a voyage into the stygian depths of the soul.
Line-up:
JD Hall – Vocals
Joanie Michele – Vocals
Jerry Barksdale – Guitars
Sam Pedneau – Guitars
Phil Garrett – Bass
Jim Huggins – Drums
*additional guest guitars by Chris Leffler
https://throneofliesrecords.bigcartel.com/
https://www.facebook.com/thepromiseofplague
Release
date:
23.01.2026
Location: Nepal
FFO: Misery Index, Death, Brutal Truth
Lineup:
Darshan Angdembe Limbu - Guitars/Vocals
Season Bajracharya - Bass/Vocals
Suraj Nakarmi - Drums
Bio:
Nepali death metal band ANIMALITY was formed in 2017 and released their first EP, Animality Inherent, in 2018 with an earlier lineup, marking the initial phase of the band's sound and identity. The band draws influence from a wide range of extreme music, spanning death metal, grindcore, and thrash, but rather than being driven by specific bands, Animality's music comes from day-to-day lived realities—experiences that cannot always be expressed openly while leading an ordinary life. Extreme music became the band's art of expression, a way to translate unspoken experiences into sound.
https://www.youtube.com/@animalitynepal7119
https://www.facebook.com/Animality.band
The song is about people in great desperation, maybe hit by catastrophes or struck by fate, so they are praying for help from a higher power or a god - but the prayers remain unanswered. That's the invocator's doom.
The video was once again designed by Andrea Matelli, who did the job perfectly for "Drown in Blood", too.
Video link: https://www.youtube.com/watch?v=OK8iJDYIiCU
The band was founded in 1993 in Helmstedt, Lower Saxony, Germany. After one lineup change in 1994, they have been active in the same formation for over 30 years now. On guitar and vocals there is Peter Geißler, bass guitar and vocals by Mirco Brandes, lead guitar by Chrille and drums by Alex.
SERVATOR started as a death metal band but due to their diverse taste in metal music, they included some other influences, mainly thrash metal.
Over the years they found their place right between thrash and death metal, with some groove punch included.
SERVATOR draw inspiration from anything that has a solid metal edge.
In January 2026, their new all-out attack titled “The Dark Triad” was released.
Like “incite the unCreation”, it was recorded and produced at Splash’n’Dash Studio by Reimund Junker in Helmstedt.
The lyrics deal with conflicts, wars, personal tragedies, and crises - basically everything that’s going wrong in the world.
It is available as a digipak with a 12-page booklet and, after the release, on all major streaming platforms. A vinyl is planned, too.
In December 2025, alongside an Instagram account, their YouTube channel went online with the first lyric video for “Drown in Blood,” to be followed soon by another video for “The Invocator.”
On January 17, 2026, the CD release party took place at JFBZ Helmstedt.
They were able to secure Instructor (thrash metal) from Rostock and the death metal steamroller New World Depression from Emsdetten as support acts (New World Depression headlining, to be more precise).
SERVATOR never stepped back from doing what they call “Servator Metal”, that’s the way they love metal and they would be grateful, if there are some follewers outside to support the underground.
https://www.youtube.com/@Servator-Metal
https://www.facebook.com/Servator.Metal/
ARCHVILE KING - "AUX HEURES DÉSESPÉRÉES"
Release date : January 23, 2025
Genre : Black Metal
For fans of: Dissection, MGLA, Dark Funeral, etc...
Origin: France
Duration: 46min43
Label: Les Acteurs de L’Ombre Productions
Network Distributor: Season of Mist / Plastic Head
Digital Distributor: The Orchard
Tracklist:
1. Riposte
2. Le Chant Des Braves
3. L’Excusé
4. Le Carneval Du Roi Des Vers
5. Sépulture
6. Aux Heures Désespérées
7. À Ces Batailles Abandonnées
8… Et Aux Hommes Misérables
Emerging at the end of 2019, ARCHVILE KING is the solo project of french multi-instrumentalist Baurus. Drawing from the sharp, biting sounds of retro Thrash and Black Metal, his music fully reflects his inspirations, offering intoxicating melodies over riffs as sharp as rusted steel.
After a unashamedly Thrash Metal solo EP, followed by a darker full-length album, ARCHVILE KING now pulls us deeper into its world with a new concept album plunging further into the swamps of the King of Worms. With "Aux Heures Désespérées", we are drawn into Black Metal infused with shades of Heavy Metal, Thrash, and grandiloquent tones, pulling us down into the depths.
"Aux Heures Désespérées" is ARCHVILE KING’s second album. From the portrait fiercely drawn by "VILE" to the festering marshes of "À La Ruine", this time Baurus recounts the final great battle of humankind against the vile Worm King. This new concept album offers several points of view, opening the door to multiple interpretations. From a wounded general who forces his son to leave him behind, to the Worm King himself mocking the troops in disarray, to the bitter reflections of a soldier on the verge of death, a bleak depiction of a futile battle is painted across eight relentless tracks.
The futility of war, the sins of the soldier, false convictions—through "Aux Heures Désespérées", Baurus gives himself over to a pacifist meditation and a scathing critique of conflict through the lens of a blood-soaked tale.
Orders : https://lesacteursdelombre.net/product-category/bands/archvile-king
For fans of : Death, Obituary, and Morbid Angel, A Borrowed Name delivers a cold, unforgiving reckoning, a reminder that some masks don’t fall… they rot.
Forged in the cold isolation of the Austrian Alps, Screams Of Tranquility return with “A BORROWED NAME,” a merciless melodic death metal strike that refuses abstraction, comfort, or emotional escape routes. This is not a song built on metaphor or melancholy, it is a confrontation, sharp-edged and deliberate, aimed straight at betrayal, self-deception, and the quiet cowardice of avoiding truth.
Driven by razor-cut melodic death metal riffs, crushing rhythmic weight, and icy atmospheric layers, A Borrowed Name balances brutality with surgical precision. The guitars tear through the mix with controlled violence, while the vocals arrive like a verdict, accusatory, unflinching, and stripped of sentimentality. There is no release here, no false sense of healing, only clarity.
Lyrically,
the track dismantles hollow identities and borrowed masks. It targets those who
chase validation, dodge accountability, and replace honesty with beautifully
wrapped lies. The recurring line “Never been more than a borrowed name” becomes
both accusation and epitaph, the collapse of a persona built entirely on
denial.Where previous material like Crimson Hallows leaned into symbolism and deeper lore, A Borrowed Name stands as Screams Of Tranquility’s most direct and human statement to date. Raw, personal, and intentionally uncomfortable, the song exposes what happens when silence is chosen over truth and comfort is valued over consequence.
This is melodic death metal without romanticism or safe distance.
No mercy for self-deception.
No refuge in silence.
Biography
"Screams Of Tranquility" stands as the dynamic brainchild led by the gifted Marc P. Prohaska, a 29-year-old musician based in the idyllic foothills of the Austrian Alps in Upper Austria. This captivating project delves deep into the narratives of a society marred by excess, laying bare its hypocrisies, collective folly, and the gradual erosion of humanity.
Marc's musical palette is a vibrant fusion of influences, melding Scandinavian melodic death, American thrash, and hints of black metal. With deft craftsmanship, he intertwines pulsating rhythms and intricate orchestrations, weaving a spellbinding tapestry of sound.
From his beginnings as a musician at the age of 18, Marc has explored diverse musical avenues, ranging from pop-punk to rock and metal cover bands. However, it was through the emergence of Screams Of Tranquility that his artistic vision truly blossomed. In 2019, Marc graduated as a recording, mixing, and mastering engineer from HOFA College, now operating his own successful mixing and mastering business as a freelancer.
While Screams Of Tranquility is a solo endeavor, questions about the absence of additional band members only underscore Marc's proficiency and the effectiveness of his approach to "running SOT as if it were a fully occupied band." His unwavering dedication and skill shine through in every aspect of his work.
For those in search of authentic, meticulously crafted music that transcends the confines of mainstream melodic death metal, replete with searing leads, impassioned vocals, and profound thematic depth, Screams Of Tranquility stands as a beacon of artistic excellence worthy of exploration.
https://www.facebook.com/ScreamsOfTranquility
Egypt’s
death metal legends return with ritualistic riffs, cinematic orchestration, and
crushing aggression.Brutal Records unleashes Transmutation of Fate, the new EP from Egypt’s legendary death metal force SCARAB. With this release, the band enters a new chapter under its global alliance with the iconic American label. As a result, SCARAB launches a devastating new era. Brutal Records now drives the band’s ancient sonic incantations through its international network.
The Rise of SCARAB in Egyptian Death Metal
SCARAB formed in 2006 and quickly earned a reputation for ferocity, atmosphere, and spiritual intensity. Over the years, the band refined a sound that stands apart. Moreover, SCARAB fuses uncompromising death metal with Middle Eastern and Egyptian mysticism. Because of this approach, the music creates a ritualistic experience that transcends borders, cultures, and belief systems. Crushing riffs collide with cinematic orchestrations. Meanwhile, relentless aggression channels ancient mythology into modern extreme metal.
Lineup and Sonic Identity
Sammy Sayed leads the band on vocals and orchestrations. Alongside him, Tarek Amr and Omar Abou Doma command the guitars. Mohamed El Sherbieny anchors the sound on bass. At the same time, Amir El-Saidi drives the music forward with punishing drums. Sherif Elias expands the sonic landscape on keyboards and synths. Together, SCARAB pushes its mythology further with a sound that remains both brutal and transcendent.
A Ritualistic EP with Global Impact
Each track functions as a ceremonial invocation. In particular, the band blends fearless precision with deep atmospheric layers. Therefore, the EP reinforces SCARAB’s role as pioneers of Egyptian extreme metal on a global scale.
Statement from SCARAB
“We are very happy to join forces with Brutal Records. This marks a new era for SCARAB, and we are looking forward to what we are going to be putting out to the world through Brutal Records. Let the magick begin!”
Upcoming Releases via Brutal Records SCARAB and Brutal Records are already preparing devastating new material for release:
Transmutation of Fate (EP – May 8th, 2026) A metaphysical journey through destiny, transformation, and awakening, delivered through dark, atmospheric, and ritual-driven death metal.
Blinding the Masses [Reincarnated] (LP – July 31th, 2026) A brutal reimagining of SCARAB’s debut album—heavier, sharper, and reborn for a new generation of extreme metal devotees.
The Ritual Begins This signing represents more than a business agreement—it is an awakening. With Brutal Records’ global reach and SCARAB’s uncompromising vision, the coming releases will expand the band’s
https://brutalrecords.com/release/scarab-transmutation-of-fate/
https://orcd.co/brut89677
Label: Abstract EmotionsRelease date: april 24th 2026
Genre: Melodic Doom/Death Metal
For fans of: Candlemass | Novembers Doom | Paradise Lost | My Dying Bride
Held in the arms of comfort and love, surrounded by joy and affirmation, I had no expectation, nor understanding of failure and loss. I had no sense of my own true measure, or of the darknesses that lay so far below me, watching me with hungry eyes and endless patience. I flew higher, heedless and carefree, gathering happiness like an endless crop, a constant golden yield. And as the flames began to flicker along my wings I took them to be just another well-deserved adornment, another gift from a universe that loved me best. And when the fall came, it came fast. I spiralled into shadow, crashing into night…my heart, my mind, my spirit shattering on the rocks of reality. Toxicity and spite, rejection and grief, jealousy and hunger lapped at my feet like a bitter sea, as I lay on the cold, cruel shores of realisation…the scales rebalanced.
Following in the wake of their towering Spreading The Wings Of Hope album, Spain’s Golgotha have returned with the altogether darker hues and harsher, more rugged textures of Hubris. This is an album forged in the pitiless furnace of life; eight songs steeped in the struggle, turmoil and challenges that shape us, that make us human. Reflecting on their latest creation the band have emphatically stated, “these are not fictional stories, but fragments of real life turned into music”.
The album begins with first single, ‘A Simple Life’, opening with a brave, exposed vocal from María J. Lladó that focusses the attention, drawing the listener in before the full tide of Golgotha’s overwhelming sound crashes over them. The poignancy of emotion in this track, with its hypnotic refrain, flows like blood through every chord, every note. Elsewhere, the gargantuan, crawling riffs and huge, monstrous vocals of ‘Broken Toy’ open out into a reflective, melancholy melody – harsh vocals switching to Maria’s clear, emotive tones – as contrasts blend and entwine. Throughout Hubris these two sides of Golgotha, the forceful, bleak and blackened and the doomed, delicate beauty dance with each other in a deftly harmonious, disparate duality. ‘Too Late’ is deep, dark, slow motion death metal until a melodious chorus arrives, allowing a pale, gentle light into the black and a vibrant solo is a burst of flame in the cold murk. From ‘Blind’, in all its tarnished, faded majesty, like a funeral of kings, to the concluding ‘Intolerance’ – a musical conflict between the nobility of sorrow and the raw pain of grief – this is an album that lays bare its heart and shows all its scars. It will hollow you out, caressing your hidden anguish and drawing your wounds into the light.
“I became just an echo…”- Blind
To capture the real and vivid darkness of Hubris, Golgotha turned to producer Davide Billia (Antropofagus, Beheaded, Posthuman Abomination etc) and the band have described his contribution as “essential in shaping the power and character we wanted for this album”. Hubris will be released by Abstract Emotions on April 24th – another incredible chapter in the unfolding story of Golgotha.
Line-up:
Vicente J. Paya – Guitar/Keyboards/Vocals
Andrew Spinoza – Bass/Harsh Vocals
Rafel Garcies – Drums
María J. Lladó – Clean Vocals
Dan Garcia – Guitars
https://abstractemotions.com/en/
https://www.facebook.com/abstractemotions1995
https://www.facebook.com/GolgothaOfficialBand
TARDIGRADE INFERNO continue their streak of rolling out new music head of the release of the band's third studio album, HUSH. The official music video from these charming dark cabaret metal adepts, "Deadly Fairytales" is out now.
Watch "Deadly Fairytales" at https://www.youtube.com/watch?v=3tiq0aj0J94
Hush is a compelling result of TARDIGRADE INFERNO’s evolving signature style and the sheer power of their live performance. What truly defines the band is the experience the listener gets at their live shows, the thoughtful songwriting, the ironic lyricism, and the striking, highly aesthetic visuals. In June 2025, TARDIGRADE INFERNO released an atmospheric and emotional live album Made In Hell that captures their ferocious performance and their connection with the audience. Hush blends all of these strengths with an authentic sound delivered with studio precision.
Hush is due out March 5 on CD, digital and four exclusive vinyl editions. Pre-order the album at https://tr.ee/TiHush
Tracklist:1. The Final Show
2. Hide 'n' Seek
3. Deadly Fairytales
4. All In your Head
5. Dead Fish Smile
6. Subatomic Heist
7. I.C.D.
8. Goor
9. Hush
10. Hypograph
11. I Am Eternal
Hush naturally picks up where 2023's Burn the Circus left off. At the beginning you hear the crackling of a circus burning down. A surviving radio plays a mournful melody that opens a grand show amid the ashes. Like a massive blazing phoenix, TARDIGRADE INFERNO opens its wings with elemental force. It sweeps away what remains and reclaiming its place at the center of attention.
The gorgeous Darya Rorria uses her flexible contralto to tell stories that are anything but cheerful. Her expressive vocals pulse with the music. They tease sharply, flow lyrically, spread in a soft velvet hush, and fade into a tragic whisper. They soar through tense passages and then glide back down into a low, intimate tone. The lyrics are charged to the point of electric crackling, just as one expects from the TARDIGRADE INFERNO.
Their trademark keyboards sound even more retro-futuristic, paying tribute to the classic horror movies of the past. The guitar acts like the wildest creature in the prairie with it's fury clothed in the polished frock coat of a respectable gentleman. The bass has the “AWESOME” knob turned to 100%. The drums are emotional, dynamic, and alive. Altogether it creates a familiar yet more sincere and revealing sound. The music becomes almost visible, almost tangible.
TARDIGRADE INFERNO have always paid special attention to the visual side of their art - from stage costumes and characters to their album covers. The cover for Hush was created by artist Milena Kress in a dark-aesthetic style. This is the band's first experience with analog painting - the piece is oil on canvas. It conveys the anxiety and emotional intensity that mirror the album’s lyrics. It’s also the first time the band’s mascot, the Tardigrade, is absent from the cover. It symbolizes a kind of coming-of-age. The toys have been left behind in the nursery.
Mixing, mastering, and production were handled by Vladimir Lehtinen, who has been working with the band continuously since the release of The Worst of Me EP. Vladimir helped the band capture their live energy without losing the studio polish of their recordings.
TARDIGRADE INFERNO is:
Darya Rorria - vocals
Alexander Pavlovich - guitars, keys
Maxim Belekhov - bass
Andrew Drew - drums
https://www.facebook.com/tardigradeinfernomusic/
SERMON TO THE LAMBS – “SERMON TO THE LAMBS”
Label: Comatose MusicRelease date: march 6th 2026
Genre: Brutal Death Metal
For fans of: Brodequin | Deeds Of Flesh | Enmity | Liturgy
Rising through the countless layers of the inferno, through an eternity of screams and tears, pleas and regret, he brings his message from the unfathomable depths of darkness and flame. Such is his form, his dark abyssal presence, that sanity crumbles beneath the gaze of his multitudinous eyes…and his words of desolation turn flesh to liquid. The abject creatures that have gathered to receive his malediction cower in awe, before falling from madness to destruction. Worshippers become sacrifices as the forgotten king delivers his sermon to the lambs…
A new entity from the depths of the death metal underground has emerged, a baleful presence stepping forth from the shadows to deliver judgement without mercy. Hailing from Chile, Sermon To The Lambs are set to unleash the soul-shaking savagery of their debut, self titled album. Opening with ‘Crowned King Of Worms’, guitars rise around you like a cloud of venomous winged insects while a voice of undead malevolence roars from the heart of the swarm. Masterfully entwining slow, hypnotic passages that dance with a sinuous, serpentine wickedness and explosions of rabid speed and fury, Sermon To The Lambs begin to disassemble your reality. The eponymous title track follows with imperious power and subjugating force - it hits hard with an iron fist, threatening to separate skin from flesh and flesh from bone - and that tangible sense of unquestionable domination permeates the whole of this formidably impressive first album. From ‘Maximum Apostasy’, which beguiles with an atmosphere of dust and sacrilege before bringing forth absolute annihilation that sets the blood on fire, to ‘Flagrum Taxillatum’, a spiralling descent into the depths of perdition, this album just gets stronger and stronger as it progresses; more vivid, inventive and excruciating in its torments. The final two tracks – ‘God Spat And The Man Was Done’ and ‘Clergy’s Malevolence’, both colossal outpourings of death, appear as twin-headed devils, reprised as bonus tracks featuring guest vocals from Jeff Page of Manifestations. Sermon To The Lambs is magnificently unforgiving, an eruption of crawling horrors from a tortured, broken earth.
Sermon To The Lambs’ first offering of blasphemic brutality will be brought into the light on March 6th by the masters of malignancy and pain, Comatose Music. Given teeth and claws by the skilled mixing and mastering of the band’s own Victor Araneda, who has also worked with the likes of In Asymmetry, First Degree Murder and Supreme Banishment, Sermon To The Lambs sounds vicious and uncontrollable. Adorned in the stunning artwork of Par Olofsson (Winds Of Plague, Unleashed, Thy Art Is Murder) this album is set to leave its indelible mark, a suppurating wound, on the global death metal scene.
Line-up:
Richard Aguayo - Vocals
Mauro M. - Guitar/Bass
Victor Araneda – Drums
https://www.comatosemusic.com/
https://www.facebook.com/Sermontothelambs
MUERTO - “ECLIPSED REALMS”
For
fans of
- Amenra, Emptiness, (early) Opera IX, Deathspell OmegaGenre - Black metal with doom metal elements
There is something about the rawness of emotions expressed in their pure, undiluted form and that's probably what's most appealing about this release. Against the backdrop of harrowing, plaintive music are the hollow echoes of an aggrieved, possessed-sounding woman, adding more malice to the music than anything possibly contrived. Over here is something dark, unseemly, insidious if only by being so naturally real and relatable. The intriguing doom-laden black metal music throbs and twists with a firm grip of the atmosphere pressing down on the listener like a hand to the throat. Muerto's disarmingly direct delivery, masterful juggling of various emotions in an aura of suffocating darkness, and their refreshing rawness in a time of overly processed music make them a band worthy of your attention.
Line up
Penelope Matamoros - Vocals & Bass
Juan Mondragon (Necronos, ex-Castleumbra) - Guitars
Eddel Jared - Drums
Artwork by Ricardo González
Track listing
1. Serpentine Echoes
2. Veil of Desolation
3. Burning Shadows
4. Wilderness
5. Decay
6. Radiance
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/muertoband
Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
"Dreaming Song to You" is the emotional core of Horizon Line, a track described as a journey through the spirit of exploration. Driven by solid song structures, showcased by unflinching guitar virtuosity, and anchored by a truly standout vocal performance, this ballad is your ticket aboard a metaphorical motorcycle ride deep into your own emotions.
Previous video:
https://youtu.be/MNJ8yRlY6PQ
https://www.youtube.com/watch?v=POIgeyGhvY8
THE SOUND: REAL VINTAGE, MODERN CRUSH
Thunder Rising delivers a sound intimate to those who live and die by the sacred riff, having perfectly distilled the rich essence of the late '70s and '80s. This isn't theoretical appreciation; it's deep-cut knowledge, forged by the band's history, which includes production work with Italian heavyweights like Firehouse and prog titans Arachnes during that very era. Their signature style, self-dubbed "Real Vintage," is an expertly crafted fusion of heavy rock power and melodic sophistication that draws equally from the crushing, organ-drenched riffage reminiscent of prime Deep Purple and Rainbow, and the soaring, arena-ready vocal hooks and melodic sensibilities that dominated the era, channeling the spirit of bands like Journey and Boston. Crucially, this authenticity isn't achieved through cheap digital imitation. Thunder Rising deploys a devastating arsenal of TRUE VINTAGE GEAR—including Hammond organs, classic Fender guitars, and genuine Marshall stacks—all paired with modern, cutting-edge recording techniques. The result is a sound that is both POWERFULLY VINTAGE and CRYSTAL CLEAR, showcasing the band's deep experience delivered with uncompromising modern clarity.
www.thunder-rising.com
www.facebook.com/thunderrising
1. Endless Buildings2. Solitude
3. The Dark Machine
4. Desolate Place
5. Fragments
6. In Sorrow's Requiem
7. Pulvere Sacro
8. Love Damned Of Dead
9. Shelter Me
10. End Begun
The album will be released in CD, LP (black and marble gold vinyl) & digital and it's available for PRE-ORDER at https://t.ly/AyAM7
It's been almost 10 years since their last album "Deathrising" and MOTUS TENEBRAE return to make their voice heard in the most powerful, dark and full of pathos way possible with a new album that treasures the legacy of that work, enriching it with new nuances and atmospheres, creating their most mature, most emotional and most decadent work in their 25 years of career.
With "In Sorrow's Requiem", MOTUS TENEBRAE rise again, stronger, darker and deeper than ever with a music which does not leave indifferent those who live for sounds dear to Paradise Lost, My Dying Bride, Sentenced, Katatonia.!
Three visions... one sound. Embrace the unknown!
https://linktr.ee/mykingdommusic
https://www.facebook.com/MotusTenebraeOfficial
Originally released in 2021 through Northern Silence Productions, “Elegieën”
established itself as a landmark in the post-black evolution, defined by its
blunt, ferocious, and euphoric attitude paired with consistently inspired
songwriting. Now, five years after its initial arrival, the album is finally
being presented on the format for which it was originally intended.The limited-edition reissue is pressed on transparent green vinyl and includes a printed insert. Mastered for the format by Dennis Blomberg with design and layout by tryfar, the records are expected to ship in mid-to-late February.
Pre-order “Noctambulist I: Elegieën”: https://thesehandsmelt.shop/products/noctambulist-i-elegieen-lp
The band commented:
"Conceived at the dawn of a global pandemic, shelved for a year, born into a locked-down world; Noctambulist I: Elegieën has been marred by delay time and again. Now, upon its fifth anniversary, Noctambulist are proud and relieved to finally offer our debut record on vinyl through the efforts and grace of These Hands Melt. Finally pressed on the medium for which it was destined, we hope you can fully experience the fruits of our labour anew. Even five years down the road, the songs in this collection still ring true. At least to us, they do".
Noctambulist are an atmospheric post-black metal outfit from Tilburg, the Netherlands. Formed in 2015 between housemates J.D. Kaye, Sam C.A. and Mitchell Scheerder, they set out to create a hard-hitting, melancholic style of black metal that draws inspiration from other genres such as post-rock, shoegaze, new wave and post-punk. Noctambulist stand for contrasts. Serotonin summits and strung-out canyons. The empty and the grandiose. The beautiful and the appalling.
After defining their sound and completing the lineup with guitarists Tristan Tabbers and Stef Heesakkers, they released their full-length debut “Noctambulist I: Elegieën” via Northern Silence Productions. Their second album, “Noctambulist II: De Droom”, was released through These Hands Melt in February 2025, and saw the band dive deeper into post-punk and shoegaze influences while retaining the fierceness of their debut record Elegiëen
Noctambulist are
J.D. Kaye – Vocals & Guitar
Stef Heesakkers – Guitar
Tristan Tabbers – Guitar
Sam C.A. – Bass
Mitchell Scheerder - Drums
https://thesehandsmelt.shop/
https://www.facebook.com/these.hands.melt
https://www.facebook.com/Noctambulistband
HELA – “A REIGN TO CONQUER”
Label: Ardua MusicRelease date: february 27th 2026
Genre: Melodic Doom Metal
For fans of: The Gathering | The 3rd And The Mortal | Inborn Suffering | Katatonia
Taking their name from the Norse goddess of death, Spanish voyagers through realms of shadow and sorrow, Hela, formed in Elche, Spain in 2012. They quickly made their mark on the doom metal scene with their well-received debut album, Broken Cross, which was picked up for a vinyl release by the respected Svart Records. Their star continued to rise with their second and third albums – Death May Die and Vegvísir – their sound developing in a natural and organic way. Trends and fashions have always been meaningless to Hela, with their reputation being based on honesty of expression and a palpable passion for the music they create. The global pandemic ushered in a period of silence from Hela, with the personal changes of circumstance that life tends to bring following in its wake…but the time for their reawakening has come. With new vocalist Raquel Navarro adding her sublime, dreaming tones to the band’s most emotive music to date, Hela are poised to present A Reign To Conquer.
Opening track, ‘Vessel To Nowhere’, begins in forbidding fashion, with dark, cold and powerful chords before engaging melodies and warmly human vocals open up that daunting exterior. Portentous narrative passages lend weight, while the lead guitar takes hold of your heart in an ascending spiral of emotion. ‘The Infinite Tower’ introduces a lightness, an ethereal feel as superb guitar lines flit like ghosts between the dreaming passages and storm-tossed, turbulent passions. A captivating piece, from the pinnacle of this tower you can gaze out across a landscape painted in the muted colours of dusk…and with each track we fall a little deeper into Hela’s embrace. ‘Crystal Bridge’ speaks in a universal language, connecting with the listener at a fundamental level beyond words as its wistful melancholy and bittersweet reflections build to an overwhelmingly powerful chorus. There is a sense of journeying through this album, of onward movement, as we walk, drift, float, stumble and soar through the cascading guitars of ‘Emerald Mirror’, the waltz through emptiness and memories of ‘Architect Of Disorder’ to arrive at the towering conclusion of ‘Nomad’…only to find that the journey continues – the restless nomad wandering the dusty paths of the world for eternity, with only the ghosts of lost loves for company. Hela have continued to grow, to subtly transform, to follow where their hearts and their music lead them…and A Reign To Conquer is a work of beauty that could only have been achieved through that open authenticity and untarnished integrity.
Recorded at the Red Records studio in Alicante, with Jose Franciso Rojo and mixed by the band’s own Julian Velasco, A Reign To Conquer was then mastered by Dan Swano whose touch has dusted albums by so many acclaimed artists with magic; from Barren Earth to Hypocrisy, Novembers Doom to Novembre…the list is practically endless. The result is an album of rare vitality and potency, an all-encompassing presence that holds the attention effortlessly. Adorned, as always, in the evocative imagery of Deadsign, A Reign To Conquer will be released by the highly regarded Ardua Music on CD digipak and digital formats and by Tormo Records on limited edition vinyl on February 27th. If you have yet to discover the fragility and power of Hela then now is the time. If you are a seasoned traveller, then welcome back to the road that never ends…
Line-up:
Raquel Navarro · Vocals
Julián Velasco · Guitars, fx
Tano Giménez · Bass
Miguel Fernández · Drums
https://www.arduamusic.com/
https://www.tormorecords.com/en/
https://www.helaband.com/
https://www.facebook.com/Helaband/
Belgian
extreme black metal act YHWH presents their latest lyric video
for the track “MURDERER OF ILLUSIONS”, a relentless outpouring of
nihilistic fury rooted in hatred for mankind and the mental suffering born from
human stupidity. The song confronts the collapse of ego, hope, and human
certainty, unfolding as a journey through despair, misanthropy, and the destruction
of every illusion, delivered through a harsh and uncompromising soundscape that
mirrors its lyrical intensity.With “Murderer of Illusions”, YHWH solidifies their place at the forefront of extreme black metal, merging philosophical depth with uncompromising aggression.
“Murderer of Illusions” is a track taken from the band's EP Khatha, out now via Wormholedeath
Stream Khatha: https://orcd.co/khathaep
Previous video Hell on Earth (The Root of All Evil): https://youtu.be/FjTY5SyNqvg
Formed in 2024, YHWH is a Belgian/Thai black metal band. All music is composed by Schem HaMephorash and her sister C. Bones, with S.M. Goat Ritual joining in June. Following their debut EP Tetragrammaton (April 2025, Wormholedeath), the band now unleashes the second chapter: Khatha. Prepare for the doom.
www.youtube.com/@thetrueyhwh
https://thetrueyhwh.bandcamp.com
“Horisontit” is a strong cross-section of Karelian Warcry’s music. At the heart of the track is a forward-rolling armoured train, and a mid-section rising to majestic heights observes the horizon from a bird’s-eye perspective. The lyrics are a cathartic journey to a liminal point where everything falls apart in your hands, yet there is nothing to do but keep moving forward. Vocal tracks originally intended as demo vocals remained on the final recording, dictated by death.
Listen to the single on music services : https://push.fm/fl/karelianwarcry-horisontit
The work of Veripellot album took shape over the years 2010–2024, nearly coming to a halt following the death of the band’s founding member, vocalist-guitarist M.I. Mikkonen. Veripellot became a composite, uniting Karelian Warcry’s two different line-ups and the pandemonium of the entire timespan.
Veripellot is a study of war, grief, and the dark sides of humanity. The themes rise from the band members’ personal experiences, collective traumas, and a shared interest in the events of their home region and its war history. The album is, on one hand, a memorial writing for fallen friends, and on the other, a glimpse into the horrors of the Finnish Civil War. On Veripellot, the rough thunder of war resounds — and at times an oppressive stillness.
Veripellot consists of nine distinct tracks. Musically, the album is a step forward for the band — groovier, yet straightforwardly uncompromising. Progressive elements have also been brought into the mix.
Discography:Demo '04 (2004)
Kylmä rautainen (Album, 2005)
Verinen taival, päättymätön tie (Album, 2010)
Minun aikani (Single, 2020)
Line-up:
A. O. Heiskanen - Drums
J. H. Järvinen - Vocals
J. T. Kousa - Guitars
S. P. Ukkonen - Bass
https://linktr.ee/Karelian_Warcry
Style: Death/doom metalType: CD standard jewel box + 16 page booklet
Release date: 30.1. 2026
Here is my second release this year. It is very close to my heart. This re-release is being released as a gift for the 50th birthday of flutist Valda from DISSOLVING OF PRODIGY, a very good friend of mine.
DISSOLVING OF PRODIGY was a Czech doom metal band that existed between 1993 and 2013. It is one of the world's most respected Czech doom metal bands. When René "Fusaty" Krystyn, frontman and founder of DISSOLVING OF PRODIGY, died of cardiac arrest in September 2013 at the age of only 39, his band also physically died.
After Fusaty's death, Petr Herdron, owner of Pařát Productions, decided to spread the musical legacy of his good friend's band around the world. As a result, over the past 10+ years, almost all of the band's recordings have been reissued not only on CD with new graphic booklets, but also on LP´s and MC´s.
"Štvanice" is the last studio album by DISSOLVING OF PRODIGY from 2008. Following its release on vinyl (2014) and audio cassette (2021), it is now time for the first CD re-release, which, unlike the original, is being released in a larger print run with the ambition of reaching collectors around the world. Since the original CD version was released as a digipak, re-release is presented in a standard jewel box with the original sound.
Bonus material on this re-release includes part of Fusaty's music archive – a song that was never completed.
"Štvanice" will be released FIRST TIME ON CD STANDARD JEWEL BOX 30.1. by Pařát Productions. You can order them at https://paratshop.cz/produkt/dissolving-of-prodigy-stvanice-re-release-2026/
You can listen to full recording on https://www.youtube.com/watch?v=cSVdupnusrI
In the five years since the release of 2021's Transmigrator, GRAVEBORN has been meticulously crafting their newest magnum opus - an 11-track concept album about continuity in the face of collapse.
Throughout the course of Metempsychosis, GRAVEBORN challenges themselves and the listener to stare into an internal and external abyss. Moving from inner psychological fracture to societal and species-wide decline, the album rejects narratives of tragedy or triumph, treating destruction as a necessary mechanism of transmission. Metempsychosis asks one question and refuses to soften the answer- what remains when everything else is gone?
Hear part of this journey with the album's new single and final track, "Orthologs." Watch the lyric video now at
Vocalist John Leblanc describes the track as the album's closing statement - a reflection on consciousness as continuity, and the nature of self-evolution.
"'Orthologs' is about what survives after annihilation, not as hope, but as function. It’s evolution under pressure. Forced transformation. The essential self persists, but the form changes radically. I don’t return to who I was. I don’t heal into the old shape. I become something else because survival requires it. Like orthologous genes, the structure diverges, but the core purpose remains intact. This isn’t triumphant. It’s real. It’s not a victory lap. It’s the moment after the maw, when something still stands. Not because it’s unbroken, but because it adapted.
This song means: continuity is not comfort. Continuity is persistence. I am changed. I am not whole. But something essential still functions, still moves forward, still exists.
Not healed.
Not restored.
Still here.
And that is enough."
Metempsychosis is due out April 3. Pre-order the album at https://gravebornma.bandcamp.com/album/metempsychosis
Tracklist:1) Embers of Existence
2) The Archaea Paradox
3) Temporal Sands
4) Idols of Bone
5) Paralogs
6) Metempsychosis
7) River of the Eternal Mind
8) Epistatic Drift
9) Legacy of Light
10) The Maw of Recursion
11) Orthologs
Line-Up:
Reggie Lewis - Bass
Jesse Blanchette - Guitars
Chris Ramusiewicz - Guitars
John LeBlanc - Vocals
Marc Brennan - Drums
Bio:
Formed in 2013 in Boston, MA, Graveborn serves up an ethereally heavy strain of progressive death metal. Over the last decade, they have released 4 albums (Samsara (2014), Seeds Of Life (2016), The Athenaeum (2018) and Transmigrator (2021)) and performed throughout the Northeast US with the likes of Fallujah, Rivers of Nihil, Cognitive, Ghost Bath, Ov Sulfur, and others. Graveborn weaves the themes of self-evolution and introspection through their lyrics, and embodies this ethos in their collaborations.
After over 5 years since their last album, Transmigrator, Graveborn returns with their 5th full length album, Metempsychosis, set to release on April 3, 2026. Combining the odd-time aggression and dissonant ferocity of bands like Car Bomb, The Tony Danza Tapdance Extravaganza, and Ion Dissonance with the ethereal melodicism and riff worship of bands like Fallujah, Rivers of Nihil, and Kardashev, Graveborn stand apart from the crowd.
www.facebook.com/gravebornma
Extreme
metal veterans STALWART unveil the lyric video
for “SACRIFICE", a track taken from their 7th
album, "TEMPVS EDAX RERVM", out now via
Wormholedeath.“Sacrifice” blends the existential dread with Stalwart’s trademark intensity. The track digs into the fear of being forgotten, following a lone figure wandering through a city that no longer sees him. Stalwart pushes the track into darker territory with lyrics that confront memory, guilt, and the weight of a past scorched by loss. It’s a raw look at a man fighting the silence that threatens to erase him, carried by the band’s signature mix of death, thrash, groove, and prog brutality.
The video premiered on Headbangers Australia: https://www.headbangersaustralia.com/
About Tempvs Edax Rervm
Stalwart's Tempvs Edax Rervm delves into the inexorable power of time, exploring themes of fading identity and inevitable decay as "heaven and earth have switched places." The album distills the band's essence—groove-driven riffs, intricate rhythms, and atmospheric layers—into a heavier, darker, and more focused continuation of their intense, precise metal sound.
Stream the album: https://orcd.co/teralbum
Previous video:
https://youtu.be/biyuFljFGTQ
https://youtu.be/No_nn9kzzVg
About Stalwart
Formed in 1999 in Saint Petersburg, Russia, Stalwart has built a reputation in the extreme metal scene with a distinctive blend of death, thrash, groove, and progressive metal — combining crushing riffs, intricate rhythms, and atmospheric layers. Over their career, they’ve released six full-length albums through labels including Fono, Soyuz/MetalAgen, CD-Maximum, Metallism, and PRC Music, with four albums produced by the renowned Wiesławski brothers (Vader, Decapitated, Behemoth) at Hertz Studio, Poland. Stalwart has shared stages with Behemoth, Kataklysm, Vader, Amon Amarth, Primal Fear, Finntroll, and Carnifex, performing across Russia, Ukraine, Finland, Estonia, and Germany.
After a hiatus starting in 2019, the band returns with their seventh album, Tempvs Edax Rervm, out early 2026 via WormHoleDeath Records, promising crushing grooves, complex rhythms, relentless blast beats, and immersive atmospheres — a new chapter in Stalwart’s evolution.
www.youtube.com/@stalwart.metalband
www.facebook.com/stalwartmetal
CRÈME FLESH – “FOR YOUR ASS ONLY”
Label: Comatose MusicRelease date: april 3rd 2026
Genre: Slam/Brutal Death Metal
For fans of: Devourment | Kraanium | Vulvectomy | Korpse
With the world teetering on the brink of absolute destruction, what we need is a hero – or even better, four of them – and with serendipitous good fortune, out of the great white north come Canadian secret agents of slam, Crème Flesh! Returning after the successful 2023 operation: Casablumpkin, they are licensed to blast, brutalize and wield pornographic puns like deadly weapons! All too often in the world of extreme music an offensive song title or a humorous soundbite is used to disguise a spectacular lack of musical ability…but not with Crème Flesh. With these maniacs you can laugh, be offended and get blown to bits by some of the most severely savage brutal death metal you will ever hear, executed with clinical precision. Your mission, if you choose to accept it, is to survive the ten tracks of bowel-rupturing, cranium crushing brutality that is…For Your Ass Only!
Beginning with the crisp, accomplished assault of ‘Field Of Creams’, For Your Ass Only quickly demonstrates just how deadly serious the music behind its over the top song titles really is. The riffs are impeccable, the vocals beyond monstrous, the drumming superbly skilled and the tempo shifts from a mid-paced, bone splintering grind to insane, frenzied velocities navigated with a slick, deceptive nonchalance. ‘Lake Flaccid’ begins with a carefully selected quote from the film Lake Placid before unleashing a landslide of punishing heaviness, while ‘Sleepless On Cialis’ is the kind of groove heavy pit anthem, grotesquely adorned in spurts of wanton aggression, that is designed for live violence. From the crawling beast that is ‘The Gapes Of Wrath’ to the twisted insanity of ‘Jagged Little Penis’, For Your Ass Only is utterly relentless - reaching a cataclysmic climax with ‘Whores Of Perception’, where thick, pustulant riffs collide with a rhythm that’s as infected as it is infectious. It’s one hell of a conclusion to an album that’s a masterclass in slamming, brutal death metal. Come for the jokes but stay for Crème Flesh’s unquestionable massive killing capacity.
Complete with a sound that combines intimidating muscle and shocking clarity, thanks to producer Geoff Hodsman (Human Compost, Apegod etc) and brilliantly realised artwork courtesy of Krag (Paroxsihzem, Nuclearhammer etc), For Your Ass Only will begin its assignment of subversion and devastation on April 3rd, under the command of Comatose Music. This press release will self-destruct in five seconds…
Line-up:
Matt Hilden - Vocals
Rory Kennedy - Bass
Sophokles Theodoru - Guitar
Allen L. - Drums
https://www.comatosemusic.com/
MORS VERUM – “CANVAS”
For
fans of - Gorguts, Morbid
Angel, Norse, Ulcerate, Saevus FinisForward-thinking Canadian band Mors Verum are giving their own interpretation to the death metal style, creating music that is simultaneously dissonant, progressive, and atmospheric. They've removed the shackles of the otherwise linear and niche style and have allowed their music to explore different realms whilst retaining the death metal sound along with its sharp dissonant edge. The result is absolutely riveting, with the music constantly alternating between throbbing discordant blasts and soothing passages, traversing worlds hitherto unexplored. The experience feels at once liberating and cathartic, as though having achieved epiphany after constant, dogged exploration. The lengthier song lengths never feel tedious either as the band embarks on their newfound path with relative ease and confidence. On "Canvas", they have adopted a fascinating approach to the style, one that is beautifully tempered yet adventurous enough to excite.
Tracklisting
1. Bloodied Teeth 04:19
2. Your Apocalypse 07:10
3. Serenade 05:30
4. Canvas 07:00
5. Mortal 06:37
Official release date - February 6th, 2026
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/morsverumband
Cheers! Kunal Choksi Label Owner Transcending Obscurity
Format: Digital CD /
Physical CDLabel: Independent Release
Style : Epic / Symphonic / Metal
For fans of : Epica, Kamelot, Nightwish, Delain, After Forever, Within Temptation, Serenity, Xandria, Rhapsody of Fire, Two Steps From Hell, Fleshgod Apocalypse, Symphony X and such….
This new album is the second full-length album from this Dutch band that offers us an excellent form of symphonic metal. The release date is February 6, 2026, and thealbum will be released as an Independent Release.
Tracklist:
01. The Moon, the Sun and the Stars
02. The Force of Nature
03. Lessons in Life(Are for Free)
04. Come into My World
05. Your Ultimate Joy
06. I Thought You Were on My Side
07. Don’t Wake Up the Dead
08. Monsters in My Head
09. Two Hearts
10. Run with the Wolves
11. What Goes Up Must Come Down
12. Eyes Will Glow
Much can be said about Dutch epic symphonic metalers Epinikion, but their story certainly is unique.
Hailing from the Netherlands, former athletes Renate de Boer and Robert Tangerman initially started an ambitious project to write a rockopera album.
With no musical background to speak of, but with incredible talent, inspiration, and sheer will, the critically acclaimed debut Inquisition came to life.
Epinikion is a ‘hymne for the winner’. In Ancient Greece the heroic stories of athletes were sung in an epinikion after their victories at major events. A fitting band name for musicians rising from the ashes of their former sports careers, as reflected by the phoenix in the band’s logo.
From the very beginning Epinikion combined heavy guitar riffs with subtle progressive and heavy metal influences, complimented with harmonic and bombastic orchestral lines. With their new music, the band takes it a step further, blending each bandmember’s musical influences and creativity into a unique and refreshing sound.
Epinikion is ready to unleash their upcoming new album The Force of Nature upon the world.
Mixed and mastered by Jacob Hansen, and featuring artwork from Giannis Nakos, the album reflects the band’s conscious decision to commit and go big, and it promises to be a blast of a successor to their debut…
Line-Up:
Robert Tangerman: guitar
Renate de Boer: keyboards
Rutger Klijn: bassguitar
Maarten Jungschläger: guitar
Kimberley Jongen: vocals
Michal Gis: drums
https://www.facebook.com/epinikion
Label: Throne Of Lies Records
Release date: january 10th 2026
Genre: Blackened Doom/Death Metal
For fans of: 1914 | Woods Of Ypres | Katatonia | Fear Of God
I lie in a sea of dreams, the substance of my life flowing around me in tattered stories – the triumphs and tragedies, such as they were, my great loves, lies, betrayals and sins, they all swim before my empty, unblinking eyes. Were they really all as inconsequential as they seem now to my still heart? Did it all mean so pitifully little? Perspective changes when the clamour of your breathing has ceased. None of it mattered then, none of it matters now in this cold bed of worms – with the earth above and a grave beneath…
The Earth Above, A Grave Beneath is the fourth full length album from Louisville, Kentucky sextet The Promise Of Plague – a band that draw inspiration from across the metal spectrum, fusing diverse elements into a dark and powerfully distinct sound. Nearly a decade on from their first EP, Sleepwalking Into Armageddon, the band’s experience and accomplished musicianship can be heard in every note of the bravely creative The Earth Above, A Grave Beneath. Opening in savage fashion with ‘Vomit Running Through My Veins’, The Promise Of Plague slam you back in your seat before the song uncoils itself, shifting between moods and tempos, adding melodic guitar lines and rich atmosphere, driven forward by a visceral vocal presence. This opening sets the tone for what is to follow…expect the unexpected, be prepared for every song to possess its own individual character, but with an emotional weight and depth that anchors the band’s sound as they explore. From the emotive darkness and haunted landscapes of ‘Dead Mistake’, via the varied vocal interplay of ‘One Line Poem’, to the album’s title track, with its guitar motifs with deep, deep roots that speak in a universal voice; there are a myriad of treasures to uncover in The Promise Of Plague’s musical darkness. The venomous black metal heart of ‘My World Is Better, Darker’ beats slower as it reaches its end and slips into the epic ‘Of Sorrow’ – resounding chords, wearied marches across windswept hills, jagged riffs, frantic velocities, raw, impassioned screams – they are all here, all part of the great tapestry of this momentous song. And then? Then we celebrate our passage through the night with a brutal reworking of Quiet Riot’s headbanging classic, ‘Metal Health’! Twisted into The Promise Of Plague’s form, it provides a triumphant conclusion to this harrowing but rewarding album.
Recorded and mixed by Chris Leffler (Stonecutters etc) and mastered by Overload drummer Todd Hawkins, The Earth Above, A Grave Beneath has the strength, dexterity and clarity of sound to bring the best out of The Promise Of Plague’s diverse and adventurous creativity. Completed by the evocative cover artwork of the band’s own Jerry Barksdale (who also supplied the visual elements for many albums by death metal veterans Abominant) The Earth Above, A Grave Beneath will be released by Throne Of Lies Records on March 10th…prepare for a voyage into the stygian depths of the soul.
Line-up:
JD Hall – Vocals
Joanie Michele – Vocals
Jerry Barksdale – Guitars
Sam Pedneau – Guitars
Phil Garrett – Bass
Jim Huggins – Drums
*additional guest guitars by Chris Leffler
https://throneofliesrecords.bigcartel.com/
https://www.facebook.com/thepromiseofplague
Release
date:
23.01.2026Location: Nepal
FFO: Misery Index, Death, Brutal Truth
Lineup:
Darshan Angdembe Limbu - Guitars/Vocals
Season Bajracharya - Bass/Vocals
Suraj Nakarmi - Drums
Bio:
Nepali death metal band ANIMALITY was formed in 2017 and released their first EP, Animality Inherent, in 2018 with an earlier lineup, marking the initial phase of the band's sound and identity. The band draws influence from a wide range of extreme music, spanning death metal, grindcore, and thrash, but rather than being driven by specific bands, Animality's music comes from day-to-day lived realities—experiences that cannot always be expressed openly while leading an ordinary life. Extreme music became the band's art of expression, a way to translate unspoken experiences into sound.
https://www.youtube.com/@animalitynepal7119
https://www.facebook.com/Animality.band
The song is about people in great desperation, maybe hit by catastrophes or struck by fate, so they are praying for help from a higher power or a god - but the prayers remain unanswered. That's the invocator's doom.
The video was once again designed by Andrea Matelli, who did the job perfectly for "Drown in Blood", too.
Video link: https://www.youtube.com/watch?v=OK8iJDYIiCU
The band was founded in 1993 in Helmstedt, Lower Saxony, Germany. After one lineup change in 1994, they have been active in the same formation for over 30 years now. On guitar and vocals there is Peter Geißler, bass guitar and vocals by Mirco Brandes, lead guitar by Chrille and drums by Alex.
SERVATOR started as a death metal band but due to their diverse taste in metal music, they included some other influences, mainly thrash metal.
Over the years they found their place right between thrash and death metal, with some groove punch included.
SERVATOR draw inspiration from anything that has a solid metal edge.
In January 2026, their new all-out attack titled “The Dark Triad” was released.
Like “incite the unCreation”, it was recorded and produced at Splash’n’Dash Studio by Reimund Junker in Helmstedt.
The lyrics deal with conflicts, wars, personal tragedies, and crises - basically everything that’s going wrong in the world.
It is available as a digipak with a 12-page booklet and, after the release, on all major streaming platforms. A vinyl is planned, too.
In December 2025, alongside an Instagram account, their YouTube channel went online with the first lyric video for “Drown in Blood,” to be followed soon by another video for “The Invocator.”
On January 17, 2026, the CD release party took place at JFBZ Helmstedt.
They were able to secure Instructor (thrash metal) from Rostock and the death metal steamroller New World Depression from Emsdetten as support acts (New World Depression headlining, to be more precise).
SERVATOR never stepped back from doing what they call “Servator Metal”, that’s the way they love metal and they would be grateful, if there are some follewers outside to support the underground.
https://www.youtube.com/@Servator-Metal
https://www.facebook.com/Servator.Metal/
ARCHVILE KING - "AUX HEURES DÉSESPÉRÉES"
Release date : January 23, 2025
Genre : Black Metal
For fans of: Dissection, MGLA, Dark Funeral, etc...
Origin: France
Duration: 46min43
Label: Les Acteurs de L’Ombre Productions
Network Distributor: Season of Mist / Plastic Head
Digital Distributor: The Orchard
Tracklist:1. Riposte
2. Le Chant Des Braves
3. L’Excusé
4. Le Carneval Du Roi Des Vers
5. Sépulture
6. Aux Heures Désespérées
7. À Ces Batailles Abandonnées
8… Et Aux Hommes Misérables
Emerging at the end of 2019, ARCHVILE KING is the solo project of french multi-instrumentalist Baurus. Drawing from the sharp, biting sounds of retro Thrash and Black Metal, his music fully reflects his inspirations, offering intoxicating melodies over riffs as sharp as rusted steel.
After a unashamedly Thrash Metal solo EP, followed by a darker full-length album, ARCHVILE KING now pulls us deeper into its world with a new concept album plunging further into the swamps of the King of Worms. With "Aux Heures Désespérées", we are drawn into Black Metal infused with shades of Heavy Metal, Thrash, and grandiloquent tones, pulling us down into the depths.
"Aux Heures Désespérées" is ARCHVILE KING’s second album. From the portrait fiercely drawn by "VILE" to the festering marshes of "À La Ruine", this time Baurus recounts the final great battle of humankind against the vile Worm King. This new concept album offers several points of view, opening the door to multiple interpretations. From a wounded general who forces his son to leave him behind, to the Worm King himself mocking the troops in disarray, to the bitter reflections of a soldier on the verge of death, a bleak depiction of a futile battle is painted across eight relentless tracks.
The futility of war, the sins of the soldier, false convictions—through "Aux Heures Désespérées", Baurus gives himself over to a pacifist meditation and a scathing critique of conflict through the lens of a blood-soaked tale.
Orders : https://lesacteursdelombre.net/product-category/bands/archvile-king
NEWS 31.1.2026
ORPHAN
PLAYGROUND SNIPER - "CHRONICLES II: SLAMPEDE OF THE HAMMERED" 2023 begann Orphan Playground Sniper mit neuen Studioaufnahmen – diesmal mit dem klaren Ziel, nichts dem Zufall zu überlassen. Tsuntsun Production formte die rohe Brutalität der Band in etwas zu verwandeln, das man guten Gewissens veröffentlichen kann. Die Aufnahmen wurden Mitte 2025 abgeschlossen.
Am 05.12.2025 erschien das zweite Album „Chronicles II: Slampede of the hammered“ über
Rising Nemesis Records.
Das Album ist eine bewusste Hommage an die Death-Metal- und Slam-Helden der Band (u.
a. Devourment, Suffocation, Dehumanized, Dying Fetus, Defeated Sanity, Hatebreed, Deicide, Vital Remains), offen verarbeitet im Artwork und direkt in den Songs. Gleichzeitig bleibt es eine Einladung an alle Metalheads zur OPS-typischen Vodka-flavored Party: sich einen ordentlichen Refill der OPS-typischen Vodka-flavored Party einzuschenken.
https://youtu.be/Dsfbq3DQIfM?si=EaCaIrp30oJirQTq
https://youtu.be/G4sv1PX0uTg?si=g9oSWbedyu0bfnrH
https://orphanplaygroundsniper.bandcamp.com/album/chronicles-ii-slampede-of-the-hammered
The video begins with the atmospheric intro “Una Tarra Ci Hé”, centred on a delicate, stirring cello performance by the band's own Anaïs Chareyre-Méjan, setting a sombre tone before transitioning into the expansive power of “Talamh Lom”.
Watch the video here: https://youtu.be/lzQMDZMLtVE?si=tgVKWJLqOxts4TwV
The band said:
“Una Tarra Ci Hé and Talamh Lom are the opening tracks of our new album, they develop the concept of our first EP Nimue, but from the point of view of a human being. One who feels close to nature and yet contemplates the damages created by his own species. It is a meditation on death as return rather than ending. Rooted in forest, soil, and ancestral memory, the song follows a final offering of body and spirit back to the land: where decay becomes rebirth and the self dissolves into ocean, mountain, and earth. It mourns a world stripped of soul and freedom, while quietly affirming an infinite connection that survives beyond flesh and time.”
“In Perfect Stillness” will be available in the following formats:
CD Digipack (Limited to 300 copies): 3-panels, including a 12-page booklet.
LP Dark Green Vinyl (Limited to 200 copies): Includes a 12-page 30x30cm booklet.
Digital
“In Perfect Stillness” features guests Sarah Fielding (Darkest Era) on “My Tomb Beneath The Tide”, along with John Wilson (Piano) and Raul Andueza (Cello) on the track “Footsteps II”. Domhain and Chris Fielding produced the album. Engineered and mixed by Chris Fielding at Foel Studio, and mastered by Mike Lamb.
Pre-order now via These Hands Melt: https://ffm.bio/domhain
The band will showcase the new album live at their album launch show on Saturday, March 7th, at The Voodoo in Belfast, Northern Ireland.
Hailing from Northern Ireland and consisting of four experienced musicians from the Irish metal scene, Domhain is a quartet that blends an emotional mix of post-black metal, blackgaze, and atmospheric black metal, featuring distinctive vocal harmonies and cello. Their debut EP, the three-song EP “Nimue” (October 2023), showcased their long-form songs filled with myths and remembrances, featured guest cello by Jo Quail and was recorded at Foel Studio with Chris Fielding (Conan, Primordial).
Following their debut, they released the split EP, “Of Pine and Oak” (May 2025), with labelmates Ephemeral, which the band described as "an ode to nature".
Domhain's powerful live show has garnered significant attention, notably at Fortress Festival 2024, where Kerrang! praised their set as “something bracingly original about their specific black metal blend: a sound that you can drift off into even in a live setting” and that “they already have the material to become giants of the genre”.
Tracklist: 1. Una Tarra Ci Hé
2. Talamh Lom
3. Footsteps II
4. In Perfect Stillness
5. My Tomb Beneath the Tide
Domhain are:
Andy Ennis - Vocals & bass guitar
Anaïs Chareyre-Méjan - Drums, vocals & cello
Nathan Irvine - Guitars
Ashley Irwin - Guitars & backing vocals
https://www.facebook.com/these.hands.melt
https://www.facebook.com/Domhain.band/
KINGS OF DARK DESIRES were founded in late 2022 in Oldenburg, Germany, as the project of two musicians deeply rooted in rock and metal culture for more than three decades. For around 25 years, both members have been active in various underground bands and projects, shaping a musical identity forged through experience rather than trend. Beyond their own work, they are also involved in the local metal scene, including activities connected to Hellpower Oldenburg e.V.
With KINGS OF DARK DESIRES, the duo set out to rekindle one of their earliest passions: the raw and uncompromising Black Metal of the early 1990s. Drawing inspiration from bands such as Darkthrone, Immortal, and Marduk, as well as Dark Metal acts like Type O Negative, and Moonspell, the band blends harshness with atmosphere, maturity, and emotional depth. The result is a dark and intense fusion of Black Metal and Dark Metal, shaped by life experience and a strong sense of mood rather than nostalgia.
The new album CURSE OF THE THRONE will be released digitally on February 13, 2025. Compared to its predecessor, the album is darker, more focused, and atmospherically denser, unfolding a sonic landscape steeped in decay, power, inner abysses, and dark magic as a narrative and aesthetic element. CURSE OF THE THRONE is conceived as a cohesive work, drawing the listener into a bleak, immersive world with a distinctly ritualistic intensity—without relying on dogma or ideology.
A vinyl edition is scheduled for release in March/April 2025, underlining the band’s strong connection to physical formats and classic album culture.
The debut album Battles Below, released on March 8, 2024, laid the foundation for this path. Recorded and produced entirely independently, its nine tracks marked the starting point for the artistic development that now reaches a new level with CURSE OF THE THRONE.
KINGS OF DARK DESIRES appear under the pseudonyms “King Orcus” and “King Victor”, which are part of a broader thematic framework connected to the fictional universe of THE BOOK OF ODDITY. While this background is not required to engage with the music, it offers additional layers for those who wish to explore further.
As a two-member project, live performances are not planned at present, though they remain a possibility in the more distant future with additional musicians. Instead, the band released a music video for the song “Mistress of the Dark”, produced entirely in-house as a homage to classic horror cinema.
CURSE OF THE THRONE will be available on all major streaming platforms, with Bandcamp serving as a central hub for listeners and press alike.
https://www.youtube.com/@bookofoddity
https://kingsofdarkdesires.com
https://www.facebook.com/bookofoddity
Listen to Lost in Translation on streaming services: https://push.fm/fl/krateros-ep
“Lost in Translation” is the debut release that has been a long time in the making and will finally see the light of day through Inverse Records. Self-produced by the band, the EP showcases the variety of the band’s expression — from the all-out aggressive thrash of “Uticensis” to the introspective and progressive “Comatose Waltz.” Even while drawing influence from all types of music, “Lost in Translation” manages to make a cohesive statement, held together by an undying love for strong riffs and creative arrangements. The band is unbothered by current trends and will continue to write music the only way they know how — intuitively and for themselves!
Biography:
Krateros is an emerging metal band from Helsinki, Finland, founded in 2023 and led by vocalist/guitarist and main songwriter Saku Rekonen. The band’s music combines influences from old-school thrash metal bands such as Annihilator, Exodus, and Megadeth with more contemporary acts like Trivium, Machine Head, and Stam1na — all the while being filtered through a progressive lens.
The band’s first EP, “Lost in Translation,” released through Inverse Records, is a response to a perceived lack of riffs that seems to plague the metal scene of the 2020s.
Track
list:1. Tomb Service
2. Linguicide
3. The Performer
4. Uticensis
5. Comatose Waltz
Cover art by All4band Design
Line-up:
Saku Rekonen - Vocals & Guitar
Roni Helminen - Bass & Backing vocals
Touko Kaihola - Drums
Jódís Rannveigardóttir - Backing vocals on Uticensis
https://www.facebook.com/kraterosband
Label: Independent Release
Release date: february 27th 2026
Genre: Melodic Death Metal
For fans of: Insomnium | Amon Amarth | Omnium Gatherum | Wolfheart
Conflict is a constant, resurfacing long after the moment has passed - moving through history and war, and settling within oneself. Struggle appears in many forms, from external confrontation to internal collapse, blurring the line between memory, myth, and lived experience. Battles are fought not only on the battlefield, but in thought, instinct, and endurance, leaving marks that shape identity over time… until resilience - the ability to persist, to adapt, and to continue forward while carrying the weight of what came before - becomes the measure of what we endure.
The first nascent ideas that would grow into the formidable entity that is Mývalyĭr appeared during the pandemic, with isolated musicians exchanging fledgling musical concepts, before finally finding its identity and solidifying its purpose in 2023. Mývalyĭr are steeped in the forms and aesthetics of melodic death metal, but they also draw on folk traditions and orchestral stylings, incorporating violin, cello and traditional instruments like the nyckelharpa to bring additional depth and layers to their sound, sending roots deeper into musical history, long past the apocryphal birth of metal. After releasing two singles – ‘Reign’ and ‘Recollection’ – in late 2025, Mývalyĭr are now ready to present their debut full length album. A concept album that explores the idea of the eternal conflict, both within and without, that shapes us and runs through every aspect of our history and culture. The Past Tales is a staggering beginning to the story of Mývalyĭr…
Opening track, ‘Requiem’, is a gateway to the world of Mývalyĭr, a rite of passage through which the listener is transported and transformed, before being plunged into the dark waters of ‘Recollection’. Dense, layered and fierce, with cataclysmic drums, keyboards dancing between the steel-clad guitars and vocals with real bestial menace, ‘Recollection’ is comprised of a multitude of musical chapters. The sense of drama is immense, the melody lines superb…and we have only just begun to make our way through this expansive narrative. The measured and powerful ‘Reign’ is next, imbued with an air of tragedy that twists between the riffs like a cold mist, the harsh vocals a revelation – demonstrating just how evocative and effective this style of delivery can be. Enthroned at the heart of the album, the epic ‘The Past Tales Part 1’ is magnificent from the first note – with haunting melody lines, bloodied riffs and a cinematic feel, as if a curtain is being drawn back to reveal something vast and breathtaking. Beautiful female vocals add a weight of melancholy as “the battle rages on” and a superbly atmospheric conclusion flows directly into ‘The Past Tales Part 2’; an epilogue to Part 1, but tumultuous and emotionally overwhelming in its own right, with superb touches of violin. ‘The Mighty Never Fall’ then grabs you in an iron fist of death metal, immediate, engaging and irresistible, before ‘Renascence’ provides a majestic conclusion, a march from the war-torn kingdom of The Past Tales, back into the light of reality…the vivid, visceral landscape of Mývalyĭr’s creation slowly fading from perception, leaving you with an ache - a need to return.
Adorned in the striking artwork of Felipe Machado Franco (Blind Guardian, Iced Earth, Rhapsody Of Fire etc) and mixed and mastered by Janne Lunnas (Boreal Grave, Shade Of Sorrow etc) The Past Tales is the complete package – a thrilling, immersive listening experience that will never let you go. Your voyage begins on February 27th…
Line-up:
Dale Pountney – Bass
Kai Boyce – Lead Guitar
Stephen Wilkinson – Drums
Joe Clayton – Guitar/Backing Vocals
Natalie Fluess – Keyboards/Violin/Cello/Nyckelharpa/Backing Vocals
Kain - Vocals
https://www.facebook.com/myvalyir
Genre : Atmospheric Black Metal
Label : Masked Dead Records / Sulphur Music
Release date : February 27th 2025
MEK NA VER is the parallel dimension, the invisible and astral realm where only the deepest sensations dwell, the feelings words cannot describe, the unseen. It is the place where pain, regret, and abandonment arise and exist in pure form, without the need for definitions.
With a line-up featuring members of the legendary Symphonic Black Metal band OPERA IX and ex-ABORYM, this second album titled "Noctivaga" is a must-listen for every hard-core fans of the genre. More specifically, Atmospheric music in the vein of Saor and the Northern Silence releases, with a strong backbone of second wave Black Metal.
This album is a descending journey into witch-related mournings, an ontological widowhood, the radical rejection of linear time and light. Through witchy archetypes, it explores the stages of the disintegration of the veil.
The artwork, painted by Dipsas Dianaria (vocalist) herself, depicts a wintery landscape inhabitated by an owl; a perfect depiction of the album's atmospheres and symphonies: cold, sheer and magical.
Steeped in an esoteric folklore of decadence, "Noctivaga" is an invitation to lose yourself in the call of the dark.
Sales Point:
For fans of Saor and the Northern Silence catalog;
Strong second wave Black Metal backbone;
With members of OPERA IX and ex-ABORYM;
Symphonic sound; cold, sheer and magical;
Witchy, esoteric folklore themed.
Tracklist:1. Silenzio d'Incanto e Fiele
2. Strix - Elegia Lunae
3. Strige - Altar of Unspoken Vows
4. Strigae - Canticum Nihilitatis (il Canto del Nulla)
5. Strigoi - In Nihilum
6. Ascensio Astrae (tra le Stelle) [Feat. Federico Sanna on vocals]
7. Sabbat - Vespera Ultima
Line-up:
Dipsas Dianara (Opera IX) – Vocals, Bass, Songwriting
Thomas A. (ex-Aborym) – Guitars
Andrea S. – Drums
Emanuele T. (Opera IX) – Synths & Keyboards
https://maskeddeadrecords.com/
https://www.facebook.com/MekNaVer
Born from the grips of the pandemic, SHINE are the newest brainchild of Hazael’s Tomasz Dobrzeniecki, and their first album Wrathcult leaves no doubt that a new force in Polish extreme metal has awakened.
Inspired by the likes of Emperor, Bathory, Morbid Angel, Entombed and Dismember, Dobrzeniecki’s new outfit channels that lineage into something raw, relentless, and unmistakably its own.
“‘SHINE’ for me is a sheen of a sword's blade, the last thing that your foes see in their lives. You can also relate it to the Promethean light given to people that enlightens or sometimes blinds us. It can also be a glare of rage stemming from the resistance towards the unnatural rules forced upon us,” explains Dobrzeniecki when asked about his new unit’s name. “Our music is full of references to ancient rules and rituals and times when people lived in accordance with nature and cosmos using the primeval knowledge.”
Dark Descent Records will handle the release, having previously collaborated with Dobrzeniecki on the reissue of Hazael’s classic opus. Wrathcult continues in similar thematic territory, invoking forgotten ancestral knowledge and tapping into primal forces, and mythic echoes of a pre-Christian world.
“Lyrics for the album are mainly inspired by the pre-Christian spirituality and mythology of our forefathers and based on such books as Bestiariusz Słowiański, Mitologia Słowiańska by J. Bobrowski and M. Wrona, and Słowiańska Czarownica (Slavic Bestiary, Slavic Mythology, Slavic Witch). The lyrics pay homage to nature and higher powers in order to upkeep the memories of the beliefs that once shaped our heritage. We live on the borderline of three cultures that blend together in some way – Germanic, Norse and Slavic mythology have quite a lot in common.”
The album was recorded at Heinrich House Studio in Legionowo, Poland - a small city on the outskirts of Warsaw that holds an important place in metal history, being the hometown of Daray (Dimmu Borgir, Vesania), Orion (Behemoth, Vesania) and Heinrich (Vesania, Decapitated). “Me and producer Heinrich (Filip Hałucha) have known each other for about 20 years. If you want to record a metal album that 100% meets your expectations, I think he's the only person that I trust.”
An uncompromising slab of ancient fury awaits! “See you in Valhalla! I’ve heard the parties there are worth dying for,” exclaims Dobrzeniecki.
Tracklist:1. Ancient Chaos
2. The Lamb Against the Wolf
3. Kneel Before the Serpent
4. Oddajcie co moje
5. The Cult of Oak
6. The Horror of the Night
7. Witch's Prophecies
8. Wrath of the Hammer
9. The Necklace With Runes
10. Ancient Spirit
SHINE is:
Marek Krajcer-vocals
Tomasz Dobrzeniecki -guitars
Mateusz Waśkiewicz- guitars
Wojciech Gąsiorowski-bass
Paweł Duda- drums
www.darkdescentrecords.com
https://www.facebook.com/shine.wrathcult/
Portland,
Me – Rising progressive Latin metal force MANUEL has
released the official music video for their latest single, "NATIVE
TEMPLE," featuring a powerful guest performance by
vocalist Ryan Reeves. The track is the second glimpse into the band’s
highly anticipated EP, PARASITE, set to arrive on
February 27, 2026, via Wormholedeath Records."Native Temple" is a visceral exploration of emotional entropy, masterfully bridging the gap between celestial beauty and the grit of human decay. Featuring a haunting performance by Ryan Reeves, the track serves as a sonic meditation on the "Frostfire", the paralyzing intersection of burning passion and the cold stasis of a dying connection.
The song gets deep into the pain of drifting apart, using words like "sutures" and "creases" to describe a relationship breaking at the seams. It’s a powerful look at isolation and how being away from someone can change your whole world, leaving you caught between the warmth of the past and the cold truth of the present.
The Evolution of Parasite
While "Native Temple" explores internal landscapes, the upcoming EP Parasite is a fierce outward confrontation of systemic rot. The record boldly challenges the oppressive grip of the wealthy elite, exposing the manipulative tactics used to divide society for corporate and political gain.
"Parasite is more than just a title; it’s a reflection of the parasitic forces at work in our society," says project founder Manuel Urgiles. "We reject the idea of rulers or masters. This EP serves as a rallying cry to unite against the corrupt systems that exploit us. It’s a call to dismantle their control and build a future rooted in genuine change."
Fans can experience the fearless evolution of progressive Latin metal by pre-saving the EP now.
Pre-save "Parasite" here: https://orcd.co/parasiteep
Previous Release “Ladrón” featuring Patrice Elizabeth Vigeant: https://youtu.be/1712gTH71DE
MANUEL is:
Manuel Urgiles – Lead/Rhythm Guitar
Jason Ingalls – Drums
Thomas Hiscock – Bass Guitar
Ryan Cummings – Rhythm Guitar
DJKTF – Keys/Percussion
www.facebook.com/manuelguitarist
The first single 'MAAN NIELEMÄ' is unleashed today, accompanied by a music video available here: https://youtu.be/L4ygntH5stk
The first single from the new Hautajaisyö album, Surun Paino (Weight of Sorrow), comes with brutality. 'Maan Nielemä' (Swallowed by Dirt) showcases the band at their best. It features heavy riffs, violent drums and low-growl vocals. The song is inspired by the year 536, the "Year of Darkness", when the world was shrouded in darkness and nearly all of humanity perished. Amidst the chaos, a lone gravedigger toils endlessly. The song has a DIY music video which was filmed in one take at the band's practice venue. This fits well, as the album was recorded by the band themselves using their own equipment.
'Maan Nielemä' is one of my favourite songs from the new album. It hits like a hammer on hot metal, and you can feel the darkness of the song. Making the video was damn fun. We had a rough idea of what we wanted to do, and we tried to keep the costs down. Then we just 'hit our heads against the wall' until we had the finished video." says vocalist Janne Partanen
Listen to the single on streaming services: https://push.fm/fl/hautajaisyo-maan-nielema
Track list: 01. Surun Paino
02. Maan Nielemä
03. Kuusi Kantajaa
04. Kasvoton Kuljettaja
05. Hetki Viimeinen
06. Lyhyt Matka Hautaan
07. Eloton
08. Haaskalinnut Minut Muistaa
Composed by Janne Partanen, Sami Lustig, Simo Pesonen & Teemu Roth
Lyrics by Janne Partanen
Production, recording & mixing: Sami Lustig
Mastering: Janne Tuikkala
Cover art by Minttu Koskinen
Line-up:
Janne Partanen: vocals
Sami Lustig: guitars
Simo Pesonen: bass
Teemu Roth: drums
https://linktr.ee/hautajaisyo
SCARAB – Death Metal Forged in
Ancient Ritual . SCARAB Signs with BRUTAL RECORDS (USA) Brutal
Records is proud to officially announce the signing of SCARAB, Egypt’s
pioneering death metal force, to its global roster. This partnership marks a
major milestone for both parties, uniting SCARAB’s ritualistic death metal
vision with one of the most respected underground metal labels in the
world—Brutal Records (USA), active since 1986.This new alliance signals a devastating new era for SCARAB, as their ancient sonic incantations are prepared for worldwide release under the Brutal Records banner.
SCARAB: Ancient Power, Global Impact Formed in 2006, SCARAB has become synonymous with ferocity, atmosphere, and spiritual intensity. Their sound fuses uncompromising death metal with Middle Eastern and Egyptian mysticism, creating a ritualistic experience that transcends borders and cultures.
Led by Sammy Sayed (vocals, orchestrations), alongside Tarek Amr (guitars), Omar Abou Doma (guitars), Mohamed El Sherbieny (bass), Amir El-Saidi (drums), and Sherif Elias (keyboards/synth), SCARAB channels ancient mythology through crushing riffs, cinematic arrangements, and relentless aggression.
The band holds a historic place in metal history as the first Egyptian extreme metal band to perform internationally, appearing at major festivals such as Dubai Desert Rock Festival (UAE), With Full Force Festival (Germany), and Bloodstock Open Air (UK).
A Proven Legacy of Extreme MetalSCARAB’s discography includes critically acclaimed releases such as:
Blinding the Masses (2010)
Serpents of the Nile (2015)
Martyrs of the Storm (2020)
Their work has featured collaborations with renowned metal figures Karl Sanders (Nile) and Joe Haley (Psycroptic), further cementing SCARAB’s status as a dominant force in the global death metal underground.
Statement from SCARAB
“We are very happy to join forces with Brutal Records. This marks a new era for SCARAB, and we are looking forward to what we are going to be putting out to the world through Brutal Records. Let the magick begin!”
Upcoming Releases via Brutal Records SCARAB and Brutal Records are already preparing devastating new material for release:
Transmutation of Fate (EP – May 8th, 2026) A metaphysical journey through destiny, transformation, and awakening, delivered through dark, atmospheric, and ritual-driven death metal.
Blinding the Masses [Reincarnated] (LP – July 31th, 2026) A brutal reimagining of SCARAB’s debut album—heavier, sharper, and reborn for a new generation of extreme metal devotees.
The Ritual Begins This signing represents more than a business agreement—it is an awakening. With Brutal Records’ global reach and SCARAB’s uncompromising vision, the coming releases will expand the band’s mythology and deliver apocalyptic death metal where the sacred and the savage collide.
Stay tuned for release dates, preorders, and exclusive content.
https://brutalrecords.com/
https://www.facebook.com/BrutalRecords.USA/
Belorusian
Death Metal Pack, EXIMPERITUS, have partnered
with Metal Injection for the pre-release stream of forthcoming
album, MERITORIOUSNESS OF EQUANIMITY. The premiere
coincides with the unveiling of the album's line-up, which includes
vocalist/lyricist Pawel Nalecki (ex-Ominous Scriptures) and
composer/multi-instrumentalist Siarhei Liakh (Relics Of
Humanity, ex-Ominous Scriptures), as well as session drummer Davide
“Brutal Dave” Billia (Beheaded, Antropofagus).Stream the album now at:
Willowtip Records will unleash Meritoriousness of Equanimity January 30 on vinyl, cassette, CD, and digital formats.
Eximperitus' forthcoming third album, Meritoriousness of Equanimity, contains nine independent compositions united by the idea of searching for inner support in an era of turbulence. Exposure and scourging of social dogmas and morbid tendencies on the ruins of the old world...
"In times when despair overflows human hearts… when the chasm of strife between civilizations widens… when loyalty to ideologies tears blood ties apart… when the world stands still, poised for the final leap of prolonged self-destruction… We can draw strength solely from internal sources, which are filled only by the multifaceted power of Death Metal..."- Eximperitus
Pre-order:
https://eximperitus.bandcamp.com/album/meritoriousness-of-equanimity
https://www.willowtip.com/bands/details/eximperitus.aspx
Track Listing:
I. One Step Long Infinity.
II. Contemplation of the Plastic Fibers of Perfection at the Second Level of Reality.
III. Twelve Centuries of Triumph of the Third Kingdom…
IV. Finding Consistency in the Fourth Quadrant of Eternity.
V. The Untimely Fruit of the Unsaid.
VI. Golden Chains for the Construction of Individual Greatness.
VII. Molecular Disintegration of an Unattainable Solitary Will in a Vessel of Wisdom...
VIII. Chalkionic Wandering Among the Wreckage of the Future.
IX. Standing at the Skirt of the Ruins of Human Nature (...on the Other Side of Man and Time).
https://www.willowtip.com/home.aspx
https://www.facebook.com/eximperitus.official
2002
formed Finnish industrial metal band RUOSKA, will release
their sixth studio album "KADE" February
27th. Now they have released the final single IKIROUTA from
the upcoming album. When the mood darkens and despair rears its head, Ikirouta hits you in the face with memories, biting into your bones and core like a freezing winter wind.
Based on audience reactions at recent gigs, Ikirouta proved that there is demand among Ruoska fans for heavy, slow-tempo tracks. The feedback on the song surprised the band members themselves, even though Ikirouta breaks the traditional boundaries of Ruoska.
For the first time, Ruoska combines powerful distorted guitars with stunning orchestral arrangements in a way that reveals new nuances with each listen. Ikirouta keeps its listeners in its strong grip, creating a chilling and gloomy mental landscape that only a Finn can understand.
Listen to the single on music services : https://push.fm/fl/ruoska-ikirouta
The band, which hails from Juva, Eastern Finland, and has already racked up nearly 25 million plays on Spotify alone, will also be heading out on an album release tour, which will be starting right after album release.
Ruoska is:
Patrik Mennander (Vocals)
Samuli Rimmi (Guitar, Backing vocals)
Miika Kokkola (Bass, Backing vocals)
Teemu Karppinen (Drums)
https://www.facebook.com/ruoskaband
Guten
Tag, here's the first LYCANTHROPIC CHANTS NEWSLETTER of
2026! The year has already gotten off to a busy start, with REPULSIVE
FEAST touring with ROTTEN SOUND at the beginning of the year,
and today we will officially (re-)release three different records, accompanied
by https://lycanthropic.de/product-category/merch drop.PULMONARY FIBROSIS / REPULSIVE FEAST - "FETISH OF GORE" SPLIT-7" green variant out now!
The first run of this gory collaboration on wax has been sold out from us within a few days. To have them available again, we pressed 200 green copies.
This is the fetid feast you’ve been waiting for: a putrid split 7” featuring long-running French goregrind maniacs PULMONARY FIBROSIS and German deathgrinding sickos REPULSIVE FEAST.
All songs from both bands are about the serial killer Adolfo Constanzo.
Tracklist:
Side A – PULMONARY FIBROSIS
1. Human Slaughterhouse
2. Spines & Brains*
Side B – REPULSIVE FEAST
1. Twisted Infamous Terror
2. Narcosatanists
*featuring David Mikkelsen (Extremely Rotten Productions, UNDERGANG, SEQUESTRUM, etc.)
Artwork by Doodles Of Death. Layout by Steffen Brandes and FINAdesigns.
Second pressing:
200x green vinyl + logos on cover, fold out cover made of 300gsm recycling paper. Poly-lined black inner-sleeves plus bandcamp download code.
TWO CRYPTIC BROOD ALBUMS AVAILABLE ON TAPE AGAIN!
Some might have seem them on the "Creeping Cryptic Contagion" tour through Western Europe already, officially released today and available from our shop now:
CRYPTIC BROOD – “Necrotic Flesh Bacteria” MC
100 clear shell tapes with silver glitter and black on-body print. Hand-numbered, withth J-card, separate lyric sheet and includes a free bandcamp download.
CRYPTIC BROOD - "Outcome Of Obnoxious Science" MC
100 copies on clear shell tapes with green glitter and black on-body print. Hand-numbered, 5 panel J-card, separate lyric sheet and a bandcamp download.
NEW REPULSIVE FEAST MERCHANDISE AVAILABLE
New longsleeves, t-shirts, caps and patches are available from our shop now.
"Fetish Of Gore" longsleeve
"Meat Hook Mutilation" longsleeve"
Fetish Of Gore" t-shirt
"Death Grind Gore" baseball cap
Logo trucker caps (black, green, magenta)
"Death Grind Gore" woven patch
Logo punk patches (white or green logo)
All merch from CRYPTIC BROOD and REPULSIVE FEAST available can be found via https://lycanthropic.de/product-category/merch
UPCOMING LOCAL SHOWS IN WOLFSBURG (GERMANY)
...and this time including one show presented by Lycanthropic Chants in Braunschweig (Germany):
Am Freitag, den 20. Februar 2026 im „B58“ in Braunschweig:
NO SHELTER. (Death Metal/Hardcore / GER, Emsdetten)
REPULSIVE FEAST (Death Metal/Grindcore / GER, Wolfsburg)
MUDHEAD (Thrash Metal/Crossover / GER, Rotenburg an der Wümme)
Am Montag, den 27. April 2026 im s.v. Jugendhaus Ost in Wolfsburg:
VASTUM (Death Metal / USA, San Francisco)
MORBIFIC (Death Metal / FIN, Kitee)
https://lycanthropic.de/
https://www.facebook.com/lycanthropic.de
Montreal (QC) / Stockholm (SE) - International Progressive Metal band, VOIDCHASER, have announced the April 9th release of their second full-length album, titled INTERSTELLAR I.
FFO: Devin Townsend, Haken, Dream Theater, Scar Symmetry, Ayreon, Pagan's Mind
Depicting themes of technological overreach, mass corruption and personal struggles related to identity, love and survival, the narrative unfolds within a vast, lore infused deep space universe. Interstellar I balances a dense and layered wall of sound with high-energy choruses and memorable melodies, where every moment serves the storytelling. Musically, the album brings to mind the style of Devin Townsend’s Ziltoid the Omniscient and Dream Theater’s Systematic Chaos, while reinterpreting those influences through Voidchaser’s own modern and distinctive sound, also drawing from classic foundations found in Deep Purple’s Machine Head and Black Sabbath’s Paranoid. With this release, Voidchaser returns with a level of maturity that defines their most ambitious and fully realized work to date.
Voidchaser will release the album's first single, "Welcome to the Terror Corp," on February 13.
On April 10th at Piranha Bar in Montreal, QC, Canada, Voidchaser will launch their new album, Interstellar I, performing it in its entirety in an exclusive live set, along with additional material. Omnivide and Jovian Storms will perform as special guests.
Track
Listing:1. The Grand Design
2. Welcome to Terra Corp
3. Initiation Day
4. Hyperconverter
5. Anything for Love
6. Rain / Solar Winds
7. Ivory Tower
8. Renew
Credits:
Lyrics and Songwriting by Chad Bernatchez.
Production and Arrangements by Jici Lord-Gauthier.
Management and Booking by Jici Lord-Gauthier (Chaotic Good Music).
Mixed and Mastered by Jason Poulin.
Drums Recorded by David Lizotte.
Session keyboards by Mathieu Fiset.
Artwork by Sam Harwood.
Photography by Josh Kirschner (Kirschner Studios).
Line-Up:
Chad Bernatchez - Vocals, Guitar
Jici Lord-Gauthier - Guitar, Bass
Colin MacAndrew - Drums
Bio:
Based in Montreal and Stockholm, Voidchaser is a progressive metal band that quickly established itself as a band worth watching on both local and international stages. Formed in 2023, the band rapidly gained momentum through a steady stream of releases, earning attention from niche outlets such as The ProgSpace, Prog Magazine and Prog Sphere, alongside coverage from major metal media, including Metal Injection and Decibel Magazine.
In 2024, Voidchaser released their debut EP, Odyssey, followed by two standalone singles and their debut full-length album, Solace. Written as a single continuous 30-minute composition, Solace is a concept album set in an orbital dystopia, exploring themes of power, uncertainty and love. The release charted among the top metal albums on Apple Music and iTunes in Canada, Sweden, Norway and several other countries.
The band continued its momentum in 2025 with the release of Trust, an EP featuring guest appearances from Jim Grey of Caligula’s Horse and members of The Anchoret. That same year, the band embarked on its first international tour, performing 12 dates across Canada, the Netherlands, Germany, Denmark and Sweden, and sharing the stage with acts such as Vulkan, Threshold, Kingcrow, Nospūn, Omnivide and Ok Goodnight. Highlights included appearances at ProgPower Europe in the Netherlands and the inaugural ProgStorm Festival in Montréal, Canada.
In 2026, Voidchaser announced the upcoming release of Interstellar I, their second full-length record.
https://www.facebook.com/VoidchaserOfficial
Another
step for NIGHTSHADE towards the release of "IN
ESSENCE DIVIDED", available from February 20, 2026, on My Kingdom
Music.Today, we present a new song, "OV SEAS & SEEDS", which opens the door to another facet of the Swiss band's world.
The official video, directed by DHRood, is available at https://youtu.be/nYh8YdSjF00
The single is available on digital platforms, together to a different version mixed and mastered at the world-famous Abbey Road Studios in London, giving the song an even warmer, more classic sound and tone. You can find both versions on Spotify, Apple Music, and more.
"Ov Seas & Seed" is an intense and engaging track, embracing the roots of early '70s Progressive Metal, the avant-garde Black Metal of the last decade, and the Melodic Metal of the '90s. It explores melancholic dynamics and atmospheres ranging from dark and psychedelic to heavy, galloping riffs by Thomas Wacinski, with the emotional David Genillard's vocals.
And it's just another taste of what's to come on "In Essence Divided", an album that was mixed and mastered by Swiss engineer Raphaël Bovey, known for his work with Monkey3, Nostromo, Gojira, Samael, and his extensive discography.
This album will delight fans of Progressive Metal à la OPETH, as well as those who appreciate a haunting mix of styles and influences, from PINK FLOYD to BLOOD INCANTATION, from SAMAEL to GOJIRA!
Pre-order digipakCD at https://t.ly/JNH6t
https://linktr.ee/mykingdommusic
https://www.facebook.com/NightshadeMetal
Finnish
heavy psych metal trio MOUNT PALATINE‘S upcoming album WORMHOLY
WORLD is released on February 6th
2026 through Octopus Rising / Argonauta Records on CD and
digital formats.Wormholy World
Wormholy World by Mount Palatine is an ultimate trip through destruction and recreation, that is, the chaos of life and universe itself. Musically, the album builds on the psychedelic heavy jams of a trio that consists of Jean the Baron (Guitars), Count Boogie (Bass), and Lord of the Groove (Drums). Through years of ensemble playing, the trio has developed their signature style of heavy psych metal, which combined elements of doom, stoner, sludge, psychedelic rock, and progressive metal. As a result, these chaotic trips form into a cosmic dance, where brittle melodies break under crushing riffs, just to be reformed again into triumphant harmony. Likewise, the vocals vary from ethereal choirs to heavy growls.
In the vein of their debut album “Cockroach Crusade” (self-released under the name The Paladin), Wormholy World was born from intense jam sessions, shaping a sound that is both cohesive and expansive. All songs have been created and arranged through continuous jams and iterations, and caught on tape in a similar fashion; via live-recordings of the band playing together in their own rehearsal place and home studio at Saarni Music. On top of these jam-like base tracks, layers and layers of additional guitars, synths, sound effects, and vocals have been stacked, until the songs have reached their final cosmic level envisioned by the collective mind of the band. The final, magic touch on the audio track was added by Mactus the Magemaster from Saarni Music, breathing life into it, making it sparkle with cosmic glister.
While the debut explored a wide array of influences, this album moves ever more clearly toward the band’s chosen path and artistic vision, bringing a stronger sense of cohesion to their evolving style. Mount Palatine’s Wormholy World is something that might resonate with fans of bands like Elder, Stoned Jesus, Mastodon, and Down without sounding directly like any of them, yet perhaps a little like all of them combined. With the album, the band continues to carve their own distinctive niche in the landscape of modern heavy psychedelic metal.
Band biography
Mount Palatine is a heavy psych metal trio founded in Helsinki, Finland. Built on years of playing together, the band thrives on long-form jamming, through which raw improvisational pieces are transformed into towering compositions. What began as a reunion of old bandmates for casual jamming in the year 2020, soon developed into a collective musical entity with relentless creative force.
The lineup consists of Jean the Baron (guitar & vocals), Count Boogie (bass), and Lord of the Groove (drums). Together they channel their unique chemistry into sprawling songs that range from crushing sludge-laden riffs to hypnotic psychedelic textures, from screamed vocals that tear through the void to ethereal clean melodies that linger like echoes from another realm. The result is an immersive soundscape that is as punishing as it is transcendental — heavy but never static, spiritual yet grounded in groove. Drawing inspiration from across genres, Mount Palatine weave elements of doom, stoner, progressive metal, psychedelic rock, and beyond into a sound unmistakably their own.
Originally performing under the name The Paladin, the trio released their debut album Cockroach Crusade (2024), which laid the foundations of their evolving sound. As their style matured, the decision came to adopt a new name that would better reflect their unique identity. Thus, Mount Palatine was born — a symbol of rebirth, expansion, and the next stage of their journey. The band continues to operate from Helsinki.
Lyrically and thematically, Mount Palatine delves into cosmic and spiritual realms, examining existence, life, death, and the mysteries of reality and the universe, often flirting with religious and philosophical concepts. The result is music that resonates on both visceral and contemplative levels — an invitation to lose oneself in sound while reflecting on the infinite.
Mount Palatine is something that might resonate with fans of bands like Elder, Stoned Jesus, Mastodon, and Down without sounding directly like any of them, yet perhaps a little like all of them combined.
The band is now preparing to broaden its horizons internationally with their upcoming second album, Wormholy World that is released via the renowned doom label Argonauta Records. With crushing heaviness, visionary songwriting, and uncompromising energy on stage, Mount Palatine are carving their place in the evolving landscape of modern heavy psychedelic music.
Young old guys playing good old music.
https://www.mountpalatine.com/
Genre : Melodic Black MetalLabel : Masked Dead Records / Sulphur Music
Release date : February 27th 2025
IMBOLC third album "Sette Cornici di Purificazione" displays a sound and stuye that ranges from classic up-tempo Melodic Black Metal to passages featuring classical-acoustic guitars, very often supported by synths inspired by '70s and '90s horror films, with a surprising result of various influences in a pretty much old school formula.
The riffing is still a powerful backbone of the IMBOLC sound, supported by a notable melancholy and, musically speaking, a mixture of second-wave Melodic Black Metal and Post-Black Metal in the vein of Agalloch and first-era Satyricon. The themes are once again centered on inner suffering, the discomfort of everyday life and the worthlessness of human beings, once again with references to old school horror cinema.
IMBOLC line-up features members of the notable Occult Black Metal band Darkend, along with relevant italian Death Metal bands such as Demiurgon and Unbirth.
Sales point:
The artwork is inspired by the film "The Masque of the Red Death" (1964, Roger Corman). Drawn by Maira Pedroni (http://www.mairapedroni.art/)
Old-school Melodic Black Metal style, primarly second-wave;
Reminiscent of first-era Satyricon and Agalloch, but not strictly;
Influenced by 70's-90's horror movies;
With members of Darkend, Demiurgon and Unbirth
https://maskeddeadrecords.com/
https://www.facebook.com/Imbolcoriginal
Listen to The Wounds on streaming services: https://push.fm/fl/deadvoidinc-wounds
"Musically, the track charges forward at full speed, sending chills down the listener’s spine from start to finish. In fact, it serves as an excellent cross-section of the band as a whole, as it features nuances drawn from several different genres. Lyrically, the song delves into the inner landscapes of vocalist Jonne “Monni” Saarinen, with the words rooted in the tragedies and turning points of his own childhood", says Tuomas Torikka (composer/guitarist)
Biography:Deadvoid Inc. is a Finnish melodic death metal band that blends elements ranging from classical music to extreme metal, creating an energetic, technically skilled, and
completely distinctive musical entity.
D-inc was formed in early 2025 when longtime acquaintances Jonne Saarinen (vocals) and Tuomas Torikka (composition & guitar) decided to build something new in the midst of everything old. The album was completed in its entirety, and prior to its release, guitarist Jami Honkala and bassist Ville Heino—both heavily involved in the making
of the record—joined the band.
This lineup of seasoned professionals in their field brings a fresh new subgenre to the airwaves, unlike anything you’ve heard before. Energetic songs, catchy grand melodies, furious riffs, and heart-wrenching slow sections are here to show everyone what Deadvoid Inc. is all about.
The band will release their debut album in March 2026.
Composed by Tuomas Torikka
Lyrics by Jonne Saarinen & Tuomas Torikka
Cover art by Kai Kolima
Line-up:
Vocals: Jonne Saarinen
Guitars: Tuomas Torikka
Bass: Ville Mikkola
Drums: Tino Jäntti
https://www.facebook.com/deadvoidinc
Label: Black Metal ArchivesRelease date: february 27th 2026
Genre: Thrash Metal/Horror Punk
For fans of: Venom | Mercyful Fate | Celtic Frost | Plasmatics
The engine roars, adding its primal, petrol-fuelled fury to the cacophony of the midnight streets. With menace in its very construction the car seems to prowl the pools of neon light, the sound of the devil’s music blasting from it like a heartbeat. Hymns to lust, violence and rebellion rise up through the darkness, clawing their way through the watching windows, becoming a soundtrack to the sordid stories being played out behind the glass. The Necrosexual smiles, tasting every warm, wet drop of passion, pain, desperation and cruelty as he passes. Hands on the wheel he rides through the hopeless, despairing dreams of the shadow people, trapped on a road to rubble and ruin…
Road To Rubble is the new album from Philadelphia’s Necrosexual, a band that revel in the dark excesses of the metal mindset and ideology, bringing together overdriven guitars and irreverent belligerence, extremes of velocity with the blackest humour and resolute defiance. Lead by charismatic frontman, The Necrosexual, these creatures of the night have been rampaging through the metal underground with their intoxicating elixir of heavy metal, thrash metal and horror punk since 2011, releasing their debut album, GRIM-1, in 2018 - and they’ve never sounded better than they do right now…
Opening with the primal riffs and bestial vocalisations of ‘High Times In Hell’, a song built from old bones but with fresh flesh upon them, Road To Rubble walks a weaving, drunken line between carnage and celebration. ‘The Brimstone Brothel’ combines a punk punch with blast beat madness in a tale of cannibalism behind the walls of an old west bordello and ‘Kiss The Knife’ is a burlesque carnival of horror and erotica with snarling riffs, driving rhythms and scything, melodic lead work. Each song is a step along the road to damnation, another mile into a hell curated by The Necrosexual; from the tattered majesty and epic tales of wasteland warriors that is ‘All Roads Lead To Rubble’ to ‘Nocturnal Ignition’ that shifts from moonlight and dust to muscular riffs, gothic drama and dirty punk sleaze. When the bloodthirsty dominatrix of ‘Hard Leather Woman’ has finished with you – a strident, ironclad, climactic conclusion – you’ll be left scarred and bloodstained, with illusions shattered and eyes open to all that walks on the other side of the night.
Mixed by Steve Roche (Blemish, Pariiah, Serpent Throne etc) and mastered by Arthur Rizk (Power Trip, Blood Incantation, Cavelera Conspiracy), Road To Rubble has an ‘80s metal darkness and bite, but with a scalpel sharp clarity and modern vivacity. It’s a heady, hypnotic combination that will keep you crawling back for more. Adorned in the garish, gaudy, acid nightmare of Scott R. Johnston’s vibrant cover artwork, Road To Rubble will be available on vinyl, CD, cassette and digital formats from the Necrosexual webstore in the US and on CD and cassette from Black Metal Archives in the UK. The Necrosexual party begins on February 27th – and no-one’s going home…
Continue your voyage into The Necrosexual’s world of metal and madness in the official Necrosexual comic books! #2: Necrosexual Encounters, the long awaited follow up to #1: The Insatiable Necrosexual.
Line-up:
The Necrosexual - lead bass, guitar, screams, keyboards, whip strikes
Anthony ‘Vigo’ Gabriele - lead guitar, conspiracy and conjuration
Nick Roskow - lead guitar, divebombs
Miles Ziskind - drums, smoke
https://blackmetalarchiveslabel.bandcamp.com
https://www.facebook.com/Grimmestofalltime
Toilet ov Hell premiered a new song with a pretty interesting twist that can be found at https://toiletovhell.com/exclusive-track-premiere-phasmas-iii/
Excerpt - "Phasma’s new era is twinned and twined, staging the great cosmic tug between black metal and death metal in the depths of darkness"
PHASMA - “PURGATORY”
For
fans of - Mgla, Dying
Fetus, Crypts of Despair, Kriegsmaschine, PsycropticGreek band Phasma are attempting to meld influences ranging from black metal to brutal death metal and everything in between. The music effortlessly oscillates from sharp black metal riffs to pummelling death metal blasts with matching vocal styles, and even toss in a breakdown or two in the middle. It’s something that doesn’t seem to work on paper and yet they manage to make it sound cohesive and convincing enough, with songwriting that's elaborate and well thought out to warrant songs lasting beyond mere novelty quick-listen length. Every song seems like an extension if not an improvisation over the previous one, as the band unfurls dimensions within the sound that they have concocted. Bands playing a mix of styles isn't uncommon but to intermingle influences of such disparate, almost contrasting styles is fascinating and remarkable especially when they have high replay value and lasting appeal. Like it or not, Phasma are here to stay.
Lineup
Jason Athanasiadis (Kawir) - Guitars and songwriting
Luis Ferre (Gravecarver) - Vocals and lyrics
Bill Nanos (Dead Conregation) - Drums
George Markantonis - Bass
Album cover by George Angelis
Merch design by CVSPE
Track listing
1. I
2. II
3. III
4. IV
5. V
6. VI
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/PhasmaProject
Thank you very much! Kunal Choksi Label Owner Transcending Obscurity
On April 24th, 2026, Post-Punk ensemble 30 DENARI will release their debut album "KINDLY PLOTTING FOR RIOT". We unveil the cover artwork painted by Crez Adrenalink Dojo, band's singer and talented tattoo artist, who perfectly transformed into art the band's intents.
They will present 10 tracks. Here is the complete tracklist:1. Modern Era Working Class
2. Judgment Day
3. The Horizon (ft. Rikarda Parasol)
4. Colpiscimi
5. Traitor (ft. Federica Lee Querizia Garenna)
6. Il Maleficio
7. Get Used To It (ft. Numa Echos)
8. Caro Nemico
9. Mirame A La Cara
10. Mestre Bahnhof Central
Pre-order CD and LP at: https://t.ly/Ylu3d
Recorded, mixed and mastered at Artesonika Studio by Ivan Moni Bidin (Elvenking, Vivaldi Metal Project, Serenity, Visions Of Atlantis among his collaboration), "Kindly Plotting For Riot", is a sonorous manifesto forged in darkness, to dismantle stylistic boundaries.
The project and its music find their roots in the Post-Punk and New Wave scene (Joy Division, Bauhaus, Killing Joke, Coil, Gary Numan) and into more contemporary visions such as Nine Inch Nails, Editors, and Chelsea Wolfe, but also paying homage to the Italian Punk and Post-Punk scene represented by Negazione, Kina, Franti, Diaframma, Disciplinatha and Limbo / Pankow.
Expect a visceral journey, almost a hypnotic and sharp ritual, capable of combining mechanical impulses and emotional tension.
Release date: "Kindly Plotting For Riot" out on April 24th on CD/LP/digital
Musicians: Crez - voice; Zuzu - guitars / keyboards; Agostino - bass; Lorenzo - drums (members of Ensoph, Awake The Sun, Ishvara, Raptus, Aliensurfers, Cani Sciolti, Permanent)
Style: Post-Punk with Electro-Industrial, Dark Wave and Middle Eastern Ethnic nuances.
Digital distribution: Sodeh Records
https://linktr.ee/mykingdommusic
https://www.facebook.com/30denariband
For fans of : Entombed, early Fear Factory, Napalm Death, Obituary, Slayer, Terrorizer and Voivod.
CrusHuman return to Horror Pain Gore Death Productions with the new album Imperial! Washington DC's CrusHuman return with an extreme concoction of Grindcore, Death Metal, Hardcore and Punk. Imperial unleashes 14 tracks that take you down another dark twisted chaotic journey into the control matrix we live in. Featuring cover artwork by Walter Figueroa, and guest vocals from Frank Rini, Richard Johnson, Dave Kaye, amiiithiiist and Juan Ramon Lopez.
Guest vocals on Bell Ringer by Frank Rini, Richard Johnson and Dave Kaye
Guest vocals on 5 Dollar Lobotomy by amiiithiiist
Guest vocals on Synthetic Religion by amiiithiiist
Guest vocals on Die Young by Dave Kaye
Guest vocals on OTTO by Juan Ramon Lopez
Listen to the single "Synthetic Religion" at https://youtu.be/C-kpsLLCdd8
Pre-order the CD for only $10 at https://shop.horrorpaingoredeath.com/products/crushuman-imperial-cd
Pre-order the Digital Download for only $6.66 at https://hpgd.bandcamp.com/album/imperial
Tracklisting:1. Bell Ringer
2. Lab Rat
3. 5 Dollar Lobotomy
4. Synthetic Religion
5. Hive Mind
6. Die Young
7. Order Of The Dragon
8. Discord
9. The List
10. Trinity
11. Wet Works
12. Artificial Salvation
13. Last Drop
14. OTTO
www.youtube.com/user/horrorpaingoredeath/videos
www.horrorpaingoredeath.com
www.facebook.com/horrorpaingoredeath
Label: Meuse Music RecordsRelease date: february 27th 2026
Genre: Funeral Doom / Death Metal
For fans of: Shape Of Despair | Indescinence | Hellight | Skepticism
I saw the hand of doom reach into my sky and enfold my sun, drawing it down beyond the distant horizon. The colours of my world bled away, through differing shades of grey to the darkness of unending night and there, in the black, wracked by pain beyond all previous imagining, I found I could see with a clarity I had never known before. As love and dreams fled into the shadows, my vision of the path ahead was suddenly unobstructed and I could see my final place of rest awaiting me. The tomb held no terrors for me now and I began my steady, deliberate journey through the vale of tears with quiet acceptance – slowly fading as each step brought me closer to that cold, ungentle bed.
Born in Tbilisi in Georgia, on the banks of the Kura River, Ennui have built a formidable reputation on the foundations of four full length studio albums, each one a towering edifice of funeral doom/death metal. From the 2012 debut, Mze Ukunisa, inspired by the poetic works of Terentio Graneli, to 2018s End Of The Circle, described by Mystification Zine as “a stunning dance of extremes”, Ennui have followed their own path of vast, measured heaviness and unflinching explorations of life changing emotions and the fundamental questions of existence. Now, it is time for the fifth chapter in their grand tale to be written as Ennui walk ever deeper into the darkness...with Qroba.
Qroba, meaning vanishment, the process of disappearance, begins with the revelatory ‘Antinatalism’, its staggering chords and drum beats like distant thunder conjuring a sense of immeasurable scale entwined with a piercing, poignant intimacy of thought and experience. A voice rises through the music, climbing up from the deepest chambers of the heart and the melancholy, grief and summoned solitude are all encompassing. Portentous melodies lead us on through a windswept wilderness and shuddering riffs draw down the dark and bleach the sun’s warmth from the world. This is deeper, darker, colder than ever before…and we have only just begun. The weight of the first full chords of ‘Becoming Void’ drive the breath from your body and the illusions of life’s comforts are crushed, ground into the frozen soil, before achingly beautiful guitar leads of sublime sorrow climb from the bleak vista. Ennui’s ability to weave remarkable subtlety and emotion into music of such staggering weight is exemplified in ‘Decima’, where delicate notes and avalanches of sound evoke the moment of heartbreak and draw it out through eternity, with a traditional three stringed lute, the panduri, adding the melancholy atmosphere of the Georgian mountains. And still Qroba carries us onwards, through the soul-shaking, overwhelming majesty of ‘Down To The Stars’ to our final unmaking with ‘Mokvda Mze’; where opening notes of rich resonance are gradually consumed by the tremendous power of Ennui in full flight – those earthshaking vocals, those inexorable chords and lamenting melodies – and we are cast upon the eternal, fathomless seas of grief, until, at last, we slip into nothingness.
Mixed and mastered by Esoteric’s Greg Chandler, whose knowledgeable touch has given such heft and presence to works by Officium Triste, My Silent Wake, Pantheist and many more, Qroba possesses an agonised nobility of sound, a layered, textured depth that infuses the songs with a remarkable unswerving honesty. Surely the pinnacle in Ennui’s outstanding canon of work to date, Qroba will be released by Meuse Music Records on February 27th, bedecked in the stunning artwork of Ben J ‘Winterkeep’ (Ofnus), with additional design from Vladimir 'Smerdulak' Chebakov (1914, Lake Of Tears etc) – and the scope and power of funeral doom will be redefined once more.
Line-up:
David Unsaved – Guitars, bass, vocals
Serge Shengelia – Guitars
Alexander Gongliashvili – Drums
Andrey Azatyan – Guitars
Kakhi Kiknadzr – Guitars
https://www.meusemusicrecords.eu/
https://linktr.ee/ennuitheband
Style : Death Metal
Format : CD / LP
Release date : 20.3. 2026
Label : MusikÖ_Eye
Line up
Eflam : guitars & vocals
Melaine : bass & vocals
Morgann : drums
Tracklist :
01 – Gwad An Diaoul
02 – Enteuzet Get Trenk
03 – Diskar
04 – Distrujour Hor Bed
05 - Argad
06- An Ankou Ar E Varc’h
07 – Sklaved An Doueed
08 – Slave New World (Sepultura cover)
Recorded & mixed in July 2025
All music by Tanork / Lyrics by Eflam & Melaine
Mixing & mastering : Estebane Coudray
Artwork & layout : Hugo Zrd
https://www.musiko-eye.fr/boutique/
https://www.facebook.com/profile.php?id=100088855216403
The most essential thing in the third millennium is to stay human.
Distorted Reflection was formed in August 2022 by Kostas Sal (ex-Sorrows Path) to pursue a heavier vision of the doom metal genre. The band maintains a low-profile approach, yet their first full length album (Doom Rules Eternally-2024) received significant radio airplay, positive reviews and decent sales.
"Doom Zone" will be released on February 27 via German Iron Shield Records.
Tracklist
:1) 3000 A.D.
2) My Second Father
3) Gates Of Paranoia
4) Love On Earth
5) Asphyxiating
6) Certain Death
7) Diminished
8) Tower Of Dreams
9) Forecourt To Death
10) The Final Attempt
11) Morbid Reality
Album pre-order:
Line up
Jack Starr: Guitar Solo on “3000 A.D.”
Kostas Sal: Guitar, Vocals
Vangelis Yal: Bass, Synth, Backing Vocals
Thomas Zen: Drums
Cover Artwork, CD Artwork and Logo Artwork by Tomas Arfert
Recorded, Mixed and Mastered by Vangelis Yal at Fragile Studio
https://www.youtube.com/@distortedreflectiondoom
https://distortedreflectiondoom.bandcamp.com
https://www.facebook.com/distortedreflectiondoom
Pre-Order starts NOW!
Hello Folks! On 13 March 2026, we will release the new VOR DIE HUNDE album entitled ‘WELTMARKTFÜHRER BEFIEHL – WIR ENTFOLGEN!’ A treat for all Grindcore and Crust fans among you! The band from Passau delivers 15 powerful songs as if there were no tomorrow! Thematically, it's about a wild journey through our capitalist consumer world. Here we present the truly brilliant album cover and a live recording from 2025, which includes two songs from the new album!
Available for pre-order in our shop: https://defyingdanger.de/shop/VOR-DIE-HUNDE-Weltmarktfuehrer-Befiehl-Wir-EntFolgen-CD
Hello to All.We are more than happy to present to you the new, official video clip for ACID DEATH`S
latest album, "EVOLUTION". The video clip is called "Coded Dominion":
"Coded Dominion" is the 3rd official video that comes from band's latest album, following the two lyric videos, "The Gateway To Knowledge (feat. Kelly R Shaefer and James Murphy)" (https://youtu.be/kCIse8yEFNs?si=WzzI194X5ZSouFHa) and "Rise Of Salvation" (https://youtu.be/l1KK25WjMJc?si=hH7w2E41Yt7CPaVg)
"Coded Dominion" was filmed at the Athenian theater "Roes" in December/2025. Cameras by band's guitarist, Dennis Kostopoulos and Elena Vasilaki. Directed and edited by Dennis Kostopoulos.
Band's latest album, "Evolution" was released on November 21st, 2025 by the German label, 7hard/7us Media Group GmbH.
Thank you for your time and support. All the best ACID DEATH .
www.7hard.de
www.sevenus.de
www.aciddeath.net
Originally released in 2009, as well as on tape through Dying Victims in 2011, this album has not lost any of its juvenile enthusiasm for raw and evil thrash metal. While the band developed a more complex style of blackened heavy thrash throughout the years, this debut album is pure and straightforward black thrashing madness. Clocking in at just over half an hour, the album perfectly represents the Teutonic (black) thrash revival of the mid-2000s.
Line-up 2009:
Marco Justinger - Bass
Sascha Bastian - Guitars
Jan Hirtz - Vocals, Guitars
Simon Wender - Drums
From Saarland, Germany
Release date:
27th March
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Special edition on red vinyl, with insert, poster, sticker, post card, download code and patch.
Tracklist01 Rise of the Desecrated
02 Eternal War
03 Burn the Witch
04 Pedophiliac
05 Underworld Alliance
06 Blood in the Alley
07 Vlad the Impaler
08 Cold Grave
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
NEWS 24.1.2026
TÜRBÖWITCH – “UNDER HAUNTED SKIES”
VÖ: 20.03.2026Label: Time To Kill Records
Die ungarischen Speed-/Thrash-Metal-Maniacs TÜRBÖWITCH haben soeben ihr drittes Album "Under Haunted Skies" angekündigt, das am 20. März 2026 über Time To Kill Records erscheinen wird.
Das neue Album markiert einen entscheidenden Schritt nach vorne für die Band aus Budapest, die damit ihre kompromisslose Haltung und ihre unerbittliche Live-Energie, die ihnen einen sehr guten Ruf in der europäischen Underground-Szene eingebracht haben, weiter verfeinert. Mit "Under Haunted Skies" liefern TÜRBÖWITCH ihr bisher fokussiertestes und wildestes Material: eine geballte Ladung massiver Riffs, halsbrecherischer Tempi und instinktiver Dringlichkeit.
Das Album hat seine Wurzeln im Blackened Speed-Thrash und schöpft aus der rohen Wildheit und punkigen Aggression von Bands wie Midnight, der messerscharfen Thrash-Präzision von The Crown und dem dunklen melodischen Drive von Hellripper, wobei es sich dennoch eine klar erkennbare Persönlichkeit bewahrt. Melodische Akzente durchbrechen das gezielte Chaos und verleihen dem Album Tiefe und Charakter, ohne jemals die viszerale Wirkung der Band zu schmälern.
Getreu ihrem kompromisslosen Ethos kanalisieren TÜRBÖWITCH den Geist des Extreme Metal der 80er-Jahre durch ein modernes Gefühl der Unmittelbarkeit und liefern Songs, die schnell, dreckig und auf maximale Wirkung ausgelegt sind. Mit Time To Kill Records als Partner für die Veröffentlichung von "Under Haunted Skies" ist die Band bereit, ihren unheiligen Speed-Angriff einem breiteren Publikum zugänglich zu machen, während sie gleichzeitig fest in der rücksichtslosen Intensität verwurzelt bleibt, die sie seit ihren Anfängen auszeichnet.
Über TÜRBÖWITCH
TÜRBÖWITCH wurde 2016 in Budapest gegründet, ins Leben gerufen von Sänger Zslöd und Gitarrist Kommandante Klit als rohe, schnörkellose Hommage an die klangliche Wucht und den visuellen Wahnsinn des Extreme Metal der 80er-Jahre. Was als lustiges Nebenprojekt langjähriger Freunde begann, entwickelte sich schnell zu einer weitaus fokussierteren und engagierteren Band, die jedoch nie ihre ungefilterte Energie und Liebe zum Chaos verlor. Im Laufe der Zeit wuchs TÜRBÖWITCH zu einer vollwertigen fünfköpfigen Live-Band heran. Ihre Diskografie begann 2016 mit einer Demo, gefolgt vom Debütalbum "Napalm to Posers" (2017), der EP "Beyond the Last Call" (2018) und ihrem zweiten Album "Fullmoon Liquorthropy", das Ende 2022 veröffentlicht wurde. Musikalisch liefern TÜRBÖWITCH eine explosive Mischung aus der Aggressivität des frühen Thrash Metal, der Geschwindigkeit des Speed Metal und einer gehörigen Portion Punk-Attitüde: schnell, laut und vollkommen erbarmungslos. Auf der Bühne hat die Band das Chaos bereits mit Kultbands aus aller Welt geteilt, darunter Abigail (JP), Mystifier (BR), Nuclear (CL), Blackevil (DE), Adversor (IT), Sexmag (PL), Necro Ritual (UK), Siberian Meat Grinder (RU), Deströyer 666 (AU) und Nunslaughter (US) und dabei stets alkoholgetriebene Energie sowie unerbittliche Lautstärke in den Pit gebracht. Ihr Momentum erreichte im Juni 2024 einen neuen Höhepunkt, als sie das Finale des WACKEN METAL BATTLE Hungary gewannen und sich damit einen begehrten Platz beim legendären WACKEN OPEN AIR im August 2024 sicherten, wo sie auf der Bühne des größten Metal-Festivals der Welt ihren akustischen Angriff starteten. Im März 2025 begaben sich TÜRBÖWITCH gemeinsam mit den schwedischen Heavy-Metal-Titanen Enforcer auf Tournee und brachten ihre explosive Live-Energie einem noch größeren europäischen Publikum näher. Hoffnungslos süchtig nach schnellen Riffs, unheiligen Klängen und lauten Partys, gedeihen TÜRBÖWITCH weiterhin im Schmutz und der Wut der Underground-Metal-Szene.
Line-up:
Botond "Khäosz Bringer" Kasper – Schlagzeug, Vocals (Backing)
Péter "Mr. Fireball" Tóth – Gitarren (Rhythm), Vocals (Backing)
Valdemár "Välde" Volcsánszky – Bass
Zsolt "Kommandante Klit" Harsányi – Gitarren (Lead), Vocals (Backing)
Zsolt "Zslöd" Lédeczi – Vocals (Lead)
https://www.facebook.com/turbowitch666
Mit ihrer neuen EP „DEATH THROES OF A DROWNING
GOD" öffnen GUYOD am 23.01.2026 ein weiteres
finsteres Portal zwischen Doom, Death und Black Metal - ein Werk, das ebenso
schwer und erdrückend wie atmosphärisch aufgeladen ist. Die Veröffentlichung
markiert nicht nur das nächste Kapitel ihrer künstlerischen Entwicklung,
sondern setzt zugleich ein kraftvolles Statement innerhalb der extremen
Musikszene: kompromisslos, intensiv und voller klanglicher Abgründe … Die EP stellt eine vierteilige Reise zum Abgrund des Ozeans dar, vier Songs werden jeweils von einem Drone-Track ein- bzw. ausgeleitet. Am Weg nach unten starren den Hörenden „A thousand invisible eyes“ direkt in die Seele, man entdeckt verborgene Reiche „Behind walls of ice“, rast durch den „Vortex of infinite despair“ und betrachtet mit Abscheu den erschreckenden Anblick von „Hestia drowning“.
Man durchdringt düstere Klanglandschaften, in denen verzerrte Gitarrenwände, tiefe Growls und eisige Screams auf wuchtige, monolithische Riffs treffen. Dabei bleibt die Band ihrem Anspruch, die erdrückende Schwere des Doom mit der brutalen Direktheit des Death Metal und der kalten, rituellen Atmosphäre des Black Metal zu verbinden, weiterhin treu. Der Level an Direktheit und hasserfüllter, verzweifelter Aggression ist jedoch deutlich gestiegen.
Mit dieser Veröffentlichung beweist die Band, dass Extreme Metal auch 2026 noch neue Wege beschreiten kann. Sie verschmelzen Genregrenzen, ohne ihre Wurzeln zu verleugnen, und schaffen damit ein Werk, das sowohl alte Fans als auch neue Hörer*innen fesseln wird. Die EP ist ein kompromissloses Manifest der Finsternis - eine Klangreise, die lange nachhallt und ihre Hörer*innen tief unter die Oberfläche zieht.
Ab dem 23. Januar 2026 ist „Death throes of a drowning god" auf allen gängigen digitalen Plattformen, sowie in einer limitierten physischen Edition auf CD und Tape erhältlich. Eine Veröffentlichung, die sich Liebhaber atmosphärisch dichter, extrem metal-lastiger Klangkunst nicht entgehen lassen sollten!
https://youtu.be/9C2KO5mWW3E?si=vEcaz2UsGVgST5Cl
https://www.guyod.net
Am
27.03.2026 erscheint „Say Hello To Tragedy“ von Caliban als exklusives
Vinyl-Rerelease in drei verschiedenen edlen und hochwertigen Versionen über
Noisy Plastics Records / Red Flame Distribution.Mit „Say Hello to Tragedy“ eröffnete Caliban 2009 ein neues Kapitel ihrer Bandgeschichte – kompromisslos, kraftvoll und emotional aufgeladen. Das Album zeigt die deutsche Metalcore-Instanz so fokussiert und kreativ wie selten zuvor. Mit einer Mischung aus brachialer Energie, eingängigen Melodien und atmosphärischer Tiefe gelingt es Caliban, ihren charakteristischen Sound weiterzuentwickeln, ohne ihre Wurzeln aus den Augen zu verlieren.
„Say Hello“ ist ein Statement: ein Gruß an die Dämonen der Vergangenheit, an persönliche Abgründe und gesellschaftliche Spannungen – aber auch ein mutiger Blick nach vorn. In jedem Track bündeln sich rohe Intensität, technische Raffinesse und eine emotionale Offenheit, die das Album bis dato zu einem der eindringlichsten Werke ihrer Karriere macht. Von wuchtigen Breakdowns über cineastische Synth-Flächen bis hin zu hymnischen Refrains präsentiert sich Caliban vielseitig und zugleich unverkennbar.
Thematisch schlägt das Album einen Bogen zwischen Konfrontation, Veränderung und Aufbruch. „Say Hello to Tragedy“ ist sowohl Einladung als auch Herausforderung – ein musikalischer Brückenschlag zwischen lichtdurchfluteter Hoffnung und tiefschwarzer Härte. Caliban beweisen damit einmal mehr, warum sie seit Jahrzehnten zu den prägendsten Kräften des modernen Metalcore zählen.
Folgende Versionen sind ab sofort vorbestellbar:
Liquid filled Vinyl (lim. 50 Stück)
Glitter Sand filled Vinyl (lim. 50 Stück)
Black/green color in color effect vinyl (lim. 111 Stück)
https://noisyplastics.com
Die Version „Black/green color in color effect vinyl (lim. 111 Stück)“ gibt es auch bei Supreme Chaos Records:
https://supremechaos.com/caliban-say-hello-to-tragedy-black-green-lp.html
Label: Ardua MusicRelease date: february 27th 2026
Genre: Melodic Doom Metal
For fans of: The Gathering | The 3rd And The Mortal | Inborn Suffering | Katatonia
Taking their name from the Norse goddess of death, Spanish voyagers through realms of shadow and sorrow, Hela, formed in Elche, Spain in 2012. They quickly made their mark on the doom metal scene with their well-received debut album, Broken Cross, which was picked up for a vinyl release by the respected Svart Records. Their star continued to rise with their second and third albums – Death May Die and Vegvísir – their sound developing in a natural and organic way. Trends and fashions have always been meaningless to Hela, with their reputation being based on honesty of expression and a palpable passion for the music they create. The global pandemic ushered in a period of silence from Hela, with the personal changes of circumstance that life tends to bring following in its wake…but the time for their reawakening has come. With new vocalist Raquel Navarro adding her sublime, dreaming tones to the band’s most emotive music to date, Hela are poised to present A Reign To Conquer.
Opening track, ‘Vessel To Nowhere’, begins in forbidding fashion, with dark, cold and powerful chords before engaging melodies and warmly human vocals open up that daunting exterior. Portentous narrative passages lend weight, while the lead guitar takes hold of your heart in an ascending spiral of emotion. ‘The Infinite Tower’ introduces a lightness, an ethereal feel as superb guitar lines flit like ghosts between the dreaming passages and storm-tossed, turbulent passions. A captivating piece, from the pinnacle of this tower you can gaze out across a landscape painted in the muted colours of dusk…and with each track we fall a little deeper into Hela’s embrace. ‘Crystal Bridge’ speaks in a universal language, connecting with the listener at a fundamental level beyond words as its wistful melancholy and bittersweet reflections build to an overwhelmingly powerful chorus. There is a sense of journeying through this album, of onward movement, as we walk, drift, float, stumble and soar through the cascading guitars of ‘Emerald Mirror’, the waltz through emptiness and memories of ‘Architect Of Disorder’ to arrive at the towering conclusion of ‘Nomad’…only to find that the journey continues – the restless nomad wandering the dusty paths of the world for eternity, with only the ghosts of lost loves for company. Hela have continued to grow, to subtly transform, to follow where their hearts and their music lead them…and A Reign To Conquer is a work of beauty that could only have been achieved through that open authenticity and untarnished integrity.
Recorded at the Red Records studio in Alicante, with Jose Franciso Rojo and mixed by the band’s own Julian Velasco, A Reign To Conquer was then mastered by Dan Swano whose touch has dusted albums by so many acclaimed artists with magic; from Barren Earth to Hypocrisy, Novembers Doom to Novembre…the list is practically endless. The result is an album of rare vitality and potency, an all-encompassing presence that holds the attention effortlessly. Adorned, as always, in the evocative imagery of Deadsign, A Reign To Conquer will be released by the highly regarded Ardua Music on CD digipak and digital formats and by Tormo Records on limited edition vinyl on February 27th. If you have yet to discover the fragility and power of Hela then now is the time. If you are a seasoned traveller, then welcome back to the road that never ends…
Line-up:
Raquel Navarro · Vocals
Julián Velasco · Guitars, fx
Tano Giménez · Bass
Miguel Fernández · Drums
https://www.arduamusic.com/
https://www.tormorecords.com/en/
https://www.helaband.com/
https://www.facebook.com/Helaband/
MERCULISTARYA – “ÁRADÓ FÁJDALOM A TŰNŐDÉS MEDRÉBEN”
Full-length, CD / Digital, February 2026, Pest Records & Metal Or Die Records
Black Metal from Hungary
MERCULISTARYA is the one-man project of Árpád Szenti, best known for his drumming work with bands such as Thy Catafalque, Ahriman, Athame, and Damnation. Áradó fájdalom a tűnődés medrében is the project’s debut full-length album, a deeply personal statement that has been taking shape for over two decades, reflecting a long and introspective creative journey.
VAMPIRIC OATH – “DOCTRINES OF WITHERING NATURE”
Full-length, CD / Digital, January 2026, Vampiric Militant Legions
Black Metal from Romania
Debut full-length album from this mysterious one-man-band. Doctrines of Withering Nature exposes human hatred as instinct, a doctrine of decay driven by mankind's will toward self-destruction
CADAVRUL
– “NECROTIC SAVAGERY “Full-length, CD / Digital, January 2026, Loud Rage Music
Death Metal from Romania
The band's second full-length album, 13 years from the previous opus, "Enter the Morgue".
ANGERSEED – “RAPTURE IS MINE… GLORY IS OURS”
Full-length, CD / Digital, January 2026, Pest Records / Metal Or Die Records
Old-School Death Metal from Hungary
Hungary's Old-School Technical Death Metal force ANGERSEED returns with their long-awaited second full-length album, "Rapture is Mine… Glory is Ours", marking nine years since the band's debut, "The Proclamation". The new record sees the band reconnecting with its early roots while boldly reshaping its sound into a more modern, dynamic, and expressive form. The lyrical themes delve deeper than before, enhancing the band's characteristic social-critical perspective with profound inner and spiritual reflections.
ARGUS MEGERE – “CERBUREA APUSULUI”
Full-length, CD / Digital, December 2025, Loud Rage Music
Symphonic Gothic Doom Metal from Romania
Doom/Gothic/Symphonic metal project, founded by two resilient metal veterans from Romania. Originally conceived by guitarist Dragoș Grigorescu (Abigail, Hovercraft, Serenity), the project truly began to take shape when his lifelong friends, bassist Cătălin “Flamă” Scânteie (Abigail, Rising Shadow, Hatemode) and vocalist Georgiana Bogdana Stoian (Vârf Carpatin) joined the lineup, bringing their full passion, dedication and creativity into the mix.
UMBRÍO – “QUINTAESENCIA NOCTURNA”
Full-length, CD / Digital, November 2025, Vampiric Militant Legions
Atmospheric Black Metal from Chile
From the funeral mists of Valdivia, Chile, UMBRÍO returns with its second full-length offering:
"Quintaesencia Nocturna", a black flame burning beyond time, invoking the absolute essence of the nocturnal void.
SPIRITUAL RAVISHMENT – “EXIT HUMANITY”
Full-length, CD / Digital, October 2025, Loud Rage Music
Grindcore (with Sludge, Stoner, Death influences) from Romania
Second full-length album by veteran Romanian Grinders SPIRITUAL
www.loudragemusic.com
https://pestrecords.bandcamp.com
PSYCHO
SYMPHONY: “SILENT FALL”FFO: Psychotic Waltz, Mekong Delta, Sieges Even…
More than 25 years after its original 1997 release, Romanian cult Prog Thrash band PSYCHO SYMPHONY brings back Silent Fall. Remastered and reimagined, the album is now available again—and for the first time pressed on CD via Loud Rage Music. Recorded in Romania during a burst of creative intensity and progressive spirit, it continues to resonate with fans worldwide.
Band members share their enthusiasm about the reissue: “For us, ‘Silent Fall’ was never just a debut—it was a statement. An experiment in pushing boundaries, blending aggression with atmosphere, and searching for something honest and uniquely our own within the noise. Though born in a time and place where resources were limited, the vision was always clear.
This re-release is more than nostalgia. It’s a way to bring the music to new ears, to give it the sound it always deserved, and to honor the path we started. With a careful remastering and artwork based on the haunting paintings of Étienne Sándorfi, this edition breathes new life into the dust-covered soul of the original.
Thank you to everyone who believed in this album—then and now.”
Rude Awakening Records proudly takes care of digital distribution for “Silent Fall”, which will be available on February 6th on all the main providers, while physical copies can already be ordered through Loud Rage Music and Rude Awakening Records as well.
A visualizer for “Shadowed with Life” is now available: https://youtu.be/z4fKkI_ABHg
Tracklist:
1. The King
2. Temptations
3. The Temple of Delight
4. Over the Walls
5. Shadowed with Life
6. Bloodthirsty Desires
7. Reality Falls Asleep I & II
https://linktr.ee/rudeawakeningrecords
In Memoriam is not just a look back but a clear statement of renewal. It includes re-recorded classics and two new, previously unreleased tracks — “The Death of the Red Dragon” and “Soleright” — offering a focused and definitive experience for both long-time listeners and new fans of atmospheric black metal.
"Thanks to the contribution of session musicians, SUPERIOR RAGE's music has become more vibrant and pulsatile compared to their previous, colder and more minimal productions," says the project’s founder, Superior Rage (vocals and synths).
About SUPERIOR RAGESUPERIOR RAGE began in 2006, delivering raw black metal with atmospheric, dark, and symphonic tones. The core lineup features Superior Rage (vocals, synths), Pagan Fury (guitars, synths), and Hyemens Kaiser Tszar (bass).
The first demo (2008) earned strong national reviews, followed by Through Infinity (2010), a mix of unreleased tracks and new material. Between 2010 and 2011, the project released several live recordings with temporary session musicians.
In 2011, SUPERIOR RAGE shifted toward symphonic black metal with III. Two Fire Eternal EPs followed, covering classic black metal songs—first in their original style, then in an ambient approach.
In 2012 the lineup expanded, producing new online recordings, additional covers, and a remake of “The Night of Rains.” The project paused in 2014, briefly resurfacing in 2017 with a new version of “Indecent Condition.”
SUPERIOR RAGE returned in 2022 with the single Boobs Explosions. This led to Anthology, a 2024 collection of re-recorded key tracks, including a new prog-influenced take on “Cuore Sincero.”
In 2025, the promo Back to the Crypt introduced two re-recorded tracks and a new song, “Soleright,” with four session members. The EP In Memoriam followed, adding a new version of “Asmodeus Bacchic” and the unreleased “Death of the Red Dragon.”
The current line-up features the core vision of Superior Rage (music, lyrics, synth & bass) alongside a powerful contingent of session musicians:
Baelithiel (vocals & lyrics)
Maikon (drums)
Nemorion (guitars on “Indecent Condition” and “Soleright”)
Hrafnagud (guitars on “The Night of Rains”, “Asmodeus Bacchic”, “The Death of the Red Dragon”)
In Memoriam is a must-listen for anyone seeking symphonic black metal that is both rich in atmosphere and aggressive in execution.
www.youtube.com/@SuperiorRageRawchannel
www.facebook.com/rawsuperiorrage
Former Stortregn vocalist/guitarist has started his own new band called Apolaustic in which he seems to have poured his heart out. He's put his years of experience in writing elaborate songs enriched with poignant melodies. Two songs from the debut album are streaming now, one in the form of a lyric video that was released recently.
APOLAUSTIC – “NO PLENITUDE WITHOUT SUFFERING”
Genre - Melodic
black/death metalFor fans of - Dissection, Naglfar, Sacramentum, Unanimated, Thulcandra, Stortregn, Dyssebeia
Apolaustic was formed by the former Stortregn vocalist/guitarist Romain Negro as an outlet for him to express his personal vision. At once scathing and stirring, the sharp, insistent riffs go hand in hand with elegant melodies that never outstay their welcome. The aggression and poignancy is beautifully managed with plenty of variations provided to highlight those emotions at the right times. After experiencing the turmoil of life, the aching pain in the melodies is all too palpable. "No Plenitude Without Suffering" is a heartfelt, meticulously put together, pristine-sounding debut from a veteran musician that is bound to stand the test of time if only on the basis of the sheer quality of melodies contained within.
Line up
Romain Negro (ex-Stortregn) - Vocals, Songwriting
Merlin Bogado (Dyssebeia) - Session Guitars & Bass
Nicolas Muller (Akiavel) - Session Drums
Cover artwork by Romain Negro
Track listing
1. Devouring the Past
2. Fragments from a Misty Journey
3. Testimony of an Obsolescent World
4. Shining Amidst the Lights
5. Smells Like Dead Autumn Fire
6. Black Flame Reviver
7. De Feu et de Cendre
8. Peregrination Towards Childhood Memories
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/ApolausticBand
Thank you very much! Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
Label: Apocalyptic WitchcraftRelease date: april 24th 2026
Genre: Black/Folk Metal
For fans of: Primordial | Winterfylleth | Saor | Forefather
“Let warlocks grim an' wither'd hags
Tell how wi' you on ragweed nags
They skim the muirs an' dizzy crags
Wi' wicked speed;
And in kirk-yards renew their leagues,
Owre howket dead.”
- Robert Burns – Address To The Devil
Eight years on from their last album, The Forty Five, Scotland’s Cnoc An Tursa have returned with an evocative tribute to the history, the folklore, the unique magic of their homeland. With their characteristic blend of fierce black metal and traditional melodies they have conjured up a set of songs that bring together mourning and defiance, mystery and fear, pride and passion. It is rare for a band to return from years of silence with an album that represents a new creative peak in their story, but with A Cry For The Slain that is exactly what Cnoc An Tursa have achieved. Speaking about their aims with this album, the band have said,
"With this new album we feel like we are going back to our roots with a more guitar driven style and bringing back some of the folk elements musically and lyrically which was the original inspiration for the band."
And by looking back they have found the way forward, reigniting their fire and forging an album that will resonate through the years to come.
‘Na Fir Ghorma’ with its haunting guitar notes and sense of dignity and sorrow opens the door to A Cry For The Slain, ushering you into the furious opening blast of ‘The Caoineag’. Steeped in bardic tradition and storytelling this majestic track introduces the listener to a highland banshee who foretells death and tragedy and sings her laments beside the deep lochs and chill waterfalls. With the Caoineag’s song atmosphere rises like mountain mists, enshrouding and transporting while the captivating melodies conjured by Cnoc An Tursa lead us into a different world. ‘Cailleach And The Guardians Of The Seven Stones’ is a magnificent, sweeping tribute to the goddess of winter who shapes the landscape with her hammer, the ghost of Thin Lizzy’s ‘Emerald’ dancing in its Gaelic reels. A stunning guitar solo adorns the multifaceted track that captures the power, allure, mystery and terror of the blood thirsty ‘Baobhan Sith’, while the thundering energy of ‘Am Fear Liath Mòr’ takes you to the mountain passes of the Cairngorms, haunted by a giant presence…“I can hear the footsteps behind me, I can see the Big Grey Man”… And nestled amongst all the stories and ‘Address To The Devil’s epic dark poetry, we find first single, ‘Alba In My Heart’ – a pledge of allegiance, a song of devotion to Cnoc An Tursa’s beloved Scotland. There’s a raised fist and a strength of spirit in the blood stirring melodies and the rolling rhythms, in the riffs tumbling down like mountain streams. The authenticity of emotion in this song is undeniable. By the time ‘The Nine Maidens Of Dundee’ leads us down from the peaks once more, with a head full of dreams and a belief that magic may still exist in the less travelled glens of the northlands, the sheer power of Cnoc An Tursa’s return has become abundantly clear. A Cry For The Slain is a breathtaking album, a beacon burning in the night of mundane modernity, calling to those of us who want more than we’ve been sold.
With the intuitive mastering of Jaime Gomez Arellano (Paradise Lost, Primordial, Hexvessel etc) bringing depth and vigour to every note, A Cry For The Slain smoulders with sonic intensity and all the emotion and secrets of its narrative are captured in the evocative artwork of Olga Kann (Winteria, Withered Land, Ruadh etc) that adorns its cover. Apocalyptic Witchcraft will release this monumental album on April 24th and the defiant cry of Cnoc An Tursa will echo through the landscape once more.
“When thowes dissolve the snawy hoord,
An' float the jinglin icy-boord,
Then water-kelpies haunt the foord
By your direction,
An' nighted trav'lers are allur'd
To their destruction.”
- Robert Burns – Address To The Devil
Line-up:
Alan Buchan - Vocals
Rene McDonald Hill - Guitars, Keyboards
Bryan Hamilton - Drums
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/apocalypticwitchcraftrecordings
https://www.facebook.com/cnocantursa/
Poland's
SHINE is now streaming a new track off their forthcoming debut
album, WRATHCULT. "KNEEL BEFORE THE SERPENT"
marks the second taste of the fury to come later this month with the album's
impending release.Stream "Kneel Before the Serpent" now at https://www.youtube.com/watch?v=Z_JCjauzBtU
Wrathcult is due out January 30 on Dark Descent Records.
Pre-order Wrathcult on digital, CD and vinyl formats at:
www.darkdescentrecords.com/shop
https://ddmsuo.eu/
https://darkdescentrecords.bandcamp.com/
Born from the grips of the pandemic, SHINE are the newest brainchild of Hazael’s Tomasz Dobrzeniecki, and their first album Wrathcult leaves no doubt that a new force in Polish extreme metal has awakened.
Inspired by the likes of Emperor, Bathory, Morbid Angel, Entombed and Dismember, Dobrzeniecki’s new outfit channels that lineage into something raw, relentless, and unmistakably its own.
‘SHINE’ for me is a sheen of a sword's blade, the last thing that your foes see in their lives. You can also relate it to the Promethean light given to people that enlightens or sometimes blinds us. It can also be a glare of rage stemming from the resistance towards the unnatural rules forced upon us,” explains Dobrzeniecki when asked about his new unit’s name. “Our music is full of references to ancient rules and rituals and times when people lived in accordance with nature and cosmos using the primeval knowledge.”
Dark Descent Records will handle the release, having previously collaborated with Dobrzeniecki on the reissue of Hazael’s classic opus. Wrathcult continues in similar thematic territory, invoking forgotten ancestral knowledge and tapping into primal forces, and mythic echoes of a pre-Christian world.
“Lyrics for the album are mainly inspired by the pre-Christian spirituality and mythology of our forefathers and based on such books as Bestiariusz Słowiański, Mitologia Słowiańska by J. Bobrowski and M. Wrona, and Słowiańska Czarownica (Slavic Bestiary, Slavic Mythology, Slavic Witch). The lyrics pay homage to nature and higher powers in order to upkeep the memories of the beliefs that once shaped our heritage. We live on the borderline of three cultures that blend together in some way – Germanic, Norse and Slavic mythology have quite a lot in common.”
The album was recorded at Heinrich House Studio in Legionowo, Poland - a small city on the outskirts of Warsaw that holds an important place in metal history, being the hometown of Daray (Dimmu Borgir, Vesania), Orion (Behemoth, Vesania) and Heinrich (Vesania, Decapitated). “Me and producer Heinrich (Filip Hałucha) have known each other for about 20 years. If you want to record a metal album that 100% meets your expectations, I think he's the only person that I trust.”
An uncompromising slab of ancient fury awaits! “See you in Valhalla! I’ve heard the parties there are worth dying for,” exclaims Dobrzeniecki.
Tracklist:
1. Ancient Chaos
2. The Lamb Against the Wolf
3. Kneel Before the Serpent
4. Oddajcie co moje
5. The Cult of Oak
6. The Horror of the Night
7. Witch's Prophecies
8. Wrath of the Hammer
9. The Necklace With Runes
10. Ancient Spirit
SHINE is:
Marek Krajcer-vocals
Tomasz Dobrzeniecki -guitars
Mateusz Waśkiewicz- guitars
Wojciech Gąsiorowski-bass
Paweł Duda- drums
www.darkdescentrecords.com
https://www.facebook.com/shine.wrathcult/
Musically, the track combines black and death metal in Saasta’s characteristic way, with death metal’s brute force ensuring that the black metal message reaches the listener’s deepest core.
The single’s cover art and the music video were created with a raw DIY spirit by Saasta.
Watch the music video: https://youtu.be/pAuWejidUuw
Listen to the single on music services : https://push.fm/fl/saasta-theleeches
Saasta is an extreme metal band from Kotka, Finland. Formed in 2020 the band combines the mercilessness of black and death metal, with the more subtle nuances of doom. The combination is dark and groovy metal with its own distinctive sound, where strong lyrical expression meets raw energy. Saasta is known for their intense stage presence and uncompromising effort.
Line up
Vocals – Leevi Kärsämä
Guitar – Topias Jokipii
Bass Guitar – Janne Hietanen
Drums – Jimi Lahtinen
https://www.saastaofficial.com/
https://www.facebook.com/saastaofficial
CATTLE HAMMER – “DARK THOUGHTS WITH LIGHTS OUT”
Label: Road To MasochistRelease date: february 6th 2026
Genre: Blackened Sludge/Drone
For fans of: Moss | Burning Witch | Old Year| Khanate
With foundations of loss and desperation, bricks of countless small rejections and a mortar of indifference…adorned in carefully sculpted cruelties, with a watchfire of self hatred blazing out into the night; so is my tower of pain and isolation built, my black edifice, my fortress and my prison. And even in the utter solitude behind these cold stone walls I am not master of myself. Even here I am a slave to the voices, speaking from the past, making their whispered incisions in my tattered, wastrel soul.
“…that’s what you’re entitled to…pain, suffering, misery…”- CATTLE HAMMER, ‘Rotting’
Formed in the spring of 2023 by Duncan Wilkins (Fukpig/Mistress/ex-Anaal Nathrakh), Cattle Hammer is a caustic, unforgiving blend of sludge, drone, impenetrable blackness and deep rooted negative emotion. Their first outpourings of choking, bleak despair included the 71 minute, uninterrupted track ‘Methlehem’ – a declaration of just how far into the darkness they were prepared to venture. Now Cattle Hammer are primed to unleash their formidable debut full length album, an amalgamation of four of their most harrowing songs, Dark Thoughts With Lights Out…
The descent begins with ‘Gloomsower’, vocals like tortured spirits howling behind thick walls of sludge. It’s a slow, painful march, like wading through quicksand with each agonising step dragging you down a little deeper, the certainty of suffocating death a constant presence. The raw, organic sound brings a reality to the emotions expressed, creating a tangible link between the misery within and the sound without. There’s no gilded artifice, just a soporific dirge that vibrates through every cell…
There is no relief…
‘Rotting’ rises up through words of bitter judgement, carefully enunciated, before riffs like towering, quivering monoliths drag your heart down through your stomach. While clearly a distinct entity from ‘Gloomsower’, ‘Rotting’ further intensifies that doomed aura, continuing the process of entombment in misery. A deep lethargy eats away at time and you can almost see your skin wither as days bleed into weeks, months, years, empty decades between chords…
There is no mercy…
‘Watchmen, Alone’ jabs at your torpid consciousness with disorientating, disjointed bursts of sound before the black hammer descends in inescapable slow motion and a chasm of abyssal grief opens beneath you. It’s vicious, lumbering, brutish, vile and painful…
There is no hope but death…
The final disassembling of reality comes with ‘Body Puzzle’. The sheer scale of the riffs is terrifying, like being caught between colliding planets, while a voice of damnation injects fear and panic into the claustrophobic onslaught.
Dark Thoughts With Lights Out will be released by Road To Masochist on CD and vinyl on February 6th. It will leave you a weeping wreck, with your sense of self worth bleeding from your ears. It will take you beyond the point of no return. Is it cruel or cathartic? Harmful or healing? All of the above? Whatever it turns out to be for you…approach it with care.
Line-up:
Wilkins, D – Vocals/Guitar
Cartwright, I - Drums
Wyles, J - Guitar
Von Donovan, D - Bass
https://www.facebook.com/cattlehammer
DISSOLVING
OF PRODIGY was
a Czech doom metal band that existed between 1993 and 2013. It is one of the
world's most respected Czech doom metal bands. When René "Fusaty"
Krystyn, frontman and founder of DISSOLVING OF PRODIGY,died of cardiac
arrest in September 2013 at the age of only 39, his band also physically died.Since Fusaty was one of my friends, after 2013 I decided to re-releases DISSOLVING OF PRODIGY's recordings and release them on vinyl for the first time.
When I sent out the “ZLODĚJSKÁ SVĚTÉLKA” CD for manufacturing in April 2025, it was clear that the final original song by DISSOLVING OF PRODIGY would also be released on vinyl at some point. I just didn’t know when. It was only this summer that Valda, the flautist, advised me that another milestone in his life was slowly approaching. He’s turning 50 and thus the LP is released on 30 January 2026, to be seen as a birthday present for his half-century on earth. On the same day as the CD re-release of the album “Štvanice”.
Let’s admit that the release of a CD offering a single song of 14 minutes was already an unusual feat. And the LP release is no different. It is not traditionally divided into sides A and B. It is a one song story.
"Zlodějská světélka" will be released FIRTST TIME ON VINYL 30.1. by Pařát Productions. You can order them at https://paratshop.cz/produkt/dissolving-of-prodigy-zlodejska-svetelka-3/
You can listen to full recording on the Pařát Productions YouTube channel https://www.youtube.com/watch?v=hosqSzSFsaA
DISSOLVING OF PRODIGY – “ZLODĚJSKÁ SVĚTÉLKA” (LIGHTS OF THIEVES)
Label: Pařát Productions
Style: Death/doom metal
Type: Limited 250 copies black LP 12" (140g) with full-color labels, printed inner bag, original foil
Release date: 30.1. 2025
www.paratshop.cz
www.facebook.com/ParatMagazine
With
just a couple of weeks to go until the release of EVOKED ECLIPSE'S
debut album, today you can finally enter the world of this Italian atmospheric
Death Black Metal band. We're proud to present the project's first single, the
title track "THE CRIES OF EVIL", from the album
out on February 6th via Club Inferno Ent.The song can be heard on all digital platforms and on YouTube at https://youtu.be/nkR1ZMw_S5Y
Led by Max Havler (ex-OPHIDIAN – ex-SHRIVEL), mastered by Jens Bogren at the world-famous Fascination Street Studios (Opeth, Katatonia, Dimmu Borgir, Arch Enemy, Sepultura, Kreator etc. etc.), with the album cover realized by the talented artist Gogo Melone, "THE CRIES OF EVIL" present a dark sound, very close to the Scandinavian Black Metal and Death Metal scene, primarily Swedish, with references to Dissection, Naglfar, but also the melodic Death Metal of Dark Tranquillity and Opeth and the melancholic Doom Gothic elements of early Katatonia!
The album in its CD format is already available for pre-order at https://t.ly/7Lvki
Just be ready to a new vision of Extreme Music
http://www.facebook.com/clubinfernoent
https://www.facebook.com/evokedeclipse
DYING VICTIMS PRODUCTIONS is proud to present MIDYRASI’S KULT’S highly anticipated debut album, ITALIAN DARK SOUND, on CD and vinyl LP formats.
MIDRYASI'S KULT are revolutionary and uncompromised. Featuring veterans from such Italian doom stalwarts as Doomsword, Midryasi, Agarthi, and Fiurach, their unique blend of elements from the NWOBHM, doom metal, and early black metal – all fused in their distinctive national dark-sound tradition, which includes such cult legends as Black Hole and Death SS – results in an obscure, hypnotic, and exciting formula.
In March 2025, after just one week on Bandcamp, MIDYRASI’S KULT were intercepted by Caligari Records, who released on cassette their debut demo, Mountain Devil. Featuring three songs in a concise 15 minutes, this demo reaped international acclaim for its originality and attitude.
But that was but a foretaste of darker delights to come. Witness the first full-length of MIDRYASI’S KULT, Italian Dark Sound. Truly titled, Italian Dark Sound is an intoxicating spelunk into catacombs both idiosyncratic and indefinable. Totaling 32 time-/mind-expanding minutes, the eight primary tracks here – the outro is titled “The Lost Son of Sylvester Anfang,” which should offer an obvious clue to the black-metal-minded out there – each offer something different from the next, and yet all add up into a shadowy experience that’s both rocking and atmospheric. In fact, if one were to single out an aspect between the demo and album, it’s that MIDYRASI’S KULT exude more energy on this full-length without sacrificing any of their occult aura. But, just like that demo, Italian Dark Sound features supremely pro production – gritty, earthy, and yet kaleidoscopic in texture – under the guidance of Gabry "The Way" Strada, head of RDF Studio and who’s now collaborating on the upcoming Doomsword new album. In the vein of an open artistic project, all the artwork is made by vocalist / bassist Geilt himself, and up to 11 musicians have been involved in these recordings.
Love Pentagram, Danzig, Celtic Frost, Mercyful Fate, Bathory, AND Jacula? Then you absolutely must hear MIDYRASI’S KULT’s Italian Dark Sound ASAP!
Line-up:Avenir - Rhytm and solo Guitar
Geilt - Vocals, Music
DulltheDog - Bass
WrathLord - Drums
Gabry”The Way”Strada - fx, arrangiaments
From Italy
Release date:
27th March
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Colored edition on dark purple vinyl, with insert, poster, sticker, post card and download code.
Special edition on tricolor spinner marbled vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
Tracklist
01 Italian Dark Sound
02 MIM Mayhem
03 Into the Cellar
04 Mountain Devil
05 Taste for Damnation
06 The Slow-ther of Genius-Lunacy
07 Hypnopriest
08 The Lost Son of Silvester Anfang
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
DEATH
DIES'
new album "MALEDICTI IN AETERNVM" will be
released on April 3rd via My Kingdom Music and will be a journey into the
blackest depths of Black Metal where light and hope end.Today we unveil the cover artwork of the album realized by Maira Pedroni and the tracklist that is:
1. Il Bosco Siamo Noi
2. Asmodevs
3. Trivia Soteira
4. Mater Meretrix
5. La Casa Del Diaol
6. La Malcontenta
7. Patavinorvm Tyrannvs
8. Carmina Trivmphalia
9. Caron Dimonio
10. Destroyer
Recorded at Thorazine Music Studio and at Unhealty Recording studio, mixed and mastered at Deadferro Audio Project Studio by Daniele Ferretto, "Maledicti In Aeternvm" is the result of two years worth of blood and sweat. It is uncompromising extreme music and elite Dark Art in the name of the most ferocious, extremist and evil Black Metal.
The band takes the legacy of Primordial Black Metal and enriches it with devastating elements of Hard-core and Thrash Death Metal. All this leads to a fast, powerful, violent album... in short, "Maledicti In Aeternvm" is a creature that will sink into your flesh like a blade able of piercing your quiet existence.
This is DEATH DIES... the purest essence of Black Metal.
"Maledicti In Aeternvm", out on April 3rd, is now available to pre-order in LP, digipak CD and Deluxe Edition from the following: https://t.ly/O-Q7U
https://linktr.ee/mykingdommusic
https://www.facebook.com/DeathDiesLegione
The video was premiered today via The Devil's Mouth: https://thedevilsmouth.substack.com/p/video-premiere-ols-bes-nas
"bez nas" is a dreamlike tale of drifting away, from love, from a former self, and from the sacred myths of childhood. The track explores a world where memories take on the texture of a dream, shifting and entangling until the past becomes a fable. It reflects on the indifference of the cosmos; while a personal "apocalypse" may occur, nature continues its cycles, oblivious to our loss.
Musically, the song highlights the evolution of the Ols sound. It begins with a dreamy, swaying verse centred on a melancholic piano, creating a sense of suspended animation. This stillness is eventually shattered by a heavy, guitar-driven chorus that draws inspiration from the crushing atmospheres of bands like Cult of Luna.
As the closing track on Poświaty, "bez nas" functions as a connective thread for the entire record. It weaves in musical quotations from earlier tracks and nods to the artists who shaped the imagination of Anna (the creative force behind Ols), leaving the listener in a space of quiet pain and lingering nostalgia.
Anna of Ols commented: “The world that once felt ‘ours’ no longer belongs to us, and someone we once loved becomes distant and unfamiliar. 'bez nas' works like an echo: it recalls and amplifies earlier themes without offering resolution. Instead of closure, it leaves space for melancholy and quiet pain, allowing the afterglow of this story to linger just above the surface.”
The album "Poświaty" is available in a jewelcase CD format with a 20-page booklet that includes lyrics and translations. Thematically, the album “Poświaty” delves into the formative period between childhood and adulthood, exploring themes of personal mythology, the transformative power of love and the inevitable pain of loss.
https://www.pagan-records.com/
https://www.facebook.com/paganrecords
https://www.facebook.com/Olsproject
FROSTMORNER - "ORBITAL KAOS“
“Orbital Kaos” marks the first full-length chapter of Frostmorner and showcases the project’s foundation: a blend of blackened intensity, atmospheric layers, and death metal grit. The album pulls inspiration from Nile, Hypocrisy, Belphegor, and Death, while weaving in modern influences from Lorna Shore and Rings of Saturn. Its thematic core draws from a lifelong fascination with Lovecraft, mythology, space, and horror. The album’s title captures its essence. Each track stands on its own, shaped by its own narrative and energy, yet all orbit around the central concept of Kaos. The result is a record built on fragmentation, unpredictability, and tension: an audio universe where no two moments land in the same place.
The digital album's release date is 06 February 2026 .
Tracklist1 -Pillars of Creation
2 -Necromorph
3 -Kronvs
4 -Demiurge
5- Arra Agga Bandar
6- Gorgone
7 -Claymore
8 -Eclipse
9 -Orbital Kaos
Founded by Mario and rooted in Sicily, Frostmorner began its journey in 2019. What started with the support of other musicians soon evolved into a fully solo project, allowing Mario to build a sound that reflects his vision without compromise. Over the years, Frostmorner has caught the attention of magazines, fanzines, and radio stations, opening the door to collaborations and conversations with artists across the extreme metal world.
www.youtube.com/@frostmorner
www.facebook.com/FrostmornerMusicOfficial
Released in 2019 via DYING VICTIMS, AGGRESSIVE PERFECTOR’s Havoc at the Midnight Hour debut album introduced this British power-trio with no small amount of sleazy, Satanic fanfare. While their background may jointly lie in black metal, the three un-gentlemen of AGGRESSIVE PERFECTOR held high heavy metal done the ancient way: classic Tank, early Raven, Warfare, and of course the almighty Venom as well as modern torchbearers like Midnight, Whipstriker, and Power From Hell. Unsurprisingly, the album garnered international acclaim.
Eclipsing that feat is the band’s second album, Come Creeping Fiends. Truly titled once again, Come Creeping Fiends comprises nine tracks of heavy metal for the insane, forged in the Manchester morgue. Raging like a ravenous beast, summoning ancient ones, and agonizing with morbid doom, AGGRESSIVE PERFECTOR cover a lot of ground here, but like the rotting undead that inspired it, this second album somehow holds together. The same black magic that made Havoc at the Midnight Hour a highlight six(-six-six) years ago is here again, only this time with a higher kill count and hit rate. Cleaner and crisper in execution but somehow darker and dirtier in its content, Come Creeping Fiends offers highlights at every crooked turn; tunes like “Strange Companion,” “Fiend in You,” and lead track “Dead Undead” will have all the witches dancing. Needless to say, fans of maniacal, EVIL heavy metal music and horror movies will find a lot to love.
The wait for AGGRESSIVE PERFECTOR’s second album might have been long, but Come Creeping Fiends will prove to be worth it…find the “Fiend in You”!
Line-up:Mr. 666 - Bass,
Intimidator - Drums
Dan Chainshaw - Vocals, Guitars
From Manchester, UK
Release date:
27th March
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Colored edition on red vinyl, with insert, poster, sticker, post card and download code.
Special edition on pink & violet/purple cloudy vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
Tracklist
1 Dead Undead
2 Strange Companion
3 Fiend in You
4 Like a Beast
5 Obscene Cult
6 Denied by the Reaper
7 Harlot’s Spell
8 Return of the Axe
9 Gallows Eve
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
The second single 'The Black Star' is unleashed today and it's available on all essential streaming services: https://push.fm/fl/inthraced-black-star
The band comments:
“The Black Star” is the fastest and most chaotic track on the album. Relentless blasting from start to finish. More is more. The drummer’s absolute favorite."
Biography:
Inthraced is a Finnish metal band founded in 2011, blending melodic intensity with cosmic darkness to forge a distinct and powerful soundscape. Their early releases, “The New Awakening” (2012) and “The Rising Chaos” (2014), set the foundation for their rise, further amplified by the 2019 single “Interstellar.”
In 2022, the band was reborn with a new guitarist and bassist, igniting the creative fire behind their debut album “Constellation Zero” — an epic and ambitious journey that carries the listener to the very edges of the universe.
Listen
to the first single 'Neon Frontiers': https://push.fm/fl/inthraced-neon-frontiers
Track list:
01. The Revenant
02. Neon Frontiers
03. The Black Star
04. Darkest Chest
05. Constellation Zero
06. The Way Of The Voice
07. Lost Divinity
Mixed by Janne Korpela JK mixing studios Finland
Mastered by Mika Jussila @ Finnvox studios Finland
Cover art by Robert H, Holo Dreamz
Line-up:
Tommi Takkunen - Guitar & Vocals
Mirko Byman - Guitar
Eetu Kovapohja - Bass
Antti Ikonen - Drums
https://inthraced.bandcamp.com
https://www.facebook.com/Inthraced
Click below! https://www.decibelmagazine.com/2026/01/19/video-premiere-viogression-light-harvester/
Thaumaturgic Veil is a metaphysical sonic construct, weaving intricate threads of human consciousness, vibrational frequency, and esoteric intent into a tapestry that transcends the boundaries of death metal. This work explores the interplay of awareness, magic, and the latent potential encoded within humanity’s neurocognitive framework.
Thaumaturgic Veil explores the interplay of consciousness, subconsciousness, and materiality, viewing existence as a binary system shaped by vibrational frequencies—the core medium molded by individual intent. These measurable waves connect the chaos of infinite potential to the order of the observable universe, reflecting ancient alchemy’s transformation of matter and awareness, akin to esoteric traditions and Thelema’s Great Work, uniting boundless Nuit and focused Hadit. Meditation and altered mental states enhance this, using frequencies to push perception and align with higher realities, as Crowley’s magick—change through intent—shapes the album’s structure.
The opening track ("Enûma Elish Ilū") introduces infinity as a recurring theme, its modal tones evoking Nuit’s expanse and microtonal shifts hinting at Hadit’s precision, tying into the album’s finite-eternal tension. Building on 2022’s 3rd Stage of Decay, this work intensifies with complex compositions: a primordial voice, heavy, growling guitars and bass conjure raw potential; relentless drums blast and propel it forward, while melodic leads and overtones pierce the dissonance, balancing distortion and clarity. Guttural yet ethereal, its sound design engages the auditory cortex, heightening awareness to match the album’s vision.
For enthusiasts of old-school death metal, Viogression delivers a raw, unrelenting sound steeped in the genre’s early ‘90s roots. Reviewers frequently liken their sludgy, thuggish heaviness to Obituary, noting a shared penchant for trudging, dissonant riffs, though Viogression infuses a Midwestern grit distinct from Florida’s swampy polish. Their technical ferocity and morbid atmospheres draw parallels to Death’s foundational aggression and Pestilence’s chaotic edge, as seen in comments praising their thrash-leaning debut Expound & Exhort. Fans of Morbid Saint’s cult intensity and Autopsy’s doom-drenched decay will find kinship in Viogression’s ability to meld intricate brutality with a haunting, unrefined vibe. Echoes of Possessed’s primal fury and Morbid Angel’s raw power further cement their appeal, making them a hidden gem for devotees of death metal’s formative, unpolished era.
Diego Gedoz de Souza is responsible for the artwork.
Track
Listing:2. Jinx
3. Akhara Aakasa
4. Renumeration
5. Samsara Ananta
6. Travesty ov darkness
7. Heqet Saeculum
8. Pummeled
9. Amaranthine Kairos
10. Superposition
11. Buki’s dream*
12. Vulnus sclopetarium
13. Ouroboros Noesis
14. Eaten by flies
15. Aeternitas Aevum
16. As the light fades
17. Adrothia Akaru
18. Summon
19. Light harvester
Credits:
Produced by Viogression.
Engineered and mixed by Chris Djuricic.
Mastered by Dave Otero.
Vocals and guitar solos: Recorded at Belle City Sound by Chris Djuricic.
Drums and rhythm guitars: Recorded at Level3Studios, Mount Horeb, Wisconsin; produced by Erik Schultek.
Bass: Recorded at Cavern Entertainment by Nino Nienas.
Album cover artist: Diego Gedoz de Souza.
CD artist: Yan Sek.
Design: DGX Studio.
Band photography: Alyssa Otter.
*Buki’s Dream: Written by Bryan Jaeger (RIP)/Brian DeNeffe. Originally recorded at Smart Studios, Madison, WI, 1994. Embellished by Lief Larson at Belle City Sound Studios, 2025.
Guest vocals: Steve Wilson.
Guest guitar solo on "Vulnus Sclopetarium:" Chris Monroy.
Line-up:
Brian DeNeffe - Vocals
Lief Larson - Guitar
Johnathon Iberra - Guitar
Jason Hellman - Bass
Erik Schultek - Drums
Bio:
Formed in 1988, Viogression swiftly forged a formidable presence in the metal underground with three searing demos, paving the way for their critically lauded debut, Expound & Exhort (1990). This landmark release launched them onto a world tour, igniting stages alongside Death and Pestilence. Their second album, Passage (1994), released incomplete, led to a nine-year hiatus. Reborn in 2003, Viogression unleashed fresh material, culminating in the 2014 EP, A Pure Formality, which sparked the band’s comeback with electrifying festival performances. Defying 2020’s global turmoil, they delivered 3rd Stage of Decay, released worldwide in 2022 through Satanath Records and Moribund Records. Now, Viogression stands on the brink of their fourth album, Thaumaturgic Veil, set for Summer 2025, poised to unleash a cataclysmic new chapter in their storied legacy.
https://viogression.info/
https://viogressionr.bandcamp.com/album/expound-and-exhort
From the cellars of Würzburg, Germany, ZERRE have been keeping the torch of old-school thrash metal burning while carving their own vicious path. Their sound draws on the razor-sharp aggression of classic Metallica and Exodus and the stomping groove of early Faith No More: no frills, no mercy. Their third full-length, 2024’s Scorched Souls, tore through the scene and earned critical acclaim for its searing riffs and unflinching energy.
Now, ZERRE take a decisive step forward with Rotting on a Golden Throne. Darker, more overtly political, and more aggressive than its predecessor, this fourth full-length dives headfirst into the rot of power, corruption, and human decay – a brutal soundtrack for a world teetering on the edge. Onstage, ZERRE embody the chaos of their music: riff-driven assaults, breakneck tempos, and a raw intensity that leaves no room to breathe. On record, while those influences still remain, but the DNA has been splintered into something more unique and definitely more powerful: thrashing, yes, but within a crossover framework that feels titanic. The production is razor-sharp, but with ominous atmosphere to spare; the execution is even sharper, as the drumming especially pulses like a dread locomotive; and vocals spit forth venom, raging against a machine fatted by suffering.
As the throne collapses, ZERRE deliver the anthem of its fall. Keep on Rotting on a Golden Throne!
Line-up:Tim Müller - Bass
Basti Spahn - Drums
Dominik Bertelt - Guitars
Rocco Lepore - Guitars
Nico Ziska - Vocals
From Würzburg, Germany
Release date:
27th March
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Colored edition on transparent red vinyl, with insert, poster, sticker, post card and download code.
Special edition on green/black marbled vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi
Tracklist
1 Intro
2 Pigs will be Pigs
3 Deception of the Weak
4 Mental Vacation
5 Concrete Hell
6 Rotting on a Golden Throne
7 Tin God
8 Killing Taste
9 No Alibi
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Label: Apocalyptic WitchcraftRelease date: february 13th 2026
Genre: Depressive Rock / Atmospheric Black Metal
For fans of: Lifelover | Katatonia | Apati | Joyless
City dwellers have all sensed the life, the power, the autonomous identity of their home. They understand, on some deeply buried level, that it is more than a collection of buildings and intersecting streets…it is an entity beyond its elements, a tarnished, hungry god with a character that changes with the setting of the sun and the flickering into life of the street lights and neon signs. They know there is another world, a darkly different reality that lies behind a thin veil of perception; held in check only by a silently agreed refusal to believe in its existence. But a glimpse from the corner of the eye, a movement in the shadows not rejected and quickly forgotten and the door to that other city begins to stand ajar. And with Askdrömmar, Frozen Ocean are holding that door open and beckoning you inside…
For more than twenty years Frozen Ocean has brought us a staggering array of musical gifts; journeys that have taken us from the depths of space to the worlds of Tove Jansson’s literary creations, from Norse mythology to complex internal landscapes – riding on the wings of cold black metal and textured ambience – dramatic and visionary works. Now Vaarwel, the creative spirit behind the Frozen Ocean name, has returned with another sonic dream to ignite our imaginations and transport us to new dimensions. A work that draws inspiration from the writing of John Ajvide Lindqvist and the music of Lifelover, with lyrics written entirely in Swedish that communicate on a level beyond language. Askdrömmar leads us through a gallery of images, of haunting vignettes, to a destination unique to each soul that listens.
We enter the world of Askdrömmar along the moon road, ‘Mångata’ – both frightening and fascinating in equal measure. Vaarwel’s grim voice rasps over the dark, richly melodic music, a superlative demonstration of the power of black metal vocals at their most emotive. Already the light behind you is but a pinprick in the distance as the city begins to swallow you. The melodic, gothic doom inflections of ‘Bortkastade dödsrunor’ draw you deeper still and it becomes clear that these songs are creating an environment as well as a narrative and atmosphere – listening to Askdrömmar is to explore the secret streets of this dark urban domain. As you reach ‘Jag sover’ you are haunted by the city, surrounded by it, consumed by it, lost in its labyrinthine heart. The melancholy melodies twist through the night time world and the chosen language of presentation with its harsh poetry invokes imagery while avoiding definite definition. The liquid keys of ‘I lyktornas sken’ move between the pools of light that punctuate the blackness, creating unfathomable depths and innumerable layers, possessing the power to hypnotise and enthral. From the sinuous lament of ‘Köttkvarn’ with its bewitching despair, through the frantic fear of ‘Långt lopp genom mörkret’ to the beautiful, humbling conclusion of ‘Brunkebergstunneln’, Vaarwel has created nothing less than magic. Askdrömmar is the most powerful and affecting Frozen Ocean work to date – and that is some achievement.
Adorned in the superbly atmospheric artwork of Mosaeye Art (The Hearth Of Discordia, Shiningstar, Pyre etc), Askdrömmar will be unveiled by Apocalyptic Witchcraft on February 13th on CD digipak, cassette and digital formats, as well as an exclusive, extremely limited boxed set. Prepare to pass through the veil and wander through your darkest dreams…
Line-up:
Vaarwel – Vocals, guitars, bass, e-bow, keys, lyrics and music
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/frozenoceanrus
Watch the "All in Your Head" now at https://www.youtube.com/watch?v=k1AH1_gPS3Q&t=1s
Hush is a compelling result of TARDIGRADE INFERNO’s evolving signature style and the sheer power of their live performance. What truly defines the band is the experience the listener gets at their live shows, the thoughtful songwriting, the ironic lyricism, and the striking, highly aesthetic visuals. In June 2025, TARDIGRADE INFERNO released an atmospheric and emotional live album Made In Hell that captures their ferocious performance and their connection with the audience. Hush blends all of these strengths with an authentic sound delivered with studio precision.
Watch the video for the album's first single, "Hide 'n' Seek" https://www.youtube.com/watch?v=fscAHuASUoo
Hush is due out March 5 on CD, digital and four exclusive vinyl editions. Pre-order the album at https://tr.ee/TiHush
Tracklist:1. The Final Show
2. Hide 'n' Seek
3. Deadly Fairytales
4. All In your Head
5. Dead Fish Smile
6. Subatomic Heist
7. I.C.D.
8. Goor
9. Hush
10. Hypograph
11. I Am Eternal
Hush naturally picks up where 2023's Burn the Circus left off. At the beginning you hear the crackling of a circus burning down. A surviving radio plays a mournful melody that opens a grand show amid the ashes. Like a massive blazing phoenix, TARDIGRADE INFERNO opens its wings with elemental force. It sweeps away what remains and reclaiming its place at the center of attention.
The gorgeous Darya Rorria uses her flexible contralto to tell stories that are anything but cheerful. Her expressive vocals pulse with the music. They tease sharply, flow lyrically, spread in a soft velvet hush, and fade into a tragic whisper. They soar through tense passages and then glide back down into a low, intimate tone. The lyrics are charged to the point of electric crackling, just as one expects from the TARDIGRADE INFERNO.
Their trademark keyboards sound even more retro-futuristic, paying tribute to the classic horror movies of the past. The guitar acts like the wildest creature in the prairie with it's fury clothed in the polished frock coat of a respectable gentleman. The bass has the “AWESOME” knob turned to 100%. The drums are emotional, dynamic, and alive. Altogether it creates a familiar yet more sincere and revealing sound. The music becomes almost visible, almost tangible.
TARDIGRADE INFERNO have always paid special attention to the visual side of their art - from stage costumes and characters to their album covers. The cover for Hush was created by artist Milena Kress in a dark-aesthetic style. This is the band's first experience with analog painting - the piece is oil on canvas. It conveys the anxiety and emotional intensity that mirror the album’s lyrics. It’s also the first time the band’s mascot, the Tardigrade, is absent from the cover. It symbolizes a kind of coming-of-age. The toys have been left behind in the nursery.
Mixing, mastering, and production were handled by Vladimir Lehtinen, who has been working with the band continuously since the release of The Worst of Me EP. Vladimir helped the band capture their live energy without losing the studio polish of their recordings.
TARDIGRADE INFERNO is:
Darya Rorria - vocals
Alexander Pavlovich - guitars, keys
Maxim Belekhov - bass
Andrew Drew - drums
https://www.facebook.com/tardigradeinfernomusic/
To celebrate the announcement, the band has released a music video for the title track, “Sylfaera”, which can be viewed here: https://www.youtube.com/watch?v=3oQasXY_R5w
Stream the song here: https://thecirclemusic.lnk.to/Sylfaera
The band provided a glimpse into the mystical narrative governing the new track: “In the Emerald Forest on the sharp mountains of Vetolian, six ancient souls, children of the same root and bearers of the symbol of 'Inner Sight' on the palms of their hands, gather to celebrate a ritual agreed aeons ago. Each of them comes from a different realm of water, wind, rock, and flame. The musical rite they will create together will reshape reality, collapsing their forthcoming artistic and epic endeavours into matter.
“Two of these souls, Loona and Muirreann, have met since the beginning of worlds, from lifetime to lifetime, sometimes for a moment, sometimes for a whole lifetime, to honour their mystical union. Each time they greet each other with these words: "Do you wish to know me? Lie down upon the fire! Sing your Song, and I will rise in Love, and from Love to Wisdom, dancing again and again ascending.”
“Sylfaera the Fair” follows 2024’s “Centaurea” and 2022’s “Pomegranate (The Chant of the Elementals)”. “Sylfaera the Fair” tells the story of a quest undertaken by five free spirits, artists, and warriors, culminating on a full moon night on a mountain where silvery waterfalls and milky-white stone slabs create an otherworldly dimension. In this symbolic place, the souls of the five manage to cross a dimensional portal, raising their energies and entering a new dimension, bringing into being the law of the octave. From matter to energy, from energy to spirit.
Musically, the album sees Ataraxia venturing into evocative new territories, weaving a tapestry of nordic, dark and ritual folk. This shift is anchored by the deep, resonant tones of the uilleann pipes and bodhran, creating a primordial atmosphere that feels both ancient and futuristic.
The album features the band's core lineup: Francesca Nicoli (vocals, bells, chimes), Vittorio Vandelli (bouzouki, drums, programming, electric and classical guitars, backing vocals), Giovanni Pagliari (keyboards, horn, backing vocals, programming), as well as guests Gregorio Bellodi (uilleann pipes, bodhran, low and high whistles, backing vocals) and Alessia Baraldi (backing vocals). Notably, the vocal performances on this work utilise glossolalia, an invented, non-linear language that bypasses traditional lyrics to evoke pure emotional and spiritual energy.
The album was recorded, mixed, and mastered by Vittorio Vandelli between April 2025 and December 2025. The accompanying cinematic video was shot and edited by Giovanni Pagliari, featuring a guest appearance by Damiano útburðr Rosati.
The album will be available in three different physical editions through The Circle Music. It will be available on Digi CD and in a marbled transparent turquoise & black LP, with the latter limited to 400 copies. The label is offering a Deluxe Black Box embossed in silver, limited to only 100 copies worldwide. This exclusive box set includes a unique silver vinyl pressing with a printed insert, the Digi CD, and a numbered certificate of authenticity. The box also contains a ritual “Travelling Stone”, an exclusive 16-page booklet and a “hand-written oracle by Ataraxia”.
The band has created 100 hand-drawn stones (“The Travelling Stone”) depicting the eye, representing the subtle vision linked to this concept, and paired them with 100 different oracles, each inspired by a Greek deity or mythological figure. Each person will receive their own unique and original talisman that they can wear around their neck or place in their hidden sanctuary.
Pre-Order: https://thecirclemusic.gr/product-category/distributed-stuff/?filter_artist-name=ataraxia&products-per-page=allDigital Pre-Save: https://thecirclemusic.lnk.to/SylfaeraTheFair
Tracklist
1. Alabaster
2. Breanwinn
3. Alqua
4. Sylfaera
5. Silvertine
6. Loona
7. Llawarra
8. Muirreann (CD Bonus Track)
9. Ojos Sagrados
10. Crowea
https://linktr.ee/thecirclemusic
https://www.youtube.com/@atarassxia
http://www.ataraxia.net/
https://www.facebook.com/AtaraxiaFB
The Evolution of Shadow
Formed in 2022 by Mikel Telletxea (vocals, guitar, programming), Aschen originally began as a collaboration with bassist Igor Valle. Following the underground success of their self-titled 2023 demo, the lineup evolved with the addition of Atauzz (Korkut, Kurkuma, 2Sonte) on bass.
This partnership solidified the band’s vision, leading them to Atala Studios in Spain (Infest, Willis Drummond) in August 2025 to record their debut full-length. To ensure a world-class sonic assault, the album was mastered by the legendary Toni Lindgren at Fascination Street Studios in Sweden—the sonic architect behind heavyweights like Dimmu Borgir, Katatonia, and Kreator.
A Sound Beyond Tradition
Musically, Aschen offers a harrowing exploration of dynamic tension. While the DNA of black metal remains clear, the band naturally weaves through diverse styles, characterized by constant rhythmic shifts, moving seamlessly from suffocating doom-laden passages to relentless blast beats, devastating riffage, harmonizing raw aggression with haunting, melodic textures and emotional depth, evoking a spectrum of intensity that transcends the typical "grim" tropes of the genre.
Ancestral Roots & Inner Conflicts
Lyrically, Aschen carves its own path. While the band utilizes English, they also pay homage to their heritage by singing in Basque, their ancestral mother tongue.
Breaking away from traditional satanic or pagan themes, the band’s narrative explores the human psyche’s inability to confront its own internal fractures. Their poetry reflects how this individual downfall resonates through a decaying society and a suffering natural world.
The Labyrinth of the Self
The album artwork, created by Mikel Telletxea, visually reflects this concept. An endless labyrinth shaped like overlapping fingerprints floats between the macrocosm and the microcosm. It represents a search without a clear exit: inward, outward, and always unresolved.
Tracklist01-Sasi Santuaren Amiltzea
02-From the Depths of Decay
03-Azken Arbolak
04-Buried Name
05-Black Hounds of Justice
06-The Never Ending Search
07-The Forsaken Redeemer
08-The Last Glow
09-Amal
www.youtube.com/@aschenband
www.facebook.com/people/Aschen/61556623060502
FFO: Kreator, Iced Earth, Into Eternity, Mutiny Within, Control Denied
A lyric video for the album's first single, "IF THE JUDGES BECAME THE JUDGED," is available at https://www.youtube.com/watch?v=U6dai0LN_mQ
Stream the single on your platform of choice at: https://ditto.fm/if-the-judges-became-the-judged
Multi-instrumental, composer, and founder, Frank D'Erasmo had this to say about the forthcoming album:
"This new album is a continuation of the path we took on our last EP, Prison Realm. For fans of that EP, this new album is in that style again, but on steroids! Things sound heavier, more epic, and more massive on this album. All of the same guys from the last release have returned, including vocalist Chris Clancy (As I Lay Dying, Invictus, Mutiny Within) and lead guitarist Tony Barhoum (Chaos Sanctuary, Condition Critical), but the big addition this time around was mix engineer, Mike Low. Things have never sounded this BIG on a Legionary release!"
Track Listing:
1. Sentenced to a Life of Chronic Guilt
2. If the Judges Became the Judged
3. Never-Ending Quest for Purpose
4. Controllers of Perception
5. Story Without Closure
Pre-order: https://legionary.bandcamp.com/album/never-ending-quest-for-purpose
Line
up:Frank D’Erasmo: Rhythm Guitars, Drums, Bass
Tony Barhoum: Lead Guitars
Chris Clancy: Vocals
Guest Violin Solo on "Story Without Closure": Ben Karas
Engineer: Ben Karas
Mixed/Mastered by: Mike Low
All Music & Lyrics written by Frank D'Erasmo
Album art: Mark Cooper
Bio:
Legionary is a melodic death/thrash metal band, that originated in NYC, but now mostly operates out of New Jersey. Legionary once played live regularly, but is currently a one man band headed by mastermind Frank D'Erasmo (Drums/Rhythm Guitar). Frank uses the services of the best metal musicians he can find, and is currently dedicated to just doing studio projects at the moment. Legionary has several releases, mostly EPs, but now has two albums under its belt with this latest release!
https://www.youtube.com/user/thelegionary07
https://www.facebook.com/Legionaryband/
BEYOND THE PALE – “MONUMENT IN TIME”
Label: Black Metal ArchivesRelease date: january 30th 2026
Genre: Thrash Metal/Melodic Death Metal
For fans of: Izegrim | Occult | Dew Scented | Arch Enemy
Forged in the confusion and anxiety of the global pandemic in 2020 and then tempered in the flames of tragedy and the cold ice of loss when their friend and founding member, Jeroen van Donselaar, collapsed on stage in 2022, struck down by a fatal cardiac arrest – Utrecht’s Beyond The Pale emerged from adversity unbowed and unbroken. With a renewed sense of purpose, they recruited former Martyr guitarist Geoffrey Maas and set about honouring the memory of their fallen comrade. The Monument In Time EP was released independently in The Netherlands in 2024, featuring an array of Jeroen’s accomplished guitar riffs, but this release deserved more. Now, with the backing of new British label, Black Metal Archives, Monument In Time – with two bonus tracks that have never been released on any physical format before – will find its way to a global metal audience. This tribute to friendship and the power of metal, this searing attack of thrash and melodic death metal, will carve the name of Beyond The Pale into the annals of extreme music forever.
Monument In Time explodes into life with the precision riffing of ‘Liberation For The Damned’ – a finely honed thrash/death weapon with every element fiercely focussed; from the interlocked twin guitars to the prominent bass lines that subtly weave their way through the axe attack, the powerhouse drumming to the stunning, ferocious vocal presence of Janneke de Rooy (ex-Altar). The essence of Beyond The Pale is summed up in this opening fusillade, but each song that follows possesses an individual character that adds immeasurably to Monument In Time’s vehement and venomous delivery. Be it the atmospheric intro and irresistible refrain of ‘Walk The Plank’, the power, hook-filled and instantly addictive ‘Facts And Figures’ or the viciously intense thrashing fervour of ‘Payback Is A Bitch’, with its touches of melodic lead adding an extra dimension, Beyond The Pale crush with every song, every note, every venomously articulated word of imperious rage.
The two bonus tracks that have been added to the track list of Monument In Time are the original 2021 recording of the band’s first single, ‘Storm en Drift’ – a song that appears in a re-recorded form elsewhere on the EP – and a reimagining of the thundering ‘Facts And Figures’, remixed by Japanese artist Frost (Gods Of Decay, Godfrost). Frost has added gleaming circuitry and bionic enhancements to the monstrous original and ‘Facts And Figures’ is a track with the strength to emerge from this invasive surgery still bristling with malicious intent, but with a new horror-tinged atmosphere infused into its bones.
Engineered and mixed by the team at Mass Audio Studios in Utrecht and mastered by the renowned Tony Lindgren (Amorphis, Arch Enemy, Insomnium, Kreator etc) at Fascination Street Studios in Örebro, Sweden, the sound that has been captured on Monument In Time is exceptional – with clarity, a cutting edge and formidable force all accorded equal importance. A fitting tribute to the much-missed Jeroen van Donselaar and a titanic barrage of expertly blended thrash and melodic death metal, Monument In Time is about to receive the release it deserves through Black Metal Archives on January 30th.
Line-up:
Janneke de Rooy - Vocals
Johnny Derechos - Drums
Frank van Boven - Bass
Boudewijn de Kraaij - Guitars
Geoffrey Maas - Guitars
https://blackmetalarchiveslabel.bandcamp.com
https://beyondthepale.nl/
NEWS 17.1.2026
STREAMS OF BLOOD – “VERMALEDEIT”
Genre: Black MetalLabel: The Hidden Art
Release: 18.12.2025
Nach Jahren persönlicher und kreativer Umbrüche legt Streams Of Blood mit „Vermaledeit“ am 18. Dezember ihr neues Album vor – ein Werk, das die Erfahrungen und Brüche seiner Entstehungszeit spürbar in sich trägt.
Fünf Jahre voller Veränderungen, Verluste und innerer Kämpfe haben ihre Spuren hinterlassen. „Vermaledeit“ ist das Ergebnis dieser Phase – intensiv, direkt und emotional aufgeladen.
Die Songs bewegen sich zwischen Melancholie und Nihilismus, zwischen Selbstzweifel und Befreiung. Roh und ungeschliffen aufgenommen, zeigt das Album den unverstellten Charakter seines Entstehungsprozesses – ehrlich, kompromisslos und ohne Rücksicht.
Das begleitende Artwork entstand in Zusammenarbeit mit Void Revelations und ergänzt die Musik um eine visuelle Dimension, die die Atmosphäre von „Vermaledeit“ treffend einfängt.
Ein Album, das aus persönlicher Dunkelheit hervorgegangen ist – und den Weg von Streams Of Blood konsequent weiterführt.
https://www.facebook.com/StreamsOfficial
BERLIN DESECRATION FEST 28.5-30.5 BERLIN „ORWO
HAUS“
Seid gegrüßt Freunde der brutalen Unterhaltung,wir laden euch ein zu 3 Tagen Brutal Death Metal, Slam und Goregrind. Im Geiste des Berlin Death Fests liefern wir euch 26 internationale Bands, Grill und Getränke. Wir freuen uns auf ein abgefahrenes Wochenende euer Berlin Desecration Fest Team.
Despondency (Germany)
Guttural Slug (Denmark)
Korpse (Netherlands)
Imperial Execration (UK)
Unbirth (Italy)
Slob (UK)
Inverecund (Italy)
Chainsaw Castration (United Kingdom)
Terrible Sickness (Germany)
Desecrated Extinction (UK)
Putridity (Italy)
Carnivore Diprosopus (EU-Colombia)
Traumatomy (Russia)
Brutal Sphincer (Belgium)
Esophagus (Chile)
.357 Homicide (United Kingdom)
Pusboil (Switzerland)
Coprocephalic Mutation (United Kingdom)
Cerebral Enema (Germany)
Hacked Up (UK)
Clitcommander (Germany)
Einlass 30./31.05.25 : 13 Uhr
Beginn 30./31.05.25: 14 Uhr
Abendkasse: Donnerstag 35 €
Abendkasse: Freitag 55 €
Abendkasse: Samstag 55€
Abendkasse: Wochenendticket 100 €
Ihr könnt Tickets für Freitag und Samstag im VVK holen. Für alle 3 Tage gibt es aber ab Donnerstag auch genug Tickets an der AK.
info@berlindesecrationfest.de https://www.facebook.com/share/1Cnayt37hy/
Der bayrische Groove/Thrash Metal-Maschinerie DEATH
RECEIPT aus Wallersdorf meldet sich mit der brandneuen Single „FREQUENCY
OF DEATH“ zurück (VÖ: 14.01.2026). Mit dem Song hat sich das Trio
darauf konzentriert einen knallharten und thrashigen Kettenhund von der Leine
zu lassen.„Frequency of death“ ist ein klares Statement: Der Song ist durch und durch mitreißend und fängt die pure Live-Spielfreude und Energie der Band perfekt ein. Nachdem der Song auf der Bühne getestet wurde, erkannte die Band schnell: „Wir haben da was Einzigartiges zusammengebraut.“
Der Track ist ein waschechtes DIY-Projekt. Er wurde im eigenen Proberaum aufgenommen, gemixt und gemastert. Die bewusste Herausforderung bestand darin, neue Techniken zu erlernen und anzuwenden, um den eigenen Sound zu kreieren und weiterzuentwickeln. Der Songtitel folgt einer aufgeregten Spur der Herzfrequenz, die eine Inspiration für das Albumcover und die facettenreichen Riffparts waren.
Hört genau hin, dann nehmt ihr den Puls wahr, der diesen Song antreibt. Doch passt auf, sonst kommt ihr der Frequenz des Todes zu nahe!
https://www.instagram.com/death_receipt
HERMIT DREAMS –“ DESPERATE ANOMIES”
Release date: 05.12.2025 Location: Norway
FFO: Weeping Sores,My Dying Bride, Diskord
Bio:
HERMIT DREAMS is a new experimental death/doom metal band from Norway, featuring experienced musicians from a wide array of metal bands from the national scene, current and past. The band explores topics revolving around loneliness, anxiety, fear, transience, wonder and confusion in the context of death metal with elements of doom and progressive outbursts.
Lineup:
Eirik Waadeland (CELESTIAL SCOURGE, RUUN) – Vocals
Martin Storm-Olsen (VINGULMORK, DEFECT DESIGNER) – Banjo, guitar, clean vocals
Eyvind W. Axelsen (DISKORD) – Cello, upright bass, bass guitar, theremin
Bjørn Tore Erlandsen (BOLVERK, ASPHERIUM) – Drums
Musically, the band takes death/doom into strange and uncharted places fusing traditional heaviness with banjo, cello, upright bass, and theremin, alongside harsh vocals and pummeling drums. The result is an unsettling yet mesmerizing soundscape, pushing the boundaries of extreme metal while remaining steeped in darkness.
https://chaos-records.bandcamp.com/album/desperate-anomies
https://facebook.com/hermitdreams
Listen To Your Funeral album on streaming services: https://push.fm/fl/funeral-home-your-funeral
Biography:
Founded in 2009, Funeral Home is a death metal band from Kuopio, Finland. Their musical influences range from death 'n' roll and old-school styles to with gloomy melodies of death metal . The band writes its songs with the music first, keeping the song structures simple and the arrangements flowing.
Track
list:1. You Failed My Trust
2. Wall
3. My Kingdom Is Hell
4. Rotten To The Core
5. Depths
6. Sacrificial Goat
7. Your Funeral
8. Graveyard Blues
9. Blood & Sacrifice
Album cover by Henna Pulkkinen
Line-up:
Ossi Maalampi - vocals
Henri Ojala - lead guitar
Henri Thitz - rhythm guitar
Juha Korhonen - bass
Jouko Poussu – drums
https://linktr.ee/Funeral.Home
XENOVICE
– “FRAGMENTS FOR THE END OF US”Release date: 15.01.2026
Location: Germany/France
FFO: Combichrist, Youth Code,
Xenovice is a dark electronic side project by members of Lycantrophilia, moving between hellektro/EBM, dark trap, and metallic aggression, addressing personal psychological abysses. The debut EP, Fragments For The End Of Us, distills experiences of violence, addiction, and strain into tracks that deal with living alongside one's own demons. Its experimental sound deliberately sets Xenovice apart from Lycantrophilia's established identity. While musically distinct, the EP is released through Lycantrophilia's existing channels—under a different name.
https://www.youtube.com/channel/UCvIWX80GX
https://lycantrophilia.bandcamp.com/album/fragments-for-the-end-of-us
Ave
populus !!!! Extreme metal warriors DEOS return with
the official music video for “CAESAR DIVI FILIUS,” a
standout track taken from their latest album AUGUSTUS OMNIPOTENS,
out now via Wormholedeath.Conceived alongside the song itself, the video is the result of a long-term vision that began taking shape in late 2024. Directed by David (Dax Studio), it brings DEOS’ sonic universe into a striking historical frame, where ritual, discipline, and power collide. The result is direct, intense, and rooted in symbolism.
To achieve this level of authenticity, DEOS once again joined forces with Lorica Romana (LEGIO X), one of France’s leading Roman reenactment groups. The video was filmed in the monumental Arena of Nîmes, a site closely tied to the legacy of Augustus. The setting is not a backdrop—it’s part of the story. Stone, steel, and bodies in motion echo the themes of authority, lineage, and destiny that define the track.
“Caesar Divi Filius” reflects a key chapter in the narrative arc of Augustus Omnipotens. The album is a full conceptual work tracing the rise of Octavian, from the aftermath of Julius Caesar’s assassination to the establishment of imperial rule and the Pax Romana. Each song captures a decisive moment, driven by DEOS’ visceral blend of blackened death metal, where precision and brutality serve the story.
Augustus Omnipotens is available on all digital platforms worldwide: https://orcd.co/augustusomnipotens
CD format: www.auralwebstore.com/deos-augustus-omnipotens
Previos video "Dura Lex Sed Lex": https://youtu.be/JPh8dLggqgQ
About DEOS:
Formed in 2014 by Fabio Battistella, Jack Graved, and Loïc Depauwe, DEOS have built a reputation for combining the ferocity of extreme metal with a passion for Ancient Rome that extends through their lyrics, artwork, and stagecraft. Their debut Ghosts of the Empire arrived in 2015, followed by In Nomine Romae in 2017 and extensive touring across France, Switzerland, and beyond. In 2021 they began work on their third record Furor Belli, mastered by J.-F. Dagenais (Kataklysm, Ex Deo) and released in 2022 via Wormholedeath, which led to the North Imperial Tour MMXXII. Over the past years they have continued to spread their vision of Roman metal across Europe, including London’s legendary Cart & Horses.
Now, with Augustus Omnipotens, DEOS take their concept further than ever before. Recorded between autumn 2024 and spring 2025 and once again mastered by Dagenais, the album is both a celebration of Rome’s past and a declaration of the band’s future.
DEOS are:
Jack “Janus” Graved (bass, vocals)
Fabio Battistella (guitar, backing vocals)
Cédric “Cedd” Boehm (guitar, backing vocals)
Loïc Depauwe (drums)
www.facebook.com/deos.legio
EPINIKION
embraces
nature by dancing with wolves in their third single “RUN WITH THE WOLVES” . Epinikion creates powerful melodic metal with the tight and strong lineup of
this symphonic metal band. The album’s third single “Run with the Wolves” is
a beautiful ode to nature and the connection between humans and animals. Heavy
guitars combine with a powerful rhythmic orchestra and the clear voice of Kimberley
Jongen, who takes everyone on a rollercoaster ride of nature scenes and a wolf
as a friend. Not just any wolf, but behind the scenes, Robert and Renate’s white
shepherd Nala, who, from the very beginning of the songwriting, had an
uncontrollable urge to sing along.Therefore, Nala has become the ultimate backing vocalist on this song and the star alongside Kimberley in the accompanying video. Purity, movement, and connection with the earth are beautifully captured by Jay Dee Video. “Run with the Wolves” will be released on 15 January 2026, a third step towards the release of the album “THE FORCE OF NATURE” in February 2026.
“Run with the Wolves” races between tall trees, dances in the moonlight, and soars across crystal-clear waters in the unique company of a white wolf. The deep connection between human and animal, surrounded by powerful natural forces, is a rhythmic statement from Epinikion that harks back to our human essence: a swirling wind, captivating, powerful, and full of natural beauty.
The album’s production was in the capable hands of Jacob Hansen, who, with his signature mixing and mastering, created a fantastically clear yet beautifully heavy sound. For the artwork, Giannis Nakos created almost magical images that couldn't have better captured the essence of the album and its songs.
Pre-orders for “The Force of Nature” have now officially started and can be placed via www.epinikion.org
The release of “The Force of Nature” will be celebrated with a fantastic release show on 6 February at pop venue Sound Dog in Breda - the same venue where the first single “The Force of Nature” was filmed. Epinikion is thus entering a completely new phase with an impressive list of 12 new songs that will appeal to both metal fans and mainstream listeners.
Biography
Epinikion is known for its energetic shows and strong connection with the audience. Kimberley Jongen impresses with her classically trained, bright voice. Maarten Jungschläger is known for his heavier metal projects, yet also excels as a symphonic metal lead guitarist. Rutger Klijn is a seasoned bassist whose distinctive and technical bass lines firmly establish Epinikion on the metal map. Robert Tangerman not only composes together with keyboardist and partner Renate de Boer, but as rhythm guitarist and arranger, he plays a major role in fine-tuning Renate’s creativity. Michal Gis is the young, talented drummer who brings rhythmically unique contributions and delivers them with precision.
Experts see great potential for Epinikion to grow into a band performing at a highly professional level, gaining more visibility along the way. The joy that drives them only makes the future of Epinikion all the brighter.
https://www.facebook.com/epinikion
NOIRNOISE are proud to
reveal their first official video for the single "MORPHINE".
It was realized by Damiano Mussetti and you can view it here: https://youtu.be/__gDQlmd22s
The single released on all the digital platforms will present the exclusive and unreleased song "Shit Of Poor".
"Morphine" is taken from band's debut full-length album "PLANT RESILIENCE" out on January 30th via Club Inferno and shows the essence of the band based on harsh guitars, dynamic tempo changes, dreamy melodies, heavy musical dynamics and rough vocals.
Mastered at the great Lost Soul Studio by Giuseppe "Buzz" Nicolò and with a great cover which photo was realized by Flavio Porrati (Nequam / THE MAGIK WAY), "Plant Resilience" will present something original, expression of the dark feeling of their influences ranging from Alternative Rock to Post-Punk, from Grunge to Dark Wave with important points of references such as Sonic Youth, Pixies, Soundgarden, Melvins, Killing Joke, Mudhoney.
You can pre-order the CD at https://t.ly/RSZKb
The time machine has been turned on... get on board!
http://www.facebook.com/clubinfernoent
https://www.facebook.com/noirnoise
Stream/Purchase:
The concept of Cybergenesis fits seamlessly with the fiery heavy metal therein. A daring expedition into a space-time rift ends in disaster, awakening the Choir, an ancient alien hive mind from an alternate dimension, and plunging humanity into a desperate war for survival. On an Earth enslaved by the Choir's army of cyborgs, a former commander is reborn as the Rhizome Rider, leading a rebellion from within and sacrificing himself to free humanity.
Rooted in classic sci-fi, from Star Trek to Ghost in the Shell, Cybergenesis tells a story of resistance and sacrifice, where the human spirit defies impossible odds.
The album’s striking cover artwork was hand-painted on canvas by English artist Ryan T. Hancock, renowned for his work with bands such as Seven Sisters, Blood Star, and Stormborn. HyperioN chose a handcrafted, non-AI artwork to give Cybergenesis a tangible and authentic visual identity.
Track
Listing:1. Deafening
2. Rewire, Rebuild
3. Yet We Still Fight
4. The Shackles of Chronitus
5. Blood Over Chrome
6. Grain of Sand
7. Rhizome Rider
8. The Whole of Time
Credits:
All lyrics written by Davide Cotti. All music written by Davide Cotti except track #02 (written by Davide Cotti and Francesco Madonna) and track #07 (written by Francis Dipasquale and Davide Cotti).
Production, recording, mixing and mastering by Davide Cotti.
Vocals recorded by Antonio Inserillo.
Line-up:
Davide Cotti - Guitars
Francesco Madonna - Drums
Max Morelli - Vocals
Simone “Nega” Cauli - Bass
Francis Dipasquale - Guitars
Bio:
HyperioN were formed in 2015 by drummer Jason Beghelli and guitarist Davide Cotti to play traditional heavy metal, drawing inspiration from bands such as Metal Church, early Queensrÿche, and Judas Priest, while adding their own personal touch.
The band quickly gained attention with their debut album Dangerous Days (2017), released via Spanish label Fighter Records. The album was warmly welcomed by critics and gave HyperioN the chance to share thestage with established Italian acts such as Tarchon Fist, Black Phantom, and Rain.
After the recording of the second album, founding drummer Jason Beghelli stepped down for personal reasons and was replaced by Francesco Madonna. In 2020, the band released Into The Maelstrom, again on Fighter Records. The album received excellent reviews worldwide, but the COVID-19 pandemic forced the cancellation of all live promotion plans. Despite the circumstances, HyperioN significantly expanded their fanbase across the United States, Canada,
Mexico, and Europe through platforms like Bandcamp, finally returning to the stage in 2021.
This first era of the band came to a turning point in 2021, when several lineup changes reshaped HyperioN’s identity. Long-time bassist Antonio Scalia left the band, and after a long search Simone Cauli joined in September 2022. Just a week earlier, guitarist Luke Fortini had
departed, but the vacant role was swiftly filled by Francis Dipasquale (from thrashers Dypron). With the lineup restored, work began on new material, only to face another setback in spring 2023 when vocalist Michelangelo Carano decided to leave.
After months of auditions, HyperioN found the missing piece in singer Max Morelli, known for his work with Signum Draconis and Ladykiller. With this new and revitalized lineup, Hyperion completed the writing and production of their third album Cybergenesis, a record that represents both continuity and rebirth. Although only guitarist Davide Cotti remains from the original formation, he has always been the main composer and driving force behind the band, making sure HyperioN's sound stays true to its roots: driving riffs that ignite into bursts of speed, soaring yet gritty vocals, and melodic hooks that make every chorus memorable.
https://www.fighter-records.com/
https://linktr.ee/hyperionband
Athens,
Greece; 15 January 2026: THE MAGUS, the Luciferian
project helmed by Necromantia co-founder and ex-Rotting Christ musician, has
unleashed the second single and lyric video from the upcoming sophomore album, “DAEMONOSOPHIA”.
Titled “MAGIA OBSCURA”, the track delves into the esoteric heart
of the project, exploring the profound depths of spiritual and physical
evolution.Following the aggressive stance of the first single “Pseudoprophetae”, “Magia Obscura” arrives further expanding the diverse and uneasy atmosphere promised for the new record.
Listen to “Magia Obscura”: https://thecirclemusic.lnk.to/MagiaObscura
Watch the lyric video: https://www.youtube.com/watch?v=yyFCuVOJJ8I
The Magus provided the following insight into the track’s theme:
"Magia Obscura is about transformation and evolution. Both in physical and the metaphysical plane. Through transformation comes enlightenment. Through the Serpent self you communicate with the Draconian core. A rite of passage for the sorcerer. A step closer to Daemonhood....."
“Daemonosophia”, the follow-up to “ΒΥΣΣΟΔΟΜΩΝΤΑΣ”, is set to be released on 20 February 2026 via The Circle Music and is available to pre-order in CD and vinyl formats, along with a limited luxurious box set and merch bundles: https://thecirclemusic.gr/product-category/the-circle-releases/?filter_artist-name=the-magus
Pre-save the album on digital platforms: https://thecirclemusic.lnk.to/Daemonosophia
The Magus previously revealed that the new album promises a more aggressive and dynamic sound than the first album, “ΒΥΣΣΟΔΟΜΩΝΤΑΣ”, while keeping the devouring dark atmosphere the project’s music is known for. The album's sound has some unexpected and diabolically diverse moments that will make listeners feel uneasy.
For the album cover art, The Magus collaborated with Mexican artist Nestor Avalos, known for his work with numerous bands, including Exodus, Deicide and Rotting Christ. The artwork is an Infernal Triptych that portrays six infernal entities: Lucifer/Samael, Leviathan/Tiamat, and Belial/Satan. Nestor created a majestic painting of infernal wisdom and occult meanings, giving prominence to the Luciferian tradition and the music of the album.
Tracklist:
0. Pater Noster
1. Pseudoprophetae
2. Daemonosophia
3. The six in three is all One
4. The Era of Lucifer Rising- A Luciferian interpretation of the THOU ART LORD classic
5. Magia Obscura
6. Amelia
7. The Chapel of Iniquities
8. The Pact
9. La Llorona Negra
The Magus was formed in 2022, following the dissolution of the legendary Greek black metal band Necromantia, which The Magus co-founded. He decided to end Necromantia after the death of his bandmate Baron Blood in 2019, releasing a final album, “To the Depths We Descend”, in 2021 as a tribute. A seminal figure in the extreme scene, The Magus’s storied history includes playing a pivotal role in the early days of Rotting Christ and co-founding the cult project Thou Art Lord alongside Sakis Tolis. For this new project, The Magus continues his legacy of uncompromising Luciferian Black Metal, bringing in long-time collaborators El on guitars and Maelstrom on drums to push the boundaries of the Hellenic sound.
https://linktr.ee/thecirclemusic
https://www.facebook.com/themagus666
Symphonic
metal band MEMOIRA has released a new video for their
latest single DOLLMAKER. The epic new video is
loosely based on the world of the well-known Italian fairy tale, Pinocchio, and
the song is now being heard in its entirety for the first time. The video was
produced and shot by SOFT NEON AUDIOVISUAL, while the band members were
heavily involved in the production of the video. The band's bassist Niko
Laaksonen is responsible for the lighting and lighting design of the
video, and keyboardist Lassi Nuolivaara is responsible for the
scriptwriting and directing the actors.Watch the music video: https://youtu.be/wDGG9dnvbfI
“The story of the video is seen from the perspective of a dollmaker, who desperately hopes for a son of his own, with whom he can share the joys and sorrows of life. He decides to build a doll out of wood and hopes that it will come to life. It’s also great to finally have the full version of the song out in video form and see the audience’s reaction.” - Lassi Nuolivaara / Keyboards
A single edit version of the song Dollmaker was released earlier this fall and is available on all streaming services.
Memoira is a symphonic metal band from Finland formed in 2007. Known for it's big atmospheric and epic sound, Memoira combines dynamic melodic metal and symphonic ethereal orchestrations into one, consistent flow of storytelling.
On it's 15- year journey before the latest line-up changes, the band has released three albums and seven singles worldwide.
With the current lineup, which has been active since 2023, and Krista Astrid Schröter as their vocalist, the band has already released three singles (Cryonic Heart 2024, Emerald Eyes 2024 and Dollmaker 2025), each of which has brought the band more listeners and streams. The renewed lineup has also brought a whole new energy to the band's stage performance and image, which has already been noticed among fans.
MEMOIRA Line-Up
Krista Astrid Schröter – Vocals
Lassi Nuolivaara – Keyboards & Piano
Serdar Ilter – Guitars
Niko Laaksonen – Bass
Kimmo Puhakka – Drums
https://www.youtube.com/@MemoiraOfficial
https://www.memoiraofficial.com/
https://www.facebook.com/MemoiraOfficial
Melodic
death-metal act SELIAS has unveiled the official video
for “CAUTIONARY TALE”, a track taken from their latest album
KILLKARMA, released via Wormholedeath Records.Bringing medieval war into a modern metal vision, “Cautionary Tale” delivers a story of clashing steel, betrayal, and the brutal lessons history refuses to let us forget. The track reflects the cyclical nature of conflict a raven’s call that has echoed across centuries, now given voice through SELIAS’ signature blend of ferocity and melody.
Stream the single: https://orcd.co/ctale
Get your copy of Killkarma: https://orcd.co/killkarma
Previous Releases:
https://orcd.co/bulletssingle
https://www.youtube.com/watch?v=UQ5NXahLmaI
https://orcd.co/btssingle
https://youtu.be/_BsoUpNj6bs
About
Formed in 2020 by guitarist Steve Elias, SELIAS fuses aggression with atmosphere, precision, and emotion. Rounded out by Guilliaume Pascal (vocals/keys), Daniel Bouwman (drums), and Jeff Hyde (bass), the band delivers a cinematic metal experience that bridges classic death metal ferocity with modern melodic edge.
www.youtube.com/@seliasmetal
www.facebook.com/seliasmetal
Finnish melodic death metal band CROWEN released a new single and music video 'THE UNWRITTEN END'. The track is taken from the forthcoming 'THROUGH THE DYING MIST' EP which is set to be released on February 20th 2026 via Inverse Records.
Listen to The Unwritten End on streaming services: https://push.fm/fl/crowen-unwritten-end
Crowen’s new single The Unwritten End tells a story where every step is both a beginning and an ending. The song portrays the dreamworld as a place that is dark yet beautiful. Its protagonist walks toward the unknown, carrying with him both uncertainty and the inevitability of fate, striving to escape a world with no way out.
The melody is sorrowful yet beautiful. The clean vocals in the choruses inspired the song’s entire melodic landscape. In the verses, melodic passages and heavy rhythms alternate. The opening contrasts Crowen’s traditional death metal assault with acoustic guitar and a calm, atmospheric mood. “Guitarist Sami Sandberg managed to fit the melodic line perfectly into the song’s atmosphere. Listening to Sami’s playing gives me a hypnotic feeling,” says vocalist-songwriter Esa Uusimaa.
Crowen is a Finnish melodic death metal band consisting of Esa Uusimaa and guitarist Sami Sandberg. On this track, the bass is played by Tuomas Saukkonen.
Watch 'Ember Wraith' music video of first single: https://youtu.be/0N_QWg
Track
list:01. Ember Wraith
02. Line of Silence
03. I Am The Sorrow
04. The Unwritten End
Composed, lyrics, recorded, mixed & produced by Esa Uusimaa.
Mastered by Ville Hautaluoma
EP cover by Jussi Virtanen
EP Line-up:
Esa Uusimaa – vocals, guitars, keyboards
Sami Sandberg – guitars, lead guitar
Tuomas Saukkonen – bass
http://crowenofficial.net
https://www.facebook.com/CrowenOfficial
Progressive
metal band DUST ORCHARD from Helsinki, Finland, has
released their new single "HOURS IN THE VOID". For fans of: Amorphis, Evergrey, Soilwork (and Swedish melodic death metal), modern progressive metal.
The band is known for weaving violin-led melodies into a dense, riff-driven foundation of modern heavy music. After a 2022 EP and a major rebuild of the lineup, Dust Orchard is now moving into a new phase with renewed focus and fresh material in the works. New single introduces this current chapter: ambitious, dark, and deliberately dynamic.
With thunderous guitars, soaring violins and a blend of growls and clean vocal harmonies, “Hours in the Void” tells the story of a desperate struggle for survival in an apocalyptic future. The track balances progressive structure and heavy riff weight with melodic, atmospheric sections—showcasing the band’s range without losing cohesion.
Listen to the single on music services : https://push.fm/fl/dustorchard-hoursinthevoid
Violinist Vegard Lillevoll describes the song as a statement of intent:
“I think ‘Hours in the Void’ lights the way forward for the new metamorphosis of Dust Orchard. It’s lofty, catchy and heavy in all the right places.”
Founder and guitarist Petri Siikander highlights the song’s scene-setting approach and the way the arrangement pivots between extremes:
“I try to paint a picture with every song. Usually I’ll have a specific scenery and feeling in mind when writing… The upcoming single has a heavy intro, trashy metal growls, an epic chorus and some Rush stuff in the middle. What’s not to love?”
Founded in 2018, Dust Orchard emerged from the underground corners of Helsinki with a clear aim: write progressive metal that resists predictability while still landing with emotional weight. The band’s identity is rooted in its instrumentation — especially the use of violin as a lead voice inside a heavy, guitar-driven framework — allowing songs to move from crushing intensity to melodic introspection without warning.
Following the release of an EP in 2022, Dust Orchard went through a significant lineup transition and spent time rebuilding the band from the inside out. Re-emerging with a sharpened intent and new material taking shape, the current lineup is focused on releasing new music and preparing more songs for a forthcoming longer-form release.
Line up:
Tommy Olenius - vocals
Petri Siikander - guitar
Marko Hanski - guitar
Vegard Lillevoll - violin
Niko Salo – bass
https://www.youtube.com/@dustorchard9222
https://www.facebook.com/dustorchard
Label: Xtreem MusicRelease date: february 5th 2026
Genre: Death Metal
For fans of: Entombed | Ribspreader | Grave | Vomitory
What is man but a short-lived parasite, a brief flickering of light in the long, long aeons of darkness…for those who dwell in the deep places of the Earth, all mankind’s endeavours – his childlike learning, his shining towers and imbecilic weapons, his self applauded works of art – are unworthy of note or notice. They slumbered; dreaming their epoch spanning dreams in their temples of silence, whispering their strange sorceries, long before man dragged himself from the primeval swamps. And they will dream on in the times to come, while the stars grow cold and as mankind rots.
The Scandinavian Warmachine rolls on! After twenty seven years, thirteen full length studio albums and an ever growing brood of EPs, split releases, live albums and compilations Paganizer still sound adrenalized, bloodstained and glorious! It seems that Rogga Johansson still wakes every morning with a new batch of rotten riffs hatched inside his head, clawing to get out into the world…and album number fourteen is ready to lay waste to all that stands in its path. It’s time for As Mankind Rots!
Paganizer make two kinds of records – good ones and great ones – and from the explosive beginning of title track and first single, ‘As Mankind Rots’, it’s obvious that with this album they are hitting greatness. There’s no intro, no samples, it’s just headfirst into riffs and mayhem; pure Swedish death metal magnificence! From that opening salvo on there is not a moment which is anything less than definitive death metal. You could explain real, unadulterated death metal to the uninitiated by simply handing them this album to listen to. Every vocal punctuation, every roar, every drumbeat every goddamn riff is exactly what you want it to be. From the supremely catchy ‘Put On Your Gasmask’, with its wailing air raid siren to ‘Hollow’s crawl through lightless tunnels; ‘Afterworld’s searing guitar solo and atmosphere to revel in, drown in, to the rampaging, breathless fury of ‘The Rotting End’ - As Mankind Rots is headbanging classic after headbanging classic. Rogga’s voice is as powerful as his riffs and Paganizer have never sounded better. A nice surprise to finish the album is a new recording of ‘Vanans Makt’, which appeared on the Compiled Ammunition compilation back in 2020, with guest vocals from Bulten of Swedish punk band Lastkaj 14.
Mixed and mastered by long term collaborator Ronnie Björnström, who has also applied his magic touch to other Rogga Johansson projects like Ribspreader, Those Who Bring The Torture and Revolting, As Mankind Rots simply could not sound any better. The package is completed by the haunting artwork of Ivan Bragin (The Gathering, October Tide, Woods Of Ypres etc) and will be released by Xtreem Music on CD, 12"LP Cassette & Digital formats on February 5th. For all fans of real death metal – this is unmissable!
Line-up:
Rogga Johansson - Guitars, Vocals
Matte Fiebig - Drums
Dennis Blomberg - Lead Guitars
Martin Klasén - Bass
https://www.xtreemmusic.com/
https://www.facebook.com/paganizersweden
Belgium’s
metal underground has a new force rising from the Turnhout region, and its name
is STUNG — a razor‑edged fusion of thrash, hardcore and crossover
delivered by four seasoned musicians who previously left their mark in Leave
Scars, Meantime and Soultaker. Their collective history includes stages such as
Graspop, Wacken, Metaldays, and support slots for icons like Master and Exhumer,
and that pedigree fuels every riff and every roar of their sound.STUNG’s explosive hybrid has already earned them stages alongside Channel Zero, Kill The Logo, Bark and Temptation For The Weak, proving their ability to stand tall among the country’s heavyweights. In their first year alone, they hit Kid’s Antwerp, Hell Diest and The Club Mechelen, and stormed festivals including Frietrock Metal Fest, PeironFest and AsgardFest — a rapid rise that speaks volumes.
After releasing their debut video “Follow” in late 2023, STUNG returned with the crushing single “C.O.C”, mixed and mastered by Joey Zampella (Life Of Agony) — who immediately became a supporter of the band’s raw intensity. Both clips, along with live footage, are available on their YouTube channel. Their debut EP ‘Reflection on Normality’ (February 21, 2024) captures STUNG at full power: sharp, aggressive, unfiltered, and rooted in the legacy of thrash and hardcore while pushing the sound forward.
STUNG is now actively seeking album and single reviews, radio airplay, and playlist support. The band is also fully available for interviews — written, audio, or video — and happy to provide additional press materials upon request.
A new sound with a nod to the past. A band ready to break through.
https://www.facebook.com/StunGBookings
The album was meticulously crafted for approximately two years, evolving from a mere idea to a finished product. The central theme of the album is to unveil the inherent ‘evil’ embedded in organized religions, particularly those led by fanatical leaders. Musically, it presents a fusion of traditional Norwegian and Swedish black metal, heavily influenced by the American death metal scene. The creation of the music is a collaborative effort, with all three members working in unison from inception to completion."
The album is available on all digital platforms: https://orcd.co/spiritualsyphilis
Tracklist01 Curse of Jehovah
02 The Con Man
03 The Chosen People
04 Spiritual Syphilis
05 Deceiver
06 Lenkene er brutt
07 Svik
08 Glossolalia
09 Til evig tid
Odio Deus was started in 2020 in Oslo, Norway by Telal. After many years of several different black metal bands, Telal decided to start his own band, where he’s in control of the musical vision and lyrical concepts. The band’s goal is to make black metal with a strong death metal influence, using lyrical concepts that deal with the hypocrisy within organized religion and other relevant subject matters.
Odio Deus is:
Telal - Drums, Lyrics, Bass
Braatebrann - Guitars, vocals, bass
Winterheart - Guitars
Join the ranks of the damned and follow ODIO DEUS on their journey through the shadows:
www.youtube.com/@OdioDeusband
www.facebook.com/Odio-Deus-Official
For fans of: Ghoul, Witchery, The Haunted, Gwar, Converge, The Crown, Midnight
The band comments on their newest 4-song dose of debauchery, "Before ROTGUT was formed, we still wrote music in our concrete, lightless hell. Raw, dogged, but not yet Rotgut. Four tracks that kick-started the oeuvre. We’re bringing them out of the dark so they can rot in the light of day."
Stream the EP's first single, "SLASH AND BURN" now on Apple Music and Spotify.
Watch the lyric video at https://youtu.be/1Xh8GB_duis
8 oz. Cantrip is out on Friday, January 16.
Stream the band's debut, 24 oz CANTRIP on Spotify, Apple Music and Bandcamp. The EP is also available as a limited-edition VHS style cassette.
Born fully formed, screaming, and covered in goo out of the dumpster behind DaVinci's pizza on Merrick Road, a horned figure scrambled blindly through piles of empty paint cans, ceramic vases, and angry cats in order to move undetected. He found refuge in a musty old cellar. After pulling his foot loose from the bucket he had stepped in, he closed the heavy steel doors
behind him.
Wiping
the thick blanket of dust off a 30-rack of Genesee Specialty Cream Ale, he
schemed. He was cursed with the knowledge of an incantation: a spell that would
bring Nyarlathotep, the Crawling Chaos, into this world. He wrestled with the
thought while crushing and tossing another empty can. The ritual required great
rigor and perfect focus, but he was exacting.He chanted. He chanted and chanted. The ceiling groaned and cracked. Polyvinyl dust plumed and swirled before vanishing into imperceptible motes. He drew sorcerous glyphs in the air with two fingers outstretched. The walls trembled with a sickening low rumble. Bracing his hands firm against his ersatz altar — a Playskool Mighty My Size Table and Chair Set — he ignored the throbbing in his head and steadied himself.
A spiraling portal ripped into reality. Out spilled two bumbling homunculi, fully formed, screaming, and covered in goo. This wasn't right! The pair stumbled and scratched their way through the cellar, bleating, squawking, and tearing through nearby cases of Natty Daddy like vultures to carrion. He pondered for what seemed like hours over the pyramid of discarded beer cans and the now-empty bottle of Old Grand Dad he had chanced upon halfway through. What could have gone wrong?
The cellar burst open. Darkening the door was a group of hulking, hazmat-suited figures. At once, the three slickened homunculi grappled one another in a long and futile struggle to get on their feet. They shouted in a panic if they were "being detained" until they were eventually tased into unconsciousness.
Bio:
Assembled against their will by a faceless shadow organization in the Winter of 2024, Rotgut was bound by a great purpose: to form an extreme metal band, inspired by crust punk, rock ’n’ roll, and classic schlock to shred wanton across the greater US and parts beyond.
ROTGUT is:
FD - Guitar and Vocals
C19 - Guitar and Vocals
AX - Bass and Vocals
El CC - Drums
https://rotgutofficial.bandcamp.com/
GUYOD
- "VORTEX OF INFINITE DESPAIR" Genre : Extreme Metal, Dark Metal
Release date : 8th of January, 2026
Der Weg in die ewige Finsternis des Ozeans führt durch den „Vortex of infinite despair“.
Mit diesem brandneuen Song belegt die Black/Doom/Death Metal Combo GUYOÐ, dass sie nach ihrem 2023 Debütalbum eine Band sind, die gekommen ist, um zu bleiben. Voller Verzweiflung, Aggression und Spielfreude prügeln sich die vier Grazer durch den Song, welcher auch wieder mit einem äußerst stimmungsvollen Video von Revvidy aufwartet.
Thematisiert wird der Untergang der menschlichen Zivilisation, Ängste, Furcht und Verzweiflung – eine Stimmung, die der Song, ebenso wie das Video, gekonnt in Szene setzen. Flirrende Gitarren, treibende Bässe, ein verspielt druckvolles Schlagzeug, sowie die stimmliche Vielfalt des Sängers machen GUYOÐ insgesamt und diesen Song im Speziellen aus und führen zu einem Hörerlebnis der besonderen Art.
https://youtu.be/9C2KO5mWW3E?si=87HUjmIkmj98Lgod
https://www.guyod.net/
Horror Pain Gore Death Productions are set to release the new album from Maryland's dark, depressive Black/Death Metal demons MOONCHAPEL . "THREE FACED TRINITY FOR A TWO-FACED WORLD" is up now for pre-order and will be released February 13th on CD and Digital formats along with merch.
For fans of :Beherit, Bolt Thrower, Demoncy, Goreaphobia, Incantation, Infester, Mystifier, Nyogthaeblisz, Profanatica, Sadistic Intent and Seance
Horror Pain Gore Death Productions welcome Moonchapel to the roster with the new album Three Faced Trinity For A Two-Faced World! Since its birth and inception in 2023 in Westminster Maryland, Moonchapel perform Black/Death Metal that explores our deepest anxieties and our darkest depressions. Three Faced Trinity For A Two-Faced Existence is influenced by the parallels between religious delirium and psychotic symptomatology, diving into the motives of consciousness, the drives of the subconscious and the existential loneliness of perceiving our own mortality.
Listen to the single "Dispersed And Stone Still" at https://youtu.be/MrYxgETmSVc
Tracklisting:1. Ominous And Omniscient
2. Beyond Death Is A Parched Paradise
3. Burden Of Shadows, This Harrowing
4. Dispersed And Stone Still
5. Demonic Froth Behind The Frontal Lobe
6. Union Of Opposites
7. Eskhatos
8. Three Faced Trinity For A Two-Faced Existence
www.youtube.com/user/horrorpaingoredeath/videos
www.horrorpaingoredeath.com
https://shop.horrorpaingoredeath.com
The song arrives with a psychedelic live video, featuring footage captured at Club Flex in Arad, Romania. The visuals highlight the track’s uneasy, atmospheric feel, giving a vivid look at Brusaschetto’s experimental edge in a live setting.
About Daniele Brusaschetto
Since 1994, Daniele Brusaschetto has been on a continuous journey through his own world of sonic soot.
Performing as a power trio, he follows the imaginative path paved by Voivod, Godflesh, and early Mastodon—a mix of granite-heavy riffs, metal grit, no wave dissonance, and an emotional machinery waiting to be discovered beyond the wall of guitars.
In 2016, his passion for the six-string and extreme rock was reignited. “Flying Stag” (2019) marked his return to a metal–math–groove–stoner sound. In 2023, he released “Bruise A Shadow” via WormHoleDeath Records.
Now, Daniele is preparing to unveil his new full-length album, Dichotomous, which captures the natural evolution of his distinctive and uncompromising sound.
Pre-save "Dichotomous": https://orcd.co/dctms
Previous video: https://youtu.be/7gnBYbCQk9I
The Lineup Driving the Sound:
Daniele Brusaschetto: voce/chitarra
Daniele Pagliero: basso
Alberto "Mono" Marietta: batteria
www.youtube.com/user/boscorec
www.danielebrusaschetto.net
www.facebook.com/danielebrusaschetto
Montreal (QC) - Canadian bruisers, DEADWOOD, have released new EP, RITUALS OF A DYING LIGHT, via Innerstrength Records. The EP is available at the following locations:
https://innerstrengthrecords.bandcamp.com/album/deadwood-rituals-of-a-dying-light
https://hypeddit.com/deadwood/ritualsofadyinglight-1
Deadwood uniquely blends death metal and hardcore to create a modern deathcore sound. Known for their heavy music and dark lyrics, their motto is "Make Deathcore Angry Again." The band aims to evoke terror and fear through their music, ensuring their performances are unforgettable.
Most importantly, the music of Deadwood caters to enthusiastic metalheads who crave pure brutality and violence.
Track Listing
1. Tales of Massacre
2. Heretic
3. Thirst for Blood
4. Whispers of Death
5. Echoes of the Fallen
Music and lyrics by Deadwood.
Recorded at EMNT studio January 2025.
Produced by Fred Element.
Mix and mastering by Fred Element.
Formed in the shadow of COVID-19 pandemic in 2020, Deadwood quickly carved out a place in the heavy scene with their dark, unrelenting sound. The lineup unites seasoned veterans: guitarist Fred (ex-The Plasmarifle, ex-Ion Dissonance), guitarist Stéphane (ex-Nova Spei, Iron Maiden tribute), drummer Charles (ex-Dismayd, Discovrey Through Tourment), and vocalist Derek, reuniting with Fred after a decade since their days in Malaga.
Drawing from the ferocity of Meshuggah, the brutality of Whitechapel, and the groove-driven power of Pantera, Deadwood delivers crushing riffs and haunting atmospheres steeped in true dark histories—from the Salem witch trials to the reign of Jack the Ripper.
Their catalog includes the EP Nemesis (2022), EP Inhuman (2023), and standout singles “Straightblade” (June 2023), “Djinn Pitts” (March 2024), and “Heretic” (April 2025). Known for their commanding live presence, Deadwood has toured Japan with Humanity's Last Breath and DVRK, stormed U.S. stages in 2025, opened twice for Born of Osiris in Montréal, and shook the grounds of Inkcarceration Festival 2025.
Currently on tour across Québec, Ontario, and New Brunswick, Deadwood is gearing up for their first European run in 2026 — bringing their brand of dark, murky heaviness to stages worldwide.
Line-up:
Fred Element - Guitars
Stephane Filion - Lead Guitars
Charles Etienne Lafrance - Drums
Derek Heynekemp - Vocals*
*Note: Vocals on the EP by Martin Demontigny.
https://innerstrengthrecords.bandcamp.com/
https://deadwoodmetal.com/
DIATRIBES
– “DEGENERATE”DIATRIBES – Dominating the Extreme Metal Apocalypse
Genre: Extreme Metal / Modern Death Metal
Emerging from the extreme metal Brazilian underground, DIATRIBES is a ruthless and uncompromising force driven by sheer aggression, sonic violence, and modern extreme heaviness. The band has forged a brutal identity defined by crushing guitar work, relentless rhythmic assaults, and ferocious vocal intensity, positioning DIATRIBES as a commanding presence in today’s extreme metal scene.
Founded by guitarist Gladyson Rivero, DIATRIBES transformed a focused creative vision into a fully weaponized lineup built for impact. The band features Danilo Luna on vocals, delivering savage, commanding performances that cut through with raw hostility; Gladyson Rivero and Marcelo Souza on guitars, constructing dense walls of riffs and razor-sharp leads; Niko Teixeira on drums and production, unleashing precision-driven brutality shaped by extensive national and international experience; and Sergio Roma on bass, anchoring the sound with a punishing and oppressive low end.
DIATRIBES has completed the recording of its debut full-length album. The release delivers 13 devastating tracks of modern extreme metal, pushing intensity, darkness, and sonic weight to their limits. Every song reflects the band’s obsessive commitment to power, clarity, and professional-level production.
Designed for fans of extreme metal, death metal, modern death metal, and aggressive heavy music, DIATRIBES is entering an active album promotion campaign, positioning this release for maximum visibility within the international metal underground and beyond.
DIATRIBES is ready to unleash a release built for impact, confrontation, and lasting domination in the global metal scene.
https://www.facebook.com/BrutalRecords.USA
Hungary's Old-School Technical Death Metal force ANGERSEED returns with their long-awaited second full-length album, "Rapture is Mine… Glory is Ours", marking nine years since the band's debut, "The Proclamation". The new record sees the band reconnecting with its early roots while boldly reshaping its sound into a more modern, dynamic, and expressive form. The lyrical themes delve deeper than before, enhancing the band's characteristic social-critical perspective with profound inner and spiritual reflections.
The album spans 45 minutes across eight new compositions, followed by a special Hungarian-language bonus track, "Epilógus / Számvetés 33", a poetic, introspective summation of frontman Peter D. Maniak's 33-year musical journey.
The album title reflects the culmination of a long and demanding creative era. This time, Peter D. Maniak assumed full artistic control over the songwriting, defining both the sonic identity and the future direction of ANGERSEED.
"Rapture is Mine… Glory is Ours" is out now on jewel-case CD edition, a collaboration between Pest Records and Metal Ör Die Records, and is available to play / order here:
https://pestrecords.bandcamp.com/album/angerseed-rapture-is-mine-glory-is-ours
Tracklist:
1. Nothingness is Calling Me
2. Conquering the Nemesis
3. When Life Turns to Grey
4. Barathrum of Consciousness
5. The Emptiness Within
6. Self-Expulsion from Paradise
7. Redefine My Universe
8. With Rapture for the Glory
9. Epilogue / Accounting 33 (Bonus Track)
Line-up:
Peter D. Maniak – vocals, vocals
Zoltán Bilcsik – bass guitar
Péter Losonczi – guitars (studio session)
Jozsef Gáva – Drums (live & studio session)
Recorded by: Losonczi Péter (Saron Records, Debrecen, 2024–2025)
Mix/master: István Simon (No Silence Studios)
Producers: Angerseed and István Simon
Cover and booklet: Bertalan Pór (Krowze)
Short biography:
Formed in 2008 by vocalist Peter D. Maniak, ANGERSEED has performed more than 200 shows in Hungary and abroad, appearing at festivals such as Gothoom, Rockmaraton, Death By Metal, MetalGate Czech Death Fest, and Rockstadt Extreme Fest. The band is also closely connected to the Full Of Anger Underground Metal Festival, currently preparing for its 28th edition.
https://www.facebook.com/metalordierec
https://www.facebook.com/pestrecords
https://www.facebook.com/Angerseed
MERCULISTARYA, One-Man Band by Árpád Szenti (Thy Catafalque, Ahriman, Athame, Damnation), Announces Debut Album
Hungarian Black Metal one-man band MERCULISTARYA announce its debut full-length album to be released on Pest Records and Metal Ör Die Records this February 20th. Titled "ÁRADÓ FÁJDALOM A TŰNŐDÉS MEDRÉBEN", this is the deeply personal and emotional work of Árpád Szenti, known from his work in bands like Thy Catafalque, Ahriman, Athame or Damnation.
As a taste of things to come, here's the first single for the track "Rémálomköd" which features the guest appearance of vocalist Ivett Dudás also of Thy Catafalque fame: https://www.youtube.com/watch?v=r5Re4Z4GUsg
"Áradó fájdalom a tűnődés medrében" is available for pre-order here: https://pestrecords.bandcamp.com/
"Áradó fájdalom a tűnődés medrében is a concept album, each song connected, each meaning intertwined, forming a single immersive narrative. It follows a thorn‑ridden path of struggle, fear, disappointment, madness, resignation, and death, contrasted against the vastness of nature, its elemental force, its mysticism, and the unseen dimensions that pulse beneath reality.
This album is a fragment of my soul. Through MERCULISTARYA, I unearthed emotions and energies that could not have surfaced through any other form of expression.
MERCULISTARYA is a long‑standing personal vision, a vessel through which my inner world takes musical form. Rooted in the darker currents of old‑school Black Metal, it draws from the place where the genre first spoke to me. The earliest foundations were laid in 2002, when the songs began to take shape, guided by dreams, shadows, and the subconscious landscapes that inspired both the music and the lyrics.
Despite years of obstacles, the album was first recorded in 2009 but remained unreleased as my focus shifted toward the bands in which I served as drummer (Athame, Ahriman, Sentio Ergo Sum, Damnation, Fagyhamu, Voidshrine, and Thy Catafalque). MERCULISTARYA was set aside, waiting for its moment.
In 2024, with renewed experience and a stronger technical foundation, I chose to resurrect the material and re‑record the entire work. This final version is the true realization of what the project was always meant to be." Árpád Szenti
https://www.facebook.com/metalordierec
https://www.facebook.com/pestrecords
https://www.facebook.com/profile.php?id=61586009559697
BEYOND
THE PALE – “MONUMENT IN TIME”Label: Black Metal Archives
Release date: january 30th 2026
Genre: Thrash Metal/Melodic Death Metal
For fans of: Izegrim | Occult | Dew Scented | Arch Enemy
Forged in the confusion and anxiety of the global pandemic in 2020 and then tempered in the flames of tragedy and the cold ice of loss when their friend and founding member, Jeroen van Donselaar, collapsed on stage in 2022, struck down by a fatal cardiac arrest – Utrecht’s Beyond The Pale emerged from adversity unbowed and unbroken. With a renewed sense of purpose, they recruited former Martyr guitarist Geoffrey Maas and set about honouring the memory of their fallen comrade. The Monument In Time EP was released independently in The Netherlands in 2024, featuring an array of Jeroen’s accomplished guitar riffs, but this release deserved more. Now, with the backing of new British label, Black Metal Archives, Monument In Time – with two bonus tracks that have never been released on any physical format before – will find its way to a global metal audience. This tribute to friendship and the power of metal, this searing attack of thrash and melodic death metal, will carve the name of Beyond The Pale into the annals of extreme music forever.
Monument In Time explodes into life with the precision riffing of ‘Liberation For The Damned’ – a finely honed thrash/death weapon with every element fiercely focussed; from the interlocked twin guitars to the prominent bass lines that subtly weave their way through the axe attack, the powerhouse drumming to the stunning, ferocious vocal presence of Janneke de Rooy (ex-Altar). The essence of Beyond The Pale is summed up in this opening fusillade, but each song that follows possesses an individual character that adds immeasurably to Monument In Time’s vehement and venomous delivery. Be it the atmospheric intro and irresistible refrain of ‘Walk The Plank’, the power, hook-filled and instantly addictive ‘Facts And Figures’ or the viciously intense thrashing fervour of ‘Payback Is A Bitch’, with its touches of melodic lead adding an extra dimension, Beyond The Pale crush with every song, every note, every venomously articulated word of imperious rage.
The two bonus tracks that have been added to the track list of Monument In Time are the original 2021 recording of the band’s first single, ‘Storm en Drift’ – a song that appears in a re-recorded form elsewhere on the EP – and a reimagining of the thundering ‘Facts And Figures’, remixed by Japanese artist Frost (Gods Of Decay, Godfrost). Frost has added gleaming circuitry and bionic enhancements to the monstrous original and ‘Facts And Figures’ is a track with the strength to emerge from this invasive surgery still bristling with malicious intent, but with a new horror-tinged atmosphere infused into its bones.
Engineered and mixed by the team at Mass Audio Studios in Utrecht and mastered by the renowned Tony Lindgren (Amorphis, Arch Enemy, Insomnium, Kreator etc) at Fascination Street Studios in Örebro, Sweden, the sound that has been captured on Monument In Time is exceptional – with clarity, a cutting edge and formidable force all accorded equal importance. A fitting tribute to the much-missed Jeroen van Donselaar and a titanic barrage of expertly blended thrash and melodic death metal, Monument In Time is about to receive the release it deserves through Black Metal Archives on January 30th.
Line-up:
Janneke de Rooy - Vocals
Johnny Derechos - Drums
Frank van Boven - Bass
Boudewijn de Kraaij - Guitars
Geoffrey Maas – Guitars
https://blackmetalarchiveslabel.bandcamp.com
https://beyondthepale.nl/
Wormholedeath Records is proud to announce the signing of the most galvanizing force in modern progressive metal: MANUEL. Led by the visionary guitarist Manuel Urgiles, who fuses virtuosic technicality, infectious Latin rhythms, and an uncompromising socio-political edge, creating a sound that is both raw and utterly essential. Their EP "PARASITE" will drop on 27 February 2026, via Wormholedeath.
Born and raised in Los Angeles, Manuel Urgiles has forged a reputation as one of the most innovative voices in contemporary progressive metal. His band MANUEL merges intricate, virtuosic guitar work with authentic cultural influences, creating a sound that is both visceral and intellectually charged. Grammy Award winner Stacy Parrish calls MANUEL "a true musical revelation, pushing boundaries with genre-defying fusion and emotionally charged, virtuoso guitar performances."
"Parasite" boldly confronts the oppressive grip of the wealthy elite who manipulate and divide us for their own gain. It exposes how those in power intentionally pit us against one another while continuing to grow richer and more dominant.
"We reject the idea of rulers or masters. Instead, this EP serves as a rallying cry to unite against the true enemies—the corrupt systems and individuals who exploit us. It’s a call to shift our focus toward dismantling their control and building a future rooted in genuine change," states Manuel. "Parasite" is more than just a title; it’s a reflection of the parasitic forces at work in our society. I’m eager to hear your thoughts—what do you think of this message and direction?"
Featuring collaborations with guest vocalists, "PARASITE" showcases MANUEL's ability to seamlessly blend crushing progressive metal with Latin percussion, socially conscious lyricism, and genre-defying experimentation. The EP explores themes of immigrant resilience and cultural pride while delivering unrelenting sonic intensity.
MANUEL has already established themselves as a formidable live force, performing at major New England festivals including All Roads and VICES Fest, with a relentless touring schedule across the Northeast. Their high-energy performances have captivated audiences across metal, punk, and alternative scenes alike, proving that authentic artistry transcends genre boundaries.
MANUEL is:
Manuel Urgiles – Lead/Rhythm Guitar
Jason Ingalls – Drums
Thomas Hiscock – Bass Guitar
Ryan Cummings – Rhythm Guitar
DJKTF – Keys/Percussion
Pre-save Parasite: https://orcd.co/parasiteep
www.youtube.com/@MANUELGUITARIST
www.facebook.com/manuelguitarist
On
March 13, 2026, VOR DIE HUNDE will expand their successful product
portfolio with the launch of a brand-new full-length Album via DEFYING DANGER
RECORDS! This premium-segment release is designed to dominate the global
Grindcore market and further solidify their position as industry leaders in
extreme music monetization!VOR DIE HUNDE are four businessmen from the future, armed with the knowledge of how to turn noise into revenue. They have returned to the present to launch their hyper-lucrative fusion of Grindcore, Death Metal, and Punk against us. Their business model is simple and straightforward: blastbeats in, money out. With unprecedented brutality, they extract listeners’ hard-earned cash — all while delivering maximum customer satisfaction!
VOR DIE HUNDE proudly embrace their role as the world’s first profit-driven Grindcore band. Fueled by pseudo-intellectual world-improvement lyrics and a sound scientifically engineered by leading experts to trigger consumer desire, they target a premium audience eager to invest in exclusive, limited-edition merchandise at luxury price points. The scientific foundation of their success: advanced AI models trained on the output of world market leaders like ROTTEN SOUND, NASUM, NAPALM DEATH, CARCASS, and others — ensuring exponential audience growth with minimal effort!
https://www.youtube.com/c/vordiehunde
https://www.facebook.com/4dieHunde/
Montreal
(QC) - Canadian bruisers, DEADWOOD, have released new
EP, RITUALS OF A DYING LIGHT, via Innerstrength Records.
The EP is available at the following locations:
https://innerstrengthrecords.bandcamp.com/album/deadwood-rituals-of-a-dying-light
https://hypeddit.com/deadwood/ritualsofadyinglight-1
Deadwood uniquely blends death metal and hardcore to create a modern deathcore sound. Known for their heavy music and dark lyrics, their motto is "Make Deathcore Angry Again." The band aims to evoke terror and fear through their music, ensuring their performances are unforgettable.
Most importantly, the music of Deadwood caters to enthusiastic metalheads who crave pure brutality and violence.
Track Listing:
1. Tales of Massacre
2. Heretic
3. Thirst for Blood
4. Whispers of Death
5. Echoes of the Fallen
Music and lyrics by Deadwood.
Recorded at EMNT studio January 2025.
Produced by Fred Element.
Mix and mastering by Fred Element.
Formed in the shadow of COVID-19 pandemic in 2020, Deadwood quickly carved out a place in the heavy scene with their dark, unrelenting sound. The lineup unites seasoned veterans: guitarist Fred (ex-The Plasmarifle, ex-Ion Dissonance), guitarist Stéphane (ex-Nova Spei, Iron Maiden tribute), drummer Charles (ex-Dismayd, Discovrey Through Tourment), and vocalist Derek, reuniting with Fred after a decade since their days in Malaga.
Drawing from the ferocity of Meshuggah, the brutality of Whitechapel, and the groove-driven power of Pantera, Deadwood delivers crushing riffs and haunting atmospheres steeped in true dark histories—from the Salem witch trials to the reign of Jack the Ripper.
Their catalog includes the EP Nemesis (2022), EP Inhuman (2023), and standout singles “Straightblade” (June 2023), “Djinn Pitts” (March 2024), and “Heretic” (April 2025). Known for their commanding live presence, Deadwood has toured Japan with Humanity's Last Breath and DVRK, stormed U.S. stages in 2025, opened twice for Born of Osiris in Montréal, and shook the grounds of Inkcarceration Festival 2025.
Currently on tour across Québec, Ontario, and New Brunswick, Deadwood is gearing up for their first European run in 2026 — bringing their brand of dark, murky heaviness to stages worldwide.
Line-up:
Fred Element - Guitars
Stephane Filion - Lead Guitars
Charles Etienne Lafrance - Drums
Derek Heynekemp - Vocals*
*Note: Vocals on the EP by Martin Demontigny.
http://facebook.com/innerstrengthrecords
https://deadwoodmetal.com/
Rising
blackened atmospheric death metal force FROSTMORNER is
proud to unveil the official visualizer for "GORGONE," the
visceral new single from the upcoming debut full-length, ORBITAL
KAOS. Set to drop on February 13, 2026, the album marks a
definitive statement from one of the genre's most promising solo visionaries.
Rooted in the myth of Medusa and shaped with a cinematic mindset, “Gorgone” is built to feel immersive rather than conventional. What began as an influence drawn from Nile soon developed into a personal statement, where atmosphere plays a central role. The track layers brutal riffs with monster-like sound design inspired by film and video game audio, creating a dense and unsettling soundscape.
Structurally, “Gorgone” hits hard and moves with intent. Fast, aggressive riffing and slam-driven sections dominate the opening, before giving way to a slow, oppressive final act. This closing passage relies on steady, unyielding drumming and dark ambient textures, conjuring the image of a Gorgon carrying out a ritual. The narrative follows Medusa as she turns her victims to stone, then reshapes them through a dark rite into a monstrous force that spreads fear wherever it moves.
About Frostmorner
Hailing from Sicilian roots, Mario began the Frostmorner journey in 2019. After evolving from a collaborative effort into a solo powerhouse, Frostmorner has carved out a distinct niche in the Blackened Atmospheric Death Metal landscape. Handling all duties from guitars and drums to artwork and design, Frostmorner represents the ultimate DIY spirit in extreme metal, earning acclaim from fanzines and radio stations worldwide.
Pre-save "Orbital Kaos" now: https://orcd.co/orbitalkaos
www.youtube.com/@frostmorner
www.facebook.com/FrostmornerMusicOfficial
WOLFBASTARD – “SATANIC SCUM PUNKS”
Label: Apocalyptic Witchcraft
Release date: march 13th 2026
Genre: Black Metal/Crust Punk
For fans of: Venom | Exploited | Midnight | Extreme Noise Terror
We’re careering to the end now, pedal to the metal and picking up speed with every turn around the sun; humanity clambering over itself to reach the landfill of shit, bones and misery where it belongs. Some will weep their way to our mass, open grave, capturing their final pathetic moments on the cracked screens of the devices that have eaten their souls. And some will howl in the flames of destruction…drink, fight and bleed their way to oblivion. The end of days will be their best of days as they grind glass into society’s rotten face. Nihilistic and defiant, venomous and violent – no cause, no cares, no code of conduct – the streets belong to the satanic scum punks!
Four years on from their cranium crushing third album, Hammer The Bastards, Manchester’s feral kings of the underworld – Wolfbastard – have returned, armed with the turbo charged belligerence of new album Satanic Scum Punks! Opening track ‘It’s Fucking Dark’ begins with a strange, tarnished majesty before a riotous punk riff tears out its throat and a raucous cry of ‘Fuck Off!’ sends us hurtling into the darkness. There’s no respite, no acoustic interludes or moments of atmospheric reflection, just ultra-aggressive punk riffs with a jagged black metal blade concealed inside them. ‘Let The Bastards Burn’ leaves you in no doubt that Wolfbastard won’t just let the bastards burn, they’ll be starting the fire, adding any accelerant that comes to hand and kicking any escapees back into the flames. The ripping, addictive black mayhem of first single ‘Hail Satan Kurwa’ is a breathtaking rush of full force blast and ‘F.O.T.D.’ is the kind of song that would headbutt you for breathing. There is no weakening of the ice and dirt, fire and thunder assault as Satanic Scum Punks progresses; from the devil may care, feet first into the abyss adrenaline of ‘Drink For Hell’ to the body breaking ‘Manic Street Creatures’ this album just hits harder and harder. And finally it ends just where it began, with a spittle-flecked ‘fuck off’, before collapsing back into the gutter.
Now with the backing of a powerhouse new label, champions of the underground Apocalyptic Witchcraft, the filth, fury, malice and menace of Wolfbastard will be spread like a disfiguring plague. Satanic Scum Punks will be unleashed on March 13th and available on limited edition vinyl, digipak CD, Cassette and digital formats. Be ready for wanton destruction and drunken devastation – expect no mercy here.
Line-up:
Dez – Guitar/Vocals
Si Fox - Bass
Dave Buchan - Drums
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/dbeatblackmetal
As
is the tradition for us, we've started this year with our new label sampler.
It's always free-for-download with the proceeds going towards our animal
sanctuary having around 40 rescued cats and dogs now (I hope I can get them
some new toys and maybe a treehouse after this!). The artwork is made by Nekromold and
we've come up with a couple of colour options too just in case.
Label Sampler link : https://transcendingobscurity.bandcamp.com/album/2026-label-...
You'll find more familiar bands on the label sampler this time around because quite a few of them have come up with new material but the overall quality remains the same and the essence undiluted. A few bold bands have been given prominence and I'm sure the songs on the label sampler will grow on the listeners because several of them are rather intricate or just weird/interesting. At this rate, we'll probably never end up being a big "commercial" label but I can live with that.
Compilation info
We are truly privileged to enter another year working with both known bands returning to release their new albums with us as well as fledgling ones showing promise. The 2026 label sampler is a free-for-download compilation with all fresh songs, mostly off albums that are likely to come out in the same year. As can be expected, there's plenty of diversity and it should be an interesting year for the label.
The artwork by Nekromold is a reflection of our messy times, where art and music are getting infested by AI, with some gnarly Warhammer 40k influence thrown in for good measure.
The proceeds from this goes towards the upkeep of the Transcending Obscurity-run animal sanctuary having over 40 rescued cats and dogs, and others outside being fed and taken care of on a daily basis.
Track listing
1. ENDSPACE (Canada) - Sixth Transmission (Sci-fi Black Metal)
2. VEILBURNER (US) - Vitriolic Hiss (Avantgarde Black/Death Metal)
3. FEBRUUS (Sweden) - Measures of Escalation (Progressive Death Metal)
4. DEVENIAL VERDICT (Finland) - Elysium (Death Metal)
5. HAXPROCESS (US) - The Divinity of the Self (Death Metal)
6. THE SCALAR PROCESS (France) - Far From the Flesh (Progressive/Atmospheric Death Metal)
7. VIANDE (France) - Cercuiel de vase (Death Metal)
8. RITUAL FOG (US) - Enraptured (Death/Thrash Metal)
9. NINTH REALM (US) - Rituals in Thar'amath (Death/Thrash Metal)
10. DEFECT DESIGNER (Norway) - Repeated Aversive Stimuli Inducer (Progressive Death Metal)
11. CUTTERRED FLESH (Czech Republic) - The Colour Out of Space (Brutal Death Metal)
12. CHAOS MOTION (France) - Neurotic Contortion Abuse (Dissonant/Technical Death Metal)
13. DYSGNOSTIC (Denmark) - The Black Sun (Dissonant Death Metal)
14. ELITIST (Denmark) - Enforced Malnourishment (Dissonant Death Metal)
15. CARBON TOMB (Denmark) - A Hidden Creature (Dissonant Death Metal)
16. GOREWORM (Canada) - The Enthralling Grave (Technical Death Metal)
17. DISSECT THE MASSES (US) - Flesh Mechanics (Death Metal)
18. XENOSIS (US) - Prolapsed Twin Entombment (Progressive Death Metal)
19. HANGING GARDEN (US) - Dreamwoven (Progressive Death Metal)
20. DECIPHER (Greece) - Return to Naught (Black Metal)
21. APOLAUSTIC (Switzerland) - Shining Amidst the Lights (Black/Death Metal)
22. VERDUN (France) - Funeral of the Cosmic Knight (Blackened Sludge Metal)
23. MUERTO (Mexico) - Serpentine Echoes (Black Metal)
24. BESOTTEN (US) - Mist of Decay (Death/Doom Metal)
25. ABYSSAL RIFT (US) - The Enlightenment (There Was Never Will) (Death/Doom Metal)
26. DEATH OBVIOUS (Finland) - Sipirja (Avantgarde Black/Death/Doom Metal)
https://www.facebook.com/transcendingobscurityrecords
Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
Watch the "Alone" music video: https://youtu.be/fAf_y38Mki0
Listen to the "Katharsis" album on music services : https://push.fm/fl/fod-katharsis
FoD singer Saku Solin tells about the album:
”Katharsis is the culmination of our entire band’s evolution and the rebirth of its members. It’s often said that art requires pain and faith… and this album truly contains both. The process tested us through adversity and demanding production, but perhaps because of that, I am now incredibly proud of us for having the strength to fight our way through it.
When we now compare the final album to the original demos, it’s clear that every bit of work and effort was absolutely worth it.
For the songs themselves, we were able to carve out material from Lasse’s pen, some of which had been waiting to be born for years. At the same time, we created our first full-length album together with Anton and Jessica. On a personal level, the biggest thing for me was being able to write songs for FoD again after a long time with my close friends and to share my story through the music. Feel may be the most beautiful song of my entire artist career. At leat one of the most important ones for me.”
Fear of Domination was originally founded in 2006. Over the years they have toured around the Europe with bands like Deathstars, Turmion Kätilöt, Velcra, Shade Empire, Hanzel and Gretyl, Amaranthe, PAIN and many many more.
Pre-order the limited CD-digipak (CD release day, January 23rd) from Inverse Store or Bandcamp.
Upcoming shows:
16.1.2026 Kouvola, House of Rock /w King Satan [FIN]
17.1.2026 Helsinki, On The Rocks /w Let It All Burn [FIN]
23.1.2026 Turku, Apollo /w Herja, Morket [FIN]
24.1.2026 Tampere, Olympia /w King Satan [FIN]
30.1.2026 Jyväskylä, Freetime [FIN]
31.1.2026 Oulu, Kantakrouvi, Winter Massacre [FIN]
13.3.2026 Kuopio, Circus /w Ruoska [FIN]
Fear Of Domination are:
Jessica Salmi – voc
Saku Solin – voc
Johannes Niemi – gtr
Jan-Erik Kari – gtr
Lauri Ojanen – Bass
Lasse Raelahti – Synths
Anton Nisonen - Drums
Tracklist
01. Alone
02. Dead Anyway
03. Monsters
04. Imposter
05. Last Words
06. Primum Noce Apte
07. Rabbit Hole
08. All As One
09. Endgame
10. Feel
Release date: January 9th 2026
https://www.youtube.com/user/FoDofficial
https://www.fod.fi/
https://www.facebook.com/FearOfDomination/
Label: Meuse Music Records
Release date: february 27th 2026
Genre: Funeral Doom / Death Metal
For fans of: Shape Of Despair | Indescinence | Hellight | Skepticism
I saw the hand of doom reach into my sky and enfold my sun, drawing it down beyond the distant horizon. The colours of my world bled away, through differing shades of grey to the darkness of unending night and there, in the black, wracked by pain beyond all previous imagining, I found I could see with a clarity I had never known before. As love and dreams fled into the shadows, my vision of the path ahead was suddenly unobstructed and I could see my final place of rest awaiting me. The tomb held no terrors for me now and I began my steady, deliberate journey through the vale of tears with quiet acceptance – slowly fading as each step brought me closer to that cold, ungentle bed.
Born in Tbilisi in Georgia, on the banks of the Kura River, Ennui have built a formidable reputation on the foundations of four full length studio albums, each one a towering edifice of funeral doom/death metal. From the 2012 debut, Mze Ukunisa, inspired by the poetic works of Terentio Graneli, to 2018s End Of The Circle, described by Mystification Zine as “a stunning dance of extremes”, Ennui have followed their own path of vast, measured heaviness and unflinching explorations of life changing emotions and the fundamental questions of existence. Now, it is time for the fifth chapter in their grand tale to be written as Ennui walk ever deeper into the darkness...with Qroba.
Qroba, meaning vanishment, the process of disappearance, begins with the revelatory ‘Antinatalism’, its staggering chords and drum beats like distant thunder conjuring a sense of immeasurable scale entwined with a piercing, poignant intimacy of thought and experience. A voice rises through the music, climbing up from the deepest chambers of the heart and the melancholy, grief and summoned solitude are all encompassing. Portentous melodies lead us on through a windswept wilderness and shuddering riffs draw down the dark and bleach the sun’s warmth from the world. This is deeper, darker, colder than ever before…and we have only just begun. The weight of the first full chords of ‘Becoming Void’ drive the breath from your body and the illusions of life’s comforts are crushed, ground into the frozen soil, before achingly beautiful guitar leads of sublime sorrow climb from the bleak vista. Ennui’s ability to weave remarkable subtlety and emotion into music of such staggering weight is exemplified in ‘Decima’, where delicate notes and avalanches of sound evoke the moment of heartbreak and draw it out through eternity, with a traditional three stringed lute, the panduri, adding the melancholy atmosphere of the Georgian mountains. And still Qroba carries us onwards, through the soul-shaking, overwhelming majesty of ‘Down To The Stars’ to our final unmaking with ‘Mokvda Mze’; where opening notes of rich resonance are gradually consumed by the tremendous power of Ennui in full flight – those earthshaking vocals, those inexorable chords and lamenting melodies – and we are cast upon the eternal, fathomless seas of grief, until, at last, we slip into nothingness.
Mixed and mastered by Esoteric’s Greg Chandler, whose knowledgeable touch has given such heft and presence to works by Officium Triste, My Silent Wake, Pantheist and many more, Qroba possesses an agonised nobility of sound, a layered, textured depth that infuses the songs with a remarkable unswerving honesty. Surely the pinnacle in Ennui’s outstanding canon of work to date, Qroba will be released by Meuse Music Records on February 27th, bedecked in the stunning artwork of Ben J ‘Winterkeep’ (Ofnus), with additional design from Vladimir 'Smerdulak' Chebakov (1914, Lake Of Tears etc) – and the scope and power of funeral doom will be redefined once more.
Line-up:
David Unsaved – Guitars, bass, vocals
Serge Shengelia – Guitars
Alexander Gongliashvili – Drums
Andrey Azatyan – Guitars
Kakhi Kiknadzr – Guitars
https://www.meusemusicrecords.eu/
https://linktr.ee/ennuitheband
The band describes the album and its creative process as follows:
"This album is the destination of a very long journey, and at the same time, a new beginning. While the process has been incredibly interesting and inspiring, for a band like ours — working primarily remotely — it has required significant effort. We’ve had to invent new ways of working and change many of our internal practices. From the very beginning, our goal was to create a debut so strong that we wouldn’t have to regret it years down the line. We believe we achieved that goal 100%. With the lessons learned, working on the next album will be a much faster undertaking."
Listen to the album on music services : https://push.fm/fl/inborntendency-lettherebesin
The band worked on the album with producer Juho Koskinen, who was responsible for the production as well as the final mixing and mastering.
"When we decided to start working on the debut in 2023, it became clear after a moment of reflection that we wanted an outside producer to provide fresh perspectives on the songs. We were looking for someone with experience producing music beyond just the metal genre. We happened to find Juho through mutual acquaintances, and that same year we released 'Heritage.' From that point on, it was clear that the entire album would be crafted with this team. Remote work has been a necessity and a natural way for us to operate since the band's early days, so the collaboration with Juho ran smoothly. The singles released so far have received excellent feedback on both production and sound, and we believe the full album will live up to the expectations of both fans and new listeners!"
The cover art for the singles and the final album was created by Henri Tervapuro, an artist from Ostrobothnia.
"We started working with Henri years ago when we released the Godkiller EP. Henri’s style of creating graphics through painting works incredibly well for us; it adds just the right amount of edge and narrative to the songs. Henkka got to listen to the tracks and create the first drafts based on pure intuition. This way of working has been very effective, and Henri’s art often brings new, interesting perspectives to the music."
The band's lyrics and songwriting style have been atmospheric and thought-provoking since their inception. The band has refrained from explaining or opening up the themes of the lyrics, aiming instead to let the listener draw their own conclusions from the stories behind the songs. The band describes the debut album as follows:
"The overarching theme of the album is the inherent sinfulness planted in humans from the womb. The songs' themes lead the listener to face their deepest fears and the evil that resides within every human being. Although the stories draw from Christian tradition, they provoke thought about the nature of evil, regardless of one's personal convictions."
"Something new, something old, something of our own, and something stolen," describes Ville Herranen, who is responsible for the lyrics.
The band will kick off their album release tour on January 31st, 2026, at Ottopoika in Kuopio. You can catch the band during the spring at the following venues:
Jan 31 – Kuopio, Ottopoika (FIN)
Feb 20 – Seinäjoki, Bar 15 (FIN)
Mar 7 – Helsinki, Bar Base (FIN)
Apr 18 – Turku, Nirvana (FIN)
May 9 – Espoo, Olarin Ossi (FIN)
See you at the shows!
Inborn Tendency:
Mika Hänninen, Guitar
Hugo Tiitinen, Drums
Ville Herranen, Vocals
Credits:
Mixing and Mastering: Juho Koskinen
Cover Art: Henri Tervapuro
Tracklist
01. Defiled
02. Heritage
03. Flesh Eater
04. Imperfected
05. Exiled
06. Ungod
07. Fist Evangelist
08. Lament
09. Death Do Us Part
10. Returnal
https://lnk.bio/Inborntendency
Listen to the EP on streaming services: https://push.fm/fl/krushor-ep
The band comments:
"The themes of the songs on EP are not the easiest to grasp, but they are extremely important! I have always wanted to write about my own experiences and the things happening around me, especially the negative things and mental struggles. It's kind of therapeutic to get the words down on paper first and then shout these themes out as loud as I can, maybe that's my way of dealing with difficult things.
The process itself was very exciting. We did the recordings ourselves for the first time and got the necessary equipment for it. It wasn't the easiest way to do it, but we're happy with the result. There is always room for improvement, and that drives us forward. We want to learn new things and get better at these things too. Most of the actual recording was done by our guitarist Joni, and we owe him a big thank you for his time, effort, and perseverance in the name of "creativity."
Next, we will focus on gigging, as long as we are blessed with gigs, and on writing new songs. Our goal is to make a whole album, which we also intend to record ourselves. The schedule is not rushed, so don't hold your breath just yet. Making the EP was a great process, we got what we wanted out of it and learned a lot through the process!"
Biography:
The band found its current identity through shared musical tastes, playing together, and a shared hobby. We are a group of people who enjoy making and playing music that works for all of us. A big part of this is that composing, writing lyrics, and editing songs is open to everyone. All songs and compositions are created by the whole group, not based on one person's vision or goal.
Our influences definitely come from older metal, but that doesn't matter, because mixing genres actually adds a lot to our music; there's no one right way to do things. Krushor's goal is to make music that sounds good and at the same time talk about the difficult things that are part of life. For many people, music can be therapeutic, and if even one person feels that way about our music, we feel we have succeeded.
Track
list:
01. Shockwave
02. Vortex
03. Rise Above
04. Taste of Hatred
Composed by Joni Kärsämä, Juho Mattila
Saku Hirvimäki, Sami Keränen
Lyrics by Ville Lehtoranta
Arranged by Krushor
EP cover by Joni Kärsämä
Line-up:
Ville Lehtoranta - Vocals
Joni Kärsämä - Guitar
Juho Mattila - Guitar
Sami Keränen - Bass
Saku Hirvimäki - Drums
https://www.facebook.com/krushorofficial
Release
date :
February 20, 2026
Genre : Melodic Black Metal
For fans of: MGLA, Misþyrming, Forteresse, Regarde les hommes tomber, etc...
Origin: France
Duration: 31min48
Label: Les Acteurs de L’Ombre Productions
Network Distributor: Season of Mist / Plastic Head
Digital Distributor: The Orchard
Line up
Vocals : Diffamie / Thomas Deffrasnes
Guitar : Thomas Deffrasnes
Bass : Clément Joly
Drums : Robin Grabmann
Tracklist:
1. Les galibots
2. Cheval de fosse
3. Courrières
4. Barbara
5. Les nords
6. Terre d’euch mau
7. Le Galibot
8. Schlamms
GALIBOT is a melodic black metal band — but it is also the name given to children who were sent to work in the mines of northern France. And for good reason, as the quintet hails from there.
Initiated in 2023 by Thomas, Agathe and Clément, the project, initially a studio project, aims to establish a parallel between the raw and visceral dark matter that is coal and black metal music. Wallers-Arenberg, the name of the town where the project was born and which bears the scars of the mining industry, was the demo for what was still only a trio.
In 2024, “Euch’mau Noir” — “The Black Devil” in Ch’ti — was released, an album portraying the North as the devil’s cradle, a harsh and infernal land.
At the beginning of 2026, GALIBOT invites you to (re)discover this work in a fully reimagined version: “Euch’mau Noir bis”, scheduled for release on Friday, February 20, 2026, via Les Acteurs de l'Ombre Productions.
This new edition revisits the imagery of the North, a land of dark legends and human tragedies. It brings forth miners shaped by the pits, villages scarred by disasters, and a multiculturalism whose ink stains the pages of Zola.
The six original tracks return transfigured through new arrangements, accompanied by a completely reworked mix and mastering at Minotaure Studio, delivering an even more massive sonic impact.
The tracklist is expanded with the return of “Schlamms”, an emblematic track from their demo, now entirely recomposed and re-recorded, and fully integrated into the definitive version of their debut album.
“Euch’mau Noir bis” was recorded, mixed, and mastered at Minotaure Studio under the direction of Julien Baquero.
Pre-orders are now open for the various editions of the album, which also features a complete visual overhaul by Tryfar, further reinforcing the project’s dark and assertive identity.
https://www.facebook.com/GalibotBand/
Belorusian Death Metal Pack, EXIMPERITUS, in partnership with No Clean Singing, have premiered, "GOLDEN CHAINS FOR THE CONSTRUCTION OF INDIVIDUAL GREATNESS," the second single from forthcoming Willowtip album, MERITORIOUSNESS OF EQUANIMITY.
Get pummeled at: https://www.nocleansinging.com/2026/01/07/an-ncs-premiere-eximperitus-golden-chains-for-the-construction-of-individual-greatness/
The song will be available on all digital platforms this Friday, January 9.
Eximperitus are set to release the follow-up to 2021's widely praised sophomore album, Šahrartu! Willowtip Records will unleash Meritoriousness of Equanimity January 30 on vinyl, cassette, CD, and digital formats.
"In times when despair overflows human hearts… when the chasm of strife between civilizations widens… when loyalty to ideologies tears blood ties apart… when the world stands still, poised for the final leap of prolonged self-destruction… We can draw strength solely from internal sources, which are filled only by the multifaceted power of Death Metal..."- Eximperitus
Eximperitus' forthcoming third album, Meritoriousness of Equanimity, contains nine independent compositions united by the idea of searching for inner support in an era of turbulence. Exposure and scourging of social dogmas and morbid tendencies on the ruins of the old world...
Pre-order:
https://eximperitus.bandcamp.com/album/meritoriousness-of-equanimity
https://www.willowtip.com/bands/details/eximperitus.aspx
Track
Listing:
I. One Step Long Infinity.
II. Contemplation of the Plastic Fibers of Perfection at the Second Level of Reality.
III. Twelve Centuries of Triumph of the Third Kingdom…
IV. Finding Consistency in the Fourth Quadrant of Eternity.
V. The Untimely Fruit of the Unsaid.
VI. Golden Chains for the Construction of Individual Greatness.
VII. Molecular Disintegration of an Unattainable Solitary Will in a Vessel of Wisdom...
VIII. Chalkionic Wandering Among the Wreckage of the Future.
IX. Standing at the Skirt of the Ruins of Human Nature (...on the Other Side of Man and Time).
https://www.facebook.com/eximperitus.official
Athens,
Greece – In 1993, the world was a different place, but the darkest corners
of the human psyche remain unchanged. Today, Greek death/thrash metal icon CREMATE taps
into that timeless darkness with the premiere of the official lyric video
for "HUMAN," a standout track from their
powerhouse EP, READY TO FIGHT, out now via
Wormholedeath.
Originally written over three decades ago, "Human" has evolved from a raw expression of 90s angst into a chillingly relevant commentary on our modern digital age. The track serves as a visceral thrash metal statement on the things society chooses to ignore: fear, pride, and hypocrisy.
While the song was born from internal human conflict, CREMATE notes that these emotions have migrated from our hearts into our hardware. "Human" explores the blurred line between biology and technology, questioning what happens when we translate our pain and fears into algorithms and artificial intelligence—systems that can process data, but can never truly "feel" what it means to be human.
Stream the EP Ready To Fight: https://orcd.co/rtfep
Previous videos:
Die As You Lived: https://youtu.be/k38HueUtCos
Ready to Fight – https://youtu.be/-RdHOoRT-HA
CREMATE’s story is one of resurrection. Originally formed in Alimos, Athens, in 1991, the band carved out a reputation for a raw, aggressive sound inspired by titans like Kreator and Sodom. After a successful run in the mid-90s—including the internationally acclaimed End of Time demo—the band disbanded, leaving a void in the Greek underground scene.
In 2021, founder Christos reignited the flame. Alongside drummer George and guitarist/producer Akis Pastras, the band returned to their roots to re-envision their 90s fury through a contemporary lens.
About the EP: Ready To Fight The resulting 4-track EP is an uncompromising fusion of vintage aggression and modern dark textures. Ready To Fight features three reworked classics and the brand-new title track, which boasts a guest solo from Marios Iliopoulos (Nightrage). The EP also features haunting violin work from Lusty Apricot on "Die as You Lived," adding a layer of gothic atmosphere to the band's signature brutality.
Recorded and mixed by Akis Pastras and mastered by the legendary George Nerantzis (Rotting Christ, Abbath),
www.youtube.com/@CREMATEtheband
www.facebook.com/crematetheband
Finnish melodic death metal act OBSCURE FATE is about to release their debut album 'SHADES OF A DYING WORLD' on March 27th 2026 via Inverse Records.
The second single 'POISON THRONE' is unleashed today and it's available here: https://push.fm/fl/obscure-fate-poison-throne
The band comments:
" "Poison Throne" represents corrupt authority that poisoned what it was supposed to protect. The song refers directly to the Inquisition, historical events in which innocent people were executed on religious grounds. Religion was used as a tool of power, not salvation. The song "Poison Throne" urges us to remember the injustices of the past and expands the theme from the individual to the collective trauma of an entire nation."
Biography:
Obscure Fate was originally formed in 2008 in Paltamo, Finland, as the solo project of guitarist and songwriter Kaleva Kovalainen. In 2009, drummer Jari Keränen and bassist Petri Möttönen joined, giving the songs their first real band form. Shortly after, guitarist Joni Moisanen and vocalist Tapio Möttönen became official members, and together the group arranged dozens of tracks for full band performances. From the very beginning, Tapio handled the lyrics, with Petri contributing to the song Spectral Exile.
The current lineup was completed in 2019 when bassist Antti Möttönen replaced Petri. Musically, Obscure Fate is rooted in traditional melodic death metal, though elements of thrash and classic heavy metal also find their way into the band’s sound. Kaleva’s prolific songwriting provided a strong foundation for the band, while the lyrics explore themes of social criticism, fictional storytelling, and inner struggles.
In 2021, Obscure Fate released their first EP. Recording sessions for their debut full-length album began soon after, but due to various setbacks the process turned into a long and seemingly endless project. Finally, in April 2025, the band reached the final stages of completing the album, marking an important milestone in their journey. The debut album 'Shades of a Dying World' is set to be released in March 2026 via Inverse Records.
Listen to the first single 'Age of Delusion': https://push.fm/fl/obscure-fate-age-of-delusion
Track
list:
01. Shadows of the Past
02. Beyond Pain
03. Turn To Dust
04. Spectral Exile
05. Age of Delusion
06. Shade of the Destruction
07. Reign of Madness
08. Valhalla
09. Spirit of Vengeance
10. Poison Throne
11. Eksyneiden Jumala
Album cover by Jarno Lahti
Mixed by Tero "TeeCee" Kinnunen
Mastered by Mika Jussila, Finnvox Studiot Oy
Line-up:
Kaleva Kovalainen, Guitars
Tapio Möttönen, Vocals
Jari Keränen, Drums
Joni Moisanen, Guitars, Backing Vocals
Antti Möttönen, Bass
https://obscurefate.net
https://www.facebook.com/ObscureFateBand
Hailing
from Foix a french city worldwide famous for his castle comes True
Pyrenean Black Metal act NOIRSUAIRE! Solely driven by mastermind N who created this dark entity back in 2023,
NOIRSUAIRE delivers traditional Black Metal laden by influences ranging from
Darkthrone, Gorgoroth to French scene from the late 90s like Funeral, Osculum
Infame, Bekhira etc.
After some demos and EPs released on various labels, NOIRSUAIRE signed to the legendary label Osmose Productions, a label that doesn't need any introduction, for the release of its debut album.
This debut album entirely recorded in an old attic then mastered at BST Studio (Mütiilation, Aosoth, Hell Militia) is entitled "THE DRAGGING POISON" and contains 9 tracks, everything wrapped in a splendid artwork by famous artist David Thiérée known for his works for bands like Behemoth, Ihsahn, Warloghe to name a few!
"The Dragging Poison" has been released on December 26th via Osmose Productions and can be ordered straight from NOIRSUAIRE on the official webshop or via Osmose Productions.
https://www.facebook.com/noirsuaire
SUPERIOR
RAGE – “IN MEMORIAM” (EP)
In Memoriam is not merely a collection of past works but a powerful statement of resurrection and refinement. The EP features re-recorded classics alongside two brand-new, previously unreleased tracks: “The Death of the Red Dragon” and “Soleright,” offering a definitive listening experience for both long-time followers and new fans of atmospheric black metal. "Thanks to the contribution of session musicians, SUPERIOR RAGE's music has become more vibrant and pulsatile compared to their previous, colder and more minimal productions," says the project’s founder, Superior Rage (vocals and synths).
In Memoriam is a must-listen for anyone seeking symphonic black metal that is both rich in atmosphere and aggressive in execution.
Tracklist
01. Indecent Condition
02. Asmodeus Bacchic
03. The Night of Rains
04. Soleright
05. The Death of the Red Dragon
About SUPERIOR RAGE
SUPERIOR RAGE began in 2006, delivering raw black metal with atmospheric, dark, and symphonic tones. The core lineup features Superior Rage (vocals, synths), Pagan Fury (guitars, synths), and Hyemens Kaiser Tszar (bass).
The first demo (2008) earned strong national reviews, followed by Through Infinity (2010), a mix of unreleased tracks and new material. Between 2010 and 2011, the project released several live recordings with temporary session musicians.
In 2011, SUPERIOR RAGE shifted toward symphonic black metal with III. Two Fire Eternal EPs followed, covering classic black metal songs—first in their original style, then in an ambient approach.
In 2012 the lineup expanded, producing new online recordings, additional covers, and a remake of “The Night of Rains.” The project paused in 2014, briefly resurfacing in 2017 with a new version of “Indecent Condition.”
SUPERIOR RAGE returned in 2022 with the single Boobs Explosions. This led to Anthology, a 2024 collection of re-recorded key tracks, including a new prog-influenced take on “Cuore Sincero.”
In 2025, the promo Back to the Crypt introduced two re-recorded tracks and a new song, “Soleright,” with four session members. The EP In Memoriam followed, adding a new version of “Asmodeus Bacchic” and the unreleased “Death of the Red Dragon.”
The current line-up features the core vision of Superior Rage (music, lyrics, synth & bass) alongside a powerful contingent of session musicians:
Baelithiel (vocals & lyrics)
Maikon (drums)
Nemorion (guitars on “Indecent Condition” and “Soleright”)
Hrafnagud (guitars on “The Night of Rains”, “Asmodeus Bacchic”, “The Death of the Red Dragon”)
www.youtube.com/@SuperiorRageRawchannel
www.facebook.com/rawsuperiorrage
The
solo project "WOODEN SHADOW" by Jeremia Ponto, who
just turned 25, from Ylöjärvi, Finland and the latest song "We are the
North" is a representative song as its name suggests, in which the north
brings honor and strength. The chorus raises the sound levels to the
stratosphere and the song's otherwise rich and rich melody can be heard. There
are also experiments with different guitar sections, of which at least Jeremia
Ponto himself is really happy about.
Listen to 'We Are The North' single on all major streaming platforms: https://push.fm/fl/wooden-shadow-we-are-the-north
From year 2020 onwards, the first demo (Meaning of Wonders) also started a new project. Wooden Shadow is the solo project of Jeremia Ponto from Ylöjärvi, where the genres vary between melodic styles in the form of different formats. As a rule, founder Ponto writes his compositions based on melodic death metal, but there are also combinations of folk and melodic black metal. Jeremia Ponto, 25, describes his solo project: "Ever since I started making my first compositions, I had in mind to write diverse music that fits the colors of my project itself. Let the people, who find my music
to listen to decide for themselves what my genre represents. I define my music as "melodic metal" because it feels more realistic to me as a composer."
https://www.facebook.com/Tormentius
https://woodenshadow.bandcamp.com
Finnish
blackened death metal band KARELIAN WARCRY have worked
with their third album for years and finally it sees the light of day this
spring. The first bite from the album, a single "MIELEN
RUTTO" (The plague of mind) is now out.
Listen to the single on music services (Spotify, Apple Music, Deezer, Tidal, Bandcamp etc.) https://push.fm/fl/karelianwarcry-mielenrutto
Karelian Warcry was founded in Kouvola, Finland, in 2002. In its early stages, KW’s music leaned more distinctly towards Black Metal. Nowadays it’s influenced by other subgenres of metal as well as other types of music. The lyrics explore themes related to war, violence and the darker sides of humanity. Each member brings their own musical roots, personal ambitions, and thematic passions into the mix, resulting in unique and recognizable sound. Wistful and haunting melodies, crushing grooves, and relentlessly driving rhythms blend with violent storytelling and poetic expression, hallmarks of Karelian Warcry’s musical identity.
In 2014, the band went on hiatus following the passing of vocalist-guitarist Matti Mikkonen. Although the members have scattered from their hometown of Kouvola, they have continued creating music together—both remotely and in their rehearsal chamber. One could say Karelian Warcry never ceased to exist. And now, a bit over a decade later, they have finally completed the upcoming album, "Veripellot" — their most crushing and cohesive work to date.
Discography:
Demo '04 (2004)
Kylmä rautainen (Album, 2005)
Verinen taival, päättymätön tie (Album, 2010)
Minun aikani (Single, 2020)
Line-up:
A. O. Heiskanen - Drums
J. H. Järvinen - Vocals
J. T. Kousa - Guitars
S. P. Ukkonen - Bass
https://linktr.ee/Karelian_Warcry
The video also featuring the hellish fire ‘work’ stunts of the most wikkid “Flames of Anubis” gang and select video footage from Robert Cuzens.
Stream
the album: https://orcd.co/scalbum
Previous videos:
“Genital Dismemberment Bot Cult”: https://youtu.be/om99zzMY0ac
"Satans Cock": https://youtu.be/Nso_kHVv3oI
“Psychotropic Lyfe”: https://youtu.be/xeeiwOvpmr4
"Eat Your Entrails": https://youtu.be/26xpIfMKKhE
“Ominous”: https://youtu.be/3ugPaxkkJlE
"Satans Cock" The Album
Following their 2022 self-titled debut, which sold out multiple pressings and carved a cult following across the underground, KÜNTSQUÄD (pronounced Kountskard) double down on everything grotesque, unholy, and deliberately absurd. There are no genre walls here—only a relentless descent into sonic madness.
With the album “Satans Cock”, the band delivers a grotesque yet calculated assault—layering blast-beaten fury, apocalyptic riffs, and sneering satire into a weaponized soundscape for the damned
About KÜNTSQUÄD:
KÜNTSQUÄD (pron. Kountskard) is a crusty death metal band from Melbourne blending guttural vocals, down-tuned riffs, and blackened chaos. Their 2022 self-titled debut on Wormholedeath Records earned global acclaim and sold-out pressings. Raw, extreme, and satirically twisted—this is metal with no genre boundaries.
https://black-roos.com/
www.youtube.com/@Kuntsquad666
www.facebook.com/kuntsquad666
Greek black metal band Decipher have come up with a new album this year which is an extension of their sound on their acclaimed previous one. If you're into thoughtfully composed, steely black metal with melodic undertones, you can't pass up on this one. Listen to a track from it at https://decipherbm.bandcamp.com/album/thelema
DECIPHER - “ΘΕΛΗΜΑ (THELEMA)”
Genre: Black Metal
For fans of : Emperor, Yoth Iria, Bolzer, Lucifer's Child, Varathron, Necromantia, Ravencult, Dodsferd
Decipher released a sublime album in "Arcane Paths to Resurrection", which was steely and composed, enriched with melodic undertones. It was the timeless kind of black metal that was largely inspired by the classic black metal bands and yet didn't sound too dated. Two years later, the Greeks return with a new opus, elaborating on the music forged on that album, adding better nuance and structure to the songs whilst retaining the sound and appeal. Allowed better expression, the songs are comparatively longer and have a narrative quality to them without straying too far from the core sound. The riffs are drenched in emotions without being overtly melodic as the music marches ahead resolutely with its steely demeanour. This is the kind of black metal that gets its priorities straight - with the right focus on riffs, feeling, intensity, and passion.
Line up
Kostas Gerochristos (Lucifer's Child) - Guitars and vocals
Kostas Ragiadakos (Dephosphorous) - Bass
Nodas Chatzopoulos - Drums
Artwork by Artem Grigoryev (Dödsrit, Nightbringer)
Track listing
1. Return to Naught
2. The Black March
3. Seven Scars
4. Bound to the Wheel
5. Hail Death
6. Towards Renaissance
7. Litany
Kunal Choksi Label Owner Transcending Obscurity
https://www.facebook.com/decipherbandgr
https://www.facebook.com/transcendingobscurityrecords
Just
a few days and on January 16th the album "MMXXVI - GRAVE" realized
by the Italian Doomsters DVM SPIRO will see the
light!
"PRELUDIO" is the second song taken from the album and you can listen to it on our YouTube channel at https://youtu.be/8QXM-sH737o
The song is a long 10 minutes and more suite, a prelude to a loveless mourning, mantled by desperation and the natural funereal atmospheres of their Doom Metal. Heavy riffs, female vocals and deep growls, ancient atmospheres are the keywords of a music that will surely be a must-listen for fans of My Dying Bride, Funeral, early Paradise Lost, and Shape of Despair!
DVM SPIRO are back, and the magic of their sad art is ready to drag you into the deepest abyss.
"MMXXVI - Grave" will be released on January 16, 2026.
You can pre-order the CD here: https://t.ly/2cDTv
https://linktr.ee/mykingdommusic
https://www.facebook.com/dvmspiro
Baltimore (MD) - One-man Melodic Doom Metal outfit, ORCHID THRONE, ring in the new year with the official video for "Ephemerality," the third single from forthcoming debut full-length, BURIED IN BLACK.
Dive right in at https://www.youtube.com/watch?v=IxuZyULxMBg
FFO: Swallow the Sun, Anathema, Woods of Ypres, Novembers Doom, Draconian
Orchid Throne is set to release Buried in Black on January 9, 2026! The project consists solely of Nicholas Bonsanto (Lör, Empress, Helianthus, Barren) who performs the music, as well as producing, mixing and mastering the album.
After nearly 17 years of playing supporting roles in various bands, Nicholas Bonsanto (Lör, Empress, Helianthus, Barren) is proud to make his debut as a solo artist as the man behind Orchid Throne. Bonsanto not only wrote and performed all of the music for Buried in Black, but also produced, mixed, and mastered the album.
While not a concept album, Buried in Black weaves themes of anxiety, depression, fear of death, and the search for life’s meaning throughout its lyrics. The title describes both the music itself and the feelings that Bonsanto has kept buried within for years. It may sound bleak, but what is buried in black will be set free and brought to light on January 9.
“This album is a long time coming for me,” said Bonsanto. “For more than a decade, I collected little recordings of ideas in the hope that one day they’d be useful. I could not be more proud of myself for how the album came out and for all of the things I have learned along the way.”
Bonsanto's Musical Journey to Buried in Black:
“As a musician performing in bands since I was 16, people who know me have seen me play a supportive role, and hear my musical contributions to my bands. But not everyone knows that I have always dreamed of releasing a record of my own. I am passionate about all kinds of music, and while I love playing in my current bands, doom metal is a big love that I long felt like I had no outlet for.
“While I’ve honed my songwriting abilities over the years, I began this project with zero knowledge of how to produce a record on my own. I introduced Orchid Throne to the world one year ago on my birthday with only one song done. Over the past year, I have finished writing, recording, and producing my entire debut record. I have finally achieved this goal and it's even better than I ever imagined it could be. It means so much to me to get this out there, to truly reflect who I am as an artist, and I’m already excited to create more.”
Pre-order Buried
in Black:
https://orchidthrone.bandcamp.com/album/buried-in-black
Track Listing:
1. Dreamworld
2. Ephemerality
3. What Defines us
4. Moonlight Revelry
5. Guilt
6. Breath of Autumn
7. With Promise
Credits:
Album artwork painted by Ryan Gassaway.
Music and Lyrics written by Nick Bonsanto.
Produced, Mixed and Mastered by Nick Bonsanto.
All instruments performed by Nick Bonsanto.
Flute on “Breath of Autumn” and “With Promise” performed by Mary Beck.
Orchid Throne is:
Nicholas Bonsanto - All instruments.
Bio:
Orchid Throne is a Melodic Doom Metal one-man band created by Nicholas Bonsanto (Lör, Empress, Helianthus, Barren) based out of Baltimore, Maryland. Orchid Throne is set to release its debut full-length album on January 9, 2026, titled Buried in Black. The album features a spellbinding variety of dark, heavy, and emotional material that beckons you to fall into the endless black. Drawing influence from a range of sounds such as melodic death metal, black metal, progressive rock, and folk, Orchid Throne is music from the heart for fellow souls who need it most.
https://orchidthrone.bandcamp.com/album/buried-in-black
Constanța,
Romania based Death Metal veterans CADAVRUL are proud
to announce the release of their second full-length album, "NECROTIC
SAVAGERY", slated for January 23, 2026 in partnership with Loud
Rage Music and Axa Valaha Productions.
Pre-orders are now open here:
https://loudragemusic.bandcamp.com/album/cadavrul-necrotic-savagery
https://loudragemusic.limitedrun.com/products/872346-cadavrul-necrotic-savagery
After "Marș Funebru" (https://youtu.be/L10fG0Z6TTo), CADAVRUL present a new video for the song "Devoured": https://youtu.be/h3ZYZQxLRJI
Since emerging from the underground Metal scene in 2005, CADAVRUL has built a reputation for uncompromising brutality in Death Metal. The band's history includes the 2006 demo "Forensic Nightmares", the debut full-length debut "Enter The Morgue" (2013) and a steady stream of live appearances that have solidified its legacy in Romania's Extreme Metal community.
"Necrotic Savagery" was meticulously crafted: tracking sessions took place at Crossover Sound Studio in Constanța, mixing and mastering were completed at DigitalDemonForge in the UK, the album's production was overseen by Axa Valaha Productions, and the release will be handled by Loud Rage Music. The artwork and visual presentation were created by highly-acclaimed artist Costin Chioreanu, known for his work across the global Metal scene.
The album promises a relentless attack of raw, old-school Death Metal energy refined for the contemporary listener, a sinister descent into soundscapes of decay, devastation, and unrestrained terror.
CADAVRUL is:
Valentin "Karcalac" Mincu (vocals)
Corneliu "The Dacian" Belu (guitars, vocals - live)
Patrick Andrei Preda (drums)
Sorin "Tormentor" Vlad (bass, vocals - live)
https://www.facebook.com/AxaValahaProductions
https://linktr.ee/loudragemusic
https://www.facebook.com/CADAVRULdeathmetal/
Brutal Records proudly presents NO WORTH OF MAN and their devastating new full-length album, THE KILLING STREETS — a sonic assault set to dominate the global metal scene on February 13th, 2026. The record will be available worldwide on CD, vinyl, and all digital platforms.
Formed in 2016, No Worth Of Man have built a reputation as one of the UK’s most ferocious and uncompromising modern metal bands. Blending metalcore, thrash, and groove metal, the trio delivers pure aggression and unmatched technical precision.
From their debut Initium Novum EP (2017) to the crushing What’s Your Damage? (2023), No Worth Of Man have shown relentless growth and artistic destruction.
Their work with world-renowned producer Fredrik Nordström (Arch Enemy, In Flames, Hammerfall) refined their sound into a deadly precision weapon — a blend of technical mastery, dark melody, and raw power.
The band has shared stages with Karma To Burn, King 810, Coffin Birth, Evile, Left To Die, and Cultura Tres (featuring Sepultura’s Paulo Jr.), earning a devoted underground following throughout Europe.
Now, under the banner of Brutal Records, The Killing Streets pushes the limits of modern metal with devastating force. Expect crushing grooves, thunderous riffs, and vocals that tear through steel.
Every track is a declaration of rage, evolution, and identity — an album built for fans who live and breathe the chaos of heavy music.
Tracks:
1. I Defy
2. Those of Our Kind
3. Into the Dirt
4. Mondo Decay
5. Death Reflections
6. Alarmus
7. The Hands Resist Him
8. An Unpaintable Soul
9. Kill of Gold
Band Line-Up:
Peter Gale Vocals
Alex Punchard Guitars
Gareth Lucas Drums
https://brutalrecords.com/release/no-worth-of-man-the-killing-streets/
https://mvdshop.com/products/no-worth-of-man-the-killing-streets-cd
https://orcd.co/brut89675
ENGORGEMENT – “THEY Rot Beneath Our Floor”
Label: Comatose Music
Release date: march 20th 2026
Genre: Brutal /Slam Death Metal
For fans of: Slob | Traumatomy | Gorevent | Colpocleisis
The night’s work is done. He stands in silence, the sweat of exertion mingling with the blood that coats his face, hands and clothes. The passion, the anger, the lust and the excitement has all drained away, like pus from a lanced boil. It’s time to lift the floorboards and open the mausoleum…time to tip the latest faceless bundle of guts and gore, bone, bile and bruised flesh into the darkness; there to lie in the stench and the rot, in quiet communion with those who have gone before. At least she won’t be alone. They have each other…and the worms.
More than thirteen years on from the release of their horrifying debut album, Excruciating Intestinal Lacerations, the UK’s heaviest and sickest exponents of shocking brutality are back with a new assault on morality, enlightenment and good taste… Engorgement have returned, with They Rot Beneath Our Floor!
The nightmare begins with ‘Prelude To Your Dismemberment’, which leads us down a spiral staircase into darkness. We know that nothing good awaits us in that impenetrable murk, but locked in the dream sequence we cannot stop our descent…and as we reach the bottom step the world explodes. ‘Keep Festering’ erupts like a spray of arterial blood – pain, violence, animalistic vocals over bludgeoning riffs and mercilessly methodical drums. ‘Rot Beneath Our Floor’ follows with cataclysmic blasts, sluggish crawls through offal and deliberate, punching riffs – the different stages of slaughter and dissection delivered with a thrilling intensity. There’s no let up in this massacre, no islands of peace in the sea of carnage. ‘Watching Your Body Twitch’ delivers deep, deep grooves like hatchet wounds cut right to the bone, while the drum beats in ‘Resurrection’ fall with imperious, bone-breaking force. ‘Blunt Force Osteotomy’ leads us to the final exit – punishing to the last breath, to the last guttural exhortation of hate.
Nobody understands brutal death metal better than Floor Van Kuijk of Korpse, Sijjeel, Carnifloor and many more – and the Dutchman has mixed and mastered They Rot Beneath Our Floor at his GLDCHN Studios (Virulent Excision, Parasitic Infestation, Crimson Butchery etc). The results are gloriously repugnant - raw, bloody and pustulent beyond belief. Complete with suitably sickening artwork from Christian Castro, Engorgement’s new testament to mankind’s inhumanity will be unleashed by Comatose Music on March 20th. Your journey into the heart of darkness starts here…
Line-up:
Mitch Rider - Drums
Ricky Hill - Guitar
Stu Hine - Vocals
Richard Lynn – Bass/Backing Vocals
https://www.comatosemusic.com/
https://www.facebook.com/Engorgement
Horror Pain Gore Death Productions are set to release the new album from Japan's ruthless extreme guitarist KOSUKE HASHIDA. MOMENT OF SILENCE is up now for pre-order and will be released January 30th on CD and Digital formats along with merch.
For fans of : Napalm Death, Terrorizer, Lock Up, Brutal Truth, Repulsion, Pig Destroyer and Nasum
Kosuke Hashida returns to Horror Pain Gore Death Productions with the new album Moment Of Silence! Japanese guitar player Kosuke Hashida is back with a new album of Grinding Thrashing Death Metal brutality! Fueled by breakneck velocity and ruthless riffcraft, Moment Of Silence is a Deathgrind assault that delivers pure intensity without a second to breathe. It’s a full-spectrum barrage of Grindcore urgency and Death Metal brutality. No mercy. All fire. Play loud, die faster!
Listen to the single "Secularization" at https://www.youtube.com/watch?v=EcB4MM_NIIw
Tracklisting:
1. The Cultist
2. Mind Dead
3. Secularization
4. Left In Pieces
5. Damnation
6. 201
7. Scorched Earth
8. Reason To Kill
9. Religious Reality
10. Bleed Out
11. Slaughtered Again
12. Retaliation
13. Blood Boost
14. Tokyo Calling
www.horrorpaingoredeath.com
https://shop.horrorpaingoredeath.com
www.facebook.com/horrorpaingoredeath
SERMON TO THE LAMBS – “SERMON TO THE LAMBS”
Label: Comatose Music
Release date: march 6th 2026
Genre: Brutal Death Metal
For fans of: Brodequin | Deeds Of Flesh | Enmity | Liturgy
Rising through the countless layers of the inferno, through an eternity of screams and tears, pleas and regret, he brings his message from the unfathomable depths of darkness and flame. Such is his form, his dark abyssal presence, that sanity crumbles beneath the gaze of his multitudinous eyes…and his words of desolation turn flesh to liquid. The abject creatures that have gathered to receive his malediction cower in awe, before falling from madness to destruction. Worshippers become sacrifices as the forgotten king delivers his sermon to the lambs…
A new entity from the depths of the death metal underground has emerged, a baleful presence stepping forth from the shadows to deliver judgement without mercy. Hailing from Chile, Sermon To The Lambs are set to unleash the soul-shaking savagery of their debut, self titled album. Opening with ‘Crowned King Of Worms’, guitars rise around you like a cloud of venomous winged insects while a voice of undead malevolence roars from the heart of the swarm. Masterfully entwining slow, hypnotic passages that dance with a sinuous, serpentine wickedness and explosions of rabid speed and fury, Sermon To The Lambs begin to disassemble your reality. The eponymous title track follows with imperious power and subjugating force - it hits hard with an iron fist, threatening to separate skin from flesh and flesh from bone - and that tangible sense of unquestionable domination permeates the whole of this formidably impressive first album. From ‘Maximum Apostasy’, which beguiles with an atmosphere of dust and sacrilege before bringing forth absolute annihilation that sets the blood on fire, to ‘Flagrum Taxillatum’, a spiralling descent into the depths of perdition, this album just gets stronger and stronger as it progresses; more vivid, inventive and excruciating in its torments. The final two tracks – ‘God Spat And The Man Was Done’ and ‘Clergy’s Malevolence’, both colossal outpourings of death, appear as twin-headed devils, reprised as bonus tracks featuring guest vocals from Jeff Page of Manifestations. Sermon To The Lambs is magnificently unforgiving, an eruption of crawling horrors from a tortured, broken earth.
Sermon To The Lambs’ first offering of blasphemic brutality will be brought into the light on March 6th by the masters of malignancy and pain, Comatose Music. Given teeth and claws by the skilled mixing and mastering of the band’s own Victor Araneda, who has also worked with the likes of In Asymmetry, First Degree Murder and Supreme Banishment, Sermon To The Lambs sounds vicious and uncontrollable. Adorned in the stunning artwork of Par Olofsson (Winds Of Plague, Unleashed, Thy Art Is Murder) this album is set to leave its indelible mark, a suppurating wound, on the global death metal scene.
Line-up:
Richard Aguayo - Vocals
Mauro M. - Guitar/Bass
Victor Araneda - Drums
https://www.comatosemusic.com/
https://www.facebook.com/Sermontothelambs
"SONGS
FROM THE RESTLESS OBLIVION" is MEMORIES OF A LOST
SOUL last full-length album and the second one released by My Kingdom
Music. Today we present a new video for the song "INTO THIS
MAZE OF TORMENT" realized by Noxifer (aka
Gianfranco Logiudice), drummer of the band and available at https://youtu.be/zi9TIXj1YAo
Once again it's melodic Black Metal, fierce Death Metal and dark Gothic a la ROTTING CHRIST, DARK TRANQUILLITY, for these pioneers of the Italian Death/Black scene.
MEMORIES OF A LOST SOUL reach with this album a level of maturity and professionalism that has no equal in their career. Their sound becomes absolutely personal, crossing different emotional states within the whole panorama of the Extreme Metal.
The band goes from the fury and aggression of Death Metal to the dark and malignant essence of Black Metal, from the Symphonic and Progressive elements of their arrangements to a macabre and horrifying Gothic Metal, all built on an extremely powerful and clear production, daughter of the Lost Soul Studios led by Giuseppe "Buzz" Nicolò himself.
The album is still available in CD format at https://t.ly/7Bn5e
https://linktr.ee/mykingdommusic
https://www.facebook.com/memoriesofalostsoulofficial
https://innerstrengthrecords.bandcamp.com/album/deadwood-rituals-of-a-dying-light
https://hypeddit.com/deadwood/ritualsofadyinglight-1
Deadwood uniquely blends death metal and hardcore to create a modern deathcore sound. Known for their heavy music and dark lyrics, their motto is "Make Deathcore Angry Again." The band aims to evoke terror and fear through their music, ensuring their performances are unforgettable.
Most importantly, the music of Deadwood caters to enthusiastic metalheads who crave pure brutality and violence.
Track Listing:
1. Tales of Massacre
2. Heretic
3. Thirst for Blood
4. Whispers of Death
5. Echoes of the Fallen
Music and lyrics by Deadwood.
Recorded at EMNT studio January 2025.
Produced by Fred Element.
Mix and mastering by Fred Element.
Formed in the shadow of COVID-19 pandemic in 2020, Deadwood quickly carved out a place in the heavy scene with their dark, unrelenting sound. The lineup unites seasoned veterans: guitarist Fred (ex-The Plasmarifle, ex-Ion Dissonance), guitarist Stéphane (ex-Nova Spei, Iron Maiden tribute), drummer Charles (ex-Dismayd, Discovrey Through Tourment), and vocalist Derek, reuniting with Fred after a decade since their days in Malaga.
Drawing from the ferocity of Meshuggah, the brutality of Whitechapel, and the groove-driven power of Pantera, Deadwood delivers crushing riffs and haunting atmospheres steeped in true dark histories—from the Salem witch trials to the reign of Jack the Ripper.
Their catalog includes the EP Nemesis (2022), EP Inhuman (2023), and standout singles “Straightblade” (June 2023), “Djinn Pitts” (March 2024), and “Heretic” (April 2025). Known for their commanding live presence, Deadwood has toured Japan with Humanity's Last Breath and DVRK, stormed U.S. stages in 2025, opened twice for Born of Osiris in Montréal, and shook the grounds of Inkcarceration Festival 2025.
Currently on tour across Québec, Ontario, and New Brunswick, Deadwood is gearing up for their first European run in 2026 — bringing their brand of dark, murky heaviness to stages worldwide.
Line-up:
Fred Element - Guitars
Stephane Filion - Lead Guitars
Charles Etienne Lafrance - Drums
Derek Heynekemp - Vocals*
*Note: Vocals on the EP by Martin Demontigny.
http://facebook.com/innerstrengthrecords
https://deadwoodmetal.com/
Rising
blackened atmospheric death metal force FROSTMORNER is
proud to unveil the official visualizer for "GORGONE," the
visceral new single from the upcoming debut full-length, ORBITAL
KAOS. Set to drop on February 13, 2026, the album marks a
definitive statement from one of the genre's most promising solo visionaries.Rooted in the myth of Medusa and shaped with a cinematic mindset, “Gorgone” is built to feel immersive rather than conventional. What began as an influence drawn from Nile soon developed into a personal statement, where atmosphere plays a central role. The track layers brutal riffs with monster-like sound design inspired by film and video game audio, creating a dense and unsettling soundscape.
Structurally, “Gorgone” hits hard and moves with intent. Fast, aggressive riffing and slam-driven sections dominate the opening, before giving way to a slow, oppressive final act. This closing passage relies on steady, unyielding drumming and dark ambient textures, conjuring the image of a Gorgon carrying out a ritual. The narrative follows Medusa as she turns her victims to stone, then reshapes them through a dark rite into a monstrous force that spreads fear wherever it moves.
About Frostmorner
Hailing from Sicilian roots, Mario began the Frostmorner journey in 2019. After evolving from a collaborative effort into a solo powerhouse, Frostmorner has carved out a distinct niche in the Blackened Atmospheric Death Metal landscape. Handling all duties from guitars and drums to artwork and design, Frostmorner represents the ultimate DIY spirit in extreme metal, earning acclaim from fanzines and radio stations worldwide.
Pre-save "Orbital Kaos" now: https://orcd.co/orbitalkaos
www.youtube.com/@frostmorner
www.facebook.com/FrostmornerMusicOfficial
WOLFBASTARD – “SATANIC SCUM PUNKS”
Label: Apocalyptic WitchcraftRelease date: march 13th 2026
Genre: Black Metal/Crust Punk
For fans of: Venom | Exploited | Midnight | Extreme Noise Terror
We’re careering to the end now, pedal to the metal and picking up speed with every turn around the sun; humanity clambering over itself to reach the landfill of shit, bones and misery where it belongs. Some will weep their way to our mass, open grave, capturing their final pathetic moments on the cracked screens of the devices that have eaten their souls. And some will howl in the flames of destruction…drink, fight and bleed their way to oblivion. The end of days will be their best of days as they grind glass into society’s rotten face. Nihilistic and defiant, venomous and violent – no cause, no cares, no code of conduct – the streets belong to the satanic scum punks!
Four years on from their cranium crushing third album, Hammer The Bastards, Manchester’s feral kings of the underworld – Wolfbastard – have returned, armed with the turbo charged belligerence of new album Satanic Scum Punks! Opening track ‘It’s Fucking Dark’ begins with a strange, tarnished majesty before a riotous punk riff tears out its throat and a raucous cry of ‘Fuck Off!’ sends us hurtling into the darkness. There’s no respite, no acoustic interludes or moments of atmospheric reflection, just ultra-aggressive punk riffs with a jagged black metal blade concealed inside them. ‘Let The Bastards Burn’ leaves you in no doubt that Wolfbastard won’t just let the bastards burn, they’ll be starting the fire, adding any accelerant that comes to hand and kicking any escapees back into the flames. The ripping, addictive black mayhem of first single ‘Hail Satan Kurwa’ is a breathtaking rush of full force blast and ‘F.O.T.D.’ is the kind of song that would headbutt you for breathing. There is no weakening of the ice and dirt, fire and thunder assault as Satanic Scum Punks progresses; from the devil may care, feet first into the abyss adrenaline of ‘Drink For Hell’ to the body breaking ‘Manic Street Creatures’ this album just hits harder and harder. And finally it ends just where it began, with a spittle-flecked ‘fuck off’, before collapsing back into the gutter.
Now with the backing of a powerhouse new label, champions of the underground Apocalyptic Witchcraft, the filth, fury, malice and menace of Wolfbastard will be spread like a disfiguring plague. Satanic Scum Punks will be unleashed on March 13th and available on limited edition vinyl, digipak CD, Cassette and digital formats. Be ready for wanton destruction and drunken devastation – expect no mercy here.
Line-up:
Dez – Guitar/Vocals
Si Fox - Bass
Dave Buchan - Drums
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/dbeatblackmetal
As
is the tradition for us, we've started this year with our new label sampler.
It's always free-for-download with the proceeds going towards our animal
sanctuary having around 40 rescued cats and dogs now (I hope I can get them
some new toys and maybe a treehouse after this!). The artwork is made by Nekromold and
we've come up with a couple of colour options too just in case.Label Sampler link : https://transcendingobscurity.bandcamp.com/album/2026-label-...
You'll find more familiar bands on the label sampler this time around because quite a few of them have come up with new material but the overall quality remains the same and the essence undiluted. A few bold bands have been given prominence and I'm sure the songs on the label sampler will grow on the listeners because several of them are rather intricate or just weird/interesting. At this rate, we'll probably never end up being a big "commercial" label but I can live with that.
Compilation info
We are truly privileged to enter another year working with both known bands returning to release their new albums with us as well as fledgling ones showing promise. The 2026 label sampler is a free-for-download compilation with all fresh songs, mostly off albums that are likely to come out in the same year. As can be expected, there's plenty of diversity and it should be an interesting year for the label.
The artwork by Nekromold is a reflection of our messy times, where art and music are getting infested by AI, with some gnarly Warhammer 40k influence thrown in for good measure.
The proceeds from this goes towards the upkeep of the Transcending Obscurity-run animal sanctuary having over 40 rescued cats and dogs, and others outside being fed and taken care of on a daily basis.
Track listing
1. ENDSPACE (Canada) - Sixth Transmission (Sci-fi Black Metal)
2. VEILBURNER (US) - Vitriolic Hiss (Avantgarde Black/Death Metal)
3. FEBRUUS (Sweden) - Measures of Escalation (Progressive Death Metal)
4. DEVENIAL VERDICT (Finland) - Elysium (Death Metal)
5. HAXPROCESS (US) - The Divinity of the Self (Death Metal)
6. THE SCALAR PROCESS (France) - Far From the Flesh (Progressive/Atmospheric Death Metal)
7. VIANDE (France) - Cercuiel de vase (Death Metal)
8. RITUAL FOG (US) - Enraptured (Death/Thrash Metal)
9. NINTH REALM (US) - Rituals in Thar'amath (Death/Thrash Metal)
10. DEFECT DESIGNER (Norway) - Repeated Aversive Stimuli Inducer (Progressive Death Metal)
11. CUTTERRED FLESH (Czech Republic) - The Colour Out of Space (Brutal Death Metal)
12. CHAOS MOTION (France) - Neurotic Contortion Abuse (Dissonant/Technical Death Metal)
13. DYSGNOSTIC (Denmark) - The Black Sun (Dissonant Death Metal)
14. ELITIST (Denmark) - Enforced Malnourishment (Dissonant Death Metal)
15. CARBON TOMB (Denmark) - A Hidden Creature (Dissonant Death Metal)
16. GOREWORM (Canada) - The Enthralling Grave (Technical Death Metal)
17. DISSECT THE MASSES (US) - Flesh Mechanics (Death Metal)
18. XENOSIS (US) - Prolapsed Twin Entombment (Progressive Death Metal)
19. HANGING GARDEN (US) - Dreamwoven (Progressive Death Metal)
20. DECIPHER (Greece) - Return to Naught (Black Metal)
21. APOLAUSTIC (Switzerland) - Shining Amidst the Lights (Black/Death Metal)
22. VERDUN (France) - Funeral of the Cosmic Knight (Blackened Sludge Metal)
23. MUERTO (Mexico) - Serpentine Echoes (Black Metal)
24. BESOTTEN (US) - Mist of Decay (Death/Doom Metal)
25. ABYSSAL RIFT (US) - The Enlightenment (There Was Never Will) (Death/Doom Metal)
26. DEATH OBVIOUS (Finland) - Sipirja (Avantgarde Black/Death/Doom Metal)
https://www.facebook.com/transcendingobscurityrecords
Kunal Choksi Label Owner Transcending Obscurity Mumbai, India
Watch the "Alone" music video: https://youtu.be/fAf_y38Mki0
Listen to the "Katharsis" album on music services : https://push.fm/fl/fod-katharsis
FoD singer Saku Solin tells about the album:
”Katharsis is the culmination of our entire band’s evolution and the rebirth of its members. It’s often said that art requires pain and faith… and this album truly contains both. The process tested us through adversity and demanding production, but perhaps because of that, I am now incredibly proud of us for having the strength to fight our way through it.
When we now compare the final album to the original demos, it’s clear that every bit of work and effort was absolutely worth it.
For the songs themselves, we were able to carve out material from Lasse’s pen, some of which had been waiting to be born for years. At the same time, we created our first full-length album together with Anton and Jessica. On a personal level, the biggest thing for me was being able to write songs for FoD again after a long time with my close friends and to share my story through the music. Feel may be the most beautiful song of my entire artist career. At leat one of the most important ones for me.”
Fear of Domination was originally founded in 2006. Over the years they have toured around the Europe with bands like Deathstars, Turmion Kätilöt, Velcra, Shade Empire, Hanzel and Gretyl, Amaranthe, PAIN and many many more.
Pre-order the limited CD-digipak (CD release day, January 23rd) from Inverse Store or Bandcamp.
Upcoming shows:
16.1.2026 Kouvola, House of Rock /w King Satan [FIN]
17.1.2026 Helsinki, On The Rocks /w Let It All Burn [FIN]
23.1.2026 Turku, Apollo /w Herja, Morket [FIN]
24.1.2026 Tampere, Olympia /w King Satan [FIN]
30.1.2026 Jyväskylä, Freetime [FIN]
31.1.2026 Oulu, Kantakrouvi, Winter Massacre [FIN]
13.3.2026 Kuopio, Circus /w Ruoska [FIN]
Fear Of Domination are:
Jessica Salmi – voc
Saku Solin – voc
Johannes Niemi – gtr
Jan-Erik Kari – gtr
Lauri Ojanen – Bass
Lasse Raelahti – Synths
Anton Nisonen - Drums
Tracklist01. Alone
02. Dead Anyway
03. Monsters
04. Imposter
05. Last Words
06. Primum Noce Apte
07. Rabbit Hole
08. All As One
09. Endgame
10. Feel
Release date: January 9th 2026
https://www.youtube.com/user/FoDofficial
https://www.fod.fi/
https://www.facebook.com/FearOfDomination/
Label: Meuse Music RecordsRelease date: february 27th 2026
Genre: Funeral Doom / Death Metal
For fans of: Shape Of Despair | Indescinence | Hellight | Skepticism
I saw the hand of doom reach into my sky and enfold my sun, drawing it down beyond the distant horizon. The colours of my world bled away, through differing shades of grey to the darkness of unending night and there, in the black, wracked by pain beyond all previous imagining, I found I could see with a clarity I had never known before. As love and dreams fled into the shadows, my vision of the path ahead was suddenly unobstructed and I could see my final place of rest awaiting me. The tomb held no terrors for me now and I began my steady, deliberate journey through the vale of tears with quiet acceptance – slowly fading as each step brought me closer to that cold, ungentle bed.
Born in Tbilisi in Georgia, on the banks of the Kura River, Ennui have built a formidable reputation on the foundations of four full length studio albums, each one a towering edifice of funeral doom/death metal. From the 2012 debut, Mze Ukunisa, inspired by the poetic works of Terentio Graneli, to 2018s End Of The Circle, described by Mystification Zine as “a stunning dance of extremes”, Ennui have followed their own path of vast, measured heaviness and unflinching explorations of life changing emotions and the fundamental questions of existence. Now, it is time for the fifth chapter in their grand tale to be written as Ennui walk ever deeper into the darkness...with Qroba.
Qroba, meaning vanishment, the process of disappearance, begins with the revelatory ‘Antinatalism’, its staggering chords and drum beats like distant thunder conjuring a sense of immeasurable scale entwined with a piercing, poignant intimacy of thought and experience. A voice rises through the music, climbing up from the deepest chambers of the heart and the melancholy, grief and summoned solitude are all encompassing. Portentous melodies lead us on through a windswept wilderness and shuddering riffs draw down the dark and bleach the sun’s warmth from the world. This is deeper, darker, colder than ever before…and we have only just begun. The weight of the first full chords of ‘Becoming Void’ drive the breath from your body and the illusions of life’s comforts are crushed, ground into the frozen soil, before achingly beautiful guitar leads of sublime sorrow climb from the bleak vista. Ennui’s ability to weave remarkable subtlety and emotion into music of such staggering weight is exemplified in ‘Decima’, where delicate notes and avalanches of sound evoke the moment of heartbreak and draw it out through eternity, with a traditional three stringed lute, the panduri, adding the melancholy atmosphere of the Georgian mountains. And still Qroba carries us onwards, through the soul-shaking, overwhelming majesty of ‘Down To The Stars’ to our final unmaking with ‘Mokvda Mze’; where opening notes of rich resonance are gradually consumed by the tremendous power of Ennui in full flight – those earthshaking vocals, those inexorable chords and lamenting melodies – and we are cast upon the eternal, fathomless seas of grief, until, at last, we slip into nothingness.
Mixed and mastered by Esoteric’s Greg Chandler, whose knowledgeable touch has given such heft and presence to works by Officium Triste, My Silent Wake, Pantheist and many more, Qroba possesses an agonised nobility of sound, a layered, textured depth that infuses the songs with a remarkable unswerving honesty. Surely the pinnacle in Ennui’s outstanding canon of work to date, Qroba will be released by Meuse Music Records on February 27th, bedecked in the stunning artwork of Ben J ‘Winterkeep’ (Ofnus), with additional design from Vladimir 'Smerdulak' Chebakov (1914, Lake Of Tears etc) – and the scope and power of funeral doom will be redefined once more.
Line-up:
David Unsaved – Guitars, bass, vocals
Serge Shengelia – Guitars
Alexander Gongliashvili – Drums
Andrey Azatyan – Guitars
Kakhi Kiknadzr – Guitars
https://www.meusemusicrecords.eu/
https://linktr.ee/ennuitheband
The band describes the album and its creative process as follows:
"This album is the destination of a very long journey, and at the same time, a new beginning. While the process has been incredibly interesting and inspiring, for a band like ours — working primarily remotely — it has required significant effort. We’ve had to invent new ways of working and change many of our internal practices. From the very beginning, our goal was to create a debut so strong that we wouldn’t have to regret it years down the line. We believe we achieved that goal 100%. With the lessons learned, working on the next album will be a much faster undertaking."
Listen to the album on music services : https://push.fm/fl/inborntendency-lettherebesin
The band worked on the album with producer Juho Koskinen, who was responsible for the production as well as the final mixing and mastering.
"When we decided to start working on the debut in 2023, it became clear after a moment of reflection that we wanted an outside producer to provide fresh perspectives on the songs. We were looking for someone with experience producing music beyond just the metal genre. We happened to find Juho through mutual acquaintances, and that same year we released 'Heritage.' From that point on, it was clear that the entire album would be crafted with this team. Remote work has been a necessity and a natural way for us to operate since the band's early days, so the collaboration with Juho ran smoothly. The singles released so far have received excellent feedback on both production and sound, and we believe the full album will live up to the expectations of both fans and new listeners!"
The cover art for the singles and the final album was created by Henri Tervapuro, an artist from Ostrobothnia.
"We started working with Henri years ago when we released the Godkiller EP. Henri’s style of creating graphics through painting works incredibly well for us; it adds just the right amount of edge and narrative to the songs. Henkka got to listen to the tracks and create the first drafts based on pure intuition. This way of working has been very effective, and Henri’s art often brings new, interesting perspectives to the music."
The band's lyrics and songwriting style have been atmospheric and thought-provoking since their inception. The band has refrained from explaining or opening up the themes of the lyrics, aiming instead to let the listener draw their own conclusions from the stories behind the songs. The band describes the debut album as follows:
"The overarching theme of the album is the inherent sinfulness planted in humans from the womb. The songs' themes lead the listener to face their deepest fears and the evil that resides within every human being. Although the stories draw from Christian tradition, they provoke thought about the nature of evil, regardless of one's personal convictions."
"Something new, something old, something of our own, and something stolen," describes Ville Herranen, who is responsible for the lyrics.
The band will kick off their album release tour on January 31st, 2026, at Ottopoika in Kuopio. You can catch the band during the spring at the following venues:
Jan 31 – Kuopio, Ottopoika (FIN)
Feb 20 – Seinäjoki, Bar 15 (FIN)
Mar 7 – Helsinki, Bar Base (FIN)
Apr 18 – Turku, Nirvana (FIN)
May 9 – Espoo, Olarin Ossi (FIN)
See you at the shows!
Inborn Tendency:
Mika Hänninen, Guitar
Hugo Tiitinen, Drums
Ville Herranen, Vocals
Credits:
Mixing and Mastering: Juho Koskinen
Cover Art: Henri Tervapuro
Tracklist01. Defiled
02. Heritage
03. Flesh Eater
04. Imperfected
05. Exiled
06. Ungod
07. Fist Evangelist
08. Lament
09. Death Do Us Part
10. Returnal
https://lnk.bio/Inborntendency
Listen to the EP on streaming services: https://push.fm/fl/krushor-ep
The band comments:
"The themes of the songs on EP are not the easiest to grasp, but they are extremely important! I have always wanted to write about my own experiences and the things happening around me, especially the negative things and mental struggles. It's kind of therapeutic to get the words down on paper first and then shout these themes out as loud as I can, maybe that's my way of dealing with difficult things.
The process itself was very exciting. We did the recordings ourselves for the first time and got the necessary equipment for it. It wasn't the easiest way to do it, but we're happy with the result. There is always room for improvement, and that drives us forward. We want to learn new things and get better at these things too. Most of the actual recording was done by our guitarist Joni, and we owe him a big thank you for his time, effort, and perseverance in the name of "creativity."
Next, we will focus on gigging, as long as we are blessed with gigs, and on writing new songs. Our goal is to make a whole album, which we also intend to record ourselves. The schedule is not rushed, so don't hold your breath just yet. Making the EP was a great process, we got what we wanted out of it and learned a lot through the process!"
Biography:
The band found its current identity through shared musical tastes, playing together, and a shared hobby. We are a group of people who enjoy making and playing music that works for all of us. A big part of this is that composing, writing lyrics, and editing songs is open to everyone. All songs and compositions are created by the whole group, not based on one person's vision or goal.
Our influences definitely come from older metal, but that doesn't matter, because mixing genres actually adds a lot to our music; there's no one right way to do things. Krushor's goal is to make music that sounds good and at the same time talk about the difficult things that are part of life. For many people, music can be therapeutic, and if even one person feels that way about our music, we feel we have succeeded.
Track
list:01. Shockwave
02. Vortex
03. Rise Above
04. Taste of Hatred
Composed by Joni Kärsämä, Juho Mattila
Saku Hirvimäki, Sami Keränen
Lyrics by Ville Lehtoranta
Arranged by Krushor
EP cover by Joni Kärsämä
Line-up:
Ville Lehtoranta - Vocals
Joni Kärsämä - Guitar
Juho Mattila - Guitar
Sami Keränen - Bass
Saku Hirvimäki - Drums
https://www.facebook.com/krushorofficial
Release
date :
February 20, 2026Genre : Melodic Black Metal
For fans of: MGLA, Misþyrming, Forteresse, Regarde les hommes tomber, etc...
Origin: France
Duration: 31min48
Label: Les Acteurs de L’Ombre Productions
Network Distributor: Season of Mist / Plastic Head
Digital Distributor: The Orchard
Line up
Vocals : Diffamie / Thomas Deffrasnes
Guitar : Thomas Deffrasnes
Bass : Clément Joly
Drums : Robin Grabmann
Tracklist:
1. Les galibots
2. Cheval de fosse
3. Courrières
4. Barbara
5. Les nords
6. Terre d’euch mau
7. Le Galibot
8. Schlamms
GALIBOT is a melodic black metal band — but it is also the name given to children who were sent to work in the mines of northern France. And for good reason, as the quintet hails from there.
Initiated in 2023 by Thomas, Agathe and Clément, the project, initially a studio project, aims to establish a parallel between the raw and visceral dark matter that is coal and black metal music. Wallers-Arenberg, the name of the town where the project was born and which bears the scars of the mining industry, was the demo for what was still only a trio.
In 2024, “Euch’mau Noir” — “The Black Devil” in Ch’ti — was released, an album portraying the North as the devil’s cradle, a harsh and infernal land.
At the beginning of 2026, GALIBOT invites you to (re)discover this work in a fully reimagined version: “Euch’mau Noir bis”, scheduled for release on Friday, February 20, 2026, via Les Acteurs de l'Ombre Productions.
This new edition revisits the imagery of the North, a land of dark legends and human tragedies. It brings forth miners shaped by the pits, villages scarred by disasters, and a multiculturalism whose ink stains the pages of Zola.
The six original tracks return transfigured through new arrangements, accompanied by a completely reworked mix and mastering at Minotaure Studio, delivering an even more massive sonic impact.
The tracklist is expanded with the return of “Schlamms”, an emblematic track from their demo, now entirely recomposed and re-recorded, and fully integrated into the definitive version of their debut album.
“Euch’mau Noir bis” was recorded, mixed, and mastered at Minotaure Studio under the direction of Julien Baquero.
Pre-orders are now open for the various editions of the album, which also features a complete visual overhaul by Tryfar, further reinforcing the project’s dark and assertive identity.
https://www.facebook.com/GalibotBand/
Belorusian Death Metal Pack, EXIMPERITUS, in partnership with No Clean Singing, have premiered, "GOLDEN CHAINS FOR THE CONSTRUCTION OF INDIVIDUAL GREATNESS," the second single from forthcoming Willowtip album, MERITORIOUSNESS OF EQUANIMITY.
Get pummeled at: https://www.nocleansinging.com/2026/01/07/an-ncs-premiere-eximperitus-golden-chains-for-the-construction-of-individual-greatness/
The song will be available on all digital platforms this Friday, January 9.
Eximperitus are set to release the follow-up to 2021's widely praised sophomore album, Šahrartu! Willowtip Records will unleash Meritoriousness of Equanimity January 30 on vinyl, cassette, CD, and digital formats.
"In times when despair overflows human hearts… when the chasm of strife between civilizations widens… when loyalty to ideologies tears blood ties apart… when the world stands still, poised for the final leap of prolonged self-destruction… We can draw strength solely from internal sources, which are filled only by the multifaceted power of Death Metal..."- Eximperitus
Eximperitus' forthcoming third album, Meritoriousness of Equanimity, contains nine independent compositions united by the idea of searching for inner support in an era of turbulence. Exposure and scourging of social dogmas and morbid tendencies on the ruins of the old world...
Pre-order:
https://eximperitus.bandcamp.com/album/meritoriousness-of-equanimity
https://www.willowtip.com/bands/details/eximperitus.aspx
Track
Listing:I. One Step Long Infinity.
II. Contemplation of the Plastic Fibers of Perfection at the Second Level of Reality.
III. Twelve Centuries of Triumph of the Third Kingdom…
IV. Finding Consistency in the Fourth Quadrant of Eternity.
V. The Untimely Fruit of the Unsaid.
VI. Golden Chains for the Construction of Individual Greatness.
VII. Molecular Disintegration of an Unattainable Solitary Will in a Vessel of Wisdom...
VIII. Chalkionic Wandering Among the Wreckage of the Future.
IX. Standing at the Skirt of the Ruins of Human Nature (...on the Other Side of Man and Time).
https://www.facebook.com/eximperitus.official
Athens,
Greece – In 1993, the world was a different place, but the darkest corners
of the human psyche remain unchanged. Today, Greek death/thrash metal icon CREMATE taps
into that timeless darkness with the premiere of the official lyric video
for "HUMAN," a standout track from their
powerhouse EP, READY TO FIGHT, out now via
Wormholedeath.Originally written over three decades ago, "Human" has evolved from a raw expression of 90s angst into a chillingly relevant commentary on our modern digital age. The track serves as a visceral thrash metal statement on the things society chooses to ignore: fear, pride, and hypocrisy.
While the song was born from internal human conflict, CREMATE notes that these emotions have migrated from our hearts into our hardware. "Human" explores the blurred line between biology and technology, questioning what happens when we translate our pain and fears into algorithms and artificial intelligence—systems that can process data, but can never truly "feel" what it means to be human.
Stream the EP Ready To Fight: https://orcd.co/rtfep
Previous videos:
Die As You Lived: https://youtu.be/k38HueUtCos
Ready to Fight – https://youtu.be/-RdHOoRT-HA
CREMATE’s story is one of resurrection. Originally formed in Alimos, Athens, in 1991, the band carved out a reputation for a raw, aggressive sound inspired by titans like Kreator and Sodom. After a successful run in the mid-90s—including the internationally acclaimed End of Time demo—the band disbanded, leaving a void in the Greek underground scene.
In 2021, founder Christos reignited the flame. Alongside drummer George and guitarist/producer Akis Pastras, the band returned to their roots to re-envision their 90s fury through a contemporary lens.
About the EP: Ready To Fight The resulting 4-track EP is an uncompromising fusion of vintage aggression and modern dark textures. Ready To Fight features three reworked classics and the brand-new title track, which boasts a guest solo from Marios Iliopoulos (Nightrage). The EP also features haunting violin work from Lusty Apricot on "Die as You Lived," adding a layer of gothic atmosphere to the band's signature brutality.
Recorded and mixed by Akis Pastras and mastered by the legendary George Nerantzis (Rotting Christ, Abbath),
www.youtube.com/@CREMATEtheband
www.facebook.com/crematetheband
Finnish melodic death metal act OBSCURE FATE is about to release their debut album 'SHADES OF A DYING WORLD' on March 27th 2026 via Inverse Records.
The second single 'POISON THRONE' is unleashed today and it's available here: https://push.fm/fl/obscure-fate-poison-throne
The band comments:
" "Poison Throne" represents corrupt authority that poisoned what it was supposed to protect. The song refers directly to the Inquisition, historical events in which innocent people were executed on religious grounds. Religion was used as a tool of power, not salvation. The song "Poison Throne" urges us to remember the injustices of the past and expands the theme from the individual to the collective trauma of an entire nation."
Biography:
Obscure Fate was originally formed in 2008 in Paltamo, Finland, as the solo project of guitarist and songwriter Kaleva Kovalainen. In 2009, drummer Jari Keränen and bassist Petri Möttönen joined, giving the songs their first real band form. Shortly after, guitarist Joni Moisanen and vocalist Tapio Möttönen became official members, and together the group arranged dozens of tracks for full band performances. From the very beginning, Tapio handled the lyrics, with Petri contributing to the song Spectral Exile.
The current lineup was completed in 2019 when bassist Antti Möttönen replaced Petri. Musically, Obscure Fate is rooted in traditional melodic death metal, though elements of thrash and classic heavy metal also find their way into the band’s sound. Kaleva’s prolific songwriting provided a strong foundation for the band, while the lyrics explore themes of social criticism, fictional storytelling, and inner struggles.
In 2021, Obscure Fate released their first EP. Recording sessions for their debut full-length album began soon after, but due to various setbacks the process turned into a long and seemingly endless project. Finally, in April 2025, the band reached the final stages of completing the album, marking an important milestone in their journey. The debut album 'Shades of a Dying World' is set to be released in March 2026 via Inverse Records.
Listen to the first single 'Age of Delusion': https://push.fm/fl/obscure-fate-age-of-delusion
Track
list:01. Shadows of the Past
02. Beyond Pain
03. Turn To Dust
04. Spectral Exile
05. Age of Delusion
06. Shade of the Destruction
07. Reign of Madness
08. Valhalla
09. Spirit of Vengeance
10. Poison Throne
11. Eksyneiden Jumala
Album cover by Jarno Lahti
Mixed by Tero "TeeCee" Kinnunen
Mastered by Mika Jussila, Finnvox Studiot Oy
Line-up:
Kaleva Kovalainen, Guitars
Tapio Möttönen, Vocals
Jari Keränen, Drums
Joni Moisanen, Guitars, Backing Vocals
Antti Möttönen, Bass
https://obscurefate.net
https://www.facebook.com/ObscureFateBand
Hailing
from Foix a french city worldwide famous for his castle comes True
Pyrenean Black Metal act NOIRSUAIRE! Solely driven by mastermind N who created this dark entity back in 2023,
NOIRSUAIRE delivers traditional Black Metal laden by influences ranging from
Darkthrone, Gorgoroth to French scene from the late 90s like Funeral, Osculum
Infame, Bekhira etc.After some demos and EPs released on various labels, NOIRSUAIRE signed to the legendary label Osmose Productions, a label that doesn't need any introduction, for the release of its debut album.
This debut album entirely recorded in an old attic then mastered at BST Studio (Mütiilation, Aosoth, Hell Militia) is entitled "THE DRAGGING POISON" and contains 9 tracks, everything wrapped in a splendid artwork by famous artist David Thiérée known for his works for bands like Behemoth, Ihsahn, Warloghe to name a few!
"The Dragging Poison" has been released on December 26th via Osmose Productions and can be ordered straight from NOIRSUAIRE on the official webshop or via Osmose Productions.
https://www.facebook.com/noirsuaire
SUPERIOR
RAGE – “IN MEMORIAM” (EP)In Memoriam is not merely a collection of past works but a powerful statement of resurrection and refinement. The EP features re-recorded classics alongside two brand-new, previously unreleased tracks: “The Death of the Red Dragon” and “Soleright,” offering a definitive listening experience for both long-time followers and new fans of atmospheric black metal. "Thanks to the contribution of session musicians, SUPERIOR RAGE's music has become more vibrant and pulsatile compared to their previous, colder and more minimal productions," says the project’s founder, Superior Rage (vocals and synths).
In Memoriam is a must-listen for anyone seeking symphonic black metal that is both rich in atmosphere and aggressive in execution.
Tracklist
01. Indecent Condition
02. Asmodeus Bacchic
03. The Night of Rains
04. Soleright
05. The Death of the Red Dragon
About SUPERIOR RAGE
SUPERIOR RAGE began in 2006, delivering raw black metal with atmospheric, dark, and symphonic tones. The core lineup features Superior Rage (vocals, synths), Pagan Fury (guitars, synths), and Hyemens Kaiser Tszar (bass).
The first demo (2008) earned strong national reviews, followed by Through Infinity (2010), a mix of unreleased tracks and new material. Between 2010 and 2011, the project released several live recordings with temporary session musicians.
In 2011, SUPERIOR RAGE shifted toward symphonic black metal with III. Two Fire Eternal EPs followed, covering classic black metal songs—first in their original style, then in an ambient approach.
In 2012 the lineup expanded, producing new online recordings, additional covers, and a remake of “The Night of Rains.” The project paused in 2014, briefly resurfacing in 2017 with a new version of “Indecent Condition.”
SUPERIOR RAGE returned in 2022 with the single Boobs Explosions. This led to Anthology, a 2024 collection of re-recorded key tracks, including a new prog-influenced take on “Cuore Sincero.”
In 2025, the promo Back to the Crypt introduced two re-recorded tracks and a new song, “Soleright,” with four session members. The EP In Memoriam followed, adding a new version of “Asmodeus Bacchic” and the unreleased “Death of the Red Dragon.”
The current line-up features the core vision of Superior Rage (music, lyrics, synth & bass) alongside a powerful contingent of session musicians:
Baelithiel (vocals & lyrics)
Maikon (drums)
Nemorion (guitars on “Indecent Condition” and “Soleright”)
Hrafnagud (guitars on “The Night of Rains”, “Asmodeus Bacchic”, “The Death of the Red Dragon”)
www.youtube.com/@SuperiorRageRawchannel
www.facebook.com/rawsuperiorrage
The
solo project "WOODEN SHADOW" by Jeremia Ponto, who
just turned 25, from Ylöjärvi, Finland and the latest song "We are the
North" is a representative song as its name suggests, in which the north
brings honor and strength. The chorus raises the sound levels to the
stratosphere and the song's otherwise rich and rich melody can be heard. There
are also experiments with different guitar sections, of which at least Jeremia
Ponto himself is really happy about.Listen to 'We Are The North' single on all major streaming platforms: https://push.fm/fl/wooden-shadow-we-are-the-north
From year 2020 onwards, the first demo (Meaning of Wonders) also started a new project. Wooden Shadow is the solo project of Jeremia Ponto from Ylöjärvi, where the genres vary between melodic styles in the form of different formats. As a rule, founder Ponto writes his compositions based on melodic death metal, but there are also combinations of folk and melodic black metal. Jeremia Ponto, 25, describes his solo project: "Ever since I started making my first compositions, I had in mind to write diverse music that fits the colors of my project itself. Let the people, who find my music
to listen to decide for themselves what my genre represents. I define my music as "melodic metal" because it feels more realistic to me as a composer."
https://www.facebook.com/Tormentius
https://woodenshadow.bandcamp.com
Finnish
blackened death metal band KARELIAN WARCRY have worked
with their third album for years and finally it sees the light of day this
spring. The first bite from the album, a single "MIELEN
RUTTO" (The plague of mind) is now out.Listen to the single on music services (Spotify, Apple Music, Deezer, Tidal, Bandcamp etc.) https://push.fm/fl/karelianwarcry-mielenrutto
Karelian Warcry was founded in Kouvola, Finland, in 2002. In its early stages, KW’s music leaned more distinctly towards Black Metal. Nowadays it’s influenced by other subgenres of metal as well as other types of music. The lyrics explore themes related to war, violence and the darker sides of humanity. Each member brings their own musical roots, personal ambitions, and thematic passions into the mix, resulting in unique and recognizable sound. Wistful and haunting melodies, crushing grooves, and relentlessly driving rhythms blend with violent storytelling and poetic expression, hallmarks of Karelian Warcry’s musical identity.
In 2014, the band went on hiatus following the passing of vocalist-guitarist Matti Mikkonen. Although the members have scattered from their hometown of Kouvola, they have continued creating music together—both remotely and in their rehearsal chamber. One could say Karelian Warcry never ceased to exist. And now, a bit over a decade later, they have finally completed the upcoming album, "Veripellot" — their most crushing and cohesive work to date.
Discography:
Demo '04 (2004)
Kylmä rautainen (Album, 2005)
Verinen taival, päättymätön tie (Album, 2010)
Minun aikani (Single, 2020)
Line-up:
A. O. Heiskanen - Drums
J. H. Järvinen - Vocals
J. T. Kousa - Guitars
S. P. Ukkonen - Bass
https://linktr.ee/Karelian_Warcry
The video also featuring the hellish fire ‘work’ stunts of the most wikkid “Flames of Anubis” gang and select video footage from Robert Cuzens.
Stream
the album: https://orcd.co/scalbumPrevious videos:
“Genital Dismemberment Bot Cult”: https://youtu.be/om99zzMY0ac
"Satans Cock": https://youtu.be/Nso_kHVv3oI
“Psychotropic Lyfe”: https://youtu.be/xeeiwOvpmr4
"Eat Your Entrails": https://youtu.be/26xpIfMKKhE
“Ominous”: https://youtu.be/3ugPaxkkJlE
"Satans Cock" The Album
Following their 2022 self-titled debut, which sold out multiple pressings and carved a cult following across the underground, KÜNTSQUÄD (pronounced Kountskard) double down on everything grotesque, unholy, and deliberately absurd. There are no genre walls here—only a relentless descent into sonic madness.
With the album “Satans Cock”, the band delivers a grotesque yet calculated assault—layering blast-beaten fury, apocalyptic riffs, and sneering satire into a weaponized soundscape for the damned
About KÜNTSQUÄD:
KÜNTSQUÄD (pron. Kountskard) is a crusty death metal band from Melbourne blending guttural vocals, down-tuned riffs, and blackened chaos. Their 2022 self-titled debut on Wormholedeath Records earned global acclaim and sold-out pressings. Raw, extreme, and satirically twisted—this is metal with no genre boundaries.
https://black-roos.com/
www.youtube.com/@Kuntsquad666
www.facebook.com/kuntsquad666
Greek black metal band Decipher have come up with a new album this year which is an extension of their sound on their acclaimed previous one. If you're into thoughtfully composed, steely black metal with melodic undertones, you can't pass up on this one. Listen to a track from it at https://decipherbm.bandcamp.com/album/thelema
DECIPHER - “ΘΕΛΗΜΑ (THELEMA)”
Genre: Black MetalFor fans of : Emperor, Yoth Iria, Bolzer, Lucifer's Child, Varathron, Necromantia, Ravencult, Dodsferd
Decipher released a sublime album in "Arcane Paths to Resurrection", which was steely and composed, enriched with melodic undertones. It was the timeless kind of black metal that was largely inspired by the classic black metal bands and yet didn't sound too dated. Two years later, the Greeks return with a new opus, elaborating on the music forged on that album, adding better nuance and structure to the songs whilst retaining the sound and appeal. Allowed better expression, the songs are comparatively longer and have a narrative quality to them without straying too far from the core sound. The riffs are drenched in emotions without being overtly melodic as the music marches ahead resolutely with its steely demeanour. This is the kind of black metal that gets its priorities straight - with the right focus on riffs, feeling, intensity, and passion.
Line up
Kostas Gerochristos (Lucifer's Child) - Guitars and vocals
Kostas Ragiadakos (Dephosphorous) - Bass
Nodas Chatzopoulos - Drums
Artwork by Artem Grigoryev (Dödsrit, Nightbringer)
Track listing
1. Return to Naught
2. The Black March
3. Seven Scars
4. Bound to the Wheel
5. Hail Death
6. Towards Renaissance
7. Litany
Kunal Choksi Label Owner Transcending Obscurity
https://www.facebook.com/decipherbandgr
https://www.facebook.com/transcendingobscurityrecords
Just
a few days and on January 16th the album "MMXXVI - GRAVE" realized
by the Italian Doomsters DVM SPIRO will see the
light! "PRELUDIO" is the second song taken from the album and you can listen to it on our YouTube channel at https://youtu.be/8QXM-sH737o
The song is a long 10 minutes and more suite, a prelude to a loveless mourning, mantled by desperation and the natural funereal atmospheres of their Doom Metal. Heavy riffs, female vocals and deep growls, ancient atmospheres are the keywords of a music that will surely be a must-listen for fans of My Dying Bride, Funeral, early Paradise Lost, and Shape of Despair!
DVM SPIRO are back, and the magic of their sad art is ready to drag you into the deepest abyss.
"MMXXVI - Grave" will be released on January 16, 2026.
You can pre-order the CD here: https://t.ly/2cDTv
https://linktr.ee/mykingdommusic
https://www.facebook.com/dvmspiro
Baltimore (MD) - One-man Melodic Doom Metal outfit, ORCHID THRONE, ring in the new year with the official video for "Ephemerality," the third single from forthcoming debut full-length, BURIED IN BLACK.
Dive right in at https://www.youtube.com/watch?v=IxuZyULxMBg
FFO: Swallow the Sun, Anathema, Woods of Ypres, Novembers Doom, Draconian
Orchid Throne is set to release Buried in Black on January 9, 2026! The project consists solely of Nicholas Bonsanto (Lör, Empress, Helianthus, Barren) who performs the music, as well as producing, mixing and mastering the album.
After nearly 17 years of playing supporting roles in various bands, Nicholas Bonsanto (Lör, Empress, Helianthus, Barren) is proud to make his debut as a solo artist as the man behind Orchid Throne. Bonsanto not only wrote and performed all of the music for Buried in Black, but also produced, mixed, and mastered the album.
While not a concept album, Buried in Black weaves themes of anxiety, depression, fear of death, and the search for life’s meaning throughout its lyrics. The title describes both the music itself and the feelings that Bonsanto has kept buried within for years. It may sound bleak, but what is buried in black will be set free and brought to light on January 9.
“This album is a long time coming for me,” said Bonsanto. “For more than a decade, I collected little recordings of ideas in the hope that one day they’d be useful. I could not be more proud of myself for how the album came out and for all of the things I have learned along the way.”
Bonsanto's Musical Journey to Buried in Black:
“As a musician performing in bands since I was 16, people who know me have seen me play a supportive role, and hear my musical contributions to my bands. But not everyone knows that I have always dreamed of releasing a record of my own. I am passionate about all kinds of music, and while I love playing in my current bands, doom metal is a big love that I long felt like I had no outlet for.
“While I’ve honed my songwriting abilities over the years, I began this project with zero knowledge of how to produce a record on my own. I introduced Orchid Throne to the world one year ago on my birthday with only one song done. Over the past year, I have finished writing, recording, and producing my entire debut record. I have finally achieved this goal and it's even better than I ever imagined it could be. It means so much to me to get this out there, to truly reflect who I am as an artist, and I’m already excited to create more.”
Pre-order Buried
in Black:
https://orchidthrone.bandcamp.com/album/buried-in-blackTrack Listing:
1. Dreamworld
2. Ephemerality
3. What Defines us
4. Moonlight Revelry
5. Guilt
6. Breath of Autumn
7. With Promise
Credits:
Album artwork painted by Ryan Gassaway.
Music and Lyrics written by Nick Bonsanto.
Produced, Mixed and Mastered by Nick Bonsanto.
All instruments performed by Nick Bonsanto.
Flute on “Breath of Autumn” and “With Promise” performed by Mary Beck.
Orchid Throne is:
Nicholas Bonsanto - All instruments.
Bio:
Orchid Throne is a Melodic Doom Metal one-man band created by Nicholas Bonsanto (Lör, Empress, Helianthus, Barren) based out of Baltimore, Maryland. Orchid Throne is set to release its debut full-length album on January 9, 2026, titled Buried in Black. The album features a spellbinding variety of dark, heavy, and emotional material that beckons you to fall into the endless black. Drawing influence from a range of sounds such as melodic death metal, black metal, progressive rock, and folk, Orchid Throne is music from the heart for fellow souls who need it most.
https://orchidthrone.bandcamp.com/album/buried-in-black
Constanța,
Romania based Death Metal veterans CADAVRUL are proud
to announce the release of their second full-length album, "NECROTIC
SAVAGERY", slated for January 23, 2026 in partnership with Loud
Rage Music and Axa Valaha Productions. Pre-orders are now open here:
https://loudragemusic.bandcamp.com/album/cadavrul-necrotic-savagery
https://loudragemusic.limitedrun.com/products/872346-cadavrul-necrotic-savagery
After "Marș Funebru" (https://youtu.be/L10fG0Z6TTo), CADAVRUL present a new video for the song "Devoured": https://youtu.be/h3ZYZQxLRJI
Since emerging from the underground Metal scene in 2005, CADAVRUL has built a reputation for uncompromising brutality in Death Metal. The band's history includes the 2006 demo "Forensic Nightmares", the debut full-length debut "Enter The Morgue" (2013) and a steady stream of live appearances that have solidified its legacy in Romania's Extreme Metal community.
"Necrotic Savagery" was meticulously crafted: tracking sessions took place at Crossover Sound Studio in Constanța, mixing and mastering were completed at DigitalDemonForge in the UK, the album's production was overseen by Axa Valaha Productions, and the release will be handled by Loud Rage Music. The artwork and visual presentation were created by highly-acclaimed artist Costin Chioreanu, known for his work across the global Metal scene.
The album promises a relentless attack of raw, old-school Death Metal energy refined for the contemporary listener, a sinister descent into soundscapes of decay, devastation, and unrestrained terror.
CADAVRUL is:
Valentin "Karcalac" Mincu (vocals)
Corneliu "The Dacian" Belu (guitars, vocals - live)
Patrick Andrei Preda (drums)
Sorin "Tormentor" Vlad (bass, vocals - live)
https://www.facebook.com/AxaValahaProductions
https://linktr.ee/loudragemusic
https://www.facebook.com/CADAVRULdeathmetal/
Brutal Records proudly presents NO WORTH OF MAN and their devastating new full-length album, THE KILLING STREETS — a sonic assault set to dominate the global metal scene on February 13th, 2026. The record will be available worldwide on CD, vinyl, and all digital platforms.
Formed in 2016, No Worth Of Man have built a reputation as one of the UK’s most ferocious and uncompromising modern metal bands. Blending metalcore, thrash, and groove metal, the trio delivers pure aggression and unmatched technical precision.
From their debut Initium Novum EP (2017) to the crushing What’s Your Damage? (2023), No Worth Of Man have shown relentless growth and artistic destruction.
Their work with world-renowned producer Fredrik Nordström (Arch Enemy, In Flames, Hammerfall) refined their sound into a deadly precision weapon — a blend of technical mastery, dark melody, and raw power.
The band has shared stages with Karma To Burn, King 810, Coffin Birth, Evile, Left To Die, and Cultura Tres (featuring Sepultura’s Paulo Jr.), earning a devoted underground following throughout Europe.
Now, under the banner of Brutal Records, The Killing Streets pushes the limits of modern metal with devastating force. Expect crushing grooves, thunderous riffs, and vocals that tear through steel.
Every track is a declaration of rage, evolution, and identity — an album built for fans who live and breathe the chaos of heavy music.
Tracks:1. I Defy
2. Those of Our Kind
3. Into the Dirt
4. Mondo Decay
5. Death Reflections
6. Alarmus
7. The Hands Resist Him
8. An Unpaintable Soul
9. Kill of Gold
Band Line-Up:
Peter Gale Vocals
Alex Punchard Guitars
Gareth Lucas Drums
https://brutalrecords.com/release/no-worth-of-man-the-killing-streets/
https://mvdshop.com/products/no-worth-of-man-the-killing-streets-cd
https://orcd.co/brut89675
ENGORGEMENT – “THEY Rot Beneath Our Floor”
Label: Comatose MusicRelease date: march 20th 2026
Genre: Brutal /Slam Death Metal
For fans of: Slob | Traumatomy | Gorevent | Colpocleisis
The night’s work is done. He stands in silence, the sweat of exertion mingling with the blood that coats his face, hands and clothes. The passion, the anger, the lust and the excitement has all drained away, like pus from a lanced boil. It’s time to lift the floorboards and open the mausoleum…time to tip the latest faceless bundle of guts and gore, bone, bile and bruised flesh into the darkness; there to lie in the stench and the rot, in quiet communion with those who have gone before. At least she won’t be alone. They have each other…and the worms.
More than thirteen years on from the release of their horrifying debut album, Excruciating Intestinal Lacerations, the UK’s heaviest and sickest exponents of shocking brutality are back with a new assault on morality, enlightenment and good taste… Engorgement have returned, with They Rot Beneath Our Floor!
The nightmare begins with ‘Prelude To Your Dismemberment’, which leads us down a spiral staircase into darkness. We know that nothing good awaits us in that impenetrable murk, but locked in the dream sequence we cannot stop our descent…and as we reach the bottom step the world explodes. ‘Keep Festering’ erupts like a spray of arterial blood – pain, violence, animalistic vocals over bludgeoning riffs and mercilessly methodical drums. ‘Rot Beneath Our Floor’ follows with cataclysmic blasts, sluggish crawls through offal and deliberate, punching riffs – the different stages of slaughter and dissection delivered with a thrilling intensity. There’s no let up in this massacre, no islands of peace in the sea of carnage. ‘Watching Your Body Twitch’ delivers deep, deep grooves like hatchet wounds cut right to the bone, while the drum beats in ‘Resurrection’ fall with imperious, bone-breaking force. ‘Blunt Force Osteotomy’ leads us to the final exit – punishing to the last breath, to the last guttural exhortation of hate.
Nobody understands brutal death metal better than Floor Van Kuijk of Korpse, Sijjeel, Carnifloor and many more – and the Dutchman has mixed and mastered They Rot Beneath Our Floor at his GLDCHN Studios (Virulent Excision, Parasitic Infestation, Crimson Butchery etc). The results are gloriously repugnant - raw, bloody and pustulent beyond belief. Complete with suitably sickening artwork from Christian Castro, Engorgement’s new testament to mankind’s inhumanity will be unleashed by Comatose Music on March 20th. Your journey into the heart of darkness starts here…
Line-up:
Mitch Rider - Drums
Ricky Hill - Guitar
Stu Hine - Vocals
Richard Lynn – Bass/Backing Vocals
https://www.comatosemusic.com/
https://www.facebook.com/Engorgement
Horror Pain Gore Death Productions are set to release the new album from Japan's ruthless extreme guitarist KOSUKE HASHIDA. MOMENT OF SILENCE is up now for pre-order and will be released January 30th on CD and Digital formats along with merch.
For fans of : Napalm Death, Terrorizer, Lock Up, Brutal Truth, Repulsion, Pig Destroyer and Nasum
Kosuke Hashida returns to Horror Pain Gore Death Productions with the new album Moment Of Silence! Japanese guitar player Kosuke Hashida is back with a new album of Grinding Thrashing Death Metal brutality! Fueled by breakneck velocity and ruthless riffcraft, Moment Of Silence is a Deathgrind assault that delivers pure intensity without a second to breathe. It’s a full-spectrum barrage of Grindcore urgency and Death Metal brutality. No mercy. All fire. Play loud, die faster!
Listen to the single "Secularization" at https://www.youtube.com/watch?v=EcB4MM_NIIw
Tracklisting:1. The Cultist
2. Mind Dead
3. Secularization
4. Left In Pieces
5. Damnation
6. 201
7. Scorched Earth
8. Reason To Kill
9. Religious Reality
10. Bleed Out
11. Slaughtered Again
12. Retaliation
13. Blood Boost
14. Tokyo Calling
www.horrorpaingoredeath.com
https://shop.horrorpaingoredeath.com
www.facebook.com/horrorpaingoredeath
SERMON TO THE LAMBS – “SERMON TO THE LAMBS”
Label: Comatose MusicRelease date: march 6th 2026
Genre: Brutal Death Metal
For fans of: Brodequin | Deeds Of Flesh | Enmity | Liturgy
Rising through the countless layers of the inferno, through an eternity of screams and tears, pleas and regret, he brings his message from the unfathomable depths of darkness and flame. Such is his form, his dark abyssal presence, that sanity crumbles beneath the gaze of his multitudinous eyes…and his words of desolation turn flesh to liquid. The abject creatures that have gathered to receive his malediction cower in awe, before falling from madness to destruction. Worshippers become sacrifices as the forgotten king delivers his sermon to the lambs…
A new entity from the depths of the death metal underground has emerged, a baleful presence stepping forth from the shadows to deliver judgement without mercy. Hailing from Chile, Sermon To The Lambs are set to unleash the soul-shaking savagery of their debut, self titled album. Opening with ‘Crowned King Of Worms’, guitars rise around you like a cloud of venomous winged insects while a voice of undead malevolence roars from the heart of the swarm. Masterfully entwining slow, hypnotic passages that dance with a sinuous, serpentine wickedness and explosions of rabid speed and fury, Sermon To The Lambs begin to disassemble your reality. The eponymous title track follows with imperious power and subjugating force - it hits hard with an iron fist, threatening to separate skin from flesh and flesh from bone - and that tangible sense of unquestionable domination permeates the whole of this formidably impressive first album. From ‘Maximum Apostasy’, which beguiles with an atmosphere of dust and sacrilege before bringing forth absolute annihilation that sets the blood on fire, to ‘Flagrum Taxillatum’, a spiralling descent into the depths of perdition, this album just gets stronger and stronger as it progresses; more vivid, inventive and excruciating in its torments. The final two tracks – ‘God Spat And The Man Was Done’ and ‘Clergy’s Malevolence’, both colossal outpourings of death, appear as twin-headed devils, reprised as bonus tracks featuring guest vocals from Jeff Page of Manifestations. Sermon To The Lambs is magnificently unforgiving, an eruption of crawling horrors from a tortured, broken earth.
Sermon To The Lambs’ first offering of blasphemic brutality will be brought into the light on March 6th by the masters of malignancy and pain, Comatose Music. Given teeth and claws by the skilled mixing and mastering of the band’s own Victor Araneda, who has also worked with the likes of In Asymmetry, First Degree Murder and Supreme Banishment, Sermon To The Lambs sounds vicious and uncontrollable. Adorned in the stunning artwork of Par Olofsson (Winds Of Plague, Unleashed, Thy Art Is Murder) this album is set to leave its indelible mark, a suppurating wound, on the global death metal scene.
Line-up:
Richard Aguayo - Vocals
Mauro M. - Guitar/Bass
Victor Araneda - Drums
https://www.comatosemusic.com/
https://www.facebook.com/Sermontothelambs
"SONGS
FROM THE RESTLESS OBLIVION" is MEMORIES OF A LOST
SOUL last full-length album and the second one released by My Kingdom
Music. Today we present a new video for the song "INTO THIS
MAZE OF TORMENT" realized by Noxifer (aka
Gianfranco Logiudice), drummer of the band and available at https://youtu.be/zi9TIXj1YAoOnce again it's melodic Black Metal, fierce Death Metal and dark Gothic a la ROTTING CHRIST, DARK TRANQUILLITY, for these pioneers of the Italian Death/Black scene.
MEMORIES OF A LOST SOUL reach with this album a level of maturity and professionalism that has no equal in their career. Their sound becomes absolutely personal, crossing different emotional states within the whole panorama of the Extreme Metal.
The band goes from the fury and aggression of Death Metal to the dark and malignant essence of Black Metal, from the Symphonic and Progressive elements of their arrangements to a macabre and horrifying Gothic Metal, all built on an extremely powerful and clear production, daughter of the Lost Soul Studios led by Giuseppe "Buzz" Nicolò himself.
The album is still available in CD format at https://t.ly/7Bn5e
https://linktr.ee/mykingdommusic
https://www.facebook.com/memoriesofalostsoulofficial
NEWS 28.12.2025
Loud
Rage Music proudly presents the upcoming album from the mysterious
Bucharest, Romania-based Symphonic Gothic Doom Metal ensemble GREEN
EYES OF DARKNESS. Comprising 13 extensive tracks and running for nearly
80 minutes, "FIRE WAVES" is the result of several
decades of creation, featuring compositions that trace their origins back to
the '90s. This makes it a deeply personal and highly significant release for
the Romanian Metal scene."Fire Waves" is out on December 22nd in collaboration with Loud Rage Music.
Available here:
https://loudragemusic.bandcamp.com/album/green-eyes-of-darkness-fire-waves
https://loudragemusic.limitedrun.com/products/871983-green-eyes-of-darkness-fire-waves
About GREEN EYES OF DARKNESS:
Doom Gothic Symphonic metal project, founded by two resilient metal veterans from Romania. Originally conceived by guitarist Dragoș Grigorescu (Abigail, Hovercraft, Serenity), the project truly began to take shape when his lifelong friends, bassist Cătălin "Flamă" Scânteie (Abigail, Rising Shadow, Hatemode) and vocalist Georgiana Bogdana Stoian (Vârf Carpatin) joined the lineup, bringing their full passion, dedication and creativity into the mix.
Today, Green Eyes of Darkness stands an open lineup project, that thrives on collaboration with talented artists from diverse backgrounds. Among those who have contributed to its evolving sound are: Alex Igor (vocals), Claudia Deleanu (vocals), Ștefania Ionescu (flute, vocals), Alina Rotaru (church organ), Alex Gomez (drums), Nunu Răcriș (drums) and others.
Their first release, Fire Waves, is the culmination of nearly five years of persistence and transformation and it gathers the most defining compositions created by Dragoș and Cătălin across distinct creative periods and recorded in different settings. Some of these songs had never been heard before, remaining as unfinished sketches, waiting for their time to come to life. Others were played live a few times in the late '90s, but never recorded, while some early recordings were bound to the technical limitations of their time.
At its core, the symbolism of Fire Waves reflects the eternal conflict between creation and destruction. Waves rise and fall, collide and dissolve, but the sea beneath always remains calm and intact, untouched by the surface unrest. Same for the fire, it can kill, or ignite life, it can destroy or purify, but its deeper essence always transcends the momentary material transformation. The same philosophy defines the Green Eyes of Darkness project, their music defies patterns, refuses to follow formulas and fleeting trends. It is not crafted to be pleasant or easily understandable, but it is meant to endure, to transform and to leave a lasting impression on those who truly listen to unveil its inner truth, hard to perceive in a superficial approach.
Watch the fire. Hear the Waves. Embrace the darkness…
https://linktr.ee/loudragemusic
https://www.facebook.com/profile.php?id=61575094911795
The album is a compelling result of TARDIGRADE INFERNO’s evolving signature style and the sheer power of their live performance. What truly defines the band is the experience the listener gets at their live shows, the thoughtful songwriting, the ironic lyricism, and the striking, highly aesthetic visuals. In June 2025, TARDIGRADE INFERNO released an atmospheric and emotional live album Made In Hell that captures their ferocious performance and their connection with the audience. Hush blends all of these strengths with an authentic sound delivered with studio precision.
Experience your first taste of Hush with the official music video for the album's first single, "Hide 'n' Seek." Watch now at https://www.youtube.com/watch?v=fscAHuASUoo
Hush is due out March 5 on CD, digital and four exclusive vinyl editions.
Pre-order the album at https://tr.ee/TiHush
Tracklist:1. The Final Show
2. Hide 'n' Seek
3. Deadly Fairytales
4. All In your Head
5. Dead Fish Smile
6. Subatomic Heist
7. I.C.D.
8. Goor
9. Hush
10. Hypograph
11. I Am Eternal
Hush naturally picks up where 2023's Burn the Circus left off. At the beginning you hear the crackling of a circus burning down. A surviving radio plays a mournful melody that opens a grand show amid the ashes. Like a massive blazing phoenix, TARDIGRADE INFERNO opens its wings with elemental force. It sweeps away what remains and reclaiming its place at the center of attention.
The gorgeous Darya Rorria uses her flexible contralto to tell stories that are anything but cheerful. Her expressive vocals pulse with the music. They tease sharply, flow lyrically, spread in a soft velvet hush, and fade into a tragic whisper. They soar through tense passages and then glide back down into a low, intimate tone. The lyrics are charged to the point of electric crackling, just as one expects from the TARDIGRADE INFERNO.
Their trademark keyboards sound even more retro-futuristic, paying tribute to the classic horror movies of the past. The guitar acts like the wildest creature in the prairie with it's fury clothed in the polished frock coat of a respectable gentleman. The bass has the “AWESOME” knob turned to 100%. The drums are emotional, dynamic, and alive. Altogether it creates a familiar yet more sincere and revealing sound. The music becomes almost visible, almost tangible.
TARDIGRADE INFERNO have always paid special attention to the visual side of their art - from stage costumes and characters to their album covers. The cover for Hush was created by artist Milena Kress in a dark-aesthetic style. This is the band's first experience with analog painting - the piece is oil on canvas. It conveys the anxiety and emotional intensity that mirror the album’s lyrics. It’s also the first time the band’s mascot, the Tardigrade, is absent from the cover. It symbolizes a kind of coming-of-age. The toys have been left behind in the nursery.
Mixing, mastering, and production were handled by Vladimir Lehtinen, who has been working with the band continuously since the release of The Worst of Me EP. Vladimir helped the band capture their live energy without losing the studio polish of their recordings.
TARDIGRADE INFERNO is:
Darya Rorria - vocals
Alexander Pavlovich - guitars, keys
Maxim Belekhov - bass
Andrew Drew - drums
https://www.facebook.com/tardigradeinfernomusic/
Label: Fighter RecordsRelease date: march 12th 2026
Genre: Heavy Metal
For fans of: Iron Maiden | Cloven Hoof | Greyhawk | Visigoth
We came in search of legends, following in the footsteps of fallen heroes. We have crossed nameless, storm-tossed oceans and seas of sand beneath a merciless sun. Through snow shrouded mountain passes and forests that seemed to swallow the world we have marched undaunted. And now, with steel in hand we take the final step, through the shadowgate into the realm of the Obsidian King. The darkness enfolds us and as our spirits tremble the only sound is the beating of titanic wings…
With a searing riff and a lung-bursting scream the listener is catapulted into the world of the Obsidian King, the debut full length album from Canadian heavy metal force Ravenspell! Opening track ‘God The Watcher’ is a breathless introduction to this revelatory band; steeped in classic metal atmosphere, adorned in beautifully fluid guitar leads and masterfully combining metallic power and sumptuous melodies. ‘Onwards We March’ follows with its driving riffs and rhythms and already there can be no doubt that this is a band, an album, that will speak to every true metal heart. As it progresses Obsidian King just seems to get stronger and stronger, drawing us ever deeper into its magnificent twilight world. At the album’s heart we find tracks like ‘Obsidian Wing’ with its superlative, unforgettable melodic chorus rising out of pure, thunderous metal; the thrilling charge of the adrenalized ‘Hellstorm’ and the metal masterpiece that is ‘Raise Hell’ – featuring some fantastic interplay between roared vocals and gleaming shards of lead work. Then at the Obsidian King’s conclusion we find the grandeur of ‘Atilla’, a truly epic song that moves through superb classical guitar parts, doom-touched riffs, cascading drums, stunning solos and instrumental sections that seem to open up vast vistas of the imagination…it’s a glorious metal creation and a fitting finish to an album of breathtaking quality.
Mixed and mastered by David Lizotte (Ültra Raptör, Saccage etc), Obsidian King benefits from a textured, organic sound that captures the blood, sweat, passion and belief of the musicians who have crafted it. In this age of fakery, imitation and flexible truths this album stands tall as something real and vital, a work of substance. Completed by the haunting artwork of renowned Canadian artist Carl Lavoie, Obsidian King will be released by Fighter Records on March 12th, on CD, 12” LP, Cassette and digital formats and the speed and melody, character and fire of Ravenspell will be felt around the metal world. Join the Black Feather Legion and be there at the start of a legend.
Line-up:
Alisander The Seer - Lead Vocals
Ravok Blackwing - Guitars/Backing Vocals
Corvax Crowhammer - Bass
Volpale The Ravenous - Drums
https://www.fighter-records.com/
https://www.facebook.com/ravenspellofficial
Italian
Thrash/Death Metallers CRISALIDE are proud to announce they
have signed with My Kingdom Music for the release of their new album, scheduled
for release in early 2027.In a statement from the band, CRISALIDE expresses their enthusiasm about this partnership:
"We are delighted to be part of My Kingdom Music because we already know the excellent work they do for Italian bands, and it's important for us to have them by our side during this period when we will be extremely busy with concerts, already scheduled festivals, and especially the recording of the new album, which we've been working so hard on. It's going to be a long journey, and we're incredibly excited to be part of their family and to share our music with the whole world very soon!"
CRISALIDE have over 30 years of career, and they played on the important stages, such as the legendary Whiskey A-Go-Go in Hollywood on the legendary Sunset Boulevard, and with bands like Pestilence, Vomitory, M-Pire of Evil, Nightrage and more. Now confirmed for the 2026 Luppolo in Rock Festival, they'll share the stage with Overkill, Marduk, Rotting Chris, and more.
After their latest album, "Dark Inside" released in 2019, the band has finally achieved the balance of a well-oiled and close-knit line-up, led by founder and longtime frontman Giuliano Zippo, and capable of providing a successor to that work, so acclaimed both in Italy and internationally.
Fans of bands like Sepultura, Fear Factory, and Gojira as well as the more classic sound of Kreator and Testament, can now put a smile on their faces because another band proudly flying the Thrash/Death Metal flag is ready to rock their lives and enter their most disturbing nightmares.
https://linktr.ee/mykingdommusic
https://www.facebook.com/crisalide.official
Label: Road To MasochistRelease date: february 6th 2026
Genre: Blackened Sludge/Drone
For fans of: Moss | Burning Witch | Old Year| Khanate
With foundations of loss and desperation, bricks of countless small rejections and a mortar of indifference…adorned in carefully sculpted cruelties, with a watchfire of self hatred blazing out into the night; so is my tower of pain and isolation built, my black edifice, my fortress and my prison. And even in the utter solitude behind these cold stone walls I am not master of myself. Even here I am a slave to the voices, speaking from the past, making their whispered incisions in my tattered, wastrel soul.
“…that’s what you’re entitled to…pain, suffering, misery…”- CATTLE HAMMER, ‘Rotting’
Formed in the spring of 2023 by Duncan Wilkins (Fukpig/Mistress/ex-Anaal Nathrakh), Cattle Hammer is a caustic, unforgiving blend of sludge, drone, impenetrable blackness and deep rooted negative emotion. Their first outpourings of choking, bleak despair included the 71 minute, uninterrupted track ‘Methlehem’ – a declaration of just how far into the darkness they were prepared to venture. Now Cattle Hammer are primed to unleash their formidable debut full length album, an amalgamation of four of their most harrowing songs, Dark Thoughts With Lights Out…
The descent begins with ‘Gloomsower’, vocals like tortured spirits howling behind thick walls of sludge. It’s a slow, painful march, like wading through quicksand with each agonising step dragging you down a little deeper, the certainty of suffocating death a constant presence. The raw, organic sound brings a reality to the emotions expressed, creating a tangible link between the misery within and the sound without. There’s no gilded artifice, just a soporific dirge that vibrates through every cell…
There is no relief…
‘Rotting’ rises up through words of bitter judgement, carefully enunciated, before riffs like towering, quivering monoliths drag your heart down through your stomach. While clearly a distinct entity from ‘Gloomsower’, ‘Rotting’ further intensifies that doomed aura, continuing the process of entombment in misery. A deep lethargy eats away at time and you can almost see your skin wither as days bleed into weeks, months, years, empty decades between chords…
There is no mercy…
‘Watchmen, Alone’ jabs at your torpid consciousness with disorientating, disjointed bursts of sound before the black hammer descends in inescapable slow motion and a chasm of abyssal grief opens beneath you. It’s vicious, lumbering, brutish, vile and painful…
There is no hope but death…
The final disassembling of reality comes with ‘Body Puzzle’. The sheer scale of the riffs is terrifying, like being caught between colliding planets, while a voice of damnation injects fear and panic into the claustrophobic onslaught.
Dark Thoughts With Lights Out will be released by Road To Masochist on CD and vinyl on February 6th. It will leave you a weeping wreck, with your sense of self worth bleeding from your ears. It will take you beyond the point of no return. Is it cruel or cathartic? Harmful or healing? All of the above? Whatever it turns out to be for you…approach it with care.
Line-up:
Wilkins, D – Vocals/Guitar
Cartwright, I - Drums
Wyles, J - Guitar
Von Donovan, D - Bass
https://roadtomasochist.co.uk/
https://www.facebook.com/roadtomascochist/
https://www.facebook.com/cattlehammer/
Driven by a visceral blend of blackened death metal, the music amplifies the narrative’s intensity: ferocious riffs embody the chaos of war, thunderous drums echo the march of legions, and sinister growls summon the weight of fate and bloodshed. In Augustus Omnipotens, music and lyrics merge into a monumental opus, where history is not only told but felt.
Augustus Omnipotens is available on all digital platforms worldwide: https://orcd.co/augustusomnipotens
CD format: www.auralwebstore.com/deos-augustus-omnipotens
Tracklist01 – In Aeternam
02 – Octavianus
03 – Caesar Divi Filius
04 – Gladium Stringere
05 – Triuvirat
06 – Dura Lex Sed Lex
07 – Mortem Proditorum
08 – Mylae Invicta
09 – Dedecus Magni Lepidi
10 – Ultimum Bellum
11 – Pax Romana
About DEOS:
Formed in 2014 by Fabio Battistella, Jack Graved, and Loïc Depauwe, DEOS have built a reputation for combining the ferocity of extreme metal with a passion for Ancient Rome that extends through their lyrics, artwork, and stagecraft. Their debut Ghosts of the Empire arrived in 2015, followed by In Nomine Romae in 2017 and extensive touring across France, Switzerland, and beyond. In 2021 they began work on their third record Furor Belli, mastered by J.-F. Dagenais (Kataklysm, Ex Deo) and released in 2022 via Wormholedeath, which led to the North Imperial Tour MMXXII. Over the past years they have continued to spread their vision of Roman metal across Europe, including London’s legendary Cart & Horses.
Now, with Augustus Omnipotens, DEOS take their concept further than ever before. Recorded between autumn 2024 and spring 2025 and once again mastered by Dagenais, the album is both a celebration of Rome’s past and a declaration of the band’s future.
DEOS are:
Jack “Janus” Graved (bass, vocals)
Fabio Battistella (guitar, backing vocals)
Cédric “Cedd” Boehm (guitar, backing vocals)
Loïc Depauwe (drums)
www.youtube.com/@deos-official9793/
www.facebook.com/deos.legio
NEWS 21.12.2025
Ich
bin ganz ehrlich. Jetzt habe ich mir schon mal ne halbe Pulle Rum eingeholfen und ziehe mir volle Pulle
BOLT THROWERR rein ,
um so ganz langsam mal runterzukommen. Denn genau so wie das Jahr, gehen bei
uns nun die vorhandenen Kraftreserven auch langsam dem Ende zu und man ist an
einem Punkt angelangt, wo bald gar nichts mehr geht. Aber um bei Euch aber in den
paar verbleibenden freien Tagen noch für nen bissel metallische Unterhaltung zu
sorgen, präsentieren wir euch heute noch die letzten paar Neuigkeiten aus der Szene,
bevor wir dann noch einmal die letzten Kraftreserven aus uns rausholen, um euch
mit unserer aktuellen Nr . 60 vielleicht erfreuen zu können. Zwei, drei Tage
müsst ihr euch aber noch gedulden, dann könnt ihr euch mal wieder auf eine
längere Sitzung auf dem Klo vorbereiten. Bis dahin könnt ihr ja aber erst mal noch
euer Interesse an dem folgenden Material bekunden.BOTTLED - “FRANKFURT”
NUCLEAR WINTER ZINE # 6 (A5 /englisch)
Zehn Jahre nach der Entstehung des ersten Songs von „LORD OF MOUNTAINS“ hat die Berliner Epic Death Metal Band MYTHERINE am 14. November 2025 endlich das komplette Album veröffentlicht.
Es war ein langer, beschwerlicher Weg mit vielen Höhen und Tiefen - ähnlich der Reise, die Vuldar, der Protagonist von „Lord of mountains“, durchstehen musste. Dabei geht es um einen jungen Jäger, der sich weigert, sein Schicksal zu akzeptieren, welches von den Göttern bestimmt wurde und von Einsamkeit geprägt ist. "Lord of mountains" ist eine Geschichte über die Grausamkeit des Unabwendbaren und dem Umgang mit ihm - über Angst und Einsamkeit, Freundschaft und Loyalität.
"Lord of mountains" ist unter Garantie nicht die letzte Veröffentlichung, die ihr von MYTHERINE hören werdet - seit gespannt auf mehr epischen Death Metal aus Berlin!
OPPRESSION – “NO SAFE PLACE”
Genre: Black MetalLabel: Folter Records
Distributed by: Alive
Release: 12.12.2025
»Hope… Believe… There is no safe place for you!«
Große Dinge kündigen sich an mit dem Debüt der Franzosen OPPRESSION und so vehementem, wie facettenreichen und in der Tiefe wirkenden Black Metal der Sonderklasse!
Als alte Freunde, die Konzerthallen und Bars durchstreiften, beschlossen G.S.V (Gesang) und Tom L (Gitarre), gemeinsam eine Band zu gründen, um die Komposition und Ausrichtung von Anfang bis Ende selbst bestimmen zu können. Gegenüber einer wachsenden Anzahl von Veröffentlichungen mit Ambient-Ausrichtung, wollten sie mit einem sehr geradlinigen Projekt den Ton angeben.
Geschwindigkeit, Kraft und ein Hauch von Melodie (addiert mit etwas gesundem Hass) – so legten sie den Grundstein für OPPRESSION, zu denen sich schnell Predark (Gitarre) gesellte.
Als die Komposition des ersten Albums bereits weit fortgeschritten war, holten sie sich für die Positionen am Schlagzeug und am Bass zwei bekannte Musiker aus der Bordeaux-Szene dazu, die Brüder John (Otargos, Lifestream) und Désert (Lifestream). Gemeinsam stellten sie ihr Debüt »No Safe Place« fertig – bereit, euch ohne Zurückhaltung zu treffen!
Die Texte handeln hauptsächlich von Religion und ein wenig von Feststellungen zur gesellschaftlichen Entwicklung, nur im letzten Song geht es um Sex, Drogen und Rock’n’Roll (um nicht die wirklich wichtigen Dinge aus den Augen zu verlieren). Sowohl bei der Musik als auch bei den Texten ist es nicht OPPRESSIONs Intention, etwas Pompöses oder Bombastisches zu schaffen, sondern etwas Ehrliches, Direktes und Wirkungsvolles. – Hail the Oppression!
Tracklist:
01 - No Safe Place (1:51)
02 - Attrition (4:25)
03 - Homeland's Fury (5:32)
04 - Psalm for the Fallen (4:38)
05 - Maria Rosenthal (6:42)
06 - Journey Beyond Consciousness (2:49)
07 - End Humanism (5:31)
08 - The Call of the Night (6:05)
09 - Nice Death Matters (3:44)
Total: 41:21
Line-up
G.S.V – vocals and lyrics
Tom L – guitar and composition
Predark – guitar
Desert – bass
John A – drums
Gesang aufgenommen von G.S.V im Mistic Studio, Warschau, Polen. Gitarren und Bass aufgenommen im Vangul Heim Studio, Angoulême, Frankreich. Schlagzeug aufgenommen im Bud Studio, Bordeaux, Frankreich. Gemixt im Vangul Heim Studio, gemastert im Bud Studio.
https://www.facebook.com/FolterRecordsGermany
https://www.facebook.com/oppressionblackmetal
MAGNACULT veröffentlichen ihr neues
Video FINAL DECISION zeitgleich mit ihrem Album LUCIS.
Dieser Track markiert einen Wendepunkt in der Geschichte des Albums und taucht
tief in die psychologischen und spirituellen Turbulenzen ein, die das Album
prägen. Er fängt den Moment ein, in dem Zweifel, Angst und Schuld
aufeinanderprallen - und eine Entscheidung getroffen werden muss.Final Decision schildert einen intensiven inneren Konflikt: den Kampf zwischen Glaube und Ablehnung, Scham und Erlösung. Im Verlauf des Songs weicht die Lähmung der Klarheit. Innere Dämonen werden konfrontiert und ausgetrieben, Schmerz wird losgelassen und Entschlossenheit ergreift die Oberhand. Was mit Angst beginnt, endet in Führung - eine Reise zu höherer Wahrheit und spiritueller Befreiung.
Visuell verstärkt das Video die Erzählung des Songs durch düstere Symbolik und rituelle Intensität und spiegelt so das übergreifende Thema des Albums wider: Licht, das aus der Dunkelheit hervortritt. Als Teil von Lucis - lateinisch für „Licht“ oder „Erleuchtung“ - repräsentiert der Song den Wendepunkt, an dem Erleuchtung unausweichlich wird.
MagnaCult, bekannt für ihren mitreißenden Groove-Death-Sound und ihre beeindruckenden Live-Auftritte, erweitern mit Lucis weiterhin ihre künstlerischen Grenzen. Angesichts einer bevorstehenden ausgedehnten Tournee lädt die Band ihre Zuhörer ein, sich ihren eigenen inneren Kämpfen zu stellen und gestärkt daraus hervorzugehen.
https://www.facebook.com/GravitonMusicServices
https://www.facebook.com/MagnaCult/
Label: H-MusicRelease date: january 23rd 2026
Genre: Symphonic Metal
For fans of: Epica | Leaves’ Eyes | After Forever | Sirenia
We have passed through so many doors upon this journey it seems I am a different creature to the one who first set out in silence upon this road. The shadows seem deeper now and I no longer understand the ones I once held dear. Bonds I once cherished seem meaningless and the gulf between myself and others, impossible to bridge. I thought I was at an end to this odyssey but as I reach the once distant hilltop I find not rest and reflection, but flames that illuminate the night, desperate, dissonant cries that shatter the silence like my broken mind. It seems that this was all just a beginning…
“…I have promises to keep and miles to go before I sleep…”- Robert Frost
Back in the summer months of 2025 Hungary’s purveyors of innovative, emotive symphonic metal, Meteora, released the first in what would be a trilogy of EPs, In this Silence. As the leaves took on the colours of autumn In this Silence was followed by the second EP, Broken Mind – and now, in the heart of winter, Meteora are ready to unveil the final part in this story, Dissonance…
Dissonance begins with the lilting melodies and waltz-like rhythms of ‘Darkest Light’, a song rich in the drama and narrative style that typifies Meteora’s music. The band’s triple vocal blend is used to tremendous effect, with each voice – male, female and beast – bringing unique character to this outpouring of grand gothic darkness. An additional touch of finesse and sophistication is added by a guest guitar solo from Nils Courbaron of Sirenia and Bloodorn.The band explore themes of disassociation and alienation on the next song, ‘Shadows Of Ignorance’, which features a beautiful vocal performance from Noémi Holló. ‘Shadows Of Ignorance’ marks a hugely successful collaborative writing debut for guitarist Dániel Baranya and keyboard player/vocalist Atilla Király, suggesting that another fertile creative pathway has opened up for the band. Dissonance concludes with two of the heaviest songs that Meteora have yet recorded – ‘Dissonance – My Reality Pt IV’ – a dark, powerful piece of symphonic metal, driven by some immense harsh vocals and riding on a jagged, muscular guitar riff and then ‘Witch Hunt – Tragedy Of Delusion’, a spectacular piece of Wagnerian drama with touches of black metal that explores the whole, vast vista of Meteora’s sound, demonstrating the practically limitless potential that this band possess. Conjuring visions of flame and shadow this is a breathtaking creation, a wonderfully climactic way to conclude this outstanding trilogy of EPs.
As with In this Silence and Broken Mind, Meteora have worked with recording engineer Balázs Pálfi (Türböwitch etc) and the mixing and mastering team of Nino Helfrich (Thrash Cult, Traces Of A Life etc), Dmitry Kim (Khors, Arhat etc) and Joel Wanasek (Machine Head, Carnation, Dååth etc) to give Dissonance the perfect layered and powerful sound. Again, as with the previous EPs, the Dissonance cover art was created by Dronicon Films (Swallow The Sun, Katatonia, October Tide etc). Dissonance will be released via H-Music on January 23rd…and it will not be alone. On the same day Meteora will release the full length album Darkest Light, which brings together all the music from the trilogy of EPs into one incredible package. This may be the end of a remarkable chapter for Meteora, but you have the sense that this project has unleashed a creative force that will not soon be stilled. Without a doubt this special band have many, many miles to go before they sleep...
Line-up:
Noémi Holló – vocals
Máté Fülöp – bass, growls
Gábor Kása – drums
Dániel Baranya – guitars
Dániel Schreiber – guitars
Atilla Király – keys, vocals
Backing vocals from the Meteora choir – assembled and conducted by Ádám Attila Kurucz
https://shop.hmusic.hu/
https://www.facebook.com/meteorabandhungary
CULTUS
SANGUINE will
enter Moonhouse Studio in Milan in late December 2025 to create their fourth
album, "TEARS PAINTED SKY" the follow-up to 2023's
"Dust Once Alive", which will be released on My Kingdom Music.Joe, the band's longtime frontman, describes it as a descent, a slow and inexorable journey into the depths of the soul, where the light is only a memory, the darkness intensifies, and pain takes shape.
"Tears Painted Sky" is scheduled for release in late May 2026, and the band is already planning a series of concerts to spread their darkness to every corner of the world.
With "Tears Painted Sky", CULTUS SANGUINE pushes the already fragile boundaries of their poetics, exploring painful territories and completely abandoning themselves to the aesthetic of the end.
It's a work that doesn't console, but accompanies those who know how to listen into the darkest heart of their own solitude.
There is no hope, no catharsis, only the decadent elegance of the inner twilight.
The cult is alive!
Photo by FotoReporter X
https://linktr.ee/mykingdommusic
https://www.facebook.com/JoeCultusSanguine
DYING VICTIMS PRODUCTIONS is proud to present the highly anticipated second album of Finland’s CHALICE, DIVINE SPEAR, on CD and vinyl LP formats.
Formed in 2016, the Helsinki-based CHALICE have quickly become a beacon of esoteric heavy metal. Featuring current or former members of such bands as Ranger, Satan’s Fall, and Vincent Revenge, CHALICE released an opening demo and then subsequent EP in 2017 and ’19, respectively, before their decisive debut album, Trembling Crown, in 2020. Reaping widespread acclaim, CHALICE’s first full-length weaved high drama and dynamic metal into a tapestry of wonder and weightiness.
Now, CHALICE return with a record that eclipses that feat: Divine Spear. Presciently titled, Divine Spear is a carefully crafted, razor-sharp package that nevertheless reveals a bounty of sonic and psychic treasures. Forged in the freezing winds of the Finnish winter, here do CHALICE further refine their deceptively elegant sound, combining the pure spirit of classic European metal in a unique blend with cinematic progressive influences and the dark aura of their northernmost melancholy. Sometimes slow-burning in its doling out of details but duly benefiting patient listeners, Divine Spear paints a picturesque landscape of both light and dark, offering deliverance to those seeking beyond the boundaries of the so-called “new wave of traditional metal” movement. Of especial note are the poignant shifts into cleaner, quieter territory, truly heightening the drama that so earmarked their debut album; CHALICE are nothing if not master craftsmen in this regard, utilizing their prodigious chops in the service of literally awe-inspiring songwriting and beckoning listeners to lose themselves in their narrative flow.
Completed by wholly suiting production – clean and crisp, and yet somehow warm and natural – Divine Spear dives into deeper depths than what meets the eye…raise this CHALICE!
Line-up:
Verneri Pouttu - Vocals, Lead electric guitars & acoustic guitars
Mikael Haavisto - Lead electric and acoustic guitars, Keyboards
Joni Petander - Bass and backing vocals
Olli Törrönen - Drums and Percussions
From Helsinki, Finland
Release date:
27th February
Tracklist
01 Mare Imbrium
02 Dwell of a Stellar Trance
03 Hollow Curtain
04 The Pact
05 Age Ethereal
06 Divine Spear
07 Empyrean Liturgy
08 In from the Cold
09 Alioth
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Color edition on neon violet vinyl, with insert, poster, sticker, post card and download code.
Special edition on blue/white/grey marbled vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Swedish
gothic rock band SCHEITAN has released a new video to, "A
KISS OF DEATH", the opening track of the band's new album, “WINE
FOR A TORMENTED SOUL”, which is out now via The Circle Music.Watch "A Kiss of Death"video: https://www.youtube.com/watch?v=jlpF0vxz03c
Scheitan's Pierre Tornkvist said: "A Kiss of Death is the opening track of the album so it felt suitable to do a video for it. The song itself is as most of Scheitan's songs these days, a dark story of love, death and all things between."
The video and album release also coincides with the band's live slot on Swedish state-controlled radio P4. The song is played on P4 throughout the week of December 15–19, with the band performing it live at the radio studio later today on December 19th.
More details: https://www.sverigesradio.se/artikel/scheitan-besjunger-doden-slapper-gotisk-rock-pa-svenska
Pierre shared the inspiration behind the album, "I am very much looking forward to presenting the new Scheitan album to the audience. The title 'Wine For a Tormented Soul' comes from what music can mean to people that run into hardship in life. Music is my therapy, it is my best friend in dark times. The last 10 years have been a bumpy road with one of my best friends passing away too early as well as my father leaving us from one day to another. Some of the songs have been presented to people as singles, with the upcoming album you can hear them in the context of an album, and also listen to them in a non-digital format such as vinyl which I think is the best way to do it. We will try to come out and play these new songs for you as much as we can."
Order "Wine For a Tormented Soul" via The Circle Music: https://thecirclemusic.gr/product-category/the-circle-releases/?filter_artist-name=scheitan
Tracklisting:
1. A Kiss of Death
2. Heaven Tonight
3. Döden är helt underbar
4. Love n Death
5. Every Little Thing
6. Out of Here
7. Carry Me Home
8. Dream Away
"Wine For a Tormented Soul" follows Scheitan's 2024 album "Songs for the Gothic People" (The Circle Music) and their return after a 24-year hiatus. Having formed in 1996 by Pierre Törnkvist, Scheitan began with black metal roots but evolved to define their current gothic rock sound and continue to build on their sound. Their previous albums, including 1999's "Nemesis" (Century Media) have garnered a reputation as hidden gems within the genre.
https://thecirclemusic.gr/
https://www.scheitan.se/
https://www.facebook.com/scheitanofficial
Four years after the self-titled, the band has finally returned with a six-track atmospheric black metal experience titled What Remains When Hope Has Failed. The album is now available on CD, vinyl and digital formats.
Order What Remains When Hope Has Failed at https://shop.bindrunerecordings.com/
and https://bindrunerecordings.bandcamp.com/album/what-remains-when-hope-has-failed
Stream
album track "Quiescence" now at https://youtu.be/ct8FHWs6By4?si=pkp_teYku5k3lD_OTracklist:
1) The Wyrm at World's End
2) This Rotten Bough
3) Sky Avalanche
4) Quiescence
5) Bereft Part 2
6) What Remains When Hope Has Failed
Formed from the ashes of Wodensthrone, NEMOROUS carry the torch of atmospheric English black influenced metal proudly, but it’s not the main driving force behind them. The vision is far more expansive and eclectic. With their debut self-titled EP, they have proven that the twisting melodies and fog-like aura they create with their sound indeed harkens back to their past musical conquests, yet progression is a core tenet as it walks hand in hand with rich melodies and a fierce sense of aggressive tradition.
What Remains When Hope Has Failed is four years in the making and finds the band emerging victorious from a line-up change, where Chris Walsh (Vocals/Guitars) was replaced by Nick Craggs (Vocals - Vacivus/Neolithic) and Rob Hindmarsh on second guitar. Now as sextet, the band dove into the music for their first full-length reinvigorated, and it shows in the album’s composition.
What Remains When Hope Has Failed is a dynamic and emotional journey where quiet musical passages draw the listener in with vulnerability and beautiful, clean guitar arrangements that feel like Fields of the Nephilim at their most post-apocalyptic, only to build with reflective, melancholic mids, before exploding with blasting ferocity. From subtle, yet expansive synth textures, complex drum work that never loses grasp on a powerful feel/swing, it all strengthens the overall impact of this album with colorful dynamics and a songwriting characteristic which can certainly be traced back to the early days of Wodensthrone.
NEMOROUS is:
Phil Heckles - Bass
Ian Finley - Drums
Michael Blenkarn - Guitars
Alexandra Durning - Keyboards
Rob Hindmarsh - Guitars
Nick Craggs - Vocals
www.facebook.com/bindrunerecordings
www.facebook.com/NemorousUK
The duo is currently recording their debut EP, The Dark Places on the Earth, at the Czech recording studio DiGaZ. The material is produced by Tom “Digaz” Pletnický, and the release is scheduled for January 2026.
All information about WEAK AND MORTAL can be found on Facebook: https://www.facebook.com/people/Weak-and-Mortal/61582720475493/?sk=grid
and YouTube: https://www.youtube.com/@WeakandMortal
Featuring songs mostly written between 1977 and 1983, Mythical & Magical is Pagan Altar’s third release. This grandiose, ancient-sounding album is a mixture of heavy Doom Rock and mournful English folk—and is without a doubt the pinnacle of their career. Based on the beautiful editions on now defunct Temple of Mystery Records, Dying Victims continues making Pagan Altar’s back catalogue available again.
Line-up:
Trevor Portch - Bass
Mark Elliot - Drums
Terry Jones (RIP 2015) - Vocals
Alan Jones - Guitars
From London, UK
Release date:
27th February
Tracklist01 Samhein
02 The Cry of the Banshee
03 The Crowman
04 Daemoni Na Noiche
05 The Sorcerer
06 The Flight of the Witch Queen
07 Dance of the Druids
08 The Erl King
09 The Witches Pathway
10 Sharnie
11 The Rising of the dark Lord
Release info:
Regular 3 sided + etching double LP edition on black vinyl, with poster, sticker, post card and download code.
Colored 3 sided + etching double LP edition on beige vinyl, with poster, sticker, post card and download code.
Special 3 sided + etching double LP edition on ultra-clear, brown marbled vinyl, with poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Realese date: 23 Janvier
2025Genre : Black Metal
Origin: France
Duration: 46min43
Label: Les Acteurs de L’Ombre Productions
Network Distributor: Season of Mist / Plastic Head
Digital Distributor: The Orchard
Credits: Baurus – Composition, Lyrics, Mix, Mastering
Tracklist:
1. Riposte
2. Le Chant Des Braves
3. L’Excusé
4. Le Carneval Du Roi Des Vers
5. Sépulture
6. Aux Heures Désespérées
7. À Ces Batailles Abandonnées
8… Et Aux Hommes Misérables
Emerging at the end of 2019, ARCHVILE KING is the solo project of french multi-instrumentalist Baurus. Drawing from the sharp, biting sounds of retro Thrash and Black Metal, his music fully reflects his inspirations, offering intoxicating melodies over riffs as sharp as rusted steel.
After a unashamedly Thrash Metal solo EP, followed by a darker full-length album, ARCHVILE KING now pulls us deeper into its world with a new concept album plunging further into the swamps of the King of Worms. With "AUX HEURES DÉSESPÉRÉES", we are drawn into Black Metal infused with shades of Heavy Metal, Thrash, and grandiloquent tones, pulling us down into the depths.
"Aux Heures Désespérées" is ARCHVILE KING’s second album. From the portrait fiercely drawn by "VILE" to the festering marshes of "À La Ruine", this time Baurus recounts the final great battle of humankind against the vile Worm King. This new concept album offers several points of view, opening the door to multiple interpretations. From a wounded general who forces his son to leave him behind, to the Worm King himself mocking the troops in disarray, to the bitter reflections of a soldier on the verge of death, a bleak depiction of a futile battle is painted across eight relentless tracks.
The futility of war, the sins of the soldier, false convictions—through "Aux Heures Désespérées", Baurus gives himself over to a pacifist meditation and a scathing critique of conflict through the lens of a blood-soaked tale.
Preorders : https://lesacteursdelombre.net/product-category/preorders
https://www.facebook.com/LADLOproductions
https://www.facebook.com/archvilekingband
Label: Independent ReleaseRelease date: january 9th 2026
Genre: Dark Primal Gothic Doom
For fans of: Celtic Frost | Tiamat | A Pale Horse Named Death | Darkthrone
As the ferry reaches the furthest shore, the stony bank emerging from the mist, Kharon points towards the land, silently urging you to disembark. The darkness within his cowl brooks no argument and invites no discussion or fond farewells. No sooner have you stepped ashore than he thrusts his pole against the riverbed and vanishes back into the fog that rides upon the silent current. Alone in the land of the dead you take your first faltering steps into the unknown and from the vast cavern ahead you hear a sound…music…music of other spheres and other spaces…music made of dreams and darkness…music of the night…
“Listen to them, the children of the night. What music they make!”Dracula – Bram Stoker
On June 20th 2025 The Medea Project took to the stage of Dingwalls 2 in London to celebrate the release of their new album – Kharon. They have always provided a powerful, engaging and entertaining live spectacle, but on that night they seemed to blossom into the dark flower they have always aspired to be; a thing of raw, rare and deadly beauty. They wove a spell that captured the attention of the gathered audience completely and transported them from a stiflingly hot summer night in Camden Town to the cold shadows that cloak the banks of the Styx. Tracks taken from Kharon’s haunted grooves like ‘Dance Of The Void’ and ‘Upon Your Bones (Stygian Surf)’ came to vivid, venomous life while older set stalwarts like ‘Babylon’, ‘F.E.A.R.’ and ‘The Desert Song’ seemed to grow in stature and exude a deeper darkness than ever before. The vocals, bestial roars and desperate howls entwined, echoed around the rafters while vast, staggering riffs rode upon the elemental rhythms, the glorious cacophony giving birth to a unique, enthralling atmosphere. The chaos magic of that night was captured, the black flame preserved forever and is presented in all its bloody honesty, just as it unfolded, on Live At Dingwalls; a worthy companion piece to the majesty of Kharon.
Live At Dingwalls will be released on January 9th and made available exclusively from The Medea Project’s Bandcamp Page. A memory revisited for those in attendance, a conjured vision of blood and flame for others…and another chapter in the unfolding tale of The Medea Project.
Line-up:
Brett Minnie - Guitars/Vocals
Pauline Silver - Drums & Percussion
https://medeaproject.com/
https://www.facebook.com/themedeaprojectband
Hailing from Sweden, VENTHIAX are a speed / thrash metal band that was formed in March 2021 with the goal of becoming the loudest and most ruthless metal band in the region of Huskvarna / Jönköping. The band consists of bass-player Wendy Juneström, who also creates and distributes the old-school thrash metal fanzine Black Pages since 2019; guitarist Viggo Heinonen, who also played in the black metal band Pyrrha; and drummer Emil Borg, who is recognized as the roaring percussionist, embracing the true old-school spirit when whipping the toms. Thus armed, VENTHIAX let free a flurry of releases, including a first demo, EP, and not one, but two live albums.
Keeping that iron burning hot, VENTHIAX strike with their meanest and most assured recording yet: the mini-album Rites of Ra. While those prior short-lengths indeed laid their noble foundation – old Slayer, Sodom, Nifelheim, Celtic Frost, Death, Agent Steel, Törr, and Blessed Death – on Rites of Ra is where VENTHIAX blaze beyond the gates with maximum efficiency…and maximum overdrive! Said influences might mostly reside in the ‘80s, and there’s certainly no disputing the power-trio’s authenticity, but VENTHIAX exude the sort of charisma and songwriting acumen that elevates Rites of Ra above another retro-retread exercise. Dungeonic in its atmosphere but fighting tooth & nail to emerge from those dungeons with righteous plunder aplenty, this six-song / 21-minute record rips forth with a memorability that commands repeat plays – and repeat possession. Not for nothing is one of the mini’s most emblematic songs titled “Speed Metal Mayhem”!
Line-up:
Wendy Juneström - Bass
Emil Borg - Drums, Vocals
Viggo Heinonen - Guitars
From Huskvarna, Sweden
Release
date:27th February
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Color edition on white vinyl, with insert, poster, sticker, post card and download code.
Special edition on transparent orange black splatter vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
Tracklist
01 Warfare
02 Rites of Ra
03 Infernal Demise
04 Speed Metal Mayhem
05 Dawn of Terror
06 The Omen's Arrival
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Finnish
black/dark metal royalty MIRZADEH has released a black
metal version and music video of the 80s classic YOU'RE MY HEART,
YOU'RE MY SOUL. After experiencing several lineup changes, the
25-year-old Mirzadeh is also working on new material with new keyboardist Descrato (Star
Insight, Arina) and session guitarist Asagor (Boneset). Watch the music video: https://youtu.be/BvhlTrRbD74
Listen to the single on music streaming platforms : https://push.fm/fl/mirzadeh-ymhyms
Founded in 2000, the Finnish band Mirzadeh has created a dark sound inspired by Finnish mythology. The band's lyrics are in both English and Finnish. Over more than two decades, the band has released three full-length albums as well as several singles, EPs, and demos.
https://www.facebook.com/mirzadehband
Born from tragedy, BURNING PATH is the continuation of Chile’s beloved heavy metal heroes LUCIFER’S HAMMER. In late December 2024, founding member Andre Adasme, AKA Hades, was murdered by a stranger. His brother Rodrigo, AKA Titan, had a difficult task ahead of him. But eventually, Titan decided to keep Andre’s legacy alive along with longtime guitarist Hypnos, and BURNING PATH was (re)born. Titan decided to retire the LUCIFER’S HAMMER moniker “because there is no other who can replace my brother’s leading role and character, who will forever be the signature of LUCIFER’S HAMMER music.”
However, those whose hearts keep it true will be thrilled to hear the direction of BURNING PATH – “the same traditional heavy metal essence that has been our call for the last 13 years playing with LUCIFER’S HAMMER,” Titan humbly states. Witness the band’s “debut” full-length, Burning Path. With absolutely accurate artwork gloriously adoring its cover, BURNING PATH’s self-titled debut picks right up where 2024’s Be and Exist left off: like an iron fist lined with velvet, a deceptively silky surge that drives deepest into the heart of mid ‘80s metal. With Titan taking up the vocal duties as well as drums and guitar – and Hypnos, in kind, handling guitar, bass, and keyboards – the duo create a pistons-pumping juggernaut of melodic-yet-moody METAL, conveying electricity and energy no matter the tempo. In fact, much of Burning Path hovers near a strutting mid-tempo, and is all the better for it: BURNING PATH are equally powerful when illustrating heroism or heartache. As such, Be and Exist’s trace elements of prime Dokken, Heavy Pettin’, Diamond Head, Europe, Witch Cross, Virgin Steele, and even ‘80s KISS at their most metal are resurgent here, once again rearranged and reformed into anthems entirely their own.
Hades may be much missed, but he’d be honored by the BURNING PATH his former bandmates are on!
Line-up:
TITAN – Vocals, Drums and Guitars
HYPNOS – Guitars, Bass and Keyboards
From Santiago, Chile
Release
date:27th February
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Color edition on golden vinyl, with insert, poster, sticker, post card and download code.
Special edition on orange triple spinner vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
Tracklist
01 The Imminent Passage Of Time
02 Chasing the Future
03 Another Day
04 Take me High
05 The God who dwells in the Sword
06 A Step far Beyond
07 When Darkness falls
08 The Darkness that will last
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
Genre : Black/Death Metal
For fans of : Mgla, Dying Fetus, Crypts of Despair, Kriegsmaschine, Psycroptic
Greek band Phasma are attempting to meld influences ranging from black metal to brutal death metal and everything in between. The music effortlessly oscillates from sharp black metal riffs to pummelling death metal blasts with matching vocal styles, and even toss in a breakdown or two in the middle. It’s something that doesn’t seem to work on paper and yet they manage to make it sound cohesive and convincing enough, with songwriting that's elaborate and well thought out to warrant songs lasting beyond mere novelty quick-listen length. Every song seems like an extension if not an improvisation over the previous one, as the band unfurls dimensions within the sound that they have concocted. Bands playing a mix of styles isn't uncommon but to intermingle influences of such disparate, almost contrasting styles is fascinating and remarkable especially when they have high replay value and lasting appeal. Like it or not, Phasma are here to stay.
Line
up:Songwriting & guitars: Jason Athanasiadis
Lyrics & vocals: Luis Ferre
Bass: George Markantonis
Drums: Bill Nanos
Album cover by George Angelis
Merch design by CVSPE
Track listing
1. I
2. II
3. III
4. IV
5. V
6. VI
https://www.facebook.com/transcendingobscurityrecords
https://www.facebook.com/PhasmaProject
Thank you very much! Kunal Choksi Label Owner Transcending Obscurity
Check out the video at: https://www.youtube.com/watch?v=j6LtOrkrBr4
HyperioN return with new LP, Cybergenesis, a dark sci-fi concept album for fans of traditional Heavy Metal. Fighter Records will release the album on January 15, 2026. Album pre-orders are available now at:
Cybergenesis, HyperioN’s third full-length album, is eight tracks of powerful, dynamic Heavy Metal!
The concept of Cybergenesis fits seamlessly with the fiery heavy metal therein. A daring expedition into a space-time rift ends in disaster, awakening the Choir, an ancient alien hive mind from an alternate dimension, and plunging humanity into a desperate war for survival. On an Earth enslaved by the Choir's army of cyborgs, a former commander is reborn as the Rhizome Rider, leading a rebellion from within and sacrificing himself to free humanity.
Rooted in classic sci-fi, from Star Trek to Ghost in the Shell, Cybergenesis tells a story of resistance and sacrifice, where the human spirit defies impossible odds.
The album’s striking cover artwork was hand-painted on canvas by English artist Ryan T. Hancock, renowned for his work with bands such as Seven Sisters, Blood Star, and Stormborn. HyperioN chose a handcrafted, non-AI artwork to give Cybergenesis a tangible and authentic visual identity.
Track
Listing:1. Deafening
2. Rewire, Rebuild
3. Yet We Still Fight
4. The Shackles of Chronitus
5. Blood Over Chrome
6. Grain of Sand
7. Rhizome Rider
8. The Whole of Time
Credits:
All lyrics written by Davide Cotti. All music written by Davide Cotti except track #02 (written by Davide Cotti and Francesco Madonna) and track #07 (written by Francis Dipasquale and Davide Cotti).
Production, recording, mixing and mastering by Davide Cotti.
Vocals recorded by Antonio Inserillo.
Line-up:
Davide Cotti - Guitars
Francesco Madonna - Drums
Max Morelli - Vocals
Simone “Nega” Cauli - Bass
Francis Dipasquale - Guitars
Bio:
HyperioN were formed in 2015 by drummer Jason Beghelli and guitarist Davide Cotti to play traditional heavy metal, drawing inspiration from bands such as Metal Church, early Queensrÿche, and Judas Priest, while adding their own personal touch.
The band quickly gained attention with their debut album Dangerous Days (2017), released via Spanish label Fighter Records. The album was warmly welcomed by critics and gave HyperioN the chance to share thestage with established Italian acts such as Tarchon Fist, Black Phantom, and Rain.
After the recording of the second album, founding drummer Jason Beghelli stepped down for personal reasons and was replaced by Francesco Madonna. In 2020, the band released Into The Maelstrom, again on Fighter Records. The album received excellent reviews worldwide, but the COVID-19 pandemic forced the cancellation of all live promotion plans. Despite the circumstances, HyperioN significantly expanded their fanbase across the United States, Canada,
Mexico, and Europe through platforms like Bandcamp, finally returning to the stage in 2021.
This first era of the band came to a turning point in 2021, when several lineup changes reshaped HyperioN’s identity. Long-time bassist Antonio Scalia left the band, and after a long search Simone Cauli joined in September 2022. Just a week earlier, guitarist Luke Fortini had
departed, but the vacant role was swiftly filled by Francis Dipasquale (from thrashers Dypron). With the lineup restored, work began on new material, only to face another setback in spring 2023 when vocalist Michelangelo Carano decided to leave.
After months of auditions, HyperioN found the missing piece in singer Max Morelli, known for his work with Signum Draconis and Ladykiller. With this new and revitalized lineup, Hyperion completed the writing and production of their third album Cybergenesis, a record that represents both continuity and rebirth. Although only guitarist Davide Cotti remains from the original formation, he has always been the main composer and driving force behind the band, making sure HyperioN's sound stays true to its roots: driving riffs that ignite into bursts of speed, soaring yet gritty vocals, and melodic hooks that make every chorus memorable.
https://www.fighter-records.com/
https://linktr.ee/hyperionband
The man behind Nobody, Tuomas Kauppinen comments the EP:
"Jesus ain't cumming is an anti-christmas EP against all the bullshit that the mad prophet has induced upon our beautiful world. It mixes fingerstyle guitar, anger, full warm upright bass, simple drum grooves and various genres I have studied over the years with various bands. But it's not pure hate but also love and appreciation of life and the possibilities it offers. Just remember, nobody's gonna save your ass but yourself."
Listen to EP: https://push.fm/fl/nobody-jesus
Track
list:01. North star
02. Pompeii
03. Crowspeak
04. The Gutter Screams
05. Truth Seeker
Music & Lyrics by Tuomas Kauppinen
Cover art by Don Artvaara
Producer: Jimi (Stellar Sounds Studios)
Line-up:
Tuomas Kauppinen - vocals, guitars, bass & drums
https://nobodymetal.bandcamp.com
https://www.facebook.com/nobodymetal
A
journey into the blackest depths where light and hope end. This is DEATH
DIES... 30 years of uncompromising extreme music and elite black Art in
the name of the most ferocious, extremist and evil Black Metal and today we can
announce the beginning of their collaboration with My Kingdom Music. It will
lead them to the release next spring of "MALEDICTI IN
AETERNVM", the album of the definitive consecration, a creature
that will sink into your flesh like a blade able of piercing your quiet
existence."Maledicti In Aeternvm" takes the legacy of Primordial Black Metal, enriching it with devastating elements of Hard-core and Thrash Death Metal. The result is a fast, powerful, violent and uncompromising album... in short, the purest essence of Black Metal.
"I am really proud to represent with My Kingdom Music the home where my friends Samael Von Martin, Demian De Saba, Krom and Der Todesking wants to paint their own demons and their apocalyptic soundtracks". This is the thought that Francesco Palumbo, owner of the Italian label, expresses.
This is what Samael Von Martin confided to us: "In the long journey through shadows, visions, and sound, every band recognizes the moment when its roots meet a land able of nourishing them. For us, DEATH DIES, joining My Kingdom Music isn't just a simple recording step, but a natural convergence of intent and vision. Francesco's label has proven over time that it knows how to preserve what is authentic, extreme and untamable. In this space, we feel our voice can breathe, grow and strike with the force it deserves, without compromise. The new album is born from a period of silence, ferment and awareness. It doesn't pretend to impose itself with clamor, but it wants to leave a mark. We face this new chapter with pride, respect for the path of those who walk alongside and against us, with the certainty that what is about to be released doesn't ask for permission.
Time will do the rest!
We have lit the fire!"
"Maledicti In Aeternvm" will be released on April 2026 in CD, LP & digital.
https://linktr.ee/mykingdommusic
https://www.facebook.com/DeathDiesLegione
Listen to the single on music services : https://push.fm/fl/depressure-blockedraysofsun
Heavy moods and aching emotions. From melancholic yearning to modern heavy rock, it drills into your brain like a Makita 666. Born in Joensuu, Finland, 2006. Two demos, a few shows, then a decade of silence. In early 2018, Depressure was dragged out of the grave, and the first album was composed and recorded by Antti Heikura. “September” came out on February 19th, 2020.
A new lineup took shape in Antti’s new home country, Poland. Gigs in Gdańsk, more sweat, more drilling. In autumn ‘24, recording of the next album began. “Worst is Yet to Come” is set to release in January 2026 and the band is ready to freeze audiences with their northern rock
Depressure:
Antti Heikura – Vocals & Guitar
Paweł Kempa – Guitar
Tomasz Kacmajor – Drums
Konrad Piątkowski – Bass
https://www.facebook.com/Depressurekills
Label : DarkwoodsFormat : CD
Release Date: 09/02/2026
Genre : Atmospheric Post Black Metal from Sweden
För evigt is the debut full-length album by Swedish atmospheric post-black metal project Motljus, created by A. Lundén and shaped by long winters, urban solitude and restrained emotional intensity.
The album presents an introspective, urban approach to atmospheric black metal, rooted in everyday experience rather than mythology or folklore, offering a distinctly modern perspective on contemporary Scandinavian black metal.
Across five tracks, För evigt develops a carefully balanced sound where cold, melodic guitar work, mid-paced rhythms and subtle post-black textures coexist with a strong sense of atmosphere and control. The songwriting favors gradual evolution over dramatic peaks, while the production remains clear and spacious, emphasizing depth without sacrificing intensity. Elements of blackgaze appear at times, not as a dominant feature, but as a textural layer enhancing the album’s melancholic and reflective mood.
För evigt will resonate with listeners drawn to the introspective side of contemporary black metal, particularly fans of Yellow Eyes, Gris, ColdWorld, Alcest or Ellende, while maintaining a distinct identity rooted in its Scandinavian origin and urban perspective.
www.youtube.com/withinthedarkwoods
www.darkwoods.eu
HOT APOLLO – “AGAINST THE ODDS BECAUSE WE’RE GODS”
Label: SelfmaderecordsRelease date: december 26th 2025
Genre: Punk Rock
For fans of: Electric Six | Iggy Pop | Toyah | Zodiac Mindwarp & The Love Reaction
"We’re the sound of a sun made of lightning on fire..."
Exploding out of the great white north, in a dazzling burst of stardust and exuberance, rebellion and radiance, come Toronto’s punk rock riders of the astral plane, Hot Apollo. After lighting up the Toronto club scene for over a decade with songs that transport audiences to realms of euphoria, the city’s self proclaimed ‘shiniest band’ are about to deliver their cerebral shock to the world. New album Against The Odds Because We’re Gods is coming and it’s time to join the Hot Apollo revolution!
“Exploding stars join our choir...”
The album opens in a burst of electrifying guitar, boldly heading straight into the band’s ‘superhero cartoon theme song’, the anthemic and irresistible ‘We’re Hot Apollo’ where a languid vocal rides on crisp drumming and punk vibes and a searing solo tears across the sky. From that blazing beginning Hot Apollo take you on a tour of driving grooves, flamboyant guitar embellishments, enfolding atmospheres and choruses that feel like you’ve known them all your life. From the slinky, sliding riffs of ‘Priorities’, a song that walks the margins between playful and defiant, to the dream state dance of ‘Slayance’; from ‘Beltane’, made to make you move with its cool lead guitar wandering through a patchwork of neon glow and shadow, to the metal edge and galloping rhythms of ‘Gjallarbu’. Every song on Against The Odds Because We’re Gods occupies its own unique space, but they are all united by the irrepressible, irresistible spirit of Hot Apollo. The final two songs on the album – ‘Stop Drop Rock ‘n’ Roll’ and ‘Never Stay Down’ – rock hard and joyously, leaving you energised, renewed and alive, before this band of maverick marauders head back to the stars from whence they came.
“Louder than thunder! We’re a sparkle storm…”
The vibrant sound of Against The Odds… was captured by renowned Canadian producer Scotty Komer of the band Boys Night Out, who has worked with the likes of Protest The Hero and Silverstein. Every voice in the Hot Apollo choir gets to speak and bathe in the spotlight – from the full figured bass to the snapping drums, the fizzing guitars to the sonorous vocals – and the result is effervescent. The album will be released by SelfMadeRecords on December 26th on CD, LP and Digital formats – the perfect party to end the year…and everyone’s invited!
“We’re Hot Apollo! We’re all Hot Apollo!”
Line-up:
Jaymes - Vocals
Tobi - Bass
Monet - Lead Guitar
Diego - Drums
https://selfmaderecordsllc-business.com/home
https://www.facebook.com/HotApollo/
HARROWED are a maggot-ridden death metal band from the Stockholm sewers. Rising from the hallowed ashes of Swedish death metal outliers Morbus Chron, the band comes as the creation of vocalist / drummer Adam Lindmark, who has teamed up with guitarist Tobias Alpadie (VAK, ghost department of Tribulation). A demo and subsequent split arrived in 2021 and ’22, respectively, setting forth HARROWED’s harrowing foundation: classic Autopsy, Entombed, Obituary, and Death Strike “funneled through a garbage disposal,” accurately stated Adolf Vondkra of Tones of Decay festival.
The time has now come for HARROWED to make their full-length debut with The Eternal Hunger. Sharper but not without their signature stench, The Eternal Hunger sees the duo offering a more nuanced listening experience – but don’t think for a second they’ve gone soft! Surely, HARROWED have gestated into a twisted mass of putrid filth, incorporating elements of old-school American and Scandinavian death metal, a lethal dose of punk riffage, and mind-bending weirdness (and even some shattered shards of skewed melody, if we’re counting). The songwriting on The Eternal Hunger thusly exhibits more variety both in the micro and macro, with each of these eight tracks possessing the potential to rupture ear drums, crack skulls, and have you plunge head-first while maniacally screaming into the darkened abyss of crushing riffs, doomsday drumming, and nightmarish horrors…. The production on the album is stellar, as HARROWED teamed up with Robert Pehrsson (Death Breath, ex-Runemagick) in his Studio Humbucker during the summer of 2025 and created an authentically physical sound that’s clear and concise whilst keeping a vintage raw edge. As such, The Eternal Hunger stays true to the original spirit of death metal without being yet another washed-out-copy of the HM2-sound. The album also features musical guest appearances from Nicke Andersson (Entombed, Death Breath) and Scott Carlson (Repulsion, Death Breath), among others, so you can bet this stuff is the real deal.
With the addition of a live lineup consisting of fellow creeps Dag Landin (ex-Morbus Chron, Tøronto) on bass and Estefan Carrillo (Hazemaze, Morbid Breath) on guitar, the HARROWED lineup is fully armed and diseased — ready to drag their decomposing death metal across stages and into your nightmares. Are you ready to submit to The Eternal Hunger?
Line-up:Tobias Alpadie - Guitars, Bass
Adam Lindmark - Vocals, Drums
From Stockholm, Sweden
Release date:
27th February
Release info:
Regular edition on black vinyl, with insert, poster, sticker, post card and download code.
Colored edition on golden vinyl, with insert, poster, sticker, post card and download code.
Special edition on red/gold galaxy vinyl, with insert, poster, sticker, post card, download code and patch.
CD edition with sticker and obi.
Tracklist
01 Bayonet
02 The Cold Of A Thousand Snows
03 Ultra Terrene Phantasmagoria
04 The Haunter
05 Blood Covenant
06 The Reins
07 Formaldehyde Dreaming (16bit44,1kHz)
08 The Eternal Hunger
www.dyingvictims.com
https://dyingvictimsproductions.bandcamp.com/
The Finnish progressive thrash metal band KRATEROS is set to release their debut EP 'LOST IN TRANSLATION' on January 30th 2026 via Inverse Records.
The second single 'UTICENSIS' is unleashed today and it's available on all essential streaming services: https://push.fm/fl/krateros-uticensis
The band comments:
" “As the second single from our upcoming EP “Lost in Translation,” “Uticensis” showcases the band’s more aggressive output with fast, precise riffing and all-out screaming, without compromising on musicality or finesse. As is often the case, the music was written long before the lyrics came to be. This time, inspiration was found in an unexpected place, as the song got its subject from a book of collected and translated philosophical texts by Seneca the Younger that our songwriter Saku received as a birthday gift from a friend. Some of these writings were about the trials and tribulations of Cato the Younger (also known by the epithet “Uticensis”), which sparked an immediate idea for the lyrics. This song is also a favorite of the whole band."
Biography:
Krateros is an emerging metal band from Helsinki, Finland, founded in 2023 and led by vocalist/guitarist and main songwriter Saku Rekonen. The band’s music combines influences from old-school thrash metal bands such as Annihilator, Exodus, and Megadeth with more contemporary acts like Trivium, Machine Head, and Stam1na — all the while being filtered through a progressive lens.
The band’s first EP, “Lost in Translation,” released through Inverse Records, is a response to a perceived lack of riffs that seems to plague the metal scene of the 2020s.
Track
list:1. Tomb Service
2. Linguicide
3. The Performer
4. Uticensis
5. Comatose Waltz
Cover art by All4band Design
Line-up:
Saku Rekonen - Vocals & Guitar
Roni Helminen - Bass & Backing vocals
Touko Kaihola - Drums
Jódís Rannveigardóttir - Backing vocals on Uticensis
https://www.facebook.com/kraterosband
Death/Thrash/Groove/Prog Metal powerhouse STALWART presents the visualizer video for their devastating track, "THROUGH THE DEAD EYES," a monumental commentary on modern spiritual decay. Stripping away all platitudes, the song plunges listeners into a world of profound disillusionment, where existence is a "way through desert," and hope has decayed. Driven by crushing riffs and a complex rhythmic core, the track explores the futility of human endeavor, echoing the pain of suppressed anguish and the numbing effect of routine.
About TEMPVS EDAX RERVM
Stalwart's Tempvs Edax Rervm delves into the inexorable power of time, exploring themes of fading identity and inevitable decay as "heaven and earth have switched places." The album distills the band's essence—groove-driven riffs, intricate rhythms, and atmospheric layers—into a heavier, darker, and more focused continuation of their intense, precise metal sound.
Pre-save the album: https://orcd.co/teralbum
Previous video: https://youtu.be/biyuFljFGTQ
About Stalwart
Formed in 1999 in Saint Petersburg, Russia, Stalwart has built a reputation in the extreme metal scene with a distinctive blend of death, thrash, groove, and progressive metal — combining crushing riffs, intricate rhythms, and atmospheric layers. Over their career, they’ve released six full-length albums through labels including Fono, Soyuz/MetalAgen, CD-Maximum, Metallism, and PRC Music, with four albums produced by the renowned Wiesławski brothers (Vader, Decapitated, Behemoth) at Hertz Studio, Poland. Stalwart has shared stages with Behemoth, Kataklysm, Vader, Amon Amarth, Primal Fear, Finntroll, and Carnifex, performing across Russia, Ukraine, Finland, Estonia, and Germany.
After a hiatus starting in 2019, the band returns with their seventh album, Tempvs Edax Rervm, out early 2026 via WormHoleDeath Records, promising crushing grooves, complex rhythms, relentless blast beats, and immersive atmospheres — a new chapter in Stalwart’s evolution.
www.youtube.com/@stalwart.metalband
www.facebook.com/stalwartmetal
Italian
Doomsters DVM SPIRO premiere "DISSENTIMENTO",
the first single from "MMXXVI - GRAVE", with a
monumental official video lasting over 11 minutes, a sort of pictorial graphic
short film created by Noxifer (aka Gianfranco Logiudice) and
available at the following address: https://youtu.be/AP9HR-A-byEThe song is a long suite where feelings of desperation and loneliness blend with the natural funereal atmospheres of their Doom Metal. Heavy riffs, female vocals and deep growls, ancient atmospheres, and classical music enrich a unique sound that will surely be a must-listen for fans of My Dying Bride, Funeral, early Paradise Lost, and Shape of Despair!
The art of DVM SPIRO is an indistinct death, where madness shines in the dark, without peeling frames and funereal paintings of intangible prisons.
DVM SPIRO are back, and the magic of their sad art is ready to drag you into the deepest abyss.
"MMXXVI - Grave" will be released on January 16, 2026.
You can pre-order the CD here: https://t.ly/2cDTv
https://linktr.ee/mykingdommusic
https://www.facebook.com/dvmspiro
FFO: Swallow the Sun, Anathema, Woods of Ypres, Novembers Doom, Draconian
Stop, look, and listen: https://www.youtube.com/watch?v=LzHTKDxnvpk
Orchid Throne is set to release Buried in Black on January 9, 2026! The project consists solely of Nicholas Bonsanto (Lör, Empress, Helianthus, Barren) who performs the music, as well as producing, mixing and mastering the album.
After nearly 17 years of playing supporting roles in various bands, Nicholas Bonsanto (Lör, Empress, Helianthus, Barren) is proud to make his debut as a solo artist as the man behind Orchid Throne. Bonsanto not only wrote and performed all of the music for Buried in Black, but also produced, mixed, and mastered the album.
While not a concept album, Buried in Black weaves themes of anxiety, depression, fear of death, and the search for life’s meaning throughout its lyrics. The title describes both the music itself and the feelings that Bonsanto has kept buried within for years. It may sound bleak, but what is buried in black will be set free and brought to light on January 9.
“This album is a long time coming for me,” said Bonsanto. “For more than a decade, I collected little recordings of ideas in the hope that one day they’d be useful. I could not be more proud of myself for how the album came out and for all of the things I have learned along the way.”
Bonsanto's Musical Journey to Buried in Black:
“As a musician performing in bands since I was 16, people who know me have seen me play a supportive role, and hear my musical contributions to my bands. But not everyone knows that I have always dreamed of releasing a record of my own. I am passionate about all kinds of music, and while I love playing in my current bands, doom metal is a big love that I long felt like I had no outlet for.
“While I’ve honed my songwriting abilities over the years, I began this project with zero knowledge of how to produce a record on my own. I introduced Orchid Throne to the world one year ago on my birthday with only one song done. Over the past year, I have finished writing, recording, and producing my entire debut record. I have finally achieved this goal and it's even better than I ever imagined it could be. It means so much to me to get this out there, to truly reflect who I am as an artist, and I’m already excited to create more.”
Pre-order Buried in Black: https://orchidthrone.bandcamp.com/album/buried-in-black
Track
Listing:1. Dreamworld
2. Ephemerality
3. What Defines us
4. Moonlight Revelry
5. Guilt
6. Breath of Autumn
7. With Promise
Credits:
Album artwork painted by Ryan Gassaway.
Music and Lyrics written by Nick Bonsanto.
Produced, Mixed and Mastered by Nick Bonsanto.
All instruments performed by Nick Bonsanto.
Flute on “Breath of Autumn” and “With Promise” performed by Mary Beck
Orchid Throne is:
Nicholas Bonsanto - All instruments.
Bio:
Orchid Throne is a Melodic Doom Metal one-man band created by Nicholas Bonsanto (Lör, Empress, Helianthus, Barren) based out of Baltimore, Maryland. Orchid Throne is set to release its debut full-length album on January 9, 2026, titled Buried in Black. The album features a spellbinding variety of dark, heavy, and emotional material that beckons you to fall into the endless black. Drawing influence from a range of sounds such as melodic death metal, black metal, progressive rock, and folk, Orchid Throne is music from the heart for fellow souls who need
it most.
https://linktr.ee/orchidthrone
Italian
blackened atmospheric death metal project FROSTMORNER is
proud to announce its official signing with Wormholedeath. The collaboration
will see the worldwide release of Frostmorner's debut album, ORBITAL
KAOS, scheduled to drop on February 13, 2026.Founded by Mario and rooted in Sicily, Frostmorner began its journey in 2019. What started with the support of other musicians soon evolved into a fully solo project, allowing Mario to build a sound that reflects his vision without compromise. Over the years, Frostmorner has caught the attention of magazines, fanzines, and radio stations, opening the door to collaborations and conversations with artists across the extreme metal world.
“Orbital Kaos” marks the first full-length chapter of Frostmorner and showcases the project’s foundation: a blend of blackened intensity, atmospheric layers, and death metal grit. The album pulls inspiration from Nile, Hypocrisy, Belphegor, and Death, while weaving in modern influences from Lorna Shore and
Rings of Saturn. Its thematic core draws from a lifelong fascination with Lovecraft, mythology, space, and horror.
The album’s title captures its essence. Each track stands on its own, shaped by its own narrative and energy, yet all orbit around the central concept of Kaos. The result is a record built on fragmentation, unpredictability, and tension: an audio universe where no two moments land in the same place.
Tracklist
1 -Pillars of Creation
2 -Necromorph
3 -Kronvs
4 -Demiurge
5- Arra Agga Bandar
6- Gorgone
7 -Claymore
8 -Eclipse
9 -Orbital Kaos
www.youtube.com/@frostmorner
www.facebook.com/FrostmornerMusicOfficial
NECROSEXUAL – “ROAD TO RUBBLE”
Label: Black Metal ArchivesRelease date: february 27th 2026
Genre: Thrash Metal/Horror Punk
For fans of: Venom | Mercyful Fate | Celtic Frost | Plasmatics
The engine roars, adding its primal, petrol-fuelled fury to the cacophony of the midnight streets. With menace in its very construction the car seems to prowl the pools of neon light, the sound of the devil’s music blasting from it like a heartbeat. Hymns to lust, violence and rebellion rise up through the darkness, clawing their way through the watching windows, becoming a soundtrack to the sordid stories being played out behind the glass. The Necrosexual smiles, tasting every warm, wet drop of passion, pain, desperation and cruelty as he passes. Hands on the wheel he rides through the hopeless, despairing dreams of the shadow people, trapped on a road to rubble and ruin…
Road To Rubble is the new album from Philadelphia’s Necrosexual, a band that revel in the dark excesses of the metal mindset and ideology, bringing together overdriven guitars and irreverent belligerence, extremes of velocity with the blackest humour and resolute defiance. Lead by charismatic frontman, The Necrosexual, these creatures of the night have been rampaging through the metal underground with their intoxicating elixir of heavy metal, thrash metal and horror punk since 2011, releasing their debut album, GRIM-1, in 2018 - and they’ve never sounded better than they do right now…
Opening with the primal riffs and bestial vocalisations of ‘High Times In Hell’, a song built from old bones but with fresh flesh upon them, Road To Rubble walks a weaving, drunken line between carnage and celebration. ‘The Brimstone Brothel’ combines a punk punch with blast beat madness in a tale of cannibalism behind the walls of an old west bordello and ‘Kiss The Knife’ is a burlesque carnival of horror and erotica with snarling riffs, driving rhythms and scything, melodic lead work. Each song is a step along the road to damnation, another mile into a hell curated by The Necrosexual; from the tattered majesty and epic tales of wasteland warriors that is ‘All Roads Lead To Rubble’ to ‘Nocturnal Ignition’ that shifts from moonlight and dust to muscular riffs, gothic drama and dirty punk sleaze. When the bloodthirsty dominatrix of ‘Hard Leather Woman’ has finished with you – a strident, ironclad, climactic conclusion – you’ll be left scarred and bloodstained, with illusions shattered and eyes open to all that walks on the other side of the night.
Mixed by Steve Roche (Blemish, Pariiah, Serpent Throne etc) and mastered by Arthur Rizk (Power Trip, Blood Incantation, Cavelera Conspiracy), Road To Rubble has an ‘80s metal darkness and bite, but with a scalpel sharp clarity and modern vivacity. It’s a heady, hypnotic combination that will keep you crawling back for more. Adorned in the garish, gaudy, acid nightmare of Scott R. Johnston’s vibrant cover artwork, Road To Rubble will be available on vinyl, CD, cassette and digital formats from the Necrosexual webstore in the US and on CD and cassette from Black Metal Archives in the UK. The Necrosexual party begins on February 27th – and no-one’s going home…
Continue your voyage into The Necrosexual’s world of metal and madness in the official Necrosexual comic books! #2: Necrosexual Encounters, the long awaited follow up to #1: The Insatiable Necrosexual, is available now as a physical version at the Necrosexual bandcamp page https://necrosexual.bandcamp.com/merch/necrosexual-encounters-graphic-novel-free-usa-shipping
The Necrosexual - lead bass, guitar, screams, keyboards, whip strikes
Anthony ‘Vigo’ Gabriele - lead guitar, conspiracy and conjuration
Nick Roskow - lead guitar, divebombs
Miles Ziskind - drums, smoke
https://blackmetalarchiveslabel.bandcamp.com
https://www.facebook.com/Grimmestofalltime
Damit
ihr nicht nur eure Gehörgänge mit metallischem Unterhaltungsmaterial traktiert
und „belastet“ , sondern auch mal wieder was Handfestes zum Lesen in den Händen
halten könnt, gibts heute bei uns mal nen bissel mehr an gedruckten Lesestoff
zu entdecken.Die Fertigstellung unserer aktuellen Nr.60 geht auch so langsam auch in die Endphase. Seid jetzt schon mal drauf gespannt was euch HEREZA, FALSE MUTATION , das SCHATTENLEGION MAGAZIN , DEPRESSION, ASHTAR , ARCHAIC THORN und noch einige mehr zum aktuellen Geschehen in der Szene zu berichten haben .
Neben jeder Menge an diversem Tonträgermaterial und nem fetten Batzen an neuem Lesestoff, gib es dieses Mal auch so einiges an Liveberichten für euch zu entdecken. Natürlich werden auch die Rubriken „Metallisch verborgenes aus den tiefsten Abgründen des Internets“, „Best of the ground“ und „Metallisches aus ostdeutschen Jugendzeiten Part 4 „von uns in der neuesten Ausgabe weitergeführt. Zur Einstimmung und sozusagen als kleinen Vorgeschmack präsentieren wir euch hier dann auch schon mal gleich das aktuelle Cover .
„30 JAHRE S.U.F.F.- MIT DER SPASSGUERILLA DURCH OSTDEUTSCHLAND"
SCHATTENLEGION MAGAZIN - JAHRGANG 2024 (A5 / deutsch)
REALM OF SHADES # 10 (A5 englisch)
CASKET – “IN THE LONG RUN WE ARE ALL DEAD”
Wir vom HELLBOLLWERK E.V., dem
gemeinnützigen Kulturverein aus Ilsenburg am Fuße des Brockens – freuen uns
sehr, euch heute eine weitere bedeutende Neuigkeit mitzuteilen.Der Hellbollwerk e.V. freut sich, eine positive Entwicklung im Vorverkauf des BLASTING THE MOUNTAINS FEST | Pt. 1 bekanntzugeben:
Aufgrund der überwältigenden Resonanz aus der Szene wird das Early Bird Ticket bis zum 31. Dezember 2025 verlängert.
Seit dem offiziellen Vorverkaufsstart der Hardtickets am 14. November 2025 wurden innerhalb von nur vier Wochen bereits rund 90 % der ursprünglich geplanten Early Bird Tickets verkauft. Dieses starke Zeichen der Unterstützung hat den Veranstalter dazu bewogen, die ursprünglich limitierte Stückzahl aufzuheben. Das Early Bird Ticket ist ab sofort bis Jahresende ohne Stückzahllimit zum Preis von 39,90 Euro erhältlich. Ab dem 01.01.2026 erfolgt die Umstellung auf das Nabu Bird Ticket zum Preis von 44,90 Euro. Das finale Dead Bird Ticket wird anschließend für 49,90 Euro angeboten.
Zehn Bands für 39,90 Euro – ein Preis, der die Leidenschaft für die extreme Musikszene widerspiegelt und bewusst fair gehalten ist.
Ticketinformationen (Vorverkauf):
Early Bird – 39,90 € (bis 31.12.2025)
Nabu Bird – 44,90 € (limitiert)
Dead Bird – 49,90 €
Die Ticketbestellung erfolgt direkt über den Veranstalter:
So funktioniert die Ticketbestellung . Die Bestellung erfolgt einfach und direkt über das Team des Hellbollwerk e.V. – ohne Zwischenhändler - szenenah und fair.
Kontaktmöglichkeiten:
via Instagram-DM (@hellbollwerk_ev)
per E-Mail hellbollwerk@gmx.de
Line-up:
Einsachtzich
Pure Massacre
Torturized
Drill Star Autopsy
Casket | Extinct
DER ROTE MILAN
Aeon of Disease
MNHG
Obscenity
Der Hellbollwerk e.V. bedankt sich ausdrücklich bei allen Unterstützerinnen und Unterstützern für das entgegengebrachte Vertrauen und die enorme Resonanz.
Gemeinsam wird 2026 die Harzlandhalle in Ilsenburg zum Beben gebracht.
Wir bitten um Veröffentlichung dieser Pressemitteilung.
Unsere offiziellen Social-Media-Kanäle:
https://www.instagram.com/hellbollwerk_ev
https://www.facebook.com/Hellbollwerk
Vielen Dank für eure Unterstützung und euren Einsatz für regionale Kultur!
TEUTONIC SLAUGHTER – “CHEAP FOOD”
Stil: Thrash MetalFormat : CD/LP
Label : Iron Shield Records
VÖ Datum: 30.01.2026
TEUTONIC SLAUGHTER sind ein oldschool Thrash Metal Quartett, welches 2012 von Fabian Kellermann und Philip Krisch, aus einem ursprünglichen Schülerprojekt, gegründet wurde. Wer Bock auf NEO --, Alien --, Black oder Technical Thrash Metal hat, ist
hier definitiv an der falschen Adresse. TEUTONIC SLAUGHTER liefern kompromisslosen teutonic Thrash Metal der alten Schule „ straight in Your Face“ und ohne Schnörkel. Das Quartett orientiert sich in Ihrer musikalischen Identität unverkennbar an Ruhrpott Thrash Metal Legenden, wie Violent Force, Kreator, Sodom und Darkness , ohne dabei
selber an Authentizität einzubüßen. Durch den einzigartigen Gesang und die ständig treibende, offen gespielte Gitarre, schafft die Band Ihren einzigartigen Sound und knüpfen gleichzeitig dort an, wo viele
deutschen Thrash Metal Acts in den 80er Jahren aufgehört haben. In der Besetzung Jan Heinen (Gitarre), Christian Vollmer (Backing Vocals), Fabian Kellermann (Bass/ Backing Vocals) und Philip Krisch (Vocals/Gitarre) wurden von 2012 bis 2022 sechs Tonträger veröffentlicht (2013 Teutonic Slaughter Live at UnBaCo/ 2024 United in Hate Demo/ 2015 Witches Rock’n’Roll Album/ 2018 Split Single mit
Darkness / 2018 Puppeteer of Death Album/ 2022 Decade of Terror Compilation). In dieser Zeit spielte die Band unzählige Auftritte im In und Ausland und konnte sich als „Live Abrissbirne“ in der Szene
etablieren. Schon seit Mitte 2019 gab es konkrete Pläne und Material für die Veröffentlichung eines dritten, von den Fans heiß ersehnten, Full Lenght Albums von TEUTONIC SLAUGHTER. Diese konnten, aufgrund des Wegzugs von Jan und Christian, sowie der anschließenden Corona
Pandemie nicht mehr umgesetzt werden. Nach der
Eigenveröffentlichung der Compilation Decade of Terror Ende 2022 verließen die beiden die Band, um TEUTONIC SLAUGHTER die Möglichkeit zu geben, in anderem Line Up , wieder aktiver auftreten zu
können. 2023 stiegen mit Nico Iserloh (ex. Resistor , Spirit Detective ) an den Drums und Ivan Almeida (ex. Goytaca , ex. Thy Great Empire) an der Lead Gitarre zwei langjährige Freunde der Band in das Line Up mit ein.
In dieser Besetzung konzentrierte man sich in 2023 und 2024 auf gewählte Live Auftritte und besonders darauf, das Material für Album Nummer drei zu überarbeiten und zusätzlich neues Material zu
erstellen. Da die ersten beiden Alben auf Vinyl (jeweils 300er Auflage) mittlerweile ausverkauft waren, stieg der Bedarf an neuem Material. So wurden die Aufnahmen zum dritten Studioalbum "Cheap Food“ Ende 2024 in dem Studio von MK Records in Essen abgeschlossen. Für die Backing Vocals auf der Scheibe liehen u.a. Marius Wegener (SMORRAH), Robert Gornella (ex. Assassin Raging Rob) und Jörg Juraschek (WARRANT) ihre Stimmen. Die Aufnahmen stellen das generische Bindeglied zwischen der alten und neuen Besetzung der Band dar und zeigen, dass TEUTONIC SLAUGHTER in den vergangenen Jahren nicht stehengeblieben ist. Die Band klingt erwachsener, brutaler, kraftvoller und gleichzeitig unverkennbar wie früher…nach Oldschool
Teutonic Thrash Metal!
HAIL TO THE WITCHES ROCK’N’ROLL!!!
Tracklist
01 Intro
02 Hostage
03 Cheap Food
04 Redistribution
05 Witches Rock‘n‘Roll
06 Eviscerating Surgery
07 Fight the Reaper 08 Give em Hell
Line up :
Philip Krisch – Vocals/Guitar
Ivan Almeida - Lead Guitar
Fabian Kellermann – Bass
Nico Iserloh – Drums
www.facebook.com/teutonicslaughter
https://ironshieldrecords.de/
GRAND
DEVOURER und ZOMBIE
RIOT: Vorverkauf für die Split "NIGHTHAUNTER" gestartet
: Die Hannoveraner Death-Metal-Acts Grand Devourer und Zombie Riot tun sich zusammen und veröffentlichen am 19.12.2025 ihre Split Nighthaunter. Für Grand Devourer ist es nach der Debüt-EP bereits das zweite Lebenszeichen innerhalb eines Jahres, während die lokalen Szene-Urgesteine Zombie Riot mit ihrem mittlerweile vierten Release nachlegen.
Acht Tracks – je vier pro Band – ballern hier kompromisslos in den Death-Metal-Underground. Das Bremer Studio Silence Sucks Productions liefert den gewohnt druckvollen, heftigen Sound, der die Wucht der beiden Formationen passgenau einfängt. Für das Artwork zeichnet die Hannoveraner Tattoo-Künstlerin Maya Goldfinch verantwortlich, die die düstere Ästhetik von Nighthaunter visuell auf den Punkt bringt.
Erscheint am 19.12.2025 via Neckbreaker Records. Vorbestellung können hier getätigt werden!
Außerdem gibt es ein exklusives Shirt Design von Grand Devourer im Warhammer 40K Stil.
https://www.youtube.com/watch?v=SdJEWpodemc&t=10s
https://neckbreakerrecords.bigcartel.com
STREAMS OF BLOOD – “VERMALEDEIT”
Genre: Black Metal
Label: The Hidden Art
Release: 18.12.2025
Nach Jahren persönlicher und kreativer Umbrüche legt Streams Of Blood mit „Vermaledeit“ am 18. Dezember ihr neues Album vor – ein Werk, das die Erfahrungen und Brüche seiner Entstehungszeit spürbar in sich trägt.
Fünf Jahre voller Veränderungen, Verluste und innerer Kämpfe haben ihre Spuren hinterlassen. „Vermaledeit“ ist das Ergebnis dieser Phase – intensiv, direkt und emotional aufgeladen.
Die Songs bewegen sich zwischen Melancholie und Nihilismus, zwischen Selbstzweifel und Befreiung. Roh und ungeschliffen aufgenommen, zeigt das Album den unverstellten Charakter seines Entstehungsprozesses – ehrlich, kompromisslos und ohne Rücksicht.
Das begleitende Artwork entstand in Zusammenarbeit mit Void Revelations und ergänzt die Musik um eine visuelle Dimension, die die Atmosphäre von „Vermaledeit“ treffend einfängt.
Ein Album, das aus persönlicher Dunkelheit hervorgegangen ist – und den Weg von Streams Of Blood konsequent weiterführt.
https://www.facebook.com/StreamsOfficial
The Death Crust Commando strikes back – louder, fiercer, heavier.“Time And Tide” is here to crush everything in its path!
Seit ihrer Gründung 2016 sind PHANTOM CORPORATION eine unaufhaltsame Macht im Underground. Gegründet von Szene-Veteranen aus Bremen und Dortmund – mit Wurzeln in Bands wie Dew-Scented, Eroded, BK 49 und Weak Aside – verschmilzt die Band gnadenlosen D-Beat Crust mit Death Metal und rohem Old-School Thrash/Punk zu einem kompromisslosen Crossover-Sound.
Nach der Debüt-Mini „First Commandment“ (2016), den furiosen EPs „Cause and Effect“ (2017) und „Belligerent Powers“ (2018) sowie der Split „Banner Of Hatred“ (2022, mit den Schweden Harrowed) und dem ersten vollen Album „Fallout“ (2023), präsentiert die Band nun ihr tödlichstes Geschoss: Das neue Album „Time And Tide“, das heute über Supreme Chaos Records erscheint.
Hier geht’s zum brandneuen Video zu „Frantic Disruption“ : https://youtu.be/BnuZnvPj_xc
Produziert von Jörg Uken in den Soundlodge Studios (u. a. God Dethroned, Temple Of Dread), hebt
„Time And Tide“ die Band auf ein völlig neues Level. Über 11 Tracks hinweg liefern PHANTOM CORPORATION ein unerbittliches Feuerwerk – vielseitiger, brutaler und kompromissloser als je zuvor. Rasende Thrash-Riffs, Crust- Attacken und Death Metal vereinen sich zu einem apokalyptischen Schlagabtausch ohne Atempause.
Tracklist:1. Frantic Disruption (4:16)
2. Dead Of Night (4:30)
3. Crushed (3:59)
4. Krokodil (1:31)
5. Pound Of Flesh (2:42)
6. To The Hilt (4:14)
7. Time And Tide (4:17)
8. Sorcerer (3:57)
9. For All The Wrong Reasons (4:42)
10. Crisis (2:21)
11. Western Apocalypse (5:35)
„Time And Tide” ist in den folgenden Formaten erhältlich:
Black LP
Orange Marbled LP (Limitiert auf 150 Kopien)
Clear Rusty Marbled LP (Limitiert auf 100 Kopien / Band-Exklusiv)
Splatter Clear Orange Black LP (Limitiert auf 100 Kopien)
Digipak CD (Limitiert auf 500 Kopien / Handnummeriert)
Jewelcase CD
Black Tape (Limitiert auf 150 Kopien)
Purple Tape (Limitiert to 50 Kopien / SCR-Exklusiv)
Digital Album
„Time And Tide” ist hier erhältlich: https://linktr.ee/phantomcorporation
Oder direkt über Supreme Chaos Records: https://supremechaos.com/scr-artists/phantom-corporation/
PHANTOM CORPORATIONs Debütalbum „Fallout” und dessen limitierte „Fire Splatter” und „Orange/Black marbled” Vinyl-Varianten sind nach wie vor hier erhältlich: https://supremechaos.com/link/phantomcorporation/
PHANTOM CORPORATION 2025:
Ulf – Bass
Arne – Guitars
Philipp – Guitars
Marc – Drums
Leif – Vocals
Live
24.01.2026 Krefeld – Kulturrampe
07.02.2026 Osnabrück – JZ Westwerk 141 / Waking The Ghouls II
18.-20.06.2026 Protzen – Protzen Open Air
17.10.2026 Nordhorn – Alte Weberei / Nordhorn Deathfest
https://www.facebook.com/phantomcorporation
Mit ihrer neuen EP „DEATH THROES OF A
DROWNING GOOD" öffnen GUYOD am 23.01.2026 ein
weiteres finsteres Portal zwischen Doom, Death und Black Metal - ein Werk, das
ebenso schwer und erdrückend wie atmosphärisch aufgeladen ist. Die
Veröffentlichung markiert nicht nur das nächste Kapitel ihrer künstlerischen
Entwicklung, sondern setzt zugleich ein kraftvolles Statement innerhalb der
extremen Musikszene: kompromisslos, intensiv und voller klanglicher Abgründe …Die EP stellt eine vierteilige Reise zum Abgrund des Ozeans dar, vier Songs werden jeweils von einem Drone-Track ein- bzw. ausgeleitet. Am Weg nach unten starren den Hörenden „A thousand invisible eyes“ direkt in die Seele, man entdeckt verborgene Reiche „Behind walls of ice“, rast durch den „Vortex of infinite despair“ und betrachtet mit Abscheu den erschreckenden Anblick von „Hestia drowning“.
Man durchdringt düstere Klanglandschaften, in denen verzerrte Gitarrenwände, tiefe Growls und eisige Screams auf wuchtige, monolithische Riffs treffen. Dabei bleibt die Band ihrem Anspruch, die erdrückende Schwere des Doom mit der brutalen Direktheit des Death Metal und der kalten, rituellen Atmosphäre des Black Metal zu verbinden, weiterhin treu. Der Level an Direktheit und hasserfüllter, verzweifelter Aggression ist jedoch deutlich gestiegen.
Mit dieser Veröffentlichung beweist die Band, dass Extreme Metal auch 2026 noch neue Wege beschreiten kann. Sie verschmelzen Genregrenzen, ohne ihre Wurzeln zu verleugnen, und schaffen damit ein Werk, das sowohl alte Fans als auch neue Hörer*innen fesseln wird. Die EP ist ein kompromissloses Manifest der Finsternis - eine Klangreise, die lange nachhallt und ihre Hörer*innen tief unter die Oberfläche zieht.
Ab dem 23. Januar 2026 ist „Death throes of a drowning good" auf allen gängigen digitalen Plattformen, sowie in einer limitierten physischen Edition auf CD und Tape erhältlich. Eine Veröffentlichung, die sich Liebhaber atmosphärisch dichter, extrem metal-lastiger Klangkunst nicht entgehen lassen sollten!
https://www.guyod.net/
jewelcase cd with 8-page booklet+2-side inlay+plastic wrapped.
7 tracks of norweigan black-metal, with an oldschool feeling!
Norsk svartmetall, Innlandet, Hamar, Norway.
ILLVILJE: [fra norrønt, illvili] et sadistisk ønske om å påføre andre mennesker smerte og lidelse | hatets egen vilje.
Steven - Guitar & bass
Are - Drums
Jolm - Vocals & guitar
https://downfallrecords.bandcamp.com/album/la-meg-sj-alt-omkring-meg-falle
Genre
: Atmospheric
Black MetalFormate : CD & LP
Release date : 25/01/2026
For fans of: Woods of Desolation, Austere, Panopticon, Mesarthim
Brought forth by the Sweden-based multi-instrumentalist Matthew Bell (Autumn's Dawn, Austere live & many more), TJAKTJADÁLVVE is an Atmospheric Black Metal project now at its third full-lenght release.
"Encompassing Nothingness" perfectly blends the sorrow of depression-tinged black metal with the coldness, thrill and melancholy of its atmospheric kind, guiding the listener through his low-paced and synth-driven scenarios. With a neat production and dreadful vocals, the musical journey that this album encloses can't reward the listener more than so.
Tracklist:
1. The Solitude of Abject Darkness
2. Norrsken
3. Longing
4. Encompassing Nothingness
Total length: 32:22 minutes
https://flowingdownward.com/
https://tjaktjadalvve.bandcamp.com/
FROZEN OCEAN – “ASKDRӦMMAR”
Label: Apocalyptic WitchcraftRelease date: february 13th 2026
Genre: Depressive Rock / Atmospheric Black Metal
For fans of: Lifelover | Katatonia | Apati | Joyless
City dwellers have all sensed the life, the power, the autonomous identity of their home. They understand, on some deeply buried level, that it is more than a collection of buildings and intersecting streets…it is an entity beyond its elements, a tarnished, hungry god with a character that changes with the setting of the sun and the flickering into life of the street lights and neon signs. They know there is another world, a darkly different reality that lies behind a thin veil of perception; held in check only by a silently agreed refusal to believe in its existence. But a glimpse from the corner of the eye, a movement in the shadows not rejected and quickly forgotten and the door to that other city begins to stand ajar. And with Askdrömmar, Frozen Ocean are holding that door open and beckoning you inside…
For more than twenty years Frozen Ocean has brought us a staggering array of musical gifts; journeys that have taken us from the depths of space to the worlds of Tove Jansson’s literary creations, from Norse mythology to complex internal landscapes – riding on the wings of cold black metal and textured ambience – dramatic and visionary works. Now Vaarwel, the creative spirit behind the Frozen Ocean name, has returned with another sonic dream to ignite our imaginations and transport us to new dimensions. A work that draws inspiration from the writing of John Ajvide Lindqvist and the music of Lifelover, with lyrics written entirely in Swedish that communicate on a level beyond language. Askdrömmar leads us through a gallery of images, of haunting vignettes, to a destination unique to each soul that listens.
We enter the world of Askdrömmar along the moon road, ‘Mångata’ – both frightening and fascinating in equal measure. Vaarwel’s grim voice rasps over the dark, richly melodic music, a superlative demonstration of the power of black metal vocals at their most emotive. Already the light behind you is but a pinprick in the distance as the city begins to swallow you. The melodic, gothic doom inflections of ‘Bortkastade dödsrunor’ draw you deeper still and it becomes clear that these songs are creating an environment as well as a narrative and atmosphere – listening to Askdrömmar is to explore the secret streets of this dark urban domain. As you reach ‘Jag sover’ you are haunted by the city, surrounded by it, consumed by it, lost in its labyrinthine heart. The melancholy melodies twist through the night time world and the chosen language of presentation with its harsh poetry invokes imagery while avoiding definite definition. The liquid keys of ‘I lyktornas sken’ move between the pools of light that punctuate the blackness, creating unfathomable depths and innumerable layers, possessing the power to hypnotise and enthral. From the sinuous lament of ‘Köttkvarn’ with its bewitching despair, through the frantic fear of ‘Långt lopp genom mörkret’ to the beautiful, humbling conclusion of ‘Brunkebergstunneln’, Vaarwel has created nothing less than magic. Askdrömmar is the most powerful and affecting Frozen Ocean work to date – and that is some achievement.
Adorned in the superbly atmospheric artwork of Mosaeye Art (The Hearth Of Discordia, Shiningstar, Pyre etc), Askdrömmar will be unveiled by Apocalyptic Witchcraft on February 13th on CD digipak, cassette and digital formats, as well as an exclusive, extremely limited boxed set. Prepare to pass through the veil and wander through your darkest dreams…
Line-up:
Vaarwel – Vocals, guitars, bass, e-bow, keys, lyrics and music
https://apocalypticwitchcraft.co.uk/
https://www.facebook.com/frozenoceanrus
New single "AUTUMN NOSTALGIA" from TÅKEVANDRER! Sagas summon all wanderers of the dark forests. Rising from the misty Austrian mountains in the autumn of ’25, their lyrics dive into the profane, the
occult, and the mystic paths of lunar existence.
https://www.youtube.com/@Takevandrer.Official
https://www.facebook.com/profile.php?id=61584122578056
YHWH
Release
New EP KHATHA . Five Tracks of Unrelenting Extreme Metal Fury Now
Available .Stream Now: https://orcd.co/khathaep
Extreme metal powerhouse YHWH have unleashed their latest sonic assault with Khatha, a short but devastatingly punishing five-track EP that showcases the band at their most raw and uncompromising.
Khatha breathes life into previously unrecorded compositions, each track a brutal confrontation with human cruelty, societal injustice, and the darker corners of myth and the mind. With unrelenting intensity, YHWH deliver a statement that refuses to compromise, reinforcing their place as one of modern extreme metal's most intense and thought-provoking forces.
Khatha strips away all pretense, delivering five tracks of pure extreme metal that challenge listeners to confront uncomfortable truths. From the opening salvo to the final crushing note, YHWH demonstrate why they've become essential listening for fans of uncompromising heavy music.
The previously unrecorded material showcases the band's evolution while maintaining the ferocity that has defined their sound. Each composition serves as a mirror to humanity's darkest impulses, forcing listeners to gaze unflinchingly into the abyss.
Khatha represents YHWH's commitment to extreme metal at its most vital and unforgiving. In an era of overproduced mediocrity, the band delivers an honest statement that reminds us why extreme music matters. This is metal that doesn't just entertain, it challenges, provokes, and leaves permanent scars.
For fans of uncompromising extreme metal who demand substance with their savagery, Khatha is essential listening.
Formed in 2024, YHWH is a Belgian/Thai black metal band. All music is composed by Schem HaMephorash and her sister C. Bones, with S.M. Goat Ritual joining in June. Following their debut EP Tetragrammaton (April 2025, Wormholedeath), the band now unleashes the second chapter: Khatha. Prepare for the doom.
"Tetragrammaton": https://orcd.co/tetragrammaton
https://thetrueyhwh.bandcamp.com
Finnish melodic death/doom metal band THE HARBINGER released a new EP 'GATES OF HELL' via Inverse Records. Also a brand new music video 'BLEAK SALVATION' is unleashed today and it's available here: https://youtu.be/r7KIQF_zFGg
Listen to 'Gates of Hell' EP on streaming services: https://push.fm/fl/the-harbinger-ep
Watch Hollow music video: https://youtu.be/1VvGF_7o7B0
Watch Sleepless music video: https://youtu.be/0ruWLSsza5I
Biography:
From the cracks of concrete hell, Kouvola, Finland, rises a new band with beautiful yearning doom metal melodies and crushing death metal riffs.
The band was formed in the cold winter of 2016. After some line up changes and finding their sound, the band released their first EP ”Shadows Dance” in three singles between 2020-2021. ”Dead Ends” EP was released in 2023 and it felt like the band had sharpened their sound and style.
A New EP "Gates of Hell" was released in December 2025 via Inverse Records.
Track
list:01. Sleepless
02. Fading Lines
03. Bleak Salvation
04. Hollow
05. Glass Walls
EP cover by Aku Rundberg
Recorded and mixed by Arto Kujala
Mastered by Saku Moilanen, Deep Noise Studios
Line-up:
Aku Rundberg - Drums
Arto Kujala - Guitar & backing vocals
Lauri Korhonen - Bass & backing vocals
Pasi Kanerva - Vocals
Sami Karhu - Guitar
https://www.facebook.com/theharbingermetal
Romanian Atmospheric Black Metal entity ARGUS MEGERE return with their first new album in six years. Titled "CERBUREA APUSULUI", the band's fifth full-length record is out now through Loud Rage Music.
The album was recorded primarily at Consonance Studio by Andrei Jumuga and Sol Faur (Dordeduh), with guitar sessions completed at Ras Alhage Studio by Fulmineos. Mixing and mastering duties were handled at Consonance Studio by Andrei Jumuga. Artwork and design by Alexandru Daș.
A new single, "Soma", taken off "Cerburea apusului", is now streaming here: https://www.youtube.com/watch?v=t_ZGcMaoZxo
The band comments:
"Today is the big day: we release "Cerburea Apusului" into the unknown. Over the past years, this moment felt like a Fata Morgana, layered with growing uncertainty. Yet here we are, and "Soma" reflects this state of mind perfectly.
The song tells of ancient hunters depicted on cave walls in a remote area of the Apuseni Mountains, exploring the connection between the human condition and the deities of the wild, and ultimately the idea of achieving immortality through art. From its midpoint to the end, "Soma" becomes fully instrumental, shaped as a meditation on meaning, on the question of purpose, and on the long and unlikely journey of Argus Megere, nearly thirty years of existence and an improbable destiny. In a way, it feels like a farewell, a thought about stepping back into the shadows, at least regarding the release of any new album in the near future.
But not all is lost. We still have plans for a celebration next year; it all depends on our motivation and the means to make it happen. And then... perhaps we blow out the candles and eventually rise from the darkness again. Who knows?
Enjoy this offering. It was created with sincere dedication and blood."
Order "Cerburea apusului" here: https://loudragemusic.bandcamp.com/album/argus-megere-cerburea-apusului
https://loudragemusic.limitedrun.com/products/870708-argus-megere-cerburea-apusului
ARGUS MEGERE is:
Ageru Pământului – Vocals
Fulmineos – Vocals, Guitars, Keyboards
Urmuz – Bass
Putrid – Drums
Guests:
Bogdan Luparu (Bucovina) – Vocals
Andrei Oltean (E-An-Na) – Vocals, Traditional Folk Instruments
https://linktr.ee/loudragemusic
https://www.facebook.com/argusmegere/
At the turn of the millennium, THALARION were one of the fundamental bands of the Slovak metal underground. Not only because of the contract abroad, but mainly because of the quality of their music. As a fan of THEATRE OF TRAGEDY, THE GATHERING, DREAMS OF SANITY or even the Slovak GALADRIEL, I couldn’t miss also THALARION. Their music enchanted me. “Tales Of The Woods... Thus Was Written” (1998) already sounded amazing, but the third album “FOUR ELEMENTS MYSTERIUM” is my favourite of all THALARION recordings. Plenty of catchy riffs blending doom metal with melodic death metal, charming vocals, and especially the “beauty and the beast” approach, popular at that time, offering atmospheric heaviness, gloom... this is just a part of what the original nine-track album has been offering for listening for a quarter of a century.
This anniversary prompted me to re-edition “Four Elements Mysterium” on my label Pařát Productions, while not killing two birds with one stone. That explains why the digipak edition was released in August, while the LP version didn’t come out until December.
Style: Death/doom metalType: Limited 250 copies black LP 12" (140g) with full-color labels, printed inner bag, original foil
Release date: 18.12. 2025
A gift for the album's 25th birthday!
- first time on LP
- restored frontcover
- new graphics
"Four Elements Mysterium" will be released FIRTST TIME ON VINYL 18.12. by Pařát Productions. You can order them at Pařátshop https://paratshop.cz/produkt/thalarion-four-elements-mysterium/
You can listen to full recording on the Pařát Productions YouTube channel https://www.youtube.com/watch?v=dhkc7vE9hlc&t=16s
www.paratshop.cz
www.facebook.com/ParatMagazine
Melodic
Death Metal legion EVOCATUS has unleashed the official
music video for their monolithic title track, "DEVOTED TO
INEVITABLE DEATH." This aggressive, animated single arrives
as a new visual chapter from their uncompromising album, INEVITABLE
DEATH, out via WormHoleDeath."Devoted To Inevitable Death" is a thunderous ode to fate, warfare, and the inescapable end that comes for us all…
Vaughan explains: "I wrote the main riff for this song just after recording finished for our last album, Path to Tartarus, not quite making it in time for that release. I was listening to a lot of Beyond Creation at the time, and this main riff was inspired by the chunky intro on Omnipresent Perception. I aimed to combine this with the soaring highs and churning lows of the choruses to really give it a contrasting 'triumph through tribulation' feeling. This song also has my favourite solo on the album, very happy with how it turned out."
The new music video is illustrated, animated, and edited by @VKI-ILL, bringing the track’s intensity and emotion into a visual world of war-torn myth and looming finality.
Music by Douchkov, lyrics by Jones.
Produced, mixed, and mastered by Ryan Huthnance (Emissary Studios).
Logo by Carlo Santos.
Stream & buy INEVITABLE DEATH:
https://orcd.co/inevitabledeath
www.auralwebstore.com/inevitable-death
About:
Evocatus are a 5-piece Battle metal / Melodeath from NSW, Australia.
Hailing from the desolate craterfields of Australia’s Hunter Valley, Evocatus are a 5-piece melodic death metal band, crafting epic tales with crushing riffs, blistering solos, and haunting melodies. A potent blend of thrash, death, folk, and symphonic elements, Evocatus has been leaving a trail of sonic destruction across the Australian metalscape.
EVOCATUS are:
Nich Shields – Vocals
Vaughan Jones – Guitars
Callan Douchkov – Guitars
Brad Delforce – Bass
Adam Watts – Drums
https://www.youtube.com/@evocatusbandofficial
https://www.facebook.com/EvocatusBand
Label: Comatose MusicRelease date: january 16th 2026
Genre: Brutal Death Metal
For fans of: Cannibal Corpse | Skinless | Devourment | Disentomb
Within the long, dark corridors of my mind there are numberless doors, all locked tight, concealing the prisoner’s of my heart’s creation. In these rooms I vent my passions, bathe in the screams, dissect and desecrate, peel and penetrate, lose myself in a fantasy of blood and power. And for as long as I can remember this has been enough for me; my internal dungeon paradise. But now I realise it has all just been a preparation, a gentle tuition, the beginning of my manifest destiny. The time has come to step outside and share my dreams with others…
It’s been more than five years since Houston’s Architectural Genocide released their cataclysmic debut album, the raging brutality of Cordyceptic Anthropomorph, but time has not mellowed them or soothed the temperament of their inner beast. If anything, their long awaited second album is an even more dangerous, vicious creation that adds an unnerving, skin crawling terror to their trademark elixir of darkness and depravity. Prepare yourself for the fearsome assault of Malignant Cognition!
Opening with ‘Precursor To Bloodshed’, a litany of horrors over a nerve-grinding riff, there is a sense of suppressed violence, silently screaming to be unleashed…and that unleashing comes with ‘Coercion Into Carnality’, an irresistible weight that drags you down into a mire of torture and sickness, shifting from the methodical to the frenzied with the unpredictability of a broken mind. And from here the remorseless attack continues unabated – from the slow motion compression of the internal organs blended with lacerating savagery of ‘Trophies For My Murders’, to the surging, stabbing ‘Zed Requiem’ – tormenting with a pitiless curiosity, devoid of empathy – on to the shocking climax of ‘Stuffed Under Floorboards’. This is perhaps the most potent combination of chilling atmosphere and punishing riffing that Architectural Genocide have yet invoked, a true monster of a song, meticulous in its dismembering delivery.
Encased in the superb artwork of Rudi Yanto (Devastrosity, E-Force, Perveration etc) and Den Yudi (Decrepitation, Realm Of Chaos, Rotting Demise etc), the perfect visual depiction of the soul-eating madness within, Malignant Cognition will be let loose by Comatose Music on January 16th. Mixed and mastered at Southwing Audio (Oceans Of Slumber, Stabbing etc) for maximum impact, Malignant Cognition serves up a banquet of Architectural Genocide’s inimitable brutality. The New Year will begin with a brutal death metal holocaust!
Line-up:
Daniel Brockway - Vocals
Matt Day - Bass
Tom Savage - Guitar
Nat Conner - Drums
https://www.comatosemusic.com/
https://www.facebook.com/architecturalgenocide/
Genre
: Epic
Symphonic Black MetalFormat : CD
Release date : 08/01/2026
For fans of: Summoning, Caladan Brood, Sojourner, Pure Wrath, Emyn Muil.
Sickle of Dust is the best Epic Symphonic Black Metal you probably haven't heard yet. Solemn, epic, astonishing: with "Across the Vultures Trail", the 5th album to date, the eastern european project finally reaches maturity.
Fully composed by Ash (also founder of the 90's neofolk cult project Neutral), "Across the Vultures Trail" displays a very harmonic and detailed symphonic tone, sweeping in scope and majestic in sound, constantly evolving in enchanting and epic ways throughout the whole record length. The pathos created by such multi-layered arrangements is the heart of Sickle Of Dust's music, wired by mid-tempo rhythms, emotional riffs, acoustic sections and almost narrative scream vocals.
Tracklist:
1. Brothers of the Storm (08:36)
2. On the Battlefield (07:54)
3. Across the Vultures Trail (07:36)
4. Wizards Don't Dance (08:04)
5. The Black Stones Inn (08:16)
Total length: 40:26 minutes
https://flowingdownward.com/
https://www.facebook.com/SickleofDust/
The
darkness of a new era has descended. Finnish melodic death metal band RE-ARMED returns
from the shadows with their new single “OMINOUS PENUMBRA”,
serving as a foreboding introduction to the band’s upcoming full-length album.Listen to the song on music services: https://push.fm/fl/rearmed-ominouspenumbra
The song’s oppressive atmosphere and symbolism – “A dark mass with wispy tendrils, floats across the sky...” – intertwine with the concept of a shadow that is not born solely from individual darkness, but surrounds us all. “We ourselves are the greatest enemies of all living things,” the band reflects on the song’s message.
“Ominous Penumbra” continues Re-Armed’s journey toward the spring 2026 album, exploring the delicate balance between light and darkness in ever deeper ways. The album is loosely themed around opposing forces and the ongoing struggle between them – both in the world and within the human mind.
The single is now available on all streaming platforms – a reminder that shadows are never far, and each of us carries our own.
https://www.re-armed.net
Finnish
Kuopio-based death metal band LICUATION unveils an
exceptionally intense double single, with the tracks 213 and STIGMATIZED
showcasing the band’s most brutal and ambitious side to date. 213 is a
relentless and straightforward death metal strike, blending rapid-fire riffing,
pounding double-kick patterns, and sewer-rat-like guttural
vocals. Lyrically, the track plunges into the horrifying world of serial
killer Jeffrey Dahmer and his infamous “death room,” from which no
one ever returned. The song’s physical, aggressive energy mirrors the
human darkness at the core of Dahmer’s story.Stigmatized, on the other hand, delivers a longer and more epic composition that fuses direct riffing with groove elements and layered rhythmic variations. The track features a bass solo, tight guitar tapping, and deliberate rhythmic intricacies that highlight the band’s technical skill and compositional ambition. Lyrically, Stigmatized explores dangerous cults and the twisted internal logic that pulls people into their orbit. The song constructs a closed, oppressive world where personal freedom is consumed by the deranged rules of the collective.
Together, the two tracks demonstrate Licuation’s ability to combine raw aggression, technical proficiency, and storytelling in a way that stands out within the Finnish metal landscape. 213 represents the band at its most explosive and direct, while Stigmatized expands their sound into longer and heavier territories. Through these two songs, Licuation proves capable of both crushing intensity and nuanced atmosphere-building.
The result is dark, menacing, and musically tight — exactly what modern death metal demands. This double single stands as a strong testament to Licuation’s readiness to ascend to the next level. Both 213 and Stigmatized reflect the band’s evolution toward an even bolder and heavier sonic identity.
Listen to Stigmatized on streaming services: https://push.fm/fl/licuation-stigmatized
The band comments tracks:
"213" is a straightforward and merciless track that blends rapid-fire riffing, pounding double-kick patterns, and sewer-rat-like guttural vocals. Lyrically, it delves into the twisted world of serial killer Jeffrey Dahmer. Plunging straight into his infamous “death room,” from which there is no return.
"Stigmatized" is a long, epic death metal track that blends straightforward riffing with heavy groove elements. The song features intricate rhythmic twists, a bass solo, and tight guitar tapping. Lyrically, it explores dangerous cults that pull people into their orbit — closed worlds ruled by their own disturbed internal logic."
Biography:
Licuation is a death metal band from Kuopio, Finland, known for playing fast, heavy and uncompromisingly hard. Their music fuses relentless blast beats, growling bass lines, ice-cold guitar tones and melodic solos. Tying it all together is a raw, ferocious vocal delivery that channels themes of pain and death. The group has released several acclaimed records and music videos. Their latest EP, Morbidly Curious, garnered wide attention and strong support from metal fans around the world. Now the band is hungrier than ever — ready to show what they’re truly capable of. Licuation has earned a reputation on major festivals and club stages across Finland: performing in front of a 5,000-strong crowd at Raahe Kölifest, five consecutive shows at Kuopiorock, and an intense set at Turku Metallivuori are just a few highlights. Licuation has shared the stage with acts such as Stam1na and Marco Hietala. This regiment won’t slow down until it rests in the grave.
Composed & lyrics by Esa Laukkanen, Veeti Heiskanen, Teemu Tick, Jani Nevasalmi ja Samu Reijonen
Single cover by Tata Kumislizer
Line-up:
Esa Laukkanen - Bass
Veeti Heiskanen - Vocals
Teemu Tick - Guitars
Jani Nevasalmi - Guitars
Samu Reijonen - Drums
https://www.facebook.com/Licuation
Welcome
to the alienating, passionate and mystic universe of Swiss duo NIGHTSHADE who
present the first track from their upcoming album "IN ESSENCE
DIVIDED" due out on February 20, 2026, via My Kingdom Music.The doors open in front of the song "DISSONANT VOID" featuring Skevent, a Swiss electronic band exploring the border between joy and melancholy.
The official video realized by DHRood is available at https://youtu.be/PeSf96z9ZFA
Infusing moods ranging from dark and psychedelic, to heavy and galloping riffs, with Noemie Torche's emotional voice, "Dissonant Void" is an intense and captivating song inspired by the roots of Progressive Metal from the early 70's, by Avantgarde Black Metal of the last decade, by the melodic Metal of the 90's.
"In Essence Divided" was mixed and mastered by Raphaël Bovey from Switzerland, known for his work with Monkey3, Nostromo, Gojira, Samael among his extensive discography, and will delight fans of Progressive Metal à la OPETH, but also those enjoying an uncanny mix of styles and influences from PINK FLOYD to BLOOD INCANTATION, from SAMAEL to GOJIRA!
https://linktr.ee/mykingdommusic
https://www.facebook.com/NightshadeMetal
The footage was captured live at the London Metal Coalition event at The Signature Brew in London, UK, showcasing the band’s visceral, sharp-edged sound in its purest form. "Warm Up" is a concrete statement of the band’s uncompromising energy and technical prowess, serving as a powerful reminder of why Slave Steel is one of the most exciting forces in the UK metal underground.
New Album and London Show Announced
The quartet is not slowing down. Following the success of their critically acclaimed full-length album, In Fieri (out via Wormholedeath), Slave Steel confirms they are now deep in the production phase of their highly anticipated new album. More news coming soon!
Fans can catch the band live in London on December 12th. This pivotal show offers Slave Steel the opportunity to secure a prestigious slot at the Sun & Thunder Fest 2026. This is a must-see event for those looking to witness the band's raw power in person and support their ascent to the next stage.
"Warm Up" is a track taken from the band's album "In Fieri", available on all digital platforms and in CD format https://www.auralwebstore.com/shop/cd/1288-temtris-khaos-divine.html
Previous videos to explore:
https://youtu.be/C7khQyIEFQs
https://youtu.be/HE_5J_LSbKw
https://youtu.be/00m0l6iXmtU
https://youtu.be/NnBco89fqoQ
https://youtu.be/zL_5m27aDq4
About Slave Steel:
Founded in Rome and based in London since 2014, Slave Steel delivers an impetuous, dark, and sharp blend of Thrash and Death Metal. Their music relentlessly explores the contradictions of human nature—the capacity for both wonder and destruction—set against a reality defined by conflict. Their lyrics weave ongoing analogies between science and abstraction, creating a primordial chant of resilience and change.
Having released their Dream of Decadence EP in 2021, the band quickly garnered attention, earning an invitation to perform at Bloodstock Open Air. In 2023, they signed with Wormholedeath Records, announced the In Fieri album, and commanded the stage at the WTF Rock Festival, opening for legends Sepultura.
Slave Steel is:
Vocals: Pil Nazar
Guitars: Daniele Manganaro
Bass: Marco Agosta
Drums: Riccardo Prior
www.slavesteelmusic.com
www.facebook.com/slavesteelofficial
FOREVER AUTUMN – “THE LAMENTATIONS”
Label: Independent ReleaseRelease date: january 3rd 2026
For fans of: Hagalaz’ Runedance | Myrkur | Wardruna | Stille Volk | Jo Quail
Beneath the fallen leaves and in the dance of the naked flame, in the shifting shapes of clouds and in the birdsong and the silence that surrounds it, there lies the pathway back to the essence of all we have been. On the edge of shadows and below the stars, in the stories that are spoken, now and forever, in the dreams that the devices and distractions of a sterile life blow away from our waking minds with nervous breath, there is truth that cannot be twisted and remade. There is substance and value; there is meaning and matter if we choose not to be led away - if we choose to see the passage of the sun, to hear the celebrations of the spring and the lamentations of the winter night.
From the mountains, lakes and forests of the Berkshires region in Massachusetts comes Forever Autumn, the unique musical entity created by Autumn Ni Dubhghaill. Autumn’s music has been called avant-garde, pagan folk, acoustic doom…and it is all of these things and more. The emotional weight of doom and the cold mystery of black metal certainly add their shadowed hues to the Forever Autumn palette of sound, but the essence of these songs is far older…it resounds in the heart of us all and its roots are those that bind us to the earth. For nearly quarter of a century Autumn has been spinning her tales, invoking magic with albums like Patience Of ðm Fire-Keeper and Howls In The Forest At Dusk, working with artists like cellist Jon McGrath and vocalist Aaron Stainthorpe of My Dying Bride; but for her latest creation Autumn walked a solitary path – writing, performing, recording and producing alone. The results are breathtaking in their stark power and overwhelming atmosphere. They are The Lamentations.
The Lamentations begins with ‘Beltaine’, hypnotising in the simplicity of its melody, deeply moving in its undercurrent of loss. Within moments it has transported us to a place of darkness and firelight with the beautiful immediacy of the sound. It’s as if Autumn Ni Dubhghaill sits on the other side of the flames, the quiet fervour of her voice painting pictures in the ever moving shadows. From here The Lamentations unfolds with a rare intimacy and sense of secrets shared. We stand in the quiet companionship of mutual sorrows and watch the seasons change through the smoke shrouded blues of ‘Self Portrait In Blue, Black And Grey’, we enter the unnerving presence of the withered, wise and powerful in the ancient reel of ‘Hexes And Wards’, lost in the dreams of witches, while ‘Fylgia And The Fetch’ is a revelation in its intensity. With an elemental and haunting vocal performance this acoustic rendering of black metal is stunning. The album continues through realms of lost thoughts and whispers, of openings and giving, warnings and warmth before ‘The Salt Of Mortality’ leads us on a walk through the dying of the year; chill reflections and future ponderings, the long shadows and short days of November. And then our time here is passed and we step once more from the deep truth of dreams into the harsh noise of a world that has moved on. But Autumn Ni Dubhghaill will always be waiting by the fire for our return.
Mixed by Robby Baier and mastered by Jack Control (Darkthrone, Inculter, Ice War etc) – the same team that added the final touches of sonic sorcery to Forever Autumn’s last release, the Crowned In Skulls EP – The Lamentations reverberates with life and possesses a sound rich in texture and deep, deep depths. Adorned in artwork painted by Autumn Ni Dubhghaill, from her Self-Portrait In Winter collection, The Lamentations will be released on January 3rd, the night of the January full moon, the Wolf Moon. Walk in its light to the sanctuary of Forever Autumn…
Line-up:
Autumn Ni Dubhghaill – All music and vocals
Genre: Acoustic Doom / Pagan Folk
https://www.facebook.com/HailWoodlandSorcery/
https://autumnnidubhghaill.com/
The band comments:
"My Kingdom Is Hell" is dedicated to rock legend and Motörhead frontman Lemmy Kilmister. The song is a furiously fast-paced death 'n roll blast from start to finish...a tribute to the man who changed rock 'n' roll forever with his absoluteness and determination. "49% motherfucker 51% son of a bitch" "
Biography:
Founded in 2009, Funeral Home is a death metal band from Kuopio, Finland. Their musical influences range from death 'n' roll and old-school styles to with gloomy melodies of death metal . The band writes its songs with the music first, keeping the song structures simple and the arrangements flowing.
Listen to the first single 'You Failed My Trust': https://push.fm/fl/funeral-home-trust
Track
list:1. You Failed My Trust
2. Wall
3. My Kingdom Is Hell
4. Rotten To The Core
5. Depths
6. Sacrificial Goat
7. Your Funeral
8. Graveyard Blues
9. Blood & Sacrifice
Album cover by Henna Pulkkinen
Line-up:
Ossi Maalampi - vocals
Henri Ojala - lead guitar
Henri Thitz - rhythm guitar
Juha Korhonen - bass
Jouko Poussu - drums
https://linktr.ee/Funeral.Home
MEZZROW were formed during the autumn of 1987. They released three demos and a full-length album before calling it quits in 1993, a dark era for thrash indeed.
During 2021 MEZZROW rose from the ashes, when bass player Conny Welén and singer Uffe Pettersson decided to make a new mark in the thrash metal world of today and have together with new guitarists Magnus Söderman (ex-Nightrage) and Ronnie Björnström (ex-Defiatory, ex-Aeon) written new killer songs, which have pure thrash metal top-class written all over them.
”Of course we have a bit of a new and updated sound, more mature and dark, but it’s still old school thrash metal in the famous Bay Area style that lays the foundation. We refuse to downtune the guitars and you can definitely hear what Uffe sings! Some of the songs are actually a bit melodic, but in a thrashy kind of way. So don’t worry, we don’t do any ballads”, comments Conny Welén.
The line-up was completed by excellent drummer Alvaro Svanerö
“Embrace The Awakening”, their second album since the return, was released on ROAR/Rock Of Angels Records on November 14, 2025.
http://www.mezzrow.black/
https://www.facebook.com/mezzrowsweden
"IN SORROW'S REQUIEM",
this is the title of the new album by Italian Gothic-Doomsters MOTUS
TENEBRAE, due out on May 8th 2026 on My Kingdom Music which renewed
them trust and loyalty.It's been almost 10 years since their last album "Deathrising" and MOTUS TENEBRAE return to make their voice heard in the most powerful, dark and full of pathos way possible with a new album that treasures the legacy of that work, enriching it with new nuances and atmospheres, creating their most mature, most emotional and most decadent work in their 25 years of career.
Andrea, bassist and longtime founding member of the band, tells us: "It's been a really long time since our last release, and we're so happy that My Kingdom Music believed in us and gave us the chance to make a strong return to the world scene. "In Sorrow's Requiem" is for us a sad and melancholic chant woven from despair, longing, and the fading light of hope. It's a journey into pain, into a kind of twilight, the decline of the human essence. We really care about this work, and I can't wait for you to listen to it and tell us what you think!"
With "In Sorrow's Requiem", MOTUS TENEBRAE rise again, stronger, darker and deeper than ever!
Three visions... One sound. Embrace the unknown!
https://linktr.ee/mykingdommusic
https://www.facebook.com/MotusTenebraeOfficial
For fans of : Anatomia, Asphyx, Autopsy, Bolt Thrower, Cancer, Carcass, Coffins, Exhumed, Haemorrhage, Hooded Menace, Impetigo, Machetazo, Undergang and Unleashed.
Stranguliatorius return to Horror Pain Gore Death Productions to unleash their fourth album Flies Don't Lie! The Lithuanian savages Stranguliatorius are back with a vengeance, and deliver a brutal dose of raw Death Metal, infected by unhygienic guitars and a relentless grinding hangover. Flies Don't Lie delivers twelves tracks of sarcastic sadism, grotesque gory and relentless riffs that hit like a sledgehammer! Mastered by Jack Control (Aura Noir, Darkthrone, Cianide, Frozen Soul, etc.) at Enormous Door Mastering.
Listen to the single "Stinks" at https://www.youtube.com/watch?v=pwr7JffpMxQ
Tracklisting:1. Funebraclav
2. Doctor Syringe
3. Acetone Dream
4. They Who Don't Sleep Will Not Wake Up
5. Cremator Operator
6. C9H13N
7. The Notes Of The Deceased
8. When I Lift The Coffin Lid
9. Flies Don't Lie
10. AC/Necro/DC
11. Stinks
12. Flashback
www.youtube.com/user/horrorpaingoredeath/videos
www.horrorpaingoredeath.com
www.facebook.com/horrorpaingoredeath
HEXBANE, a new sinister force
born out of nostalgia and admiration for the primal days of black metal, has
announced its formation. Fuelled by the spirit of the genre's pioneers, HEXBANE is a return to the foundational days of extreme music. The band’s ethos is simple: to create pure, unadulterated proto-black metal that honours the nostalgia and aggression of the era that started it all.
The band comprises a monumental lineup of extreme metal veterans:
The Magus on vocals (ex-Necromantia, ex-Rotting Christ, The Magus, Thou Art Lord)
George Emmanuel on guitars (Lucifer’s Child, ex-Rotting Christ)
Tas Danazoglou on bass (Friends of Hell, ex-Electric Wizard, Mirror, Satan’s Wrath)
Faust on drums (Djevel, ex-Emperor, Blood Fire Death)
The band said:
“HEXBANE is a band born out of nostalgia and admiration of the primal black metal days, where pioneer bands created and established the genre. So expect nothing more and nothing less than pure proto- black metal in music and spirit.”
HEXBANE is currently preparing to enter the studio early next year to record its debut release, which will be available via The Circle Music and Hell’s Fire Records.
https://www.hellsfire-records.com/
https://linktr.ee/thecirclemusic
EPISTULUM – “CANTIGA PSYCHOTICA”
Format: Digital CD / Physical CD
Label: Independent Release
For fans of : Amon Amarth, Hypocrisy, Children of Bodom, At The Gates and such…..
Founded in 2017 by keyboardist and vocalist Thijs Ronteltap as a solo project, Epistulum slowly grew to a full-fledged band featuring Jeroen Nels on lead-guitar, Ramón Roest on drums, Justus Ebel on bass and Billy ter Horst on rhythm guitar, later replaced by Jeremy De Boer.
The band went on to produce and release their first full-length album on August 26th, 2022. The album, FROM THE DEAD MASSES, is a collection of musical portraits on the primordial aggressions within the human grounds of being, through explosive, synth-driven death metal.
So far the band has been playing multiple shows in their native country, the Netherlands, but has also played its first show abroad in Ahrensburg, Germany in March in 2024.
The band finished a new album earlier this year, titled ‘CANTIGA PSYCHOTICA’, which was released in October 2025.This release paints different schizophrenic pictures of various human practices, be it religion or the psychology of the inner world, to establish a sense of paranoid dread throughout its runtime.
From darkened archetypes guiding the listener to abolish all hopes of clinging to any sense of personality to desolate pictures of a great she-demon who allows the souls of her followers on earth to feast upon her flesh in sexual ecstasy, CANTIGA PSYCHOTICA is a boundary-expanding experiment meant to inflict a fear-instilled but harmonic exercise of great aggression into the listener, mainly to liberate oneself from destructive convention, be it social, political or religious conditioning of any kind.
Tracklist:
01. Prologue (Hel)
02. Behold The Carcass Messiah
03. Black Lotus Cannibal
04. Unearth The Dark Mother
05. Omen
06. Voidwalker
07. Vedic Detrimentum
08. Eye Of Dukkha
09. Invocation Of Insanity
10. Jungian Armageddon
11. The Pathless Wrath
12. Initiation Complete
Line-Up:
Thijs Ronteltap: keyboards/vocals
Jeroen Nels: lead guitar
Ramón Roest: drums
Justus Ebel: bassguitar
Jeremy de Boer: rhythm guitar
https://www.facebook.com/Epistulumband/
Heute wird es auch voraussichtlich zum vorletzten Mal ein kleines update in Sachen metallischer Unterhaltungsmucke von unserer Seite aus her geben, bevor wir dann spätestens in 2 Wochen den Kopierer wieder heiß laufen lassen werden - um Euch dann auch bald unsere neueste Printausgabe des FATAL UNDERGROUND Nr.60 anbieten zu können.
Also lasst euch nochmal die „besinnliche“ Zeit mit nen paar sau harten Klängen verschönern. Lets go !
ARCANA XXII - „ANTHEMS OF ADVERSITY“
MENTAL PHLEGM-“ENJOY YOURSELF” (TAPE/EP)
KREMATORIUM – „TAG DER SCHWERTER“
ARCANA XXII - „ANTHEMS OF ADVERSITY“
RODUNG - " WALDVOLK"
Noch mehr aktuelle Infos rund um den Globus findet ihr unter : https://www.facebook.com/mario.klein.961/ https://www.facebook.com/Undergroundfanzine/
Die italienisch-schweizerischen Heavy Rocker TARCHON FIST haben zu ihrem Song "3 DAYS IN HELL" von ihrem Jubiläums-Album "XX YEARS OF ROCK AND HEAVY METAL" - Release: 28.11.2025 über das Label Underground Symphony - ein Musikvideo veröffentlicht.
Den Song und das zugehörige Video kann man über folgenden Link auf dem Youtube-Channel der 2005 gegründeten Band genießen: https://www.youtube.com/watch?v=7aA2OIumsRY
In dem professionell und mit großer Detailvielfalt gefertigten Animations-Video wirken die aktuellen TARCHON FIST-Bandmitglieder, die in der neuen Aufnahme von "3 Days in Hell" zu hören sind - Gitarrist LVCIO (Luciano Tattini), Sänger RAMON (Mirco Ramondo), Bassist WALLACE (Marco Pazzini), Gitarrist RIX (Sergio Rizzo) und Drummer MATT (Mattia Vescovi) - als Animations-Charaktere mit.
Zu dem Youtube-Link erklären TARCHON FIST, dass die Originalfassung des Songs "3 Days in Hell" - somit auch die Lyrics - im Jahr 2008 geschrieben wurden.
Das Thema greift die damalige Auslegung einer Maya-Prophezeiung auf, die das Ende der Welt für den 21. Dezember 2012 voraussagte. Wie es danach weitergeht, erfahrt Ihr in dem Video.
Insgesamt beinhaltet die CD "XX YEARS OF ROCK AND HEAVY METAL" 11 Tracks, darunter neu aufgenommene Stücke aus den ersten beiden Alben und bisher unveröffentlichte Werke.
Die Tracklist lautet wie folgt:01. Bad Situation
02. 3 Days in Hell
03. Carved with Fire
04. Hammersquad
05. It doesn't Matter
06. Flower in the Sand
07. Football Aces
08. Earth Song
09. Bad Man Mania
10. Falling Down
11. Crazy Times (XX Years Of Rock And Heavy Metal)
Die Gestaltung des epischen Cover-Artworks zu "XX YEARS OF ROCK AND HEAVY METAL" erfolgte durch den Künstler Stan W. Decker.
Gemäß der Ankündigung durch das Label Underground Symphony ( https://usstore.it ) soll das Album als elegantes CD Digipack und auf allen größeren digitalen Plattformen verfügbar sein.
Diskografie:
"Tarchon Fist" (2008, Label My Graveyard Productions)
"Fighters" (2009, Label My Graveyard Productions)
"Heavy Metal Black Force" (2013, Label My Graveyard Productions)
"Celebration" (2015, Label Il Male Production / Pure Steel Promotion (Jubiläums-Compilation)
"Apocalypse" (2019, Label Pride & Joy Music / Soulfood)
"The Flame Still Burns" ( 2023, Label Underground Symphony)
"XX Years Of Rock And Heavy Metal" (28.11.2025, Label Underground Symphony (Jubiläums-Compilation)
https://usstore.it
https://www.youtube.com/@tarchonfistofficial
http://www.tarchonfist.com/
https://www.facebook.com/tarchon.fist0
ASARU - "V.O.I.D."
Bereits 1995 gründete Frank Nordmann ASARU – eine der
ersten Black-Metal-Bands Südhessens und damit eine der langlebigsten
Formationen des Genres in Deutschland. Seit jeher steht der Name ASARU für
kompromisslosen Black Metal, der tief in den norwegischen Wurzeln verwurzelt
ist, dabei jedoch stets eine eigene, charakterstarke Handschrift bewahrt hat.Von Anfang an verfolgten ASARU das Ziel, ihre ganz persönliche Vision des Black Metal zu verwirklichen – fernab von gängigen Szenekonventionen und ohne den Drang, Erwartungen zu erfüllen, außer den eigenen. Das Ergebnis ist ein vielschichtiges, durchweg eigenständiges Werk, das seit Jahrzehnten den deutschen Black Metal mitprägt: mal episch, mal thrashig, immer ideenreich, aber nie verspielt – und vor allem eines: absolut authentisch.
In ihrer fast 30-jährigen Geschichte erlebte die Band zahlreiche Besetzungswechsel. Die konstante treibende Kraft blieb jedoch Frank Nordmann, der ASARU mit unerschütterlicher Leidenschaft durch die Jahre führte und dem eisigen Geist des Black Metal stets treu blieb.
Nach zwei Demos, einer Mini-CD und dem gefeierten zweiten Longplayer From the Chasm of Oblivion (2012) meldet sich ASARU nun nach über einem Jahrzehnt eindrucksvoll zurück – mit neuem Songmaterial und einem klaren künstlerischen Konzept.
Der erste Vorbote des kommenden Albums V.O.I.D. war die Single „Raise the Flame“ – ein wuchtiger Track über das Element Feuer, das sowohl Leben spendet als auch zerstört. Im dazugehörigen Videoclip entfaltet sich bereits die thematische Tiefe des Albums, das sich mit den vier Elementen ebenso auseinandersetzt wie mit den ewigen Gegenspielern: Menschlichkeit, Religion, Krieg und Untergang.
Das neue Album V.O.I.D. erscheint am 23.01.2026 über Schwarzdorn Production – digital, als edle Digi-CD sowie in einer streng limitierten Vinyl-Auflage.
ASARU sind zurück – stärker, düsterer und intensiver denn je.
Line-Up:
Frank Nordmann: Vocals/Guitars
Petter Myrvold: Bass/Vocals
Seb Wilkins: Drums/Vocals
https://youtu.be/6XLF_aLv0g8?si=Sw1ZvApq4XvP_zee
http://www.schwarzdorn.de
https://www.facebook.com/schwarzdornproduction/